#DRAGON IS FINALLY DOING SOMETHING USEFUL? MAYBE???

[vespaer77]

Aside from the fact that I think I might be the only person on the planet who could genuinely be interested in the Executors (I say "could" because my faith in good storytelling from BW is on shaky ground), I fully agree with this post.

And I say this as someone who wasn't sure that the Veil coming down was the right move. But whether someone thinks the Veil should come down or stay up is immaterial. The whole point is that no arguments for the validity of either claim were really ever truly examined. The only reasoning in the game that we get for the Veil remaining intact is that its collapse would "drown the world in demons." Which is... almost a fallacy on its own. Aside from naturally occurring malign spirits (that we learn about from the Mournwatch), demons exist as a direct result of the Veil simply existing.

Perhaps the danger is in not knowing what would happen to all of the mundane, unmagical folk when confronted with the full power of all the raw, unfiltered, chaotic magic of the Fade. But that's still thinking of magic within the confines of the Fade itself. We have no perspective, outside of Solas, on what magic really looks like when the Fade and the mundane world combine. Does it change? Is it still dangerous? Who does it endanger? Are we wrong? Are we right? Who knows? The whole point is that there's never an opportunity to ask those questions. And we have at least three characters fully immersed and available in the story who could provide concrete, first-person, lived and experienced answers.

But we never ask.

We have a spirit of Wisdom who loves answering questions.

And we never ask.

Hell, in addition, we have two dwarves that are connected, isatunolly, with the Titans, who were also there before the Veil.

And we don't get to really ask anything of great value. Even our characters are canonically frustrated with how little we get to ask.

I just think it's very interesting that this game was called Dreadwolf for so long, and then it wasn't. The game we got has very little to do with, and makes very little use of, the Dread Wolf at all. So the game is called The Veilguard. But at no point does the Veilguard really ever.... guard... the Veil. Or make any mention of guarding the Veil. Or have any discussion on why guarding the Veil is so super important or what it even means, especially considering that, in the first 20min of the game, the only real element threatening the Veil is neutralized until the last 10min.

The game, called The Veilguard, isn't about the Veil at all.

In my humble opinion? This game should have been given a title that had more to do with the Blight or the gods or something. Or, given how many times it gets said in game, it could've just been called, "Dragon Age: It's Just So Hard." Even on a meta level, that's a title I could've believed, lol.

All this without even mentioning that one mural memory. We all know the one. The one that falls somewhere between a shameful, textbook retcon and a blatant attempt at gaslighting.

Whoops. I mentioned it, didn't I? Maybe I'll make a longer post about that someday. That's the part of this game that really grinds my gears, the status of the Veil notwithstanding.

In short, I firmly believe that the vilification of Solas is purely based on a retcon (and one that makes no logical sense when properly examined) and it's a hill I'm prepared to die on.

Anyhoops, if someone told me that, even though this game had been in development for 10yrs, the final version of this game was produced from start to finish in 16mos or less, I'd honestly believe it. I also feel like they were 100% shooting for a game that would have DLC afterwards and were told late in their development cycle that there wouldn't be so they tried to gift wrap everything with the ribbons and bows that they had. Like... go to the Halls of Valor and tell me that this is a fully finished game that was intended to be complete from the very beginning.

Castles in the Fade, or What Was the Point of the Veil Anyway

Something that will now haunt me until the end of time is why was the concept of the Veil ever introduced into this series.

We’ve been hearing about it since the very first game. There’s a codex entry about tears in the Veil in Origins. Tamlen mentions a thin spot in the Veil if you play a Dalish elf. Sandal has a prophecy in Dragon Age 2: “One day the magic will come back—all of it. Everyone will be just like they were. The shadows will part and the skies will open wide. When he rises, everyone will see.” Admittedly, this is just one line said by a character who often says odd things, but it hinted to the fact they were planning to do something with the Veil from the very beginning. The state of the Veil is repeatedly brought up. It all had to mean something! Or so I thought. 

When I saw “The Dread Wolf Rises” quest in Veilguard, I said, “Oh, here we go!” The Veil is coming down, magic is coming back, and it’s going to set up such an interesting story for the next game. 

Alas, no. 

I hadn’t really enjoyed my time playing Veilguard up until this point. It felt like the game was ducking and dodging every bit of world building and lore that could possibly bring nuance or complexity to the story. Every returning character or faction was a cardboard cutout of themself. They shoved Solas is a time-out box and gave him nothing to do. They refused to let him have any impact or influence on the story when he had been set up to be our main antagonist back in Trespasser. This game used to be called Dreadwolf! And while we learn about his past… we never talk to him about it. In the present, he’s in stasis.

Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains. They are mad, bad, and only as dangerous as the narrative will allow as to not give Rook and co too much trouble. They are surprisingly patient while Rook fixes all their companions’ problems… until Elgar’nan moves the moon to cause an eclipse. A vital component in making his own lyrium dagger. For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure.

The Evil Duo need their own dagger ostensibly to tear down the Veil, because they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead? I guess they haven’t thought that through, because of the madness and the evilness.

Ok, I thought. Perhaps the gods will be the one to tear down the Veil. Or maybe we’ll have a choice to let Solas do it his way before they can, which will be less chaotic and less full of Blight. Because the Veil has to be coming down one way or another? Why introduce the concept of the Veil, especially a Veil that has been thinning and failing since the series began, if it’s just going to… stay.

There is a principle in storytelling called Chekov’s gun. If something is mentioned in a story, it must have a purpose. If you keeping mentioning that gun hanging on the wall over the fireplace, it’s because at some point in the story, someone is going to take it down and use it. The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games.

The Veil has been a character unto itself. It was the central focus of the third game, and its dissolution was set up to be the core conflict of the fourth game. We learn everything we thought we knew about the Veil was a lie. It was not created by the Maker to separate the Fade from this world because of jealous spirits, it was created by a guy named Solas to trap the elven gods and the Blight from destroying the world. Also, the elven gods were never gods, and they are also evil.

This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded. Religious crisis averted.

But I digress.

When the title of the fourth game was changed from Dreadwolf to Veilguard, I started to see the writing on the wall. Still, I held out hope the Veil would have some greater purpose in the story. That its introduction as a concept was for a reason. That something in this world would change.

Instead, from the get-go, the question of the Veil is no question at all. We only get Solas and Varric making oblique or catastrophizing statements about it. Solas says little beyond he has a plan. If I ever wanted to hear a villain monologue about their plan, it was now! Varric, on the other hand, decries Solas’s plan. He warns that should the Veil fall, it will destroy the world and drown it in demons. And that’s that.

We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. In Inquisition and Trespasser, we learn it took the immortality from the elves. It cut most of magic off from the world. Spirits are trapped and are being corrupted into demons, and most of what we know about spirits and demons is wrong. There are ancient elves possibly asleep? That part is left vague, but ancient elves are still about. We meet some in Mythal’s temple. There seems to have been some merit in bringing it down, because elves were flocking to Solas’s cause at the end of Trespasser. He had agents working for him already. What do they know that we don’t know?

Apparently nothing, because by the time Veilguard rolls around, there are no mention of agents. He is working alone. His only motivation now seems to be he’s too deep in his sunk-cost fallacy. The Veil is unnatural, so it must be removed—consequences be damned. We are never given any reason to think Solas has a leg to stand on in his pursuit of tearing down the Veil. We never hear any kind of counter argument from anyone, not even Solas, as to why the Veil should come down. We are only told it will destroy the world. It will drown the world in demons. This is all Solas’s fault.

