#same for any movie-only heroes

[evilkitten3]

somehow listening to "steal smoked fish" by the mountain goats led me to having twice & magne feels so. that's a thing

anyway the league was right down with hero society yadda yadda yadda

[everysongineverykey]

read a screen rant article that argued that future knives out movies should feature recurring characters to "flesh out blanc's character" and "make him a more interesting lead" and that "all detectives need a team"........ what if i killed you lol

[todayisafridaynight]

my copy of judgement lookin kinda crazy yall ngl

[crimsonmonsoon]

gonna start saying I don't like movies cause I don't like the mcu so it's easier to say I just don't like movies

I love marvel tho

Gloomy put you up to this didn’t they

[girlcockholmes]

trying to explain to my parents that movies and television are an art form just like any other and just because you dont personally like a work or genre doesnt mean that it doesnt have value, and that you should occasionally think about the things you watch to either bring more personal enjoyment from its depth or understanding of its flaws

[iwassupremacy]

Going cross eyed on pro hero Bakugou Katsuki’s fingers because ugh they’re so thick and long and rough from all the years of fighting. He has you sit between his thick thighs every chance he gets, one beefy arm holding your body at the waist, pressing you against his chest and the other laying comfortably between your legs so his fingers can work you open real good. He has you moaning and squirming within seconds, his thumb rubbing your clit and two, sometimes even three, of his fingers entering you at once. He knows you can take it and he knows you love a little pain. Most of the time he isn’t even undressed, because he’s not planning on fucking you afterwards. He just loves watching your naked body covered in sweat and wants to play with his pussy, preferably for hours. And he will do it during the most random activities as well.

“Oh my~ Katsuki!” your body tenses as your boyfriend fucks you through your orgasm with his fingers, thumb never leaving your clit and never slowing down. Quickly you whine and sob from the overstimulation. “I can’t~ no more. Please!” You beg him to stop but he just huffs and fastens his pace, thrusting three of his fingers inside without a care. “This is only your third, doll. You and I both know you can cum so much more than that.” He grins, his other hand moving up to pinch your nipple. You yelp at that, eyes rolling in the back of your head. He has you spread out in his lap, your naked body sitting pretty in his clothed one. His name leaves your lips like a prayer, pleading and begging him to stop and keep going at the same time. Suddenly his fingers stop inside of you, stuffing you full but not moving any longer. “Do you even remember anything about the movie?” Oh fuck. When all of this started an hour ago, he made you promise to recite the plot of whatever movie you were watching. Otherwise, he said, he wouldn’t stop at all. You let your head fall down in shame, of course you couldn’t remember. “What a shame. Gotta start over now.” You whine as he picks up the remote to let the movie start over, his hand picking up movement again, making you moan. Only two more hours to go if you only paid attention, how hard could it be? You hear your boyfriend chuckle behind you. “And afterwards, we’re gonna watch part two, princess.”

mdni 18+ !!!

[shitpost-it-tristan]

^ THIS. YES🗣📢

i love the parallels between ralph and turbo’s arcs but my favorite has gotta be the fact that they’re on complete opposite sides of the spectrum. turbo was a protagonist who became a villain and ralph was a bad guy who became a hero. it’s just really cool to me how their respective stories make a case for the complexity and often uncertain evolution of characters. to be alive is to be changed yknow. wir is a fantastic “never judge a book by its cover” movie in that way

[inkskinned]

no, actually, where is the whimsy?

my ex had a best friend named larry who asked me once: what do you think comes after irony?

we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.

earnest positivity, i said, while my ex said, art self-destructs.

i stared at my ex. he stared at me.

his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!

it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.

and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.

my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.

which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.

but here's the thing: i wasn't wrong either.

the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.

so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.

and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.

where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.

it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.

this knowledge: where he said nothing comes after, my only instinct was what comes after is love.

[yanderenightmare]

Deku - Midoriya Izuku

TW: NSFW, noncon, yandere

gn reader

Thinking about being childhood friends with Izuku, who’s always had a bit of a crush on you. 

You’ve always known, but you’ve never humored it. He’s your friend – anything else would just be awkward. If you had to put it in any other term, you’d say he felt more like a little brother.

You wish he’d allowed the two of you to grow apart – as normal people do.

There wasn’t really any reason for the two of you to stay friends after middle school. His quirk suddenly manifested, and he got into UA – became a pro-hero – and then the symbol of peace. And you were still… kind of just doing your thing – studying, working, struggling to pay rent – struggling to keep a date…

The two of you never had much in common anyway, and you never really knew what to talk about with him anymore – only knowing to ask him how his mother was. After all, you grew out of your otaku phase a long while ago – and otherwise, you felt out-educated in any and every conversation the two of you had with each other. You swear talking to him makes you feel like a toddler learning your first words – it’s humiliating, and you don’t understand how any of it’s remotely stimulating for him, either.

Still, he’ll text you when he has the time, asking if you’d like to meet up at a café – talk, catch up – and you, not wanting to be rude, always accept.

You’d gone wide-eyed the first time you’d met him after middle school. Jeez Louise – he’d had to have grown twice his size – jacked and scarred to no end. It only got worse over the years. Now, adults – he must be twice your size. Bigger even.

You blush now when he flirts with you. But not so much for the reasons he wants.

Honestly, it’s more uncomfortable than it’s flattering. It was Izuku, after all – Deku – no matter how little he resembled the crybaby from your childhood – he’d always be that same nerdy loser friend who’d chased after you ever since you first met.

He might have grown up, but his crush on you hadn’t.

His doe-eyed look of longing and adoration had always made you feel a little awkward – a little sorry for him. And now that he’s become a man, it’s only become even more… desperate… a little pathetic, actually…

Bedroom eyes that make you laugh nervously, pretending to brush it off as a joke but really wishing he’d just give it a rest already. Surely, as a pro-hero and public figure, he could get a date? One of the many screaming fans that pine for him everywhere he drags that awful golden cape he has on his shoulders. And if not any of them, then maybe a model. A movie star even.

Why is he so hung up on you?

The funny thing is, you’d tried vying him of his crush by telling him about hook-up after hook-up, boyfriend after boyfriend – treating him like a girlfriend you could gossip with.

But it’s almost like he takes it as a challenge – talking and helping you through your relationships, giving his input and advice – just like a real friend would… only… always implementing something… something condescending, something suggestive, something saying you ought to be with him instead – he’d never treat you like that, he’d never do you wrong, you’d be taking good care of with him.

You’d made the mistake of saying you were struggling with a class at university – just to make conversation – just to talk about something trivial. But of course, he’d seen it as an opportunity – quick to offer his help, saying he’d taken that class as an extracurricular – just for a bit of fun, he’d said, light reading material he’d done on the side of his internship.

You don’t know why it’s so hard to tell him no.

Suppose it’s the possibility of being wrong – the guilt of thinking he has impure intentions when he’s supposedly the purest person in the world.

But you should have trusted your instincts.

“Please, Izuku-” You’d immediately restored to begging. Who wouldn’t? He’s a two-meter-tall monster of a man – jacked with muscles fatter than a bear.

Your phone’s been missing since you came back from the bathroom – your lips wet with his unwanted kisses – your neck sore from having his fist wrapped around it when you tried stopping him.

You’d only managed to break free after biting – blood salty in your mouth. You nearly vomited, choking on a mix of bile and fear.

Fuck – your legs are so weak, you might just buckle from the dread alone – feeling like a bunny snagged on fox teeth.

“You used to take me when we’d play wrestle... you remember?”

The comment is pulled out of nowhere.

He stalks you, a fond look on his face as though the two of you were reminiscing good old times. As though his eyes weren’t a nocturnal green like foxfire on the fen. As though he wasn’t radiating black whip – ready to snare you.

“Think you can take me now?”

You had your hands raised apprehensively – but the hopelessness took its toll and made your entire body shake on the spot.

Your only hope was to talk him out of it. If only you could think past the fear and string a sentence together that wasn’t along the lines of “Please-”

But something about that look on his face told you he wouldn’t listen to reason anymore. Not manic, not like a person who’d finally snapped – but controlled – resolute – and playful even. Nothing like you’d ever seen. Nothing you could understand.

“What’s wrong, hm?” He smiles, head tipped in that charming way that used to make you want to pinch his cheek. Now it just makes you sick to look at – swallowing thickly as you tack another step back away from it. “I’ll go easy – so don’t worry… I know it's not exactly a fair fight anymore…”

Your better judgment failed you – fight-or-flight kicked in, and you made a break for it. 

Budging into the couch on your way, it’s a messy scramble for the door – but you manage. Feeling feverish with dread and pumped full of adrenaline, you brush the cold handle with just your fingertips before something wraps around your midriff in a snug grip – pulling you back into the living room.

You’re lifted from the ground, kicking – now screaming – flailing in the air before you’re flipped on your back against the couch.

“Don’t be like that~” He murmurs. “Always so wishy-washy~” Voice in a low purr that makes you feel like coughing up your heart – squirming beneath him and his heavy hands as they paw your thighs – manhandling you like nothing you’d ever imagine him to do.

Raking his fingers through the dough before squeezing your ass greedily – kneading his fat crotch against the thin fabric protecting your sex. 

“Complaining about all your weak-dicked boyfriends as if begging me to come fuck you myself – yet such a flighty little slut when it comes down to it.” He sneers, and blackwhip tightens some around your limbs. “Let me help you out.”

One hand tugs your underwear until it rips, whilst the other hand pulls up to grab your face – squeezing your cheeks to keep you still when forcing his kisses on you.

“After all… what are friends for?”

♡ DEKU - MIDORIYA IZUKU masterlist ♡ BOKU NO HERO ACADEMIA masterlist

[heartthrobin]

the hate game (1)

oliver wood x female!reader

wc: 13.3k

warnings: enemies to lovers, so damn much pining, set in poa, timeline is a bit wonky, limited use of y/n, super grumpy!oliver, oliver's scottish accent (it's a warning in itself), alcohol consumption, super! duper! cheesy! (sorry not sorry)

an: just survived the worst two weeks of my life, but the fic is finally here! this fic was originally a full 50 chapter fic i had planned for wattpad like three years ago but i found my draft for it recently and decided it needed a revival. so enjoy it, and don't forget to comment and repost to support your favourite writers :)

summary: the only thing more grating than Oliver's foul moods and his permanent scowl, has to be the fact that he's so damn pretty. you fucking hate him for it.

part two/final part

Movies, as is their premise, glamourise plenty of things - high school, politics, tiny Greek islands - but none more than the classic sucker-punch.

The teeth-crunching, blood-spitting moment where skin meets skin in a satisfying thump that sends an unsuspecting victim to the floor. Music plays and the hero grins, grabbing the girl round the waist: dipping low to kiss her.

What’s consistently (conveniently) left out is how bloody painful it is to be on the sending end of that fist.

The first, and only, time you’d ever punched someone was in second year.

It had seemed like a great idea in the moment, quickly succeeded by the mind-numbing pain that shot up your arm where knuckle met face.

You’d aimed for his jaw, but as it turns out: in addition to painful, punching someone wasn’t a particularly accurate sport for a beginner and your slippery skin found a round-tipped nose instead.

A collective gasp and a month’s worth of detention waited for you on the other side of your act of rage.

And sure, while afternoons in Snape’s classroom every Friday sucked: it was all worth it.

Every purple knuckle that throbbed with the slightest brush, the points lost to Hufflepuff, the pages and pages of Hogwarts Does Not Condon Physical Violence you’d been forced to write was worth seeing the trickle of blood running down from Oliver Wood’s nose.

To see that smug fucking look wiped clean from his face. To watch how he doubled over in pain, grappling onto his friend for balance.

“Tyler fancying you? Any bloke would rather snog a goblin.”

His little comment had earned him a broken nose.

It had been the start of a five year long feud.

It’s the reason - now - why the ground is racing up to meet you, the nose of your broomstick pressed down towards it and wind whipping so hard against your face it draws tears. You knock into the ground, catching yourself on wobbly legs. A few feet away, Oliver Wood has done the same.

He’s marching towards you with the same ferocity that’s curdling in your chest:

“Tha’s blatching and you know it!” His accent is ringing, thick and blistering with heat like it always is when he talks to you. At you, rather.

The accusation is crystal clear, and loud despite the echoing din of the quidditch stands above. From the field where you're parked, you can hear the chatter and the cheers and the boos all conglomerating into a fuzzy uproar.

There’s still twelve brooms floating in the air, spewing irritated shouts from players in both yellow and red:

Just let it go, Wood!

Come on, Cap, can we just finish the match please!

You promptly ignore them. Oliver follows suit.

“What?” You scoff, face hot as a kettle on a lit stove. ���As if Laurel and Hardy haven’t been elbowing my girls all game!”

It goes without saying that you’re referring to Gryffindor’s red-head twin-set of beaters.

“Bullshit.” He seethes, it’s purposefully quiet enough that McGonagall’s approaching figure doesn’t pick it up.

She, unlike yourself, is less patient and knobby vein-webbed hands come out to knock you both against your chests: widening the gap to a safe enough distance between the opposing captains.

“You two are exhausting.” And she sounds it too. Her glasses tremble at the edge of her nose, sun shining down on her aged face. "If one more match this season is interrupted because you two can't control your tempers, you will both be stripped of captainship and you will not fly until you graduate. Do I make myself perfectly clear?"

But Oliver isn't looking at her. His eyes are focused on yours over her cloaked shoulder.

He's taking the predictable route of not replying first.

"Crystal clear, Professor." You resign to speaking first, skewing a grin at his anger-sewn face.

It’s another long boring moment before he cuts his gaze from yours, kicks up a patch of grass and grits through his teeth.

“Yes, professor.”

As can be imagined, things between you and Oliver Wood have been tense since the day he’d hobbled up to the hospital wing with a palm over his face and blood dripping down over his already red tie.

But with age, came ferocity, and what started as passing glares in the corridor melted into anger-drowned faces and sharp words flung with intent to scar.

