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aeolian-mode · 4 years ago

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my grievances with BNHA

(Spoilers below) I’m long-winded today cos I had some Thoughts to get off my chest in regards of how I feel about the storytelling of BNHA.

TL;DR: I don’t think Horikoshi understands the value of ma. Maybe he believes that his target audience would grow impatient, and I have to remind myself that BNHA is a shonen and is made for young people and my storytelling tastes probably aren’t what he’s marketing towards- but I still think there is a lot that could be improved about BNHA if Horikoshi spent a little bit more time in the slow moments, and valuing the emotions and relationships of the characters instead of rushing to the next plot point. He also made way too many characters, which is typical of shonen, but the more characters he has to cover, the harder it is for him to provide content for all the people who have picked a favorite character out of the sprawling cast. Everyone is forced to find satisfaction in table scraps, but if he stuck to a strong core cast, there would be plenty to go around. Long version:

"Ma” is an extremely important storytelling concept. Ma is the Japanese word for 'negative space.' In visual art, negative space is the empty places on the canvas where there's nothing important to look at. After all, if every single square inch of your canvas was filled with something exciting to look at, like character faces or action scenes, your illustration would be very hard to take in at a glance, there'd be no distinction of character silhouettes and nothing would be readable. The same concept applies to storytelling. You need ma to achieve a greater emotional impact when the heavy, loud moments occur. Let's take a look at how Hayao Miyazaki of Studio Ghibli writes ma. In My Neighbor Totoro, 80% of the film is slow-paced slice of life moments where two sisters explore their new house, and discover supernatural creatures living peacefully beside them. Then, at the end of the movie, something distressing and horrible happens to the two sisters' mother, who has been hospitalized since the beginning of the film. The film's final 20 minutes or so are about them discovering this distressing event, and the emotional climax of the film feels extremely powerful because we were given time to live with these sisters, observe their peaceful daily life, and grow attached to them. Suddenly, something important to them became jeopardized, and we care.

Miyazaki often uses ma with food. Characters cook for each other, or eat together. The detail of the food in the animation is often exquisite. Miyazaki and the Ghibli animators want us to notice the way light refracts through the glossy surface of an egg on toast, or the lines of fat on bacon sizzling in a pan. He wants us to exist in these quiet moments of daily life.

I can't tell you the last time My Hero Academia actually had an extended scene of ma. Maybe it was the bench scene, where Eraserhead and All Might share a moment. It was a powerful scene in the manga, and it was powerful because it wasn’t about the plot at all. It was about the intimacy between two characters who have grown close over shared adversity, and All Might struggling to find purpose in his hard life. After this scene, however, the story has been one distressing event after another without any breaks to breathe. And, since it has so many characters, it has failed to prioritize the emotions of significant characters. How did Eri feel when Aizawa was maimed? Who is watching her? How did Inko feel when she saw her son mangled, even after All Might promised to protect and raise him? How much raising has All Might actually done in Midoriya’s life? It seems every time the two of them have a conversation, it’s about One for All, not about Midoriya’s growth into manhood or his emotional development as a suffering teen who’s picked the world’s worst profession. Will we get assurance on the safety and wellbeing of favorite heroes like Fatgum and the Big 3? Will Mic and Aizawa properly grieve Midnight? What about the rest of the UA staff? How does Nezu feel when UA was turned into a safe haven for civilians? How have the parents of all these students processed all this grief? How has Class 1-A handled their painful struggle? The story has been, instead: >heavy, distressing, lengthy action sequences where everyone is hurt >immediately following that, a prison breakout >immediately following that, scattered moments of characters in a hospital with dramatic flashbacks of their lives and burdens, yet none of them fleshed out to their fullest potential because there’s too many injured characters >immediately following that, heavy and intense emotions all focused on the plot of One for All, yet All Might is a mute ghost and has no actual bonding with Midoriya since they don’t even speak to each other >immediately following that, more heavy and intense emotions as Horikoshi rushes to show that Izuku is gone and has slapped together letters about his departure >immediately following that, more villains attacking heroes and civilians because of the prison break. There has been no ma. We haven't had a single quiet moment that isn’t focused on bulldozing into the next plot point or action sequence. What about a scene like Eraserhead sharing a meal with Eri, or talking to her calmly about life? How about the neglected characters like Fatgum and the Big 3 recovering in their own way? How about the moms of all these hurt children actually coming in and getting involved in their lives? How about the students of class 1-A trying to do something fun to diffuse the tension and show how they have grown close as friends or a found family? Sometimes Horikoshi tries to show ma in tiny snapshots rather than entire scenes; for example, there's a snapshot in one of the earlier chapters of Aizawa putting Eri's hair in a hair tie. This is a single panel. It's not enough to have a single panel. What we needed was an entire scene or chapter dedicated to Aizawa and Eri and Friends. Show her with her found family, show her going out in town or playing with a cat or talking to Mirio or Aizawa for an extended period of time. Show us scenes about nothing particularly important.

When your story is plot, plot, plot, you're deciding that human moments and human interactions aren't important. And at the end of the day, no one watches a show for the plot. They come to be validated as a person, and relate to the characters. I came to MHA because I relate to All Might, his disability, and his desire to be strong and fight through his suffering so he can selflessly help other people. That character resonated with me. I saw myself on the screen. Unfortunately MHA stopped being what I came to see a long time ago. I’m here because I like drawing my favorite characters, and the fandom has introduced me to a lot of wonderful friends, I’m not ready to give it up. But I wish it had more of what I was hoping to get out of it. I understand that making a manga is extremely difficult. And I understand tons of people enjoy it and have no issues with it whatsoever- all power to you! I just haven’t gotten what I was personally hoping to get, and this is why. :( ANNNND SEASON 5 JUST STARTED AND IT’S AN ENTIRE SEASON OF CHARACTERS I DOOOOON’T CARE ABOUT AT ALLLLL! HEY WE REALLY NEEDED AN ENTIRE SEASON DEDICATED TO CLASS 1-B CHARACTERS THAT ARE COMPLETELY AND UTTERLY IRRELEVANT AFTERWARDS, THEREFORE WASTING SCREEN TIME ON FORGETTABLE UNIMPORTANT SIDE CHARACTERS INSTEAD OF THE CORE CAST THAT WE DESPERATELY NEED CONTENT ABOUT ALSO THANKS FOR FORGETTING ABOUT DADMIGHT HORIKOSHI

#aeo rants #blog #text post

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colourful-void · 4 years ago

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Talentless Nana: Audience vs Character Motivation

An Analysis of how Talentless Nana’s complex writing and take on protagonist sympathy, by a person who isn’t qualified to talk about it. Spoiler free for episode one until the cut, after that spoilers for a bit further into the manga, but nothing huge.

Every story has to deal with what I affectionately call the “who cares” principle. This idea is that for every story, there must be a reason the audience cares, why they want to see it through to the end. This reason usually structures the plot. A story cannot exist without a reason to see it through.

While people’s motivations to consume media differ incredibly (I.e “I’m only in it for the ships, I like the animation, I like the artist”) I believe in most stories there is something in the story that the audience is supposed to care about.

In a lot of stories it’s what the protagonist wants, hence them being protagonist. Part of this is because many protagonists are simply audience surrogates with varying levels of personality, but there is more to it.

This makes the task of audience sympathy fairly simple, all the creator has to do is endear their audience to the protagonist and soon we care about what they care about, making it easy for the creator to straight up tell us what we want via the protagonists mouth.

For example, in My Hero Academia, “the audience” wants to see Izuku become the most powerful hero. It’s what Izuku wants, and we like Izuku, so we want what he wants. That doesn’t mean people don’t watch HeroAca because they like other characters, or because the fights are cool, or they like the art, it just means that’s what the audience is supposed to want, or at least something they care about at some level. The audience wants to see what happens, so that’s where the story goes.

This is how a lot of stories work, especially popular ones.

As long as you have

So what does this have to do with Talentless Nana? Well... (spoilers below.)

Our protagonist was just murdered and now we have to follow and root for the murderer?!? - me, upon reading around 5 chapters of the manga.

For those reading this analysis who haven't seen the first episode, or read any manga, a quick summary. The entire episode up to this point followed around Nanao, who was said to have no talent. You assume that he’s the protagonist. it fits the name, plus he’s on all the promo art! But then, out of nowhere, this sweet, kinda clueless girl, turns on him, shoving him off a cliff and taunting him as he hangs on for dear life. She tells him he is an enemy of humanity, she never had a talent after all, and was reading him based on pure intellect alone. And then? He falls.

I looked at some reviews for the manga. They called Nana evil and twisted. I looked at some reviews for the first episode of the anime. Several comments wanted to know who the protagonist was now, guessing Kyoya, a new character, or even just that there would be no protagonist.

So, to clear things up, Nana is the main character. She is the protagonist.

But i can understand why people don’t think that way at first. The top feeling you get, in my experience, is betrayal. That betrayal is amplified once the story continues. We follow Nana, and her goal to kill off the entire cast.

Now from what I’ve seen, there are a few ways the audience can feel at this point.

a) so upset at the events that they drop the series altogether, not wanting to read/watch the story of a murderer. (this is fair)

b) immediate 180 to begin hoping nana kills them all. while slightly pushed by the story in it’s depictions of the characters (they aren’t all good people after all), this isn’t exactly what I would say is intended, or the ‘right’ choice, but it is one people might make.

c) confused, and scared, but intrigued to find out what happens. wanting to know if Nana will be stopped. conflicted on what that would even mean. so they keep reading, unsure. this is what i did.

In terms of motivation, Nana starts simple. She wants to kill the enemies of humanity. The audience however is unsure. After all, most people don’t go advocating for mass murder. But that’s what makes Nana such an interesting protagonist.

See Nana, despite being a murderer, isn’t unlikable. In fact, the manga starts working towards making the audience like Nana again right after betraying us, and the anime and manga had already laid the groundwork for our investment by her initial portrayal.

So then. What does Nana want that the audience also wants? Well as of episode one? nothing. But as the manga goes on, the audience starts to see more about Nana and understand why she is the way she is. and as you figure this out, Nana starts to understand more and more about whats been happening her entire life, until the audience knows more then Nana, and their motivation is no longer a mystery.

What is that mystery? well I think i’d rather not spoil it, unless this does well and i’ll do a sequel, but if you need to know, i highly encourage you to go read the manga for yourself. if you’re looking for a legal way to support it, crunchyroll has it!

talentless nana pushes the line between auidence motivation and character motivation, and is a fantastic and thrilling story. please, especially if you were considering dropping the anime after watching the first episode because you didn’t like nana.

end of essay, for now.

#munou na nana #talentless nana #nana hiiragi #hiiragi nana #analysis #i can't encourage you enough #and if you cant because the subject matter is upsetting thats cool and i get it #but for those who can #it really is worth your time #or at least the manga is

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brainbuffering · 4 years ago

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Denki Kaminari: Accidental Epileptic Icon

[ID: A digital drawing of Denki Kaminari from My Hero Academia. He has a bi grin on his face as he gives out two peace signs. He is wearing a Purple TShirt that says “THIS IS WHAT A DISABLED PERSON LOOKS LIKE” on it.]

By this point I think I may just be becoming an Epileptic!Kaminari blog, but since the DVD/BluRay just came out I thought I'd cross-post from my Fandom Twitter about why I am so passionate about this headcanon.

There have been plenty of electricity based Superheroes in the past: Static, Black Lightning, Surge, and Thor to name but a few. What marks Denki apart though is the intense NEGATIVE side effects his power has.

There's a trap writers often fall into when creating disabled heroes, where the hero's disability actually grants them some immense power e.g.: Daredevil's superior hearing and reflexes. Denki's quirk does not make his life easier, but much like kids on meds, he's learnt to control it. Mostly.

When Denki releases a sudden and much too intense amount of electricity his brain short circuits, causing him to lose some level of brain function. His dopey expression and dropped gaze could be read as a variety of seizure types. I go with Absence, coz I'm a narcissist.

Not only this, but Denki's "Derp Mode" contains many of the symptoms of a Postictal State ("the altered state of consciousness after an epileptic seizure"). These include, but are not limited to: drowsiness, confusion and headaches. Again, sound familiar? Now, if I believed this was a DELIBERATE attempt at representation I'd be frustrated and a little insulted. There are problematic elements within his "Derp Mode", but when you're epileptic you take what you can get. Which is… overall? Not a lot.

