#samuel mcneil

[foxybluejazz]

DOOM fanfic Part 1

At the ARC facility in Mars, the UAC soldiers have arrived outside of the facility. As the soldiers were about to head inside, when suddenly, they were ambush by the demons, but they have fought back as much as they can handle. The half of the troops head to the upper levels, while others stay behind to buy them some time.

After a long fight against the demons, the soldiers have manage to survive the fight, luckily no one was killed as they continue to their search.

While up at the main floor, the UAC soldiers have arrived to the office which is formly belongs to Dr. Samuel Hayden. As they began to search, suddenly, one of them heard a panic like noise, it was coming from underneath the desk. One of the soldier looked underneath, it was the child they've been looking for, she is scared and paralyzed in fear, but also holding a disc for some reason. The soldier offers the child a hand to help out get up, and tells her, "It's alright, we're here to help."

After hearing what the soldier said, the child immediatly cries, and hugs the soldier tightly. The UAC soldiers were about to head out with the child, There was a loud roaring sound coming from the first floor of the facility. And the troops were right, it was a massive demon called the Baron of Hell, who already killed their half of the soldiers. One of the Soldiers fought the Baron of Hell, while the others manage to run into the portal with the child.

As they arrived, there was the Chairman waited for their return, including the medical assistance as well.

2 days went by, the child fell asleep with the disc wrapped around in her arms, but what she didn't know she was being watched by the Chairman and Elizabeth McNeil.

The Chairman said to himself, "She is safe for now, but they're still unanswered questions about her..."

Elizabeth asked the Chairman, "Maybe it's something to do with that disc?"

Chairman answered her, "You might be right, see if the child could give you the disc. I have to deal with the General right now..."

After the Chairman left the room, that leaves Elizabeth along with the child. Finally the child is awake from her slumber, but then suddenly, Elizabeth walked into the room, and introduce herself, "Hello, your name is Daisy, am I right?"

the child nodded, knowing she cannot speak. Elizabeth asked Daisy, "My name is Elizabeth McNeil, I'm an intern. I know it sounds too soon, but is it alright if we can see the disc, that you're holding?"

Daisy looked at the disc, and then looks up at Elizabeth, So the child decided to give her the disc. but then she starts to sign language.

(It is Dr. Hayden's journal. About me.)

Elizabeth looked concern when Daisy told her. Elizabeth said to Daisy, "Don't worry, I'll see what I can find about Dr.Hayden. But for now, you should lie down for a bit, I promise I'll be back soon."

After Elizabeth left the room, Daisy is now alone, she lied herself down and looked at the ceiling. Wondering what will the others going to do with her. Will they going to study her the way Dr.Hayden did? Or are they different? Daisy kept thinking over and over with the same questions, but then she took a deep breath and trying to relax.

At the meeting room, The Chairman have finish discussing with his General. Elizabeth arrived with the disc on her hand.

The Chairman noticed Elizabeth gotten the disc from the child, "You have it, I see."

Elizabeth answered, "She told me that it's about her and Dr. Hayden. Shall we play it?"

The Chairman close and locked the windows and doors, so that nobody interferes of what's going to happen. After that, the Chairman nodded, "We're ready."

Elizabeth plays the disc with their projector, and shows the video on the screen.

[Dr. Hayden's Log Entry. Dec. 10, 2146. Day 1,

After recieving the casket of the warroir called the Doom Slayer. We cannot manage to open it. However, We have also recieved a Sentinel armor that does not belong to earth. We will continue our research soon enough.]

[Dr.Haryden's Log Entry. Dec 12, 2146. Day 3,

The Slayer's Armor's height is 6'8, weighs 300 lbs. Not only the scientists only examine the suit, They have also found inside one of them, a foot of an animal, the rabbit. I could use it to experiment with it. But for now, we have manage to open the sarcophagus. The Slayer's awakening will be unknown.]

[Dr.Hayden's Log Entry. Dec 15, 2146. Day 6,

We have been experimenting each hair of the rabbit's foot, there are many failed experiments. Perhaps some Argent Energy, and some human blood from the Slayer should be useful.]

[Dr.Hayden's Log Entry. Dec 26, 2146. Day 11,

After a long failed experiments, we have finally to create life, a human child. Experiment 2024. Age; 8 to 10 years old, Gender; female, Height; 54"5 inches. Hair color is orange-brown mix, eye color is hazel. Exp. 2024 has awakend from her slumber, her half of her behavior is like any ordinary children, however, the other half is like a rabbit as well. Her diet is a herbivore, and speed is normal, but her heart rate is different from a human heart. I'll be continuing her research later.]

[Dr.Hayden's Log Entry. Dec 30, 2146. Day 15. The Invasion of Demons has now starting, This will be my last recording before time will tell. To my last study of Exp. 2024, she will be volunteering to give her half of argent energy. She could be the key to awake the Slayer. And the argent energy will be powerful to help us keep researching in the future. Once the Slayer's awakens, He'll begin to kill our enimies, and hope he can work with us with our future research.]

After the disc is finished, the Chairmen and Elizabeth looked at each other with the concerned look on their faces, Elizabeth asked herself, "So Dr. Hayden created Daisy, to gain Argent Energy from her?"

The Chairman replied, "We do not know for sure, but I do know one thing. Is that we should never let others know about the child."

Elizabeth nodded, "Yes sir."

End of Part 1

[seeinghcsts]

elodie stared incredulously at her ex and, to her unvoiced dismay, the only friend she had ever truly had. brows creased further together, leaning forward, lifting a hand to press against his forehead as if feeling for some kind of ailment that would have him acting so god damn weird. " do you have a fever or something ?? " she questioned, a bit more tender, before stepping back at the warmth radiating from flushed skin. brushing her palm down the side of her shirt, elodie wrinkled her nose.

