#saying things like “why can't you be like the others?” or “what are we going to do with you?”

[teaboot]

I feel like if you're using a lot of disposable plastic bags in your day to day life, you've gotta do something sustainable to make up for it. Like using bamboo toilet paper or eco friendly cat litter or something, yknow

Honestly I exaggerate for comedic effect, while I DO routinely use ziplock bags to hold spaghetti I cook maybe once a month and the bag itself is usually for freezer storage. I actually throw out maybe one bag a week? I DO hate washing plates and tupperware and junk but that usually just means I eat sandwiches without a plate.

I agree though that needless waste should be avoided, and I do avoid it- biodegradable bags and recyclables, empty butter tubs used to store leftovers, etc.

This said, though, not applicable necessarily for myself but for a lot of others- I feel that it's importat to remember that there are many people who legitimately NEED things like plastic straws, or catheters, or pre-packaged foods

And the idea that that's a moral failing that individuals need to personally make up for when a single billionaire blows out more CO2 in a long weekend than I will in my whole life on a superjet meet-cute in the Bolivian rainforest between humvee drag races funded by the river-polluting textiles plants they planted in a third world country to avoid EPA laws and give an entire village stillbirths and stomach cancer is an idea that those very same bigwigs have spent a LOT of time and money investing in planting in the public psyche.

Like- Glass bottles are infinitely recyclable, so why are so many drinks in plastic now? Loads of drinks manufacturers used to buy them back and clean them for re-use, so why did they stop? If they chose to make something out of a limited and environmentally irresponsible material, why is it my failing to track down a correct process of disposal for them? What if there are none in my area? Do I lobby for more recycling plants in my area? Do I set aside some of my limited time outside the pain factory of my job- which I have more than one of, thanks to rising costs of things just like that drink I just emptied- to properly dispose of this company's waste FOR them?

Say coca-cola just rolled up to your town and started dumping millions of empty plastic bottles in the street, going, "wow, you should really think about building and staffing a recycling depot, it would be really shameful of you to just put these in the trash." When companies purposefully use materials with limited lifespans- because yes, even plastic can only be reused so many times- and tell you it's your own fault if it harms the environment- that's essentially what they're doing, just with more steps.

Yes, its important to be as environmentally concious as we can in our day to day life, but responsible sustainability is not catholicism. We don't get good boy points from our lord and savior Captain Planet every time the average low-income household gathers together to hold hands and repent for a single-use plastic that allows them to access something they need.

Entire families could eat trees and shit dead lithium batteries for years and still not do as much damage to the planet as an average dye plant or braindead celebrity does in a week just for fun, and I'm mad about it

...this went on longer than intended.

TL/DR: DO recycle and minimize waste, but don't beat yourself up over the little waste you can't avoid, and follow the money.

EDIT: Part 2

[smutoperator]

Brotherly Love

Kim Minji, Kang Haerin x Male Reader

Kinkvember Chapter 6

Part 1 of 4 of All In Family

Main kinks: incest, gaping, ass eating

Word count: 4471.

Minji always had the utmost respect for her older brother. However, over the past few months, she started having some feelings for him that she just couldn't shake off.

Minji and her bickering friend Haerin love to masturbate together, sharing their fantasies with each other as they competed to see which one would orgasm the fastest, but one day, Minji just blew her best friend out of the water.

"Damn, Minji, you came so quickly today; why are you so horny?" Haerin asked. "Well, it's my brother; it feels like I can't wait to fuck him," she replied. "What the fuck, Minji, do you want to have sex with your brother? That's too far. Why can't you find another guy?" Haerin asks. "Well, I want him, only him," Minji answered. "And I want you to share him with me as well," she continued.

"Really? Damn Minji, you're just a naughty girl," Haerin answered, but her orgasm following up those words told Minji more than anything. She wanted her brother too. "Well, tomorrow I'm going to his house; you want to come with me?" Minji asked. "I guess I can do that," Haerin answered.

Minji and Haerin arrived at your house, where you kindly prepared some breakfast for them. "He is fucking hot," Minji whispered in Haerin's ear as you kept working on the kitchen. Haerin just nodded positively. "I wonder if he has a big dick," Minji then followed, closing her eyes and smiling as she couldn't hold her excitement.

"Here's some nice omelet, little sister," you said to Minji, serving her the food. "Thank you," she kindly answered and kept staring at you. Just like Minji heavily respected you, you also treated her very well, extremely proud that your younger sister had become one of the most popular idols in the country and always being there to offer her a helping hand like today. 

"Thank you," Haerin also answered when you served her. "I'll be in the living room; see you later, little sister. You too, Haerin," you said. "Bye," Harin answered, quickly finding out why Minji liked you so much beyond just the typical brotherly love. Now she just needed to know what Minji was also dying to know: if you had a big dick or not.

"I'm so horny right now; I think we should make a move," Minji said to Haerin. "Ok," her younger friend answered, blushing. Minji had some second thoughts but she was really turned on by the idea of having sex with her brother, so she discussed a plan with Haerin.

"I'll go first; you then come and surprise him," Minji said. She was indeed a little selfish and wanted to taste your cock before anyone else, but she also felt more enjoyable doing a threesome with her brother than having sex with him all by herself. The two discussed this rather simple plan in the kitchen as they looked at you in the living room, before Minji finally went for it.

"Hey," you said as Minji approached you on the couch, already spreading her legs to show off her new denim shorts that barely covered her ass. "What are you doing, brother?" she asked. "Just reading a book," you answered. "What about you?" you then asked. "Nothing really," Minji said. "Also, you can read it later," she said, pushing the book to the side.

"What are you doing?" you asked. "Come on, I see the way you look at me," Minji says. "Let's do some forbidden things," Minji says, rubbing your belly with your shirt still on. "Come on," you resist her moves.

But Minji is relentless. "I know you want me to suck your cock," she says, rubbing her hands on your crotch now. "You're already hard for me," she notices. "I'm not the only one horny for you, brother; I saw the way you stared at me and Haerin at the kitchen," she said, catching you by surprise.

"Please, stop it," you tell Minji to back off, but she is way too deep into her fantasy at this point. "Let me take that cock in your mouth and give you a good blowjob; show you I'm a good little sister to my big brother," she answers. 

"Okay," you answer as Minji kisses you and touches your crotch area. "Can I please your cock, big brother?" Minji asks. "Yes," you answer, caving to your little sister's desires. "I've been dreaming about it," Minji says. "Really?" you ask her, surprised. "Yes, literally," Minji says, thinking about those nights where she masturbated to the thought of having sex with you.

"Alright, if it's your dream, fine. I will always do what my little sister wants," you say to her, unzipping your pants and showing your giant anaconda to Minji. "Oh my God, can I touch it?" she asks. "Yes," you say. Minji starts rubbing and stroking it. "Does it feel good when I jack your big cock off?' she keeps asking. "Yes," you answer, impressed by your little sister's cock handling skills.

"You want me to put it in my mouth, don't you?" Minji asks, giving you a sexy stare as she increases the pace of stroking it. "Sure, I want to feel your warm mouth; do it," you tell her as you unbutton your shirt as well.

Minji slowly descends down, kissing you from top to bottom, starting all the way up in your mouth, going through your torso, and finishing at the tip of your cock, sending shivers down your spine when she does it. She gives your shaft a pair of licks before just putting the tip in her mouth. "Ahhhh," you groan as Minji firmly grabs that pole and sucks it masterfully.

"Oh my God, that feels so wrong, but you suck my cock so well; your mouth is so nasty and sloppy," you say to Minji, who remains concentrated on sucking it off and gently jerking that shaft. "Wow, ahhh, shit," you say as Minji massages your balls and keeps blowing your cock off while your head rests on the couch, trying to cope with the heat she puts on your dick.

"My best friend is so horny." Haerin comes in and sits beside you on the couch as Minji keeps sucking that big cock. "What's going on here?" you ask. "Don't you think I should join you guys?" Haerin asks. "It certainly looks fun," she says. "That's such a crazy day," you say. "Well, it's just starting," Haerin says, kissing you.

Haerin and you share kisses as Minji keeps sucking your cock. "I love watching my best friend suck your cock," Haerin says, pulling the new jeans she was wearing down and starting masturbating herself to the scene. Indeed, she always thought of Minji's fantasies with her brother, but seeing it in real life was much hotter than what she was expecting.

"Does your sister do a good job sucking your cock?" Haerin asks as she masturbates in front of you. "Sure," you answer her, looking at her teen pussy as she already pulls her panties down. "Do you want me to suck it too?" Haerin than answers as Minji moves deeper and makes you groan. "You want to suck my cock too?" you ask, shocked. "Yes, of course," Haerin answers. "It's just too good and too big for Minji to have it all to herself," she continues.

"Can I suck your cock?' Haerin politely asks. "Yes," you answer as Minji pulls her mouth out of it and strokes it for her best friend. Haerin dives to take your cock in her mouth, bobbing her head really fast as Minji keeps stroking it. "Oh yeah, hmmmm," she says as both girls take turns diving on it.

"You wanna see who can take it the deepest?" Minji challenges Haerin. "Sure," she answers. "You first," Minji then says. Haerin only takes half your length in her mouth, but the warmth of it drives you crazy. Minji pushes it further, taking around two-thirds of it in her horny mouth. Haerin tries to match but clearly struggles, gagging after just a couple seconds and coating your tip full of her spit.

Minji easily wins the deepthroating competition, taking the full length of your cock in her mouth in the third try. "I was just toying with you; I could have done it from the start," she says to Haerin as she takes the tip of your shaft while Haerin licks it from the side. They switch spots, with Haerin still struggling to get your cock all the way down her mouth. "Come on," Minji says as a string of her spit comes out of your balls and she licks your shaft sideways like a maniac.

Haerin accepts the challenge, finally getting all the way down your shaft. "Perfect," Minji says. "Now you proved to me you can take it in your pussy and ass," Minji continues. "You're such a dirty girl," Haerin says as she watches Minji use her mouth like a vacuum cleaner sucking your dick and then share kisses with her best friend as they taste your cock from their mouths.

"Ahhhhh," you groan as Haerin finally seems comfortable now deepthroating your cock. Her warm, young mouth is such a good fit for your shaft. Minji smiles as they engage themselves in a sloppy head-bobbing and deepthroating competition that drives you on the edge. "Oh my god," you groan each time they reach the base of your shaft.

"I can't believe I'm sucking my brother's cock," Minji says. Both girls smile as they taste it, but you want to push it further. "Let me fuck your mouths next," you tell them, getting up from the couch and stripping yourself naked, whole. Minji takes her jeans off and puts her big ass facing upwards as both she and Haerin get on all fours to get facefucked.

You start with Haerin's young, warm mouth, pounding her face hard as it turns red, and she tightens her mouth on your shaft, quickly gagging. Minji comes next, barely flinching as you fuck her throat and even answering with some head-bobbing. "Open it, please," you say as you switch back to Haerin and give her a second go, grabbing her hair as she clearly struggles with your massive shaft ripping her mouth apart like a sword.

You take turns switching your cock between their mouths, Minji clearly getting the best of it as you manage to push it deeper in hers, your little sister bobbing her head without even needing to use her hands. Once you finish it, both girls then lick the tip of your anaconda like hungry snakes.