Seriously, take a second to try and think of, say, three explicitly stated epileptic characters in mainstream media... Pretty tough, huh? Even Google can't really help you. Our representation is mostly limited to murder victims.

"How did he die?"

"Well, the super computer didn't like that he tried to turn it off, so it flashed lights at him until he had a seizure and died!"

This is an actual plot line from Elementary. Yeah. It sucks. Back to anime!

Denki's struggle for control is what makes him relatable. He has episodes during regular classes that detract from his learning. His friends make fun of his "derp mode", the period where he's the most vulnerable. These aren't NICE things, but they are all too relatable. He could be criticised for taking too many risks, and trying to use too much of his power at once without thinking it through. This is what we experts call "being a teenager".

From my personal experience, your teen years are when you start to really discover what your triggers are. You try to push yourself, find where your limit is and maybe even try to rebel against it. Perhaps with enough practice you can break those limits and be cured! (Spoiler: You can't be.)

Pushing limits could mean: not taking your medication, staying up late, watching films with flashing lights etc. So when I see Denki being too gun-ho about using his quirk- that's what I see: a teenager testing his limits and making mistakes.

But I also see him LEARNING from those mistakes. He pushes his voltage limit up slowly, testing it in a safe environment with support staff around. He has aids to help refine his technique and prevent overload. His level of self-control from Two Heroes to Heroes Rising is remarkable!

So that brings us back round to the film, and why I cried in the cinema, admittedly on my 4th watch. (I had a pass. I made the most of it.) The answer is: Kaminari knowingly and painfully pushing his limit to save the island. Specifically I am talking about the scene where the power has gone out across the island, and it is Kaminari's job to charge the emergency batteries Momo created to bring power back to mainframe units.

We see him and Momo struggling to produce these generators. They require more energy than they possess, but without them they're doomed. When Jiro suggests they take a break Denki replies "If I don't charge these [batteries] now I won't get to"

This hit home. I have been in that situation. I've had to pull an all nighter. I've had to wake up too early, too often. I've been so stressed that I can feel the tell tale signs of a seizure on the horizon… but I had to push through it. Once that feeling of an oncoming seizure begins there is no taking a break. There is no five minute gap, I have to complete my tasks, be it handing in coursework or stacking shelves, right then coz I'm gonna be flat on my bed in 10 minutes regardless.

That's what I saw in Denki, and in Momo. The familiar pain of knowing the worse is coming, knowing there's nothing you can do, but the pressure of the immediate task means you can't stop. All because, for you, pushing your limits has deadly consequences. For the first time we saw Denki's "Derp Mode" played as a consequence with little to no comedic element. This wasn't "Silly Denki thinking he can do it all! No he can't!" or "Look at his derpy face, how funny it is so make him suffer!"

Denki's loss of awareness was a sign that he had been acting as a hero. He'd given his all for his friends and the islanders. In his next scene we saw him attending a meeting in a Postictal State. He has nothing more to give, but he was still included in the group.

I've never really seen that before. I've never been given a chance to explore those feelings through media. It made me process my life and my choices. Through Denki's extraordinary situation, I was able to look at my ordinary life more clearly.

Denki was me. Denki was me age 10 missing things in class and thinking I was an idiot. He was me age 14, losing friends because they thought I was ignoring them. He was me age 19 at Uni, hiding under a desk during hand-in because my brain couldn't cope anymore. He was me age 24 realising I had to quit my retail job because I couldn't keep up with the long hours; my seizure count going from 1 a month to 3 a day. He's me age 26 crying as I write this.

Representation matters. Seeing yourself represented let's you understand parts of your life you never got to before. It helps you feel seen, like your struggles matter to other people. Denki isn't perfect, but he’s all we have. And I love him.

#Actually Epileptic #My Hero Academia #Denki Kaminari #Epilepsy #BNHA #Heroes Rising #My Hero Academia Heroes Rising #Boku No Hero Academia #Boku No Hero Academia Heroes Rising #Spoonie #Anime #Headcanon #Media #Meta #Blog Post

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aros001 · 3 years ago

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First time read through light novel vol. 4. Random thoughts.

So this is where mayonnaise came into the story. I still remember my sheer utter confusion over the mayo bath in the Memory Snow OVA, having no memory of the anime ever bringing up any of Subaru's love for the condiment. As a positive for him at least, it's cool that Emilia apparently really likes it too and that he's the one who figured out how to makes the stuff in this new world.

“The lad’s eyes interested me ever so slightly. They said he has crossed the boundary of death. Many come close to the line, stop, and draw back, but...” Wilhelm lowered his lids in thought as his words trailed off. “Those are the eyes of one who has crossed once, no...several times, and returned. I know of no such being. You might say I was compelled by curiosity.”

How would he know what the eyes of someone like that look like if he's never met anyone like that before Subaru?

“Listen and be amazed, look and be astounded! Behold, the ultimate combat technique—RoSciPer!!”

“What is that...thing?! You did not inform me such a hand was possible!”

“Shut up! I didn’t mention it, but it’s your fault you didn’t ask! That part is rock, this here’s scissors, and over there is paper! In other words, my hand’s beaten your rock!”

That is so freaking petty. But on the other hand, maybe Priscilla would respect him for it anyway? I could see her having no problem with winning however you can, even if it's by being unfair and tricking your opponent, as long as you keep your own pride.

“—But I wonder what Master Roswaal is thinking?”

She inclined her head slightly as she voiced her doubts about the instructions her master had left that morning.

“He said, ‘Do not stand in Subaru’s way no matter what Lady Emilia may say to you.’”

It was as if he’d anticipated Subaru’s actions and had instructed her accordingly. She also wondered why he was valuing Subaru’s opinion above Emilia’s.

Hmm...now that's curious.

“That’s right, bro. It’s been eighteen years since I got summoned here. I lost my arm around the same time... Right around the age you are right now.”

Just like that, Al confessed to Subaru that he’d experienced the same situation.

...Wait...WHAT?! If this was in the anime then I completely forgot about it because holy sh*t, Al is from another world too?! And according to him he arrived 18 years ago and was about the same age as Subaru is (and Subaru is roughly 17, isn't he?). No idea if he can Return By Death and if he can he might have the same penalty for trying to talk about it as Subaru does, so he obviously couldn't talk about it, but this is a huge deal. It's a great bit to add to Subaru's story, showing off what could have happened to him and what he could still eventually become. It probably deepened his obsession with Emilia a little bit too, since she's the main difference between him and Al.

“Unfortunately, Lady Emilia, this is not the time or place for you to argue. If all the facts become clear, Subaru will be staying here...for a very, veeery long time.”

Okay, Roswaal f**king knows and is planning something.

They talk about a Dragon Tablet handed down by Holy Dragon Volcanica, which has given predictions and warnings about great disasters that did actually occur. Naturally, my first thoughts are that this Holy Dragon (or whoever wrote the tablet) might have had abilities like Subaru's RBD and that he'll have his own role to play.

Felt might be a long lost princess of the royal family that was wiped out in a strangely specific plague and Subaru met both her and Emilia first in this world because she stole for her the thing that proved she was a worthy candidate for being a Dragon Maiden. It kind of feels like the Witch of Envy is like the Force from Star Wars with how well she made the destinies and chance encounters line up.

I never really liked Ferris that much, and not because he's a cat-boy trap. It's more the way he talks. I like things that are cute but I can't stand things that are cutesy.

While Crusch's idea for the future of the kingdom is nothing that should be rushed, and most certainly should be done with care as not to piss off the dragon, I get where she's coming from, that they are too reliant on the dragon's blessings and not doing enough for themselves. It's a classic argument I've seen plenty in superhero stories. There's no denying the heroes have done a lot of good but when the people become too dependent on them and if/when the heroes can't help anymore, what's going to happen then? It's one of my favorite plot points in My Hero Academia, where common citizens thinking "It's fine, a hero will show up and take care of it." and not helping where they should have eventually gave rise to one of their world's most dangerous and infamous supervillains.

“A-and now you make threats. These words and this show of force convey, ‘Do as I say or you shall be an icicle.’ If this is not blackmail, what is...?!”

Then, Emilia wholeheartedly affirmed his suspicions.

“—Yes, I am threatening you.” She continued, “I shall make my case to the esteemed members of the Council of Elders once more. My name is Emilia. I spent a long time in the Great Forest of Elioor, the World of Eternal Frost, and am served by Puck, the Great Spirit that governs fire mana. I am a silver-haired half-elf. The people of the nearby villages called me...”

Emilia paused, surveying the faces of the Council of Elders on the dais.

“...the Freezing Witch, born in the Frozen Forest.”

Holy sh*t, I am way more into Emilia's character here than I was in the anime! That was awesome! Her whole speech after too and her finally being given some respect. It's not like she didn't have any personality or agency in the anime. It's not like she could have just been replaced by a sexy lamp and nothing would be different like you could with the heroines of other series. But she definitely feels like she has more here, like there's more fire to her. Like hot damn, even I want to see her become queen now!

...And then Subaru opens his mouth again...and promptly inserts his foot.

Yeah, I suppose Subaru white knighting for Emilia in front of all the actual white knights is probably one of the more infamous scenes of the series, huh? It's one of those weird things where you feel you know what Subaru should have done but at the same time, if he hadn't snuck into the castle, we wouldn't have gained his relationships with Priscilla and Al or have seen as much of the meeting as we did. It's good for the story and eventually it's good for character development but it's hard not to wince a little at everything Subaru does in this part, especially because he himself reflects and feels guilty at a few points about how badly he could have messed everything up for Emilia and Roswaal.

I've thought a lot more about Subaru's white knighting ever since I watched the anime, mostly because of characters like Motoyasu from Rising of the Shield Hero and Mitsurugi from Konosuba; two LN series I read before this one. Chivalry isn't a bad thing. Trying to stand up and fight for someone you care about isn't a bad thing. But like Emilia points out, she never asked Subaru to do any of that for her. She didn't want him to do any of that for her. In fact, he deliberately went against what she did ask of him to go and do all of that. With these three characters, the problem with their white knighting is that they're doing it with no regard to what the person they're white knighting for actually wants. In many cases, like Emilia also points out, Subaru wasn't really doing it for her. He was doing it for himself. To make himself feel better. To place himself closer to her. And she's not exactly wrong that their relationship seems to be entirely just two people repaying their debts to each other, even though she has no idea what debt Subaru feels he owes her.

The ironic thing is, if Subaru wanted to get closer to Emilia and have value to her, he already found a way to do that in one of his previous lives. On his second or third loop in the mansion arc, Puck told him that Emilia doesn't have a lot of experience with friends and really wants some. During that loop, Subaru and Emilia are just hanging out, enjoying each other's company, laughing. It's made clear she does genuinely like having him around. Just being her friend was enough for her and there's still plenty of ways her friend could have helped her through such a trying time, without embarrassing her in front of everyone in the castle or making her think it's her fault he keeps getting hurt.

I think Subaru's big problem, and what he needs to grow out of, isn't that he's an idiot (though he can certainly do dumb things) but rather that he's immature. Not immature like he's a child (though sometimes...) but immature in that he hasn't developed enough to properly react to certain situations. He was a shut-in who constantly skipped school. He doesn't have a lot of experience with other real people and doesn't know how to properly interact with them, defaulting too often to what he's seen in fantasy stories. I think that's a problem both he and Rem share to an extent. They don't know what it means to be in love. That's not to say that Subaru's love for Emilia isn't real or that Rem's love for Subaru isn't real. Rather that they don't know what to do with it. They don't know how they should act towards the person they're in love with or how to show their love, so too often they default to either obsession or devotion or both. And so if they want to have a healthy, happy relationship with the person they love, they have to acknowledge and address their own immaturity and basically grow up a bit.

Nice little detail that Julius beat on Subaru to keep any other knights from going after and possibly killing him...and because he was at least a little annoyed by Subaru's words. He's a good guy...but still human.