There is no nuance. No complexity. No moral quandary to mull over. The game gives us vague warnings with no explanation as to what exactly is so world-annihilating about the Veil coming down. We must take Varric’s word at face value. We’re the heroes; Solas is the villain. Stop him.

It makes me wonder why Solas was ever a companion in Inquisition, let alone a romance option. Solas was presented to us as a complicated character in Inquisition. We had the potential throughout the game to make him see the value of this world, to help him realize he was wrong about it. “We aren’t even people to you,” the Inquisitor says in Trespasser. Solas replies, “Not at first. You showed me that I was wrong...again.” He began the third game viewing the world as tranquil, seeing the people in it as nothing more than figments in a nightmare, just as we saw our companions in the In Hushed Whispers quest. He ends the game having made friends, having recognized he was mistaken. He might have even fallen in love. (Or he may still seen no merit in this world if the Inquisitor antagonized him the entirety of their time together.) But something makes him continue with his plan to tear down the Veil, despite recognizing this world is real. He must know something we don’t. Something we’ll learn about in the next game.

We’ve been hearing about the Veil for three games now. We’ve set up our complex antivillain for the next installment, and he’s going to tear the Veil down. We swear to stop him or save him. But it has to be more complex than that. It can’t be so straightforward. Uncomplicated. Simple. Boring. Right? Right?

Nope. He really is just the villain, mustache-twirling and all. He apparently had no greater motivation, no as of yet unrevealed knowledge that would put this whole Veil thing into a new context. It was really as simple as the Veil falling will destroy the world, so Solas must be stopped. There is no new information that is revealed which makes us question what we are doing. Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?

Solas was the trickster archetype of this tale. He was our version of Loki from Norse mythology. What is the role of the trickster archetype? To challenge the status quo. To bring about events of extreme change, like say, the tearing down of a Veil that holds back all of magic. Loki is a huge contributing factor in Ragnarök. Through his manipulation, he causes the death of the beloved god, Baldr. This ushers in a long winter, which signifies the beginning of the end. Loki is imprisoned for this crime. When the final battle between gods and giants begins, the sun and moon are swallowed, plunging the earth into darkness. The earth shakes and Loki is freed to fight on the side of the giants. The world burns in raw chaos, falls beneath the sea, and is reborn. The world is remade, and a new realm of the gods and a new, better earth is formed.

It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic. This could be seen as equivalent to the long winter. Solas falls asleep, trapped in dreams. He wakes and sets in motion bringing about the apocalypse. It’s not a perfect one to one, but it’s there if you squint. We have a war against the gods in Veilguard. I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that. There is a final battle, but it does not end in the end of the world. Or a better world. It just ends, and everything is the same.

It seems our trickster god caused his apocalypse thousands of years before our story started, when he created the Veil. His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. He is no Loki at all.

If you can’t tell, I wanted the Veil to come down. Did I think the Veil coming down would be painless? Have no negative consequences? No. Of course not. But keeping it up has negative consequences too. And it made for an interesting story. Or at least it could have. But we never explore that. The game presents no counter argument to having the Veil stay up, which, again, begs the question: what was the point of introducing the concept of the Veil at all?

Did I think the Veil coming down was actually the best solution to help Thedas become a better place? I don’t know, and I never will, because the game never argues for it one way or another. It just tells you to want it in place and to stop asking questions. In real life, a catastrophic event is not the best way to solve any of the world’s problems. But this is the realm of fiction. We have gods and monsters, magic and myth. We have introduced the status quo of Thedas, recognized it needs to change, then our trickster god appears ready to fulfill his role in the narrative. 

Instead, it all comes to nothing.

I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins. Veilguard actually tries its hardest to pretend any previously mentioned problems don’t exist, so of course the Veil coming down has no merit. There are no problems to solve in this world, apparently. Solas is just stuck in the past and can’t get with the times. Silly Solas.

The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another. Large amounts of bloodshed weaken it, so I guess Thedas better achieve world peace real quick to avoid any battles. There were seven super-powered mages holding it together… now there is just one. Ironically, the Veil was going to fall after two more Blights anyway. The Wardens were doing Solas’s work for him! It would also have released the full force of the Blight at that time… which Solas was trying to avoid, I presume.

It feels like keeping the Veil up just pushed a big problem onto Thedas’ future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares.

Primarily, I wanted the Veil to come down from a storytelling perspective. The Veil was an interesting concept and I wanted the story to do something interesting with it. Conflict is what makes stories stories and the Veil coming down could create so much compelling and complex conflict. And the Fade is weird, and I like weird. Stories are also about change, and I wanted to see Thedas change. Yet, Veilguard is over, and barely anything has changed. Instead of magic coming back being a conflict for the next game, they went with Fantasy Illuminati. Oh.

The Veil turned out to be a nothing-burger, and no problems in this world are even close to being solved. Slavery is still rampant in Tevinter. The elven people are still oppressed everywhere. Mages have no more rights in the South than they did in Origins. Spirits are still trapped and being corrupted. The Calling still exists, though might be different somehow now? They don’t really get into that. The Chantry’s validity is still not allowed to be questioned. The Blight still exists in some form, but again it’s vague. Oh, and we learn the dwarves have been gravely wronged, and the Titans are still tranquil. At least if you redeem Solas and a romanced Lavellan joins him, they can work together on healing the Blight and helping the Titans. Oh, good. One problem is being acknowledged and some action will be taken. Offscreen. Hurray? Solas doesn’t have a really great track record of fixing problems, so Lavellan is definitely going to need to be there to make sure he doesn’t fuck it up.

For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn. The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why.

I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned… things suck quite a bit in Thedas already for a lot of people right now. Let the Veil’s fate be a difficult choice to make. If the conflict cannot be what to do about the Veil, it should be am I doing the right thing about the Veil. If the heart of your game is so thin on motive, everything else falls apart around it.

I hoped they were setting up a complex, Thedas-sized existential conflict for this game in Trespasser, but no. I wanted something to happen, but nothing did. 

I want to feel challenged and changed by a story, not left feeling empty. I’m tired of superficial entertainment. I want to sink my teeth into a narrative that doesn’t paint the world in broad strokes of black and white, good and evil, heroes and villains.

Ultimately, I think my issue is why even introduce a concept like The Veil if you’re not going to do anything interesting with it. Or anything at all. What I thought was Chekov’s Veil turned out to just be a MacGuffin. And that’s disappointing.

[dedalvs]

Hello,

im new to all the valyrian stuff, and I don't know if you already did something like that, but could you maybe do like a list of all the dragon commands ? I would really like to know them, but I feel like the translator are all saying different stuff. And if the dragon commands exist on duolingo, then I'm not there yet. I would appreciate it. Have a nice day.

Hello! There are three resources I'd like to draw your attention to.

First, all the dialogue from House of the Dragon can be found on my Ao3 here:

Second, I put up a lot of material from all the shows I work on here:

In particular, I want to draw your attention to this document:

This is the actual list of the various dragon commands I created for the show in case they want to use something quick on the day of or in background dialogue without having to ask me to translate something small like "Turn!", "Dive!", etc.

Finally, my wiki has the most up-to-date and accurate information on Valyrian that you can find outside my own iCloud drive:

Some of these things aren't googleable (or aren't easily googleable), so no worries about not coming across them on your own.

Hope that helps!

[ilions-end]

🎵 guess who finished the argonautica by apollonius of rhoooodes 🎵

the peter green translation served me well and i enjoyed the sizable commentary section, although it probably influenced my interpretation more than i'd like for a first read (green is VERY opinionated and also hilariously bitchy about scholars he disagrees with. the first time i've read such a sarcastic translator's commentary!)

