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fueradeescenasblog · 2 years ago

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La Desgracia

Si Mónica Berman con su máquina de escribir ya había mencionado su felicidad porque “los artistas se atrevan a jugarse con este tipo de producciones, bien hechas y, definitivamente, políticamente incorrectas” qué dirá cuando se entere que los artistas de Bahía Blanca también se animan al género musical, porque desde hace un tiempo se viene presentando con un éxito rotundo el musical La Desgracia de Juan Martin Delgado.

En este tipo de espectáculosse interrelacionan distintos factores como la rima, la métrica, la música, la coreografía, para contar una historia, la historia del pequeño pueblo de Terranova, que está siendo atormentado por una extraña enfermedad, que para sorpresa y desgracia de sus habitantes, se transmite por contacto sexual.

Es claro que en La Desgracia se narre una historia -que en palabras del propio autor tiene visos autorreferenciales y le sirvió para transformar su desgracia “en una comedia que hace reír a la gente y la enfrenta con sus propias miserias", en este musical -por supuesto-que el público no hace más que reír de principio a fin.

De modo que, la música (Francisco Martínez Castro) y el canto de estos actores-cantantes-bailarines, no son solo un recurso estético sino que son el eje vertebrador a través del cual avanzan cada una de las escenas. Es evidente, además, que en La Desgracia la música tiene la clara intención de acentuación dramática, no en vano los actores parten de las canciones para contarle al público qué pasa en Terranova y son ellas las que marcan el ritmo interno en la escena para mostrar las desgracias que sufre el pueblo.

Pero además, las canciones de este musical, reflejan las emociones, los miedos, los pensamientos, son el devenir interno, el discurrir de la mente de todos y cada uno de los personajes que narran-cantan la historia de este pueblo.

De este modo, en La Desgracia todo transcurre a través de lo cantado, de lo bailado, mientras que los parlamentos narrados son nexo entre una y otra área musical.

Ya desde el primer número el espectador se entera -por la voz y el canto de Norita, la enfermera- que una desgracia aqueja al pueblo y con la entrada del doctor nos enteramos que esa “bendita” desgracia se transmite por vía sexual. De modo tal que la premisa será: al mejor estilo fiel y piadoso: no fornicarás… Pero esta situación se complejiza aún más en Terranova cuando nos enteramos que Anita, la hija de la Intendenta, también se contagió de esta enfermedad mortal. Y así, entre canción y canción se van mostrando cada vez más los rasgos distintivos de las personalidades del pueblo junto con la enfermedad que se va desparramando…Y para colmo de todos los males se suma a la lista un asesinato y una asesina que está loca de atar.

Y como en todo pueblo chico -y conservador- con infierno grande aparecen temáticas como los políticos corruptos y el poder, la iglesia y el fanatismo religioso, la hipocresía de una sociedad que adora a dioses pero que censura al diferente.

Ficha técnica:

Libro y Letras: Juan Martín Delgado. Música Original: Francisco Martínez Castro. Co-Dirección coreográfica: Camila Spaccesi. Direc. musical y vocal: Gisela Arosteguis. Direcc. teatral: Milagros Piro. Direcc coreográfica: Cintia Nievas.

Actúan: Nahuel Obreque, Romina Benito, Olivia Cambiaso, Fabrizio Bottoni, Rocío Avondet, Camila Spaccesi, Gabriel Garay, Lucía Martinetti, Juana Montenegro, Sol Duca, Gonzali Bitti, Luciano Dell´Orfano, Matías Mambretti.

Músicos: Manuel Ignacio Castaño, Ana Abad, Renzo Coccé, Rocío Palma, Laura Fuentes, Daniel Ovejero, Mauricio Bahia.

Asistente Coreográfico: Juan Montenegro. Técnico de Sonido: Santiago Cabrera. Diseño de Iluminación: Emiliano Bournod. Diseño de Vestuario: Berenice Pelaiz, Alejandra Diez, Marta Gallego, Miriam Sabbatini. Diseño de maquillaje: Milagros Piro. Diseño de escenografía y utilería: Walter Benedetti. Diseño gráfico e imagen: Luis Cuchinelli. Fotografía: Reinaldo Perdomo

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popwasabi · 5 years ago

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“Picard” S1 Review: Doesn’t boldly go but is nonetheless engaging

Produced by CBS All Access

Starring: Patrick Stewart, Isa Briones, Allison Pill, Michelle Hurd, Santiago Cabrera, Evan Evagora, Harry Treadaway

Many fans had high hopes for “Picard” going into CBS All Access’s continuing voyage into the Star Trek franchise.

Fans wanted to see the lore finally expanded into the future after its previous three ventures (Enterprise, Abrams Trek, and Discovery) took place in the past, bring modern themes and ideas to Star Trek’s futurist’s world view in a way that felt fresh and relevant, but most importantly continue the story of the franchise’s greatest captain; Jean-Luc Picard, of course.

(He’s the best captain. This is not up for debate. Don’t @ me!)

In some ways the new series succeeds at this. We get glimpses of the previously untouched world of Star Trek post “Nemesis,” new themes that are resonant with real world events and exploratory, even critical, of the Federation’s worldview, and of course plenty of Picard himself as he navigates the strange new galaxy he inhabits.

But Picard ultimately misses the mark due to rushed storytelling, half-baked side plots, and just plain poor execution overall. It’s sad because “Picard” and this very talented cast and production team have their moments throughout this first season’s ten episode run but somehow even with 10 episodes of content to work with fans still end up with a somewhat jumbled mess.

(Me by like the eighth episode.)

This isn’t to say “Picard” isn’t worth your time if you’re an avid Star Trek fan or just someone who likes Patrick Stewart in this role in general but the first season will leave you still hungry for more and not in a good way.

“Picard” continues the story of the titular captain, now retired admiral, many years after the events of “Nemesis” as a retired Jean Luc reflects on his life in Starfleet and of his late friend Data who gave his life for his. A synth ban has been enacted in Starfleet after a major riot on Mars some years prior and Picard is understandably sour on the idea, given his relationship with Data, while also fighting Starfleet on not helping the exodus of the Romulans after the supernova that wiped out their homeworld in “Star Trek (2009).” When a young woman comes seeking Picard’s aid after an attack by mysterious assailants, revealing that she is an android and the possible daughter of Data, and gets killed, it is up to the retired Admiral to find her twin sister before she suffers the same fate.

Before we get started let’s throw out some of the bad faith arguments on why this series wasn’t all that good.

“Picard” doesn’t suck because it has “politics” in it. At this point, if you are complaining about the existence of social viewpoints and political/philosophical discussions in your Star Trek, or let alone any series for that matter, I don’t know what the hell you’ve been watching the past few decades. Star Trek has always been more than just a show about cool-looking spaceships and laser beams, you neckbeards.

(Hell, even the other “Star” got more going on in it than that.)

It’s also not bad because of female representation or “girl power.” Again, Star Trek has always had this and frankly having a few more instances of the women of Trek taking center stage doesn’t even come close to rebalancing the scales on the overall massive representation of cis white men across the genre and even the series anyways.

Also get the fuck over the use of curse words in this series. While certainly some instances in this show felt awkward, the use of the word “fuck” does not dilute Star Trek’s overall story.

(It would have made earlier season’s funnier for sure.)

Now that that’s out of way let’s get into the real reasons that, for me at least, the series fell short of an otherwise promising goal of delivering great new Star Trek.

The main problem stems from the series overall jumping off point in its first episode. Picard is understandably still upset about the death of Data and having him deal with survivor’s guilt is a great way to bring this character into the future and reexplore the humanist viewpoints Data touched on in the older series. But also having Picard deal with his fallout from Starfleet, both from the synth ban AND the Romulan exodus, creates chasmic diverging plotlines that never quite come together. The story really needed it to be one or the other. Either Picard wanting to advocate for the continued existence of synthetic life or the rescue of the Romulans post super nova. The latter is touched on a bit through the addition of the character Elnor but doesn’t quite work given that majority of the Romulans in this series are portrayed as villains.