" seriously, sam, i have no idea what you're talking about. all i know is i showed up for work, everyone went to that damn bonfire thing, and now scooter is making me lock up because he thinks someone's gonna come kill him or something. i don't know. can you just tell me instead of being all . . . " she flailed her hands around, gesturing wildly at his figure. " - theatric about it ?? "

his frantic breathing begins to lull at the sound of her voice, not entirely ignoring her words but not bothering to answer her pleas either. he just needed a moment to collect himself, or maybe fucking forever. its not everyday you see a women sacrifice herself to the flames and old gods. sam had always been bad at showing affection physically but right now it came naturally, breathing in the scent of her shampoo he closed his eyes for a moment--trying to gain any sense of normalcy again.

he didn't open his eyes again until she shimmied out of his grasp, arms falling back to his side. his brows knit in confusion, even if she wasn't at the bonfire last night...surely she would've heard about it, right? "gotten into me? fuck, elodie that's a question you should save for this godforsaken town after what i--saw, what everyone saw." his lips twitched at her accusation, agitated that she was in the dark of the situation and annoyed that she chalked up his behavior to some substance abuse. "elodie this isn't high school, no I'm not fucked up, you have to believe me." his throat suddenly feels dry, as his eyes search hers desperately in confusion. "You really don't know what happened?" he asked barely above a whisper.

[everythingwritingg]

Pen Name Ideas

@everything.writing on IG

I know I’ve been slacking off on making posts lately, because I’ve been super busy with college applications starting. Now school has started, which is a whole other level of craziness. But I decided I’d make a post this weekend, hoping it would help someone.

• Alisha Tyler

• Andrea Bruce

• Angelo Durham

• Ann Hull

• Beau McNeil

• Cain Massey

• Carol Cooke

• Claudia Wiggins

• Damian Park

• Dora Baker

• Ed Travis

• Elaine Fischer

• Ellie Miller

• Elmer Sweet

• Forrest Whitley

• Gian Sykes

• Giovanni Watson

• Greg Brown

• Greta Bentley

• Helen Walker

• Jermaine Hawkins’s

• Juno Perkins

• Leland Witt

• Liam Wolf

• Lucas Pierce

• Lyle Howard

• Mabel Rogers

• Margie Hays

• Martin Burn’s

• Merritt Carpenter

• Nellie Jennings

• Oliver Whitehead

• Perry Morin

• Reagan Meyer

• Roxanne Potter

• Samuel Hebert

• Skye Wilkinson

• Sofia Duffy

• Stefanie Prince

• Zayd Michael

School is getting really busy, but I really want to make time to post things for you guys. It gives me a break from doing chemistry homework and writing college essays. I hope this helped someone, and have a great weekend.

[naran-blr]

Lillian Mathilde Genth (1876-1953) pintora impresionista estadounidense.

Nació en Filadelfia, hija de Matilda Caroline Rebscher y Samuel Adam. Comenzó su carrera artística asistiendo a la Escuela de Diseño para Mujeres de Filadelfia en Pensilvania con una beca. Durante sus años de escolaridad, trabajó como diseñadora de vestidos para mantenerse a sí misma.

En la Escuela de Diseño para Mujeres de Filadelfia, le dio clase Elliott Daingerfield. Daingerfield influyó mucho en su estilo, que se puede ver en las cualidades tonalistas y coloristas similares de sus escenas de paisajes.

Genth se graduó de la Escuela de Diseño para Mujeres de Filadelfia en 1900. Recibió la beca europea William L. Elkins por sus logros en arte de la Escuela de Diseño de Filadelfia, que la patrocinó para pintar en Europa durante un año.

Durante su estadía en Europa, se estableció primero en París, Francia, en octubre de 1900, donde se inscribió en clases de arte en la Académie Carmen, una escuela de arte dirigida por James McNeil Whistler. Whistler se convirtió en una gran influencia en el trabajo de Genth y se la consideraba una de sus alumnas favoritas. Durante una de las visitas de Whistler a la escuela en 1900, quedó tan impresionado por el trabajo de Genth que le dio una paleta de pintura; un honor que usó y atesoró durante el resto de su carrera. Este fue un gran cumplido de Whistler, que rara vez aceptaba mujeres pintoras.

El estilo de Genth se atribuye típicamente a Whistler debido a las cualidades tonalistas de sus pinturas y porque él le enseñó a ver sus pinturas como un todo en lugar de en partes individuales. Después del cierre de la Academie Carmen en 1901, se quedó en Europa durante tres años más. Durante este tiempo trabajó en la pintura de paisajes, escenas de género y frentes de agua; sus desnudos no comenzarían hasta dentro de unos años más.

Es conocida fundamentalmente por su representación de desnudos femeninos en paisajes. Sin embargo, en la mitad de su carrera dejó de pintar desnudos femeninos y comenzó a pintar cuadros más conservadores inspirados en sus viajes.

En un periodo de unos 30 años, Genth apareció en 233 exposiciones y, aunque fue muy conocida por sus pinturas en vida, su historia y sus obras de arte se han perdido en el recuento de la historia del arte estadounidense...

[robotsfromtomorrow]

Mar Julia and Samuel Teer on Building BROWNSTONE

The topic of today's episode is BROWNSTONE, the new YA graphic novel from writer Samuel Teer and artist Mar Julia, about a 14-year-old girl spending the summer with a father she's never known as they fix up the titular dilapidated brownstone. If that name sounds familiar, it's because Samuel was just on the show last episode talking about the trials and tribulations of bringing this story  from his head to our bookshelves. 

Now we get to hear from the other side of the BROWNSTONE creation equation. Mar's work is absolutely in the wheelhouse of the type of comicbooking we love to see here on Robots. When we read BROWNSTONE, we saw Tillie Walden, we saw Carla Speed McNeil, we saw grounded situations portrayed with enough exaggeration to make this comic an engaging story being told rather than a mere rendition of plot points. Greg was thrilled to get the opportunity to talk to them about their process for this book and their work in general. And maybe ask the writer a question or two, if there was still time...

Check out this episode!

[seeinghcsts]

if her eyes rolled any harder, she was certain she would strain the muscles in her face, though despite the annoyance that came in the form of a heavy exhale from her nostrils, a smile twitched on her lips. " then you'd have to explore your freaky abandoned places all on your own . . . not like you've got anyone else to ask," elodie said pointedly, raising her brows at him as she pointed the face of her flashlight at him, the steady beam of light illuminating his features just in time for her to catch the glint of his grin. he was kidding, she knew he was — as if he'd ever leave HER behind. elodie's grin mirrors his after the jab to his ribs was received just as she had wanted it to be, a laugh sounding from her that echoed down the groaning steel of the stripped hallway they were navigating.

as sam found himself occupied with the nursing station, elodie continued to browse the surrounding area, kicking around old debris and abandoned medical equipment, never looking beyond where the beam of her flashlight reached. " you'll never let me forget, " elodie mused, glancing over at him, brows scrunching as she watched him flip through pages. nosey as ever, she traipsed over, resting her elbows on the surface and shining her own flashlight over the pages to skim herself. her gaze then shifted up to his face, head cocking, speaking more to herself now than him; " they should take a page out of helltown's book, everything over there seems to be burning down. i'm surprised the bowling alley is even still standing with everything going on. . ."