"Come here, little sister, give me your pussy," you command to Minji, who spreads her legs as you start licking her pussy and asshole and then giving some kisses that make her moan. Haerin just watches. You spread her big asscheeks and keep tonguing her fuckholes. "Oh yeah," Minji moans. "Spread your ass," you tell Minji, tonguing deeper into it. "It feels so good when you put your tongue in my ass," she moans, fingering herself as you then move up to her cunt.

Haerin kisses her best friend as you savor Minji's clit and anus and enjoy your sister moaning with her legs fully spread. It doesn't take long for you to start rubbing your shaft against her entrance, slowly penetrating Minji's pussy and catching her by surprise. "Oh yes," she says, feeling your cock get inside her. "Oh my God, brother, that dick is so big it can barely fit in my pussy," Minji says, smiling at you.

"Fuck, oh, ah," Minji moans as you slowly thrust inside her pussy. Haerin keeps kissing her as you keep your sister's legs spread out, placing your thumb right in her clit as you pick up the pace and grabbing her little waist, enjoying her moans as you get deeper into her tight pussy. "Hmmmm, hmmmm, hmmmm, hmmmm, oh yeah," Minji moans as you quickly fuck her quite fast, enjoying her young wet pussy a lot, putting your thumb in her mouth to muffle her moans in a futile effort, with Minji quickly turning into a moaning mess as you thrust hard and your balls clap against her soft skin.

You feed your cock for Haerin to taste, pushing her head against your shaft for her to savor your sister's tasty pussy. "Spit on it," you tell Haerin as she offers the extra lube you need to go back inside Minji's tight pussy. All your sister can do is moan like a slut, especially when Haerin fingers her clit while you keep fucking Minji, really regretting taking so long to get inside her amazing, wet, and tight cunt, even though you knew for a long while your little sister was a special kind of girl.

"OH FUCK!" Minji screams as you move upwards and start kissing her, switching from your standard missionary fucking position into a more powerful mating press that makes her big ass hit hard against the couch. Haerin lies Minji's face on her lap as she whispers dirty words about your sister to you while enjoying your passionate kisses and Minji reaching her moaning tongue to lick her perky young tits. You keep attacking Minji's pussy relentlessly, her body getting completely pressed against the couth until you bring it up and carry-fuck your little sister under Haerin's watch. "OH YEAH!" Minji screams as she gets pounded hard.

"Suck it," you tell Haerin as you carry your sister and pull out of Minji, feeding her young friend with your big shaft. Minji stays moaning as you get her back on her feet and bring Haerin to take her turn, rubbing your cock against her entrance before going in, fucking her the same way you did Minji. "You like fucking that pink young pusssy, Daddy?" she asks. "Yes," you say, groaning that her young hole is even tighter than your sister's.

"FUCK, OH GOD!" Haerin screams as Minji's hands join your cock in pleasing her pussy. You grab her legs and push your cock deeper into her cunt, making her pray even further for God. You then tease Haerin, going in and out of her pussy while Minji kisses her, groaning a lot as you can feel how tight she is, more so when Minji fingers her clit and makes Haerin's walls clench specially hard.

You avoid a close call by pulling out of Haerin, only for Minji to come right in to taste your cock from her friend's pussy. "You two are nasty girls," you tell them. "But you love doing that, Daddy? Fucking your little baby and little sister like that, right?" Haerin asks. "Yeah," you answer, getting back inside her for some extra fun. "Fuck, fuck, fuck," she moans as you fuck her hard and kiss your sister like you were her boyfriend.

But Minji wants more. "Come put your cock in my ass, please," she tells you, giving you a naughty stare. "Your cock is so huge, big brother, I wonder if it can get all the way inside my tiny little asshole. Please, stick it in my ass," Minji says as Haerin mores aside.

"I can't believe I'm doing this, fucking my own sister in the ass," you say as you push just the tip in Minji's butthole but struggle against her tightness. "Wow," you say as Minji's anal walls leave hardly any space for your large cock. "Oh my God, your cock is huge in my ass, fuck yeah, you're really stretching me open," an excited Minji says as you slowly but surely get deeper inside it.

You and Haerin pinch Minji's nipples. "Wow, they are getting so hard," she says. "Spread that fat ass for me, little sister," you tell Minji, who obliges as you now also pinch her clit. Your cock is only halfway up her ass, and she already moans softly. "HMMMM, HMMMM, HMMMMM," she says as you kiss Haerin and then dive to lick your sister's tits. More push and you get deeper, massaging her pussy and spreading her lips open as you also spread her butthole open. 

You get more aggressive, moving onto hard thrusts up Minji's ass while increasing the pace you finger her clit. You love the way Minji's throbbing clit pulsates while you fuck her ass, especially with your hands all over it. You get completely on top of your little sister, pushing deeper into her tight anal cavity, making her moan and scream loud. "OH FUCK YEAH," Minji says, before offering an indecent proposal to her best friend.

"Now you have to try his cock in your ass," Minji says to Haerin. The youngster obliges as she spreads her legs for her turn next. Once again, just getting the tip in is a struggle; these girls have really tight anuses. But you push hard and manage to get in. "Oooh yeah," Haerin moans as soon as your cock pushes deeper in her butt.

"Oh my God, this cock looks so good in your ass," Minji tells her best friend. All Haerin can do is close her eyes as you take it very slow with her, as she is so sensible in there that just your tip inside makes her quickly react. You ease Haerin up, getting your cock in and out of her ass repeatedly. "Oh my God, I don't know if I can take it," Haerin claims. "Well, let's see," you tell her.

"That looks so hot," Minji says as you keep pushing against Haerin's butt and lick her feet. "OUCH," the young girl says, trying to cope with the pain in her tiny ass. She gasps from time to time and prays to God as things go fairly slowly. Minji just watches as Haerin finally gets more than half of your cock inside her. You finally get deeper but still go nice on her, trying to not break your sister's best friend. "FUCKKKK," Haerin screams from time to time as you use Minji's mouth to lube your cock while Haerin spreads her ass for some gape.

"I think you should teach her," you say to Minji, who turns around and gets herself on all fours, flaunting her biggest ass to you as you get on top of your sister, and she kisses Haerin. "Look at that ass, perfect to get stuffed," you say as your cock slides back inside Minji's butthole. Minji closes her eyes and moans really loud. "HMMMMM, AHHHHH, AHHHHHH, AHHHH," she says. "You like watching my little sister getting fucked in the ass?" you ask Haerin. "Of course," she answers.

"Oh yeah, yeah, yeah, ummmmm, oh my God," Minji keeps moaning as you grab her waist and pound her ass from behind. "You like getting fucked like that in the ass, slutty little sister?" you ask her. "Defiinitely, ahhhh fuck, oh God, yeah," Minji answers, her asshole now getting gaped really hard, which she notices. "My ass gapes so much; look how good this big cock is stretching it out," she says as you grab her butt and spread her cheeks even further.

Minji stays on all fours, getting her ass stuffed hard. You go faster and faster, determined to take your cock into the depths of your little sister's anus. "Oh yeah, keep going, brother, hmmmm," Minji says as you thrust hard inside her butt before pushing out to show off the massive gape in her anus. "I want you to make my gape really big," Minji demands as the anal pounding session keeps going for a while. "Do you feel it stretching your ass out? Do you like that?" you ask Minji. "Yes, brother," she answers as a massive gape pops out of her anus.

"I want it back in my ass, daddy," Haerin says as soon as you take your cock off of Minji's tight butthole. Haerin replaces her as you kiss your sister. "Such a good girl," you say to Minji as your cock slowly makes its way back inside Haerin's butt. "You like to watch your best friend being fucked in the ass by your brother?" you ask Minji. "Hell yes, its so fucking hot," she answers.

You bury your cock deep in Haerin's asshole, her butt getting quickly romped as you fuck her in the same position you did Minji. The young girl closes her eyes and feels very relaxed. Minji licks Haerin's ears as you attack her ass harder and deeper, showing Minji how deep your cock is getting inside of her best friend. "So good," you say as Haerin moans and screams.

A massive gape comes off Haerin's butthole after a few minutes, much larger than the one from Minji, who chimes in to lick her friend's gaping butthole as soon as she gets a chance before going back up to bob her head a bit on your cock. "Oh my God," you groan as Minji catches you off-guard and sucks your cock like a maniac to enjoy the flavor or Haerin's butthole.

Minji guides your cock back into her best friend's ass, enjoying what she's been watching. You push very deep into Haerin's butt, but assuring the young girl you won't break her in half, just ensure she'll learn how to get fucked good in her ass. "OH MY GOD," she moans as her legs tremble and your thrysts get more and more powerful. Minji just watches, chiming in to suck your cock and lick Haerin's butthole in every opportunity given to her and then spreading Haerin's butt.

Haerin's struggle as the large girth of your cock does quite a wreckage in her asshole. She's very much a novice when it comes to anal sex, so now she just closes her eyes and hides the pain of every deep thrust you give inside her tiny little ass. "Nice girl," you praise her, as you notice she can barely stay on her knees but still keeps thrusting hard like a madman into her little used tight teen anus while sharing kisses with your little sister.

"OH GOD, FUCK, FUCK, FUCK!" Haerin screams as she gets her ass pounded hard and deep. You sense you pushed her to the limit, handling Minji the duty of licking the wounds of her friend's gaped anus, which she does to perfection and gets your big cock as a reward. "I want you in my ass for one last time," Minji says. "But not before you two suck my cock," you reply as you lay down.

Minji and Haerin share the eagerness to lick your shaft, your sister taking the initiative. "I can't believe we're having such hot sex with my brother," Minji tells Haerin as both take turns bobbing their heads on your pole, Minji especially choking hard on it as she gets quite wet to sit on it while you and Haerin tongue-kiss.

"Jump on that cock," you order to Minji, who spreads her ass to take it back inside and starts riding it like a maniac. "Ahhh, ahhhh, ahhhh, oh yeah," she moans. "Oh my God," you groan as her asshole squeezes your shaft to the fullest. "I can't believe it's so fucking good, little sister," you say to her as she twerks on your cock perfectly, you spreading her big ass as Minji kisses Haerin while bouncing on your cock.

"Oh fuck, yeah," Minji moans as you push her body closer to yours, wrapping your hands around her waist and thrusting upwards in her asshole. "Harder, brother, fuck my ass harder," she demands, and do like that, your balls slapping hard on her cheeks as you pound your sister's ass really fast. "Fuck, keep going, brother, oh yeah, yeah, yeah," Minji moans as you fuck her butt and spank it hard until you get exhausted and show off the massive gape you left on it. 

"I love the way you make me gape," Minji says as she looks at her prolapsed butthole. Haerin is in awe and wants it for herself, sitting her tight ass on your cock the second after Minji pulls out of it. Despite her inexperience, the little teenager challenges herself, trying to bounce as fast as she can on that fat pole. "Your cock is so big, daddy," she says, without dropping the pace of the ride, slowly learning the ways around it.