And again with Roswaal working things behind the scenes. He gave orders for Subaru (or at least a servant bearing his family crest like Subaru would be) to be allowed to pass into the castle. I imagine he did have a back-up plan for if Subaru never showed up but the man definitely knows or suspects something about Subaru and/or what's going on with him. I mean, benefit of the doubt, if he doesn't know about RBD, from the outside it does look like Subaru has some kind of prophetic abilities, as twice now he's known about future events that would have destroyed everything Roswaal's been working towards and used that knowledge to prevent them. Making things easier for Subaru to act just in case he had another "vision" would have been in Roswaal's best interest. He might be thinking Subaru is like the Holy Dragon, thus Roswaal has his own personal Dragon Tablet. But I can't help but feel things go deeper than that. At the very least I'm glad Subaru's outburst and Roswaal trying to smite him with fire was apparently part of the plan. 1, Roswaal is just a really fun character and I don't want to lose that, but 2, he definitely seems like a guy you don't want to have against you.

Original Reddit post: https://www.reddit.com/r/Re_Zero/comments/gontd5/novels_first_time_read_through_light_novel_vol_4/

#re:zero #random thoughts #reddit repost

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arcaneranger · 5 years ago

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Final Thoughts - 2019 Long Shows

Dear Lord. This is where all the good shows went.

2019 was absolutely awful on a season-by-season basis (except for Summer, anyway), but that’s mostly because most of the best shows ran longer than what has become the industry norm of a single season. And indeed, heading into the new decade, we seem to be seeing a major renaissance for two- or split-cour shows, given the massive success seen by shows like My Hero Academia, Food Wars, and Haikyuu!!..particularly in comparison to the new perpetual-runners Black Clover (which, despite running for over two straight years now, is still not the most popular show of Fall 2017 by viewer count on MAL, and sits at a ‘meh’ 7.2), and even worse, Boruto: Naruto Next Generations, which is faring even worse on both counts even though it premiered two whole seasons earlier and the fact that it is the sequel to Naruto.

As a reminder of my rules, the shows on this list may or may not have premiered in 2019, but they finished airing this year. The split-cour rule (stating that I judge any show that “finishes” and then premieres a “new season” within six months) didn’t come into play for any 2018 shows, but it will for Ascendance of a Bookworm and Food Wars this year, at the very least.

With that being said! 25 shows running longer than thirteen episodes finished airing this year after being simulcast, and of those…

I skipped 6:

Jojo’s Bizarre Adventure Part V: Golden Wind, Fairy Tail Final Series, A Certain Magical Index III, Ace Attorney Season 2 and Cardfight Vanguard (2018) because I either dropped or have not finished their previous (also long-running) seasons.

Yu-Gi-Oh VRAINS because the simulcast started late and also it was bad.

I Dropped 8:

Worst Long Show of 2019: The Rising of the Shield Hero

It’s always fun to see that a show you hated from its first episode only gets more and more distasteful afterwards, but it’s less fun when a service you have to promote because they’re the legal option is forced to shove it down your throat because they had a hand in making it and it became a massive hit that your friends don’t see any issue with because the author wrote a story that justifies its hero’s patronage of the slave industry. This is my punishment for watching the whole first season of The Asterisk War before I knew better.

YU-NO: A girl who chants love at the bound of this world

A confusing mess from the word go, this ill-fated adaptation of a visual novel from the nineties seems like it was mostly made to cash in on the popularity of the Science Adventure series, but failed to present itself in a way that made an ounce of sense or looked remotely interesting.

Fairy Gone

Am I really the only one that saw potential here? I mean yes, it ended up a boring slog that didn’t care to move its plot in a meaningful direction, but the first episode was at least cool. I guess Izetta: The Last Witch should have taught me better.

We Never Learn

I know that I’m in the minority in terms of the male demographic for shows like this, but honestly, how are bland harem shows still this easy to market? A copy-pasted protagonist with copy-pasted waifus drag down what could be an interesting setup for a story.

Karakuri Circus

The first episode of this one had me excited, the second and third left me bored to tears and wondering if it would continue to look uglier by the minute. I haven’t seen a three-cour show look this janky since Knight in the Area.

Radiant

Having heard good things about this show from my cohorts, I do feel bad for saying I’ll probably never return to Radiant, but when you have a show that’s notably written by a European author...and it turns out to be a frustratingly standard shounen affair with middling production values, well, you can see my earlier annoyance with Cannon Busters.

Ensemble Stars

This one still gets to me. It almost looked like a male-idol show I would finally be able to get behind, what with its rebellious attitude and oddball setting...that is, until the setting got to be too unbelievable and the show began drowning its audience in side-characters because they had to squeeze every husbando from the mobile game into the story, and it all began to resemble UtaPri a little too much...but without the production value.

Boogiepop and Others

This was a hard drop, honestly. I spent a lot of time trying to figure out how I felt four episodes in, before concluding that I was bored and not particularly invested, two things that should never describe the experience of watching a Madhouse show. The fact that this was the project responsible for ruining One Punch Man only made it worse. There’s a slow burn, and then there’s walking away without turning the stove on.

And I Finished 11 (holy crap that’s like three hundred episodes just on their own).

That Time I Was Reincarnated as a Slime (5/10 & 1/10)

I’ll be honest, I had forgotten just how livid I was with the ending (and especially the sad excuse of a recap episode) of Slimesekai, and reading back through my write-up of it, it’s certainly coming back to me. While this year had bigger demons to fight (Shield Hero), the bad taste that Slime left me with hasn’t really faded, and the wasted premise bugs me to this day.

Hinomaru Sumo (7/10)

What Hinomaru lacked in production value, it happily made up for in good execution and earnest heart. I can’t believe this came from the same studio as Conception, Try Knights and 7Seeds, but if they can only get out one good show a year, I’m glad that we got one bringing attention to a sport that many will joke about but few understand, respect and appreciate.

Kono Oto Tomare (7/10)

Speaking of giving love to traditional Japanese culture, here’s a decent-if-unoriginal show about a local high school koto club down on their luck, and the troubled teens coming together under a scrappy protagonist to bring it back to life. Kono Oto Tomare doesn’t have much that you haven’t seen before, but a decently-executed club drama with Your Lie In April-inspired musical performances is more than enough to keep me interested, and since Forest of Piano kinda crashed and burned under the weight of its own self-importance this year, it was nice to have an alternative.

MIX: Meisei Story (8/10)

It’s hard to judge MIX next to the other shows on this list because it’s almost too old-school for its own good, revelling in an eighties storytelling style that didn’t end up jiving with a wide audience this year. But at the same time, its fun character dynamics (and a very good dub from Funimation, despite them saying they’d never touch sports anime again) were very entertaining to watch, even if it didn’t focus as much on the sport it was supposedly about as much as I’d have liked.

Demon Slayer: Kimetsu no Yaiba (8/10)

I fully admit that I’m very salty about the fact that this won Show of the Decade in Funimation’s poll while it was still on and I thought there were hundreds of more deserving shows, but I can’t deny that Demon Slayer was a very enjoyable experience, albeit one that I had notable problems with. That’s not gonna stop me from getting mad when it sweeps the Anime Awards in a few weeks, though.

Fire Force (8/10)

I was very afraid that David Productions wouldn’t be able to match the energy of Studio Bones’ adaptation of Ohkubo’s previous work, Soul Eater, but I was happy to be proven wrong. Even if the last few episodes contained a bit too much infodumping, it was all sandwiched between jaw-dropping fight scenes that proved that the people who make Jojo’s Bizarre Adventure can still handle the reins of a more traditional action show.

Fruits Basket 1st Season (8/10)

I know that my score for this one is a bit lower than others, but I think that Fruits Basket did pretty well in its first season, considering that it was largely spent setting up future storylines and adapting the part of the manga we’d all seen before, but with much higher production value. I’ve been familiar with this part of the story for over a decade, and the scene with Tohru and Kyo (you know the one) still made me cry. Now, we get the real plot going.

Dr Stone (9/10)

A great start to a totally new spin on shounen, Dr Stone gives me hope for survival in the post-Shokugeki world in which we’ll soon live, as a show that wears its research on its sleeve. A complex plot weaving interesting characters in and out of a narrative surrounding a philosophical battle where both sides actually do have fair points (even if one of them is going about it in a pretty cruel manner). More please.

Vinland Saga (9/10)

Once again, a great start to what will hopefully be years of quality storytelling, Vinland Saga made it seem like it was dragging in the middle only to reveal just what its slow burn had been leading up to, with twist-heavy storytelling and a fantastic cast to match the high visual quality of its brutal battles.

Run With the Wind (9/10)

It’s not often that Production I.G. gets to make a complete, fully-realized show anymore, and this one was a glorious reminder of the potential of the studio in the TV space, and a great rebound for the director of Joker Game. It’s gorgeous to look at, the cast is wonderful, and the story is both realistic and idealistic in a satisfying balance. It’s a miserable process to get to the finish line in real life, but sitting back and watching this was nothing but a treat. At least, until a minor fumble at the end.

Best Long Show of 2019: Dororo (9/10)

Speaking of complete stories, Tezuka Productions and MAPPA teamed up for a breathtaking adaptation of an underappreciated Tezuka classic that expands upon the story in exactly the right way to create a thrilling, savage, beautiful masterpiece that focuses a laser-sharp eye into the relationship between two characters in their journey to, literally and figuratively, become complete people. Also, that opening was killer.

And that’s it! That’s the fun list. Next comes the painful one. Stay tuned for the trash heap.

#final thoughts #year end anime list #long 2019 #dororo #demon slayer #Fruits Basket #vinland saga #run with the wind #Dr Stone #rising of the shield hero #fire force #kono oto tomare!#mix meisei story #hinomaru sumo #hinomaru zumou #that time i got reincarnated as a slime #tensura

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aspenflower17 · 4 years ago

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Wrath is The Cat

Hey everyone! This is my first completed fan fiction. It is very long, but I want to make sure I don’t leave you guys hanging with an unfinished fic. It is for Obey Me! and I had fun writing it. Know that I have finished Lesson Twenty regular and Lesson 15 Hard, so there might be spoilers. It also talk about Fruits Basket in this fic, though I don’t think there’s any major spoilers for that (also, if you haven’t read it or watched the new anime, you should!).

I am posting this at midnight, so I apologize if there’s formatting problems or such. Please comment or DM me with anything major you see and I will attempt to fix :)

Satan / Reader

Word Count: 3960

[some angst at the end]

“Are you reading that again?” Satan asked, eyeing the newest volume of My Hero Academia Mc had.

“Technically, this is the first time I’ve read this volume, but yes, I am reading My Hero Academia.“

"Why?”

“Huh?”

“Why would you read that when you could read real literature?”

“Hold on just a minute,” Mc said, fully shutting the volume so she could face him, “What did you say?”

“Come on. You can’t tell me you find that more compelling and as well written as A Portrait of Dorian Grey.”

“I never said one was superior to the other. Just because on is good does not invalidate the other. By that mode of thinking, no one should make new literature because it would never be as good as the classics, which is, simply put, a stupid idea.”

“Well, what about the issue of the art itself. These over idealized figures that couldn’t actually look the way they do in real life. ”

“Says one of the prettiest men I’ve ever met,” Mc muttered under her breath.

“Hmmm… what was that?”

“Are you talking about uber-boobs and uber-muscles?” Mc asked, hoping he honestly hadn’t heard her.

“Among other things, yes,” Satan said, though she could feel him trying to figure out what she’d actually said.

“Not all manga and comics are like that! It’s a trope in both genres. Before I started reading them, it’s something I thought too,” Mc said, not realizing that her voice had gotten very loud and fervent. Satan sat there, looking as if he was deciding whether to continue the conversation. Mc took a deep breath, her inner fan girl needing to quiet down in order to get through to him, “Have you read any?”

“Yes… Well, I tried once. Levi begged me to read one, so I conceded. Long story short, it was not to my liking.”

“Which one?”

“I believe it was called, That Time I Accidentally Fist Fought A Monster.”

Mc pinched the bridge of her nose, a habit she’d subconsciously picked up from Satan. He smiled softly as he recognized the imitation. That was a terrible anime or manga to start someone off on. It had a pretty good story, but it had far too many silly anime tropes for someone like Satan.

“That… That is not the one I would’ve started you out on.”

“And just which one would you have started me out on?”