sam wasn't sure whether to laugh or roll his eyes, instead he only shrugs his shoulders absently as his attention drifts back towards their path. "god forbid, i try to save you from getting lost. maybe next time your feet can't quite keep up i'll do my due diligence and move on without you." he's grinning now, eyes still focused forward--waiting for the jab or the slap. of course he'd never leave her behind, even just the thought of losing elodie caused a rather large lump in his throatt. he had already lost so much, one more would send him down the rabbit hole. "ahh-fuck, ow!" sam groans, as the flahlight almost wobbles out of his grip, wanting to rub his ribs with his palm, but doesn't so he doesn't seem like a bitch. this time she gets a hearty chuckle out of him, moving his vision back towards her. its dark but he can still make out the features of her face. the arch of her cupids bow, the freckles dotted across her nose and cheeks from summer, and the lines around her nose from scrunching it too often. it was either by memory or spending too much time together, sam wasn't sure. "you forgot that I majored in english literature, or well you know until i dropped out and disappointed my parents." he moves towards what looks like what had been one of the nurses station, flipping through the scattered paperwork dating back to the early fifties and forties. wishing momentarily he had brought gloves. "no kidding, i never understood why places like this just go abandoned. why not burn it, tear it down? make something new out of it? instead it just sits here, lost in time.."

[lizarella]

Bella’s park performance goes well. 

[jaanie]

The McNeils

Samuel McNeil || Firefighter Super Hero \ Athletic, Virtuoso, Daredevil, Hydrophobic, Ambitious, Light Sleeper

Charlotte (Dawson) McNeil || World Reknown Surgeon \ Genius, Natural Cook, Vegetarian, Light Sleeper, Ambitious, Friendly

Emerson McNeil || Couch Potato, Good, Irresistible, Cat Person

Shawn McNeil || Shy, Hopeless Romantic, Artistic, Easily Impressed

Noah McNeil || Absent-Minded, Vehicle Enthusiast, Loves the Heat

Autumn McNeil || Good, Genius, Frugal

James McNeil || Brave, Easily Impressed

[makerof150papermasks]

If Kirby Right Back at Ya were dubbed by The Ocean Group

Me being a random thinker, the concept sprung into my mind: what if the union that worked on MLPFIM did a dub for the Kirby anime? =7

I sat down and thought about who could be which character based on the range and personality associations of each voice actor.

First off, Kirby should absolutely retain his Japanese audio like 4Kids did. Though I’m still undecided on if he should have some ability to actually talk and if so, who should provide his lines.

I was originally going to assign Tiff to be voiced by Chantal Strand; however, since Strand is best known for doing “kind, soft-spoken” character voices (For example, Cassie from Dragon Tales) and Tiff not exactly the hush-calm type, I eventually settled for Kazumi Evans. With this in mind, I reassigned Strand to Fololo & Falala, who don’t have as much of a temperamental edge to them as Tiff (although they’re relatively sociable, as well).

Tuff was one of the easiest picks for me. Given that Cathy Weseluck voices Spike in FiM, she’d be able to pull of a similar-sounding hoarse little-boy characterization to that of Kayzie Rogers (Though I would say it sounds slightly deeper and less phlegmy than Rogers’ vocals).

It took me a while to find a candidate for Meta Knight, but I eventually settled on Brian Drummond. My reasoning is because he voiced the Mexican-accented Ahuizotl (MLP), the closest thing I could think of that sounded like Eric Stuart’s take on the masked swordsman.

Absolutely nothing would ever be as tied to KRBAY as Ted Lewis’ take on King Dedede, what with his redneck diction and over-the-top presence (HAND ME ANOTHA BAG O DEM CHIPS, anyone?). However, I have a feeling Ocean’s Scott McNeil could pull off a more throaty, harsh-sounding take on the robed penguin with a good amount of his hillbilly persona retained as a compromise.

Anyway, one voice I could see needing a drastic lift is eNeMeE; Andrew Rannells’ portrayal as raspy and high-pitched made it a lot more difficult to take the corporate conqueror seriously. Richard Newman (The dude who played M. Bison in the Street Fighter cartoon, “THIS! IS! DELICIOUS!!”, “YES! YES!”), contrarily, could give him a deeper voice more befitting of say, Banjo Ginja in the original Japanese production. (On a side note, Ginja also did M. Bison’s voice in an audio drama adaptation, tying the two characters even closer together, presentation-wise)

Disclaimer: I am aware that some voice actors listed no longer work in Vancouver (ie. Matt Hill, Trevor Devall), but I still included them in the cast list because it is merely hypothetical and for fun. If y’all have any additions or improvements you want to throw, feel free to blurt it out.

Kirby = Retains original Japanese audio

Tiff = Kazumi Evans

Tuff = Cathy Weseluck

Escargoon = Richard Newman

Fololo & Falala = Chantal Strand

Lady Like = Tabitha St. Germain

Sir Ebrum = Trevor Devall

King Dedede = Scott McNeil

Waddle Doo = Richard Ian Cox

Meta Knight = Brian Drummond

Salesguy = Andrew Francis

Tokkori = Michael Daingerfield

Kabu = Peter New

Rick = Scott McNeil

Coo = Samuel Vincent

Kine = Vincent Tong

Chef Kawasaki = Gary Chalk

eNeMeE = Richard Newman

Knuckle Joe = Matt Hill

Whispy Woods = Peter New

Princess Rona = Nicole Oliver

Commander Vee = Britt McKillip

Honey = Andrea Libman

Spikehead = Ashleigh Ball

Iroo = Shannon Chan-Kent

Mabel = Brenda Crichlow

Mayor Blustergas = Trevor Devall

Chief Bookem = Michael Dobson

Sirica = Ashleigh Ball

Benikage = Erin Matthews

Yamikage = Brian Drummond

Melman = Trevor Devall

Kit Cosmos = Trevor Devall

Sir Arthur = Jayson Thiessen

[kwebtv]

Bodies of Evidence - CBS  -  June 18, 1992 - May 28, 1993

Police Drama (16 episodes)

Running Time:  60 minutes

Stars:

Lee Horsley as Lieutenant Ben Carroll

George Clooney as Det. Ryan Walker

Kate McNeil as Det. Nora Houghton

Al Fann as Det. Will Stratton

Leslie Jordan as Lemar Samuels

Francis X. McCarthy as Sgt. Jimmy Houghton

Lorraine Toussaint as Dr. Mary Rocket (season 1)

Jennifer Hetrick as Bonnie Carroll

Alan Fudge as Chief Frank Leland

Kimberly Scott as Maggie Holland (season 2)

[poetlcs]

books I’ve read in 2020 (so far) + their ratings  

(update books 60-70)  /  7.10.20

non-fiction

crossing the line: australia’s secret history in the timor sea by kim mcgrath

hood feminism: notes from the women that a movement forgot by mikki kendall

the uninhabitable earth: life after warming by david wallace-wells

homo deus: a brief history of tomorrow by yuval noah harari

SPQR: a history of ancient rome by mary beard

sister outsider by audre lorde

all boys aren’t blue by george m. johnson

under a biliari tree i born by alice biari smith

the lost world of british communism by raphael samuel

the ethnic cleansing of palestine by ilan pappé

stamped from the beginning: the definitive history of racist ideas in America by ibram x. kendi

catch and kill: lies, spies and a conspiracy to protect predators by ronan farrow

classics

maurice by e.m forster

emma by jane austen

perfume by patrick suskind

the color purple by alice walker

a study in scarlet by arthur conan doyle

dracula by bram stoker

the tenant of wildfell hall by anne bronte

fantasy

the diviners by libba bray (reread)

lair of dreams by libba bray (reread)

before the devil breaks you by libba bray (reread)

the king of crows by libba bray

clockwork princess by cassandra clare (reread)

we unleash the merciless storm by tehlor kay mejia

wolfsong by t.j klune

the fate of the tearling by erika johansan

girl, serpent, thorn by melissa bashardoust

crier’s war by nina varela (reread)

we hunt the flame by hafsah faizal

ghosts of the shadow market by cassandra clare + others

a storm of swords: part two by george r.r martin

amarah by l.l mcneil

chain of gold by cassandra clare

the gilded wolves by roshani chokshi (reread)

the silvered serpents by roshani chokshi

girls of storm and shadow by natasha ngan

science fiction

This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

not your sidekick by c.b lee

the martian by andy weir

speculative fiction:

the deep by rivers solomon

how long ‘til black future month? by n.k jemisin

terra nullius by claire g. coleman

magical realism

blanca & roja by anna-marie mclemore

mystery

the family upstairs by lisa jewell

the hand on the wall by maureen johnson

the lake house by kate morton

contemporary fiction

maybe in another life by taylor jenkins reid

girl, woman, other by bernadine evaristo

tin heart by shivan plozza

a little life by hanya yanigahara

a girl like that by tanaz bhathena

little fires everywhere by celeste ng

stay gold by tobly mcsmith

everything leads to you by nina lacour

the falling in love montage by ciara smyth

normal people by sally rooney

the glass hotel by emily st john mandel

only mostly devastated by sophie gonzales

historical fiction

half of a yellow sun by chimamanda ngozi adichie

hamnet by maggie o’farrell

all the light we cannot see by anthony doerr

romance:

get a life, chloe brown by talia hibbert

poetry:

on earth we’re briefly gorgeous by ocean vuong

clap when you land by elizabeth acevedo

translated fiction:

princess bari by hwang sok-yong (south korean)

graphic novels:

laura dean keeps breaking up with me by mariko tamaki and rosemary valero-o'connell (illustrations)

anthology:

meet me at the intersection edited by rebecca lim and ambelin kwaymullina

[jessi-does-fandoms]

A friend of mine on discord asked an excellent question.

(I love how all of us had RID2015 pfp’s)

I find it hilarious that so many VA’s from LEGO Ninjago have also voiced in some of the transformers cartoons like Kirby Morrow the VA for Cole, I know he voiced Hot Shot in Transformers Cybertron but it was so funny because it was literally just a slightly robotic version of Cole’s voice and I believe Lloyd’s current VA and I think even Sensei Wu’s have been in a few transformers cartoons as well.

I DID THE RESEARCH!

Zane’s VA (Brent Miller) was Hot Shot Clouse’s VA (Scott McNeil) was Jetfire, Strongarm and Omega Supreme Cole’s VA (Kirby Morrow) was Rad and Sensei Wu’s VA (Paul Dobson) was Rodimus in Transformers Energon. In Transformers Armada Lloyd’s VA (Samuel Vincent) was Sideswipe. In Transformers Cybertron Lloyd’s VA was Coby, Cole’s VA was Hot Shot as I stated ubove, Jay’s VA was Lugnutz, Wu’s VA was Landmine and Overhaul. Also Michael Dobson who is the VA for Wyplash (one of the skelietal warriors or whatever) He voiced Starscream in all the series i’ve listed. So basically all the main character’s VA’s of ninjago minus Kai and Nya have been in Transformers and it has brought me much joy.

I haven’t really watched these listed transformers series all I know is they’re supposedly connected. I probably watched them as a kid but I have literally no memory of them whatsoever.

[blackkudos]

Robert Hooks

Robert Hooks (born Bobby Dean Hooks, April 18, 1937) is an American actor, producer, and activist. He is most recognizable to the public for his more than 100 roles in films, television, and stage. Most famously, Hooks, along with Douglas Turner Ward and Gerald S. Krone, founded The Negro Ensemble Company (NEC). The NEC is credited with the launch of the careers of many major black artists of all disciplines, while creating a body of performance literature over the last thirty years, providing the backbone of African-American theatrical classics. Additionally, Hooks is the sole founder of two significant black theatre companies: the D.C. Black Repertory Company, and New York's Group Theatre Workshop.

Biography

Early life

The youngest of five children, Hooks was born in Foggy Bottom, Washington, D.C. to Mae Bertha (née Ward), a seamstress, and Edward Hooks who had moved from Rocky Mount, North Carolina with their four other children, Bernice, Caroleigh, Charles Edward "Charlie", and James Walter "Jimmy". Named Bobby Dean Hooks at birth, Robert was their first child born "up-north" and the first to be born in a hospital. His father, Edward, died in a work accident on the railroad in 1939.

Hooks attended Stevens Elementary School. In 1945, at the insistence of his sister Bernice who was doing community arts outreach for youngsters at Francis Junior High School, he performed the lead in his first play, The Pirates of Penzance, at the age of nine. From the ages of 6 to 12, Bobby Dean journeyed with his siblings to Lucama, North Carolina to work the tobacco fields for his uncle's sharecropping farm as a way to help earn money for the coming school year in D.C.