BUT ANYWAY THE EPIC ITSELF:

iiiii have never felt this much anxiety reading an epic before?? there's an ambiguity and sense of danger in this poem's events that aren't necessarily WORSE than in other epics, but there's a feeling that i can't... actually trust the heroes involved. the argonauts are rowdy and reactive, and jason is NOT able to take charge of them -- he shrinks away and goes silent whenever his leader position is called into question. the mob rules, whoever shouts the loudest (often telamon!) in any given situation gets to decide, no thought of consequences.

or maybe reading about a main character who wants to do great things but suffers from debilitating conflict avoidance is a little too real. agh.

(and it's not like the thebaid! you can't trust the heroes in the thebaid either but their hubris and egos makes them PREDICTABLE. there's something unnervingly ambiguous and potentially unsafe about jason and his argonauts, even though they never get up to anything truly horrible. in this version anyway)

jason is incredibly intriguing -- even at his most unlikeable. it's like he tripped and fell into a story he doesn't belong in, he's so awkwardly miscast as a great greek hero and can't live up to the poem's own hype. he's described as heroic at every turn even when he's not actually being heroic, like in an INCREDIBLE passage as he fights the dragon teeth warriors and he's said to "valiantly hide behind his shield". LOOK AT THAT PHRASE!! HE'S BRAVELY COWERING. incredible writing. apollonius is genuinely a master of subtle sarcasm throughout.

like it says a lot that there are MANY variations of the line "but Jason, eyes fixed on the ground, sat there speechless, unmoving, at a loss in this crisis". and baby there are a lot of crises in an epic...

also maiden-coded jason still makes me vibrate! his frequently downcast gaze, his shy passivity, how delicately his body is described, the way he is a sexual object to pursue instead of the pursuer, how unusually tactile he is... one of the most memorable parts to me is when he finally gets the golden fleece, and what does he do? he doesn't raise it above his head in triumph, he doesn't wrap it around himself like a glorious cape and stride to address his men. he disengages completely and, spellbound, pets it and caresses it and combs his fingers through it in almost erotic delight. just. immediate zoned-out personal gratification, we're hitting masturbation parallels, no other greek hero would DO that!

which also makes it interesting that they use the fleece as bedding for their wedding night. i wonder which one jason enjoys lying with most, medea or the fleece...?

yeah so when medea appeared suddenly allllll my affection for jason evaporated. i'm not one of those "yay medea butchering her children is girl power actually!!" girlies (that's five hundred times too reductive a way to engage with a greek tragedy for me), i was prepared for whatever kind of medea apollonius would give me, but WOW SHE IS SO INCREDIBLY SYMPATHETIC (and intentionally so, see how she isn't even the one to kill her brother in this), she is SO ill-treated here. it's SHE who undoubtedly is the gods' plaything in this, not jason!

like how HORRIBLE her experience of being obsessively in love is! (turns out getting shot by eros' arrow is a psychological and emotional NIGHTMARE!!) how painfully aware she is of her own irrationality, how intense her inner life is. at one point she thinks so much about jason all night that she self-induces a (shockingly realistically described) migraine! she loves him so much she wants to kill herself instead of feeling something so intense and unpleasant and overwhelming. JESUS CHRIST it's so evocative.

she torches her whole life, her own safety, her own family for jason, and all he can do (after a lot of pushing) is murmur vague promises. it's HEARTBREAKING the utter helplessness she accepts to live in for him. there is no safety net for her, no way to regain safety if things go wrong (and you are so painfully aware that things WILL go wrong)

generally the argonautica feels more closely related to the odyssey than any of the other epics i've read. not just all the sailing, but the centrality of magic, and of course visiting a lot of the same places -- including the court of alcinous and arete before they had nausicaa (and arete is already the one in charge!)

more moments i keep thinking about:

that first lovely glimpse of the inherent dysfunction of the expedition as the argonauts have gathered for the first time ready for departure, and jason delivers a speech like "men! now that *I*, jason son of aeson, have arranged MY glorious expedition so that *I* can find the glorious fleece and win MY kingdom back, who do we all figure should be captain? 😉" and all the argonauts immediately start chanting "HE-RA-CLES! HE-RA-CLES! HE-RA-CLES!" it's so funny

heracles' role is generally so amazing, what contrast he offers! because HE IS the old-school hero who can do anything, fight any enemy, who has everyone's ear (if not respect -- he seems to be a LOT to handle, even for the other argonauts), who can LEAD. but they FORGET HIM ON AN ISLAND AND LEAVE HIM BEHIND, and now jason, tripped-and-fell-into-epic-heroism jason!, gotta be fully in charge and timidly face every obstacle himself.

i genuinely didn't know hylas getting abducted by the nymphs was from this myth! AND HE'S HERACLES' LOVER, actually the eromenos to heracles' erastes?? and heracles LOSES HIS SHIT TO AN ANIMALISTIC DEGREE at the loss of hylas. this is why none of the other guys brought along their boytoys, dude, this is a disaster.

i REALLY appreciated the introductory rollcall of EVERY argonaut (even if half of them were never mentioned by name again). i always wish we had something like that for odysseus' main crew in the odyssey. it's nice having that overview.

one of the most memorable glimpses into the lives of the gods i've read: eros and ganymede in the garden, playing knucklebones together under the shade of flowering trees and they're both so youthful and so inhumanly beautiful and the scene is so idyllic -- and then aphrodite stomps in and immediately snaps at her son "what are you grinning at, you unspeakable little horror?" she HATES that spoiled teen. it's zeus and ares all over again.

speaking of gods, that one time the argonauts make landfall, and in the distance they see apollo just walking across the land (each footstep thundering) and they're scared stiff and just wait until he's fully passed by... and then can finally get on with their business. no followup, no consequences, just a random incident to freak them out. it reads like an animal encounter, like they saw a huge bear on a hike, i'm obsessed.

i got jumpscared any time the text mentioned "the son of oineus". i'm like WHAT. TYDEUS?? but no, meleager's here, it's fine.

as i mentioned, jason is the one who murders absyrtus (although medea isn't uninvolved) but i'm particularly fascinated by how neutrally we're told about the rituals he performs to not be cursed for it. like there's our wondrous hero, cutting off his murder victim's hands and feet, lapping up the blood and spitting it in the corpse's mouth three times. all done, welp, time we were on our way!

circe can see at first glance that she and medea are related because they both have the sun god's golden eyes, i love that!. and THEN THEY SPEAK TO EACH OTHER IN COLCHIAN, WHICH JASON DOESN'T SPEAK. he's sitting right there and i love that he doesn't understand what these incredibly powerful women are talking about.

obsessed with how jason is described as "walking like the morning star" (bright, promising, bringing good fortune) on lemnos and is then likened to a star of destruction and woe as he's about to meet medea for the first time. aaaaa it's so good.

the argonauts being challenged to a boxing match, and I GUESSED CORRECTLY that they would choose polydeuces as their champion!! i am embarrassingly proud actually. i did not know there was a boxing match (to the DEATH) in the argonautica but i KNEW polydeuces was famous for his boxing.

also i love that when they get to the garden of the hesperides it's a WRECK because heracles was there THE DAY BEFORE!!!! what an incredible sense of time and place, only seeing the IMMEDIATE AFTERMATH of the labours of heracles.

it's so WEIRD when the argonauts get to libya and they're out of supplies so they all just immediately give up and cry and hug and lie down in the sand to die. until the local goddesses come like "JESUS ARE YOU FOR REAL WHY THE FUCK ARE YOU GIVING UP NOW. GET GOING FOR FUCK'S SAKE."

oh ancient texts, i will never get used to your incestuous dreams of good fortune (no it's GOOD that he cried with shame for passionately fucking his daughter in his dream, that's a very lucky dream to have apparently).

and then apollonius just signs off like "yeah i know they're not home yet but i promise nothing interesting happened after this point. THE END." like he's just NOT gonna touch whatever fuckery happens after, you wanted the argonauts well you GOT the argonauts.