Mc stopped, and started to think. Most of the anime and manga she liked were romance, and she wasn’t sure if those would be a good fit for him, especially since most of them didn’t have much of a story line besides the relationship. Although, there was one she had been able to get her brother into…

“My first instinct would be Fruits Basket. I’m not sure how much you'd like it at first, but I think if you give it a real chance and read until… the third volume, probably… I think you’d really end up enjoying it.”

“What do you think I’d like about it?”

“Hmmm… You’d probably really appreciate the dynamics between Kyo and Yuki. I also think you’ll appreciate the character depth and development. There’s also a lot of plot intricacies and plot twists. I also agree with a lot of people online that it’s a good introduction to anime and manga.”

“I’ll try it then.”

“Wait… What?”

“I have a feeling you’ve had more success introducing people to new things, especially since you have specific elements you think I would enjoy. So, I will try out your suggestion.”

“Are you sure you’re okay with my impulse reaction? I probably know of one’s you’ll enjoy more,” Mc asked, suddenly feeling a little vulnerable. Fruits Basket was one of the first anime she’s found on her own, and it still stood as one of her favorites. If Satan, who’s opinion she really valued, ended up hating it…

“I find I can trust your intuition most of the time. We also have similar tastes in regards to literature.”

“Oh… Well, I do have a copy of the first volume in my room if you want.”

“You have a copy here in the Devildom?”

“Mmmhmm. I ordered the whole set off of Akuzon after I found out Levi hadn’t read it.”

“I see. In that case, sure.”

“Okay. I’ll be right back.”

Mc smiled to herself the whole way back to her room. Though she was still a bit nervous, but after hearing Satan praise her tastes in literature, she was feeling more confident, “If I can at least get him to acknowledge it’s worth, I’ll feel accomplished.”

After grabbing the first volume, she thought for a second and grabbed the second. She put them in her book bag, and started on the familiar route to his room. All the brothers had a defined smell to their room, though Satan’s had always been the easiest for her to find. The smell of books started the moment you turned down the hallway his room was on. Standing in front of his dark wood door, she took a deep breath, knocked, then entered.

Satan was not where she had left him, which was kind of odd to her. Carefully avoiding a stack of books she had knocked over on a previous occasion, she started looking around, “Satan?”

There was some shuffling, and then his voice came from above, “You’re back quicker than I thought you would be. Come on up.”

Wait… What? Up the spiral staircase? For real? Everyone knew how rare it was to be allowed up to the second story of Satan’s room. No one went up without express permission. Even Mammon stayed out after being hexed so many times he’d lost feeling on the side of his big toe. Mc had only been up there once, and that was because Satan had wanted to show off his newest rare book. She had only been allowed to sit in the single armchair he had up theorem and she couldn’t touch anything, and for good reason. Satan kept his oldest, rarest, and most important books up there. He had even put a spell on every book up there to preserve them, and, if rumor was correct, a barrier that stopped him from going up there was he was upset. Aside from the few grimories and numerous magic books he had up there were rare human finds as well, all originals or first editions. One of Shakespeare’s folios. DaVinci’s Codex of Leicester. The Babylonian Talmud as well as an exemplified copy of the Magna Carter, both copies that the rest of the world didn’t know existed. A Gutenberg Bible, though his brother’s had no idea he had it. A collection of Grimm’s Fairy Tales. Even an original copy of the Kama Sutra, which Asmo had given to him as a birthday present.

Getting to the top of the stairs, Mc stopped, not wanting to get too close to any of the books. Looking around, she couldn’t repress the sigh that emerged unbidden to her lips. Soft lighting that was perfect for reading with the spines of all the ancient books facing the world. Scrolls rested in their holders on the far wall. And there was the fourth eldest, crouched near one of the shelves, hand to his mouth and a furrow in his brow, thinking hard about something. His blonde hair had an almost golden hue in the light and his green eyes sparkled.

At the sigh, he looked up and smiled, “Go ahead and have a seat.”

Mc nodded and started over towards the chair she’d sat in the one other time she’d been allowed up here, but stopped halfway. The chair she sat on last time was still there, but now there was another chair. They looked fairly similar, being big reading chairs, but the new addition was much less worn and was more feminine in design. Having found the book he was looking for, Satan walked past Mc, and sat in the larger of the two chairs, effectively showing Mc which chair to take. After sitting down, she had to take a moment. It was by far, the most comfortable chair she’s ever sat in.

“I take it you like the chair then. Good, I’m glad,” he smiled, “I made sure it was large enough that you can curl your feet up on the seat like you do when you’re reading.”

“Wait… This is for me?”

“Of course. You need your own place to sit and read when you’re up here.”

Mc was at a loss for words, the gesture speaking volumes, “I don’t know what to say.”

“Just promise you’ll keep coming over for our reading nights; that’s all I ask.”

“That’s the easiest promise in the world to keep! Of course I will!”

Satan smiled again, one of the real smiles she’d been gifted with more and more frequently, “That’s what I was hoping you’d say. Now, where’s this book you were talking about?”

“Yes, hold on,” Mc turned and grabbed it from her bag, “So, these are collector’s editions, so I’m sure I don’t have to tell you to be careful, but…”

“No problem,” Satan replied, taking the book, “If you’d indulge me, I also have a story I want you to read,” and he grabbed the book he had gotten from the shelf, “Do you remember the mystery author I told you about?”

“Yeah. Isn’t his name A. Cohen?”

“That’s the one. Well, I was wondering if you’d read his books while I read yours? I know mystery isn’t necessarily your favorite genre, but -” Satan cut off, looking down at Mc’s hand on his arm.

“I’d be more than happy to,” Mc beamed.

Satan smiled, “Glad to hear it. Now, these books are hard to come by in the Devildom. Please be careful with them. I happened to find a box set of his complete works, so replacing it would be pretty hard. The first one is Blind Intrigue.”

“Got it. Not that I wouldn’t be uber careful with anything you have up here.”

Satan laughed, “Well, I appreciate that,” and he opened the manga volume.

“Oh, did anyone tell you the way to read manga?”

“You read it right to left, correct?”

“Yes, including the speech bubbles. So, you’d read a page like this,” and Mc proceeded to show the way a page should be read.

“Ah. That would have been helpful last time. Thank you.”

“No problem,” and with that, they both started reading. Mc found Blind Intrigue very intriguing, enjoying that it wasn’t just another run-of-the-mill murder mystery. As she got further into the book, she subconsciously slipped off her shoes, and curled her feet up next to her. She almost forgot about the demon next to her. A sudden shift next to her brought her back to reality.

“I finished it.”

“Ah… W… What do you think?”

“It is much better than Levi’s suggestion. I am interested in continuing the series.”

“… If you want, I did bring the second volume with me…”

“You did?”

“Mmmhmm. I was hoping you’d like it enough to want the second volume…”

“Well, you did ask that I read until the third volume, so sure.”

“Mc beamed as she grabbed for the second volume, after safely tucking the mystery novel between the chair and her legs.

“So, are you enjoying Blind Intrigue?”

“Yes! It is really good. I like that it’s an actual mystery novel, a lot like the Sherlock Holmes stories. Most mystery novels revolve around a murder, but since this one dpesn’t, I like it more.”

“Very good,” Satan said while handing her the first volume back, “So, who’s your favorite character?”

“Huh? In Blind Intrigue or Fruits Basket?”

“Fruits Basket.”

“Ah, Momiji.”

“He reminds me too much of Mammon.”

“I… Guess? Just… give him some time. He’s really great.”

“So… who’s your second favorite?”

“Well, Momiji is my favorite favorite. Kyo is my main character favorite.”

“Really?”

“Yeah. I have a feeling you’ll really end up liking him.”

“Ah, well, good to know,” Satan said, as Mc handed him the second volume.

There was silence for awhile until Satan burst out laughing. Mc looked up expecting him to share, but he kept reading; a sign he really liked the story. Pretending to go back to reading, Mc snuck a glance at Satan. He had a content smile on his face, and was even further along in the book than she had thought he would be. She smiled, feeling satisfied and a little vindicated in her choice.

Mc was about halfway through Blind Intrigue when she heard Satan shift on his chair. She looked over to find him sitting with the second volume closed and eyes on her. She in turn closed his book, waiting for him to speak.

“If the rest of the series is this high of quality, I definitely want to finish it.”

Satan helped Mc transport the rest of the volumes to his room that day. Though he really loved the series, he would only read it when Mc was around. As she now had a chair upstairs, Satan suggested they read up there, and he began sharing all the amazing books he had up there with her. It was nice for Mc, especially since none of the other brothers knew she was allowed up there. Satan finished Fruits Basket fairly quickly, not quite gushing about how much he loved the characters and story, asking Mc if she had any other manga recommendations. She was more than happy to oblige. Soon, Satan was reading manga whenever Mc was in his room, but only when she was in his room.

He didn’t like manga that were all trope and no substance, but he would try anything Mc brought him since she usually brought “good manga”. One of his favorites was Jo Jo’s Bizarre Adventures. It came as a surprise to him when, one day he declared a series to be his second favorite, after Fruits Basket, and Mc told him it was a series that Levi had gotten her into.

“You know, I’m sure he’d love discussing it with you…”

“Wait. You think I should go waltzing into his room and say, ‘Hey Levi, I really enjoy The Watchman’s Spell and am all caught up on it. We should talk about it’?”

“Well, yeah, basically. I’ll be there to referee, so I can help if needed. I almost never see you two hanging out together, and I actually think you two have more in common than you realize.”

“He just gets so long winded about… whatever. He also acts childish at times.”

“I do those too.”

“You will apologize though. He will not,” Satan paused a second, and then continued quieter, “Plus, it’s different when you do it.”

“Have you ever considered that he doesn’t back down or stop because he feels like no one cares what he thinks or what his interests are?”

Satan stopped, his retort lost. Was that really why? He considered again, and then turned to Mc, “Okay, I’ll do it, but he’s not invited to our reading nights.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Levi didn’t take the news the way Mc would’ve liked.

“Wha… Mc, w-w-what are you t-talking about?”

“I’ve been showing Satan some manga and he’s liked some of them. I think you should show him some too since you know waaaaaaay more than I do. He really loved Watchman’s Spell.”

Levi seemed scared but also irritated, “You had him read Watchman’s Spell?! Why?!”

“I… I thought he’d appreciate it and when he did, I thought you’d be excited to have someone new to talk to about it…”

“I have the entire internet to talk to about it, plus you. Why would I want-” Levi broke off, scowling as he turned away, but then rounded back on Mc, “Are you doing this to make fun of me? Are you tired of me, and so you’re trying to pawn me off on someone else? What, are you using your pact to make Satan act like he’s interested in talking to me?”

“No, Levi, listen to-”

“Glad to hear it, because you’re not getting rid of me, ya normie! You’re the one that wanted to make a pact, so you’re stuck with me! We’re also best friends so you better-”

“Levi!” Mc grabbed his face with both hands, worried as she saw his tail appear. She had expected some jealousy, but nothing this bad.

Levi stopped. Having Mc this close to his face made his mind go completely blank.

“Just because I expanded Satan’s literary horizons does not change the fact we’ve already discussed our wifeoo’s. It doesn’t erase all the time we’ve spent watching and discussing TSL. All the raids we’ve gone on, owning all the noobs… Though I’m kind of a noob… The point is, Lord of Shadows, your Henry is trying to get the Lord of Masks and you to become friends, just like with the Lord of Fools.”

Levi screwed up his face, bringing up his hand to hide behind. Mc let go, feeling the tension leave the room.

After turning and composing himself a bit (Did Mc just hold my face?!?!?!?), Levi turned, lifting his eyes to Satan, who was simply watching him, “Who’s your favorite character?”

“Zeke.”

“He’s actually my second favorite.”

“Who is your favorite then?”

“Brielle.”

“Ah, that makes sense.”

“What’s that supposed to mean?”

“Just that she seems like the type of character you’d enjoy. She’s not bad. In fact, I enjoy the dynamic she brings to the tower.”

“Well, she became my favorite when she stopped the entire colony from starting an uprising against Charles when they thought he was keeping them from going home.”

“That was chapter 5 right?”