In 1954, just as Brown vs. Board of Education was being implemented in the north, he moved to Philadelphia to be with his mother, her second husband, and his half-sister, Safia Abdullah (née Sharon Dickerson). Hooks experienced his first integrated school experience at West Philadelphia High School. Hooks soon joined the drama club and began acting in plays by William Shakespeare and Samuel Beckett. He was graduated in 1956, passing on a scholarship to Temple University in order to pursue a career as a stage actor at the Bessie V. Hicks School of Theatre (alongside Charles Dierkop and Bruce Dern, with whom he second-acted plays doing their pre-Broadway tryouts in Philadelphia) while working at Browning King, a men's tailor shop at Fourteenth and Chestnut streets.

Career

Having trained at the Bessie V. Smith School of Theatre in Philadelphia, and after seeing A Raisin in the Sun in its Philadelphia tryout in February 1959, Hooks moved to New York to pursue acting. In April 1960, as Bobby Dean Hooks, he made his Broadway debut in A Raisin in the Sun replacing Louis Gossett, Jr. who would be doing the film version. He then continued to do its national tour. He then stepped into the Broadway production of A Taste of Honey, replacing Billy Dee Williams; then repeating the same national tour trajectory as he had done for "Raisin..." the previous year. In early 1962 he next appeared as the lead in Jean Genet's The Blacks, replacing James Earl Jones as the male lead, leaving briefly that same year to appear on Broadway again in Tiger, Tiger, Burning Bright before stepping back into the lead role in The Blacks in 1963. He then returned to Broadway, first in Ballad for Bimshire and then in the short-lived 1964 David Merrick revival of The Milk Train Doesn't Stop Here Any More (as a character created by Tennessee Williams for this revival) and starring Tallulah Bankhead and Tab Hunter in his only stage performance. Immediately thereafter, in March 24, 1964 he originated the role of Clay in Amiri Baraka's Dutchman. With this play, on the advice of Roscoe Lee Brown, Hooks became known as, Robert Hooks. He also originated roles on the New York stage in Where's Daddy? for which he won the Theatre World Award and he was nominated for Best Male Lead in a Musical for Hallelujah Baby while he was simultaneously starring in David Susskind's N.Y.P.D.—the first African American lead on a television drama.

In 1968 Hooks was the host of the new public affairs television program, Like It Is.

Hooks was nominated for a Tony for his lead role in the musical, Hallelujah, Baby!, has received both the Pioneer Award and the NAACP Image Award for Lifetime Achievement, and has been inducted into the Black Filmmakers Hall of Fame. He also won an Emmy for his PBS special, Voices of Our People.

Significant roles for which Hooks is known include Reeve Scott in Hurry Sundown (1967), Mr. T. in the blaxploitation film Trouble Man (1972), grandpa Gene Donovan in the comedy Seventeen Again (2000), and Fleet Admiral Morrow in Star Trek III: The Search for Spock (1984). He also appeared on television in an episode of the NBC crime drama series The Eddie Capra Mysteries in 1978 and portrayed Doctor Walcott in the 1980s television series Dynasty.

Activism

Arts and Culture

In 1964, as a result of a speaking engagement at the Chelsea Civil Rights Committee (then connected to the Hudson Guild Settlement House) he founded The Group Theatre Workshop (GTW), a tuition-free environment for disadvantaged urban teens who expressed a desire to explore acting. Among the instructors were Barbara Ann Teer, Frances Foster, Hal DeWindt, Lonne Elder III, and Ronnie Mack. Alumni include Antonio Fargas, Hattie Winston, and Daphne Maxwell Reid.

The Group Theatre Workshop was folded into the tuition-free training arm of the The Negro Ensemble Company (NEC) founded in 1967 with Douglas Turner Ward and Gerald S. Krone with a $1.3 million grant from the Ford Foundation under the auspices of W. McNeil Lowry.

From 1969-1972, Hooks served as an original board member of Black Academy of Arts and Letters (BAAL) (located in New York) alongside C. Eric Lincoln, President; John O. Killens, Alvin F. Poussaint, and Charles White. Chartered by the State of New York, BAAL's mission was to bring together Black artists and scholars from around the world. Additional members included: Julian Adderley, Alvin Ailey, Margaret Walker, James Baldwin, Imamu Baraka, Romare Bearden, Harry Belafonte, Lerone Bennett, Arna Bontemps, Ossie Davis, Ruby Dee Davis, St. Clair Drake, Ernest Dunbar, Katherine Dunham, Lonne Elder III, Duke Ellington, Alex Haley, Ruth Inge Hardison, Vertis Hayes, Chester Himes, Lena Horne, Jacob Lawrence, Elma Lewis, Henry Lewis, Paule Marshall, Donald McKayle, Arthur Mitchell, Frederick O’Neal, Gordon Parks, Sidney Poitier, Benjamin Quarles, Lloyd Richards, Lucille D. Roberts, and Nina Simone.

In response to the violence in his home town of Washington, D.C. in the wake of the Rev. Dr. Martin Luther King, Jr.'s assassination, and aided by a small grant from the Eugene and Agnes E. Meyer Foundation, Hooks took a leave of absence from the Negro Ensemble Company to create The D.C. Black Repertory Company (DCBRC, 1970-1981). As Founder and Executive Director, the DCBRC was intended as a further exploration of the ability of the arts to create healing. The a capella group Sweet Honey in the Rock was created and developed within its workshop process.

The Inner Voices (Lorton Prison arts training program, 1971) proved to be a result of the beneficial effect of the DCBRC in the D.C. area. In response to a direct plea from an inmate, Rhozier "Roach" Brown, who was serving a life sentence in Lorton, Hooks' D.C. Black Repertory Company structured the first prison-based arts program in the United States. While it is the norm now, it was then a revolutionary attempt at rehabilitation through the arts. Eventually The Inner Voices performed more than 500 times in other prisons, including a Christmas special entitled, "Holidays, Hollowdays." Due to Roach's work, President Gerald Ford commuted his sentence on Christmas Day, 1975.

His relocation to the West Coast redirected Hooks' approach to parity in the arts with his involvement with The Bay Area Multicultural Arts Initiative (1988) as a board member and grant facilitator-judge. Funded by monies from a unique coalition made up of the San Francisco Foundation (a community foundation); Grants for the Arts of the San Francisco Hotel Tax Fund, and The National Endowment for the Arts, the function of this organization was the funding of deserving local multicultural arts organizations.

