#save marriage alone

[sarasade]

Part of me almost hopes that Viren's story arc will end in a disproportionately cruel way, you know.

I'm just so tired of seeing a character doing one good thing before they die or trying to change before they die and instead of the audience taking that as purposeful ambiguity the discussion will center around if the character was "Redeemed".

But imagine if he was punished so harshly that even the Viren haters would feel bad for him. Now that would be interesting! I've seen some dark speculation around season 5 so I'm looking forward to seeing how the show will contextualise his arc.

I don't understand why "Redemption" is such a popular talking point when centering villains (ok I actually do. I'm looking at you, Zuko).

"Sin and Atonement" and "Redemption" are deeply Christian themes. I don't think those should be a universal frame of reference to all stories.

Yes, yes, this is more of a fandom problem, not a show problem. But if people want to see a bad character harshly punished for their crimes maybe they should get that for once. I don't really mind because I think Viren, while unlikeable, is a sympathetic character already. Of course I feel for a character even if they are "irredeemable". That's what stories are for.

I don't mean it's a completely useless way to look at art but it's just- I don't know- I'm bored? Especially YouTube commentators talk about redemption constantly instead of engaging with the themes that actually are there.

Sometimes villains can't even really make up for everything they have done, just like some people in real life. Viren has committed so many crimes- like how do you even fix that? However it'd still be interesting if he tried to change. That's what I'm here for. Like Viren and Claudia are not just an antagonistic counterforce to our heros but they have a lot of going on as unique characters.

Viren has his saviour complex and values domination over cooperation. Claudia is interesting because she's both the victim and the perpetrator. It's interesting how self-sufficient she is while being deeply emotionally codependent on Viren. She has a ton of agency as a physically (magically?) strong person but not a ton of agency as an independent, emotionally strong individual. Viren and Claudia love each other but it's isolating kind of love where they don't really have anyone else but each other (Terry is really trying to get in there. Like sorry Terry you don't know how fucked up these two are lmao).

No wonder it was so easy to Aaravos take Viren's place as an authority figure in Claudia's life after Viren died. Or at least that's what I took away from Lost Child short and TDP season 4 in general.

I still think about the first information we got outside Viren and Claudia's POV about Aaravos's mirror: Runaan's warning about "A Fate Worse Than Death".

This framing device sounds really important. I've been wondering how it'll play out eventually. Is it something about Viren losing his old life he worked so hard to build, or will he lose Claudia in some metaphorical or literal way? Is it something even more personal?

Personally, I'd love to see Viren live and change as a person. There are plenty of high-fantasy male characters like him who go through that kind of transformation: Guts from Berserk, Geralt of Rivia, Jaime from GoT, Ged the Wizard... You know, characters who realise that the things they value are unsustainable or even harmful to themselves and to people around them and even to the world as a whole. Or they realise that superficial things like status and power are unfulfilling and only serve status quo. There are some parallels to toxic masculinity/ hegemonic masculinity, too.

However, I think it'd be interesting if Viren's story will be a deeply tragic one. Anyway I'm here for this.

[evilkaeya]

being the eldest daughter means i have the right to call my mom insane bc what tf was she on when she decided to have three kids with my red flag of a father

[itspneu]

ik the manga is not about kinosaki shes not the protagonist shes not the one being ordered to get married BUT idc i need the potential partners bonding with her too like yeah she may not be the one actively saving them but she is giving support and she got hit in the crossfire several times for these girls, she shouldnt even be there but she is, but then the girls just dont talk about her... like cmon they're not even a tiny bit interested in befriending the kinosaki mei that diva oh lord the content we could've been fed with kino being bestie with these girls we're being robbed

[portuguesedisaster]

I need a nap.

[frostise]

7 + 16

𝐒𝐇𝐈𝐏𝐏𝐈𝐍𝐆 𝐌𝐄𝐌𝐄   ┇   accepting ♡

7. Would your muse ever get married?

omfg this is a hard question! uhm...i think louise has thought about marriage at random times of the day but it's not a top priority right now because prioritizing her vengeance against firestorm will always be her ultimate life's goal (as depressing as that realisation is). but of course, louise has other important things to do in her spare time then try to kill him because there are a bunch of his other villains trying to end his career too. mostly her life involves T.A.B since she works for them on a daily basis until death arrives at her doorstep.

however, i do imagine it starts to get pretty lonely entering her various penthouses with nobody to greet her and it would explain why she's super close to criminals or monsters she befriended over the years and hangs out with them frequently just to fill the emptiness she's been feeling ever since crystal's death. louise's pride wouldn't admit it but she's actually lonely in the love life department because of her abandonment issues plays up in most of the relationships she's been in the past. there's never a moment where she thinks a long-term relationship will result in a marriage. it has always been casual relationships frost was familiar with over the years.