“Y-yes, actually!” Levi smiled, his eyes lighting up like a Christmas tree, as he started discussing the plot and fan theories with his brother. Satan responded to all his prompts or listened quietly, occasionally adding his own thoughts. He was being more patient than Mc had ever seen him be with Levi, and even seemed to be enjoying himself.

Good, Mc thought, watching the two bond, They both needed someone to get them out of their own head. At least I know I can leave these two without too many regrets.

Mc hadn’t brought up the fact her year was almost up to any of the brothers. She didn’t know if any of them had realized how close it was. She was not looking forward to leaving, but she knew she couldn’t let them just revert back to the way they had been, especially Satan. They had all come too far.

“Mc has an interesting thought on this subject actually. Mc, what are you doing over there? Come over here!”

“Coming!”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Satan traced his fingers along Mc’s chair. Of course he’d gotten the chair for her so she could be more comfortable, but also to have a piece of her after she’d left. He hadn’t realized how much it would come to mean to him.

He pulled out his DDD, starting to flip through all the photos he’d snuck of her. Her, next to him. Her being so careful with his books. Her, sleeping in his bed, hair splayed across the pillow. He couldn’t count the number of times her scent had kept him from going after one of his brothers since she’d left.

He knew he was being reclusive, and she wouldn’t have liked that. But, weren’t they all being reclusive?

He sat down, head sinking into his hands, DDD put on the arm of the chair. Why did she have to leave? She had been such a breath of fresh air, so willing to discuss anything and everything with him. He had been able to open up to her, and she’d accepted him just as he was. No strings attached. For the first time in his life, he’d felt unique. Wanted. Needed. No longer alone.

He knew she’d been that way with all of them, but… It felt like she’d specifically picked him. He hadn’t been particularly interested in the human living with them, other than to see what she was doing to his brothers. She had been the one to approach him about books. She had been the one to pick his brain. She had read almost every book he’d suggested. He was special… Right?

He hadn’t noticed the tears until he opened his eyes and only saw a blurry floor, “If I’m special, why didn’t she…”

Mc had given each brother a gift when she left. When it was his turn, she’d whispered something in his ear, but she’d been crying so her words had caught. He couldn’t make out the words then, and even though he’d run them through his head more times than he could count, he couldn’t figure out what she’d said. She’d been so beautiful standing there, fresh tears ready to fall. And then… she was gone.

He had isolated himself for a week afterwards. He hadn’t been in the House of Lamentation though. Too many memories. In some small shack in the middle of nowhere. Somewhere he could release all his feelings and hurt no one.

As he was about to get up, a white blur caught his eye. Blinking, he bent over and picked it up. It was a letter. He turned it over, his heart jumping when he recognized Mc’s handwriting. He traced the letters of his name, hands shaking. He then carefully opened the letter and started reading,

My Dear Satan,

Seems you were able to hear what I said when I left. Good. I was afraid I wouldn’t be able to get it out.

Anyways, I hope you don’t mind that I didn’t give you your gift in front of everyone else. Not only is it too heavy, but you’re too special to me for them to be part of the gift.

I wish I could tell you everything in my heart right now, but I don’t want to cheapen anything. I will return to you so please be patient and wait until then.

If you would, please go check on Levi for me. I can tell you right now, he’s not okay right now. He gets so lost in his own head and I worry about him. I leave him in your stead until I get back.

Satan, always remember: You are important. You deserve every ounce of love you can get. You also have the right to feel whatever you are feeling. You are not your brother, and I never want you comparing yourself to him, because you are an individual. I may not always be there with you, but never forget: you may not have had control over your birth, but that is not what defines you. You are so much more than a word.

Love,

P.S. I just realized you never told me. Who is your favorite Fruits Basket character?

Satan had never moved so fast down his staircase. Why had he chosen a spiral staircase? He was so eager, he almost knocked over the book pile he was looking for. When he saw what was behind it, he sank to his knees and gathered every Fruits Basket volume in his arms.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Levi was moping around his room when there was a knock on the door. For a second he thought it was Mc, but then realized she was gone, making himself sad all over again. He shuffled over to the door, and opened it.

There stood Satan with… manga… and, puffy eyes?

“Hey, can we hang out?” Satan asked.

“Sure. I’d like that.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Update: I now have a part two to this story and here’s the link

#obey me #obey me!#obey me satan #obey me leviathan #obey me levi #satan x mc

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ranma-rewatch · 4 years ago

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Episode 7: Enter Ryoga, the Eternal ‘Lost Boy’

Hey, it’s Ranma Rewatch, I’m on episode 7, and I don’t want to waste too much time with the preamble. I am super excited for this episode, my boi is here, I really hope it holds up, see you after I watch it again!

That wasn’t exactly how I remembered it, but not in a bad way. The episode starts with a short scene that has become pretty freaking iconic, and has been sampled in dozens, if not hundreds, of AMV’s: A man cloaked from head to toe, walking through a desert, his eyes barely visible under goggles. It is a really cool shot that catches the eye right away.

We cut from that to that same person approaching a small village, deciding to throw off his concealing clothes to reveal his typical yellow and green outfit, with a bandanna around his head and an umbrella on his back, which he takes out to slow down his descent when he jumps off a cliff. This village happens to be being attacked by a huge wild boar, wrecking everything in its way, but this fellow is able to stop the animal with little effort and send it flying. When the grateful villagers approach, he only has one question for them: where is Furinkan High School?

At first they don’t understand the question, until they look at what he has for a map and realize it’s of Tokyo. The problem is, this young man is on Shikoku, a completely different island in the archipelago. They point him in the right general direction, and he reveals before the scene ends that he is specifically trying to find Ranma Saotome.

Speaking of the show’s titular character, we get a small scene of him in his cursed form being blackmailed by Nabiki into wearing women’s clothes because all of his stuff is in the wash. After that, we get another scene of the mysterious umbrella-wielding stranger asking someone for directions to Furinkan High School, but this time he’s in Hokkaido. Once again a completely different island, only this time on the opposite end. Fun fact: Hokkaido was the inspiration for Sinnoh in Pokemon!

We get another small cut-away to Ranma in various outfits, then another of our new character somehow ending up back in that village he was in earlier. The point is being made clear to us: he is terrible at getting where he wants to go, but is also so inhumanly strong and resilient that he has no trouble surviving in the wilderness in the process.

What seems to be the next day, he finally gets to where he’s going, just as school is letting out for the day. Ranma is being chased by Akane for something, though we don’t know exactly what. (Of course, we know their dynamic well enough by now to know it’s almost certainly something Ranma did to annoy her.) The newcomer slams into the ground where Ranma is landing at the same time, leaving a crater in the cement from the force of his landing, all while screaming how Ranma has to die.

The problem is, Ranma has no clue who this guy is, which pisses him off to know end. Even after he brings up that his vendetta has something to do with Ranma never showing up for a duel, Ranma still struggles (and fails) to remember this guys name, but luckily he gives it to Ranma anyway: Ryoga Hibiki. They went to Junior High together, and they’d agreed upon a duel, but it never happened because Ranma wasn’t there when Ryoga arrived.

Now, Ranma protests that he waited in the agreed upon empty lot for three days before taking off for China with his dad, which is honestly more time than most people would have waited. As we already know though, Ryoga can’t seem to get anywhere quickly, so he got there on the fourth day. Oh, and the lot was right behind his house.

The crowd of students who only moments before considered him with awe over his fantastic martial arts abilities are now looking at him like a buffoon, and Ryoga is ready to get his revenge on Ranma already. But Ranma puts a pause on that, runs out, and comes back with a bunch of different kinds of bread. Why? Because bread was the reason for their duel in the first place. Their school was only for boys, and getting food at lunch was a nightmare. Ranma ended up snatching the last piece of bread just before Ryoga could get it time and time again, and all the bread he brought was one of each type he’d taken years before.

But Ryoga doesn’t care about that, making it clear that the bread isn’t something he cares about anymore, that Ranma has put him through hell, even if Ranma has no clue what he’s talking about. But before they can get a proper fight going, Ranma runs away, losing Ryoga enough that when he starts busting up the school looking for him, he ends up going the wrong way and out of the area entirely, leaving Ranma and Akane to wonder where he went. We do get to see where before the episode ends: once again back in that village that had the boar problem, where he gets a meal before running out into the evening to find Ranma once more.

Like I said before, this episode wasn’t entirely how I remembered it. Namely, there was a lot more humor than I remembered. For the most part, that’s not a bad thing, there was actually some really good comedy, and I don’t feel like it trampled over the more serious parts of the episode.

If it isn’t clear, I am going to say right now that I did still love this episode. The animation was really on-point, some of the visuals of Ranma darting around people or the brief combat he gets with Ryoga just looks beautiful. Also, even though we don’t get a fight between the two just yet, it’s already solidly communicated, through Ryoga easily beating the boar, barreling through steel barriers, and hitting the ground so hard it destroys concrete, that he is strong as hell.

As much as I love the opening desert shot, I actually think my favorite part of the episode is some of the conversation between Ranma, Akane, and Ryoga. Ranma straining his brain to remember who Ryoga is killed me. It was weirdly relatable too, I’m sure many of us have run into someone who obviously knows us, while we can’t even remember how we know them, let alone their name. The fact Ranma actually specifically bought one of each bread he’d taken from Ryoga before was kind of cute, more than I expected of the usually flippant martial artist.

There’s also an exchange I’ve seen on Tumblr a few times in screencaps and gifs, and there’s a reason people love to share it. When Ryoga says he’s going to destroy Ranma’s happiness, there’s this shot of him freaking out, only to turn to Akane and blankly ask if he is happy, to which Akane doesn’t understand why he’s asking her. They take such a trope-y line from a character seeking revenge and turn it around into a really good joke.

There was also a really interesting thing I noted in terms of translation. After hearing about the string of times Ranma stole bread from Ryoga, Akane makes an analogy to why it mattered so much, but it’s different from dub to sub. In the English Dub, she says the straws broke the camel’s back, a common phrase that seems to fit the situation. But in the English Sub, she says (loosely remembering) “enough dust can make a mountain”, and I think that actually fits much better. After all, we soon learned that the bread isn’t really why Ryoga is angry, but once you do know everything that happened that led to Ryoga’s rage, that analogy fits perfect: it isn’t so much one specific event, as a collection of small events that collected into an enormous vendetta.

All my compliments aside, I did have some issues with the episode. Some of the comedy didn’t really work for me, and that was most true with the early scenes of the Tendo girls trying to dress Ranma in Akane’s clothes. Some parts did make me chuckle, but on the whole the mini-plot made me uncomfortable. Primarily because, as I’ve said before, I feel like the best way to look at Ranma’s cursed form is as a trans man. Even though his body has changed, his gender hasn’t, he’s still a man. The scene has Ranma protesting again and again that he is a man, even as they try to dress him as a woman. The idea of some cisgender folks trying to force a trans man into women’s clothes just...isn’t very funny to me. It’s kind of terrible, at least from a more queer perspective. That complaint done, let’s do the character spotlight.

Oh come on, who else did you think I was going to do? If it isn’t clear yet, Ryoga Hibiki is my favorite character in the series, and he has been since I was a teenager. Who knows if that will remain true this entire watch-through, but so far I’m not liking him any less. I’ll get into why, but first let’s talk about his voice actors.

The voice actor I’m more familiar with, his English one, is Michael Donovan. Like most of the actors for this dub, he’s someone who worked with the Ocean Group for a lot of series around this time period. That said, if you’re a fan of the Fate franchise, he has done some voices in Ufotable’s recent anime adaptations, playing Risei Kotomine and Zouken Matou. In Japanese, his voice actor is one Kōichi Yamadera, and he continued the pattern of voice actors who are well-known in Japan for dubbing English works. He’s most well-known for dubbing over Jim Carrey in a lot of movies, but he’s done a ton of others as well. In anime, some of his notable roles include Spike Spiegel, Beerus in all the recent Dragon Ball movies and anime, and Gentle Criminal in My Hero Academia. Seriously, diving into this guy’s list of roles is like swimming in an ocean of great roles.