There is definitely a post Brexit, anti-immigrant hysteria message being told there but not enough depth and nuance is given to make it look like Starfleet was particularly wrong here to abandon them given that they do end up being spies committing espionage in the Federation and the clear villains of the first season. The showrunners could have brought these two stories together by perhaps making Soji a Romulan bent on bringing down synthetic life because maybe her twin sister died in the riots on Mars, making Picard have to choose between his commitment to both minority groups abandoned by the Federation but of course, that’s not what the series goes with.

Also suddenly shoehorning in a convoluted anti-synth worldview into the already ultra-secretive Romulan empire was muddled to say the least.

(A decent summation of the Romulans, pretty much ever. Also why is the only Asian actress in this scene in Osaka depicted as an alien, Mr Kurtzman?...)

Some of these ideas could’ve been saved through better editing and pacing though but not enough is done in this first season to mitigate these issues. Too much of plot is told through plain exposition; people sitting down and talking for five-ten minutes about prophecies and backstory instead of having the story simply show us instead. It makes the pacing often slow even by Trek standards and grinds the action to a halt even when there are lasers being shot at one another in the next scene.

Many of these plots get barely any attention too. The Borg cube, why it’s abandoned, and why Hugh is working for the Romulans through the Federation is given surface level development at best. Seven of Nine returns and at one point is momentarily hooked up to the Collective and she doesn’t really say much about it after it happens. The new character’s Rios and Raffi both have side stories given to their development that get touched on once and never brought up again. Dr. Jurati straight up murders her lover and is set to turn herself into the Federation and it’s just kind of forgotten about in the finale. And Elnor, well, he gets to do his best Legolas impression slicing and dicing fellow Romulans with his sword I guess.

(He is still best boi though :3...)

The main co-star however, Soji the perfect android, has a particularly rushed development going from a scientist unknowing of her nature, to supposed prophet of doom, to predictably the savior all in one season. Her arc needed more time to develop with perhaps her Romulan love affair with Narek being the first season’s main driving force and her realization as an android being the climax.

Instead we get basically four seasons of Battlestar Galactica’s Sharon arc crammed into one season and it unfortunately makes the story feel half-baked.

(Ok, Boomer.)

Don’t get the wrong idea, all these new characters have great individual moments as well throughout the season but sooooo much side plot is shoved in already into a muddled overarching narrative that it feels like several seasons worth of storytelling stuffed and edited down into a ten episode arc. Why the series felt it needed to conclude this robust story about synth hating Romulans in “Picard’s” first season feels like an unforced error in this reviewer’s opinion even if Sir P Stew only has maybe a couple seasons of extensive acting left in him anyways.

But the season isn’t completely worthless, as much as this review has been spent dunking on its less than stellar parts. The cast is exceptional, even working with the spare parts they’ve been given. Episode 5’s “Stardust City Rag,” in particular, stands out as a good mix of old and new Trek, with a decent dosage of cheese featuring Patrick Stewart trying on a French accent in a space bar. Santiago Cabrera is delightful as the ship captain Rios while also playing various forms of himself in AI form in equally enjoyable roles. Evan Evagora is fun as the deadly yet somewhat aloof Elnor, even if his character doesn’t do all that much except cut up a few Romulans. Seeing Jonathan Frakes and Marina Sirtis reprise their roles as Riker and Troi respectively in episode 6 was heartwarming and felt the most like TNG out of all the episodes. And Jeri Ryan seems liberated in this series in this version of Seven of Nine, no doubt glad to be rid of that restrictive corset and Rick Berman’s meddling hands.

(Big “Fuck you, Rick Berman” energy going on in this scene.)

The production value is obviously high level as Trek has rarely looked this good on the small screen. There’s some great cinematography throughout the season whether it’s Picard’s chateau winery, the haunting nature of the Borg cube, or the synth homeworld in the season’s final beats. The spaceships look cool as always and the world of the future feels well futuristic.

The musical score is also top notch, with a great opening theme that feels very much in line with Trek at its futurist glimpse into a hopeful cosmos.

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The season’s best moments though are between Picard and Data and will remind you why they were more than likely your favorite characters on TNG. Generally speaking, exploring the humanist themes of artificial intelligence in new Trek was a good choice and having Picard deal with survivor’s guilt kept the pulse of the muddled story still beating. Brent Spiner is still great as Data and will remind you all again how talented he has always been as an actor and though his age seeps through the makeup a bit he is nonetheless still a perfect android.

Though the finale as a whole is underwhelming, the characters do share a nice final moment that is both touching and reminiscent of everything a fan loves about Star Trek. It’s a great cap to an otherwise ok return to Star Trek for TNG’s top characters and its truly touching in the best way that this franchise has always been known to be.

(Deactivating my emotions chip because I just..can’t! I just can’t, ok! *Sobs*)

But great acting and high production value can only mask so many flaws with a convoluted plot and “Picard” unfortunately suffers from the bloated and uncooked nature of its many ideas. What the story really needed was three season arc not just ten episodes and it shows. I guess the plus side is with this particular plot wrapped up it leaves the door open for new ideas and a fresh start in the second season but it does feel like an overall miss for Picard’s homecoming back into the universe of Star Trek.

Overall, though there are worse ways a Star Trek fan can spend their quarantine than watching “Picard” and there’s certainly enough here for fans to latch onto and have hope for better things in the next season.

Hopefully things are less rushed or at least more focused in the second season and we can see a more proper return to form for both Picard and future Star Trek.

Here’s hoping the producers and writers make it so…

VERDICT:

3 out of 5

Let’s hope we get a return of Q in the next season.

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irreplaceable-spark · 4 years ago

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If you live in California and are voting on State Assemblyman/Assemblywoman, be sure to double check to see if your incumbent candidate voted Aye or No on SB-145. If they voted Aye, you should be voting for their opposition.

Those who voted Aye: Aguiar-Curry, Bauer-Kahan, Berman, Bloom, Bonta, Burke, Carrillo, Chiu, Chu, Cooper, Daly, Friedman, Gabriel, Cristina Garcia, Gipson, Gloria, Holden, Irwin, Jones-Sawyer, Kalra, Kamlager, Levine, Low, Mayes, McCarty, Medina, Mullin, Muratsuchi, Nazarian, O'Donnell, Quirk, Luz Rivas, Robert Rivas, Blanca Rubio, Santiago, Mark Stone, Ting, Weber, Wicks, Wood, Rendon.

Those who voted No: Bigelow, Boerner Horvath, Brough, Calderon, Chau, Chen, Choi, Cooley, Megan Dahle, Diep, Flora, Fong, Gallagher, Gonzalez, Gray, Kiley, Lackey, Maienschein, Mathis, Obernolte, Patterson, Ramos, Rodriguez, Salas, Waldron.

#sb-145 #bill #sex offenders registration #sex offenders #vote #voting #california #aye #no #state assembly

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huntingtonlibrary · 5 years ago

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Beside the Edge of the World

Opening this Saturday, Nov. 9: exhibition Beside the Edge of the World began with a treasured book in The Huntington’s collections: a first edition of Thomas More’s Utopia, printed in 1516. This 500-year-old text served as a jumping-off point for the fourth year of /five, The Huntington’s contemporary arts initiative, in partnership with Los Angeles arts organization Clockshop.

Three artists and two writers were invited to consider More’s classic work as they explored The Huntington’s collections. The process of discovery started with ideas of mapping borders and edges, temporarily forgotten histories, peoples whose lives had been carefully recorded—and then forgotten—and utopian experiments in communal living. Many of these places and the people who challenged the dominant narratives of history existed on the periphery.