In 1992, Hooks co-founded (with writer Lonne Elder III) Arts in Action. Located in South Central Los Angeles, this was a film and television training center established to guide individuals who aspired to careers in film production. It formulated strategies and training for securing entry-level jobs. Courses included: career development workshops; pre-production and production for film and television; creative problem solving in production management; directing for stage and screen—principles and practices; also the craft of assistant directors, script supervisor, technicians, wardrobe, make-up, etc.

The Negro Ensemble Company of Los Angeles (NEC-LA) (1994-1997) was created because so many New York members and original members had relocated to the west coast. Hooks, as founder and executive director enlisted alumni from his New York Negro Ensemble Company to serve as board members: Denise Nicholas, Denzel Washington, James Earl Jones, Laurence Fishburne, Richard Roundtree, Samuel L. Jackson. NEC-LA's goal was to be a new and innovative multi-ethnic cultural project that strived to achieve the community effectiveness and professional success of its parent organization.

Personal life

Hooks is the father of actor, television and film director Kevin Hooks. He married Lorrie Gay Marlow (actress, author, artist) on June 15, 2008. Previously, he was married to Yvonne Hickman and Rosie Lee Hooks.

Awards

1966 - Theatre World Award (1965–66 ) for "Where's Daddy?" (The Billy Rose Theatre)

1979 - American Black Achievement Award - Ebony Magazine

1982 - Emmy Award for Producing (1982) Voices of Our People: In Celebration of Black Poetry (KCET-TV/PBS)

1966 - Tony Nomination, Lead Role in a Musical for Hallelujah, Baby

1985 - Inducted into The Black Filmmakers Hall of Fame, recipient Oscar Micheaux Award (1985)

1986 - March 2nd declared Robert Hooks Day by the City of Los Angeles, Mayor Tom Bradley

1987 - Excellence in Advertising and Communications to Black Communities from CEBA (Excellence in Advertising and Communications to Black Communities)

2000 - Honorary Doctor of Humane Letters, Honoris Causa honorary degree, Bowie State University

2000 - May 25th declared Robert Hooks Day in Washington, D.C.

2005 - Beverly Hills/Hollywood Chapter NAACP Image Award for Lifetime Achievement

2005 - Beverly Hills/Hollywood Chapter NAACP Trailblazer Award to the Negro Ensemble Company

2005 - Trailblazer Award – City of Los Angeles

2006 - The Black Academy of Arts and Letters (TBAAL), Lifetime Achievement Award (Dallas)

2007 - The Black Theatre Alliance Awards / Lifetime Achievement Award

2015 - Living Legend Award (2015) National Black Theatre Festival

2018 - October 18th proclaimed Robert Hooks Day by Mayor Muriel Bowser, Washington, D.C.

2018 - Hooks is entered into The Congressional Record by the Hon. Eleanor Holmes Norton, September 4, 2018, Vol. 164

2018 - Visionary Founder and Creator Award - D.C. Black Repertory Company on its 47th anniversary

Acting Credits

Film

Sweet Love, Bitter (1967) .... Keel Robinson

Hurry Sundown (1967) .... Reeve Scott

Last of the Mobile Hot Shots (1970) .... Chicken

Carter's Army (1970) .... Lt. Edward Wallace

Trouble Man (1972) .... Mr. T

Aaron Loves Angela (1975) .... Beau

Airport '77 (1977) .... Eddie

Fast-Walking (1982) .... William Galliot

Star Trek III: The Search for Spock (1984) .... Admiral Morrow

Passenger 57 (1992) .... Dwight Henderson

Posse (1993) .... King David

Fled (1996) .... Lt. Clark

[lizarella]

Bella rushes to her next gig after being reset...but her Ring of Fire is missing :( 

[extrabeurre]

IL PLEUVAIT DES OISEAUX en tête des nominations du Gala Québec Cinéma 2020

En direct du salon de Guillaume Lambert, les nominations du Gala Québec Cinéma (qui ne fera pas l’objet d’un rassemblement télévisuel cette année, confinement oblige) ont été dévoilées cet après-midi.

En cette année dominée par les réalisatrices, 6 des meilleurs films sont réalisés par des femmes et 3 femmes sont en lice pour l’Iris de la Meilleure réalisation.

On parle bien sûr d’Antigone de Sophie Deraspe (Meilleur film, Meilleure réalisation, Meilleur scénario), La femme de mon frère de Monia Chokri  (Meilleur film, Meilleure réalisation), Kuessipan de Myriam Verreault (Meilleur film, Meilleure réalisation, Meilleur scénario), Jeune Juliette d’Anne Émond (Meilleur film, Meilleur scénario), Il pleuvait des oiseaux  et Louise Archambault (Meilleur film, Meilleur scénario, et 13 nominations au total, le record cette année), et du plus inattendu Fabuleuses de Mélanie Charbonneau (Meilleur film).

Ces films réalisés par des femmes sont rejoints dans les catégories de pointe par les « films de gars » Mafia Inc de Podz (Meilleur film), Sympathie pour le diable de Guillaume de Fontenay (Meilleure réalisation, Meilleur scénario), et  Le vingtième siècle de Matthew Rankin  (Meilleur premier film, Meilleure réalisation).

Un grand oublié : Xavier Dolan, qui a lancé deux longs métrages l’an dernier. On ne s’attendait pas à un couronnement du mal-aimé The Death and Life of John F. Donovan, mais l’excellent Matthias & Maxime aurait mérité plus d’honneurs. Il est quand même en nomination dans les catégories Meilleure interprétation féminine dans un rôle de soutien (Micheline Bernard), Meilleure interprétation masculine dans un rôle de soutien (Pier-Luc Funk), Meilleure direction de la photographie (André Turpin), Meilleur montage (Xavier Dolan), Meilleure musique originale (Jean-Michel Blais) et Meilleur maquillage (Erik Gosselin, Edwina Voda).

Du côté des interprètes, je suis soulagé que mon long métrage québécois préféré depuis longtemps, Le rire de Martin Laroche, ait été au moins reconnu pour les brillantes performances de Léane Labrèche-Dor (Premier rôle féminin) et Micheline Lanctôt (Rôle de soutien féminin).

Il faut aussi souligner les deux nominations comme acteur de Robin Aubert, pour Jeune Juliette (Premier rôle masculin) et Merci pour tout (Rôle de soutien masculin).