so personally speaking—i don't think she's ready for marriage. at least not until firestorm is eliminated. the concept of marriage does sound rather enticing, serene, a happily ever after if you will. well...that's if she was still young and carefree. i do think there's a alternative version of louise who never lost crystal. she would've actually considered marrying her on the spot but unfortunately crystal never felt the same way about her, so louise would never marry anyone who never really saw how monstrous she can get and accepted that nature with open arms.

in other verses where firestorm is dead, she will stop obsessing over him and refocus on working on her second goal which is to be happy even if it's without crystal and her own family. this will eventually lead to marriage at some point with someone she deems worthy of her time and trust. my current version of kf is just a conflicted mess of emotions and riddled with major abandoned, trust and commitment issues she's still trying to resolve even though it's a slow, arduous process to cope with. this doesn't mean she'll cheat! she just has doubts and paranoia about her partner leaving the marriage if they show a single hint of rejection.

16. Does your muse believe in soulmates?

that actually reminds me of her canon quote: "in a world where aliens can fly and regular men stand up to the gods. what are the rules of physics? is it now so tough to imagine them bending...to imagine them breaking?"

from louise's perspective, anything is possible in a world full of gods, monsters, magical gateways and metahumans cosplaying as hero/villain amongst the multiverse. she would believe there are soulmates out there somewhere in the world but she personally never experienced 'meeting the one' and even if it was a real thing? louise would rebel against fate. she would prefer to meet someone on her own accord, not follow a red string blindly just because the all mighty 'god' of whatever chose to seal their fates. plus, gaining 'true love' for a mere stranger is very unsettling as you can imagine lmfao. louise would want to actually know the person first! she hates it when people rush a relationship!

[exiledintoascension]

Youtube Quote

"Every woman wants a masculine man until it's time to listen."

-hanselito2416

"Dating for men is like a job interview. Dating for women is like going shopping with a man's credit card."

-Andrew--S

"If you're ever thinking about getting married, just imagine yourself buying a house for someone that hates you, AND financially supporting them for the rest of your life."

-davidreitzer5471

From comment section of the video below.

[lesbianwyllravengard]

Going back into my cave after this but Wyllstarion x The Princess Diaries au. Wyll as Mia, Astarion as Nicholas, Tav as Andrew. You understand.

[stewy]

beautiful women are such a sensitive topic to me. please don't look at me while i'm looking at you

[my-thoughts-and-junk]

thinking about nora again

[koushirouizumi]

{D I G I M O N 02} x Text Posts Meme + The Beginning!Steve & Yukidarumon {Frigimon} ~ {CANON!} JEWISH-American Chosen Child/Chosen One (Confirmed in the 02 Memorial Book Post-02 Production) {I.M.G by Me} (ASK to Use/Share) {DO NOT RE-POST} {DO NOT RE-SHARE} +To Other Sites Without My PERMISSION!}

[itsrobiyn]

❄️me finally leaving a toxic/abusive relationship after a year and 7 months.

❄️ This is literally a win for me. JUST LOOK AT THE TAGS LOL. Feminism is gonna shine in a new way for me now, I’m gonna get in a non profit to support against psychological and emotional abuse or sth.

—————————————————————————

ALSO @werewolf-mp3

my sideblog hedgie (now novelcracker) with all the translation tips and all it was me lol

SORRY FOR DRAGGING YOU IN I’M JUST SO HAPPY AAAAAAAAH

sorry sorry just ignore it

[ahaura]

drop dead fred (1991) no. 1 movie in my heart idc i do not FUCKING care you can put that on my fucking grave

[so-long-soldier28]

my grandpa will never miss a chance to blame a woman for a man's disgraceful actions

[star-ocean-peahen]

After watching Cinderella (the original animated movie, which was my favorite as a child), it strikes me how it solves many common problems people have with this fairy tale. Like:

Why did they try to identify the mystery girl using her shoe size? Because the bullheaded king's only clue to her identity was the shoe the Grand Duke picked up off the steps.

Why didn't the prince recognize her by her face? Because his father wouldn't involve him in the process at all, and wasn't the one going around trying to find her.

Why did the prince want to marry a lady he only met that night? Because his father was going to force him to marry someone, and he genuinely liked this woman.

Why did Cinderella want to marry a man she only met that night? Because marriage was her best and most secure way to freedom. Fucked up, but you can't say it's unrealistic for the setting of a fairy tale. She also genuinely liked him.