So, how do they do? Well, so far I’d say I like both of them a lot, but they do play Ryoga differently. At his core, Ryoga is actually kind of a perfect microcosm of the tone of the series itself. Ranma 1/2 is simultaneously a shonen battle anime, a romantic harem series, and a wacky comedy. Ryoga is someone who takes himself very, very seriously. His desire for vengeance against Ranma isn’t a joke, and neither is his ability as a martial artist. But he’s also a doofus who ends up crossing the length of Japan several times because he can’t follow directions properly and the reasons (so far) for his hatred of Ranma are completely laughable.

I wouldn’t say that Michael Donovan’s performance lacks seriousness, in fact when he wants Ryoga to sound menacing I think he does it well, but on the whole he leans more heavily towards the comedic parts of the character. Meanwhile, Yamadera’s Ryoga hasn’t really sounded silly once to me. He plays the character dead straight, and let’s the comedy come through in the contrast between that demeanor and the circumstances around him. We’ll have to see as we go, but I actually might be preferring the Japanese performance so far, a rarity for me.

Okay, so, why do I love Ryoga so much? There are SO many reasons, many of which I won’t go into just yet because I’ll save them for when they appear in-series. But there is still a lot shown in this episode that I feel I can discuss. To start with, I adore his design. I don’t mean the cloak and goggles, though those are absolutely awesome, I’m referring to his standard mode of dress. The yellow and green as a color scheme, with accents of black to top it off, is something really unique. I don’t know enough about art to really articulate why, but I just love every touch of his design. My favorite small touch has to be the yellow strands wrapping around his lower legs, clashing with his otherwise dark green lower half. I have no clue what they’re supposed to be for, but they just add something, almost making him look more rooted to the spot of wherever he’s standing, more solid.

That is a good word to use for Ryoga in general. Even though we haven’t gotten to see him in a proper fight just yet, we’ve seen quite a lot of evidence of his main attributes. In Dungeons & Dragons terms, Ryoga is making out his Strength and Constitution. He hits like a truck and he can be hit by a truck without slowing down. I love that because it contrasts so perfectly with Ranma’s strength: his speed and precision. I adore it when rival characters actually have qualities that make the fights between them more interesting from the contrast, and Ryoga fits the bill there quite well. He’s also a good foil in terms of personality: Ranma is easy going, likes screwing with people, and is quite quick-witted; Ryoga has a hot temper and a long memory for grudges, hates it when people trick him, and tends to let his emotions do the thinking for him.

I will say it feels like his character has some classic Early Installment Weirdness, as he uses his umbrella quite a bit in this episode. If I remember correctly, after his introductory arc, he doesn’t use his umbrella much at all for the rest of the show, preferring to rely on his fists. It definitely feels like they hadn’t quite nailed the character completely yet, if that makes any sense.

Ryoga is also doing that thing where he’s seeking revenge and really angry, but refuses to talk about why, drawing out the mystery as long as possible. While that trope can become annoying, I don’t really mind it in this case. This isn’t a situation like Godot from Ace Attorney, where Ryoga is purposefully hiding it for some grand plan or something, or to teach a lesson. Ryoga doesn’t go into specifics because A) he thinks Ranma should already know; B) Ryoga is very mad; and C) he doesn’t want anyone else to know his secret. I’m not saying it isn’t stupid that he doesn’t tell Ranma why he’s mad, but I am saying that it’s in-character.

Are you surprised that I adore this episode? You shouldn’t be, I’ve been gushing about it this whole time. Even with the parts I found more rough to watch, this is still my favorite episode of the series thus far, putting the rankings at:

Episode 7: Enter Ryoga, the Eternal ‘Lost Boy’

Episode 2: School is No Place for Horsing Around

Episode 6: Akane's Lost Love... These Things Happen, You Know

Episode 4: Ranma and...Ranma? If It’s Not One Thing, It’s Another

Episode 5: Love Me to the Bone! The Compound Fracture of Akane's Heart

Episode 1: Here’s Ranma

Episode 3: A Sudden Storm of Love

The big question is: will the next episode of this four episode Ryoga arc be even better? We’ll find out next time with Episode 8: “School is a Battlefield! Ranma vs. Ryoga”. See you then!

#episode 7 #Enter Ryoga the Eternal ‘Lost Boy’#ranma 1/2 #ranma saotome #ryoga hibiki #anime analysis #anime rewatch

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shekissesturians · 4 years ago

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Animes Watched Since Quarentine Started ~

So I just sat down and realized... I have developed a problem X’D BUT it could be worse! So I figured I would share for those looking for something new to watch! Also, what have y’all been watching!?

Full list below the line + reviews! * No spoilers, I promise! I wouldn’t do you dirty like that! * ;-*

1. Kakegurui

This show took me by surprise, I had no idea gambling could be so thrilling! Plus let us take a moment to appreciate the facial expressions animated in this show! Beautiful, just beautiful. Beware though, this anime gets dark, and sick, and you will definitely forget to breath at times. It is a thorough joy.

2. Steins;Gate

3. Steins;Gate 0

Honestly, Steins;Gate + Stains; Gate 0 is one of the best animes I have EVER seen. Legit. Also, It is one of the best stories of time travel I have ever encountered. The way it is explained in the anime is brilliant! Compelling, thrilling, emotional, so much amazingness. I watched in chronological order instead of season order which I really enjoyed. Also one of the most moving anime endings I have seen. All the characters you will fall in love with, and their character development is one heck of a ride. A must watch, 100%.

4. Fullmetal Alchemist

This was a nostalgia back flash for me! It was been years and I felt like reliving it all over again. Which I am glad I did, cus boy was there a lot of heavy themes and topics I did not pick up on when I was younger! One of the biggest themes was this existential undertone throughout the whole show that explored the ideas of humanity, authority, morality and race.

5. Fullmetal Alchemist Conqueror of Shamballa

A must follow up to the original FMA series. It just ties the whole story up in a pretty bow. I remember when I first saw this movie, it was my first encounter this the idea of multiple dimensions and it just blew my mind. The whole this felt so exciting and surreal, and I loved the addition of our timeline playing a part. Watching FMA + Movie over again leaves me a bit torn on which is better, Brotherhood or first adaptation. I think both should be watched for a full understanding of the lore. The first anime series definitely has some holes and details missing, but it’s also so nostalgic and they really give you a better development of characters and feels than Brotherhood does, as they rush through that to get back to the main plot.... so grab some popcorn and watch both and just enjoy the ride :)

6. Angels of Death

This anime has such a unique premise!! And morally it is just all sorts of twisted, which I love! The music is fantastic in it and all the characters you encounter are very unique and fun... it’s dark though, don’t get me wrong.. and twisted. BUT a fun ride if you are down for that kind of adventure!

7. Another

WHOOOO BUDDY! If you want to go on a journey THIS IS ONE! It’s a mind bending premise and each episode ends in so much suspense. I literally could’ve watched the whole thing in one day. This anime is like a jar of Pringles, once you start you just can’t stop!

8. Death Parade

This anime gets the prize for the most misleading opening ever! X’D But it is such a BOP Please watch if you can. The anime overall is a joy, its very thought provoking and touches on the darker topics of death and mortality. Who is really good? Who is evil? Where do they seamlessly blend into each other? Besides the premise being so unique and tantalizing, the artwork is breathtaking! The background and environments the characters exist in are gorgeous. As an artist and a writer, I appreciate this anime on so many levels.

9. Sekkou Boys

Oh god, this anime is a joy. Just pure, clean joy T.T The episode are VERY short so you could finish the whole thing in an evening. But if you are an artist, a Renaissance history lover, or a J-pop fan, you will especially appreciate this joy of a creation. Watch it for your soul, you will feel better afterwards.

10. Kokoro Connect

This is a very intriguing coming of age story to say the least. There is an element of fantasy/science fiction that comes into the picture that stirs all sorts of trouble for our dear group of friends. It makes you really reflect your own intra- and interpersonal relationships and how we perceive and interact with one another. Overall a fun trip to go on.

11. Occultic; Nine

HOLD ONTO YOUR HORSES CUS THIS ANIME IS FAST! Omgsh, if you watch in Japanese like I did, get ready to have tired eyes cus the pace and speech of this anime is like nothing I have encountered before, but it is soooo much fun! It is mystery combined with the supernatural. It’s one of those animes where there is a lot of characters involved and some how everyone is connected in some way, like Baccano! if you have seen it. I would say to watch this AFTER you watch Steins;Gate if you have any interests because it is written by the same writers and there is little things that reference back to Steins;Gate which are really fun to pick up on.

12. School-Live!

I didn’t know what to expect when I started this series. It is not the kind of art style I am normally drawn towards but I am soo glad I watched. The characters are all really fun and cute! Especially the puppy!! <3 You deal with psychological stress as well as a nice mix of slice of life all in the midst of a zombie apocalypse! It’s a combination I never knew I wanted in my life, but now I am glad I have it. Don’t let the cute animation style fool you... it gets DARK. I was full out trying not to sob at one point, but I think that just shows how many levels are involved in this story. Have fun with this ride my friends <3

13. My Hero Academia

GUYS ARE YOU FREAKING READY!? This was the story I never knew I needed in my life, but now I don’t know how I lived without it. Dear god, I binged this one so hard I think I forgot to breath for a week. All of the characters are so dynamic and the overall tone of the series is so uplifting and positive. If you are in a depressive slump just turn this one on. I promise you, you will be smiling and feeling better in no time! It is so motivational as well. Humor, action, suspense, thrilling, emotional- I don’t think there is anything they don’t touch on. Uhg gosh, I could prob write a dissertation on all the themes and undertones expressed in this work. I promise you, this is a journey you will not regret taking <3

14. My Hero Academia: Two Heroes

I’ll be honest, I think sometimes series’ movies miss the mark, or just feel lackluster, like a power hour of filler. This one my friends.... DID NOT. I was really glad I watched it too, because I felt as though it added so much to the main story line. Plus you get to see college years All Might... so bonus! X3 But seriously, it is a very fun movie and it gives you more background to the world you wouldn’t otherwise get.

15. Shiki

First off... THE ART. This anime’s art is so unique and fits so well into the overall narrative. But honestly, I feel like this anime is a work of art, it feels like an old folk tale/dark fairy tale you would elders talking about in a pub late at night. The narrative never went where I expected it to, and by the end I was so morally conflicted I didn’t know what to do with myself. It’s a dark fantasy that really explores all the little nitty gritty grey areas that are often passed over in stories. There were definitely a few scenes that made me so uncomfortable I was squirming. Human nature is truly a sight to behold, and this anime shows it to you.

16. Kabaneri of the Iron Fortress

The Feudal Japan- Post apocalyptic- Steam punk journey you never knew existed! Gosh this anime is amazing. First off the art is breathtaking and many scenes reminded me of Miyazaki. Second, the music is SO GOOD. It’s a concept on the undead that I find to be very unique and truly thrilling. Most of the anime takes place on a train which is such an intriguing element. You also go into human fear of the unknown and how our nature can truly be our biggest hindrance. The characters are great and you get to the point of really rooting for them. Get ready for this feast for your senses!

17. Kabaneri of the Iron Fortress Movie: Battle of Unato

After watching the series I felt like my heart was still missing something. Honestly the whole thing felt like it went by too fast. I still wanted more! This movie helped fill the void in my heart. You get to see relationship begin to form between characters as well as more insight into kabane and all their abilities. Standing alone, this movie is a really fun adventure and gives more insight into the state Japan is in overall.

So THERE YOU HAVE IT! I hope you might have found some new things to watch. I would love to see others lists of things they have watched, feel free to leave in the comments! Or if you have watched any of these, I would love to hear your thoughts! Let’s chat <3

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kazamastar · 4 years ago

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Welcome to 2021

Ver. 2.1 - Ok. February but still, here we are. “Behold it’s me” as Logic would say. [...] I’m sorry I’m a bit shook because I started to write at 10:01AM, and it’s precisely 12:07AM, I was progressing pretty well in the process of writting and then I made a bad move and lost everything I wrote. I’m kinda mad. Really, I was this 👌 close to give up on writting it, and you can notice that the pixels are touching. But I guess the “I said I’d do it, so I’m going to do it” mentality is taking me places, once again. Even if I have to start again (that's called mental strength, take notes). And I said I’d write it baked so here I am, baked and hella motivated to do it. So, W shouldn’t help me reminding me what I wrote in the first version but nevermind. So I guess I'll put the most things I remember. I can tell there were good ideas ! I'll take this occasion to remind everyone the concept of these posts but first we will recap numbers of this year (well, more or less accurate for 2020 as I'm writting one month late) (and I'll fucking stop writting on the tumblr site and switch to OpenOffice so my next words are not lost again). 637 Nakamas (thank y'all for being here, even if I post 12847 times in a row. You're the best). 3609 posts and 23 376 likes. (109 drafts : lol it's less than a few weeks ago)

Pic : Plot twist 2. No more smile, but the return of the bowtie. (aka « The 4 days late suit » aka « I'm old enough to know better »)

The choice of this picture was so simple. Or maybe I should have chosen the one with the mustache only I took during lockdown ? Ahah. But … this picture could almost resume the year on its own. If I'd describe it in depth and explain the context, I could review 70% of the events that happened this year (and I think I'll go for that later, interesting exercise).