Et une pensée pour Andrée Lachapelle, qui nous a quittés récemment, nommée comme Meilleure actrice pour Il pleuvait des oiseaux.

Parlant d’Il pleuvait des oiseaux , félicitations à Will Driving West, un de mes groupes préférés, parmi les finalistes de la catégorie Meilleure musique originale. 

Aussi, je suis très heureux pour l’extraordinaire Je finirai en prison d’Alexandre Dostie, en nomination pour l’Iris du meilleur court métrage.

LISTE COMPLÈTE DES NOMINATIONS

MEILLEUR FILM

Antigone - ACPAV - Marc Daigle

Fabuleuses - GO Films - Nicole Robert

La femme de mon frère - Metafilms - Sylvain Corbeil, Nancy Grant

Il pleuvait des oiseaux - Les Films Outsiders - Ginette Petit

Jeune Juliette - Metafilms - Sylvain Corbeil

Kuessipan - Max Films Média - Félize Frappier

Mafia Inc - Attraction Images - Antonello Cozzolino | Caramel Films - Valérie D'Auteuil, André Rouleau

  MEILLEUR PREMIER FILM

Mad Dog Labine - Jonathan Beaulieu-Cyr, Renaud Lessard - 1er scénario de Jonathan Beaulieu-Cyr, Renaud Lessard

Sympathie pour le diable - Guillaume de Fontenay - 1er scénario de Guillaume de Fontenay, Guillaume Vigneault

Le vingtième siècle - Matthew Rankin - 1er scénario de Matthew Rankin

 MEILLEURE RÉALISATION

Monia Chokri - La femme de mon frère

Guillaume de Fontenay - Sympathie pour le diable

Sophie Deraspe - Antigone

Matthew Rankin - Le vingtième siècle

Myriam Verreault - Kuessipan

MEILLEUR SCÉNARIO

Louise Archambault - Il pleuvait des oiseaux

Jean Barbe, Guillaume de Fontenay, Guillaume Vigneault - Sympathie pour le diable

Sophie Deraspe - Antigone

Anne Émond - Jeune Juliette

Naomi Fontaine, Myriam Verreault - Kuessipan

  MEILLEURE INTERPRÉTATION FÉMININE | PREMIER RÔLE

Anne-Élisabeth Bossé (Sophia) - La femme de mon frère

Anne Dorval (Isabelle Brodeur) - 14 jours 12 nuits

Léane Labrèche-Dor (Valérie) - Le rire

Andrée Lachapelle (Gertrude | Marie-Desneige) - Il pleuvait des oiseaux

Noémie O'Farrell (Laurie) - Fabuleuses

MEILLEURE INTERPRÉTATION MASCULINE | PREMIER RÔLE

Robin Aubert (Bernard) - Jeune Juliette

Marc-André Grondin (Vincent «Vince »Gamache) - Mafia Inc

Patrick Hivon (Karim) - La femme de mon frère

Niels Schneider (Paul Marchand) - Sympathie pour le diable

Gilbert Sicotte (Charlie) - Il pleuvait des oiseaux

 MEILLEURE INTERPRÉTATION FÉMININE | RÔLE DE SOUTIEN

Micheline Bernard (Francine) - Matthias & Maxime

Juliette Gosselin (Clara Diamond) - Fabuleuses

Micheline Lanctôt (Jeanne) - Le rire

Eve Landry (Rafaëlle [Raf]) - Il pleuvait des oiseaux

Geneviève Schmidt (France Gauthier) - Menteur

 MEILLEURE INTERPRÉTATION MASCULINE | RÔLE DE SOUTIEN

Robin Aubert (Réjean) - Merci pour tout

Sergio Castellitto (Francesco « Franck » Paternò) - Mafia Inc

Pier-Luc Funk (Rivette) - Matthias & Maxime

Sasson Gabai (Hichem) - La femme de mon frère

Rémy Girard (Tom) - Il pleuvait des oiseaux

 RÉVÉLATION DE L'ANNÉE

Catherine Chabot (Chloé Therrien) - Menteur

Sharon Fontaine-Ishpatao (Mikuan Vollant [16-21ans]) - Kuessipan

Alexane Jamieson (Juliette) - Jeune Juliette

Nahéma Ricci (Antigone) - Antigone

Lilou Roy-Lanouette (Yanna) - Jouliks

 MEILLEURE DISTRIBUTION DES RÔLES

Jacinthe Beaudet, Tobie Fraser, Geneviève Hébert, Myriam Verreault - Kuessipan

Nathalie Boutrie (Casting NB) - Jeune Juliette

Nathalie Boutrie (Casting NB) | Francis Cantin, Bruno Rosato (Casting Cantin Rosato) - Mafia Inc

Sophie Deraspe, Isabelle Couture | Pierre Pageau, Daniel Poisson (Gros Plan) - Antigone

Karel Quinn (Casting Karel Quinn) | Lucie Robitaille (Casting Lucie Robitaille) - Il pleuvait des oiseaux

 MEILLEURE DIRECTION ARTISTIQUE

Éric Barbeau - La femme de mon frère

Dany Boivin - Le vingtième siècle

Marie-Claude Gosselin, Jean Lebourdais - Il pleuvait des oiseaux

Sylvain Lemaitre - Jeune Juliette

David Pelletier - Mafia Inc

  MEILLEURE DIRECTION DE LA PHOTOGRAPHIE

Yves Bélanger - 14 jours 12 nuits

Nicolas Canniccioni - Kuessipan

Josée Deshaies - La femme de mon frère

Mathieu Laverdière - Il pleuvait des oiseaux

André Turpin - Matthias & Maxime

 MEILLEUR SON

Claude Beaugrand, Michel B. Bordeleau, Bernard Gariépy Strobl, Claude La Haye, Raymond Legault - The Song of Names

Sylvain Bellemare, Jocelyn Caron, Bernard Gariépy Strobl - Sympathie pour le diable