If they're using the slipper to find her, wouldn't it be more sensible to search for the person with the other slipper? Yes. The King is purposefully nonsensical and the Duke is purposefully terrified enough of him to carry out his orders to the letter. Furthermore, they end up doing that in the end anyway, because the Duke's glass slipper is shattered, and Cinderella brings out the one she has to prove her identity.

Why didn't the stepmother and stepsisters recognize Cinderella at the ball? Because they were dancing too far away, and then left the party to dance in private, which was possible because the King wanted very badly for his son to hit it off with someone and tried to arrange the best conditions for that to happen.

Why didn't Cinderella save herself? Because in real life, abuse victims should not have to shoulder that responsibility, and usually can't. In real life, you need and deserve an external support system. Asking for help, in this kind of situation, is very important. She is saved by others because she is loved. Because she is not alone. Because she has friends who love her, and want her to be happy and safe and free. Because in real life, people who want to help someone who is suffering are like the mice. We can't pull out miracle solutions, but we can provide companionship and if we're in the right place at the right time, we can help the person find a better life.

Why didn't the fairy godmother save Cinderella from her abusive household, or try to help her sooner? Because she's magic, and magic can't solve your problems. Quote: "Like all dreams, well, I'm afraid it can't last forever." This (and Cinderella's dream of going to the ball) is a metaphor for pleasurable things in bad circumstances. An ice cream won't get rid of your depression, but it will provide you with momentary happiness to bolster you, as well as the reminder that happiness in general is still possible for you. Cinderella doesn't want to go to the ball so she can get away from her stepmother and stepsisters, or so she can meet someone to marry and leave with. She wants to go to the ball to remind herself that she can still have things she wants. That her desires matter. This is important because the movie does a very good job of illustrating Lady Tremaine's subtle abuse tactics, all of which invisibly press the message that Cinderella doesn't matter. While going to the ball and fulfilling her dreams may not be a victory in the material sense, it is still a victory against Lady Tremaine's efforts.

Why is Cinderella's choice to be kind and obedient framed as a good thing, when you are not obligated to be kind to your abuser? This one walks a very fine line, but I think the movie still makes it make sense. Lady Tremaine never acknowledges her cruelty. She always frames her punishments of Cinderella as Cinderella's fault. Cinderella is interrupting, Cinderella is shirking her duties, Cinderella is playing vicious practical jokes. Cinderella is still a member of the family, of course she can go to the ball, provided she meet these impossible conditions. Lady Tremaine's tactics are designed to make Cinderella feel like she must always be in the wrong and her stepmother must always be in the right. If Cinderella calls her stepmother out on her cruelty, or attempts to fight back, Lady Tremaine can frame that as Cinderella being ungrateful, cruel, broken, evil, etc. If Cinderella responds to her stepmother's cruelty defiantly (in the way she's justified to), she's not taking control out of Lady Tremaine's hands. Disobedience can be spun back into her stepmother's control. She wants Cinderella to be angry and sad and show how much she's hurting. So since Cinderella is adapting to her situation, she chooses to be kind. Not only because she naturally wants to be and it's part of her personality, but because it is a form of defiance in its own way, and it allows her to keep a reminder of her agency and value. Her choice to be kind is her chance to keep her own narrative alive: she is not obeying because her stepmother wants her to and she has to do what her stepmother does, but because she wants to. It's a small distinction, but one that makes all the difference in terms of keeping her hope and identity. (Fuck, I wrote a whole paragraph about how this doesn't mean you can't be angry at people who hurt you or that you need to be kind to deserve help, and then deleted it by accident. Uh. Try again.) Expressing anger and pain is an important part of regaining autonomy and healing. Although it is commendable to be kind while you are suffering, it is NOT required for you to get help or be worthy of help. If Cinderella's recovery was explored beyond "happily ever after" she would need to let herself be angry and sad to heal. Cinderella is not only kind because it comes naturally to her, but because it's her defense against the abuse she's suffering. Everyone's story and experiences are different, and one does not invalidate the other.

Bonus round for answers that aren't part of the movie:

Why didn't Cinderella run away? Where would she go? Genuinely, in hundreds-of-years-ago France, where would she go if she snuck out of the window with a change of clothes? With her step-family, she's miserable and abused, but she's fed, clothed, and in no danger of dying or being taken advantage of by anyone other than her stepmother and stepsisters. Even if she escapes and manages to find financial security, her stepmother might be able to find her and get her back.