Things got infinitely worse when you were elected captain of the Hufflepuff quidditch team in the same year Oliver was made captain for Gryffindor. It stoked the already sizzling embers that made moments around him warm and stuffy and hard to breathe.

The murky history swirled with what should be friendly competition, instead frothing into a bubbling pot of annoyed teammates and exasperated teachers and more sessions of detention than you would have ever had if you'd never met the son of a bitch that is Oliver Wood.

It's what puts you in situations like the ones you find yourself in the middle of before you even know how you got yourself there.

"You two," Professor Burbage had never held you in particularly high favour. It was just your luck that Oliver received the same courtesy. "One more word out of either of you and I will be seeing both of you this afternoon for detention in my classroom."

It was even unluckier that she'd sat you two barely three wizards away from one another and one fly-away comment had blown out into another heat-filled exchange. It always does.

"But professor--" you try.

"Right then. I'll see you both at five o' clock."

Oliver sighs, hands running up over his head between chestnut locks: "Fucking perfect. Thanks, big-mouth."

"Would you like to make it two days, Mr Wood?"

He huffs like an angry dog, tightening the grip on his writing-feather but says nothing else.

The end of the lesson doesn't come soon enough and when it does, Oliver is first out of his seat. You're grateful for it.

Cherry bumps you in the shoulder where she throws her bag over it. "You just can't help yourself, can you?"

You grin, despite the sunken feeling hollowing your chest with the acknowledgment that you're gonna be spending yet another afternoon at the mercy of an under-paid staff member alongside the hothead that was the Gryffindor captain.

"Come on, that wasn't my fault and you know it."

Her tight red curls dance when she shakes her head. They match her blood red tie. "Somehow it never is."

To your dismay, but not surprise, Enzo shares Cherry's views when he waltzes into step beside you in the corridor between Muggle Studies and Divination. His arm drapes over your shoulders and his tall frame shakes when he laughs.

"You know," his voice is thick and gravelly. "You two are gonna have to fuck it out eventually."

You roll your eyes, shoving him off you with a chuckle. The sentiment isn't anything new. "Oh, shut up."

The day folds blurrily between classes and lunch and greenhouse visits that by the time you look up it's just about five o clock.

Burbage's office door stares down at you.

The corridor is ghostly all the way behind you and it's emptiness means it's easy to make out Oliver's heavy footsteps down the stone floor. They're not slow, in an arrogant strut, neither quick like he has somewhere to be.

He trudges. Like the weight of the world is strapping him to invisible pins in the floor. It's easy to figure that your existence doesn't lighten his load any.

You don't turn. He simply falls into place beside you, keeping a good foot distance between your tightened shoulders.

The door opens.

Charity Burbage is insufferable in the way that she forces you and Oliver to sit almost on top of each other behind a scratched up desk where she can watch you under the curtain of her ratty blond hair.

You inch the chair dramatically away from Oliver's.

She's set a stack of pages by him and a wet stamp. "Stamp these and sign the date."

Additionally, she's dropped a stack of envelopes under your nose. "Tuck and seal. When you're done, you can leave."

You eye the papers. There must be hundreds.

To Whom It May Concern,

Hogwarts would like to remind all parents and guardians that the third-years will require prior permission before being allowed to visit the nearby village of Hogsmeade--

You jump when Oliver's elbow knocks yours (more violently than what was really necessary). He holds the first page out to you silently, face dripping with impatience.

When you take the page, his thumb brushes yours.

The paper is delicate in your fingers where you fold it. You tuck and seal, and by the time you've set it aside Oliver is offering the next page to you again.

His thumb brushes yours for a second time.

You find that it does for every letter that's passed on.

It's hard not to watch him out the corner of your eye. Oliver has this dark brown, nearly black, hair that's thick and almost too long and untamed all over. It's matched by bushy eyebrows and speckled freckles over the bridge of his nose.

If you didn't hate him as much as you did, you might think he was pretty. You might think that anyway.

Time stretches until the sun is setting the classroom afire with golden light and it's boredom that causes it, or possibly a desire to hear his voice at such tight quarters, but you speak.

"You know," it's soft enough that Burbage doesn't look up from her Witch Weekly magazine. "Even if - in some act of God - Scotland qualifies for the semi-finals, Luxembourg is gonna flatten them. I mean, think about it unemotionally, Wood: they have Luca Schmit as seeker. It's really a no brainer--"

"Are y’really just stupid or are you purposefully trynna start another argument?" His gaze flickers up to eye Burbage's desk warily, she still doesn't react.

Maybe it's both. After all, the subject of the Quidditch World Cup had been what put you both there in the first place.

You shrug, unfazed by his scathing remark.

"I'm just trying to make conversation."

"Well don't."

His hand brushes yours again.

-

Every second Friday, generally at the tail-end of lunch, Hooch's grey barn owl swoops low over your head and drops a smaller-than-average white envelope right into your mashed potatoes. Cherry yelps in surprise every time.

Then you watch the bird drop the same over the Gryffindor, Slytherin and Ravenclaw tables.

Good afternoon,

Reminder of Captain's meeting this afternoon in my office. Six o' clock, don't be late.

Regards,

Madam Hooch.

The letter says the same thing it has since you became captain and it's a wonder you still take the effort to break the seal on the envelope.

But come six o' clock, you're traipsing towards the west end of the castle. Lavender streaks caress the sky under the last impression of sunlight through the ornate stone arch of the corridor windows and an autumn chill creeps up your arms where your sweater isn't thick enough.

Hooch's office is in a quiet alcove, nearly impossible to find if you didn't know where to look, and the lamps are lit. Beyond the door, you can hear voices: you grin.

The door creaks noisily where you push it open. Inside it's cramped and cluttered with shelves of quidditch equipment - broken brooms, punctured quaffles and loose kits draping every open surface - but it's warm and smells like leather and is maybe your favourite little room in the whole castle.

The quidditch legend herself, Rolanda Hooch, has her legs kicked up on her desk and the boys are standing ahead of it locked in animated chatter.

She's laughing at something they said, and smiles when you enter.

"Sorry I'm late, coach."

It's nothing new and she waves you in with a smile. "Come in, poppet."

"Merlin," Marcus' shoulder finds yours and the force of the bump nearly sends you off your feet. "You'd be late to your own funeral hey, Puffers?"

You laugh, shoving him back with as much force as you can muster against the giant brute that is Slytherin captain Marcus Flint. It barely nudges him but he barks out a laugh, rough like tractor tires over crumbly concrete.

"I'm worth the wait." You quip back, leaning around Marcus to wink at Roger Davies. "Isn't that right, Rodger?"

He flirts back, "Always, sweetheart."

Roger is the antithesis of Marcus: all pale skin, blue eyes and short blonde hair. Easy on the eyes.

Oliver lingers just behind him, the tallest of the captains. You catch his eye, face slipping into something more serious, and nod. "Hey, Wood."

He nods in return, curt like how a ministry wizard's might be.

"Right," Hooch sits up straight in her high-back chair. "There are just a couple things we need to get through tonight, we won't be long."

The dynamic between the captains would be easy, if not for Oliver.

You're the only girl and that made for tough beginnings. Marcus is naturally brash and brutish, but - as you found - easy to impress with a couple showy tricks on the broom. A single promise to show him how to pull off a Woollongong Shimmy had him eating out your hand: the favour of a couple Slytherins was generally hard to buy and invaluable to a plushy Hufflepuff such as yourself.

Roger popped out the womb with a wink at the nurse. Impeccably charming and impossibly negotiable. Beyond being slightly dim, it was hard to say a bad thing about the Ravenclaw captain

On the other hand, Oliver was … well, Oliver.

Hooch tapped the sharp end of a writing feather rhythmically at a spot on her desk, eyes roving her clipboard.

"Next week we're doing a clean up of the supply room down by the pitch. I've set you each up on days, the whole team needs to be down to help unless they're excused by a teacher: I want a written letter."

She offers a piece of parchment without looking up.

"As you all know, it's the Slytherin versus Ravenclaw game next week."

You bump your elbow to Marcus'. He looks down and grins a mouthful of crooked teeth before turning to Roger. "Ready, pretty boy?"

Roger rolls crystal blue eyes, but he's smiling too. "Bring it on, tough-shit."

"Oy," Hooch interrupts them with a cool sigh, "The last thing, you all submitted your autumn practice requests for the pitch: Roger, Marcus, you have the days you want--"

They nod. Your shoulders stiffen.

"--Oliver, Y/n. You both want Wednesday afternoons. Monday afternoon is open, I'll let you two decide between each other who is gonna move their practice. I want a decision before tomorrow night."

Marcus is sniggering under his breath. The edges of your mouth sink into a frown, of course he wants the same day as me.

You can feel the heat of Oliver's eyes on the side of your face. You don't indulge him, keeping your gaze settled on Hooch's face.

"We'll figure it out, coach."

"Unlikely." Roger's quip is barely a whisper but you catch it.

"Alright." Hooch doesn't. "You're dismissed, go get some dinner kids."

The office door bounces back off the stone wall where Marcus tosses it carelessly open, echoing all the way down the empty corridor.

Frosty air chases over your face and the boys start down towards the Great Hall. Roger is complaining about a potions essay he hasn't started and Marcus is shrugging him off with a suggestion that includes something along the vein of blackmailing a sixth year into doing it for him but you can't focus long enough to follow.

"Oliver." Irritation is prickling at the surface of your skin. It flares into an almost rash when he stops walking, glancing over his shoulder with an unconcerned expression. "Who's giving Wednesday up?"

His arms fold against his chest. You're working extremely hard not to look down where his biceps stretch the seams on his Hogwarts jumper. "Well, you obviously."

Marcus barks another laugh, he calls down the corridor: "We'll see you kids at dinner."

"Yeah, don't kill each other! It's only practice!"

You huff in disbelief, unconcerned with the running commentary.

"Uh," you mirror Oliver by folding your own arms. "no it's not. Come on, we can negotiate like civil people can't we?"

Thick caterpillar eyebrows disappear beyond the overgrowth hiding his forehead. "Negotiate? I'm the one who wasted three hours of my life in detention last week thanks to your big fat mouth. Wednesday is mine."

"That was a joint effort, twat." You can feel where your throat is flush with rising anger. It wires your jaw tight. "Are you really so bloody difficult that we can't even come to a simple agreement?"

"Difficult?" His arms have shifted from his chest to perch against his hips. "Just because I'm not giving you what you want? Cry me a fucking river, darling. Sorry Puffers, but I'm not your precious Marcus or Roger. I'm not gonna fold just cause you bat yer pretty little eyelashes at me."

Pretty?

You blink in surprise. It's brushed quickly aside for more pressing matters. Your hands scrunch into fists at your side:

"Well. I'm not giving it up. I want Wednesday."

"Neither am I."

"Fuck you."

"In your dreams."

-

Oliver collapses loudly into the open spot at the Gryffindor dining table. His callousness knocks Archie's goblet of pumpkin juice across the shiny wooden surface between dishes of sausages and peas and roast potatoes.

"Bloody hell, what's got you in a mood?" He's patting down the table with a serviette, transforming it into a orange lump under his palm.

Shaking his head, as if it would joggle the thought of you loose, Oliver stabs a chicken drumstick from the top of a nearby pile with his fork. He doesn't respond.

"Wait, let me guess." Archie presses the elbows of his red jumper into the still wet surface beside his plate. "Something to do with your little Hufflepuff sweetheart?"

Oliver grunted around a mouthful, looking annoyed. "Not mine and not a sweetheart. A fucking brat."

Archie seems to find something funny, leaning back on the bench with a haughty laugh. "Right. What she do this time?"

"Wants the pitch the same day as me for practice." He's mumbling around a mouthful of chicken, tipping forward to shove a spoon teetering with peas alongside it. "Refuses to give in, despite the fact that she put me in detention last week with Burbage."

Shifting to the edge of his seat, Archie leans around Oliver's frame to find your figure across the Hall at the yellow-lined table. He nods, seemingly finding you. "Yeah, she don't look too happy either."

"I don't care."

Oliver is trying very hard not to give into the itch to look back.

"Whatever," Archie's gaze finds his again. "in better news ... I spoke to the twins just before dinner. They're still on for tomorrow."

He's twitching in his seat, eyebrows dancing and grinning around his words like a kid who's found a matchbox.

Right. The twins.

Specifically, Daisy and Delilah Dawson: two Ravenclaw sisters a year below Oliver.

They're peng, Archie had reasoned, you need a little fling to get your mind off quidditch. You're too strung up, mate.

And sure, they were, but Oliver had more important things to do than gallivant across Hogsmeade attached to the hip of some sixth year who just wants to earn her I Kissed The Quidditch Captain! badge.

He'd groaned and whined and glowered at the prospect. Was it petulant? Naturally, but spending five sickles on subpar hot chocolate and making false conversation with some Ravenclaw was a waste of precious time in Oliver's humble opinion.

His priorities are, as they've always been, crystal clear in his mind.

1. Win Gryffindor the Quidditch Cup 2. Refer to point (1)

There was little wiggle room for the introduction of girls into any spot on that list.

You're the only one who came almost close to the tight list. Only because if there had to be a third priority, "shove winning the cup in Hufflepuff's face" might just crack it. He thought about you significantly more than any other girl in the castle and maybe that might mean something if he thought about too long about it, but fortunately, he refused to.

Regardless, Archie was adamant and more than a little pathetic when he mentioned that Daisy only agreed to see him if he had a date for Delilah. It was all settled very quickly.

And it's in this show of loyalty to his dearest friend that Oliver finds himself walking the cobblestone path down into Hogsmeade on a crisp Saturday morning.

The little village is bustling with students - it normally is - and the crowd has him knocking shoulders with Delilah who's walking in step beside him.

He's uncomfortable to find that she's staring dreamily up at the underside of his jaw.