[starsfic]

Idea base on other anon promt

Prompt: Wukong wants to attend all his loved ones' weddings.

And the Bull family decide to invite him on Red Son wedding.

Imagine something happened, don't know what it is but somehow Wukong just didn't get invition 'card' and he thought they don't want him there ...even when it's hurt he respect them for that and didn't show up.

Several things were going wrong.

This was supposed to be his son’s wedding. Things were not supposed to be going wrong, and it enraged Niu.

First off, the venue had been changed without anyone knowing, leading to the temple he and his family had used before his sealing, being very confused when they showed up to decorate, alongside some Dao temple he had never heard of. Next, someone had cancelled the cake, and today was when most grocery stores were closed, meaning neither he or the pig or someone in their families could get ingredients to make the cake, and the wedding bouquets had been changed. Then an argument had sprung up between the dragon girl’s family and his family over Ao Lie, which was adding even more stress. Then, someone slashed the tires on the wedding limo.

Then his brother, who had not been invited, popped up with an invitation and proceeded to run his mouth.

And Sun Wukong had not shown up.

For some reason, that felt like the cherry on top of what was becoming a shitshow of a day. Everyone was expecting a wedding today, and as more and more things happened, it was becoming more and more clear that a wedding would not be happening today. Niu allowed himself to stomp a little at the thought, fuming. He had been sent to get his former brother, because if he stuck around his blood brother, he would strangle someone.

Finally, he arrived at the waterfall. A few monkeys were gathered around, and he felt himself come to a stop as they all turned to him.

That had to be the dirtiest look he had ever been given.

Despite his nerves, Niu stepped forward. The waterfall gleamed before opening for him. He marched forward, ignoring the cracks and the green of new growth, instead focused on the small cottage. The moment he reached the door, he was pounding his fist against it.

“SIMIAN, I KNOW YOU’RE IN THERE! OPEN UP!”

The door opened on his fifth knock, revealing Sun Wukong.

An immediate feeling of guilt washed over him because it was clear that he had been crying. He wore a simple outfit with yellow fluffy slippers and a bathrobe. If he craned his head, Niu could see a trashcan filled with tissues.

“Hi,” Wukong said, his voice composed. “Did you need something?”

Niu pushed back the guilt, allowing his father’s rage to fill him. “I want to know why my oh so loving brother has not shown up to the wedding he insisted on being invited to,” he growled. “You’re taking time away from what I can do to fix this disaster.”

Wukong did not flinch or look guilty, which added points to the suspicion in the back of his mind. Instead, he looked confused and a touch angry. “I wasn’t invited, Brother Ox.”

“Excuse me? Yes, you were,” he said. “My wife was there when my son sent you the invitation.”

Now Wukong looked even more annoyed. “Well, maybe your son lied, because I never got an invitation,” he said, his nails digging into the door. “I was hurt, yes, but I understand the reasoning behind it.”

“What reasoning?”

The annoyance shifted to a “are you serious” look. “I am a political landmine, brother,” he said, not too gently. “I can count on one hand the number of people who like me, and most of their families do not. I admit, I am hurt that neither Xiaotian or Xiaojiao invited me, but…” Wukong gestured to himself. “I get it.”

It made sense. It also sucked. It was also incredibly confusing. “But you sent an RSVP back,” he said. 

Wukong stared at him. “How?” he said, sounding less angry and more baffled. “I never got the invitation. I was checking all my mailboxes for weeks.”

That slid the final piece in.

“Ruyi probably stole your invitation,” he said, reaching up and pinching the bridge of his nose to hopefully stem the headache. “He showed up with the invitation card, even though we agreed he would never get one.” Further pieces clicked together. “And I am willing to bet that my foolish idiot of a brother has been sabotaging everything today!” According to his wife, Ruyi had been trying to wed his son off for his own power since he had been buried. Thankfully, nothing had ever gone through, but…

Wukong’s jaw dropped. “He’s sabotaged the wedding?!”

“Yes, he cancelled the venue and he cancelled the-”

“No, wait.” Wukong yanked out his phone with a few hairs, blowing on them. “Go and get my address book,” he ordered one as he turned on his phone and tapped something. It started to ring in a threeway call. Before his wife or the pig could respond, he started talking as he stuffed the small rectangle into Niu’s hand. “I have a bunch of clones and a bunch of people who owe me favors and Xiaotian knows my bank account info. List everything out and if Ruyi has fucked anything else up, tell them. I am going to get dressed, and I’m going to ask my grandchildren to set up a venue here.”

His heart skipped a beat. “You’re willing to-”

“Of course,” Wukong said without a second to think about it. “The trio are going to get the best day of their lives,” His voice grew louder as he marched back into the cottage. “Even if I have to wrangle the Jade Emperor back to life!”

…this is why he adored his brother.

[sabo-torao]

THE REVOLUTIONARY ARMY PIECE IS REAL!!!!!!

[vaguely-concerned]

just going about my day idly contemplating how some of the ways hawke can interact with a romanced anders are not at all unlike how they interact with leandra (and a bit of carver too, especially with a purple hawke), and then thought about my hawke in the timeline where he romances anders and was hit straight in the face with 'was he ever actually in love, or was he just desperately trying to renegotiate with his mother's ghost in any way he could' and now i need to lie down. this is the power of dragon age 2

[other-cullen-ficrecs]

Unpopular opinion, I know, but perhaps if you know you won't be able to continue the series because the amount of choices is simply impossible to keep... Maybe you should just end it? 🤷

[tenojan-in-tevinter]

Honestly I really want to be able to side with Solas in dreadwolf. I think it'd be super interesting to play as an elf in Tevinter and be able to just go "yeah actually I think Fen'Harel is right let's tear down that veil." I mean I assume the main conflict will be Solas trying to convince your character to join him, or your character being told they have to try and stop him, and there are not enough games that let you side with the presented "villain" character. I want to see what the world is like with no veil I'm so interested. Also so interested to see what full-on Fen'Harel Solas is like. Is he still as empathetic? Or is he more conniving and distanced from "mortals" like the old stories would have us believe?

[stop-breaking-my-heart-dragonage]

Me, when Sebastian joins my party for the first time: Okay, this time I'm not going to forget about you, Sebastian. I'm going to make an effort to use you a lot this playthrough so I can better understand you.

Also me, immediately forgetting about Sebastian while finishing Act 2 and making it halfway through Act 3 before I finally notice his Faith quest: ......................Oh. Right. My bad.

[claitea]

a little personal project i'm slowly chipping away at, thought it would be fun to make it into a chart that i add a doodle to every time i finish a new character so i can track how i'm going with it!

by project i just mean i want an oc of each type. i'm not making a game or anything the positions listed are purely for fun HDJBFJFKE

[radiance1]

When the Justice League heard of Phantom, they believed they had to act quickly. Based on what they were told by the GIW, a branch of the government they had no knowledge of previously (Batman is working to correct that), the ghost was dangerous and extremely powerful.

A ghost that terrorized a small town that they GIW have tried-and failed- on numerous occasions to send back to the Ghost Zone. The GIW wouldn't have come to the Justice League for help if it were just that, but based on what they have claimed Phantom has achieved an inexplicable rise in power after having met with the King of ghosts himself.