Why didn't Cinderella burn the house down with them inside it/slit their throats in the night/poison their food/etc.? Because that's a revenge fantasy, and this story is a fantasy about being saved. There's nothing wrong with making Cinderella into a revenge fantasy. That's perfectly fine, as long as you acknowledge that the other type of fantasy is also a valid interpretation. (I mean, the original fairy tale features the stepsisters getting their feet mutilated and all three of them getting their eyes pecked out, so go for it.)

Why isn't Cinderella more proactive in general? Because she's a child who has been abused for the back half of her life, who has had to be focused on survival because. you know. she's an abused kid.

How did she dance in glass slippers? Gotta agree with you there man, that's weird.

[madamechrissy]

Cursed Promises

Pairings: Sukuna x Fem reader

CW: This chap, fingering, cunnilingus, dirty talk, Sukuna calls you little bunny lmao, soft Sukuna in places, reader is a lil innocent thing, gonna get A LOT freakier as we go, true form Sukuna

Summary: You have been promised to Ryomen Sukuna, King of curses, for as long as you've been alive, ostracized from your village, 'special'. Now you are to marry him, sight unseen. People everywhere fear him, but will you find yourself intrigued by him. Just who is the King of Curses to his new wife? Arranged marriage au

A/N: Finally writing Sukuna oof I'm nervous aha- SMUT with feelings. Gonna be like four parts to this, so a short fic! Monsterfking and fluff lol- Taglist open <3 Comments/ reblogs appreciated ❤️

Part Two>>>

Part One

Today, you are to marry King Ryomen Sukuna, the demon king of curses, you’ve known this your whole life, this is what you were chosen for. The special girl in your village raised to one day be his bride, however you did not feel special growing up, if anything you were just different. You could not even play with other children normally, you had to have special care taken, and others whispered of you.

You were now twenty years old, the wedding was supposed to be a couple of years ago, but was put off due to Sukuna being away during a war, battling and being gone for long. He was now back, and claiming what was his, though you had never even met him, you had heard the tales, the frightening ones of him, how he ransacked villages, ended lives.

Your village was protected and saved because of you, as if you’re a sacrificial lamb being led to the slaughter, a thing to be whispered of, because you alone possess energy, energy you truly have no clue of, but it makes you special. You now are standing in the most beautiful and elegant robes, everyone was speaking of your beauty, smiling at you, but you saw it, the fear in their eyes.

The tears in your mother’s eyes, and the sullen look on your father’s face, even your terrified little siblings, and you have to wonder, is he so terrible and cruel? And is your life over already? You take several breaths, clutching the flowers in your hand so tightly a thorn pricks your finger, crimson blood dripping down.

You peer at the finger, sighing now, inside the high castle walls of the king, contemplating how everything had happened so quickly. Even knowing your life belonged to him, you still lived relatively normal, until that royal emissary had come, and told you now was the time, the great honor bestowed upon you.

The way they speak of him… Would you even survive?

Your steps feel heavy as you walk through the halls of the palace, your heels clicking on stone floors, decked out in royal, beautiful robes, guards on the other side of you, for if you choose to run you will be captured. You knew that, and had no intention of running, for you want your family and the village to be safe, even if they seemingly threw you to the wolves.

Or, wolf that is.

Your heart beating a frantic rhythm in your chest, you try to stop your heavy breaths, to slow them, as the guards open the ornate doors, revealing the enormous room before you, where many have gathered to see. You look down at the floor beneath you, trembling at the thought, feeling his immense presence before you even look upon him.

It was as if the entire room trembled in fear from him, and you could feel it, his gaze upon you, as you continued to step slowly, one foot in front of the other, now the eyes of everyone in the room were on you. You feel the weight of this arranged marriage heavy on your shoulders, the fate of so many depend on it.

You finally get closer and look up slowly, studying his form in his white robes, thick and muscled and so tall, so big he towers over everyone. You trail your gaze up his broad chest, to his four broad arms, the veins wrapping around each forearm, huge hands on each one with long black nails, like daggers. You nearly trip then, and one of his large hands grasps your waist, taking it over like you’re nothing.

You’re shaking now, eyes darting up to his face, an arrogant smirk on it, and ruby red eyes staring down at you. Four of those eyes, assessing you in that gown, his long fingers curling at the nip of your waist, burning you through the robes. His presence is so intimidating and intense, but…

You’re not scared?

His hand feels so… you cannot describe it, the burn of his touch, the insane feelings you’re having all at once, like you can’t breathe. He’s so huge everyone has to crank their necks, you feel so small in his grasp, next to him, barely reaching his chest, which you see somewhat from the opening of his robes, the strong muscles and taut skin, before darting back to his face.