On Oliver's other side: Archie is talking Daisy's ear off, making another pitiful attempt at holding her hand. He doesn't quite manage it and Oliver can't tell whether it's because she genuinely doesn't notice or she just can't be arsed.

"So," Delilah's voice is light and sweet. Delicate. "You mentioned that you take Arithmancy? I've heard it's tough."

Oliver nods airily. "Yeah ... yeah, it's difficult."

He tightens his jacket closer over his frame. The wind is whipping between their bodies and he thinks that maybe she didn't hear him over it's howling if her confused expression is anything to go by. He finds he's not bothered enough to repeat it.

The entrance of Madam Puddifoot's comes into view at the end of the walkway.

Oliver’s relieved. It's freezing out here and maybe he'll be more in the mood for flirtatious conversation once he's gotten some food in his stomach (Archie had insisted they skip breakfast: we have to order something to eat, so we can sit longer).

There's a jingle of a bell overhead when Archie pushes the door open, standing awkwardly aside to let the ladies in first.

Inside the shop, it's more than busy: powdery blue walls barely visible beyond the sea of Hogwarts couples crammed around tiny circle tables and waiters in red uniform knocking the back of their chairs with wobbling trays.

There's music coming from ... somewhere, it sounds like The Weird Sisters and at the sound, Oliver can't imagine how this morning could possibly go any worse.

Oh wait, yes he can.

You could be sitting at a table right by the door across a too-small-table knocking knees with some Slytherin prick. Like you are right there right now.

Delilah tugs on his wrist, it's gentle and he almost doesn't feel where he's being lead between tables towards an open booth across the room. He falls unceremoniously down against the torn leather, eyes never leaving your table.

You haven't noticed his presence, he knows because your lips are stretching around a giggle he can't hear but can already imagine. You don't smile around him, that's for sure.

Oliver's stomach is frothing and bubbling and he's trying really hard to tune back in where Archie's knocking a menu into his hand.

Of course you're there. To ruin his mood and his day, because you're just bloody perfect at it.

"So, am I seeing you girls at the Quidditch match on Saturday?" Archie's voice carries somewhere over his head.

Delilah laughs. Or maybe it's Daisy, Oliver doesn't look.

"Maybe," she says, "Depends if Oliver's gonna be there. You're gonna be there, right?"

He feels a hand nudge at his forearm. Definitely Delilah.

His gaze floats back over the table to offer a fraction of eye contact, he nods. "Oh, uh ... yeah. Sure, definitely."

Archie saves him by speaking again and your table finds Oliver's attention just in time for him to watch the boy sitting across from you swipe away a smudge of hot chocolate over your cheek. You smile, looking bashful and a little bit flushed.

A suffocating, searing heat rushes from the soles of Oliver's feet up between his every organ and over every tendril of hair on his head. His jaw tightens.

Of course he recognises the pratt across you.

Ryo Yoshida.

Every girl in the castle's wet dream, if the rumours he's heard are anything to go by. With his fucking sleek black hair and his Japanese accent that had witches flocking to him in the dozens.

He doesn't wonder why you're here with him.

Oliver is a proud man, but even he could admit that you're beautiful. Albeit reluctantly.

With your wide wet eyes that make him a little sick in a way that turns his stomach warm and the way you do your hair and those fucking dangly earrings that clink when you loose your cool on him.

That's without even mentioning the sound of your laugh - the one he only ever overhears - and your legs in the school uniform skirt and the way you look when you're diving on your broom under the light of a sunny day.

Alright, maybe he couldn't admit to all of it ... but you were okay.

Okay enough to crack a date with Ryo Yoshida or any other schmuck in the castle if you wanted.

"Anything good to eat here, Oliver?"

He pretends he doesn't hear her at first, but the kick at his shin under the table is harder to ignore.

Archie is glaring at him across the table. Dude, don't fuck this up for me.

Oliver's eyes find Delilah. She's scooted up close under his elbow and, to be fair to the poor girl, she was pretty too. Red lipstick smeared across her smiling lips, painted nails edging closer to his arm and perfectly styled hair sitting over her shoulder.

He nods, reaching for the menu: "Yeah. Actually, last time I had the Merlin Meal and it was pretty good."

She perks up, cherry red smile widening at his reply. "Oh, I thought that looked good!"

Training his eyes on the menu, Oliver wills himself not to look back at you. You're already souring his mood and you haven't even said a bloody word.

It's just what you do. What you do to him: infuriating him with the threat of an argument around any and every corner.

The waiter comes by and Oliver finds himself generous enough to gift Delilah with an arm draped over the back of her seat. She giggles and he pretends he doesn't notice when she mouths something that looked suspiciously like 'he's so hot' to her sister across the table.

Archie seems pleased too. Daisy has granted him, finally, her hand and his arm bends at an awkward angle to maintain the grip in hers under the table. He's positively beaming.

But despite Oliver’s best efforts to stay engaged, he still catches himself - only when it's too late - and his eyes are already glued to watching the way your jeans are hugging your thighs where you shift in your seat.

Your table is sat by the door. The chime of the bell calls for his gaze every time it tolls and every time he finds you let off a violent shiver in your seat as the autumn crisp rolls over your shoulders.

The door shuts again and you still.

Oliver can feel where the tips of his ears are burning red and his bones are itching: Ryo’s black suede coat is hanging over the back of his chair.

You’re still talking - hands rubbing together, fighting for warmth - he’s leaned over with his chin in palm to listen and his jacket sits unused behind his shoulders while you fucking shiver in the breeze.

It’s pathetic, really. He’s not sure whether he’s referring to himself or you: but Oliver is still looking and you’re still shaking like a leaf and he’s halfway to flipping tables to get to you and just give you his own fucking coat so you’ll stop shaking and stop annoying him—

“Oliver was just telling me about wanting to join the Hogwarts Choir.” He turns again to find Archie waiting with an expectant face, it's laced in a little bit of smugness: caught you. "Weren't you, mate?"

When he looks back you’re gone.

There's a short pile of sickles abandoned on the table and he hopes that Ryo at least had the good sense to pay for your drink after forcing you to sit in the freezing cold.

He shakes the thought off. Who cares.

In fact, he hopes you catch a cold.

-

The day passes like swimming through molasses: slow and sticky and exhausting.

It's nearly seven when Oliver presses a sympathy kiss into Delilah's cheek - Daisy allows for no such thing from Archie - and the two sisters skip off down the west wing corridor with a wiggle of their fingers over their shoulders at the boys.

"I think that went well." Archie's grinning, hands on his hip and glasses edging down his brown nose.

It's the first thing that genuinely brings a jolt of life out of Oliver all day. He teeters back on his heels, hands gripping his stomach where he laughs. Laughs like a madman.

"I think you need to get yer fucking head checked, mate."

The tail end of his outburst is simmering down, now barely a breathy chuckle, when a voice washes over him from down the other end of the corridor. "Wood!"

He'd recognise that voice anywhere. From the dead of sleep or the depth of the ocean.

He's slow when he turns on his heel, the remnants of his smile dripping all the way off the edge of his jaw until he's nearly frowning.

You're jogging, scarf bouncing at your shoulder with the movement, and coming to a stop right under his chin.

"What?"

There's a sharp edge to his tone - there always is - but he really hopes you haven't noticed how the syllable wobbled at the end. Now that you're right beneath his frame and not across the room, it's harder to ignore the lashes kissing at the corner of your eyes. You're wearing lip gloss and he knows it's for Ryo.

His stomach is churning and your face is twisting into something he is struggling to recognise.

"I--" your hands wring, eyes flickering behind to where Archie's watching curiously (you wave awkwardly). "You ... you can have Wednesday."

It's not what Oliver is anticipating. He almost takes a full step back in surprise.

"Why?"

Your eyes roll in a comfortably familiar way, "Because Hooch wants an answer tonight and one of us had to be the bigger person."

His brow tightens, eyes roving down the stitching of your sweater. It's cute. He's quiet.

"You not gonna argue?" You throw your words quickly, snatching them back before he can answer: "Perfect. I'll send her an owl before bed."

You're marching back down the corridor before he has chance to say anything else and he's watching your retreating figure with the hope - that he’s not gonna address - you’re not going to cozy up somewhere in the Slytherin dorm room.

“Well.” Archie’s running a hand over his thick black curls. “That was unexpected.”

Oliver huffs. “It’s been a weird day.”

-

An uneasy air has settled over Hogwarts.

It came in like a storm front, drifting in on the wind that dropped the article at the door of the castle. 

The same copy of The Daily Prophet has been doing the rounds between dormitories and class rooms all week: Sirius Black, Azkaban’s most infamous prisoner and recent escapee, has been sighted in Dufftown by an astute Muggle, The Daily Prophet reports. 

Dufftown. A barely twenty minute ride by carriage from Hogwarts bridge. 

It’s got the castle on edge, it’s got you on edge. Creeping around the castle like Sirius Black is gonna jump out from around any corner. 

Dumbledore stationing dementors at the edges of the castle was the tipping point for the cold drip of trickling fear in your chest that's become easy to ignore in daylight - when Cherry and Enzo are flittering around you between classes - but in moments like these, like now, when you’re on the tail end of a quidditch practice, grow like a poisonous black vine up around every nerve in your body. A Monday night, the team’s kit weighing heavy in your arms - broomstick tucked precariously in the bend of one elbow - and following the siren call of the dormitory showers. 

You’d promised the team you’d get them to the house elves before the upcoming match on Saturday. The match against Gryffindor. 

But for tonight, they’re gonna live in a pile at the end of your bed. 

You’re exhausted: calves burning, sweat sticking loose hairs to your forehead and probably smelling like wet socks and broomstick polish. 

The touch of night is suffocating the flicker of the corridor lamps. It’s long past the recently set curfew and you know that if McGonagall finds you out you’re likely in deep enough trouble to get you off Saturday’s match roster. 

Despite the prospect, you don’t dwell on it. You find you’re more worried about escaped Azkaban convicts: the echo of your own footsteps setting you further on edge. 

You’ve craned your neck over your shoulder enough times to form a knot there. Each time you’re relieved to find that Sirius Black hasn’t crept up behind you. 

Suddenly, the squeak of your boots against the stone floor are un-alone. 

Someone is marching and right in your direction. Your heart bangs wildly on the inside of your ribcage - blood turning to an icy slurry in your veins, but you don’t move. 

The corner is sharp when the figure turns into the corridor you stand and the scream is halfway out your throat when your eyes find his face. 

Absent is the matted black hair and sunken eyes you’re anticipating. Instead, warm brown rings reflect the fire of the lit torches. 

Your broomstick clutters to the floor, warm relief flooding down to your fingertips. “Fucking hell, Wood.” 

He looks just as surprised as you. Only for a moment, though, before his gaze is tightening in annoyance again. 

“I thought you were Sirius Black.“ 

“Well that’s stupid isn’t it.” 

You huff, shifting the weight of the team’s robes precariously between your arms: squatting to try scoop up your broomstick off the floor again. You’re halfway successful when it clatters loudly back against the stone floor. 

“What are you even doin’ out here so late? You know curfew is passed, don’t you?” His voice curls with something that might be mistaken for concern if you didn’t know who you were talking to. 

“I could ask you the same thing.” 

You’re reaching down again. A robe on the top of the pile slips off, landing beside the broomstick. 

“Aye right. Whatever, goodnight.” 

He’s brushing past you. 

In a movement neither of you anticipated, driven by the fear shooting up your spine again, your hand finds his wrist. “Wait—“ 

Oliver freezes: eyes dropping to where you’re connected. You rip your hand back, as if scalded. 

“I …” the words mash and wrestle at the back of your throat. “Could …”

You glance down the darkened corridor awaiting you in the journey back to your dorm before meeting his face again. It’s unreadable. 

His brow scrunches. “Yes?"

"Could you want me to walk my common room?” 

Embarrassment sears at your cheeks. On a normal day, you’d sooner go dancing naked under the Whomping Willow before asking Oliver Wood a favour but that was before the image of Sirius Black swum behind your eyes everywhere you looked. 

Oliver would be fairly useless if faced with the criminal, naturally, but at least you wouldn’t die alone. 

“Please?” Your voice is quiet and you think it’s the gentlest word you’ve ever said to him. 

There’s a long stretch of quiet. His eyes flicker between your face and the broomstick on the floor. It’s quickly stretching past the blurring boundaries of an appropriate time for consideration. 

You’re practically melting in embarrassment now, electing to make the decision for him. 

“Never mind.” You squat again, successful this time in sticking the broomstick back under your arm. The dropped robe is more difficult but you manage to replace it. “Forget I asked.” 

Oliver’s moving before you’re stood straight up again. He’s reaching for your broomstick, you instinctively yank it back but he sticks you with a firm look and his thumb is unexpectedly soft where it caresses over your knuckle wrapped around the handle. 

Your grip loosens and he perches the broomstick over his shoulder with ease. He surprises you again by taking half the load of laundry in your arms into his own. 

“C’mon, before someone catches us out here. I’m not doing any more detention because of you.” 

He’s already three feet ahead when blood rushes down to your legs, prompting them to chase after his figure. The movement is easier, lightened by Oliver’s surprise act of kindness. 

You fall into step beside him, half-tempted to comment on his willingness to share your burden, but knowing him, one wrong word and he’d dump it all back into your arms. 

It’s quiet. 

You don’t make a move to talk and Oliver doesn’t look your way. It dawns on you that Gryffindor dormitory is in the other direction and you’re still deciding whether to feel guilty or flattered over the fact when Oliver speaks. 

“Why’re you out here alone?” 

You look, met with the side of his face: it’s still like he hadn’t said anything at all. There’s a tugging instinct to snap at him. 

Why do you care? 

But his tone is perceptibly gentle enough that you think maybe, just this once, it won’t end in an argument. You test the tepid waters. 

“Uh …” your head knocks sideways, tilted as you speak. “I let the team come up early while I sorted the quaffles in the sports closet by the pitch. Didn’t want them walking up in the dark.” 