If what they say is true, then ghosts could potentially invade and cause an all-out war with humanity that the Justice League would rather much avoid thank you.

Negotiations for peace or understanding have been repeatedly rejected and the GIW has been led to believe that Phantom has done something to the Fenton couple. The leading ecto-biologists in the world, years of research suddenly wiped clean off and acting much more cordial towards the ghost.

A complete 180.

So much so that you could even claim them to have been mind controlled. Which isn't outside the realm of possibility due to ghosts having an innate ability to overshadow others and control them.

Perhaps even the entire town has fallen under Phantom's control. Even another ghost, who had just been recently opposed to Phantom, has fallen under his control.

So the Justice League had to act fast.

---

Danny was fucked.

He could tell that very, very well. He still didn't have his entire new... dragon thing... under control very well, mostly sticking a half human like form. His powers were stronger yes but he couldn't really control them well.

Which is kinda why he's fucked.

Danny has never heard about the Justice League before, mostly because he had recently found out that apparently Amity Park was isolated. Like, extremely. Basically it's own little world cut off from the rest.

So when they appeared with the GIW he thought, hey, maybe they were finally changing their white suit shtick.

He didn't expect them to be extremely well-trained, have supernatural abilities or magic. Along with their usual tech well.

Yea.

Danny was fucked.

And he was very, very scared.

He's already died once but that didn't mean he wanted to die again, and he knows that he would probably be heavily experimented on if the GIW actually got their hands on him.

He was alone. He was surrounded. He was outnumbered. And he was oh, so very scared.

His family and friends had already fallen (thankfully not dead, just unconscious he thinks) and Vlad was occupied elsewhere, also fighting.

So Danny was alone.

No one would be coming to help him.

So what did he do?

He opened his mouth and did something he didn't do often. Despite that he could see that they somewhat recognized what he was about to do and tried to find cover.

Danny wasn't aiming at them.

He pulled his head back, mouth aimed at the sky.

Danny wailed.

It was waaaay more powerful than he had originally thought, so he was glad he aimed it at the sky.

As soon as it was over he felt drained, swaying on his feet and trying to use his tail to steady himself and not fall off his own claws.

They didn't know what was happening.

Danny just hoped it worked.

---

Neither the Justice League nor the GIW knew why Phantom shot one of his most powerful attacks up into the sky, but they did see the opportunity it presented.

Phantom was weak. Looking like he would fall off his own feet and fall unconscious.

They had to act quickly.

But before they could, from right where Phantom had wailed into the sky.

It cracked.

And continued to crack.

Until a large hole appeared in the sky, leading into a dimension of endless green.

The Infinite Realms.

They believed Phantom was trying to retreat.

They were wrong.

Two roars came from the portal, forcing everyone to cover their ears.

Then.

Something came out of the portal.

A long, serpentine dragon flowed out, flying around the area of the crack before descending down and around Phantom.

Then.

A giant claw grabbed onto the edge of the crack. Pushing against it until it broke, forcing the hole bigger and bigger as a much, much larger dragon stepped out. Standing protectively over the serpentine dragon and Phantom.

A large crown wrapped in flame floating about its head signified its status.

The Ghost King.

[dalishious]

The Sanitized Lore of Dragon Age: The Veilguard

Tevinter is the heart of slavery in Thedas. This lore has been established in every game, novel, comic, and other extended material in the Dragon Age franchise to date that so much as mentions the nation. But in Dragon Age: The Veilguard, when we are finally able to actually visit this location for the first time… this rampant slavery we’ve heard so much about is nowhere to be found. It’s talked about here and there; Neve mentions The Viper has a history of freeing slaves, as does Rook themselves if they choose the Shadow Dragon faction as their origin, for example. But walking down the streets of Minrathous, you’d never know. Because Dragon Age: The Veilguard, for all its enjoyment otherwise, has one glaring issue: It’s too clean.

The world of Thedas is full of injustices. Humans persecute elves, fear qunari, and belittle dwarves. Mages of any race are treated like caged animals in most places. The nobility is corrupt. Although, Dragon Age has not always handled these injustices well, mind you. Many, many times I’ve found myself frustrated with moments that just feel like a Racism Simulator. But what makes it worth it, is when you can actually do something about it. These injustices are things that a good-aligned character strives to fight back against, maybe even for very personal reasons. Part of the power-fantasy for many minorities is that this fight feels tangible. I cannot arrange the assassination of a corrupt politician in real life, but I sure can get Celene Valmont stabbed to death in Dragon Age: Inquisition, for example. Additionally, these fictional injustices can be used to make statements on real life parallels, like any source of media. For example, no, the Chant of Light is not real, but acting as a stand-in for Catholicism, through a media analysis lens we can explore what the Chant of Light communicates on a figurative level.

When starting Dragon Age: The Veilguard and selecting to play as an elf – this should be unsurprising to anyone who is familiar with my bias towards them – I was fully prepared to enter the streets of Minrathous and immediately get called “knife-ear” or “rabbit”. But this did not happen. I thought perhaps it was just a prologue thing, but returning to Minrathous once again, there was not a single shred of disapproval from any NPC I encountered that wasn’t a generic enemy to fight. And even the generic enemies, the Tevinter Nationalist cult of the Venatori, didn’t seem to care at all that I was a lineage they deemed inferior before now. This is a stark difference from entering the Winter Palace in Dragon Age: Inquisition and immediately getting hit with court disapproval and insults. Are we now to believe that Tevinter has somehow solved its astronomical racism and classism problems in the ten years since the past game? Or perhaps are we to believe all the characters who have demonstrated Tevinter’s systemic discriminatory views were just lying or outliers? Because it makes absolutely no sense at all for this horribly corrupt nation to not have a shred of reactivity to an elven or qunari Rook prancing around. But here were are, and not a single NPC even recognizes my character’s lineage. And because this is so different from every single past game, it feels weird.

As an elf, you have the option to make a comment about how “too many humans look down on us” in one scene early in the game. You can also talk to Bellara and Davrin, the elven companions, about concerns that people won’t trust elves after finding out about the big bad Ancient Evanuris… but this is presented as if elves don’t already face persecution. It’s all so limited in scope that it could be all too easily missed if you are not paying very close attention, and coming into the game with pre-existing lore knowledge.

All this made it easy to first assume that the developers simply over-corrected an attempt to address the Racism Simulator moments. And if that was the case, than I would at least give credit to effort; they did not find the right balance, but they at least tried. However, the sudden lack of discrimination against different lineages in Dragon Age: The Veilguard is not the only sanitized example of lore present.

In Dragon Age: Origins, Zevran Arainai is a companion who is from the Antivan Crows; a group of assassins. He discusses in detail how the Crows buy children and raise them into murder machines through all kinds of torture. The World of Thedas books also describe how the Antivan Crows work, echoing what Zevran says and expanding that of the recruitment, only a select handful of those taken by the Crows even survive. When you start Dragon Age: The Veilguard as an Antivan Crow, you immediately unlock a re-used codex entry from the past, “The Crows and Queen Madrigal”, that says the following:

“His guild has a reputation to uphold. They are ruthless, efficient, and discreet. How would they maintain such notoriety if agents routinely revealed the names of employers with something as "banal" as torture.”