Read more about each project below:

Artist Nina Katchadourian’s work Strange Creature was inspired by The Huntington’s collection of sixteenth- and seventeenth-century maps and books, as well as the ancient Chinese mythological text Shan Hai Jing (Guideways through Mountains and Seas). The myriad of creatures depicted in these ancient texts offered a challenge: How much have we really seen of the world, and how well do we know it? Katchadourian imagined a creature, somewhat familiar but also strange, slowly surfacing from our own Chinese Garden’s Lake of Reflected Fragrance. Her installation suggests that there is more around us than we can see or perceive—literally, and perhaps also in an otherworldly sense. See if you can catch a glimpse of her creation in the Chinese Garden.

Writer Robin Coste Lewis was inspired by a particular passage in Henry David Thoreau's canonical Walden; or, Life in the Woods. In a chapter titled “Former Inhabitants; and Winter Visitors,” Thoreau describes the community of free Blacks that had been living around Walden Pond long before Thoreau arrived. For Lewis, this passage contained a hidden call to the rediscovery of African American histories woven into the story of Concord, Massachusetts, and hence, America. In order to extend Thoreau’s experiment, she omitted much of the chapter’s text and rearranged the remaining lines to emphasize, lyrically, the free Black community that had once called the woods home.

Artist Beatriz Santiago Muñoz’s film Laurel Sabino y Jagüilla takes its title from a species native to the artist’s birthplace and home on the island of Puerto Rico, a flowering plant now endangered by logging and wood harvesting. Magnolia is an ancient genus, dating back 20 million years; its family, Magnoliaceae, has survived ice ages, mountain formation, and continental drift. Filmed in the rain forest of Puerto Rico and in the gardens of The Huntington, the work imagines the relationship of Magnolia splendens to utopia, photography, soil, vision, and time.

Writer Dana Johnson’s short story Our Endless Ongoing reimagines the life of Delilah Beasley in early twentieth-century California. Delilah Leontium Beasley (1871–1934), an American historian and columnist for the Oakland Tribune, was one of the first African American women to be published regularly in a major metropolitan newspaper. She also became the first person to document the overlooked but significant history of California’s Black pioneers, in her book The Negro Trail-Blazers of California (1919), published the same year as the founding of The Huntington.

Artist Rosten Woo created Another World Lies Beyond as a series of interrelated stories told through audio, projection, and artifact, installed in the gallery and in the gardens to invite contemplation and political reflection. The narrative through-line is the life and work of Robert V. Hine (1921–2015), a scholar of California utopian communities whose papers are housed at The Huntington. Each audio story offers a glimpse of an idea of the perfect state and the world just beyond it. Additionally, a short animated film by Woo brings together all the illustrations from John Russell Bartlett’s failed 1857 survey of the U.S.–Mexico border, included in the Report on the United States and Mexican Boundary Survey.

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Nina Katchadourian looks at maps from Theatrum Orbis Terrarum (Theatre of the World) by Abraham Ortelius, ca. 1606. Photo by Kate Lain.

Nina Katchadourian (b. 1968), Study for “Strange Creature,” 2019. Watercolor, pencil, gouache on paper. Courtesy of the artist, Catharine Clark Gallery, and Pace Gallery.

Robin Coste Lewis (b. 1964), excerpt from poetry chapbook Inhabitants and Visitors, Los Angeles, Clockshop, 2019.

Beatriz Santiago Muñoz filming in The Huntington’s gardens. The Huntington. Photo by Kate Lain.

Beatriz Santiago Muñoz (b. 1972), film still from Laurel Sabino y Jagüilla, 2019. Courtesy of the artist.

Dana Johnson at The Huntington. Photo by Kate Lain.

Dana Johnson (b. 1967), “Our Endless Ongoing” featured in Trailblazer: Delilah Beasley’s California, Los Angeles, Clockshop, 2019.

Rosten Woo at The Huntington. Photo by Kate Lain.

Rosten Woo (b. 1977), excerpt from Another World Lies Beyond, 2019.

Support for this exhibition is provided by the Mike Kelley Foundation for the Arts, the Philip and Muriel Berman Foundation, the Pasadena Art Alliance, and WHH Foundation.

Beside the Edge of the World is a Huntington Centennial Exhibition. The Huntington’s Centennial Celebration is made possible by the generous support of Avery and Andrew Barth, Terri and Jerry Kohl, and Lisa and Tim Sloan.

#5atTheH #100atTheH #Utopia #Thomas More #Nina Katchadourian #Robin Coste Lewis #Beatriz Santiago Muñoz #Dana Johnson #Rosten Woo #contemporary art #library #art #botanical

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thatoneplumbob · 3 months ago

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Moving into Ciudad Enamorada was the best surprise ever, the Whimsy’s feel so good living in this luxurious penthouse.

#ts4 #ts4 vanilla #ts4 gameplay #whimsy stories legacy challenge #gen 8 #gen 9 #priscilla whimsy #santiago berman #emma berman #beatrix whimsy #gen 8 whimsy #gen 9 whimsy

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whatsnewcartoons · 6 years ago

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What’s New In 2019: The Cartoons.

PART 1:

Separated by network. All premiere dates are estimated until confirmed. Timings are in EST.

NICKELODEON:

- Los Casagrandes (2nd Quarter 2019): Los Casagrandes features Ronnie Anne and her brother Bobby Santiago as they adjust to their new life in Great Lakes City, where they now live with their big, loving and chaotic multi-generational family, the Casagrandes. In the series, Ronnie Anne makes new friends, build stronger bonds with her relatives and explores the endless possibilities of city life. Bobby helps Grandpa Hector run the family’s corner store, and becomes familiar with the neighborhood’s quirky characters.The Casagrande family was first introduced in the The Loud House special, The Loudest Mission: Relative Chaos. The special was just nominated for an Imagen Award, which recognizes positive portrayals of Latinos in entertainment media.

The Loud House is co-executive produced by Mike Rubiner (KaBlam!), who will also serve as co-executive producer on Los Casagrandes. Award-winning cartoonist Lalo Alcaraz (Coco) will serve as a cultural consultant and consulting producer for the five-episode arc of The Loud House featuring the Casagrandes.

The first six episodes will premiere during the airing of Season 4 of its sister series The Loud House.

- Pony (4th Quarter 2019): Pony, an original 2D-animated buddy comedy that follows the life of an average girl, Annie, her (almost) average family and what happens when an excitable, unpredictable, loveable and talking pony comes to live with them in their city apartment. Pony is the first animated comedy series to be greenlit for the U.S. from Nickelodeon International. Created by Ant Blades, Pony is based off a short of the same name from Nickelodeon’s 2015 International Animated Shorts Program.Pony follows Annie’s everyday life as a 9-year-old, from working at her parent’s city farm, located on their apartment balcony, homework, school friends and, most importantly, her friendship with Pony. Pony is Annie’s biggest cheerleader and best friend, although sometimes his optimism and enthusiasm lands the pair in unusual situations.

The series will be starting with a 20-episode order and is set to premiere in the fourth quarter of 2019.

- Glitch Techs (TBA): Glitch Techs (working title) is an adventure-comedy following two newly recruited kids as they battle video game monsters that come to life in the real world. The series comes from Eric Robles (Fanboy & Chum Chum, The X's, Ni Hao, Kai-Lan) and Dan Milano (Greg the Bunny, Warren the Ape), both hailing from Nickelodeon's Artist Collective, an internal artist-led development program, and is being produced at the Nickelodeon Animation Studio in Burbank, Calif. Nickelodeon has picked-up Glitch Techs for an initial 20-episode first season.