Haerin almost levitates as she goes up and down your cock. "Oh fuck," she moans. Minji watches and licks her young friend's hard nipples. "Oh God, shit, your brother is so big," Haerin moans as she closes her eyes, pushing hard as your shaft keeps impaling her. Minji helps her friend as she fingers Haerin's pussy and sucks her tits, giving her the confidence boost she needs to stay on top of your cock.

Haerin eventually succumbs as she gets down closer to your body but keeps your cock stuffed in her asshole. You take advantage of her weakness, grabbing her legs and putting her under a full nelson she'll never forget. "Oh my God," Haerin says as she is now completely defenseless to your hard thrusts. Minji looks at her and kisses her best friend, who gets completely obliterated. As soon as you pull out, Minji is right there to lick her best friend's massive gape, taking a long time tonguing Haerin's anus.

"You're so fucking nasty, little sister, I think you deserve a reward," you say. "I know I do, big brother," Minji answers, jerking your cock off. "Join me, let's make him cum togehter," she tells Haerin, as it doesn't take long until your erection turns into a fountain of cum that lands all over your crotch and belly, with Minji and Haerin cleaning it off with their tongues and swapping it with each other. "I can't believe this happened," is all you can say after an amazing session with your sister and her best friend.

"There is more tonight," Minji says. "Damn, I barely could handle one session, and you already want more, little sister?" you ask her.

"Well, not my fault you have such a great cock, big brother," Minji answers. "I hope it's hard and throbbing when I meet you in a few hours," she says.

Indeed, as you return to your home on that night, you see three naked asses up on that couch winking for you. The middle on you can tell it's Minji, but who are the other two?

"Good evening, big brother, I want you to meet Hanni," Minji points to the ass to the left of her, "and Danielle," she points to the right. "What do you want to do with them tonight? Tell me and I will lead you," Minji says.

All you could think of is how lucky you were for having such a naughty sister like her.

[xinganhao]

✏️ seatmates joshua x reader.

prompt: "we sit next to each other every day, i lend you pencils, you share snacks with me, people are assuming we’re a couple, let’s go with that." ✶ part of my svt university milestone event

⤿ fluff, slight miscommunication, joshua is whipped, jeongcheol [if u squint!]. more content under the cut. ♡⸝⸝ prompt from anon!

It's not looking like a good start of the week for Seungcheol.

He had an insane bender the night before. He missed the morning bus to school and ended up walking the whole two-kilometer way. And now, the not-quite-a-couple duo who sat in front of him at class was back on their bullshit again.

With his fingers pressed to his temple, Seungcheol watches warily as the starry-eyed boy— Joshua, Seungcheol thinks his name is— places a canned coffee atop the edge of your desk. God, Seungcheol would kill for that right about now.

He's too far gone to make out anything the two of you are saying, but Seungcheol can fill in the blanks. It's probably something stupid, he thinks bitterly. Good morning, love. How was your weekend, love? I missed you, love.

Blegh.

There's only one thing he can think to do. Seungcheol whips out his phone and shoots out a quick slew of texts, trying to ignore the way that Joshua has begun to laugh a little too loud at something you just said.

Seungcheol it's a monday and i'm hungover and the pretty boy in front of me keeps making heart eyes at his seatmate he's laughing. i'm hungover to the heavens and he's laughing god what have i done to deserve this god when will it be my turn Jeonghan you think someone else is pretty? :( Seungcheol do NOT start with me rn

Seokmin doesn't think Joshua notices.

It's just like Joshua, really, to be a bit slow on the uptake when it comes to matters of the heart. And so Seokmin nods along, the perfect picture of indulgence, as you wheedle your way into Joshua's every day.

You don't even have to show up in the physical sense. Joshua fills in those gaps for you. I think they'll like this, Joshua (while holding a box of some obscure snack) tells Seokmin at the grocery store. They'll get a kick out of that, Joshua cackles as he snaps a photo of a silly eraser.

Seokmin knows he could, should probably ask his best friend what the hell is going on. The boy is in desperate need of a quick 'check-the-label' moment, honestly.

In the end, Seokmin decides: Not my circus, not my monkeys.

He figures the two of you will eventually hammer it out yourselves. It's a rite of passage, isn't it? The limbo of flirtation, confined in the four corners of a classroom. The happy crush that may or may not reciprocate.

As Joshua all but skips— honest-to-God skips!— to the Wednesday session of his class with you, Seokmin can't help the fond shake of his head at what Joshua has gotten himself into. Sharing snacks and stationery every M/W/F?

There are worse situationships to have, Seokmin concedes.

Professor Kang has been in the academe for nearly two decades.

He's watched relationships bloom, and last, and end. One or two students have even invited him to their weddings. There's no shortage of gossip in the faculty rooms; there's always a seating plan to orchestrate, a partnered project to use for a little drama.

He likes to think he has a sixth sense for this sort of thing, and that's why he initially believed that you and Joshua... aren't really a thing.

Sure, the two of you bend your heads together a little too close when discussing something. He notices, too, the exchanges— both the transactional and spoken ones. But he's unconvinced, for the most part of the semester, that there's not really anything worth reading into.

That is, until, you don't show up to class one day. On a whim, Professor Kang asks Joshua about your absence, and the boy fumbles with his phone for a couple of minutes.

"Doctor's appointment," Joshua eventually divulges, though there's a slightly worried crease in his eyebrows that has Professor Kang thinking, huh.

That huh gives way to an ah when, at the next class, the two of you slot right back into place. Professor Kang catches bits and pieces of your conversation with Joshua; how he eagerly inquires about your Friday plans, how he listens intently to your little rants.

As the two of you walk out the classroom, your shoulders brush. It's slight enough that anybody not really looking would miss it, would dismiss it, but Professor Kang can only watch with amusement. Joshua apologizes for crowding you— only to take an infinitesimal step closer as the two of you leave the classroom.

By the time the two of you are out in the hall, your shoulders are almost touching again.

Ah, Professor Kang thinks. He swears he's seen it all in the past twenty years, but he's not immune to making mistakes.

Perhaps they're a little bit in love, after all.

[glypt0don]

So, this is quite a rant. You can skip to the bottom, if you want to know my opinion but don't want to read that much... But I worked hard on it and I think it's important, so it would make me very happy if you read through the whole text.

So this fits into something I wanted to post about anyway: a broader theme of why do we frame things as wars? Like, why is it culture war, specifically. First I liked the concept, I thought it described something quite complicated reasonably easily. But I pondered on it a bit more and I think there's more going on.

It's pretty trivial, that most societies went through a huge change over the last half century. It's not just feminism. I could make a whole list of things we as a people took on. Anti-racism and civil rights, religious acceptance, global trade, reinterpreting the meaning of peace, connecting the word through the world-wide web, etc. We ( or, as I am barely an adult and have no idea how to change things for the better, I should say you, or maybe chat) decided it was time for change, so change came. You brought it about.

And I agree. Change WAS and IS necessary. What that change should entail, well, we all have our ideas, right? And they have the ugly tendency to differ from each other. The question then is, how do we coincide our contradictory ideas on society? The answer is both worrying and very important.

To be fair, our race doesn't have a great track record on solving these kinds of issues. I dug into my historical knowledge, since, you know, those who don't learn from it, repeat it... The only thing I can compare to what's happening today would be the Reformation (which probably says a lot about my historical knowledge). That's the only time I know, where societal assumptions were altered so much in such a short time. That time it was specifically about the Catholic church (if you don't know, what I'm talking about, you really should, so Google it), and the result was a series of wars, that ultimately may have wiped out about a fifth of Europes population. The wars were of course led by powerful men, who capitalised on the divide to further their own goals.

As back then, now too, we can't rely on institutions to tame the public. Many media and political identities have a direct interest in polarising society. Because that's what happens. All these contentious issues about gender, class, or foreign policy become dividing lines between folks who are supposed to be parts of the same whole (call it community, state, nation or humanity, depending on how wide you can think). You know, how it works, probably saw it a few times, whatever your interests are. It's literally everywhere! We fight it out with the perceived enemy of the week sometimes, when there is an election, something notable happens, or it's simply Pride Month. Then everyone goes back to their respective corners, where they vehemently agree with themselves. We don't talk a lot, just throw words at each other, like Buggs Bunny, playing tennis with a dynamite.

I should say, this post is a notable and refreshing outlier. Thanks, @trans-androgyne , for starting a discussion for a change!

I know, it's a bit like nuclear armament. You can't just stop, because THEY won't, and then they win, and you can't allow that. It's life and death! And I don't have some magic pill to make it all go right, or believe me, I wouldn't sit here, typing this out at 3 in the morning Central European Time. But let me propose this: don't call it a war! Neither culture war, nor gender war, nor anything like that. Because this isn't a war. Just ask anyone in the middle east! They can tell you, what is war, and THIS IS NOT IT! And also, because it may not be guns and destruction yet, but nothing guarantees, that it stays that way. We already had multiple attempted takeovers of capital buildings since this cursed decade began, because our social reality became so fragmented, that you can't accept the results of a popular election anymore. That should raise alarm bells. I know it does, but it can be much worse! Learn from history, do not repeat it! Hit the Wiki page on the Huguenot war! On the siege of Magdeburg. Or, if that's not your cup of tea, watch Civil War! I genuinely think it's the best movie of the year.

Call it Social Discourse! That sounds much more manageable, doesn't it? Or you can come up with something else, as long as it isn't some warmongering bullshit. And maybe the next time you meet someone with sexist, homophobic, racist, or maybe radical left and anarchistic views (whatever you're opposing), don't attack them with your words! Those aren't weapons. Try to talk to them instead! Try talking about feelings! Listen to theirs, make them understand yours! I say feelings, because you both have those. Try finding a common ground, however small, and build up from there. Like Minecraft Skyblock. It can be hard in a challenging way, instead of making you want to shoot yourself in the head. Remember, you aren't fighting a war. You are having a discourse.

All of it is to say, the world and society are changing, wether you like it or not, and we have to change with it, to survive. That is the simple fact. If you call that change a war, that's just gonna make the whole thing unnecessarily painful for everyone involved.

This was sociopolitical advice from a giant armadillo.

Genuinely, what happened to “feminism is for everyone”?

That’s the feminism I grew up with: encouraging people to recognize that fighting sexism and restrictive gender roles helps folks of every gender. We’d push back on the idea that feminists hate men, pointing to inclusive feminist literature and how many men are feminists.

Now, there are so many people insisting that the solution to patriarchy is to openly hate and ostracize men no matter what. Why? What is the benefit? It’s certainly not effective in fighting oppressive structures to exclude half the population from your cause on the basis of immutable traits. It may feel cathartic to say horrible things about men and try to punish them for your frustrations with patriarchy. But the only actual effect I see is the increasing right-wing radicalization of young men, who are being told that the left hates them for the way they were born and presented with an abundance of proof that it’s true.

Why are we going back to treating men and women as different species? It doesn’t fix things to say “well women are the good gender and men are the bad one” this time. If you sincerely want to dismantle sexism, you’re going to have to unpack and let go of all sex and gender essentialism—even that which considers women inherently pure and men inherently immoral.

[helenofsparta2]

Having the whole plot between Nico and Percy be resolved simply with “You’re not my type” in Blood of Olympus was such a huge disservice to both characters

They are pivotal parts to each others journey. No person in PJO influenced Nico as much as Percy did, aside from Bianca, and no person represents Percy’s guilt and the responsibility he had to shoulder more than Nico does. The writing for both characters really suffers through this lack of a real satisfying resolution.