You’re tempted to mention that it was his team last week that left it in such a mess. You don’t. 

"And now you’re walking in the dark yourself? Smart move, princess."

Your breath hitches. 

It’s not the first time he’s called you that. Princess. A couple times over the years, usually in the heat of a spiraling argument, but never so benign. While still ungentle, the tone is soft enough that it rings in your ears.

You choose not to succumb to the antagonization of his reply. Humming, you shrug. "Rather me than them."

His eyes flicker, almost barely, to the high apple of your cheek. You notice in the corner of your eye how his jaw twitches, like he wants to say something. 

He seemingly decides otherwise because he focuses his eyes ahead of him and stays silent. 

The overhanging ceiling art is sloping down, air going sticky with the scents of the kitchen the further you go: it’s the trademark of the approaching Hufflepuff common room. 

Another two turns and it will be the end of your little journey with Oliver Wood.

"‘M surprised Ryo didn’t walk you up."

You're more surprised than you've been since finding him, eyes widening in confusion. He grants you another look out the side of his eye.

"How do you know about that?"

Oliver shrugs, shifting your broomstick to the other shoulder.

"The whole world saw your little date down at Madam Puddifoot's the other day."

Of course. Word travels faster through seventh year than a new Firebolt.

"Yeah. Well." You hum. "That's not gonna be happening again anytime soon.” 

It had all been good and well. The rush of having Ryo Yoshida, Hogwart's most eligible bachelor, ask you out and - to be fair - the date had been fine. Ryo was funny and made good conversation but nothing near thrilling enough to daydream over and you'd allowed yourself to brush over a couple red flags because of it, until Cherry came bursting into your dormitory less than a day after your date relaying how he'd caught her between classes to ask her out to the same spot.

"Why's that?"

You're confused now, why Oliver cares or how he'd become curious enough to actually ask. You're even more confused as to why you decide to answer him. You shrug, "He asked Cherry out the very next day. She said no, obviously, but that was enough to let the whole thing go."

You expect him to say something malicious, quip something spiteful about What you did you think would happen? You're nowhere near in his league.

He doesn't.

"He's an idiot."

Not for the first time in the last five minutes, you're not sure what to say. You think this is the longest a conversation has gone without an argument. You sigh, "Yeah."

The stack-up of barrels comes into view. You dig into you the deep pocket on the inside of your robe, emerging with your wand.

Oliver stops, eyes flickering between the barrels and his shining black boots.

You step ahead, tapping the barrels in the rhythm that's become second-nature and the entryway opens.

Turning to him, you offer out an arm and he sets the robes back into your hands. The awkwardness is stifling. He leans forward, tucking the broomstick under your arm, hand wavering to make sure it doesn't fall again. The gesture makes the hold in your knees wobbly.

He nods. "Right. Goodnight."

You nod back, so quickly that you hear your earrings jingle. "Yeah, g'night."

Oliver turns, marching back the way you came and you watch him: biting your bottom lip so hard you're half expecting to draw blood.

"Thank you!" It leaps from your mouth before you have you moment to let it marinate on your tongue. You wince immediately.

He pauses, turning halfway on his heel. He smiles, it's not wide enough for teeth, but definitely wide enough to have your heart falling through your stomach. He nods again and then he's gone.

-

Saturday arrives gloomy and dripping.

It makes for good quidditch conditions, but the chill in the air is still hard to ignore when you step out into mushy grass under stadium lights. The roar of the crowd nearly deafens you, but it'll only take a couple minutes in the air for it to burn down to a soft hum.

In the middle of the stadium floor: Hooch is standing with a whistle to her lips, her figure blurred by the drizzle. Oliver stands beside her, and behind you, your team is clambering onto their brooms and rising into the air with the freshly washed kit over their backs.

You go to walk, but the icy glance Oliver is sending your way convinces you into a jog. He's always impatient before a game, itchy, antsy.

"On time as usual." Hooch hums when you land beside her.

"Got the whole bloody school waiting on her." Oliver mutters but Hooch shrugs him off, pulling the game coin out from inside her robes.

"Perfect." She positions it so we can see, "Gryffindor?"

Oliver straightens out, chest swelling: "Heads."

Hooch nods and before you can suck in another breath, the coin is in the air. She catches it with a skilled hand, flipping and revealing it to the set of captains.

"Hufflepuff, first ball!" She shouts loud enough that the floating players can hear. They nod, some groaning.

The coach turns back on the captains, "I want a fair game kids, no fighting."

"Me and Ollie? Fight?" You smile, "Never, coach."

Oliver rolls his eyes. "Yes, coach."

Suddenly you're above the pitch, sucking in breaths of wet air and struck with that familiar feeling like you could conquer the world on just your broomstick.

The quaffle flies and you stoop to catch it, twisting around Alicia Spinnet to snatch the ball before she's even noticed you're there.

Rain pelts on heads and the game goes on.

Oliver is shouting like a madman from his place in front of the goals behind you - you’ve long learnt to drown it out. He does it half to annoy his own team and half to distract yours. 

You're spinning, flying, swooping and - as you predicted - the crowd has become a distant call, a blurring sight of yellow and red.

An hour passes and the game is already halfway into the next when there's a rise in the crowd. It's not the normal yells and whoops and hollers, but you still don't look up: you're calling over to Jane and Wyatt, your beaters.

“Get between the twins, and stay there!” 

Below, Harry Potter and your own seeker, Cedric Diggory, are flying in circles around each other. The call of Cedric's name is on the tip of your tongue when there’s another ripple of sound off the crowd and this one draws your eyes. It’s there for a second before you find the army of figures descending on the pitch. 

Your breath catches in your throat, freezing solid so you can’t swallow. 

The dementors are even more ghostly this close. You'd never seen so many.

A darkness is permeating the air, the sight of the supporters in the stand dissipating into black. They’re floating in from every corner, drifting at a pace that’s too fast for you to make a move in any direction. 

There’s a scream and your gaze finds the body falling through the sky: it’s Harry.

The ground is racing up to meet him and adrenaline drives your hand to tip your broom, to chase after his quickly disappearing shape when a blurry figure blocks your way. 

Someone yells your name but you don’t hear it. 

You’d never imagined examining a dementor, much less this up close, but even if you had: nothing your imagination could conjure up would ever come close to the harrowing darkness of its empty eye-sockets. 

Its silhouette spreads over every corner of your vision, black like night and blocking the view of the sky. Your nose is so close you could tip forward and meet it's silken cloak.

A cold washes over your body like you've never felt, like you're freezing over: ice creeping up your fingertips, shoulders and face.

Your brain looses all grip on thought, replaced with a seeping dread. It barely acknowledges where a scabbed, decomposing hand is reaching out to you.

Charcoal fingertips brush your cheek when you're tugged back, all the way off your broomstick.

There's not even a last coherent thought to panic when you're engulfed in a warm chest, a hand stabilising around your waist onto a new broomstick. It dips and the green grass is reaching up to you.

The new heat engulfs you through to your bones. You grasp blindly for the expanse of a thick veined neck, wrapping yourself around him.

Digging your face into his shoulder, it takes one glance at the scarlet robes to know who it is. Oliver's panting, one hand holding you against him while the other steers the broomstick down to the floor.

You're trembling, no thought occupying any space beyond Oliver, Oliver, Oliver, Oliver--

"What the bloody hell were you thinking?"

The voice is distant, said against your temple but echoing as if from the end of a long corridor. You don't register where hot tears are wetting your cheeks, erupting over your face without being called.

His words prompt you closer: a tight arm furling over his shoulders and wrapping around him like a vine around an old tree.

"O-Oliver ..."

The hand over your waist tightens. "Sh ... it's fine. You're fine."

The broomstick lands shakily, Oliver's boots squelching into muddy grass. You barely realise you're back on ground when another hand is tugging you off, but you cling tighter to the sweaty red neck: shaking your wet face against his well-pressed robes.

"C'mon, princess ..." His calloused hands pry you from him, gently like you're a piece of china sitting on the very edge of a high shelf. "It's Pomfrey, she's gonna look after you."

You think you feel a kiss press into your hairline before you're being scooped up into a new set of arms. Madam Pomfrey is warm too, smelling like antiseptic and maple syrup.

There's another swell of noise erupting from the supporters above and you're being lead away.

Oliver watches your figure, slumped against the school nurse until you've disappeared into the medical tent.

His heart is going wild, slamming against the walls of his ribcage. Beside him his hands are shaking and he's sucking in thick gulps of air, he finds it still isn't enough oxygen.

There's another splatter where Angelina has landed a few feet behind him. She's panting too, tugging on the edge of his robes and pointing up into the sky.

"Wood!" She's frantic, "They won, Cedric caught the snitch!"

His mouth is dry when he swallows. Rain catches in his eye when he looks up, half the Hufflepuff team is no longer in the sky and the Gryffindors are all on their way down.

"I ..." feeling is returning to his fingertips, "is ... where's Harry?"

Angelina points in the direction of the medical tent. Above, the pitch is engulfed in a bright white light and Oliver catches the wispy end of a shining phoenix chasing between disappearing Dementors. It's a patronus. Dumbledore's, Oliver figures somewhere in his muddy brain.

"Is everyone else okay?"

Angelina nods. Her eyes flicker to the medical tent then back at him. "Is she?"

The image returns to him: the mass of darkness engulfing your figure in the sky. The terror that ripped through him like he was being torn apart from the inside, the whistle of the wind that stung over his ears and how it blocked out his mutterings of please, please, please--

He shakes his head. "She's too tough for her own good. She'll ... she'll be fine."

But it comes out like he's trying to convince himself more than Angelina.

-

Oliver doesn't see you for a few days.

Two, to be exact, and his skin itches the entire time. A deep itch, like it's coming from his bones.

It's only on Monday evening at dinner, with the Hufflepuff table whooping, that you come strolling back into the light of his eyes.

Your head is down, flushed with all the attention, and when you sit, kids are rising from their seats to tackle you into side hugs. He can tell you're embarrassed but he can't gather himself enough to care: the warm rush of relief flooding his stomach so much so that if he dared open his mouth it would all come rushing out.

You look fine. All limbs attached and smiling, it settles him.

He doesn't snap at Archie when he knocks his shoulder with a "you're staring" and his dinner suddenly looks more appetising when he peels his eyes off your figure down to his plate. He finds that he doesn't care as much as he usually does where Enzo's lanky arm is strung over your shoulder.

The week passes in a flurry.

While you share several classes, Oliver doesn't share a single word with you. It's hard not to notice that you're working very hard not to interact with him.

In Muggle Studies, you arrive late and keep your nose tucked deep into the pages of a textbook he knows you couldn't care less about. You're up and out of the classroom before he's even zipped up his bag. It's the same in Potions and Arithmacy.

While going days without talking to each other is not unusual, this time he can tell it’s on purpose. He pretends that he doesn't care.

The rain has cleared and when Friday arrives the sunset is red and orange and purple, granting Oliver with a rare enchanting view out his bedroom window where it's setting behind the East tower.

It's in this quiet, peaceful moment that Archie comes bouncing in with some news of a party happening in the Ravenclaw dormitory.

He's indifferent but Archie is nothing if not convincing.

"Come on, dude. You're literally a hermit crab." He sighs, falling back against his own poster bed across Oliver's. "There will be girls."

"There's girls everywhere, Arch."

His eyebrows wiggle, "And alcohol."

It takes a bit more pestering and the Weasley twins rushing in after him with the same news (and a far less patient approach) to get him up off his bed.

He digs in his cupboard for the last pair of clean jeans and a somewhat suitable purple jumper, tugging them on with a grumble, before he's being dragged by both arms - a twin on each side - across the castle to the West tower wherein resides the Ravenclaw population.

The common room is bustling with seventh years, he recognises them from all houses, and a table set up to the side with some trays of food. He's barely made himself comfortable when Katie Bell is shoving a red solo cup into his hand:

"It's Angelina's brew." She informs him.

He can believe that. The liquid is strong, burning down his throat followed by the barely there after-taste of pumpkin juice. Oliver downs the whole thing in one go.

The music swells louder and he's three cups of Angelina's concoction deep when you come tumbling through the entrance portal.

You're drunk yourself, he can tell by the way you're giggling and half leaning on Cherry Stretton. Bumping through people, not passing without leaning back to apologise to them tipsily, you head straight into the arms of Angelina and Alicia Spinnet. They smile in surprise, engulfing you in their arms.

Despite his and your long-held rivalry, it had done nothing to stop the rest of his team from sweetening up to you. The twins called you their favourite yellow tie at regular intervals and the girls found you nothing less than endearing. Oliver could lie and say he hated it.

Instead, he wrestles his way to where Katie is situated with more to drink, filling his cup and downing it.

-

The room is twisting in a flurry of colours and faces and it's the lightest you've felt in almost a week. You giggle against Enzo, his dreads tucked safely back in a bun while Cedric sets a Dragon-Barrel Brandy shot on fire and hands it carefully over.

Enzo's head knocks back, slipping the burning liquid down his throat with a wince. There's a cheer at his accomplishment, and suddenly Cedric's knocking your elbow: "you're next, Cap!"

After the match-gone-wrong, Madam Pomfrey had held you down in the infirmary until Monday morning. You were fed copious amounts of chocolate - in the form of bars and drinks and cakes and ice creams. By Saturday night you were - surely a couple kilograms heavier - and feeling fine, but Pomfrey was nothing if not paranoid:

"That was no light ordeal you went through, dear. I'm not letting you out of my sight until I'm happy with you."

In all honesty, you'd prefer if the whole school forgot it ever happened.

If Pomfrey didn't fret and your friends didn't come by every meal time and your team stopped sending you get better! letters and nobody mentioned it ever again.

More than anyone, you wished Oliver would forget. The ordeal, or maybe just you as a person.

You'd made a stupid decision under the heat of stadium lights and the influence of racing adrenaline, trying to chase for Harry, and he'd made a stupider decision coming to save you from yourself.

