#scott franklin

[theunderestimator-2]

Lux Interior & Chopper Franklin, last ever bass player to record with The Cramps, backstage at The Paradiso, Amsterdam, where they performed on Sept. 18th, 2003, about a week after Johnny Cash had passed away (here in a photo captured by Arjan van den Berg and published in 'Oor' Magazine issue Nov. 2003).

Scott "Chopper' Franklin had started out as a Black Flag teen roadie, learning guitar & bass and jamming with anybody that he could. In Hollywood he crossed paths with the infamous Rick Wilder and began playing bass for the notorious punk rock outfit The Mau-Maus, then later joined the trash rock outlaws The Joneses. He relocated to New York and after having met Lux Interior and Poison Ivy, he eventually joined the Cramps in 2002. He did several tours and recorded the final Cramps studio album “Fiends of Dope Island”. After performing with various bands, he has been playing with the goth americana band Heathen Apostles for the past decade.

(via)

[javertisgay]

so weird reading about polar explorers who returned from their expeditions and had a long life and successful career afterwards… don’t you know you were supposed to die tragically?

[jamesfitzjamesdotcom]

Wise words, this is exactly what historical research should be! Wholeheartedly agree.

[dondalsy]

i just made this and it already looks fried

[buildoblivion]

thinking about some guys in the Arctic (+ one guy in the Antarctic)

[neverscreens]

— MADAME WEBB, 1080P

Part One, 395 Screencaps.

Part Two, 395 Screencaps.

Part Three, 395 Screencaps.

Like or reblog if it was useful, every interaction shows us that we should keep making screencaps for y'all ♡

[dundykelevesconte]

the beginning of the terror needs to have a disclaimer that reads something like ⚠️ WARNING‼️ GATEWAY DRUG INTO POLAR EXPLORATION ⚠️

[holy-shit-comics]

[horror-aesthete]

Apparently The Terror producer David Kajganich stated in an Q&A what jobs he thinks the characters would have if they lived in the modern day, and I just…

These are all so fucking funny. Love that one of the show’s producers seemingly has peak Terror brainrot

[kazeremos]

That shoulder squeeze to reassure him.

The encouragement and the worry to go after him.

How close he is behind him and now natural it feels.

[dreaminginthedeepsouth]

I see a United States which can demonstrate that, under democratic methods of government, national wealth can be translated into a spreading volume of human comforts hitherto unknown…But here is the challenge to our democracy: In this nation I see tens of millions of its citizens…who at this very moment are denied the greater part of what the very lowest standards of today call the necessities of life…The test of our progress is not whether we add more to the abundance of those who have much; it is whether we provide enough for those who have too little.

—Franklin D. Roosevelt, Second Inaugural Address, Washington, DC, Jan 20, 1937

(Robert Scott Horton)

[politicaldilfs]

Vermont Governor DILFs

Peter Shumlin, Jim Douglas, Phil Scott, Howard Dean, Deane C. Davis, George Aiken, F. Ray Keyser Jr., Franklin S. Billings, Charles Manley Smith, Richard A. Snelling, Harold J. Arthur, Horace F. Graham, John A. Mead, Joseph B. Johnson, Lee E. Emerson, Thomas P. Salmon, William Henry Wills, Mortimer R. Proctor, Ernest W. Gibson Jr., Robert Stafford, Philip H. Hoff, Allen M. Fletcher

[justdealingwithsomeissues]

This isn't... super well explained... Sue finally starting to believe that Franklin is who he says he is as his power are taken over and he starts to spiral out of control.

[stitched-mouth]

Madame Web Production BS

Just to be clear, I love this movie. But I love talking about what a dumpster fire it was behind the scenes so let me point everything wrong with my favourite of the year so far. SPOILERS!

• Cass’s personality is not fleshed out… that’s a major problem. I feel like they just told Dakota Johnson to do what she wants the whole movie BUT then right at they end they decide to give Cass a personality completely ripped from the comics. And it doesn’t work with the way Dakota was playing her the whole movie and these no character development over the course of the movie, so it’s actually a little scary seeing her switch at the end.

• None of the characters have a personality actually. The villain was the worst to be fair because I still don’t really understand his motives. Like… you tricked and murdered a pregnant woman and a few others because your family was poor? And you think Spidey strength will fix that? Um, ok. So is mine but I don’t know.. wouldn’t kill anybody over it though.

• I hate Sydney Sweeney’s image. And it’s not her or her marketing teams fault. It’s her fans’ and her directors. She’s constantly purposely dressed sexy in movies (even when dressed down like a nerd, she’s still sexualised) but then is playing a child. Like wtf. They did it to her in Euphoria and they’ve done it to her again in Madame Web. And how Sydney dresses for press also is clearly influenced by directors and fans’, like the look isn’t just what they want for her characters but also how she’s expected to be irl too. It’s kind of sick and related to how paedophilic things are still normalised in our society today, I’ll have to say that rant for another day though.

• Why does it feel like nobody cared about this movie? The script feels like the first draft that was supposed to have rewrites but nobody was bothered. Same with the editing, everything but especially the dialogue and music feels so placeholder, why was it in the finished project? Like even the Google cast page is not finished, only the leads have their character names on there. Zosia Mament (the villain’s assistant) is credited as fucking ‘Actress’.

• Why was Cassie able to fly to Peru when she’s a wanted criminal? Why is she flying to Peru when talking about laying low because she’s a WANTED CRIMINAL??!