The series was announced to be in production since 2016 and was originally intended to premiere on Nickelodeon in 2018.

- Invader ZIm: Enter the Florpus (TBA): In Invader Zim: Enter The Florpus, Zim discovers his almighty leaders have no intention of coming to Earth, and he loses confidence in his own amazingness for the first time in his amazing life, which is the big break his human nemesis Dib has been waiting for. At some point, GIR rides a tiny donkey, and that’s all anyone should really care about. The 2D-animated TV movie is produced by Nickelodeon in Burbank.

The voice cast also features returning Zim alums Andy Berman as Dib Membrane and Melissa Fahn as Gaz Membrane. Additional voice actors reprising their original series roles include: Rodger Bumpass as Professor Membrane, Dib and Gaz’s father; Olivia d’Abo as Tak, Zim’s Irken nemesis; and Paul Greenberg as Poonchy, one of Zim and Dib’s human classmates.

CARTOON NETWORK:

- Infinity Train (TBA): Infinity Train tells the story of Tulip (originally voiced by Ashley Johnson), an analytical teenager with a fondness for order and solving complex puzzles. While it’s never exactly explained how she got there in the short, Infinity Train follows as Tulip makes her way through the titular locomotive and its seemingly infinite cars, each of which contains entire worlds that, for some reason, are in desperate need of her help.

Despite being joined by her sophisticated, bifurcated robot friend One-One (voiced by Jeremy Crutchley and Owen Dennis), the only information Tulip has about her predicament comes in the form of an ever-changing, glowing number etched into her hand that’s trying to give her directions she doesn’t understand.

The official premiere date of the series has yet to be announced.

- Victor and Valentino (TBA): Created by Diego Molano, this supernatural adventure comedy follows two half-brothers who spend a summer with their grandma in Monte Macabre, a small and mysterious town, where the myths and legends of Latin American folklore come to life.

The series first appeared on Cartoon Network in October 2016 with its pilot episode and is set to premiere early 2019.

- ThunderCats Roar (TBA): Staying true to the premise of the original series, Lion-O and the ThunderCats -- Tygra, Panthro, Cheetara, Wilykat and Wilykit -- barely escape the sudden destruction of their home world, Thundera, only to crash land on the mysterious and exotic planet of Third Earth. Lion-O, the newly appointed Lord of the ThunderCats, attempts to lead the team as they make this planet their new home. A bizarre host of creatures and villains stand in their way, including the evil Mumm-Ra, Third Earth’s wicked ruler who will let nothing, including the ThunderCats, stop his tyrannical reign over the planet.

ThunderCats Roar features a talented voice cast with Max Mittelman (Justice League Action) as Lion-O and Wilykat, Erica Lindbeck (DC Super Hero Girls) as Cheetara and Wilykit, Patrick Seitz (Justice League Action) as Tygra and Mumm-Ra, and Chris Jai Alex (Star Wars: Battlefront II) as Panthro. Victor Courtright (Pickle and Peanut) and Marly Halpern-Graser (Right Now Kapow) serve as producers, with Sam Register (Teen Titans Go!) as executive producer.

The series is set to be released late 2019.

- DC Super Hero Girls (1st quarter 2019): The DC Super Hero Girls universe is expanding on Cartoon Network and into more graphic novels. From executive producer Lauren Faust (My Little Pony: Friendship is Magic), the new DC Super Hero Girls cartoon will feature fresh redesigns of popular characters like Wonder Woman, Batgirl and Supergirl as they navigate high school and superhero life.

The series has been previewed with online shorts since 2015 and a short clip of an episode titled “The Late Batsby” was shown at San Diego Comic Con in Summer 2018.

For the upcoming shows from Disney and Netflix, go check out Part 2.

#cartoons #cartoon network #nickelodeon #infinity train #victor and valentino #dc super hero girls #thundercats roar #gltich techs #los casagrandes #the loud house #pony #invader zim #enter the florpus

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no-mire-lo-sabio-del-presente · 3 years ago

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Super excited by the amount of interest we've had so far for this summer's Divergent Studio! It's going to be an excellent year — with guest composers Mark Applebaum, Raven Chacon, and Alex Temple; two full weeks of performances, lectures, and collaborations; and lots of opportunity for making connections with your musical counterparts. Applications are open for one more week (due 3/15), so make sure to get yours in ASAP! Link in bio and here: https://longy.edu/study/longys-divergent-studio/ PERFORMANCE FACULTY Donald Berman, piano (Longy Faculty) loadbang: Jeffrey Gavett, baritone Andy Kozar, trumpet (Longy Faculty) William Lang, trombone (Longy Faculty) Adrian Sandi, clarinet, bass clarinet COMPOSITION FACULTY Alexandra du Bois (Longy Faculty) Katherine Pukinskis (Longy Faculty) Matthew Evan Taylor (Longy Faculty) Pablo Santiago Chin (Longy Faculty) John Morrison (Longy Faculty) Evan Johnson GUEST COMPOSITION FACULTY Mark Applebaum Raven Chacon Alex Temple GUEST PERFORMERS Transient Canvas: Matt Sharrock, marimba Amy Advocat, bass clarinet Divergent Trio: Corrine Byrne, soprano (Longy Faculty) Sarah Darling, viola (Longy Faculty) Donald Berman, piano (Longy Faculty) Divergent Quintet: Rachael Elliott, bassoon (Longy Faculty) Kemp Jernigan, oboe (Longy Faculty) Sooyun Kim, flute (Longy Faculty) Rane Moore, clarinet (Longy Faculty) Geoffrey Landman, saxophone (Longy Faculty) #loadbangensemble #longy #divergentstudio (at Longy School of Music of Bard College) https://www.instagram.com/p/Ca2hn3rLuKG9n2p7G6kk2i17HCT5BaOt1V5RrY0/?utm_medium=tumblr

#loadbangensemble #longy #divergentstudio

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dream-beyond-the-fantasy · 7 years ago

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Tagged by: @jjohnson217

If you could change (or rather fix) the background and/or paternity of any five characters, who would they be?

Sam McCall - While I liked early Julexis, what the writers did to them pissed me off and turned me off of the couple. Sam understandably kicked Julian out of her life, but has nothing to do with the rest of her Jerome relatives? I liked her scenes with Ava when she was sick with toxoplasmosis. She and Kiki interacted a lot and got along well when Sam dated Kiki’s dad Silas, but they don’t acknowledge the fact that they are cousins. She doesn’t interact with Lucas or even babysit her baby brother Leo. What was the purpose of making Julian Sam’s dad?

Franco - I hate this character for many reasons and the only time I liked him (as played by Roger Howarth) was when he and Nina were together pre-baby issue. James Franco’s Franco was a fun psycho villain. I hate all of his paternity rewrites. First, he was Betsy Frank’s son. Nope, he is Jason’s fraternal twin via Alan and Susan Moore. Wrong, he is Heather Webber’s son by Scott, despite not looking like either one. I like Roger Howarth, but he is miscast in this role. I would rather Franco be Betsy Frank’s with the probably abusive creep Jim Harvey (who he resembles) rather than tarnish the Baldwins (Scott, Karen, Serena, Gail and Lee), even by association.

Nelle - There is so much wrong with this character. If they were going to connect her to Carly, she should have been a Spencer relative, capitalizing on the fact that she previously played a younger version of Luke and Bobbie’s sister Pat, and not a Benson. While in her early days, I liked that she was like a young Carly set on revenge. They could have made her Carly’s daughter somehow, either from pre-Port Charles days in Florida (possibly from sleeping with Reese’s dad) or a previously unknown twin of Michael’s. That way we wouldn’t have had to suffer through the train wreck that was Melle. Or if they wanted her to be an original character, why not utilize the chemistry she had with Nina and reveal that she was Nina and Silas’ baby that was supposedly miscarried after what Madeline did?