When it got quiet in the infirmary past dusk and Harry's shadowy figure was long since snoring in the bed across yours, you could feel Oliver's touch. Could feel it's strong hold wrapped around your waist and the voice against you the back of your neck and the lips at your temple.

You never reminisced long: for with his touch came the writhing, scalding fear burrowing a hole in your chest.

He could tease you, he will tease you.

Oliver had saved you from the clutches of a dementor moments from your soul being sucked out your body and you'd cried in his chest the whole time, refused to let him go in front of the whole school. It was a mortification you would never live down. And if Oliver decided he was going to use it against you, even once, you were sure you'd melt into the floor in shame.

It's what's made the Firewhiskey and Lemon squash concoction Cherry had handed you back in her room so easy to toss back. It stung and steam rose out your mouth where you'd panted for air. There was another ... and another, they went down the same.

The walk across the castle to reach the Ravenclaw Tower had been wobbly and you'd laughed with your friends loud enough to wake up the whole castle you're sure, but it dissolved the fear that clung to your bones. The fear that he was here, lingering between the people in the crowded blue common room.

Now the liquor is fading. Numbing to a dull buzz and you decline Cedric's offer at a burning shot, thinking about how proud you'll be of yourself when you wake up tomorrow morning in bed rather than wrapped around a toilet seat and hauling up guts into the bowl.

The party, not unlike yourself, is dimming.

Students are crawling away into all corners, each with their own excuse. I have a potions essay to do or No, dude, I'm too drunk for this or Flint wants us down at the pitch for drills at eight tomorrow morning, I gotta head to bed.

The crowd, though thinning, is beginning to clump into respective circles across the room. You glance annoyed at the fireplace where the flames crack merrily. Even with your short skirt and thin satin top, the heat of the common room is stifling.

Enzo is on his fourth burning shot, it's lost it's appeal to the crowd but he seems undeterred, knocking Cedric in the shoulder with the empty shot glass motioning: another! You yawn, playing mindlessly with the ruffled sleeve of your shirt.

"Oh no," A harsh tug at your hand draws you from the lure of sleep that's fogging your mind. "The night is young, no yawning!"

Cherry has your wrist in her grip, Enzo's in the other. He blinks blearily down at his friends.

"Huh?"

"Come on," Cherry's brown eyes roll far back in her head. "Fred says they're starting Seven Minutes In Heaven. Let's go join--"

"Seven minutes--?" you laugh between words, "Cher, are you mad?"

She whines, pouting like a kicked dog. "It'll be fun. Besides, when last did you have a good fucking snog? Too long, I say!"

Somehow, you're not only convinced across the room into a spot onto the floor in a circle of a couple others, but a drink has ended up in your hand and its contents quickly down your gullet.

For the nerves, you assure yourself.

Before you know it, Angelina - who's conveniently settled beside you - is topping up your plastic cup with a nearly empty bottle of Daisyroot Draught. "This is the good stuff. Katie stashed it in, her sister works at a brewery."

You smile nervously, nod, and take a tentative sip. The pre-existing buzz in your head convinces you it's not so bad.

In the circle is a couple Gryffindors you recognise, some giggling Slytherin girls, a Ravenclaw you can't name and three members of your quidditch team. There's an open spot on the side you don't take note of.

That is until Archie Kumar is steering a grumpy, visibly drunk Oliver Wood into the open place and collapsing beside him.

Your breath catches in your throat, heart sinking into your stomach like a stone. You're halfway off the floor, suddenly desperate for the loo, when Cherry - on your left side - drags you back down to the floor.

Maybe it's Katie's sister's brew, but you tumble too easily back onto your bum.

"Relax. Just don't look at him, okay?"

You suck in another breath, eyes trained on the white moon outline sewn into the rug. "Yeah ... okay."

It doesn't hold long and when you find the Gryffindor captain again, his gaze is trained on your face. It's stone cold. You gasp quietly and look away.

"Right!" George Weasley is on his feet, setting an empty Firewhisky bottle into the centre. "Who's first?"

Alicia shuffles forward on her knees, the first of the group to move, and the bottle goes spinning. It lands on the Ravenclaw boy. He grins and she does too: Fred wolf-whistles when they stand.

The "heaven" in question is a tall oak cabinet leaning against the back wall of the common room. The pair disappear into its depths and conversation rises again as the circle waits.

You sip your drink in large gulps, trying to hold conversation with Angelina against Oliver's hot gaze that's burning a hole through the side of your face. It's difficult: the Gryffindor girl is so drunk that she's talking with her eyes closed.

Seven minutes later, there's a chorus of "time's up!", Alicia and the boy emerge another ten seconds later. They're rearranging their clothes and Alicia is as scarlet as her quidditch robes. The boy is grinning like the cat who caught the canary. You're suddenly struck with the violent urge to throw up.

The game goes on like that, round after round. Lee Jordan and Jane Emmet (your beater), Katie and Wyatt (your other beater), Cherry and a pretty Slytherin girl you don't know - she's especially chuffed when she returns, red lipstick smeared over her chin.

You're working very hard not to look at Oliver, much less think about him, but it's proving difficult. Every time the bottle takes its spin, your stomach churns.

It had occurred to you during the time that Alicia and that boy were in the closet that there was a very real chance that Oliver could be called up when one of those pretty Slytherins take their turn at the bottle. The thought had made you down the last of your drink and immediately want to vomit it all back up into your cup.

The image of their slender arms curling around his criminally wide-set shoulders, Oliver pushing them back against the inside wall of the grand closet. Would he make noise? Would he sigh or groan against their lips or whisper something about how beautiful they looked tonight in their ears--

"Ollie, you're up mate."

You can't remember who said it, but the words stripped your gaze off Angelina and straight into the pooling brown eyes you'd been avoiding all week long.

He sighed, grumbling under his breath and only with a less-than-gentle nudge from Archie, did he lean up on thighs that flexed unfairly -- bloody hell, stop it! -- and wrap his hand over the neck of the bottle: it went spinning.

The only sound you could hear was the twist of the glass against the woven rug and the hum of your own blood rushing past your ears. It stopped.

"No fucking ways." Enzo cracked from two people down.

A hand landed on your shoulder, shaking you half off your arse: Angelina. "You're up, babe! Go!"

The bottle was pointing irrefutably at your little spot in the circle.

Oliver's face was as white as you'd ever seen it when you dared look up.

"I-I'm not going in with him--" It was the first thing that came to your mind and went spluttering out your mouth.

George was laughing so hard that he'd fallen all the way onto his back. The roar of the group was ear-splitting.

"There's no ways I'm going in with her!"

"Let's end this feud once and for all," Katie bellowed over their heads. "Captain versus captain!"

You're being knocked from all sides, hands crawling under your arms and lifting you off the floor. Across the circle, Oliver is experiencing the same and before you know it: the wooden doors of the cabinet are creaking open.

"Go on!" Lee's finger is piercing your side.

Oliver is beside you but you won't look. You take one last look over your shoulder at Cherry back on the floor, she does nothing but offer a sympathetic shrug and mouths "sorry, dear".

Your hand reaches before Oliver's, flinging the door open with maybe a little too much force. It bangs against the wall behind it.

"Let's get this over with." You mumble, only half concerned that he heard you.

You slouch climbing in, the top is low and the space is even more cramped than what you assumed. To your surprise, Oliver is stepping in after you. He takes his turn at slamming the door, shutting it this time.

It's dark inside, but not enough that you can't see. Light is peaking in through the cracks and he's leaned back against the opposite wall to you.

In the narrow space, your legs are twisting around each other to stand: his one knee situated between yours. In the dimness, he folds his arms and you notice for the first time the jumper he's wearing. The purple one, you recognise it as the one he's had for years. Time has taken its toll where the jumper is clinging to life around his frame, Oliver having grown at least three times wider while the jumper has remained the same size.

"Go on, Wood, give her a kiss!"

The voice is unrecognisable but it knocks your tongue back into your mouth where you'd been ogling at his torso.

His arms are folded, proffering you with a glare that could cut through steel. He makes no visible sign that he'd heard the shout at all. You mirror him, folding your own arms.

"I'm not kissing you."

His head cocks. "Oh, so you're talking to me now?"

You suck in a sharp breath. It's not the response you're anticipating. "What?"

"So we're playing dumb?" He leans just a fraction closer. You can smell the linger of alcohol on his breath, but it doesn't work hard enough to drown out the smell of peppermint that follows him around. "Doesn't suit you, princess."

"I'm not playing anything. I don't know what you're talking about." You double down. It's probably not sustainable but the heat of his body almost against yours and the thrum of liquor in your blood makes the decision for you.

"Y've been avoiding me all week."

"I haven't"

"You're a bad liar."

You swallow hard. Embarrassment is rising again, making your head spin. Oliver's chest is puffed up in anger, you can tell because you've had five years to learn the look like the back of your hand. Except, now - as it has been for a longer time than you care to admit - it's harder to focus on the waves of fury reflecting off of him when his face is just so ... beautiful. Nose scrunched and lips pulled tight into a grimace.

It's what makes you change tactics, you think.

"So what if I was? Why does it matter?"

His arms unfold, eyes rolling so far that his head knocks back against the wood of the cupboard.

"Why?" you press, "Did you miss me, Wood?"

"Maybe I did."

He's looking at you again. For what feels like the hundredth time just tonight, your breath escapes you in a rush and your lungs struggle to grasp back at it. Your face softens without meaning to.

You blink at him.

"You did?" It's a whisper.

His arms are still folded but something clement passes like a shadow over his features.

"No."

His face betrays his words, eyes soft and lip daring to curl up at the edge.

The air in the tight space goes cold. Or maybe it's your blood. It's more likely the look on Oliver's face: like he hasn't just turned your organs to slush. You're all the way sober now.

"I'm not kissing you." You repeat dumbly, but it's gentle.

Merlin, you want to kiss him so fucking badly.

"You mentioned." He's almost, almost, smiling. It's gentle too.

The space between you falls quiet. You're suddenly overly focused on the brush of his knee between yours. His swirling brown eyes catch on the split of light creeping in past the hinge on the door.

It stays like that until your voice creeps nervously out. "I was embarrassed. Am, I am embarrassed."

A thick brow tightens in confusion. "Why?"

You huff, almost annoyed. Your eyes train on a dark spot by your intertwined feet. "Come on, Wood."

"What, about the match?" The alcohol thickens his accent.

Your silence seems to answer his question. The apples of your cheeks are warming again.

"What was I supposed to do, leave you to have you bloody soul sucked out yer body?" His voice is rising, "No, princess, I'm not apologising for that."

It's an outpour that you're not expecting. Oliver's clearly in the mood to shock and surprise tonight.

Your lips tighten around the words that are all fighting for the spot at the tip of your tongue. Silence reigns while they argue, he's still watching you with exasperation set into the lines of his face.

"Princess." You settle.

His expression twists again. "What?"

"You always call me that. Why?" It's a question that you buried long ago. But his proximity, in conjunction with the night you've had, unearths it.

It's his turn to look surprised. He grumbles some indiscernable Scottish blabber before-- "It's because y'are a princess. Spoilt and bratty. Always gets her way."

There's no malice to his response, you find. It draws a chuckle from the depths of your chest.

"Aye, right." You mimic his accent and his quip, one he's used many times at you.

He laughs. It's not a sound you hear often and it's setting your whole nervous system alight like a tangled bunch of christmas lights. His whole body's shaking with it, head resting back against the wood again, and you really do think you might grab him and kiss him -- when the door flies open again: seeping his whole body in yellow light.

Alicia's standing at the opening, grin wide as night is wide and clearly expectant on catching you with your tongues down each other's throats.

If she'd given you another three seconds she just might have.

"Oh." She slumps in disappointment, looking back over her shoulder and shaking her head to the expectant crowd. They groan collectively. "Well, love birds, your time is up."

You'd almost forgotten where you were. Oliver clears his throat, the ghost of his laugh impossible to find on his face, and clambers over your legs out into the common room again. He doesn't pass without brushing his hand over yours.

-

It's nearly three in the morning when Enzo finally lets up.

His long legs are sprawled across the midnight blue couch in the middle of the common room. Fiona, a lovely Ravenclaw girl you'd met just tonight, shrugs at you: "Don't stress it. He can crash here tonight."

The party is long since dead. Seven Minutes In Heaven had looped another three rounds before everyone had gotten their chance in the dusty cupboard and began to grumble in boredom.

You'd avoided Oliver's eyes the whole time again, sure that if you looked he'd be able to read the fondness on your face.

It wasn't long after that the last of the students dissolved in the direction of their respective bedrooms. With your dear friend in good hands with the Ravenclaws, you loop your arm with Cherry - knocking against her side towards the portal.

You've barely pushed it ajar when she breaks off you, "Hold on, I need to get my Transfig notes from Jacob!"

"Cher, it's three in the morning?"

Alcohol is directing her legs in the opposite direction clumsily, "I'll wake him. If I fail another quiz, Mcgee's gonna have my arse."

She's gone before she catches your call: "I'll find you outside!"

The portal creaks where you shove it open again. The corridor is dimly lit and colder than the common room and a shiver chases up your exposed legs.

"Bloody hell." You run a hand over your forearms.

It's quiet too, and empty besides the Gryffindor captain leaning against the stone wall closest to the entrance you've just emerged from.

"Merlin," your eyes find his. "Not you again."

The flush over your cheeks is warding off the chill.

Oliver shrugs. "Me again."

An awkward silence permeates. Against better judgement, you shuffle forward, leaning against the wall beside him. He doesn't react, arms folded and staring into the inky abyss of the corridor leading out to the rest of the castle.

"Why're you out here?" You ask, tucking your hands between your back and the wall.

"Archie." He huffs out, voice wrapped in annoyance. "He's in there with Penelope. I gave him ten minutes."