“Tch, clumsy girl.” He huffs, setting you in front of him now, and you curtsey low in your robes, eyes down.

“Forgive me, my King.” You murmur, trying to be obedient, it’s what you were taught, right? He scoffs, crossing one set of his arms, tilting his head at you, he has shockingly light pink hair, a color you’ve never seen, raising a dark arrogant brow, the candles are flickering and casting shadows in the grand hall, making him look even more intimidating.

“Hmm.” Is all he responds, taking your hand in one of his, it absolutely swallows yours, and you both turn to look at the orator, who now will start the ceremony, and you stand and bow your head, as he locks you both together.

You are now Ryomen Sukuna’s bride.

You look up as he is supposed to kiss you, it would be your first kiss, he leans so low, bending at the waist, and you prepare for it, shutting your eyes, how would it be, to kiss the King of Curses? However he merely brushes his lips against yours for a brief moment, before stepping away, and announcing you as his bride.

The anticipation kills you every moment, as you watch his concubines dance for him, but his ruby eyes keep flickering back to you, constantly, even as he drinks from his golden goblet, and even as several women run their hands on his chest. You think that’s for the best, perhaps he will have no interest in you, for you’re a simple village girl, many speak of your beauty, but you’re not worldly or experienced like them.

Perhaps he will not do more than what is necessary, and spare you from supposed cruelty. You’ve heard so many tales of what he has done, however you did not feel any cruelty when he held you, when he brushed his lips upon yours, but maybe you’re a bit naive, so sheltered to be the perfect wife for him.

You’re taken to your new chambers now, they are luxurious and beautiful, regal and fit for a Queen. You are a Queen, aren’t you now? It’s insane to take in, while your lady’s maid begins undressing you, you take in the surroundings, the red and gold ornate decorations, the low bed that has a canopy above it, draped with the same white and gold Sukuna himself wears.

Your peer in the looking glass, draped in a thin red yukata, with nothing underneath, your breasts are apparent, the opening exposing the valley between them, making your cheeks heat up. You feel the silk against your bare skin, floating across your body, knowing you’re naked under it makes you so nervous, as you know your duty will be to give the King his heirs.

You have very little knowledge, your mother had said to lay there and endure it, and that you would love your children, so that would get you through. The thoughts about that are purely horrific, you do not know anything aside from that, that he would lay on top of you and give you babies. You also know men seek pleasure elsewhere, not with their wives.

You don’t know what to think, but your heart falters when the door to your chamber opens, and Sukuna’s standing in your doorway, so massive he takes it over entirely. His eyes glint as he studies your body slowly, his sharp tongue darting to lick a lower lip, you fiddle nervously with your hands as he shuts the door behind him with a resounding click.

“My king, I hope I please you.” You say, dipping obediently, and he laughs then, the sound booming, a snarky look on his face.

“You’re trained to say everything right, perfect little thing huh?” He walks to you, one of his hands tilting up your chin, the sharp black nail pressing under it.

“I am meant to bear your children. It’s my duty.”

He scoffs now. “Your duty, hmm? Tell me, are you afraid of me little bunny?” You glare then, earning his chuckle.

“Little bunny!”

“A lamb for slaughter, surely, but also a little bunny frozen, afraid of the big bad wolf hmm?” His hands trail down the edges of your wrapped kimono, you struggle to keep any composure.

“You need not tease me, I know how it’s done.”

He’s grinning now with his sharp teeth, his two bottom eyes squinting to almost lines, the top two crinkling at the corners. “Oh, show me then, wife.”

You stomp over to the bed now as he laughs, taking several breaths and laying on your back, staring up at the canopy. Now he’s laughing louder, and you peer your head down. “What, you’re supposed to… give me babies.”

“Holy fuck this is rich.” He snorts now, walking to you, hovering over you.

“Well I know I… here.” You slip the knot of your robe off, baring your body then, and watch his breath catch, desire flaring in his eyes. “I’m supposed to be naked for you… do I displease?” You ask, as he backs away then.

“Displease… foolish brat.” He looks away for a moment, before exhaling and sitting you up on the bed instead, eyes drinking in every bit of your body slowly, tantalizingly, you’re breathing even faster, knees knocking from your nerves. “You’re terrified.”

“I am not! You may… do it.” You spread your thighs, eyes shut now, and he sighs, two of his hands slipping up your thighs now, the other two cupping your face, surprising you.

“You think it will be so terrible, your duty?” He speaks through gritted teeth, you keep your eyes shut, staying still.