Ruthless, efficient, and discreet. Torture is banal. This is what the Crows were before Dragon Age: The Veilguard decided to take them in a very different direction. The Antivan Crows in this latest game are painted as freedom fighters against the Antaam occupation of Treviso. Teia calls the Crows “patriots”. And while I can certainly believe that the Crows would have enough motivation to fight back against the Antaam, given that it is in direct opposition to their own goals, I cannot understand why they are suddenly suggested to be morally good. They are assassins. They treat their people like tools and murder for money. Even as recent as the Tevinter Nights story Eight Little Talons, it is addressed that the Antivan Crows are in it for the coin and power, with characters like Teia being outliers for wanting to change that. It makes the use of the older codex all the more confusing, as it sets the Antivan Crows up as something they are no longer portrayed as.

I personally think it would have been really interesting to explore a morally corrupt faction in comparison to say, the Shadow Dragons. Perhaps even as a protagonist, address things like the enslavement of “recruits” to make the faction at least somewhat better. (They are still assassins, after all.) Instead, we’re just supposed to ignore everything unsavory about them, I suppose…

We could discuss even further examples. Like how the Lords of Fortune pillage ruins but it’s okay, because they never sell artifacts of cultural importance, supposedly. Or how the only problem with the Templar Order in Tevinter is just the “bad apples” that work with Venatori. I could go on, but I don’t think I have to.

It is because of all this sanitization, that I cannot believe this was simply over-correction on a developmental part. Especially when there is still racism in the game, in other forms. The impression I’m left with feels far deeper than that; it feels corporate. As if a computer ran through the game’s script and got rid of anything with “too much” political substance. The strongest statements are hidden in codex entries, and I almost suspect they had to be snuck in.

Between a Racism Simulator and just ignoring anything bad whatsoever, I believe a balance is achievable; that sweet spot that actually has something to say about what it is presenting. I know it is achievable, because there are a few bright spots of this that I’ve encountered in Dragon Age: The Veilguard too. For example, some of the codex entries like I mentioned, and almost all the content with the Grey Wardens thus far. It is a shame there is not more content on this level.

Dragon Age: The Veilguard is overall still a fun game, in my opinion. But it’s hard to argue that it isn’t missing the grit of its predecessors. The sharp edges have been smoothed. The claws have been removed. The house has been baby-proofed. And for what purpose?

-----

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[cream-stew]

How about monsterfcking with Neuvillette? Him in his dragon form pounding and breeding reader's pussy until his cum leaks out and when Neuvillette saw his cum leaking out he tries to push it back in using his thick fingers but it just won't stay inside, a lot of his cum wasted so he fucked Reader full again with a new batch of cum and cockwarmed him after their down<3

(What if after they have sex, Neuvillette carries Reader to the bathroom to clean both of them and Neuvillette still inside of Reader but ended up fucking when Neuvillette and Reader are inside of the bathtub)

Sorry if my grammar is wrong! English is my third language hehe and I'm still learning

🔞minors dni

warnings: afab reader, breeding, creampie, multiple orgasms, squirting, tummy bulge, size kink, mosterfucking

// note: no worries anon I could understand perfectly <3 thank you for the request this was fun

he's bigger than you even in his more human form, but like this, arms and legs covered in light blue scales, thick horns crowning his head, he's just. huge. straight up huge. he has you in a mating press and your face can barely reach his pecs, your legs can't even hook on his shoulders, they're ramrod straight as he grips your ankles in his big hands.

his cock is a really tight fit too... your pussy is stretched to the limit as he pounds into you, leaving you gaping each time he pulls out before slamming back inside with full force. now you can really understand why he decided to fuck you on the floor this time, putting down soft blankets and pillows so that you'd still be comfortable, but simply refusing to do it on the bed: he would have destroyed it in minutes, his strength and stamina in his half dragon form is insane!

when he finally cums inside you, when you're well on your way to a fourth orgasm, you think maybe he'll calm down a little but nope... he just changes tactics, never pulling out completely again, bc he doesn't want his cum to leak out of you :(

he keeps fucking you with really shallow thrusts, just as fast as he did previously, praising and encouraging you to just hold on for "a little longer" bc he needs to cum again, to claim you fully and stuff your cute little pussy to the brim :(

your eyes are tearing up a lil by then, but it feels so good that you can't find it in you to complain... so you let him pump you full one, twice more, until you hear him grumble and mutter something under his breath, until his huge fingers replace his monstrous cock, trying to fuck the cum back inside you. "what a waste" he complains. in his lustful haze he doesn't understand that your pussy is way too small to hold on to all that cum, so the only solution he can find is to fuck you again...

except this time, after pounding into you so so roughly, making you squirt on his cock for who knows how many times, he doesn't pull out after cumming... he just makes you cockwarm him, thinking that there's no way it'll leak out if he keeps your pussy sealed off like that!

it's hours before he allows you to move, but he still doesn't let you go, carrying you to the bathroom with his rock hard cock still buried snugly against your cervix, an evident bulge in your tummy. he summons enough warm water to fill the tub before lowering the both of you inside, effectively making you straddle his hips as the new position allows his cock to reach even deeper inside your womb.

it'd be relaxing, the warm water soothing your sore muscles, if he didn't grab you by the hips to move you back and forth on his cock :/ he uses you like a fleshlight, bouncing you up and down and jerking off inside your pussy as you desperately clutch to his shoulders, moaning and babbling, and when he doesn't stop even after cumming one more time inside, you just accept that you're going to fall asleep in his arms, and he's probably going to keep fucking you through it until you wake up in the morning🥺🥺

[danielnelsen]

WAIT THE SANDY HOWLER IS LEVEL 20 LMAO NO WONDER I COULDNT KILL IT

[entitled-fangirl]

Flames in snow.

Cregan Stark x Velaryon!reader

Summary: the reader and Jace go to Winterfell to gain the support of the North. Cregan is not the same little boy they met all those years ago. But his son is quite similar to his father: his hair, his eyes, his love for the reader.

A/n: based on an ask! also... part 2 in the future?

Masterlist

..................................................

"Prince, Princess," Cregan acknowledged as the Valeryon siblings entered the Hall. 

Jace grinned, his sister trailing behind him.

Cregan had not seen the family in what felt like eons, when they were small children. Now, they were adults. 

Though life had been cruel to them, it did not show. 

"Lord Stark," Jace said in a cheery notion. "I thank you for your hospitality. We are most grateful that you have housed our dragons."

Cregan nodded, stepping to them. "The honor is mine. It is not often that the future of the realm steps through Winterfell's threshold."

Cregan didn't miss the way the young woman's brow quirked up at his choice of words.

"We come in the name of Queen Rhaenyra," Jace clarified, not bothering with small talk again. "The rightful heir to the Iron Throne."

Cregan looked confused, and Y/n finally spoke up. 

"Prince Aegon Targaryen II has usurped our mother's throne."

"And you are asking me if I will help fight your war, Princess?" Cregan quirked. 

She nodded.

"Let us not discuss such heavy matters while the dragon riders remain weary. Rest, and we will discuss further on the morrow."

…

The Princess walked the long halls of Winterfell, exploring it herself as the sun began to set. 

She paused her steps when she heard a small cry.

Though she was no mother, instinct kicked in, and she began to locate where it was coming from.

And she found it.

On the floor of the corridor was a young boy, not older than four. He sat and cried, the smallest bit of blood running from his knee.

She moved to him, lowering herself to the ground, "Let me see."

The boy looked up with puffy eyes, letting the woman help. 

A servant rounded the corner, her eyes widening at the sight, "Princess, please… allow me-"

"-That is quite alright. I have it handled." She declined politely. She turned back to the boy, "And what is your name?"

The boy sniffled, "R…Rickon."

Rickon. 

She'd heard that name before.

In her studies from childhood. 

Rickon Stark, the past Lord of Winterfell.