First to talk about what Percy represents for Nico:

Percy, first of all, represents Nico’s introduction to the mythological world

He is the first demigod Nico ever came in contact with

He saved him and Bianca from the manticore (somewhat)

Nico stated in Blood of Olympus than Percy had reminded of the heroes of his mythomagic game come to life

Nico wholeheartedly believed that Bianca would be safe, if Percy was with her and created this image of the perfect hero in his mind, putting Percy on a pedestal

2.

In Nico’s mind Percy is irrevocably intertwined with Bianca and everything that happened to her

Despite Nico naively believing, that Bianca would be safe if Percy were around, he was instead the last person to ever talk to her, and present when she died

Percy informed Nico of her death (Dead silence. I stared at Chiron. I couldn’t believe nobody had told him yet. Then I realized why. They’d been waiting for us to appear, to tell Nico in person, Titan’s curse)

Nico turned him into the scapegoat for her death, so that he could let all his grief and anger and bitterness out on him

Bianca sent Iris-messages to Percy, so that he would find and help Nico (“Percy has been worried about you, Nico. He can help. I let him see what you were up to, hoping he would find you.”, Battle of the Labyrinth)

Her ghost only appeared to Nico when Percy was with him

Percy is the only person Nico knows of, who also grieved for Bianca (“Bianca,” I said. My voice was thick. I’d felt guilty about her death for a long time but seeing her in front of me was five times as bad, like her death was fresh and new. I remembered searching through the wreckage of the giant bronze warrior she’d sacrificed her life to defeat, and not finding any sign of her. “I’m so sorry,” I said. Battle of the Labyrinth)

3.

Percy is the person who protected and cared for Nico more than anyone else in pjo

Tried to convince Bianca to think more deeply about her decision of joining the hunters, especially thinking of him (“Biance, this is crazy,” I said. “What about your brother? Nico can’t be a hunter.” (Titan’s curse)

Searched the woods in the dark for hours after he had disappeared (Annabeth and Grover helped me search the woods for hours, but there was no sign of Nico di Angelo.)

Didn’t tell Chiron about Nico’s parentage to protect him from the Gods. (I don't think Nico understands who he is. But we can't go telling anyone. Not even Chiron. If the Olympians find out—") Titan’s curse)

Decided to completely commit to the prophecy, solely so Nico didn’t have to bear that burden and go trough any more suffering(It was the last thing I wanted, but I didn't say that. I knew I had to step up and claim it. "I can't let Nico be in any more danger," I said. "I owe that much to his sister. I… let them both down. I'm not going to let that poor kid suffer any more." ) Titan’s curse)

Searched for Nico in the months after Titan’s Curse (Now, six months later, I hadn’t even come close to finding him. It left a bitter taste in my mouth. Battle of the labyrinth, chapter 3))

Saved his life on Geryon’s farm. (“Either way, you get my friends,” I said. “But, if I succeed, you’ve got to let all of us go, including Nico.”)

Always offered Nico a place at camp half-blood to the best of his abilities (“We missed you at dinner,” I said. “You could’ve sat with me.”“No.”“Nico, you can’t miss every meal. If you don’t want to stay with Hermes, maybe they can make an exception and put you in the big house. They’ve got plenty of room.”, Battle of the Labyrinth)

Invited him to join him on his birthday (“Is that… is that blue birthday cake?”He sounded hungry, maybe a little wistful. I wondered if the poor kid had ever had a birthday party, or if he’d ever been invited to one. “Come inside for cake and ice cream,” I said. “It sounds like we’ve got a lot to talk about.”, Battle of the Labyrinth)

Reminded him that he was still a child (I smiled. “Maybe it’s okay to still be a kid once in a while.” I tossed him the statue, Battle of the Labyrinth)

Helped him to get the sword of hades back to impress his father (Then I looked at Nico. Unfortunately, I recognised the expression on his face. I knew what it was like wanting to make your dad proud, even if your dad was hard to love., Sword of hades)

Acknowledged everything Nico did in The last Olympian and is one of the main reasons why Hades has a cabin at camp. ( “But your children should not be left out. They should have a cabin at camp. Nico has proven that.”)

4.

Percy was Nico’s first, and after Will, his biggest love

Nico had feelings for Percy, which didn’t leave him for around 2 1/2 years, and accompanied him throughout the most challenging parts of his life. 

Feelings, which were so deep, the god of love personally acknowledged them.

Favonius even called Percy, the person Nico cares about most in House of Hades.

This was more than just a mere crush

Percy is so completely intertwined with most aspects of Nico’s character arc, in both PJO and Hoo, be it his feeling of ostracism, his relationship to Bianca or him coming to term with his own sexuality, that them not having a final interaction, makes his writing feel shallow and unfinished. Especially Nico coming to terms with his crush on Percy opens up the opportunity for a really heartwarming conversation and a moment of character growth and maturity for both of them, instead of it being wasted on one throw-away line.

And it’s the same the other way around. Nico is also a huge part of Percy’s journey.

He especially represents Percy’s biggest failure.

The first five Percy Jackson books are characterized by Percy having to take up responsibility and him being afraid of not being able to fulfill them. Be it responsibility for camp, the world, Bianca’s death, the prophecy, his friends, teh unclaimed demigods, or everything else. Most of the time, Percy was able to make sure everything turned out fine. He saved camp, he saved Olympus, he finished his quests, made the right decision for the prophecy, and he made the gods swear upon teh styx. But there’s one exception. And that is Nico.

Percy did everything in his power to make sure Nico would be spared any more hardships. He took up the burden of the prophecy, explicitly, so that Nico doesn’t have to go through any more hardships

He searched for him after Titan’s curse, kept his identity a secret and even risked himself, Annabeth, Grover and Tyson dying if it meant saving Nico

Still, Nico is one of the characters, if not the character, who has suffered the most in PJO and Hoo, even partly because of Percy (though, of course, Nico having a crush on him was not Percy’s fault at all)

He lived alone at 11 years old on the streets and in the labyrinth, while getting manipulated by an ancient evil spirit

He was isolated and ostracized at camp half-blood

He experienced the horrors of Tartarus completely on his own

He got captured by the giants and slowly suffocated to death in a small jar

He had to deal with internalized homophobia and his complicated feelings regarding Percy

He has been a vital part of two wars at only 15 years old

Had to admit his crush involuntarily in front of Jason, etc.  

One of the things Percy battles with in Heroes of Olympus is this overwhelming sense of guilt. He blames himself for almost everything that went wrong over the last few years. Be it for Iapetus, Calypso, or especially Nico. Having Percy acknowledge this complicated relationship he has with him during House of Hades, but not allowing the two of them to talk it out is genuinely baffling to me, and one of the (albeit many) reasons why I really don’t like most of Percy’s writing during Heroes of Olympus, despite the fact that he is my favourite character by far. This could have led to a moment of character growth, where Nico helps Percy to aknowledge that he feels guilty for things he had little to no control over, while Nico himself realizes how important he actually is to Percy.

They are also so similar in terms of who they are and what they’ve been through, that even if you ignore their history with each other, it seems insane, that they didn’t interact in any meaningful way:  

Both were ostracized at camp half-blood because of their parentage, and so far are the only two half-bloods we know of with that experience

They are (together with Hazel) the most powerful demigods in the Riordan verse, and have feats which far surpass anyone else’s

Both are in some way afraid of their powers

Both went through Tartarus

Both have relatively similar relationships to their godly parents

Both have gone through immense trauma and loss

And if you read heroes of Olympus, it actually very much seems to build towards a final resolution of their relationship

Percy and Nico were, aside from Frank, the two people closest to Hazel; both saw her as a little sister, and Hazel treated them both like her brothers

Nico was the first person Percy met from his old life

Percy was the one, who received the visions of Nico being captured

From everyone present, Percy trusted Nico to lead the others to Greece in his moment of greatest desperation

They both had introspections about the other in house of Hades, Nico having to deal with his crush and Percy with his guilt in Tartarus

But, in the end, after they met again, nothing happened. The only scene we really got was the “You’re not my type” line and Percy being surprised by it for a couple seconds. That’s it.

We saw no meaningful conversation between the two of them, no acknowledgement of what they’ve been through together, no lasting feelings. Nothing.

In regards to their relationship, Percy acknowledging everything that Nico has been through led to nothing. Nico acknowledging his feelings for Percy and finally letting go of this pedestal he had placed him on led to nothing. You could argue that their entire relationship, which has been built up since Titan’s curse led to nothing. And considering that they are so important characters for each of their character arcs, their characterization very much suffers from this writing decision.

The two of them, together with Hazel, are my three favourite Riordan verse characters by a long shot, but some very important aspects of both of their characters fall so flat to me through this lack of a satisfying resolution.

 Both of them deserved so much better.  

They are the friendship with the most missed potential in the entirety of the Riordan verse and probably the most fleshed out and nuanced relationship Rick ever wrote.

R.I.P.  Nico di Angelo, and Percy Jackson, you will always be brothers in my mind.

[keferon]

Eh okay so. My brain is absolutely cooked so you will probably just have to ignore the linguistic fuckups

Jazz and Prowl learning to communicate because language barrier is a thing >:D

Previous part

Jazz sometimes thinks that somewhere along his career path he lost the bar separating normal from...well...everything else.

After all he's seen, heard about, and done, he's not sure exactly how to measure what's weird and what's normal. He has..the general idea.

His own. And it's so convoluted and fucked up that he'd rather jump into a volcano than try to explain it to anyone else. Jazz thinks the little colorful aliens around him are weird as hell. He thinks they sound weird, he thinks they look weird, and he thinks he must be going crazy.

And then this big black and white robot catches his eye and Jazz's first thought is not "what the fuck??"

His first thought is

"Thank God! Someone's normal!"

Whoever this guy is, he sounds like he knows what he's doing. And most importantly, he looks just like Jazz. Well, not exactly. But close enough. After all, Jazz knows that his organization wasn't the only mech maker on the entire planet. Other countries were making Mechs too, and Jazz hadn't seen even half of them.

But he can recognize a giant robot when he sees one, okay?

The thought that another mech could be an alien doesn't even enter his mind.

So used to the constant presence of huge piloted robots around him, he looks at this one and clings to its appearance as something familiar and easily explainable. His brain says, we know how this works. There's a robot and inside the robot there's another person. It's the way it's always been. The sky is blue, the grass is green and the robots are human-piloted. It's that simple.

The guy takes him to the far corner of the room and says something. Jazz…doesn't understand..

The mech's face contorts in a surprisingly believable display of concentration. How...who built this robot? How could they make it frown?

He hears something else being said to him but again can't understand a word. Why won't this pilot get out of the mech to talk to him? Jazz doesn't have his communication frequency but surely they could at least shake hands. There must be some reason. Maybe something wrong with the air? Is it dangerous to be outside? This guy should know better, he's been here longer than Jazz, it seems.

(Damn it, whose idea was it to make a mech with a face, it's so distracting)

He rushes to activate the external speakers, because he and this guy obviously speak different languages, but it never hurts to try, right?

"So uh, I don't think you can understand English?"