• The writers constantly forgetting what year it is was hilarious and the editors just throwing one Brittney Spears song in and a few Beyonce billboards in to cover up their mistake is also hilarious.

• ACTUALLY, apparently the whole reason the movie was set in 2003 was because the director really wanted to use Toxic in the movie. Because apparently you can’t play a song in a movie if the movie doesn’t take place in the same year the song was released 🤡

• BUT Toxic was released in 2004 🤡🤡🤡🤡🤡🤡🤡🤡🤡

• The writers taking the time setting as a opportunity to reference Garfield’s Spider-Man but then also forgetting that that SM was born in 1995 🤡🤡🤡🤡

• Yes I checked, they specifically wanted to reference Garfield’s Spidey, but through editing they realised their mistake and started trying to make it look like they were talking about Tom Holland’s SM instead, which risks breaking some rules with Marvel… AND THAT SPIDEY WAS BORN IN 2001 SO THEY STILL FUCKED UP. The fact that a simple Google and common sense (like they must of know Garfield’s fist SM movie took place in 2012 and if he was born in 2003, he would of been only 9 years old in 2012 😑) would of fixed this problem is again hilarious.

• Obviously the biggest goof was Dakota Johnson not realising she’s not in a Marvel movie and firing her agent the same day the trailer got dropped 🤡

• She also might be in trouble for posting the teaser on her Instagram and tagging Marvel before the trailer dropped (so before she found out), but I don’t think Dakota manages her own socials tbh. That post was removed then put back up without a Marvel tag.

• The press tour is amazingly bad, I love it.

• Not seeing the girls turn or become heroes was probably the worst part about this movie but I knew that going in so didn’t mind too much. But the real issue is with how Sony keeps straight up lying to their audience with their trailers. Obviously some studios add somethings into their trailer to create more interest for the audience but that’s not what Sony is doing, they are straight up LYING. And they do it so often now I want to fight whoever is in charge of that, they are the reason this movie flopped.

• Them and the writers… and whoever decided to hire the Morbius writers again, everyone there deserves to lose their jobs.

• The only reason I want this movie to do well is because I want Madame Web to have more movies with Dakota Johnson, Sydney Sweeney, Adam Scott, Isabella Mercer, Emma Roberts and Celeste O’Connor all returning. But I really don’t see that happening now, I can’t see Dakota signing another contract with Sony or doing everything to get out of this contract if it’s not over yet.

• The fact that they had to dub the villain’s lines makes me so confused to why he was hired? He didn’t even give a good performance, not saying he’s a bad actor (I’ve heard he’s great on other movies), but he really didn’t do anything in MW.

• And the part with the FBI agent and the villain had me so confused too. Like, did she seduce him to find out information about him? Because it makes sense that the FBI would be suspicious of this guy. But then did he see through her act and decide to at least get laid before killing her and stealing her passcode? But everyone is saying he seduce her for her passcodes and yeah I’m confused.

• The problem is the pacing and how everything that needs explaining isn’t, but everything that doesn’t need an explanation IS explained. And too much.

“He worked with my Mom in this place looking for this spider right before she died”

That’s not the exact quote but it’s pretty close to and that’s less than 5 minutes in. Ok thanks spoiling the whole movie to me. I really didn’t know a movie could spoil the movie to me.

• I’ll add more to this post when I remember more bs this movie endured or forced me to endure, feel free to add to this list in the comments or reposts.

[ohihopeicanchangethislater]

Madame Web was good.

Like, I actually really liked it.

Sure, some of the dialogue was stunted, but I guess they have to overexplain concepts in superhero movies if it involves anything beyond skybeams and blowing stuff up. Gotta make the MCU bros understand, I guess.

I'm still confused about why Sims' dialogue wasn't synced up right most of the time, but his voice was just weird already so it didn't make much of a difference.

Dakota Johnson was fine, but Sydney Sweeney was the real standout among the main four for me. Aside from being one of my celebrity crushes, I thought her performance was very subtle, and a change from much of the more sexualized roles she is known for.

Adam Scott as Ben Parker was really cool. The line about "all the fun and none of the responsibility" followed up by Cassie's "that's what he thinks" was very clever. While obviously hinting at Peter Parker's responsibility as Spider-Man and Ben's famous words to him, it also references the responsibility that Ben has to protect Peter, which gives greater weight to why Ben understands responsibility so well.

I won't say Ben stole the show, because he wasn't in it enough to do that and it would take away from the leading ladies. It took a little bit to warm up to them, but it also took them a bit to warm up to each other, so that's kinda the point. These are four strangers who were just forced into a crazy situation, and they don't really know who to trust or who to like. But they actually have some character growth and learn to open up to each other.

I kinda wish there was more of the actual Spider-Women, but this movie isn't about that, it's about Cassie becoming Madame Web. It's not a Spider-Women movie, it's a movie about the women who become Spiders.

The marketing for this movie was weird. Like the trailer was intriguing (at least to me) but everything else seemed off. "Made by AI" maybe, but the movie itself is unique in its concept to be a human original. I think we need to stop blaming ChatGPT and start blaming studio interference.

Anyway, don't listen to me or anyone else about this movie, or any movie. If it looks interesting to you, go see it. If you have an open mind about movies, chances are you'll find something you like.

Wow, this post is way longer than I thought it'd be. Thanks for reading this far, if you did 😊

[comicsgallery-marvel]

X-Men + Fantastic Four (2020) #1-4