So. First let me explain the goal of these sums up. Each « Welcome to XXXX » is a resume, a sum up of the year XXXX-1. I write these for me, it's a funny way to keep track of all these years. I try to describe more or less precisely what happened during the year. I allow myself to be more or less precise because I firstly write these for me. And sometimes these posts tend to be long. Especially this one. It's gonna be sooo long. Like, idk maybe highlight this line and take a few seconds to scroll down and see how looooong it is. Kinda discouraging isn't it ? Lucky you it won't go on forever though as today, as I'm writting that it's 12:23PM and I'll have to be gone at 4 or 5PM. But I think contraints make art, even if I don't like to write under any kind of pressure. But I'm determined to do it in one take. So in these posts I also write about the TV Shows, manga, anime, movies I've seen/read. Even books, as I finally had the chance to read « Le Petit Prince » this year. We all know we had time this year, don't we ? And at the end, I post a 12 songs playlist (+ songs that I discovered this year that also are going to remind me of the year). We can roughly say it's « 1 song/1 month » but it's not always true. These songs are songs I like a lot, like really (but not necessarily my favorite) but above all, they remind me of the year I'm resuming (it can also be older songs). I also post my top 3 albums of the year. I'm thinking also of detailing my choices of playlist. Maybe not explaining all of them but a few. [12:36PM. And I'm already hungry.] On the 1st try I remember I talked about the TV shows I saw. I forgot to mention it but I write in English for a few reasons. First is : it helps me exercising my English. For me, it's the most beautiful langage to talk and it's a good occasion to do so. And then I actually enjoy writting in English. And it prevents unwanted people who don't master English to read all that (as it is pretty intimate). But joke's on me, I'm conscious the people I'd like to keep away from reading this all master English, and even better than me for some of them. (It surely is the case for 27 at least, even though we all know she still won't read this lol). Yes, I never drop names in these sum ups. Or at least, some names are blacklisted. I always chose a number to nominate them they would normally recognize themselves. So, talking about English, I've seen « Emily in Paris » on Netflix. It may surprize you but I'm very interested in dubbing. French dubbing is amazing. For example I bought « Spiderman » on PS4 this year and the french voice is the same voice actor as in the « Amazing Spider-Man » (yes the one with Andrew Garfield). (UNPOPULAR OPINION : Andrew Garfield actually is the best spiderman. Or at least the one I prefer and by far). Emily in Paris is funny because I watched it in English and it kinda disturbed me that it took place in Paris but everybody spoke English. On the other hand, if you watch it in French, langages people are talking become logical (French people speak french) but you'll have to deal with the DEADLY ANNOYING French voice of Emily. And her accent. I think I just watched 1 or 2 episodes like that, I couldn't take more ?. If you have time you should take 5 seconds to listen to what I'm talking about. But it was quite a good show. It was so fun to see these streets I've been visiting for so long in a Netflix show. By the way, I think it's easy to say that I'm missing Paris so much. But not only for the tourism, but most and foremost for the competitions. Before being a tourist I was a competitor there. So, I'm missing Paris but I'm also missing karate competitions. And also just karate. I haven't stepped on a tatami for 3 weeks and it still seems like it won't get better, and we all know why. I'm curious if I could talk about this year without mentioning a very famous virus but I think it's just impossible. But this virus gave me a lot of time in March and April. Maybe less in November tho. I could finally finish The Walking Dead, which last seasons were surprisingly good. And it was so fun to watch the reactions of people on Youtube [#]. Talking about karate competitions, I also watched Cobra Kai ! What an amazing job they did there. Adding more depth to the first movie, it's funny to change perspective and see that the Daniel we were rooting for wasn't that much of a « perfect good guy » we saw (I'm not talking about the kick in the face etc). It's also funny to notice I kinda went fro Daniel to Johnny lol. But having a Netflix show talking about martial arts and value they teach to their students ? It was perfect, even more when you see that some of my students also saw it so when we were training I was refering to it they almost all got it. And it's also funny to see that it's not as Manichean as the 1st movie was. It's a 9/10 for me. If I read the last sum up right, I said : « This year 2020 I really need to watch Kimetsu no yaiba, Jojo, Violet evergarden, Gintama and i have to keep ready 7 deadly sins. » So : Kimetsu no Yaiba was dope. The anime was beautiful and the manga was very entertaining. Not a top tier manga but definitively a good one. Jojo's anime was cool but too long. I stopped after season 2 or 3 I guess ? Violet Evergarden was TRASH (and very bad for a date, if you ask me) and I didn't take time to explore the 2 others. I also saw : Assassination classroom (5/10, i couldn't finish it so i skipped directly to the last episode, was as moving as people said), Validé (8/10, with an insane final episode), No Game No Life (8,5/10, i loved it), Freaks and Geeks (7,5 but i didn't finish it, I really like the old school vibe), Code geass (7/10, great anime and great opening). I finally discovered Community and it was worth it. What a funny show. And what a pleasure to see Mr Donald Glover on screen. Makes me think that I need to watch Atlanta again. The problem with Community is the last seasons broke the 4th wall too much for me, it became painful to watch. But the 3 or 4 seasons are crazy. Another show that was even more funny : IT Crowd. I finally had the chance to see the episode of « I came here to drink milk and kick ass, and I just finished my milk ». This show is a 9,25/10. Grand Army was also a great show of 2020. Dom is an amazing character (but I already said it). Kengan Ashura was also so cool ! I think it's what Baki would have liked to become. This year I also started to watch « American horror Story » again (alone and not alone). These last seasons were awesome. I also converted Elodi to «my hero academia », it was so cool to share that. Other things I saw : SAO S4 (AMAZING, SO BEAUTIFUL), Erased, SNK Last season) ; The Mandalorian, 24's 9th season.« Queen's gambit » have been one of the greatest show I've seen this year. And I really want to say that I played chess before the show came out (add me on Lichess if you want to play with me. Same username. I'm not strong -about 1000 ELO I guess- but I'm always happy to play and learn). If you want a precise idea of my level, on the chess.com app, I can beat Emir 🇹🇷 (1000 ELO) often but I didn't win once against Sven 🇸🇰 (who is ~1100 ELO). I'm so happy talking about all these lengthen the post even more. Kinda satisfying. But I could also talk about Tekken and chess this year. I think I have a thing with dueling sports. I'm a Karate competitor, I love Tekken and I like chess. I guess someone has something to prove haha. But come on, chess is incredible. For the 1st lockdown, I was just playing (not alone) but I wanted to make progress just by practicing. And that's how I got BB 5 or 7 (yes, it means Beat By = my number of loss in a row). But at the end of the 2nd lockdown I finally allowed myself to study a little more, thanks to Youtube (once again). This is SO INTERESTING. Like the strategies, the top players. French content creators are fun but I like american ones more. Eric Rosen is my favourite. He's always calm, he often finds solutions. GothamChess is also very entertaining. You can say by how he talks he has been a teacher. He's great. So, once again on some shonen shit, I started studying more. Mid December, a kid beat me 2 times in a row. He's a smart kid, I like him. He didn't brag or anything. And then, during Christmas Holidays I spent 2 or 3 hours a day watching chess videos. I guess he hasn't been able to beat me since then haha. By the way I should play with him later on today. Playing chess is a way for me to make sure my brain doesn't let me down, like gym for the brain. At least, it's what I thought when I started but I quickly discovered that it's a game of patterns recognizing, so memory is really challenged here. I mean, in the middlegame you have to be smart to get by but at the beginning and ending … you have to know your openings. I have also thought of joining a club but I don't know if chess communities are benevolent. I also noticed that high ranked players seem to have strong personalities. And then for Tekken (yes, 3 years and a half later I'm still on this game) I'm still making progress. In March, someone made me want to play Heihachi. What a funny character. Not top tier, but fun. Leroy Smith is also fun to play. There was no offline tournament but I won one, the 1st organized by Tekken Toulouse and finished 5th at the second. It's funny to live that level of stress straight from my bed. Usually, that kind of stress making my whole body trembling is usually found nearby tatamis of Karate competitons. (Yes, these Tekken tournaments make me stressful and that's the reason I can't play Jin in tournaments). But Eddy is still a sure value. Still progressing in movement, and whiff punishing. Mishimas are getting more consistent on electrics but it's not perfect. By the way, if you love fighting games and Bruce Lee, there's a video you need to see (whoever you are) : [#]. If you're really interested in these topics, you should appreciate this video as much as I did [2:10 PM. I have eaten, but now I have the feeling that I'm late.] Btw I don't skip line to add some « length » effect. Once again I'm sorry if making it until here was painful to read, but I need to make this paragraph the least attractive I can. This line I'm writting is almost on the 3rd page of OpenOffice. And I try to avoid using emojis, so there's just text. Tout dans le fond, pas de forme. Also, congratulations for making it until here, you must be very motivated. I'm writting slowly because it's the 1st time I write this by daytime, and I swear at the begining people were harassing me ahah. It's fun because the sum up of 2019 was so short. Just with its form, you can tell how 2019 have been peaceful. I don't remember if I talked about it already but a disaster could have happened in September/October 2019. But karate kept my mind busy so the worst have been avoided. Time spent on the tatamis kept me away from overthinking about my problems. And that was a good strategy indeed. Because in 2020 it wasn't the same. If we count right. Dojos were opened in January, February, 1st half of march, reopened in September and october, closed on november and opened in December (Mon Dieu quel … CASSE-TEX hahaha merci c'est tout pour moi). It was a weird karate year. Today is the 1 year anniversary of my last competition. During the 1st lockdown, I had litteraly no desire to train. Some of you know why. But let's talk a bit more about COVID and lockdowns. The most important thing is that I didn't spent the 1st lonely. This was the most challenging time of my life, but I can say that I made it thanks to 0808 so I'm eternally grateful for that. So, if we recap months by months : January was a funny month. One thing that I thought a miracle happened (until I found out months later what a real miracle was). I also almost went into a brawl. I guess this weird ass month set the tone for the 11 months to follow. February … was one of the calmest month. I had an awesome dojo session in Balma with 0808 in February. I think there were a lot of beautiful sunsets this month. Guess our weather power was at its peak. These 3 1st months of 2020 had a lot of trainings, even if I was injured due to kumite. March and April are kinda the same for me. I won't talking long about these but I'd simply say that I'm glad that I hadn't to write to 27. So, the Miracle happened by mid April. Mid april to mid may, it was cool. We were at home but … the weather was nice, I was doing sport everyday (but no real karate trainings) and I could keep this rythm of exercising until … Half July, which is good. It's the first time in my life I'm that consistent in doing sports at home. From mid may, I started to train with Coach O. on a weekly basis. It was incredible. These days were still bliss in my mind. I was there, no « real problems » in mind, I wasn't alone, I was making progress physically … It was really great. And from mi may to end of July, it kept getting better.Indeed, I fell in love again in January and it was getting stronger by the months. It's been a while I haven't fell this hard for someone. But she gave it back to me nicely. And then … Mala suerte 3.0. This point of the sum up is funny because I do remember when I talked about mala suerte in the other sum ups. I do realize how it's always the same thing when I write those : « 1st part of the year is cool, then not cool, then cool again but in a weird way because I have insane difficulties to repair broken parts of me » but hey. This time it's not my fault. It makes me realize how cyclic all this is. So, August, September and October have been terrible and chaotic months. A level of sadness rarely reached until there. Maybe comparable to September 2018. A high level of anger also. But still, with rare occasions to train, so no occasions to let go off steam. In fact, let's talk a bit about this anger. I've always took a lot of pride in the fact that I could most of the time remain calm in a lot of situations. Plus, being patient isn't something natural but … I learned to be through the years. I was so surprised to notice how angry I became … It simply wasn't me. But the reason is simple : I really think karate brings me balance in life, on a lot of levels (and it concerns me a lot for when I'll stop competing one day …). But I realized it so I'm working on it. In 2020, I led a lot of fights, sometimes I won and often I lost, but I also avoided a lot of them. One of the reasons I think I'm not ready to be a good partner is first I think I'm too angry. I don't think I could be mean to my partner but … I think I could be annoying to deal with. But mainly, I'm not ready to better myself now. To find the good partner, you need to become a good partner first, and this is precisely what I'm not ready to become. Despite being not perfect, I'm fine that way and I know how far from perfect I'm right now. But nevermind. This is the kind of state of mind you can't afford when you're in a relationship. I'm not saying you need to change to fit your partner's ideals. But if you notice something's wrong in your behaviour/habits and don't want to correct it, you might be a bad partner (but I could be wrong, I'm not a couple therapist lol).