Mech frowns again, trying to pick up on something familiar in a language that's apparently new to him. But finds nothing. Jazz lowers his horns sadly.

Oh well. Fuck. As if being stuck in an unknown place with unknown creatures wasn't enough, he can't even talk to anyone! How is he supposed to get out of here? Which way should he even go?

The mech waves his hand to get his attention and then pulls out a tablet and a stylus from..where ?

Jazz somehow manages to overlook the fact that the tablet is made to fit the mech's size. His head is still feels a bit…off..after that portal thingie.

"Charades it is then."

____________________

An hour and a half later, Jazz finds himself staring intensely at the screen in front of him with a surprisingly neatly drawn chart on it.

"So uh. Motion."

The other guy nods and starts drawing a walking mech. Then something that looks like a very unusual car. Then a submarine. Jazz gets a little lost looking at how skillful he is with the stylus.

Honestly, he's a good artist!

The guy points to the sketch of a walking mech and says

" Motion."

Then points to the drawing of a car driving and the columns of the chart.

"Motion-rotation" he points to the car again.

That must mean "driving" huh? Jazz nods understandingly.

Mech moves his finger to the submarine.

"Motion-Water."

Ah, it must mean swimming. Jazz nods once more, feeling like a wind-up dummy repeating the same motion a dozen times.

The mech makes a quiet humming noise and then points to the chart

"Motion. Sky."

And then gives Jazz the stylus?

Uh, what is he... Oh, he wants Jazz to figure out what it means.

"Motion" and "sky," right?

Jazz takes the stylus? Pencil? Thingie.. and very carefully draws out a crooked scribble of something only remotely resembling an airplane. The mech arches an eyebrow and looks like he wants to laugh.

Jazz shrugs awkwardly and tries to add windows to the airplane, but ends up making it look more like a severely fucked up caterpillar.

Mech snorts.

Jazz kicks him in the leg.

The airplane begs for a merciful death.

Jazz didn't really expect to get into a language class but he has to admit that whatever language he's learning now is a surprisingly easy one. It only took the other dude half an hour to show him the basic concept and from there it became a game of associations.

There were simple definitions. Like size, quantity, speed, emotion and so on.

There were signs that automatically turned the whole sentence into a question or a statement.

There were modifiers that Jazz defined in his head as positive and negative.

Positive speed - fast.

Positive size - large.

Positive direction - forward.

Positive time - future.

There were also basic words for senses, emotions and whatnot, also with modifiers.

Mouth-positive - to speak

Brain-positive - to think, but negative-brain-do-positive - to learn.

Huh.

And it's so neatly organized that Jazz wondered if this language was designed specifically to be easy to learn.

Let's see....

Mouth - positive, effort - negative.

"Easy to speak."

The guy nods contentedly and starts talking back, while pointing to the appropriate columns of the chart to make it easier for Jazz to understand.

"Creation-positive. Purpose. Person-negative-knowledge. memory-positive-effort-negative."

Jazz frowns, concentrating on his finger.

Oh. Created. For those who don't know it. Easy to learn.

He was right. The whole thing is waaaay too awkward to write poetry but learning it is a delight.

Jazz leans over the chart.

All right, well, let's see.

“Name. You. Question?”

The other guy smiles and pokes at the chart

"Me.Motion-sound-negative.Negative-eyes-positive-someone."

Walk quietly. searching?… Sneaking?

Oh, it's not "to sneak" it's "to prowl"

"Prowl" nods affirmatively. Jazz smiles at him and looks at the chart again. Okay. How to say “music”?..

“word-knowledge-negative.”

He stops to make a gesture with his hands, as if playing an invisible piano while humming a tune.

Prowl nods

“Sound-positive-positive-hearing.”

Jazz chuckles

“A whole two positives eh? Okay then. Uh. You don't look like you listen to jazz....so..”

“Me. Name. Sound-positive-positive-listening.”

Prowl raises his eyebrows. (Jazz is jealous, he wishes he had eyebrows too.)

“You're a musician?"

Jazz quickly shakes his head while simultaneously muting the outside speakers to a barely audible level and turning on one of the songs on his playlist.

Prowl twitches in surprise when he hears the melody.

Jazz waits for the intro to finish playing and then points to himself

“Creation-negative..uh..Sound-positive-positive-hearing. Jazz. This...”

He pats himself lightly on the chest.

"..is me. Jazz."

Prowl straightens up slightly

“Oh, you're not a musician, you're the music.”

Jazz nods cheerfully

“Yes yes!”

“Jaaz?”

“No no. Jazz.”

“Ah. Jazz?”

“That's right.”

Prowl draws a portal on the screen.

“You teleported here. What happened?”

Jazz hangs back, trying to construct an answer in his head. Good thing Prowl seems to have infinite patience

“So, I uh. What was 'fight'? Movement-pain-positive? I fought these things...”

He takes the tablet from Prowl and draws a crooked blot with a bunch of tentacles on it. Then thinks for a bit and adds big teeth and a lot of eyes. He's not really sure how to draw those eyes properly, so he just scatters them randomly around the monster area.

Prowl doesn't seem to be that amused by Jazz's drawings anymore, in fact, he suddenly becomes very somber.

“Quintessons.”

He pokes at the monster

“Name-Quintessons. Number-question.”

How many?

Jazz scratches the back of his head

“So uh...a lot?....number-positive-positive-positive-positive-positi...you get the idea.”

To be convincing, he dramatically spreads his arms out to the sides depicting something very large.

Prowl looks alarmed.

And unconvinced.

“How did you survive?”

Jazz laughs pretentiously

“Ask them how they survived.”

Prowl makes the “you can't be serious” face. Jazz isn't quite sure what exactly is confusing him. Mechs are designed to kill Quintessons, aren't they? Judging by his movements, this pilot must be damn good at controlling his mech, and that kind of guys usually fight on the front lines.

He decides to put that thought aside for later. There are more important things right now, like...oh shit, where is he even going??

Jazz leans over the chart again

“Uh. Right. Question-we-move-up-place” Man, how to specify... “Knowledge-negative?”

Prowl, linguistic gods bless him, understands him and starts gesturing over the chart in response

Okay. Ah. I-move-up. Planet-creation-positive.

'I'm heading home' or 'my home planet'.”

Jazz instantly perks up.

“Oh that's great, I'm pretty sure I'm supposed to go there too.”

Prowl is speaking in a language he's unfamiliar with, so he's definitely from another country, but hey, who cares as long as it's on Earth, right? He just needs to get there and he'll find his own way from there.

He watches the space debris flicker by outside the window. Even the stars are unfamiliar, Jazz can't find any constellations he knows.

One of the little purple creatures says something and Prowl steps aside to chat with them. Jazz leans back and settles into a more or less stable position. Then does the same thing, but with his real, human body. Hell, his head still feels really fucking weird after that teleportation.

He opens the comm channel and just listens to the static for a couple minutes in the faint hope that the engineering department will find a way to contact him.

Nothing.

He sighs.

“1061 on the com. In case there's any way you can hear me...ah shit. You guys won't believe what happened...”

[missingininaction]

alright, friends, i might say something you don't like but i think it's important. not just to defend a character, but because i think this is literally making people's experience and relationship with this game worse.

give jimmy like two seconds to exist.

by hating jimmy so much you refuse to even say his name, and judge real, living people for liking him, you are cheapening your experience by boiling down the main character to the most ~yuckiest~ moments. and, by not making a seperate space for hating on him, you are drowning out the voices of people who actually have nuanced things to say about his character. you know, the skilled writers and artists that feed the fandom? limitation is what kills fandoms, you have to know that.

is jimmy a good person? no. is he a good captain/companion/worker? Absolutely Not! he crumbles like dust under any pressure and he immediately shifts blame off of himself, he is an actively harmful individual and it's right to be upset by his actions. i literally had to stop myself from saying "man FUCK jimmy." multiple times because i didn't want to spoil how terrible he got to my friends when i showed the game to them.

but you have to understand; people are more than their actions. thats part of the entire point of the game. thats why its so abstract. you are meant to think about the nuances of their situation.

we can agree that anya was way more as a woman than what happened to her and what she did as a result of it, right? that despite her best efforts, she was a victim of circumstance, and she deserves to be understood and analyzed fully?

then why, seeing a fictional man who has done immoral things, are you so disgusted you won't even draw, write or discuss him outside of hate? what is that doing for you, to ignore literally the main character of the game because of his actions?

now, this is not to say people can't hate jimmy. i understand it! as someone who has been a victim of s/a and abuse, i understand if you hate him and are even triggered by him to the point of avoiding mention of him. (but...why are you in this fandom? ((not aggressive im genuinely asking)))

you can feel however you want about any character, my goal is not to control people. but i thought it was common knowledge to not hatepost about someone in their tag? over actual insight into his character and, you know, the main themes of the game?

jimmy is a man who has struggled his whole life. both him and curly confirm that in the game. he's unable to control his emotional outbursts, and he likely had no idea what to expect from being in fucking SPACE for over a year with people he probably didn't even know before that trip. and pony express and their corporate safety corner cutting certainly didnt help, did it?

for one reason or another, he most likely was never actually taught how to manage his emotions. that's just how it is sometimes, growing up as a man. and it would make sense if he was forced to deal with everything himself, no? he always complains, but he still says he'll handle it. because that's what he's always had to do. and this is just the start of what i could say about what made him the way that he is.

he's a victim too, not only of his own actions.

surprise surprise, people who do awful things can also be victims.

honestly, this entire situation baffles me. how are you going to avoid one of the main characters of the game, let alone the one you play as ninety percent of the time? mind you, curly is also guilty, and i am happy to see at least some people giving him space for nuance. because he is also a victim!!! why is it so impossible to see jimmy as nuanced, when literally every other character also has incredible depth to them??

you're tarnishing and spitting on the beautiful writing of this game just because one character is too icky for you to feel comfortable thinking about for too long. it's horror, you absolute morons. it's supposed to make you uncomfortable.

if you hate jimmy, i dont blame you. but please, please, make your own space for it. be kind to people who want to explore jimmy and the darker themes, and like him for what his character represents. this is a video game fandom, not a witch hunt. and please, learn some fandom etiquette while you're at it, okay? okay. thank you

also just say his name. its not a slur youre not gonna go to hell if you say jimmy. like this isn't as important but still it just feels like a microcosm of this whole thing.

[whereserpentswalk]

Hate to break it to you but a massive amount transphobes will be willing the accept a small minority of trans people who are 100% passing and gender conforming, if it means they have more legitimacy when they dissmiss the identities of the vast majority of trans people who don't pass or conform to that degree.

It's very easy to mask your transphobia by saying "you'll never be a woman because you still dress masc and don't wear makeup, you're just a male pervert trying to imvade real trans people's spaces", instead of the classic "you'll never be a woman because you're xy, you're just a male pervert trying to invade real women's spaces" even though they mean the exact same thing. Most "allies" will treat to former like a legitimate concern even if they'd dissmiss the latter as bigotry.

Transphobes will be willing to begrudgingly accept the balire whites and buck angels of the world if it means they can be bigoted agaisnt basically every trans person they encounter. For some Transphobes they legitimately do accept a few model trans people and that's how they justify transphobia to themselves, to others its just a ploy to convince moderates to join their side. Either way people can go far with convincing liberals and moderates of transphobia by carving out a small space for a few trans people.