“My mother said I shall endure it.” He sighs now, tracing your jaw, his huge hands surprisingly delicate, then you gasp as his other hands sliding up your thighs grow tongues. “Ah! What!?”

Your eyes lock onto his, and he’s so close you can inhale him, this musky heady scent that makes your tummy clench. “You think I, King of curses, don’t please those who enter my bed?”

“I… you mean all those girls?”

He tilts his head, the tongues lapping at your skin again. “I’m in here, aren’t I?”

“But you’ll find pleasure with them, I am only your duty.” You murmur, looking down, he hums to himself.

“Tch, you are… your body…” He trails off then, sighing. “I will not sleep with you tonight.”

“So I do displease!” You blink back tears.

“God you’re quite annoying. Just… shut up.” You glare now, and he grins. “I like that angry look, little bunny.”

“I am not a bunny! I… ah!” Sukuna’s hands are slipping up your thighs further, his other two sliding to your breasts, exhaling as he squishes them, black nails pressing into tender flesh, but it feels so good. You’re getting wet between your thighs, confusing and embarrassing you, making you pull away.

“Ah-ah, brat. Where do you think you’re going?” He’s moaning now, kneeling between your thighs, the King is kneeling before you!? It seems like insanity, his hot breaths now between your thighs, his eyes drinking you in. “Fuck, look at you.”

“Y-you said you will not lay with me tonight? Please don’t look at me there like that, I’m all…”

“Soaking wet.” He slides his long tongue against your soppy wet cunt now, licking a stripe up your slit as he moans. “Fuck you taste good.”

“What are you doing! I… ah… mmm!” Sukuna has two hands shoving your thighs wide, as you go to pull his head off you, the sensations of his wicked tongue are so overwhelming, only for him to moan when your fingers entangle in his pastel locks, two eyes glaring up as his tongue flicks on your clit, making you gush. “My king… I…”

“I want you to cum all over my face, be good for me bunny, would you? If you do a good enough job, I’ll reward you tomorrow.”

“A good job!? This is wicked… it feels… s’good- ah!” Your head is thrown back now, and you’re shoving his face against your cunt, you gasp then, realizing your folly. “I’m so sorry-”

“Shut your mouth, I only want to hear your cries.” His head dips back between your thighs, tongue lavishing your velvety walls, you’re gushing honeyed arousal all over his handsome face, yes he is handsome to you. You’re not afraid of him right now, especially as he’s touching you everywhere.

You’re crying out and shaking, thighs struggling to close, but he holds them firm, his other hands squishing your breasts again, tongues on his palms lapping at the sensitive peaks of your nipples. His tongue is fucking into you, one of his rough fingers rolling your clit now, making you go fuzzy, your walls are pulsing around his wet muscle, clit twitching under his fingertip.

You feel tension pooling in your tummy, feel yourself getting hotter, on edge, like something is ready to explode, overwhelming you, you’re sobbing almost, tears flowing but they’re from the insane pleasure. How his big hands grip you so tight you’ll bruise, how his tongue’s devouring you, you can hear yourself, how wet you are, mixing with your hoarse moans.

You never knew your duty would feel like this, you never knew you could crave a demon king’s touch, and you certainly never knew his tongue could bring you to the brink of ecstasy, or that he would want to give you pleasure. His eyes glint up at you, as he flicks his tongue faster, his hands pinching your nipples, the pleasure making your eyes roll back in your skull.

Your toes curl, draped over his broad shoulders, as he works you more and more, everything is heightened, you can barely see, hearing the squelching wetness, hearing him drinking you. “Ngh- my King-”

“Cum, let me feel you. Drink you.” He whispers, and you have no clue what he means, he sees it clearly. “Release, now. An order.” There’s the military leader, the demanding king, but it just makes you wetter for him, makes your hips arch up for more of his caresses.

You nod weakly and he groans, his tongue lapping you up, his hands massaging your breasts, making your back arch, so filled with pleasure, and for the first time in your life you feel desired, you feel alive. Your first orgasm rocks through your body, your cunt clenching around his tongue, your body shaking, your heart racing, your eyes blurry with the intensity. 

“Oh my god… oh my!” You’re soaking his face, taut nipples lavished by his tongues, and he’s smiling against your cunt, you feel his lips curve, tongue sliding out to flick up to your sensitive clit, watching you shake violently, walls fluttering around nothing as you breathe in heavy pants. “I… we… you…”

Sukuna pulls back then, smiling smugly up at you, licking his lips clean, your juices glistening on his tongue, even the strong jut of his chin is coated in you. “Good girl, now how is your duty going?”