Avery - Like many of you, I wish Avery was Morgan’s daughter. It wouldn’t change much of her story. Carly would definitely try and rig the paternity test. Maybe we wouldn’t have suffered through more MorKiki and Ava wouldn’t have been indirectly responsible for Morgan’s death.

Griffin - I would make him Anna’s son with Duke, the child she supposedly miscarried when Olivia Jerome pushed her in the elevator. In one of Olivia’s last scenes, she made an ominous remark about Griffin’s mother. It would be amazing if she knew that Griffin was Anna’s and kept that secret out of revenge against the woman who “stole” Duke from her. Plus, he is basically Anna’s son already with how protective and caring she is for him because he is Duke’s son. Also, Robin and Emma already see him as a brother/uncle-like figure. If Josh Madden, Erica Kane’s famous abortion, could be transplanted into her doctor’s wife as an embryo, why not the same treatment (in a good way) for Anna and Griffin?

****BONUS**** If we are stuck with Anna having a child with Faison, I would rather it not be the obvious path - Valentin lied about it being a girl and it will be Henrik/Peter August, who we know is Faison’s son and cohorts with Valentin. I don’t mind Peter being Faison’s son and in league with Valentin, because we all knew the boy was shady af. However, I would prefer if Anna did have another daughter and it was revealed to be Dr. Kim Nero. She looks a lot like Anna. It would give Tamara more story to work with and more avenues to take the character of Kim in. Kim and Oscar would have more family (Henrik/Peter, Britt, Maxie’s baby, Robin, Emma, baby Noah, Alex Devane Marick, Gabriel Devane, Aidan Devane).

What five storylines would you rewrite? And how?

Sam’s paternity/Port Charles re-visited - As I previously mentioned, I would change Sam’s paternity since she doesn’t utilize her Jerome heritage. I would have made her Ryan Chamberlain’s daughter. Ryan is Kevin’s dead psycho twin brother. Ryan would still fit in with Alexis’ bad boy dating profile and it would make since that she would be a dead ringer for Livvie Locke. I also would have kept Kevin as Livvie’s father since it was a disservice to Port Charles and its fans to rewrite such a story. I would have kept the nods to Port Charles but they could have left out the supernatural elements, which were only brought into the later seasons of the show. Port Charles did start out as a show about young doctors (including Scott’s daughter Karen Wexler) and nurses working at General Hospital, when the main soap went to more mob-related stories. There were a lot of crossovers to begin with. Also, there would be mention of Scott and Lucy’s adopted daughter Christina.

Nikolas’ storylines 2014-2016. I’m not sure how I would write it, but Nikolas wouldn’t take over ELQ, be involved involved in “Jake Doe”/Drew/Jason drama, try to blackmail or kill Hayden, fake his death, or be killed by Valentin for Cassadine holdings. I don’t mind Nik getting some dark Cassadine on, but don’t destroy his character like these years did.

Port Charles Mayoral Campaign of 2018. I would have kept Laura as the anti-Charles Street development candidate (screw you, Frank!). Olivia would have been in-character and struggling between supporting her husband Ned and fighting for the down-to-earth people living on Charles Street who are a lot like her Bensonhurst neighbors. Laura would win, despite the dirty tricks pulled by Jim Harvey. Ned would run a clean campaign. Julian would run his bar and have little to do with the story. Alexis would assist with Laura’s campaign, but otherwise stay out of politics and Charlie’s Pub.

There would be no Friz relationship. Elizabeth would have dated Griffin instead (sorry, Grava).

Sonny wouldn’t have killed AJ. While I enjoyed the distance between Michael and Sonny (as well as Carly) because of Sonny’s actions, it didn’t last long enough. Sonny escaped the consequences yet again. Also, there would be no Ava/Sonny sex on AJ’s grave, which would mean that Avery would have to be Morgan’s. Michael would still have good relationships with all of his parents. We would get to see AJ’s reactions to “Jake Doe” being “Jason” before finally revealed to be Jason’s twin Drew, as well as the real Jason being alive. I would need all of Alan’s sons to reconcile their feelings toward each other. AJ would be an attentive uncle to Jake, Danny, and Scout.

Three most annoying retcons in General Hospital history?

Franco’s crimes are a result of a brain tumor. Such bullshit.

Anna willingly sleeping with Faison when she is a WSB trainee to get info and having his child, who is probably Henrik/Peter. I may not have been alive when Robert, Anna, and Robin first came on in the 80s, but many fans have said that a flashback showed that Anna was a virgin when she first slept with Robert. Writers, stop screwing with GH history.

Ignoring Sam’s relationships with Silas and Patrick in favor building up her relationship with Drew. While I did like Siam, I did feel they were a rebound. But Samtrick was a real relationship and it was going very well until Carly outed “Jake Doe” as “Jason”. Sam was still her investigative, risk-taking self and a mom back then, compared to whoever she is now. Yes, I feel like she would have went back to Jason and Patrick to Robin, in the end.

Favorite incarnations of characters who have been played by multiple actors?

Tamara Braun as Carly Benson Corinthos (I love all Carlys, except for Jennifer Bransford, but Tamara is my fave)

Kirsten Storms as Maxie Jones

Tyler Christopher as Nikolas Cassadine

Julie Marie Berman as Lulu Spencer-Falconeri

John Ingle as Edward Quartermaine

Constance Towers as Helena Cassadine

Aaron Refvem as Morgan Corinthos

both Sean Kanan and Billy Warlock as AJ Quartermaine

both Jonathan Jackson and Greg Vaughn as Lucky Spencer

both Dylan Cash and Chad Duell as Michael Corinthos III

tie between Emma & Sarah Smith, Kali Rodriguez, Lexi Ainsworth, and Lindsey Morgan as Kristina Corinthos-Davis (I’ve loved all of the girls who played Krissy since I started watching GH)

Five character deaths that destroyed you?

Georgie Jones

Emily Quartermaine

Alan Quartermaine

Lila McCall

Nathan West

Honorable Mentions: BJ Jones, Jason Morgan’s not-death, Sabrina Santiago, AJ Quartermaine

If you could bring back any characters, which ones would they be? And why?

Emily Quartermaine - pointless death for tragedy and ratings, she is a moral compass for many characters, need more Quartermaines, doctor

Nikolas Cassadine - part of me believes he is still alive, I need him to take back his inheritance and home from Valentin, need more Cassadines, need him to work things out with Britt (since he did far worse) or get back together with an alive Emily

Georgie Jones - pointless death for tragedy and ratings, moral compass for Maxie, Dillon’s OTL

Dillon Quartermaine: TPTB did the character, fans, and Robert Palmer Watkins dirty, need more Qs, more Crimson storylines, he could still be a filmmaker

Hayden Barnes - Elizabeth needs family in PC, need a resolution (and hopefully a reunion) for HayFinn, update on her and HayFinn baby, friendship/maternal relationship with Spencer, still needs to meet biodad Jeff and siblings Steve and Sarah

Lucky Spencer - need to build up the Spencer family, he needs to be (and be seen doing it) a father to all three of his boys, help rein in Lulu’s Spencer traits, help build up the PCPD, support and call out Elizabeth when she needs it, meet his niece Charlotte

Thomas “Tommy” Hardy Jr. - member of Hardy family, Elizabeth needs family in PC, doctor, brings in more diversity

Laura Spencer Collins - Lulu needs her mom’s guidance, she should be mayor, her other grandkids need her too, she needs to bring Spencer home, she and Kevin have barely been married before she left

Spencer Cassadine - he’s so much fun to watch, keeps Valentin in check, needs to reclaim his home and fortune, should reconcile with cousin Charlotte, we might actually see Liz’s kids if he is around, love his relationships with his extended family