Ah, Penelope Clearwater. She'd joined the game in the last round. A good thing too because Oliver's friend was looking more crestfallen as the bottle spun again and again, surpassing him each time. Penelope had taken the last turn, ending up with her hair in every direction and Archie's spectacles leaning half off his face when they emerged from the cupboard.

"You?"

The eddy of average conversation is strange, but you find you like it.

"Cherry." You hum. "Something about quiz notes."

He drops his head back against the wall.

"That what they calling it now?"

It startles you, head tilting to stare up at the side of his face with a grin: "oh, Wood’s got jokes now? I didn’t know it was possible for you to make a joke."

His eyes flutter shut, a twinkle of laughter bubbling out of his frame. Tucking his head down to his chest, he shrugs against his own light chuckle. "I have them. I just don’t share them with you."

You giggle back at him. "Right. Well then you better stop smiling there, someone might walk past and think we’re friends."

He shakes his head, the sound of his snicker fading but leaving behind the imprint of a smile. "Nobody’s gonna think that."

You lean back again, eyes drifting over the low ceiling. Quiet falls again - not uncomfortable - and you let it linger for a moment. A thought tugs on a loose string in your mind, not a new one, but one you’ve carefully buried over time.

It comes falling out your mouth. "You ever think about how it might be ... if things were different?"

The question grants you a look out the side of his eye. "Different?"

"Y’know," you shrug, the very last remains of alcohol are ebbing and unsureness is replacing where it stood. "If we … we had—"

"If you hadn’t suckered me in the bloody nose?" His words are unexpectedly fond.

You laugh at him, "If you hadn’t deserved to be suckered in the bloody nose."

He draws in a long breath, not answering. It prompts you.

"We could have been friends." You whisper, more to your chest than to him really.

But he hears it. "We would never be friends."

It stings sharper than it should. Your shoulders go stiff and the corners of your eyes sting inexplicably, turning the corridor blurry. A dying fire revives in your chest, blistering the cave, reminding you why Oliver Wood has been nothing but a stake in your side since you were thirteen years old.

"Of course. How stupid of me, for a minute I forgot what an absolute arsehole you are." You push off the wall, intent in going to dig out Cherry from the depths of the Ravenclaw dormitory. "Goodnight, Wood."

An arm wraps around your waist, not unlike it'd done a week ago in the air of the quidditch pitch, lurching you into him until you're pressed back against the cool stone of the corridor wall.

Oliver looms over you, crouched so that your nose bumps against his. "Don't sulk, princess."

It all happens at once: his hands grab onto the fat of your hips, digging in there like he really does hate you, and lips crash against yours like maybe he doesn't at all.

He stays there, unmoving for a second that feels a year long.

Where the inside of your brain had been buzzing with runaway threads of thought, ribbons streaking out in all directions: they disappear in a sizzling light. Oliver Wood is kissing me.

You melt against him, tipping up onto your toes and latch onto muscled shoulders. He seemingly takes that as his cue, pressing you closer against his body with his arm - lifting you half off the wall.

He tastes like the remnants of Firewhisky and pumpkin juice, the flavour setting every nerve ending in your body on fire. Lips soft but persistent while his hands grip onto you like you'd dissolve into dust if he didn't.

It's aggressive, but familiar in that way. Oliver is nothing if not hot-blooded and his touch, darting between your hips and your face is turning you tipsy again.

"If you want a friend," It's muffled when he speaks, punctuating his words with hot wet kisses, "go be friends with Ryo."

It's only in this moment, with his desperation mirroring in the glimpses of sugar brown irises you catch where he's fluttering his eyes over your face, that it dawns on you.

"Jealous much?"

He growls lowly and it makes you giggle against him, your hands slithering up into the hairs at the base of his neck. Oliver shakes his head against you, still huffing in disbelief.

"Shut up." It's accent-heavy and bleeds a hole through the bottom of your stomach. "You're such a fucking brat."

"And you're a fucking prick."

He huffs lowly, you press harder to him: solidifying the sentiment. Somehow the bickering makes it all sweeter, like you're dissolving cotton candy against your tongue where his swoops over it.

You'd just about forgotten where you were when a creak echoes down the corridor. Halfway to ignoring it in favour of Oliver's touch, your situation dawns on you in the same moment it does him.

Like you'd both licked the end of a live wire, you and Oliver jolt back a foot, hands diving to your respective sides.

Cherry is standing against the light of the common room behind her, a lanky Archie parked beside her. Their eyes are wide and Cherry's hand is against her jaw in shock.

"Oh my god." She mumbles against it.

Blood is rushing to your face and out the corner of your eye, Oliver is running a hand over the hair that's sticking in all directions from the influence of your fingers.

Cherry is laughing breathily, eyes still wide and white in surprise. "Oh my god."

Archie's eyes are flickering between you and Oliver.

"Sorry to interrupt." He says, a smirk curling onto his features.

It jumpstarts your entire system. You step forward, grabbing Cherry by the arm.

"Well," you nod at Archie and at Oliver, not daring to meet his eyes, "goodnight then."

You march with fervour, half-dragging her in the direction of the Hufflepuff common room until your figure disappears behind the next corridor.

Oliver stands with his hands hanging at his side dumbly. He swipes a finger of his bottom lip, still tasting the strawberry lip gloss you'd left there.

"Can't say I didn't see this coming, mate." A hand claps over his shoulder.

He groans, running both hands over his face, and Archie shakes him lightly.

"So ... how was it?"

With another groan, Oliver shoves Archie's hand off of him. "Bloody hell, Arch."

Archie throws his head of curly black hair back, laughing so loud it bounces off the wall. "That good, huh?"

(part two/final part)

-

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[onmyyan]

Ain't no sunshine chapter 3

A/n: canon typical violence someone gets stabbed (not you) feedback is always welcome

The clock ticks in an uncomfortable rhythm, almost pounding in your ears, you swallow around nothing and try to take a deep breath, only a few more minutes now.

Sitting cross cross felt childish but you needed the comfort of being low to the ground, before you stood a proud grandfather clock, the thing always intimidated you for some reason, maybe it's because you could smell how expensive it was, how priceless, but it was the only room in the house you could guarantee would be free of any nuisances, aka your estranged family.

A lone little Debbie cupcake in hand, a candle in another, you stick the candle inside the soft flesh of the treat, lighting it with the silver zippo, the seconds begin to count down as the wax melts, today was your eighteenth birthday, and the day you'd find true freedom. A day you'd been waiting for since you'd decided to wash your hands of the Wayne's and all who associated with them.

Bruce had begun to add to his collection of broken people one by one a new face was added to the house, and one by one you were met with the same cold indifference.

Barbara Gordon came into your life warmly, on the arm of Dick, she was kind to you in the beginning, making a point to ask you questions and listening intently when you answered, immediately you admired the older woman, her charming grin and bright demeanor was like a light inside the house, until she became who you eventually discovered was Oracle, tied up in the world of heroes and monsters, she too joined the club of exclusion, unintentionally forgetting plans the two of you had made more often than not, sharing inside jokes with Dick about last night's patrol or even taking on a mentor role for Damian, each action like a stab to the heart.

The last straw felt like the smallest one. And it came in the form of Cassandra Cain.

The girl came to the family under reasons you couldn't know, but she was troubled, you could see the same look in her eyes you had when you looked in the mirror as a child, she didn't outright reject your friendship like Damian, but she was seemingly as disinterested in you as the rest of your family, the real kick to your heart came when you walked past a moment shared between her and Bruce, he was comforting her, you couldn't hear the words spoken but you could feel the love pouring from Bruce, how he had a gentle hand on her shoulder, showing her a kind of love he'd never once shown you.

It wasn't her fault and you held no grudge against her, but it still felt like a slap to the face, and every time you saw her, every time she followed them down to their little hiding spot, the acid-like sting deep in your chest got worse. It was then you made a promise to yourself, you'd stop trying, no more reaching out to Dick or praying Jason would message you back, no more begging for Tim's attention or Damian's respect, and you were sure as shit done asking Bruce to love you.

You're brought back to the present moment by the loud ring of the clock before you, the echoing sound brought a ear splitting grin to your face, finally, you were done.

Blowing out the candle, you toss it on the floor, standing with a pep in your step. You'd had your bags moved out days ago so the only thing left was to leave. A chatter could be heard the closer you got to the front door, male and female voices happily spoke with one another, but you were so unfazed, too excited about your current plans to care they'd gathered without you on your birthday.

"Oh hey (Y/n)" Dick says after spotting your form in the doorway, see the only reason you were here is because the dining room lead to the front door, and your new found freedom.

You nod at him, taking in the sight of popcorn and half empty pizza boxes, a movie projected on the wall, ah so they decided to have a little get together?

None of your concern.

"Sorry we didn't call you down, didn't realize you were home" Dick says a look of pity in his eyes, "do you want some?" It's almost said with a wince.

"Nah." Was your simple response, and with that you walked out of their door and lives.

You'd bought an apartment with your own money, you'd been working since you were fourteen, saving every penny for this moment exactly. It was in a shit part of town with an even shitter interior but it was yours and you loved it. Water dripped into a mostly full bucket in the corner, the lights took a full forty seconds to turn on and it reeked of old cigarettes.

Yet you couldn't wipe the smile off your face.

Feeling that euphoric rush had you buzzing all night, besides the bed in your room was, questionable to say the least, so you decided to stay up. Cleaning what you could with what you had made you feel even better, this terrible little space was all yours, no condescending people or assholes in sight.

Feeling hungry, you throw on a black puffer coat and a matching beanie and start to brave the Gotham cold. Each step is taken with a new gratitude, the farther you get from that family the better you feel.

Your happiness is pulled to a grinding halt by the sound of rapid footsteps behind you, without thinking you turn, fist balled tightly in perfect form, Patty would be proud if she saw the way you decked the bastard running up on you.

You nailed him right in the throat sending him to his knees, his knife cluttering to the ground before your feet, grabbing the weapon you point it down at his choking body, your hands still despite your rapid heartbeat. The wheezing man made a swipe at your ankles causing you to bring the knife down right into his shoulder, a scream rips though his throat, the adrenaline in your body has you running on autopilot.

Kicking him in the side of the head to quickly sprint to the corner store where you'd planned on going in the first place, your hands shake as you grab your food, but again, that smile stays on your face.

Not only had you moved out today, you'd proved to yourself you didn't need them for anything, not protection, not validation, nothing, it was like you could breathe again.

The next few weeks are business as usual at the manor, until Barbara looks at the calendar and realizes she'd, along with everyone, had forgotten your birthday. The guilt ate at her until she made her way to your room knocking softly, a cupcake in hand she called out, "(Y/n)? Listen I'm so sorry about your birthday, I got my dates mixed up." The lie came easy, but no response was heard, "I get if you're completely pissed at me, at us but-"

"Miss (L/n) has moved out."

"what? How is that possible we would have noticed her moving out." As if to prove Alfred wrong Barbara opens your door, only to find a barren room, empty of any signs of life. She turns to the older man, a thousand questions burning on her tongue, but he seemed to read her, "you'd be surprised what goes unnoticed in this house miss Gordon, have a good afternoon." He leaves her with this and it only makes the guilt and confusion worse.

She pulls out her phone scrolling to a number she hadn't used in a while, biting her thumb as it rings she's hoping you clear all her confusion when you answered, but you don't, instead an automated message tells her your phone has been disconnected. Now she begins to worry, you were so young, just barely an adult, the idea of you out on your own in Gotham had her heart sinking, clicking the family group chat she sends a message that will change everything.

"We need to talk about (Y/n)."

[the-one-and-only-elita]

One thing that I absolutely love about TFOne's writing is that it manages to avoid a lot of the heavier criticism I've seen regarding MegOp's hero/villain dynamic over the years (trust me, the mid-2010s TF discourse was crazy)

*Spoilers Below*

First of all, the narrative benefits so much from the main 4 cast members all being a part of the same exploited mining class. So many takes on MegOp have Orion being of a higher status (an archivist, a cop, etc) while Megatron is much lower down on the social latter (a miner, a gladiator, often in the context of being a slave).

I've seen many people be put off by this, because it feels as if Megs is being villianized for being rightfully angry at the system that deeply harmed and exploited him, while Orion/Optimus is praised for taking a more pacifistic stance despite him not suffering as much from or in some ways even benefiting from the system he claims to oppose. I don't find their dynamic to be as simple as that, and I do find these takes to be a bit reductive, but I do very much see where they are coming from.

I am definitely one of those people who's very frustrated with the way pacifism is hailed as the one true path of morality, and the inherent implication that taking any sort of revenge on the people who abused/exploited you makes you just as bad as them. Also, Marvel's particular brand of demonizing any form of radical political action, despite the system clearly being broken and corrupt, but being completely unwilling to offer any other alternatives to meaningfully change things for the better.

When looking at what I described above its pretty easy to see how a lot of versions of MegOp's hero/villain dynamic unfortunately fits into that trope. Bringing it back to TFOne, you can see how Op and Meg coming from the same political/social status subverts this. The existence of Elita and Bee only further illustrates that out of the 4 people of the mining class who were all deceived, exploited, and literally mutilated in the same way it is only D-16 that completely loses himself to his rage, even to the point where he loses compassion for his own companions and disregarding the safety of the other miners (when he decides to "tears everything down" and Elita exclaims he's going to "kill everyone").

What I think I love most about the characterization in TFOne is that Orion is the radical one. Not only that, but he is praised by Elita and by extension the narrative for it. He is constantly challenging authority, and is the first to have the suspicion that their society is structured in an unjust way.

Meanwhile D-16, to be frank, is kind of a bootlicker. He fully believed in the system and that Sentinal Prime, as someone with power, had the right to decided "what was best" for those who are weaker/lesser (I wish I had the specific quote from D-16 to support this, but the movie's still in theaters). It illustrate that D-16 already held certain fascistic ideals, and that he and Orion already have fundamentally opposing moral/political values, it simply hasn't been of any consequence yet. It shows that their eventual falling out was inevitable, even if they had decided to rebuild Cybertron together.