That's why you can't ever be dismissive of those who pass less then you. Why our community can't just focus on people who've medically transitioned or who pass to some degree. Why we can't forget less conforming people within the community for the case of simplicity when we talk about our issues. It's why when a medically transitioned trans woman says "I'm biologically female because of estrogen" she's telling transmasc and afab enbies who aren't on T "and so are you" (not to mention the intersexism of acting like biologically female is a real and important category).

The line every transphobe who uses these tactics for what's a good trans person and what's a dangerous pervert is diffrent for every person using that method. They'll convince you that every trans person less privileged then you deserves transphobia, and it's up to you to say no. They wish to destroy our acceptance from the bottom up, starting with the least passing, least privileged trans people, and ending with the few who allied with them, the only defense against this is accepting every trans person, nomatter what.

[ffjj5]

Its been a while Jikookers, but let me tell you why...

Just a warning this post will talk about grief and death, so if you aren't in a place to want to read that right now please scroll past 💜

On October 11th my world changed and I am still working out how to be in it without my best friend. I have never felt loss and pain like I do right now but I am surrounded by amazing friends and family who will help me work this shit out. My beautiful friend of 20+ years died after a very short time in Neuro ICU following a burst brain aneurysm. No warning, just walking home from lunch with a friend on the 3rd October and she collapsed in the street, she never regained consciousness and died peacefully surrounded by her siblings, children and mum 8 days later on 11th October.

It's the little things I am struggling with, the coffee dates on my days off, the messages she would send just to say 'love you' and ask how your day was, the random phone calls because she was putting off gardening or housework, the messages to say have lovely trip the day before or after you went as she always got the date wrong, but she never forgot the important dates and would spend her last pound to get you a card to celebrate.

One of the reasons for me posting on here is because I want to recognise how being part of this fandom and being a Jikooker has had a profound impact on my grieving during this time. In life some people come along and impact on your life in a way they may never understand because you can't find the right words to tell them, but even from thousands of miles away their words bring you strength and comfort, a hug in the form of a voice message. Part of me working through this shitty grieving process has been to just say what is in my head into my phone and send the message to this person, with no expectation of a reply or words of wisdom, but she has never let me down. Even if its just to say 'keep going, it will get better', she has never allowed me to feel unheard.

So @dgtn please stand up and accept your virtual hug, until I can give you one in person 😊

A week ago we had a ceremony and celebration of life for my friend and it was beautiful, the sun shone, we cried, we laughed ( she loved to laugh and was always making us laugh) and I started on the next part of my grief journey, to learn to live without her but never forgetting her.

Everyday is a new day and some are harder than others, work is either a blessing of a distraction, or a curse, as my ability to deal with stress and the stupidity and pettiness of the general public is better some day then others. My work colleagues have been beyond amazing and the love and support they have given me has been beyond anything I could imagine. But I know my friend would be shouting at me to live my life now as it is too damn short and can be gone in an instant, so that is what I am doing. Next year is busy, first K-pop concert (Ateez, don't get me started on how excited I am), West end theatre show, and the icing on the cake is a trip to Niagara falls and NYC in March! Not to mention the impending BTS concert when that pesky military service is over for all our guys.

Music is an important part of my life and BTS' music has helped me massively, I have cried to it, I have sung my heart out to it, and I have sat in silence and just listened to it and taken comfort from their lyrics.

One song which has seen me do all three is Zero o clock, so what better way for me to sign off than with this...

[whump-imagines]

Stomach Flu

Buddie x reader

Wc: 1700 ish

You laid in bed trying desperately to fall asleep. Some kind of stomach flu had found you and was clearly trying to kill you. All night you’d been fighting blankets because you'd be hot and then freezing and then hot again. And when you'd thought maybe you'd gotten comfortable the nausea would hit.

The toilet was your new best friend. You’d spent a decent amount of time clinging to the bowl for dear life. It was worse than any bad night of drinking you had ever had.

So now you were momentarily a comfortable temperature and not as nauseous so you didn't dare move as you begged for sleep to come.

Next thing you know the bed is jostled aggressively as Buck jumps onto the mattress and asks, “You're still in bed?”

The sudden movement sends a jolt of pain through your skull and nearly causes you to puke. You launch yourself out of bed and into the bathroom. Falling to your knees, you empty the non-existent contents of your stomach.

Eddie is knelt beside you a moment later. He takes your hair in one hand and rubs your back with the other.

“Ugh. My best friend, we meet again,” you mumble into the toilet bowl.

“Again?” Eddie asks. “What do you mean again?”

Rolling your forehead across the arm supporting your head, you glance at him and notice Buck in the doorway. “Well this is like the thousandth time I've been here since yesterday. I think I'm dying.”

Eddie runs his hand over your head then presses the back of his hand to your forehead. “Baby, why didn't you call us?”

“You were working. I didn't think I needed help puking my guts out.”

“One of us could have come home,” Buck says. “Or we could have brought supplies home.”

“Supplies?”

“Soup, Tylenol, tissues, maybe…” Buck listed.

“I'd just puke it back up. Everything in comes right back out.”

“Alright, are you done for now? Do you want head back to bed?” Eddie asks.

“Moving makes me more nauseous. And my head hurts.”

“Have you had any water?” Eddie asks.

“Tried. Failed.” You lean back and the world spins. “This sucks.”

Eddie shifts you so you can relax back into him. “I bet. We're going to get you back into bed and get a bucket so you don't have to come lay on the floor in here anymore. Okay?”

“‘Kay.” You snuggle into him, enjoying his warmth.

Eddie manages to get up and lift you without too much jostling. “Can you go lay on the bed and I'll give her to you?” He asks Buck.

“Okay.” You hear the jingle of Buck’s belt and then the clank of it hitting the floor. Next, your set gently on the bed cuddled close to Buck, his arm your pillow.

“You're warm,” you announce and you press yourself even closer and move your head into his chest.

“I'll be back soon,” Eddie says. “Try to get some sleep if you can.”

You whine, not wanting him to leave. “Where are you going?”

“Back to the station. We need an IV kit, fluids, zofran, and probably Tylenol.”

“I don't want an IV.”

“Sweetheart, you're very dehydrated,” Eddie explains. “If you can't keep down water then you need the IV.”

You sigh. “Fine.”

Buck chuckles and presses a kiss to the top of your head.

Eddie leans over and kisses your head then a quick parting kiss to Buck’s lips. “Love you guys. I'll be quick.”

“We love you, too.” Buck says.

A minute later you hear Eddie’s keys jingle and then the front door open and close.

“Sorry I woke you like that earlier.”

You snort a laugh. “Not your fault, you didn't know.”

He runs his fingers up and down your side and shoulder in random patterns. “Try to sleep,” he suggests.

“Can you tell me a story?” you ask.

“What kind of story?”

“I don't care. It's just soothing to hear you talk,” you tell him. “Might help me sleep.”

He starts to tell you all about flamingos because he knows how much you love them. He explains everything from how they get their color to their migration patterns and before long you feel yourself sinking into a peaceful sleep.

You wake to the sounds of Buck and Eddie laughing. You can tell they’re trying to be quiet but the giggles are shaking you and the whole bed. “What's so funny?”

“Crap. Sorry, we didn't mean to wake you,” Buck says.

“It's fine. I need to pee anyway.” You shift to roll onto your back but end up leaned against Eddie. “You didn't tell me what was funny.”

“Just a dumb video on TikTok,” Eddie explains. “How're you feeling?”

You take a moment to consider your answer. Your head still hurts but not as much. You still have nausea but it's much more bearable. “Shitty, but kind of better.”

Buck rolls and then stands before offering you a hand. “Come on.”

“Where are we going?” You reach over to take his hand, noticing the IV line for the first time. “I slept through that?”

“Bathroom,” Buck answers.

“Exhaustion will do that,” Eddie answers your second question.

Buck helps you up and your muscles protest the change in position. He wraps an arm around your waist as you sway slightly.

You take a deep breath and blow it out. “I'm good. Let's go.”

Eddie stands and grabs the bag of fluids you hadn't noticed hanging on a command hook on the wall.

All three of you head to the bathroom together and as you sit you look around. “I like this view of the bathroom much better than the other.”

“I prefer this, too,” Eddie says. “Especially the knowing you're not as dehydrated.”

“Yeah, you already look so much better than this morning,” Buck adds.

You slowly make your way back to the bed and as you're making yourself comfortable you catch a glimpse of the clock. “Holy crap! How is it almost 11?”

They both just chuckle. “That's what happens when you sleep for three hours,” Eddie explains.

“I think that's more sleep than I got total all night. Guess I needed a better pillow,” you laugh as you look at Buck.

“You could have had that all night if you'd called us. I'm going to go make you some soup,” Buck announces as he leaves the room.

“I'm not hungry.”

Eddie sits down beside you. “You have to try a few bites at least, okay?”

You pout at him. “I don't want to puke anymore.”

“You shouldn't. I gave you some zofran,” he tries to sooth you.

“Fine.” You roll your eyes “But you better have that bucket close by.”

He presses a kiss to your forehead. “It's on the floor right here, but you're not going to need it.”

“You're awfully optimistic given that I'm still nauseous.”

“You said you felt better,” he chastises. “Is it still as bad?”

Leaning back into him, you explain, “I said I feel shitty. Shitty is better than feeling like death. I'm less nauseous, but still nauseous.”

“I'm sorry you feel shitty,” he intertwines his fingers with yours and lifts it to kiss your knuckles. “The soup should help you feel less shitty. Hopefully you're just nauseous because you have nothing in your system. So just try a few bites, okay?”

Buck returns with a tray in his hands. “I have soup, the old fashioned chicken noodle just like you like. I also have saltine crackers, oyster crackers, sprite, and water.” He sets the tray in front of you and then leans in to kiss you.

You pull away quickly. “Don't kiss me. You'll catch this plague.”

“I'll risk it.”

You lift the spoon and drink a spoonful of the broth and then you pause, waiting for the nausea to get worse. When it doesn't, you continue slowly with more broth and then eventually the noodles and a couple crackers.

Eventually you manage to eat almost half the soup and a few sips of water before you set the spoon down. “I'm done. I can't handle any more right now.”

“That's fine. You ate way more than I expected,” Eddie says.

Buck takes the water and sprite off the tray and sets them on the bedside table before taking the rest away.

“Can I have my hand back yet?” You lift the hand with the IV line and give him your best pouty face.

He shakes his head. “No. I will unhook the fluids when that bag is gone but I want to keep the IV lock for now until we're sure you're going to keep all that down.”

You roll your eyes. “Fiiiiine.”

He laughs. “Do you want me to have to poke you again if you do puke more?”

You stick your tongue out at him. “No.”

“Thought so.” He boops your nose. “Glad to see you're feeling better.”

Buck returns and snuggles in beside you on the bed. “You want to pick a movie to nap through?”

You smiled and they both groaned. “Sleeping Beauty! Oh, wait, Enchanted… no, I actually want to be awake for that. Sleeping Beauty for sure.”