Britt Westbourne - emotional support for mom Liesl after Nathan’s death, reconcile and potentially bond with Maxie and cousin Nina over loss of Nathan and love for Naxie baby, resolve things with Nikolas if he is alive, friendship/maternal relationship with Spencer, doctor, meet and have some sort of relationship with half-brother Henrik/Peter, friendship with Brad

Kristina Corinthos-Davis - need more Davis Girls, LGBTQ representation, missing out on stories regarding her families, reconcile with Alexis, potential for character growth

basically the whole Scorpio-Drake family (Robert, Robin, Patrick, Emma, baby Noah, Dr. Noah, and Dr. Matt Hunter) because they are one of my favorite families, doctors, Anna needs more family

more Quartermaines than those listed above for obvious reasons

What storylines would you like to see General Hospital tackle?

big event stories that we had 10-15 years ago that affected the whole community and characters (both contract and recurring) who don’t usually interact shared scenes

better representation of mental illness

more diversity

better LGBTQ representation and stories - utilize the characters they have and introduce Joss & Oscar’s friend

autism (Night Shift did a story with Jagger and his son Stone)

school shooting/gun control plots (for the younger characters) because of the ongoing relevance

If you watched any other ABC soaps (All My Children, One Life to Live, Port Charles, Ryan’s Hope, Loving, The City and I’m including SoapNet’s General Hospital: Night Shift), which characters (living at the time of the soap’s demise) would you bring to GH for a visit/story since they share the same universe?

Dr. David Hayward, All My Children - Anna’s ex-husband and father to her late daughter Leora, cardiologist/cardiac surgeon, a fun and dynamic villain to root for, has brought people back from the dead via Project Orpheus

Dr. Kyle Julian, General Hospital: Night Shift - doctor, adopted brother Leo was Maxie’s heart surgeon in 2007, LGBTQ representation, sweet and dorky character, potential boyfriend of Felix if he and Donny don’t work out

Oliver Fish, Dr. Kyle Lewis, and Sierra Fish, One Life to Live - Kish was a popular couple, LGBTQ representation, police officer and doctor, potential friends for Brad and Lucas especially in light of their adoption storyline

#general hospital #my opinion #sorry it took so long

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thatoneplumbob · 3 months ago

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So, Pris met someone! Priscilla’s neighbour set her and his brother up, and the chemistry is insane. Her favourite part about Santiago/San is that he isn’t interested in fame.

A flirty selfie she sent him.. 🤫

#ts4 #ts4 vanilla #ts4 gameplay #whimsy stories legacy challenge #gen 8 #priscilla whimsy #santiago berman #gen 8 whimsy

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leecountyfootball · 5 years ago

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𝐂𝐚𝐫𝐬𝐨𝐧 𝐇𝐚𝐢𝐥𝐞𝐲 𝐂𝐨𝐦𝐦𝐢𝐭𝐬 𝐭𝐨 𝐆𝐚𝐫𝐝𝐧𝐞𝐫-𝐖𝐞𝐛𝐛

After receiving almost a dozen offers over the last couple months, Senior lineman Carson Hailey has chosen to continue his education and football career at Gardener-Webb University.

“I chose Gardner-Webb because when I got on campus, it just felt like home. I’ve always wanted to play Division 1 football and I see an opportunity to better myself, not only as a football player, but as a overall person and better my faith. I truly believe it was the best fit for me.”

Hailey played a in a few critical roles for the Yellow Jackets these past two seasons. These roles included playing multiple positions along the offensive and defensive lines as well long snapping duties. Jackets OL Coach Carlos Santiago spoke highly of Hailey’s versatility:

“He’s Mr. Reliable! A unique talent who played all 5 lineman positions for our team, and in any given situation. Great student, athlete and referred to by players as the “ultimate teammate”.

Head Coach Steve Burdeau labels Hailey as the Yellow Jacket’s “Swiss Army Knife”.

Hailey was named Academic All-Conference, All-Conference Honorable Mention. He was also given the team’s Coach’s Award for most coachable and team player, and the Chris Berman ESPY award for Most Sports Knowledge.

Newly hired head coach Tre Lamb is looking to revamp the Bulldogs program by recruiting players like Hailey. “We want to recruit young men who will represent this school and community with class and integrity and Carson fits the mold perfectly.”

At 6-foot-2, Hailey should add tremendous size and some experience at playing multiple positions to the Bulldogs front line, which was a liability for the all last season long.

“I want community of Sanford to remember me for the type of person I was and energy I brought, more than me as a football player. I want to be remembered as one who gave it their all for their city and teammates. I am very passionate about everything I do and will do everything I can to succeed, I hope they remember me for that.”

Gardner-Webb University is located in Boiling Springs, North Carolina. The Bulldogs compete in the Division 1-FCS Big South Conference.

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ocioenlinea · 5 years ago

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Hermandad y compromiso cultural

Por primera ocasión el Congreso ISPA se hermana con FIMPRO para una semana llena de actividades

Del 27 al 31 de mayo se llevará a cabo la más reciente edición de FIMPRO (junto a ISPA), un encuentro y plataforma de promoción, espacio comercial y punto de reunión para realizar acuerdos y negocios entre los creadores locales y los programadores de eventos nacionales e internacionales.

Este año es especial porque se une a ellos ISPA (International Society for the Performing Arts) del 27 al 31 de mayo, que se enfoca en las artes escénicas. Sergio Arbeláez, Director de la feria destacó que la ocasión busca “generar ese dialogo entre las artes escénicas y musicales desde FIMPRO, será el eje transversal y rector de la conferencia. Para nosotros es muy importante que en esta quinta edición tengamos la oportunidad para Guadalajara y la escena nacional y regional de tener un congreso de esta importancia mundial”. Por su parte Denisse Flores, Coordinadora General de ISPA en Guadalajara agregó que es la segunda vez que viene este encuentro llegará a México, la primera vez hace 15 años “cuando existía este encuentro que se llama Puerta de las Américas que ha mutado por así decirlo en otro tipo de encuentros de las artes escénicas y tuvo ese cambio en 2015. Para nosotros y para la Universidad de Guadalajara era importante poder conectar con FIMPRO porque ha hecho un trabajo muy importante y extenuante, en cuanto a lazos en Latinoamérica. Además ISPA está metiendo el tema de la fortaleza que está en nosotros como jaliscienses, como mexicanos, como latinoamericanos y cómo una identidad le suma a la otra. La fortaleza está en nosotros como creadores, como gestores e incluso administradores de las artes escénicas. Entonces vamos a estar viendo todos estos temas a través de diferentes conferencias, convergemos en la mayoría de conferencias”. Sergio agregó que el crecimiento de FIMPRO surge del planteamiento de sus objetivos desde el comienzo. “Siempre que nos planteamos los objetivos de la feria hablamos de tres cosas y también en esa medida hacemos la evaluación del evento que tiene que ver con las ideas. Y si sentimos que hay una actualización y una conciencia más de industria de los músicos, se van estructurando temas como sus derechos de autor. Por otro sentido está el tema de las oportunidades para nosotros es bien bonito lo que ha pasado alrededor en relación a la vinculación de diferentes redes de trabajo y de otras redes que se están constituyendo porque nuestro encuentro se trata precisamente de eso”, agregó. “De alguna manera FIMPRO se hizo pequeña y empezó a reflexionar, como con cierto sector que se ha ido ampliando poco a poco a lo largo de estas ediciones, empezando a generar discusiones sobre el futuro de la música, porque también tenemos que pensar cómo vamos a construir ese futuro de la música y cómo vamos a humanizar todas la herramientas digitales. ¿Cómo vamos a construir un discurso en Latinoamérica alrededor de esas herramientas? ¿Cómo vamos a humanizar esas herramientas para que estén al servicio de la música como de las artes escénicas?” compartió. Ambos eventos convivirán en el Conjunto de Artes Escénicas como en el Edificio Arroniz de la Secretaría de Cultura. Algunos ponentes serán Elisa Carrillo, Mario Galeano, Rubén Albarrán, Conchi de León, Sabina Berman, Mardonio Carballo, entre otros. “Estaremos hablando que se está generando, que se está produciendo, como se está curando para las jóvenes audiencias. Tenemos este año un duplicado en propuestas, las muestras artísticas quedaran a cargo de 32 agrupaciones provenientes aproximadamente de 17 países”, finalizó Denisse. Es tiempo de visitar sus sitios oficiales para inscribirse y ser parte de la interacción.