This was Cregan's son.

She let out a breath, "Oh… that's… that's a lovely name. My name is Y/n."

She helped the boy stand and the two walked slowly to the boy's chambers.

"Am I going to lose my leg?" He asked with a sniffle.

"Heavens, no. It takes much worse to best a Stark. Do you believe a mere scrape would take down your father?"

He shook his head, "Papa is strong." He gained a sudden enthusiasm, "One time, he fought a wolf! And… and he took his sword," he mimicked the motion, "and he drove it through its heart!" He looked back up to her. "Have you ever done that?"

She shook her head, "I can't say I have. I don't have a sword."

"Oh, yeah." He said glumly. "You're a girl."

She tilted her head, "Well… I may not have a sword, but I have my own weapon." She paused dramatically, "I have a dragon!"

The boy's eyes lit up, "A dragon?! Papa does not have a dragon."

"Only children with dragon blood get a dragon. You, young Stark, have wolf blood in you. That's something of importance as well."

Finally at his chambers, he slumped in one of the chairs, "But it's not like a dragon."

"No," she countered. "But if everyone had the same blood, what would make each of us special?" She grinned as she kneeled in front of his chair. "You know, dragon blood gets quite cold up here. Do you get cold, Little Lord Stark?"

He frowned and shook his head. 

"Exactly. Wolf blood does not get as chilled."

"Is your dragon here?"

She nodded.

"Can I meet him?"

"Her, sweet boy. Silverwing is a girl."

"Can I meet her?"

She tilted her head, "Maybe before I leave. Until then, let me clean you up and put you to bed."

So caught up in the conversation, he had forgotten his little scrape entirely.

…

"Might I be curious enough to ask why the Princess is roaming the castle at so late of an hour?" Came a voice.

She jumped, turning to see Lord Stark standing with a small grin on his face. "Pardon me. It's not my place to wander."

"It's quite alright. My home is yours for as long as you'll have it."

She nodded, unsure of what to say to the man.

"You've grown," he finally said.

A soft giggle escaped her throat. "We are not children anymore, my lord. I'm afraid we'll never be."

"Aye. But I dare say that is not a bad thing." He tried to hide the way his eyes flit over her frame. His body naturally stepped towards her.

"I… I was quite saddened to hear of the loss of your wife."

Cregan nodded, taking another step. "I know. You wrote me. Remember?"

A warm smile came across her face. "I'm starting to. I do not remember what I said-"

"- 'May there be warmth in the cold, and flames in snow. May you be bundled in comfort anywhere you go. If not, I will ride with my dragon high, to bring it myself when the time is nigh.' "

Her smile faltered a bit, "You remember that so clearly?"

Cregan's felt his heart jolt. "I've always remembered you clearly."

An involuntary breath left her throat. 

The two stared at one another, an obvious tension coming over them. 

"I… I shall return to my chambers," she finally whispered. 

Cregan snapped from his trance and nodded, backing away from her, "Aye. Sleep well, Princess."

"Good night."

…

Things seemed to repeat themselves, because she found Rickon again in that same hall as before. 

"Lord Rickon?"

Rickon's head turned and his face lit up.

Y/n sat next to him, looking at what he had to play with.

It was wooden horses, through beaten from its time in the little boy's hands, they were carefully carved. 

Someone made them with care.

"Might I play with you?" She asked nicely.

A horse was thrusted into her hand.

"Papa does not play with me. He does not want to," Rickon finally said.

"That's not true, boy," she tried to reason. "Your father is just… needed by many people."

"I need him."

She felt a pain in her chest at the boy's honesty.

She understood the feeling very well.

"One day, little lord, you will be just as needed as him, and you will understand. Until then, I'm afraid there's little to help ease the pain."

"You help."

A noise almost escaped her throat. "Yes, but… I am not here forever."

The young boy sighed. 

"I wish you could be."

…

The three stood around a table, trying to come to an agreement on an alliance. 

"I have troubles of the other side of the Wall to consider, my prince. I cannot afford to turn my back to it with winter approaching."

Jace sighed, "What good would guarding the Wall do if there is nothing to protect?"

"Jace," Y/n butted in, "Be reasonable."

Jace turned to her, "Sister, the queen needs an army."

"So does the Warden. He knows his people's needs better than us."

"Thank you, Princess," Cregan offers. His gaze stays on her for a second too long. "I have 2,000 graybeards at your disposal. They've seen far too many winters."

"And you'll not march with them?" Jace asked in frustration.

"I will stay until the time is right," Cregan countered. 

"Stay with Rickon, you mean?" Y/n asked softly. "You're staying behind for him, yes?"

Cregan's eyes mixed with confusion and surprise. "You…"

She flushed. "Perhaps that was too forward of me, my lord. Forgive me."

"No, you…" his eyes softened, as well as his voice. "You are the one he has been discussing so gleefully?"

The confusion shifts to her, "I'm sorry?"

"Rickon, he," Cregan lets out a soft scoff. "He has been completely enamored with someone. I didn't know who it was, I assumed a servant."

Jace turns to her, "What is he speaking of?"

"I have indeed interacted with the boy, but it has not been that life changing for him surely-"

"-My Princess, Rickon speaks of no one but you."

Rickon ran through the doors, going straight to Cregan.

Cregan abandoned the table to catch his son, raising him up in the air, "Good morning, my boy."

Rickon giggled and squirmed in his father's hold.

Cregan let him down and ruffled his hair, "Go on, Rickon. Your papa has business he must discuss."

"You will not play with me?" Rickon pouted.

The tough lord of Winterfell let out a soft breath. "Forgive me, son. Not this morning."

Rickon's eyes flit to her, and they brighten, "Will you play with me?"

"Son, that is the princess you speak to. She has little time for such things."

"No, my lord," she interrupted. "I'd… I'd quite like the change of scenery. This talk to war is getting to my head. Perhaps chats of horses will be better."

Rickon's eyes light up, and he quickly grabs her hand and drags her from the room to play.

Jace is left in bewilderment. "I had no idea."

"Neither did I."

…

A few hours later, Cregan came to collect the two.

He found them in the courtyard. 

"Rickon!" He called out.

The boy's head shot up and he gathered his things and ran to his father. 

Cregan ran a hand through Rickon's hair, noting the way the princess watched the interaction from afar. "Go wash up."

Rickon went to move, then paused. 

"Can princesses live in Winterfell, Papa?"

Cregan froze. "Why do you ask, boy?"

"The princess should live here."

Cregan smiled, "You like to play with her that much?"

"She's my favorite." And with that, Rickon went into the castle.

The princess stood, seeing Rickon leave and Cregan approach. "My lord."

"Please, princess. I would prefer you call me by my name."

"Yes, my lord."

He tilted his head.

"Cregan."

He grinned at her correction, "Much better."

Her gaze moved downwards towards the object in her hand.

Cregan followed and his breath hitched. 

One of Rickon's horses. 

"He ran off before I could return it," she admitted. 

Her fingers ran over the mane of it, and Cregan felt a fire ignite within him, but he pushed it down to speak. "There is time to return it."

"You carved it."

Cregan's head tilted, "What?"

She held it up, "You carved this. Surely you did."

He reached up and took it from her, sucking in a breath with their fingers brushed. He studied the beat up toy, as if recalling a memory. "Aye. I did."

"It's beautiful work," she commented. "You've always… been gifted."

He felt his ears turn a shade of pink. "I thank you, Princess."

When silence fell over the two, Cregan continued. "When I leave Rickon, and I journey to the Wall, I whittle these little things. It gives me something to do, and in turn, gives him a reason to want me home."