“Why do you make us watch princess movies when you know you're only going to watch ten minutes?” Buck complained.

“Because it's fun.” You shrugged. “Plus, then I get to dream I'm a princess.”

Buck raises an eyebrow. “Are you saying that if we switch to football as soon as you're asleep you're going to dream about that?”

“Probably.”

“Sleeping Beauty on one condition…” Eddie started.

“What?” you asked.

“Next time you get sick while we're at work, you call us immediately.”

“No,” you argued. “Because there won't be a next time. This is awful. I don't want a repeat.”

“Fine. If! If by some small chance it happens or if you just get the sniffles… you call.”

“Deal.”

Eddie gets the movie set up and you make yourself comfortable. This time you use Eddie as a body pillow and Buck drapes his arm over your waist.

The movie starts and you almost instantly feel yourself drifting. “Love you guys.” You mumble as you close your eyes.

They chorus an “I love you too,” as you fall into a dreamless slumber.

[kimyoonmiauthor]

Might be more of a white culture thing. I get called names often when I point to actionable things one can do. Usually from particularly Black and other PoCs, they're more straight with me than white women are when they assume I'm a woman, even if I point out I'm NB and particularly don't subscribe to white (US Middle Class) woman's speech, which I never could quite master nor like.

There was a study on white women's speech about an Italian family, I think, granted US-based immigrants, where women of the family were taught more to be "peacemakers" and use indirect questions, (not the Jewish kind of questions) to particularly needle people into doing action.

Jewish speech (since I was raised Jewish as part of being adopted), tends to have more rhetorical questions to challenge people to think more deeper or examine their thoughts. (Plenty of papers on this, I actually wrote a long post about it)

But outside of (white) Jewish circles, often questions are used as passive aggressive behavior and ways to diffuse conflict. Such as the white woman speech of something like, "We do not hit other kids. How do you think the other kid feels?"

BTW, this is far from the white woman's tears and toxic white women's speech as pointed out by Robin DiAngelo, but does show the gulf between how women are treated between cultures and often I've observed PoCs are more likely to try to conform to white ways of gender when faced with someone white due to mainly stereotype threat and also some speech patterns which are harder to deal with if you aren't versed with how to deal with the toxicity. People tend to hedge their bets.

By the way, straight pitching here, but I'd really, really like a philosophical discussion on two things, though I'm well aware these are loosey goosey. And yes, maybe influenced by the US election:

The questions are these two:

Does true altruism exist? Is there a way to make an outgroup care about the in-group, when they have no skin in the game and keep showing up? I remember the episode you did about Sam Altman? But it didn't get into this question. We're stuck worldwide with people who don't care, but is there a philosophical way to get people to care about groups they don't belong to?

And the other question is how does one sell an idea of masculinity that is not the Alpha, Beta, etc set and can we escape that to men in such a way that they feel invited? I've read about sacred masculinity and also the secure masculinity models, but worldwide the shift towards that ultra masculinity seems to be winning because it feels powerful. The current movement of feminism is asking how to reframe masculinity itself.

I'd like to see it in an intersectional way for both topics. Such a way that it sees internationally and through lens of intersectional queerness.

You've circled around these topics, gone through them talked about queerness, communication, but I've felt like it's a glancing blow. I'm aware this is a hard ask. But I have to admit the last US election and watching other elections where people have swung far right on self interest alone over community has left me wondering if I missed something. Distrust of community that deep leaves me reeling.

I encountered women who were willing to, for example, stick it to trans people over protecting their own rights and philosophically I do not understand why they would choose hate over saying everyone deserves rights. I did the sit down and listen, but hit hard dead end walls, like I was being an elitist for going to college and the pursuit of knowledge is being snobby. Or literal professed Neo-Nazis, like telling me people should believe in Mein Kampf. And I'm sitting here thinking what more could I have done to make people care and care about people unlike them as a really marginalized person. It hit so many walls, and I tried very hard not to yell, scream, but reason through emotions, logic, but I can't help feeling a little frustrated that maybe I didn't know enough in order to get them to see a different way and move them that little bit or at least crack their wall through the interaction.

Separating The Art from the Artist ('s Gender)

an interesting thing I've observed:

I've been making art for my whole life, and I publicly transitioned a few years ago, and it's super interesting how much criticism changed when I came out

When I was in the closet the criticism I got for my work was a lot more useful. It was generally constructive, usually specific and actionable, usually coming from a place of sincerely engaging with my work even if it didn't always like it. So even the negative stuff was usually helpful?

Whereas now, most of the criticism I get seems a lot more "vibes based"? It's more vague; it's more likely to contain factual errors like "The work says X" when the work doesn't say that, or even says the opposite; the criticism is often less actionable; and it's more likely to treat my work as something that has accidental features to which the audience has a reaction that is the most important thing, rather than something that has deliberate features because I chose to put them there? And so it's judged much more by whether people vibed with it rather than by whether it achieved what I intended it to

idk, it's just interesting, maybe it's not a gender thing maybe it's just that people's media literacy is changing? maybe i'm attracting different audiences now? maybe I'm just worse lol

[theoncomingchaos]

Who loves Rook: Spite or Lucanis

I've been seeing a lot of discourse about this, and I just want to add my thoughts.

I might be totally wrong about this, but here we go. When Spite was put into Lucanis, he was still Determination. The fact that he changed throughout the torture, forced insertion, and imprisonment suggests to me that they have been put into a speedrun of a similar situation to Anders and Justice/Vengeance where they have started to meld. (As Anders put it, you wouldn't know where one begins and the other ends). Just like Anders and Vengeance, Lucanis and Spite can have separate consciousnesses and even disagree about things, but their core values have started to influence one another and become a part of one another- heightening certain aspects.

I think this melding is why we see some dialogues where Rook tells Lucanis that he sounds like Spite and similarly it's also the reason for the shared attraction- which I fully believe is coming originally from Lucanis.

I'll be honest my first time through I romanced Lucanis and was very disappointed. I didn't even see him and Neve ever flirt (she only ever encouraged us!) But still, it seemed to go from 0 to 60 with him. Now, I am on my second playthrough and I only just met him, but I am starting to see some really subtle looks and dialogues that suggest that Lucanis wasn't lying later when he said he was attracted to Rook from the beginning, but was afraid to really pursue anything or even acknowledge the possibility of being with them. With his fear of trusting people, ptsd from the prison, failed history in romance, and his new situation with Spite that he still hadn't worked out yet, he never thought anything would or could ever come of his feelings. We know Lucanis loves romance stories and likely longs for one of his own, but in such a situation it must have seemed truly impossible and terrifying to let someone else in. Especially someone you really care for and are starting to trust. So, he pushed it all down. Rook flirts? Maybe a small smile, but then quickly lock it all up with everything else he can't handle. Focus on work. Don't think about Spite, or Rook, or anything difficult.

However, if the melding has already happened as I suspect, then the feelings Spite is expressing are shared with (and likely sourced from) Lucanis, he's just better at expressing it directly- which makes sense for a spirit that was once Determination. When you first talk to Lucanis after the rescue, the thing Spite says about Rook changes accordingly to your tone, but to me the responses still sound like they come from Lucanis and are then echoed in Spite: "He doesn't want to hurt us." Even the "He's more fun than you" is something Lucanis seems to think about himself as he is fully aware that much of his life has not been his own and believes "all he knows is death."

Leading back to the main point, Lucanis's trust and interest in Rook would be heightened by Spite the way Anders' anger towards the templars was heightened. Even though they are finally free from the prison, their is a sense of constant suffering from still feeling trapped by fear, regret, and pain- Spite feels that suffering too. The elements of determination are still within him the same way justice is another side to vengeance. Both spite and vengeance are the results of failing to achieve their goals of Justice and Determination. Spite sees Rook as a way to free them from pain and restraint, a glowing and beautiful key to the prison door, and he is determined to do what needs to be done to solve the problem. That's why he doesn't hesitate. He has no fear. He wants to talk to Rook. He wants Rook to come in and free them.

After Rook has freed them, they become a source of comfort and safety, once they encourage Lucanis and Spite to find a way to cohabit comfortably, the two continue to meld, and the need to protect Rook, to love Rook, to keep them, is very deeply shared. Now, IF Spite was somehow removed or even somehow restored (Both of which I think are impossible) that would likely change. Determination outside of Lucanis would likely become more like Compassion. He would likely forget the horrors he experienced to return to his original purpose.

So, that leaves some final questions, particularly one Hawke helpfully asked Anders- Is Spite an unwilling party in the threesome?

That's up to everyone's own morality. While both Spite and Lucanis didn't have a choice to become like this, it is the situation they are in and the way they have to find a way to accept and live with because there really doesn't seem to be any real way to change it. Through their time together, Lucanis and Spite have influenced each other and grown into something new. Part of that is Spite also loving Rook. In that way, for those who are feeling (rightfully) underwhelmed by Lucanis's romance, Spite can almost be seen as a symbolic expression of Lucanis's love.

All that being said, I think there were some small things they could have done to make the romance more satisfying over all...but I'll save that for another post.

[idyllcy]

soul ("are we mates?" "why the hell wouldn't we be?")

leon kennedy x reader || childhood friends / vague college au

wc: 840 || summary: what's the need of a label in the face of stability?

You wonder some days if Leon's grown tired of being friends with you.

You hadn't really gotten close to him until the two of you were in high school — and even then, the two of you didn't attend the same school. He had gone to one of the privates in the area while you had transferred out to a public, and it was strange that the two of you would find yourselves on the giant oak tree between your two homes, talking about your day and catching each other up on news about people you barely knew.

You barely knew your classmates when you had gone to middle school with him.

He didn't know any of your friends. Only a handful of faces from when the neighborhood would gather together to barbeque once a year.

That's how it started, and it was surprising when Leon had gotten accepted into your dream school and you had somehow made it off the waitlist. 

You'd never seen Leon so excited over something — and he had begged you to accept even when you mentioned that maybe money would be a problem.

"Pull up. Please."

"I might go insane without you, yeah."

"More the reason to come."

And then you had felt like the two of you had grown apart. Staring at him in the shared club meetings, him no longer willing to drive you alone in his car because of... boundaries, or whatever. You had given him a look when he told you, and you shook your head. It doesn't matter as long as the two of you still talk.

You find a bench in the park at the dorms to chat with him on. 

The oak of the tree in your home has become an oak bench. 

"Do you tire of me, Leon?"

He blinks at you, laughing.

"Couldn't dream of it."

You cling onto pieces of the two of you in the past when he used to bring you small things when traveling, winking at you as he would present you with silly things he found that he knew you'd like. To be loved is to be known. perhaps. You don't know. You don't know what Leon thinks of you. It's unsurprising that the two of you had lasted so long as friends. You're not into him — at least, he isn't adjacent to your type. A strange exception you'd learned to make. His family never questioned what happened after he locked his door after 10pm. 

You'd stayed up til 4 with him on the tree once.

You don't know what you feel for Leon. 

An overwhelming affection and happiness, maybe. You just adore him so much it's incredible. You doubt you've ever felt so much affection for someone. But it's not quite romance. No. Not love. It's more... affection. Overwhelming affection that you feel when you have so much security in a relationship that neither of you really need to say anything to the other.

"I love you" You laugh.