Showcases

Martes 28, 17:45 h

CONCIERTO “ORQUESTA HIGINIO RUVALCABA”

EDIFICIO ARRÓNIZ

Orquesta de Cámara Higinio Ruvalcaba de la Universidad de Guadalajara es considerada como una de las mejores orquestas juveniles del país y se caracteriza por su trabajo de rescate e interpretación de obras de autores mexicanos y latinoamericanos. Es dirigida por Vladimir Milchtein (Ucrania) y Konstantin Zioumbilov (Rusia), violinistas concertistas y docentes de la Universidad de Guadalajara. El ensamble ha tocado en algunos de los recintos y festivales más importantes de México y ha acompañado a destacados solistas como Alla Milchtein, Artur Kaganovskiy, Eszter Szilveszter, Alejandro Moreno, Santiago Cumplido, Michael Chance y Miguel Ángel Villanueva. Cuenta con dos discos de estudio, ‘Música a través de los géneros’ y ‘Rescate de la música mexicana de los estados de Hidalgo y Jalisco’.

Miércoles 29, 16:00 h

CINETECA TERRACE

SHOWCASES FIMPRO

PURAHEI SOUL (PARAGUAY)

Desde el significado de su nombre: canto en guaraní y la referencia a los sonidos afro y al alma, este dúo originario de Paraguay e integrando por Jennifer Hicks y Miguel Narváez, entregan canciones con identidad propia y como un tributo a la diversidad. Su búsqueda a través de la música ha sido apoyada y fusionada con otras disciplinas artistas como la moda, cine, teatro y baile. Cuentan y narran el folclor latinoamericano en español, inglés y hasta guaraní, idiomas que rezan al ritmo del blues, swing y soul.

NEOPLEN (MÉXICO)

Las raíces y los sones mexicanos cuentan historias y sucesos de la vida en el día a día de este país en forma de canción con el sello Neoplen. Esta agrupación que se autodefine como “fusión mexicana contemporánea”, nace en la ciudad de Cuernavaca desde el año 2010 colocándose como una de las propuestas con gran proyección desde el lanzamiento de su primer material discográfico titulado “Ce” y que contó con la producción de Diego Herrera, integrante y fundador de Caifanes. Su diversidad y folclor sonoro ha llegado a foros y festivales como Enartes (CDMX), Circulart (Colombia), Festival Internacional Cervantino (México) México Joven en Braga (Portugal), Cumbre Tajín (México), entre muchos otros.

ALEX ALVEAR Y WAÑUKTA TONIC (ECUADOR)

Su nombre proviene del “kichwa”, siendo Wañukta un golpe fuerte que te manda al otro lado, Tonic funciona para matizarlo. Con esta postura de orgullo, amor y respeto por las raíces indígenas de la música ecuatoriana, Wañukta Tonic es un recorrido en el ritmo de su país de origen que entrelaza vanguardia y tradición. La agrupación liderada por Alex Alvear, reconocido por sus más de 30 años de trayectoria, transmite destellos del sentir de Ecuador a través de composiciones originales y reversiones de temas emblemáticos de la nación. En sus cinco años de formación han utilizado recursos que ofrecen elementos universales que aseguran su entrañable sonido local.

FIMPRO

Del 28 al 31 de mayo. www.fimguadalajara.mx

ISPA

Del 27 al 31 de mayo. www.ispa.org

No. 1132. 240519

#ocio en linea #milenio diario jalisco #musica #artes

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showsargentinos · 7 years ago

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PREMOS ACE ... LISTA DE NOMINADOS - #Noticias #PREMIOS-ACE #Showsargentinos #Teatro