"He wants you home regardless."

Something in him broke. 

"I know."

She placed her hand over his. "You're doing the right thing."

"Then why is it so damn difficult?"

She wasn't sure what to say to that.

But she didn't miss the way his fingers shook under hers, and his eyes taking her in as if something had dawned on him.

…

The two had avoided one another after that, only speaking when necessary. 

But it all came to a close on their last day in Winterfell.

"I have a final proposition, Prince Jacaerys."

Jace's head shot up, "Name it."

"I remain Warden, the North keeps its independence as is…"

Jace was on the edge of his seat. "And?"

Cregan smiled. "I have the princess's hand."

Y/n's shoulders stiffened from beside her brother. "W…What?"

"I want your hand, Princess."

Jace was just as confused. "You… You've not stated these intentions before."

"I understand that, but that does not mean they were not there. She would make a beautiful Lady Stark."

"Cregan," she reasoned. "I could not possibly-"

"-These are my conditions." He said it persistently.

"Cregan, this is my sister we speak of, do not-"

"-Jace. Let me speak with Lord Stark."

Jace looked between the two, then excused himself.

When the door was closed, she began to speak. "What are you doing?"

"I am being sincere, my princess. I want you as my wife."

And sincere he was. Hope shone in his eyes as he looked to her. She gave a hinted smile, "And you're sure?"

His eyes shone brightly. "I've never been more sure of something in my life. You bring a light to my boy, and you're a light to me."

"Cregan, this war-"

"-You will fight with your mother, as you wish, and return to me in Winterfell when the time is right."

She studied him for a while, making him sweat despite the constant chill of his home. 

"I'm happy to marry you, Cregan. For our houses. For your son," she paused to take a breath. "For you."

A wide smile spread across his face. "You've done me a great service."

"It is not service to me," she smiled. "It is not a duty or sacrifice. It is what I want."

"Rickon shall be overjoyed."

"I'd rather you be the overjoyed one in this moment."

Cregan grinned again and moved to her, wrapping his arms around her. His voice lowered, "Trust me, I am." He paused, "You've come through on your promise, you know."

She tilted her head to look at him, "And what is that?"

" 'Flames in snow,' " he grinned as his lips brushed against hers, "You've brought me comfort in multitudes."

......................................

A/n: I have some good ideas for part 2

Taglist: @misswynters, @cosmosnkaz, @sithapprentice, @kaniromi, @lovemesomevesey, @its-jackie-bb, @8812-342, @thorins-queen-of-erebor, @kingdomzeldaquest @nyxbranwenn, @callsignwidow, @a1lexh-blog, @alyssa-dayne, @ethereal-athalia, @ashovertheriver

[sushiyuzu]

personal transport

warning: fluff + pet name — grumpy!sylus giving you a piggyback ride while you braid his hair.

dragon's heart (sylus fanfic book)

- backup acc: @blushpawss

after a long day of walking around, your feet are absolutely killing you. you try to keep up with sylus, but every step feels like you’re walking on nails. finally, you can’t take it anymore, and you let out a loud, dramatic sigh, catching his attention.

“my feet are killing me,” you groan, rubbing your legs for emphasis. “i don’t think i can walk any further.”

sylus turns his head slightly, raising an eyebrow. “you should have worn better shoes,” he says, always so practical. but there’s a teasing tone in his voice, like he’s already predicting what you’re about to ask.

“well, i didn’t know we were going on an all-day trek!” you huff. “and you, with your stupid long legs, making it worse.”

he smirks but doesn’t say anything. instead, he stops walking and crouches down in front of you, looking over his shoulder. “get on.”

you blink at him, surprised. “what?”

“get on,” he repeats, still crouched. “unless you want to keep limping behind me.”

“oh my god, sylus,” you giggle, feeling both embarrassed and flustered. “you’re not serious.”

“completely serious,” he replies, his crimson eyes gleaming with amusement. “if you’re too stubborn to admit you can’t keep up, i’ll carry you. hop on, kitten.”

the nickname catches you off guard, and you can’t help but laugh. “kitten? really?”

“do you want the ride or not?” he asks, his voice deadpan, though the slight quirk of his lips betrays his humor.

rolling your eyes, but secretly a little excited, you step closer and carefully climb onto his back, wrapping your arms around his neck. he easily lifts you as if you weigh nothing, his strong hands gripping your legs to keep you steady.

“you’re ridiculously strong,” you mumble, resting your chin on his shoulder. “i could get used to this.”

“don’t,” he says, though there’s a trace of warmth in his tone. “you’ll start expecting it every time.”

“maybe i will,” you tease, pressing your cheek against his cool silver hair. “you’d never say no to me.”

he lets out a small chuckle—so quiet you almost miss it—but you can feel the vibration of it under your hands. “don’t get cocky, kitten.”

the walk continues, much easier now that you’re off your feet. you find yourself enjoying the feeling of being close to him, his steady footsteps making you feel secure. you bury your face in his hair, taking in the scent of him, a mix of something clean and woodsy.

“comfy?” he asks, his voice low and teasing.

“very,” you reply, settling in against him. after a moment of silence, you get a mischievous idea. “hey, sy…”

“hmm?”

“can i braid your hair while you walk?”

sylus tilts his head slightly, glancing over his shoulder. “braid my hair? while i’m carrying you?”

you nod enthusiastically, fingers already reaching for the soft strands of his silver hair. “yeah! it’ll look good, i promise.”

he lets out a long sigh but doesn’t object. “fine. but if it looks terrible, i’m shaving it off.”

you laugh softly at his empty threat, already parting his hair into sections. “don’t worry, i’m a pro.”

as you work, you can feel sylus’s steady pace beneath you, his strong back supporting you with ease. you’re surprisingly comfortable, resting your chin lightly on his shoulder as your fingers skillfully braid his hair. it’s soft and cool between your fingers, and you can’t help but enjoy the closeness of the moment, even if he’s pretending not to care.

“you know,” you say, breaking the comfortable silence, “you make a pretty good pack mule.”

sylus huffs out a quiet laugh. “you’re lucky i’m letting you get away with that.”

“aww, come on, sy. you love carrying me.”

“yeah, sure,” he replies dryly. “it’s the highlight of my day.”

you giggle as you finish the braid, tying it off at the end. “there, all done. you look amazing.”

he doesn’t say anything at first, but you notice his shoulders relax a little under your hands. “do i?”

“yup,” you say, admiring your handiwork. “stylish and practical.”

“if you say so,” sylus mutters, though there’s no missing the slight warmth in his voice. he continues walking, the cool evening air brushing past both of you. you rest your cheek against his back, enjoying the comfortable silence that settles between you. despite his gruff attitude, you can tell he doesn’t mind the braid as much as he pretends to.

“you know, i could really get used to this,” you mumble, closing your eyes as you relax against him. “being carried around, braiding your hair… it’s nice.”

“don’t get too comfortable,” he warns, though there’s no real edge to his tone. “you’re walking on your own tomorrow.”

“we’ll see about that,” you tease, tightening your hold around his neck just a little. “i think you like being my personal transport.”

“keep talking, and i might drop you,” he replies, but his hands grip your legs a little tighter, making sure you’re secure.

you laugh softly, feeling the steady rhythm of his footsteps beneath you. and despite the teasing, despite his usual grumpiness, there’s a warmth in the way he carries you, a silent comfort that only sylus could offer.

as the sun sets in the distance, casting a warm glow over the quiet streets, you smile to yourself, knowing that, no matter how much he complains, sylus wouldn’t let you down—literally or figuratively.