"Appreciate you too."

Whether it's romantic or platonic no longer really matters to you, you don't think. 

It's plenty to be the only person he texts back when he's arranging rides for the club, eyes lighting up when he spots you in the crowd, waving and flicking his chin up. You learn the sign he holds up with his hand when he's in agreement. You bleed and ooze with his habits the same way he picks yours up, giving you a look instead of saying something he knows he'll regret, your drink order memorized as he chews on the jelly he's pretty sure he'd never have without you, and the single photo you had posted of the absolute joy on your face while laughing saved in his phone (a secret he'd take to the grave).

But it doesn't matter how you feel or look because Leon makes you feel so much stability in your relationship that you can't help but laugh until you can't breathe, head thrown back in glee when it's just the two of you, and you don't feel anything when he asks you to help his cousin — you do not need to know what you are. Friends, something more, soulmates even — because Leon and you know that it's not something that a simple word could even begin to define. 

"What are you gonna do without me?"

"Die, probably. Joke."

"I'd die without you too. I'd probably be dead already."

You wonder occasionally if he's tired of you, and sometimes you'll say it, sometimes you don't, but when Leon raises a brow at you after you message him that you're starting to feel tired, he'll just take over the conversation naturally and let you slip off.

So, no. 

You doubt you'd ever get tired of being friends with Leon, and, well, you're sure he'd say the same.

"You tired of being friends with me?"

"We are for lifers. We can NOT stop being friends. You have too much blackmail on me."

"And if you get married?"

"That's not a problem of the present. No use thinking of a future that isn't here yet."

"Damn, okay, deep."

"Oh, shut up."

[mclacedes]

Shameless (LN4 SMAU)

warnings: a normal gigi bit of angst (like usual) and unrequited love

summary: in which y/n is a famous singer, daughter of andrea stella, has feelings for McLaren driver, Lando Norris.

pairing: lando norris x fem!singer!stella!reader

face claim: camila cabello / kendall jenner

✧ previously • next

✦ . 　⁺ 　 . JUNE. 　⁺ 　 . ✦

ynstella

❤️ by ybff, mclaren, bellahadid and others

ynstella: girls' night out and also shameless is out fucking now!!!! thx for all the love you've shown it so far, i love all of you so dearly <3 this is a special one. for many reasons. it felt like the right way to kickstart this era.

can't wait until you finally walk into my mind's hedge maze ;)

and with that, the angel has officially been kicked out of heaven, she's falling!

xoxo

tagged: bellahadid & haileybieber

click here to open comment section

bellahadid: already miss you guys

ynstella: bella we're right next to you tf

haileybieber: well i don't miss you at all

ynfan4: the LYRICS????

ynfan7: the bridge is fireee

ynfan10: can't wait for the album girl let's goo

lilymhe: and when are WE going out?

carmenmundt: speak louder for the people in the back!

alexsaintmleux: i miss you guys! pls let's go out

ynstella: yes yes pls

ynfan12: is the song about... yk... doing it to ysf thinking of your partner?

ynstella: not this one babe, there is another one for that!

mclaren: you've done it again, baby boss! 🧡

ynstella: log out of this acc lando, i've seen you already! hahaha love you guys 🧡

ybff: sorry i couldn't make it there :(

ynstella: can you come back to the us already?

landonorris: @//ybff pls don't

ybff: @//ynstella

landonorris: go baby boss

ynstella: i hate you.

landonorris: no you don't.

ON TWITTER

✦ . 　⁺ 　 . JULY. 　⁺ 　 . ✦

ynstella

❤️ by oliviarodrigo, sabrinacarpenter, haileybieber and more

ynstella: here it is ! my album third album, “the fall of an angel“, comes over to you august 2nd 🏹💗✨

i’m so excited for this to FINALLY come out and to tell you these stories. i can't believe we made this in less than 3 months... i guess i just wanted tell you how i felt about some things/people/situations.

i think you're gonna like this one - i hope, at least.

love you so much and thank you for the continuous, unwavering support of me and the art 🎶🪽

click here to open comment section

ynfan17: OMG WHAT

ynfan19: we are so not ready for this

oscarpiastri: let's go y/n!!!

ynstella: love you osc 🧡

oscarpiastri: love you baby boss 🧡

ynstella: can you sign my face? 😭🧡

ynfan23: chat... she didn't say "log out lando"...

ynfan24: and...? @//ynfan23

ynfan23: me thinks there's something going on w them bts but i might be delusional

bellahadid: shining so bright, my little diamond 💎✨ ily sm

ynstella: love you bells 💗🩰😭

ynfan56: girl give it to me rn

ynfan32: i'll give you an insane amount of money to send it to me right now y/n

mclaren: you go baby boss

ynstella: 🧡✨

ynfan43: why isn't she mentioning lando chat

landofan7: can you stop being obsessed?

ynfan43: i mean... they used to be like brother and sister so it's weird he's not even liking her posts anymore

landofan7: so you're shipping a brother and a sister?

ynfan43: kys for the love of god

COMMENTS ON THIS POST ARE NOW LIMITED

[nocturnaclysm]

I'm going to start off by highly, highly recommending What is Body Horror? by Shannon Lewis if you want to know what body horror entails, because the above definition is far too simplistic. It also fails to take into account why we love body horror so much, and fails to acknowledge how it's being utilized so cleverly in Mouthwashing.

Body horror holds a mirror up to the person, saying “this is you”; the person’s reaction is to reply, “it can’t be.”

Body horror is complex, but at its core are two crucial ideas: 1) loss (loss of autonomy, loss of self, loss of control, etc.), and 2) confronting your own mortality and vulnerability of the flesh. These two things are precisely why the devs chose to use Curly's circumstances as a storytelling device; his disability functions to parallel the loss of autonomy and vulnerability felt by Anya, not as a punishment but as a consequence of his own inaction. The horror is on Curly's end, as he's forced to look in the mirror only to not recognize himself, to realize that he's not the person he thought he was - not because he's disfigured, but because his disfigurement is a physical manifestation of his complacency in a system that functions to strip others (i.e. women) of their own autonomy and safety. Only when he's finally able to acknowledge this does he lose the ability he once had to do something about it, and all he can do is watch his inaction unfold before him, and to him, powerless now to stop it.

"Even the most natural process can feel like a perversion to the person to whom it is occurring."

Attributing ableism to this interpretation of Curly's character shows a lack of understanding for what body horror really represents. Body horror isn't horror because the body in question is disfigured or itself scary. It's horror because it forces you to confront your own vulnerability, because it's in our a nature, a primal instinct, to fear the "unnatural transformation, destruction, or degeneration of the human body or other creatures." It's in our nature to avoid it, to want to prevent it, and fear is a universal, primal emotion that's helped get humanity far enough to contemplate it. One could (and many, including myself, do) argue that having a body at all is inherently grotesque and horrific; our bodies smell, leak, decay, we're crawling with bacteria, we're susceptible to infection and disease, our insides spill out, shed, excrete. Most of all, we feel pain. Pain is a concept crucial to understanding Curly as body horror; the sounds he makes when you're feeding him his pill, the wailing you hear when he needs it, the blood-soaked bandages trying and failing to conceal the raw, exposed flesh underneath. The unbandaged eye following your every move, his only form of communication outside of agonized moans. It's horrific because he can't do anything but endure it, because there's no escaping it, not even in death. Jimmy took that from him, too. (The horror is on Jimmy's end just as well, while we're at it. He has to stare his sins right in the face and reconcile with them, but he fears it. Fears him. Again, not because he's disfigured, but because his disfigurement represents something much larger, much more horrific - the consequences of his own actions and the need to "take responsibility" for them.)

As the article touches on, though, there is a way to paint certain bodies that can be read as ableist (ex. "stories that position becoming disabled as a “fate worse than death”, antagonists with marked visible disabilities when compared with the “heroes.”"). This is an important distinction to make, but interpreting Curly's circumstances as body horror does not align with this (unless they're expressly saying he's horrific himself for being disabled, which I don't think anyone is arguing). Mouthwashing is a horror game after all. The use of Curly's disfigured body to instill fear in the player is deliberate, a perfect representation of what body horror represents. Whether or not you agree with its use is another conversation entirely, but make no mistake - Curly's disfigurement is horrific, in more ways than one.

body horror is defined as a horror subgenre depicting "the unnatural transformation, destruction, or degeneration of the human body or other creatures".

mouthwashing things that are body horror (or adjacent):

giant womb full'a horse fetuses

hallway full of giant curly eyeballs

climbing out of a giant disembodied curly head

polle centipede

jimmy dismembering and eating parts of curly (cannibalism; the dehumanisation and consumption of human meat)

mouthwashing things that are not body horror:

curly being a burn victim & amputee

[wingedshadowfan]

⚠️arcane s2 act ii spoilers⚠️

"caitlyn switching sides immediately when vi calls her cupcake again" "caitlyn double crossing her mentor ambessa out of the blue" "caitlyn and vi haven't talked or seen each other in months" "caitlyn randomly changing her mind" SHUT UP

if singed didn't manage to get warwick out his way (which would've still likely made warwick go berserk causing casualties and/or even losing the remainder of vander), ambessa's army of trained warriors, because notice there weren't any enforcers w/ them, would've raided a village of pacifists who don't have a single weapon, in order to catch and tame a monster that can and has turned a dozen people to bacon in minutes undoubtedly to employ it against other innocents (which caitlyn never wanted happening btw, even in her pursuit of jinx and her personal revenge, she thought it was taking too long and being too violent and destructive, which we saw caused tension betw her and ambessa), not to mention caitlyn called singed a monster and we don't quite see her changing her mind after seeing the dead daughter he does animal testing in order to immortalize, she'd alr confronted ambessa for her and her himbo's methods (warmongers not following the lawful procedures, who's surprised), and if in the midst of potentially spying on ambessa and her people vi of all ppl falls from the sky to say this "monster" is her dad (considering caitlyn is still deeply grieving her mother and has been under the impression vi's dad is dead) and that the village prophet will turn him to a man again (effectively neutralizing a potentially uncontrollable and very severe threat) like i'm sorry but if i was caitlyn and had to act immediately under a time crunch, i'd also go straight to "here's where the guards are placed, i'll walk you in as a hostage" it was the perfect moment to betray ambessa and diverge attention (and it would've worked beautifully if jayce hadn't blown a hole through viktor's chest, which i'm actually not exactly blaming him for doing to a eugenics enthusiast) - w/ the help of vi and in the urgency of needing to figure out how to save all those people by herself (and in the undercity too bcuz it's a relatively neutral ground and caitlyn can't quite go back home after this unless she kills ambessa or smth, which, unimaginable) and why couldn't she have done it before? the stakes weren't as high before and she also couldn't do much against ambessa in piltover without a single capable counselor left (despite everyone telling her "it's your call" it's never that simple in politics)

and even if you took the complete opposite stance and argued that caitlyn doesn't love vi anymore/never truly did bcuz she hurt her, pushed her away, got a rebound and became authoritarian (which isn't a hill you can easily die on if you consider literally any other outside influences on the situations and relationships in arcane imo) guess what? none of these things matter for the decision caitlyn had to make (and vi likely didn't tell her jinx was in the village too)