It should also be noted that D-16's feelings of anger and betrayal do not necessarily have anything to do with the unjust system itself, but that said unjust system was predicated on a lie. Hence his fixation on deception in the post-credits scene and him naming his faction the Decepticons. Meanwhile, when Orion learns the truth he's just sort of like "yeah, I always kinda knew something was up" because again, he understood on some level that their system was predicated on injustice.

Even D-16's obsession with Megatronus Prime, while initially an endearing aspect of his character, is also an indicator of the questionably large amount of value he puts on one's strength. It foreshadows the "might makes right" ideology that the decepticons follow, and is a key part of their ideological characterization across continuities.

Instead of the narrative we often see in Transformers media were Optimus is idolized by the narrative for being more moderate and Megatron is villiainized for being radical (or so people often claim), it is instead Optimus who is rewarded and praised by the narrative for being radical, and Megatron who is villainized and punished by the narrative for holding potentially fascistic values.

I do agree with some criticism I've seen that the whole thing with killing Sentinel and D-16's final turn into villainy felt a bit rushed and more than a little cliche, but I also understand it both had a limited runtime and that it is ultimately a family film meant to be accessible to children. More importantly though, I think the movie set the groundwork early on that, no matter how this final act played out, D-16 was always going to turn to darkness, and Orion would not have been able to stop him.

Its perfectly tragic, the way all MegOp should be, while also feeling really well thought out from a thematic standpoint. I love it.

[riverofrainbows]

Eliot Spencer. Listen to me i am obsessed with the man. He is so incredibly stereotypically masculine, and hardcore so, yet at the same time really isn't in ways that would be damning for the 2000s and early 2010s. Long hair, not unusually tall, the most emotionally aware one and most in tune with his emotions on the whole team. (Not that the others don't also have points in that area, but they're all terrible at it in some way and Eliot scores by far the most points.) He has a hobby that's not James Bond like (cooking), and he gets to be goofy while being unquestioned as the most badass guy in the room. And yes he makes inappropriate jokes about lesbians and goes all no homo at physical affection from other men, and younger people probably don't find him quite as monumental as i do in terms of masculinity. But his behaviour never reflects those jokes or the no homo, and he was the red blooded american former military guy character on a big network tv show in the year 2009. For which he was a severely mild case. He treats the other characters as people and not stereotypes, in the way the whole show does, and he has long hair he puts up in ponytails and half buns that have his side bangs falling out (you need to understand what big of a deal the manbun was in like 2013, so much so that they had to invent a word). He's emotional and doesn't actually mean his gruffness most of the time, and doesn't thinks himself above certain tasks or people. He wears ridiculous little outfits without putting up a show about his threatened masculinity, and he's the most emotionally intelligent one outside of cons. He wears little jewellery in his hair sometimes, and little braids even (yes braided hair was a no go), he plays guitar and sings earnest love songs not just to try to get laid (love songs would only be permissible in the immediate context of romance), and whenever they have a young woman as a client, that reminds him of home i presume, he works with so much effort and respect for them as the one he's in service to, and respects their opinion strongly. He wears glasses, and reads books and is way too nerdy for an action hero type of the 2010s. He is great with kids, and unironically so (there were multiple big shows and movies about the topic of "men needing to deal with children on their own" with the entire premise of that being ridiculous and them being naturally bad at it). He's the most stereotypically action hero type masculine guy on the show, and he does get strive or posture for power or dominance in their team, is content with a contributing role and trusting on the expertise of the others, and he is not portrayed as the most valuable one or as that behaviour being beneath him. He undresses so he and the woman he's fighting with are on equal ground reading undress. He is shorter than the others and continuously portrayed as the most dangerous one in any room, and height differences afe never deemphasised via cinematography (seriously, to be regarded as sufficiently masculine in western films they either get really tall actors or employ a variety of camera angles and boxes to give that impression. But just think of Eliot in the pilot when rescuing Hardison in the first break in, standing behind the group of security guys who all look way taller than him and more physically impressive with weapons and all. And then Eliot just in a t-shirt with no weapon but himself.) He has long hair (again, mainstream sufficiently masculine guys didn't do that back then, or now if we think of it (not that long at least)).

The show and all it's characters were a goddamn marvel back in 2009, and sadly in many ways still are today, 15 years later.

And he heals my little broken heart regarding gender stereotypes and masculinity, my heart that grew up in the 2000s and has so much difficulty accepting that my gender is valid. Bless him for it.

[zan0tix]

Any general thoughts on/relating to the Brobot?

Have my half awake scrawlings...

I really love the brobot!!!! People really misconstrue it and also leave it out in a lot of dirkjake talk? Its a big player in not only how dirk expresses his affection/desire towards jake but also in their multi year spanning unspoken game of gay chicken 😭😭(all of dirks splinters are but Not about them rn)

It was sent yknow under the pretense that jake loves wrestling and wished so bad to have somebody he could wrestle with. But at the same time it protects jake from the horrors of hellmurder island (seen before they strife), pushing jake into the Damsel in distress role he wasnt expecting to play even before all the shit in the game, with Dirk being his hero.

Jake says he keeps it on a high difficulty because apparently in the Novice mode he says their interactions become "too tender" and doesnt want to elaborate, Friendly reminder! His convo with jane on the SAME DAY dirk pulled off that big romantic overture and the kiss happens and him and dirk begin "dating".. is the same day he asked jane if it didnt make him weird for wanting to date dirk. And he also says hed joke around with dirk about how theyd soo make a great couple if dirk were a girl haha.

I imagine the brobot and well. Getting physical like that with a robot that supposedly looks like dirk probably gave jake his internal gay awakening at 13 but he just never wanted to actually confront it and instead just wanted to brush past everything 😭😭 (See: every single time sexuality or romance comes up in relation to jake he is literally always thinking about dirk somehow and he never directly talks about his attraction to men or how that reflects/contradicts on his self image of the Movie Star Hero guy)

and jake doesnt actually hate the thing either, he tells jane he thinks it genuinely did improve his fighting capabilities (Which we see it did in collide! he beat basically the whole felt with guns and fisticuffs alone, no hope powers.) Which serves as a pretty evident parallel to dave who also is good at fighting, even if he doesnt want to be. (see dirk + dave convo)

This one comes from hussies authors notes in the aradiabot and equius scene (which equius imagery being invoked with dirk. something i could totally rant about another time haha) but yeah. Jake was being selfish asshat in that log forcing jane into a corner and wringing what he wanted to hear out of her, and also not giving a shit about the brobot (Which served as his protector and only other semblance of human connection since he was 13 and was a BIRTHDAY GIFT FROM DIRK) KILLING ITSELF? But hes so preoccupied talking about dirk. THE REAL DIRK. And immediately after jake loses the dirk splinter that protected him, HE (AND DIRK) CREATE A NEW ONE FOR HIMSELF USING THEIR COMBINED POWERS/?

Hussie is lying.. somebody Does care about dirks feelings. a whole lot to the point they activate their powers unwittingly Because of it. and its jake. but jake just cant admit that himself. (He cannot admit his real feelings until given permission to, dirk would have to concede the game of gay chicken first using his words and not just actions)

ANYWAY. hussie is so right its so easy to get sidetracked times one million talking about this comic. BUT AHH!! BROBOT. his existence.. tragic.. Jakes really smart in knowing that all of dirks splinters enlighten aspects of himself he doesnt oft share, and the brobot served as another dirk action on the pile of dirk actions he engineers to signify his deep immense care for jake, where he lets these grand gestures and implications sit out in the open without ever actually saying what they mean and where his feelings lay.

EVEN IF ITS SUPER OBVIOUS. The d man cant use his big boy words to actually describe his feelings despite how much a yaps! so jake doesnt know if hes even allowed to say anything about his own. Fellas: Is it gay if you labour for supposedly an extended period of time to create a custom robot in your own image to ship in pieces to your best bro guy crush who is HUNDREDS OF YEARS IN THE PAST because you cant be there yourself?

I think this hal message says enough about how bad dirk wished he could visit jake 💀💀

[vanteguccir]

── ୨୧ !　𝗧𝗜𝗞𝗧𝗢𝗞 𝗧𝗥𝗘𝗡𝗗𝗦

　　　　　　　　　𝒄𝒉𝒓𝒊𝒔 𝒔𝒕𝒖𝒓𝒏𝒊𝒐𝒍𝒐 x reader

SUMMARY: 4 times that Y/N and Chris made a couple's trend on tiktok.

WARNING: None.

REQUESTED?: Yes, by anon.

AUTHOR'S NOTE: That is my work, I DON'T authorize any plagiarism! | English isn't my first language, so I'm sorry if there's any grammar error.

　　　༻✦༺ 　༻✧༺　༻✦༺

Since the pandemic, tiktok has become one of the most used social media in the whole world, thousands of people download it every day and thousands more create content daily or, sometimes, just post a video that explodes in views, many of them starting a career with it, or creating a hobby from it.

And that's what happened in Y/N's life. She was still finishing high school when she posted her first video on the app, not expecting it to get more than 10 likes.

She was at the triplets' house, still in Boston, watching a movie with her boyfriend, when that same video exploded, reaching more than 300 thousand views and 150 thousand likes.

So, while Matt, Nick, and Chris were starting their careers on their new YouTube channel, Y/N was starting hers on TikTok.

Fans loved the fact that Chris's girlfriend had a TikTok account and posted regularly, after all, she lived with him in LA, which meant that the fandom had content of her and him together almost weekly.

Y/N was the typical influencer who participated in all the trends that interested her, from dancing or singing famous songs to recording herself cooking different recipes.

But the ones she loved most were the couple trends, and it was nothing that a few minutes of begging Chris to do them with her couldn't convince him.

Secretly, the boy loved making that mini videos for TikTok with Y/N; he adored showing that he was hers, how much he loved her, and how obsessed he was with her.

　　　　　༻﹡﹡﹡﹡﹡﹡﹡༺

1.

Chris positioned Y/N's phone on top of his computer desk, the device resting on his laptop with the screen facing forward, the TikTok camera already open, and with the audio already selected.

The boy took his Prada wallet from the back pocket of his baggy jeans, leaving it ready in his hand, hiding it behind his back.

His blue eyes glanced briefly at Y/N, who was on his right side and out of the camera's frame, a smile on her face as she admired him, waiting for the recording to begin.

He extended his right arm, clicking the red button in the bottom center of the screen. The melody of the chorus of Cupid's Chokehold / Breakfast in America by Gym Glass Heroes began to play.

"Everywhere I go I keep her picture in my wallet like"

Chris removed his hand that was hidden behind his back, showing the black wallet and opening it, holding it on the left side so that the right side was exposed to the camera, the transparent plastic holding a small picture of Y/N. His face appeared on the right side of the screen, a sideways smile decorating his face.

The girl was lying on Chris's chest in the picture, probably in their bed, the room was dark and the camera's flash completely illuminated her face, a big smile adorned her features along with her closed eyes.

Chris brought his wallet closer to the phone's front camera, holding it there for a few seconds before lifting it slowly and lowering it quickly while moving slightly to the right side.

"Take a look at my girlfriend"

Y/N's figure appeared where the wallet was, wearing a pink set from Fresh Love, a soft smile on her face as her eyes focused on Chris, a passionate glow in them.

"She's the only one I got (ba-ba-da-da)"

Chris returned the smile, placing his wallet on the desk and pulling his girlfriend's body against his, filling her face and neck with kisses. Y/N, throwing her head back with her mouth open in silent laughter, was the last image the camera captured before the tiktok ended.

　　　　　༻﹡﹡﹡﹡﹡﹡﹡༺

2.

Y/N docked her phone in the phone holder attached to the dashboard of the triplets' car, which she asked Matt to borrow the keys so she could go out to lunch with Chris.

She lowered the device's screen brightness, leaving it at minimum so that Chris wouldn't see the TikTok camera opened. Her eyes quickly went to her boyfriend next to her, seeing him scrolling through his own cell, probably looking for a nice restaurant for them to eat at, as Y/N had asked him to do.

She quickly clicked the red record button at the bottom of the screen, smiling briefly at it, an amused gleam in her eyes.

"There's this Osteria Mozza that looks cool. It's Italian, just how you like it." Chris commented, his eyes still focused on his own phone screen as he read the restaurant's reviews.

"Great, I feel like eating pasta." Y/N nodded quickly. "Let me just touch up my lip gloss real quick." She asked, turning her body sideways and reaching over to the seat where Nick normally sits, grabbing her purse.

She pulled it forward, slamming the side of it against the back of Chris' head, before placing it on her lap.

"Ouch, fuck! What was that for?" Chris's voice was high pitched due to the surprise of the impact, his cap almost falling off his head as his right hand left his phone and went to his hair, fixing the piece there while he looked exasperatedly at his girlfriend, his blue eyes wide.

The girl pressed her lips together as she tried to hold back her laughter, clearing her throat momentarily. She opened her purse and took out her Dior lip gloss.

"I'm sorry, baby. I didn't even notice. Are you okay?" Y/N glanced at him quickly, her brow furrowed in false concern.

"Yes, just be careful next time." Chris asked, removing his hand from his cap before turning his attention back to his phone.

Y/N closed the zipper after reapplying her lip gloss, anticipating her boyfriend's final reaction before turning her body again, raising her arm and taking the purse to the backseat, slamming it into Chris again, this time hitting his nose.

"Babe! What the fuck?" He frowned, turning abruptly to her as he brought his hand up to his nose, rubbing the area. "What the hell are you doing?"

A sound of laughter escaped Y/N's throat, her mouth falling open as a laugh escaped freely, her head falling back. Chris watched her as if she were crazy, the beginning of a smile appearing on his lips, his blue eyes running over her expressions.

"I'm sorry baby, it was for a tiktok. You're so funny." She said amidst laughter, pointing to her phone that was still recording them.