“I… I cannot think.” You whisper, he leans up over you, his heavy, tattooed chest weighing on your soft breasts. Your hand touches his chest tentatively, feeling the burning hot skin, the strong muscles, his steady heart beat.

“You taste so sweet, little prey.” He kisses you then, not a kiss like the wedding, no it was brutal, taking you over, and you embarrassingly taste yourself, surprised at how the flavor is. His tongue darts in your mouth, his four hands gripping your waist and hips as he presses you into the bed, you gasp as you pull back. “Ah, those eyes, already drunk off me.”

You look at his lips, tracing them with your finger tips, his quiet moan does not escape you. “Do I do it back? The…”

He’s chuckling at you, making you angry again, a sarcastic look on his face, a brow raised. “What a slutty virgin, you wish to suck my cocks?”

You blink. “Cocks!? Two!?”

He’s laughing now, kissing down your jaw, moaning against your ear as you tremble under him. “You’re so tiny, it would be so easy to break you. So fun to break your pretty little head.”

That only serves to make you wetter, and he notices, moaning as you feel hardness between your thighs, under his robes. You tentatively raise your hips, earning his hiss, him pinning your hips down, thumbs pressing into your pelvis. He looks down at you with four dilated eyes, tongue licking his lower lip, one of his other hands brushing back your hair.

“Mmm, you will go to sleep, and tomorrow, I shall show you how much more there is to your duty than just bearing my children.” He says, you nod carefully as he stands up, leaving you on the bed, breathless, overwhelmed.

“And will you… lay with those concubines?”

He raises a brow, eyes trailing down your body. “Will that anger you, little bunny? Should I be afraid of your little paws?”

“It would upset me.” You say, pouting now, and he glares, clearly irritated. He then rolls his eyes with a sigh.

“Tch, already annoying me. Fine then.”

“Really?” You sit up, hopeful, suddenly craving more of him, your hands slipping up his strong biceps, you watch his eyes flutter shut for a moment.

“Yes, irritating creature. Now go to sleep.”

“Will you sleep with me?”

“Sleep in bed with you? No, I need to care for my precarious situation, caused by a bratty new bride.” You giggle and he glares, sobering you up. “You’re giggling at me, the king?”

“N-no. Sorry, my King. I shall see you in the morning.” You say softly now, he scoffs once more, eyeing your body lustfully as you slip back on your robe.

“Tsk.” Is all you get, as he leaves you alone in your chambers. You hesitantly touch yourself, seeing the sticky, glittering wetness still left, from your arousal and his tongue.

Lay there and endure? More like lay there and beg for more and more, blinding fucking pleasure from his tongues. Perhaps everything you think is completely wrong? What more is there to your duty, if you can call it that? You simply must know… and you’re very curious about his… cocks, fuck just the thought makes your pussy clench.

You’re snuggling up to a satin pillow in your new bed, lewd insane images flitting your mind, and for some reason you’re able to shut your eyes, and fall fast asleep, still feeling his touch on you.

Part Two

[charminglygrouped]

For the past several years (and perhaps longer) in the P&P fandom I've seen a lot of people who want to rehabilitate Mrs. Bennet: like, sure, she's uncouth and seems greedy, but it's because she cares so much about her daughters' futures; her situation is actually really stressful and uncertain and she's powerless to change it and her husband makes fun of her, and so it's natural that it would cause her to be anxious all the time; maybe she doesn't have the intelligence or social awareness to understand that her behaviour is actually harming her daughters' prospects, but at least her heart is in the right place.

I'm usually not the type of person who argues that fandom is actually being too nice to a female character, but in this case I don't buy the counter-narrative (which I think is popular enough at this point to be fanon / a narrative in itself) about Mrs. Bennet.

For one thing, she was never really powerless in this situation. These people are rich even for gentry. Mr. Bennet's income was always good, at 2,000 pounds per annum (even though I can't believe he isn't neglecting some practices that could raise it higher). Mrs. Bennet had 4,000 pounds from her parents and a further 1,000 from Mr. Bennet. Invested in the 4 per cents (for example), this is 200 pounds per year in pin money that Mrs. Bennet could spend without touching the principle of her dowry, and without affecting Mr. Bennet's income. This is more than some people's entire yearly incomes.