Publicado en http://showsargentinos.com/premos-ace-lista-de-nominados/

PREMOS ACE ... LISTA DE NOMINADOS

Uno de los premios más importantes del teatro local, los ACE, anunció a sus candidatos para llevarse la estatuilla a lo mejor de la producción 2016/21017. La Asociación de Cronistas del Espectáculo (ACE) premia a las obras que estuvieron en cartel entre el 1 de junio de 2016 al 31 de mayo de 2017. Estos son los candidatos a los premios ACE a lo mejor de la producción teatral y sus protagonistas en todos los rubros: Obra argentina La Restauración de Andrea Stefanoni y Juan Martin Cervetto (El Extranjero / Timbre 4) La Terquedad de Rafael Spregelburd (TNC) Tarascones de Gonzalo Demaría (TNC) Todas las Rayuelas de Carlos La Casa (Multiteatro) Un Hombre Equivocado de Roberto Cossa, versión libre del guión de la película”El arreglo” escrito por Carlos Somigliana y Roberto Cossa (TNC) Vacas sagradas de Daniel Dalmaroni (CCC) Drama y o comedia dramática Doble o Nada de Sabina Berman versión sobre su original “Testosterona” (La Comedia) Doña Rosita la Soltera de Federico Garcia Lorca, adaptación de Graciela Dufau y Hugo Urquijo(Regio) I.D.I.O.T.A de Jordi Casanovas (Picadero) La herencia de Eszter de Sándor Márai (La Comedia) Las Noches Blancas de Ariel Gurevich variación sobre la novela de Fiódor Dostoievski (CuluralSan Martin / El extranjero) Relojero de Armando Discépolo (Regio) Actriz protagónica drama y/o comedia dramática Alejandra Darín por Un hombre equivocado María José Gabin por I.D.I.O.T.A. Mirta Busnelli por La Savia Paula Cancio por Doble o Nada Pilar Gamboa por La terquedad Thelma Biral La Herencia de Eszter Actor protagónico en drama y/o comedia dramática Alejandro Awada por Un hombre equivocado Hugo Arana por Todas las rayuelas Luis Machín por I.D.I.O.T.A. Miguel Angel Solá por Doble o Nada Nelson Rueda por Las Noches Blancas Osmar Núñez por Relojero Director drama y/o comedia dramática Analía Fedra García por Relojero Andrés Bazzalo por Todas las rayuelas Daniel Veronese por I.D.I.O.T.A, Hugo Urquijo por Doña Rosita la Soltera Rafael Spregelburd por La Terquedad Villanueva Cosse por Un hombre equivocado Comedia Falladas de José María Muscari (Multiteatro) La Puerta de al Lado de Fabrice Roger–Lacan,versión de Federico González Del Pino, Fernando Masllorens (La Plaza) Los vecinos de arriba de Cesc Gay, versión de Javier Daulte (Metropolitan) Todas las Canciones de Amor de Santiago Loza (La Plaza) Un rato con él de Julio Chavez y Camila Mansilla (El Nacional) Actriz protagónica en comedia Alejandra Flechner por Tarascones Florencia Peña por Los vecinos de arriba Graciela Dufau por No me pienso morir Jorgelina Aruzzi por La puerta de al lado Marilú Marini por Todas las canciones de amor Paola Barrientos por Tarascones Actor protagónico en comedia Adrián Suar por Un rato con él Carlos Portaluppi por Invencible Diego Peretti por Los vecinos de arriba Julio Chavez por Un rato con el Osmar Núñez por Orquesta de señoritas Peto Menahem por La puerta de al lado Actriz y actor reparto drama, comedia dramática y/o comedia Edgardo Moreira La herencia de Eszter Horacio Roca por Relojero Julieta Vallina por Los vecinos de arriba Laura Grandinetti por Relojero Rafael Ferro por Los vecinos de arriba Rita Cortese por Doña Rosita la Soltera Director comedia Alejandro Tantanian por Todas las canciones de amor Ciro Zorzoli por Tarascones Claudio Tolcachir por Ay amor divino Daniel Barone por Un rato con él Javier Daulte por Los vecinos de arriba Actuación femenina en obra para un solo personaje Jimena Anganuzzi por Frida Kahlo luces y sombras de Patricio Abadi (CCC) Lorena Vega por Yo, Encarnación Ezcurra de Cristina Escofet (Del Pueblo) Mercedes Morán por Ay amor divino de Mercedes Morán (Maipo) María Milessi por Biolenta- delicado emparche femenino de Carolina Vergara Olivetti (El Extranjero) Mónica Villa por Isabel de Guevara.La carta silenciada de Alicia Muñoz (Del Pueblo) Actuacion masculina en obra para un solo personaje Juan Leyrado por El elogio de la risa de Gastón Marioni (Multiteatro) Luis Machín por El mar de noche de Santiago Loza (Apacheta) Norberto Gonzalo por El pescado sin vender… de Norberto Gonzalo (La Máscara) Rodrigo Cárdenas por Todo eso fuiste de Rodrigo Cárdenas (La Comedia) Musical / music hall y/o café concert Asesinato para dos de Joe Kinosian y Keller Blair (El Cultural San Martin) Cinelandia de Alfredo Arias, René de Ceccaty (La Ribera) Jeckyll y Hyde de Leslie Bricusse y Frank Wildhorn (Metropolitan) Lo prohibido de Betty Gambartes y Diego Vila (La Plaza) Sugar de Peter Stone, versión Mario Morgan, Fernando Masllorens, y Federico González del Pino (Lola Membrives) Actuación femenina en musical / music hall y/o café concert Alejandra Radano por Lo Prohibido Belen Pasqualini por Christiane Griselda Siciliani por Sugar Melania Lenoir por Jekyll y Hyde Natalia Cociuffo por Mujeres perfectas Actuación masculina en musical / music hall y/o café concert Carlos Casella por Cinelandia Federico D’ Elia por Sugar Juan Darthes por Lo prohibido Juan Rodo por Jekyll y Hyde Nicolas Cabré por Sugar Dirección general de musical / music hall y/o café concert Alfredo Arias por Cinelandia Arturo Puig por Sugar Betty Gambartes por Lo prohibido Gonzalo Castagnino por Asesinato para dos Sergio Lombardo por Jekyll y Hyde Dirección musical Alberto Favero por Doña Rosita La Soltera Damian Mahler por Jekyll y Hyde Diego Vila por Lo prohibido Gabriel Goldman por Asesinato para dos Gerardo Gardelin por Sugar Martín Bianchedi por Mujeres perfectas Espectaculo teatro alternativo Espumas de Oriente de Irene Almus (Num) La discreta enamorada de Lope de Vega (CCC) La Tempestad, versión de Alfredo Martín de la obra de William Shakespeare (Andamio 90) Los días más felices de Rodrigo Cárdenas (Korinthio) Me amarás por siempre jamás, adaptación de Weldedde Eugene O’Neill (El método Kairos Tebas Land de Sergio Blanco (Timbre 4) Actriz teatro alternativo Ana Yovino por La discreta enamorada Andrea Bonelli por Juegos de Amor y de Guerra Marcela Ferradas por El Padre Paula Morales por Me amarás por siempre jamás Rita Terranova por En boca cerrada Silvia Perez por La Restauracion Actor teatro alternativo Alfredo Castellani por Vacas sagradas Edgardo Moreira por El padre Gabriel Virtuoso por Espumas de Oriente Gerardo Otero por Tebas Land Lautaro Perotti por Tebas Land Marcelo Bucossi por La tempestad Director teatro alternativo Andrés Bazzalo por Yo, Encarnación Ezcurra Corina Fiorillo por Tebas Land Hugo Urquijo por Vacas sagradas Jorge Azurmendi por En boca cerrada Santiago Doria por La discreta enamorada Oscar Barney Finn por Juegos de Amor y de Guerra Coreografía Ariel Juin por Brochero Diego Bros por Lo prohibido Gustavo Wons por Sugar Ruben Cuello por Mujeres perfectas Mariano Botindari por Jekyll y Hyde Escenografía Alberto Negrin por Sugar Eugenio Zanetti por Doña Rosita la Soltera Héctor Calmet por La tempestad Jorge Ferrari por Un rato con él Santiago Badillo por La terquedad Sebastian Sabas por Vacas Sagradas Iluminación Eli Sirlin por Doña Rosita la soltera Leandra Rodríguez por Un hombre equivocado Marcelo Cuervo por I.D.I.O.T.A. Mariano Demaria por Sugar Santiago Badillo por La terquedad Música original Alberto Favero por Doña Rosita la Soltera Damian Laplace por Todas las rayuelas Gaby Goldman por La Discreta Enamorada Marcelo Katz por Tarascones Mariano Cossa para Un hombre equivocado Sebastian Guevara, Agustín Flores Muñoz y Malena Zuelgaray por Yo, Encarnación Ezcurra Vestuario Eugenio Zanetti por Doña Rosita la soltera Fabian Luca por Lo prohibido Magda Banach por Tarascones Pablo Ramirez por Cinelandia Renata Schussheim por Sugar Vanesa Abramovich por Jekyll y Hyde Puesta en escena de ópera Ana D’Anna por Madama Butterfly de Giacomo Puccini (Juventus Lyrica, Avenida) Marcelo Lombardero por Macbeth de Giuseppe Verdi (Colon) Marcelo Lombardero por L’Incoronazzione di Poppea de Claudio Monteverdi (Harmonia / BAL Coliseo) Pablo Maritano por Die Soldaten de Bernd Alois Zimmerman ( Colon) Infantil Cyrano de más acá de Emiliano Dionisi (TNC) Deseos inquietos de y por Bigolates de Chocolate (TNC) El viejo Príncipe de César Brie (Santos) Halloween Park de Martín Elías (La Casona) Hilito de un viaje de y por Ligeros de Equipaje (Pan y Arte) Oliverio y la Tormenta de Jimena Ruiz Echazu e Ismael Serrano (Siranush) Revelación femenina Abril Piterbag por La Mansa Brenda Margaretic por La tempestad Constanza Herrera por La savia Lella Loforte por Quimera Maida Andrenacci por Bichas Marina Munilla por La Furia del Volcán Revelación masculina Agustin García Moreno por La Savia Francisco Bereny por El Diario de Anna Frank Hernan Matorra por Asesinato para dos Nehuen Zapata por Vacas Sagradas Santiago Otero Ramos por Asesinato para dos Sebastián Holz por Juegos de Amor y de Guerra Producción * Antonio Ruiz y Marisa Carreras por El Te de los Angelitos para el Café de los Angelitos * Cooperativa Orquesta de Señoritas por Orquesta de Señoritas *Pablo Kompel, Cesc Gay, Daniel López Orós por Los Vecinos de Arriba * Susana Giménez / Gustavo Yankelevich Sugar de Peter Stone * Sebastian Blutrach, Pablo Komple, Mauricio Dayub, Ignacio Laviaguerre, Carlos Rottemberg Julio Gallo, Gustavo Ferrari y Roberto Bisogno por Todas las rayuelas *TNC por Un hombre equivocado y La Terquedad

#noticias #PREMIOS ACE #showsargentinos #teatro

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