Chris rolled his eyes, a big smile taking over his features as his hand reached for the device. He widened his eyes at the camera playfully before clicking the red button again, stopping the recording.

　　　　　༻﹡﹡﹡﹡﹡﹡﹡༺

3.

Y/N took advantage of the fact that Chris was still brushing his teeth in the bathroom of their bedroom to position her phone on the nightstand on her side of the bed, the front camera capturing an entire side of the room.

She pressed her lips into a thin line, trying to contain her laughter in anticipation as she grabbed her pillow and blanket from the bed, gathering them both under her arm.

"Chris, I'm going to sleep on the couch tonight." Y/N spoke out loud, intending for the boy to hear her.

And he did, lifting his head abruptly and turning his body completely towards her, his toothbrush in hand and toothpaste on his lips.

"What?" His voice was muffled by his full mouth, his eyes wide as he watched her in surprise.

"I'm going to sleep on the couch today." She repeated, looking directly at him this time, making sure her body wasn't in full view of the camera or cutting into Chris's image.

"What? Why?" Chris asked again, a thread of sadness crossing his blue eyes as his brow furrowed, his mind working hard to try to understand what he had done wrong. A pain took over Y/N's heart, wanting to give up on the idea right then and there.

"I'm going to sleep in the living room, on the couch." Y/N spoke one last time, turning around and walking towards the bedroom door, in order to open it, but her action was stopped by the brunette, who spat the paste in his mouth into the sink and dropped the brush, running towards the girl.

"Wait, you sleep on the bed, and I sleep on the floor above a blanket or something, and tomorrow morning, we'll talk about it. Just don't let me sleep alone." He asked in a desperate tone, taking her arm and pulling her close, wanting to hug her and apologize for whatever he had done, even without knowing what it was.

Y/N looked into Chris' eyes, her own wide in surprise. She didn't expect that.

"Oh my baby, no! It's a prank, just a tiktok trend." The girl explained quickly, pointing briefly to the phone still recording before pulling Chris into her arms, feeling her eyes filling with tears and her heart warming with love.

　　　　　༻﹡﹡﹡﹡﹡﹡﹡༺

4.

"Nick, this is not that difficult. They only have two types: pink and purple, I want the pink one! Are you dumb?" Chris was talking loudly, his phone pressed on his ear as he was on a call with his brother, having asked Nick to buy a specific candy he knew Y/N liked on his quick trip to Target.

Y/N walked towards him with her own phone in hand already recording, the rear camera facing Chris, who was sitting on their bed with his back against the headboard, the blanket covering half of his body as the sound of a random series came out of the television.

The girl was only wearing small cycling black shorts and a Chris t-shirt that was huge on her body, covering her bra-free boobs.

She walked closer as she watched her boyfriend fight with his brother, a look of boredom in his eyes that quickly met hers, a small smile appearing on his face as he sent her a wink.

Y/N smiled back before stopping her steps, her free hand going to the hem of her - his - t-shirt and pulling it up a second later, exposing her boobs to Chris.

His blue eyes widened in a matter of seconds, his mouth opening into a perfect O. Nick's voice sounded shouting from the other side, demanding that Chris responded, but to his ears, everything seemed to have gone silent.

"Nick, buy anything, you name it. I need to take care of one thing right now, I mean, two." The brunette spoke weakly into his phone, lowering the device and clicking the red button to hang up the call without even looking at it, completely ignoring Nick's voice on the other end.

The girl let out a laugh, the image of Chris standing up abruptly and pulling Y/N against his body being the last thing captured on camera, before the tiktok ended.

[queen-of-deans-booty]

Across Every Universe

Pairing: Dean Winchester x Female!Reader

Word Count: ~2.1k

Warnings: fluff

Request by anon: Hey Jordan, can i request something where Dean Winchester always have a crush on the reader but never said something to her until one day Sam and Dean are transported (based on the episode French Mistake) and Dean actor Jensen and is married to the reader of the universe and she pass the whole day giving Dean hug and kisses because for everyone is Jensen. When Dean and Sam came back to their universe him and the reader start dating? Fluff 

Summary: Sam and Dean are taken back to the same place where Dean is known as Jensen Ackles and Sam as Jared Padalecki. This little trip makes Dean realize his feelings for you.

Square Filled: "god, if only you knew what you did to me" (2023) for @spnaubingo

Author’s Note: any and all comments are appreciated <3

x

No matter the position you’re in, you’re not comfortable. It doesn’t matter if you lie down on your side, your back, or your stomach. Not to mention the heater isn’t working in the Bunker so it’s very cold. You have three blankets over you while wearing long sleeves and pajama pants. The broken heater doesn’t help your running cold either. You’re not sure where you caught it from but you’ve been trying to stay away from the brothers to not get them sick.

That doesn’t keep Dean away, though.

He’s a complete sweetheart to you since he always brings you soup, makes sure you’re comfortable, and spends time with you even if you tell him not to go near you. You don’t know what you’d do without Dean in your life.

Speaking of, he knocks on your door and enters wearing his usual hunting attire.

“Going on a hunt?” you ask and sit up slightly.

“Yeah. I wish I could stay here and take care of you.”

“Other people need you,” you smile. “I’ll be fine. I’m going to stay in bed, watch movies, and make some soup later. Did you fix the heater, yet?”

“I have someone coming in a few days. He’s also on a hunt.”

“Right, no non-hunters here,” you chuckle.

“I’ll call you later and check up on you, okay?”

“My hero.”

You cuddle with your blankets more and Dean leaves your room with a slight blush on his cheeks. Before he closes the door, he looks back at you in thought. God, if only you knew what you did to me.

He closes your door and meets his brother in the library. As soon as they are packed and ready to go, they start the long drive to the next state over. When Dean gets onto the highway, Sam turns to Dean with a knowing smile.

“So, did you tell her how you feel?”

“Stay out of it, Sammy,” Dean rolls his eyes.

“How long have you had a thing for her? Years? When are you going to tell her how you feel?”

“I mean it, Sam. Stay out of it. I can handle it on my own.”

“Apparently not, or else she’d be yours.”

Dean punches his brother not gently in the arm and Sam laughs. Dean kept the music high so he could avoid talking about his feelings for you. They get to the town that has its residents sacrificing themselves in the name of God. If anything, it warrants some kind of visit from the Winchesters.

The town looks like a normal town with normal people just trying to live their normal lives. They have no suspicions that something is happening but they only just arrived. They get there late at night so they will have to do their work tomorrow morning. Dean takes out his phone when his brother goes into the bathroom to shower and calls you.

“Hey, how are you feeling?”

“I’m doing alright but not any better.”

“Did you take your medicine?”

“Yes, I did.” He can hear the smile in your voice and that makes him smile. “And I ate my soup and drank water.”

“Don’t forget to tell her goodnight,” Sam says loudly from the bathroom.

Dean grabs a pillow and chucks it at his brother. “Go take a shower. You stink.”

“Goodnight, Dean,” you chuckle, having heard Sam.

“Night sweetheart.” He hangs up and turns to his brother with a scowl. “I hate you.”

Sam and Dean actually get more than four hours of sleep that night but when Dean wakes up, he doesn’t recognize his surroundings. The motel is gone, the shutty beds and blankets are gone, and the peeling wallpaper is gone. What replaces it is a nice trailer, a comfortable bed, a big aquarium, and other nice shit that Dean has never had.

“Sammy?” he calls out. He gets up and leaves the small trailer only to run into Sam. “What the hell is going on? Where are we?”

“I don’t know.” Sam looks around and spots a name on the side of the trailer that’s behind Dean. “Oh, no. Look.”

Dean turns and sees the name ‘Jensen Ackles’ on the side. He turns back around and sees ‘Jared Padalecki’ on the trailer opposite his.

“You’ve got to be kidding me? We’re back in actor land? What happened last time?”

“Gabriel sent us here to avoid Raphael and his minions. I have no idea how we ended up here.”

“I bet it has something to do with the fact that people were sacrificing themselves in the name of God. My guess is that angels are involved.”

“There you two are.” Sam and Dean turn to see Castiel--Misha--walking toward them. “They’re looking for you two.”

“Yeah, we’re coming.”

If Sam and Dean didn’t do a good job trying to act last time, then they certainly aren’t going to do a good job now. It’s funny in hindsight but it makes for a very long day of filming. After the twentieth time messing up, Dean is ready to get the hell out of there to figure out how to get back to his world.

He looks to the right and sees you at the snack bar. He immediately calls for a time-out and leaves the set.

“Time out?” the director frowns and looks at him. “Everyone, take ten!”

“Y/N?”

“Come here, you have to try this. Gen made it,” you grin at Dean. You take a scoopful of food and present it to him. He opens his mouth and accepts the food, pleasantly surprised by the taste. “Oh, you have something on your mouth.” You wipe his bottom lip with your thumb and lick the food off. Dean is so confused about your behavior but doesn’t have time to figure it out. Your phone rings and you check who is messaging you. “I gotta go. Gen is here.”

You lean up and kiss him quickly before walking off. Dean can’t move after that quick kiss. You did it so casually like you’ve done it a thousand times. He is forced to go back to acting but he can’t do a good job because all he’s thinking about is your lips on his.

They aren’t getting enough filming done so the director calls it for the rest of the day. Sam and Dean convene outside to make it look like they’re busy so no one else talks to them.

“She kissed me, dude.”

“What?”

“Y/N or the woman who she’s supposed to be. She kissed me like we’re together or something.”

“Look, I’m glad you’re going through the five stages of teenage excitement but can we focus here? How are we going to get out of here?”

Dean looks around and spots you entering his trailer.

“Eh, you’ll figure it out. I’ll be back.”

Dean leaves to his trailer and Sam rolls his eyes in annoyance.

“Dean!” he hisses but receives no answer.

Dean enters his counterpart’s trailer and sees you where the bed is. You’re grabbing some night clothes out of the drawers since you’re not going to be leaving the trailer for the rest of the night.

“Hey, I talked to Gen about the cabin and she got it all set up for us this weekend. I’m so excited to spend some time away from all this for two days.”

“Are we dating?” The comment makes you laugh. “What?”

“Are you okay?” He looks kind of nervous so you walk over to him and wrap your arms around his neck. “I don’t know what’s going on with you but I do know how to make you feel better.”

“How?” he whispers.

You run your hands down his chest and take his hands. You take him to the bed and toss your night clothes onto a nearby chair. You fall onto the bed while pulling him so he lands on top of you but he stops himself with his hands so he doesn’t completely crush you.

You pull him down to kiss you and that’s enough to bring Dean into the delusion that you’re Y/N and you’re his. Your lips are softer than what he thought and your body fits so perfectly against his. He slips his tongue into your mouth to get familiar with you. You tug on his hair to get some traction so he pulls away from your mouth and kisses down your neck.

Your neck has always been a sensitive spot for you and he really knows how to work you up. He licks up and down your neck before latching onto the side of it. You gasp, tilt your head back, and moan something that brings Dean back down to reality.

“Jensen.” You’re not his. You’re not you. You’re Jensen’s. You’re not supposed to be with him. He pulls away and pants above you. “What’s wrong?”

“Can we just lay here instead?”

“Yeah, of course. Let me get changed.”

You slip out from underneath him and grab the pajamas you set aside earlier. You strip down naked and Dean has a hard time not looking at you. He can’t help but think you’re a complete stranger. The pajamas you’re wearing are revealing but he feels better at looking at you with clothes on. You climb into bed with him and cuddle into his side, and he tucks a strand of your hair behind your head.

“How did I get so lucky?”

“I’m the lucky one.”

“Tell me the story of how we met.” You look at him in confusion. “I want to hear it from you.”

“Okay, I got tickets to a red carpet event that my ex-friend invited me to. We were going to see the movie My Bloody Valentine because we thought it was going to be the next big movie. The entire cast was there, including you, meeting fans and taking pictures with them. When we locked eyes, it was like something was pulling you to me.

“You came over to me, complimented me on my dress, signed my poster with your number on it which I still have, and the rest is history. I never got together with you because you were a big celebrity. You were genuine, kind, funny, charming, and very sexy. It was hard not to fall in love with you.”

Dean notices the big ring on your finger and puts the pieces together.

“We’re married?”

“Yes, we are,” you laugh. “Are you okay?”

“I’m just… really happy.”

You lean over and kiss him. The next morning, Dean leaves his trailer before you get up. He doesn’t want to wake you even though he wants to. He finds Sam outside his own trailer with a book in his hands.

“Hey,” Dean sighs.

“I might have found a way out of here, no thanks to you.”

“What if we didn’t leave?”

“Are you kidding me?”

“The love of my life is my wife here.”

“That’s not your wife, Dean. She’s Jensen’s wife. She thinks you’re him. Why would you take that away from him? You have a girl waiting for you at home, a girl with whom you’re too scared to do anything about. Don’t take her away from him because you want what they have.”

Dean knows he’s right. He can’t stay here. He’s using this world as an escape from his own.

“Yeah, you’re right,” Dean sighs. “What do you have?”

“I found this book in the prop section. This might be a TV show but it does have some useful books to make it look real. There’s a ritual we can do.”

And a ritual it is. Once they get the stuff needed and perform it, they are brought back to the town they arrived in a couple of days ago. In order to properly tackle this town, they’re going to need some angelic help. Maybe Castiel can meet them back at the Bunker and figure something out then.

The first thing Dean does when he gets home is go looking for you. You’re still stuck in bed watching your favorite movies on Disney+. You pause your movie when your bedroom door opens.

“Hey, how was the hunt?” Dean doesn’t say anything as he kicks off his shoes. He climbs into bed with you and pulls you close to him. “Dean?”

“I love you,” he blurts. “I should have told you this years ago but I can’t seem to think straight when I’m with you. You make everything better for me, and you’re a better hunter than I ever was. God, I love you so much.”

“I’d kiss you but I don’t want to get you sick,” you smile.

“I don’t care,” he whispers and kisses you.

This is where he belongs. Right next to you.

x

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