Serge Boivin, Olivier Calvert, Samuel Gagnon-Thibodeau - Ville Neuve

Luc Boudrias, Sylvain Brassard, Jean Camden - Mafia Inc

Bernard Gariépy Strobl, Sacha Ratcliffe, Lynne Trépanier - Le vingtième siècle

 MEILLEUR MONTAGE

Geoffrey Boulangé, Sophie Deraspe - Antigone

Monia Chokri, Justine Gauthier - La femme de mon frère

Xavier Dolan - Matthias & Maxime

Myriam Poirier - 14 jours 12 nuits

Matthew Rankin - Le vingtième siècle

 MEILLEURS EFFETS VISUELS

Alchimie 24 - Alain Lachance, Jean-Pierre Riverin - The Song of Names

Mikros - Véronique Dessard, Philippe Frère - The Hummingbird Project

Oblique FX - Benoit Brière, Louis-Philippe Clavet, Kinga Sabela - Sympathie pour le diable

  MEILLEURE MUSIQUE ORIGINALE

Andréa Bélanger, David Ratté (Will Driving West) - Il pleuvait des oiseaux

Jean-Michel Blais - Matthias & Maxime

Jean Massicotte, Jad Orphée Chami - Antigone

Howard Shore - The Song of Names

Peter Venne - Le vingtième siècle

  MEILLEURS COSTUMES

Valérie Lévesque - Mafia Inc

Ginette Magny - Jouliks

Patricia McNeil - La femme de mon frère

Patricia McNeil - Le vingtième siècle

Caroline Poirier - Il pleuvait des oiseaux

  MEILLEUR MAQUILLAGE

Jeanne Lafond - Jouliks

Léonie Lévesque-Robert - Fabuleuses

Marlène Rouleau - Mafia Inc

Adriana Verbert - Le vingtième siècle

Erik Gosselin, Edwina Voda - Matthias & Maxime

MEILLEURE COIFFURE

Michelle Côté - The Song of Names

Stéphanie Deflandre - Mafia Inc

Nermin Grbic - Le vingtième siècle

Daniel Jacob - Fabuleuses

Martin Lapointe - Il pleuvait des oiseaux

  MEILLEUR FILM DOCUMENTAIRE

Alexandre le fou - Pedro Pires | Pedro Pires

Mad Dog & The Butcher - Les derniers vilains - Thomas Rinfret | Divertissement Breakout - Vito Balenzano, Bruno Rosato | Vélocité International - Valérie Bissonnette

Soleils noirs - Julien Elie | Cinéma Belmopán - Julien Elie

Xalko - Hind Benchekroun, Sami Mermer | Les films de la tortue - Hind Benchekroun | Sami Mermer

Ziva Postec. La monteuse derrière le film Shoah - Catherine Hébert | Les Films Camera Oscura - Christine Falco

  MEILLEURE DIRECTION DE LA PHOTOGRAPHIE | FILM DOCUMENTAIRE

Dominic Dorval, Vincent Masse, Thomas Rinfret, Richard Tremblay - Mad Dog & The Butcher - Les derniers vilains

Sami Mermer - Xalko

François Messier-Rheault, Ernesto Pardo - Soleils noirs

Pedro Pires - Alexandre le fou

Pedro Ruiz - Sur les toits Havane

  MEILLEUR MONTAGE | FILM DOCUMENTAIRE

Benoit Côté, Thomas Rinfret - Mad Dog & The Butcher - Les derniers vilains

Sylvia De Angelis, Sophie Leblond, Pedro Pires - Alexandre le fou

Aube Foglia - Soleils noirs

Annie Jean - Ziva Postec. La monteuse derrière le film Shoah

Natalie Lamoureux - Une femme, ma mère

  MEILLEUR SON | FILM DOCUMENTAIRE

Wolfgang Beck, Mustafa Bölükbasi, Kerem Çakir, Huseyin Can Erol, Sonat Hançer, Eric Lebœuf, Bruno Pucella, Ibrahim Tarhan, Yener Yalçin, Tolga Yelekçi - Échos d'Istanbul

Luc Boudrias, Patrice LeBlanc - Une femme, ma mère

Sylvain Brassard, Benoit Leduc, Gaël Poisson Lemay - Alexandre le fou

Shelley Craig, Marie-Pierre Grenier, Luc Léger, Geoffrey Mitchell - La fin des terres

René Portillo - Sur les toits Havane

MEILLEUR COURT MÉTRAGE | FICTION

Je finirai en prison - Alexandre Dostie | Art & Essai - Hany Ouichou

Jojo - Guillaume Laurin | Couronne Nord - Fanny Forest, Julie Groleau, Guillaume Laurin

Juste moi et toi - Sandrine Brodeur-Desrosiers | Les Films Camera Oscura - Johannie Deschambault

SDR - Alexa-Jeanne Dubé | À Deux - Emili Mercier

Une bombe au cœur - Rémi St-Michel | Christal Films Productions - Christian Larouche | Panache Films - Sébastien Létourneau

 MEILLEUR COURT MÉTRAGE | ANIMATION

Le cortège - Pascal Blanchet, Rodolphe Saint-Gelais | Office national du film du Canada - Julie Roy

Le mal du siècle - Catherine Lepage | Office national du film du Canada - Marc Bertrand

Organic - Steven Woloshen | Steven Woloshen

Physique de la tristesse - Theodore Ushev | Office national du film du Canada - Marc Bertrand

Les vêtements - Caroline Blais | Caroline Blais

  FILM S'ÉTANT LE PLUS ILLUSTRÉ À L'EXTÉRIEUR DU QUÉBEC

Antigone - Sophie Deraspe | ACPAV - Marc Daigle | Maison 4:3

La femme de mon frère - Monia Chokri | Metafilms - Sylvain Corbeil, Nancy Grant | Les Films Séville

Genèse - Philippe Lesage | Unité centrale - Galilé Marion-Gauvin | FunFilm Distribution

Kuessipan - Myriam Verreault | Max Films Média - Félize Frappier | Filmoption International

Répertoire des villes disparues - Denis Côté | Couzin Films - Ziad Touma | Maison 4:3

 PRIX DU PUBLIC

La femme de mon frère - Monia Chokri | Les Films Séville | Metafilms - Sylvain Corbeil, Nancy Grant

Il pleuvait des oiseaux - Louise Archambault | MK2 | Mile End | Les Films Outsiders - Ginette Petit

Mafia Inc - Daniel Grou (Podz) | Les Films Séville | Attraction Images - Antonello Cozzolino | Caramel Films - Valérie D'Auteuil, André Rouleau

Menteur - Émile Gaudreault | Les Films Séville | Les Films du Lac - Émile Gaudreault | Cinémaginaire - Denise Robert

Merci pour tout - Louise Archambault | Les Films Séville | Amalga - André Dupuy

  IRIS HOMMAGE

Alanis Obomsawin