The picture of Mr. and Mrs. Bennet that we get in P&P is not of people who are helpless against their circumstances, but of people who are extraordinarily neglectful. We're told that:

Mr. Bennet had very often wished, before this period of his life, that, instead of spending his whole income, he had laid by an annual sum, for the better provision of his children, and of his wife, if she survived him. [...] When first Mr. Bennet had married, economy was held to be perfectly useless; for, of course, they were to have a son. This son was to join in cutting off the entail, as soon as he should be of age, and the widow and younger children would by that means be provided for. Five daughters successively entered the world, but yet the son was to come; and Mrs. Bennet, for many years after Lydia’s birth, had been certain that he would. This event had at last been despaired of, but it was then too late to be saving. Mrs. Bennet had no turn for economy; and her husband’s love of independence had alone prevented their exceeding their income.

We also know that the "continual presents in money which passed to [Lydia] through her mother’s hands," plus her allowance and food, amount to about 90 pounds per year. Rather than saving up from the beginning in case the entail is not broken, rather than beginning to save once it's clear a son will not arrive, rather than making Jane's dowry the full 5,000 from her mother (which would be something) and saving up for the younger girls' dowries thereafter—which is what would be typical, and that's why Lady Catherine was so shocked that all the girls were out at once—Mrs. Bennet's housekeeping, dress, the girls' allowance, presents of money over and above their allowance, plus whatever Mr. Bennet is spending money on (and other expenses relating to servants, carriages, maintenance &c. which are unavoidable), add up to their entire income. The only reason why Mrs. Bennet doesn't overspend even that is that that's where Mr. Bennet puts his foot down.

Mrs. Bennet is actively harming her daughters' prospects, not even of marriage, but of living respectably if they don't marry, because she doesn't have the temperance not to spend all of the income that is allotted to her. It is the role of the woman in a marriage to take charge of the housekeeping, servants, cooking, furniture, and all expenses relating thereto (plus certain attentions to her tenants and any living in genteel poverty in the area, though presumably this will depend on her income and whether there's a parish church with a parson's wife who's doing some of these things). She's an adult who should be competent to manage these things in a reasoned way without needing to be dictated to.

It is supposed to be the role of the woman in a marriage to take charge of her daughters' education—and yet Mrs. Bennet did not hire a governess, and Elizabeth says that she didn't spend much time teaching her daughters anything (it's not clear to what degree she's educated herself). Granted, the girls did have masters—but, from the sounds of things, that was only if they requested them. No one was required to learn much of anything, which will probably further harm the marriage prospects of the girls who "chose to be idle."

I think the "point" of Mrs. Bennet is that she is one half of one type of bad marriage which the novel illustrates, in contrast with the Gardiners' marriage. These marriages are two possible models for the Bennet daughters to look to. At one point, Elizabeth's prospective marriage is explicitly compared to her parents', with her in the role of her father: Mr. Bennet says "My child, let me not have the grief of seeing you unable to respect your partner in life" (emphasis original).

We might wonder whether Elizabeth saw herself potentially in the role of her father, in a marriage that was very intellectually unequal, when she rejected Mr. Collins; or whether she also saw herself in the role of her mother, married to a man who insults and doesn't respect her, when she rejected Mr. Darcy. Ultimately, she accepts Mr. Darcy after she realises that he is nothing like her father; that he is diligent in attending to his responsibilities, and that he does evidently respect her mind.

This isn't me defending Mr. Bennet, who is also a bad parent and a bad spouse. I do, however, find it a little disturbing when people suggest that Mr. Bennet is at fault for not controlling or curtailing his wife. His wife is a grown woman. Surely we don't actually believe that a situation where a man is legally in complete control over his wife, merely because he is a man and she is a woman, is in any way natural, moral, or just? (This also goes for people who suggest that Mr. Bingley needs to get his sister 'in line' 😬😬😬.)

Mrs. Bennet should be competent to manage her household and her daughters. Given that she's not, yes, Mr. Bennet, according to Georgian and Victorian ideas of the role of a man in a marriage, "should" have stepped in and started dictating to her. But I don't really think that's what Austen is suggesting went wrong here. The models of good marriages we have—the Gardiners, the Bingleys and Darcys after their weddings—are all ones in which the women were basically sensible people to begin with. In the latter two cases, we are told of particular ways in which the men stand to benefit from some mental quality of their future spouse (Elizabeth's good humour and ease in company; Jane's steadiness and determination).

The ideal which some Georgians had of a husband's role being to shape his wife's intellect doesn't seem to be what's being advocated here. If Mr. Bennet made a mistake, it was in marrying a silly, selfish, ill-tempered woman to begin with, not in failing to browbeat her into submission once he found out that she was silly, selfish, and ill-tempered. The idea is that you should choose your spouse carefully. But that message doesn't work if Mrs. Bennet is just a woman in a difficult situation who has her heart in the right place.