Oh. And that's the moment I can describe my photo to tell the story differently. So this shot was taken precisely on Sunday, 4th of October. 1302 got confirmed so we had to go to the Temple du Salin. I went there with my father and he decided to rock a bowtie so I wanted to match him. It was so fun. That was the first time we stepped in a church after « all these events ». It was a strong moment for me. So, this picture (taken by me, thank you tripod) was taken 4 days after I « took a gamble ». I took a lot of gambles this year. One memorable gamble that lead to beautiful pictures of Toulouse was on August 27th (lol). This was after our breakup. I gave her an adress and an hour, and I hopped she would come. She never came so this was a lost gamble. (So I had a great time watching « Back to the future » outdoors, on a big movie screen, but I was alone). But this time was different. I did suppose she would be at one place on a certain day at the end of September. And I gambled right because she was there. And even if the context was so particular, I can tell we had a great time. I was so ready that I put on my best white shirt, because I knew she kinda liked it. I was there to win her back but I simply failed. Guess the shirt wasn't enough. So it was funny to wear the full suit 4 days later, I was like « Dude, nice effort but it's too late lol» (plus the Temple du Salin is on the other side of the closest bridge from her home) but I still hopped to cross her road on that day. Oh and as we're analyzing this picture, I really like the bokeh on the autmun-colored leaves. I had the luck to have a very sweet light when I took these pictures. And the post processing was really funny. I have a lot of versions of this picture indeed. But all these colors in the background always make me think of a quote I love : « Autumn shows us how beautiful it is to let things go » and this quote is so damn right. I discovered this year that I have difficulties to let things go. The thing is I hate injustice. I hate to see things that litteraly belong to me, things I deserve, simply run away from me. Sometimes I'm telling myself it's just my karma making me pay for all the شيطان I've done in the past. But other times I just try to convince myself to let go. It's been the 2nd most challenging thing this year. These levels of depression have never been reached before. But still, here I am. But not stronger than before. I had this conversation a few weeks ago about « what doesn't kill you makes you stronger ». To support this idea, some people might evoke the principle of « Kintsugi » as an example. But I strongly disagree about the first statement. I'm not a goddamn bowl. I take the example of my lower belly scar : it didn't kill me but it didn't get stronger either. That's the exact opposite indeed. Sometimes it still hurts even though it's been done 12 years ago (the last time it hurt was this night, almost stopping me from finding sleep). It's a personal opinion but what didn't kill me made me weaker. And I'm not just talking about physical injuries. Losing the ability to trust after all these events isn't what I'd call « getting stronger », even though « I didn't do anything wrong ». That's an expensive price. Bref. I think you can overcompensate with something else but the damaged parts may stay weak after. [3:03 PM. So I have about 1 hour to finish it. Easy.] There's one thing I wanted to talk about in this sum up, related to the fact of « being strong ». I read Blach again (you can tell by my december posts) and I started with the lost agent arc, followed by the TYBW arc. There's 2 things about it : its poetry, through the words and the drawings will always amaze me (it amazed me even if it’s the 2nd time I’me reading it), and the 2nd thing : I love how Ichigo become stronger. He lost his Shinigami powers but then found his Fullbring powers. And that is very important because he becomes strong again, but it's a different kind of strong and I LOVE THIS. It's like in real life. I was very strong in June 2012 (videos as proof), but it's not the same strong as in July 2017 or April/November 2018. June and July 2020 have been a different kind of strong. Not that I gained 10 kgs in 2 months (unfortunately) but I was exercising daily. I was getting my body ready for the supposed heavenly month of August that was awaiting me (us). Unfortunately there was no videos of karate at this period (but I made some in september!) but I was feeling great physically. In fact. This May/June/July 2020 period could be considered as “bliss” for me. Of course there was some background problems but ... Mentally I was getting back on my feet, I was deeply in love, physically pretty feeling myself. Plus on the 1st half of July i could go back to the tatamis ... I swear this level of peace and life appreciation have rarely been reached before. Well, this concept of getting stronger differently is almost obsessing me for a simple reason : I'm feeling like I'm getting older. 27 is a weird age for competing in karate. If I look back, I realize I'm older than William when he stopped (it's his birthday tomorrow!!). Also older than Zak, Teddy and so on. I guess I'll never be physically like 10 or 5 years ago but I'm really asking myself if I can be better. But as seen as the pains I go through after the trainings … It's going to be complicated. Plus I did my body wrong this year. There was pain in mars, april, august, september, october, november and december. I tried a lot of things to make it go. I tried to smoke it, i tried to sleep it, i tried to drink it also. I tried to fuck it of course but none of these things worked. But can we consider I won if only my cock still works ? Compared to 2018 : yes it is a win. And at least when I'm with someone, that makes less time crying and overthinking shit. Anyway, I also tried to smoke it really hard. And that's an habit I'll have trouble to let go but nvmd. Still, one of my 2021 resolutions is to smoke less. Also, I took a funny resolution that is : « I'm not accepting defeat this year ». And I realized only a few days after taking it how hard it will be. I'm not dumb, when defeat is unavoidable, I'll just take it. But I decided to be a real Scorpio and be more stubborn than ever. We can say it's above all pride. Same pride as Vegeta, Bakugo or even Endeavour. Really touched me when Bakugo talked about « Absolute victory ». Sometimes I find myself too soft. I'm not going to become an awful person (or at least, not more awful than I am right now). I'll still be kind … But I'll go get the victories I deserve a little harder. Talking about my age, I'm a bit deceived I have no close old friends to share the memories. Every one is kinda gone. Sometimes it's my fault, and sometimes it's just people who are shit but life's like this. Also, every year I try to think of my best encounter of the year. It's kinda hard because sometimes, you meet someone a few years earlier but you really get to know each other later etc … So I'm not clear if this should count only people met this year or simply the people I've spent the best times with. Because I received a curious message this summer and my God. What a luck she took the chance to write me. We realized a few days ago we were in the same class in 10th grade (2nde) (we saw the class picture, what a laughter we had). We get along so well. And it's the proof that 2nd chances deserve to be given. I swear that I also lost some important people this year. But I'm not fighting to get people back anymore. I've done it too much and I'm simply done. People need to realize it's a luck to be in my life. I have my ways but you'll hardly find a friend that's patient and kind as I am. But nevermind, it always makes more time and attention for the people who are here, who really care for my hapiness. Focusing on the people who are here was one of the main concern this year, for a lot of reasons. I thought I was good for selecting the good people in my life but looks like I still can improve. So I'm still letting people go off my life. [3:36PM. Guess I said mostly what I had to say. Maybe 5 pages is enough, but maybe not.] Oh I can still tell the rest of the year. November have been one peaceful month. Away from all the obsessions. Focused on me. No karate but still courses by videoconference. The weather was very sweet even tho it was November. This second lockdown was not that funny but we've seen worst. And December … had it's ups and downs. It was cool to meet my kids 1 month after all these video courses. They clearly got stronger, it was cool. I could also talk about my experience as a sensei this year because there's a lot to say. At the beginning of February, it was my last competition but also for my kids. We litteraly took the competition by storm. On était TROP CHAUDS. But then the Covid stopped us. We kinda were ready for Occitanie championship, if you forget that I was sick the week before the competition. I'd have loved so much to see how far their training would have taken them on this competition. But thank God they cancelled it, guess He didn't want to see me lose ahah. So, I've seen a lot of kids getting better. What a pleasure. Later on this year I told them that I wanted to see them become stronger than me. Seems cliché, but I'm happy they took it seriously. Of course I'm dead serious. We also talked about I will be waiting for them in Senior. Hope they'll continue until then. And above all I hope I will still be competing. I really want to have a positive impact on these kids, competitors or not. And I guess it's working. (Btw I'll surely do a post about Whitebeard soon, just to show him love). So. What lessons can we draw from this chaotic year ? Always treat your high school comrades well. Be picky about who you let in your life. Before engaging in a relationship, ask why her previous relationship ended. Trust no B. (And BBW's are heaven sent). Now it's 3:50PM and I guess I'm done. But I keep myself the possibility to add things if I think of things to add. It's 6 pages long (Arial, 12) but if I can make it longer I will.

[Friday. 00:55AM] Edit : Ok. The story is funny. I really wanted to finish that in one day. So I wrote the previous lines between 10 AM and 4 PM Wednesday knowing I would need more time, just to check and to add a few more details. And one of those Lonely Wednesday Night would have been perfect just to finish the job. So I planned to finish it on wednesday night but the fact is I forgot my computer home …. So here I am one day later. Still baked, so still in the right state of mind to do it. It gave me time to proofread myself (?) and most importantly, it gave me time to read again some of my previous sum ups. It was interesting to compare how they're all different, and also how my writting evolved. Tbh I think I'm becoming more comfortable with my English. Or maybe the more I express myself, the more I look at ease with the langage. This sum up is the longest I've ever written. But still, I'll add things because I still haven't told everything. For example, I haven't spoken about the fact that all the Kazamastar adventure might be closer to the end than the beginning. Like, I'm not immediatly done with all that. I'm still having a lot of fun here. Anon visitors are also part of the game, but it's still all fun. It also keeps my « photograph eye » opened. This makes me think of the quote «I want to be so awfully happy that I never need to write poetry again. » [#] and more precisely I'm thinking about : do I post more when I'm happy or sad ? But I noticed this tumblr kinda works like therapy for me. (And especially, this post is a therapy by itself. Wednesday I woke up feeling bad, lower belly aching and making this post really helped me going through the day.) I post a lot when I'm sad but it really allows me to get all of these negative feelings out of me. I do stylize things but I know I'm not a poet or anything. But can you imagine being so happy that you don't write again ? Would be an amazing feeling. (Indeed, I've already done it once [#]. I've ended a blog on a perfect happiness and yes it felt amazing. ) Imagine if I do it here. After all the trials and tribulations I went through, it would be a perfect way to finish this tumblr. But as I'm speaking, I think there's like … less than 5% chance that it ends happily. If it does, it could be in a long time. I have a few ideas of when and how it could end, but Imma have to keep these selfishly for myself. You'll see when we'll get there.:) Also, I'm realizing right now the things I'm adding to the text make the timestamps through the text a bit less accurate but that's just a detail. [2:37 AM] Earlier I talked about this blog being a therapy for me. But it’s not only this tumblr. This year I proudly finished another tumblr (yes you can guess I was proud as I posted about that 17325 times already and pinned a post). This was such a relief to end it after letting it still for litteraly 2 years. Well that’s it for tonight !

No transition : let's go for the explanations of my choices for the playlist followed by the playlist itself. It's kinda easy to understand why « la mienne » is here, for the first month. This “I can’t touch you I’m not allowed to” really made me think of someone and this someone came back. Incredible. The next song with a Boogie is perfect for February. Very peaceful month, really full of very good moments (in the backseat of a certain car for example). The 2 next songs are for March. These are kinda « lockdown anthems » as The Weeknd album came out right at that time and so did Laylow's. Plus « Escape from LA » have the vibe I really love from Abel. 2 next songs are for April. Dsvn really smashed when he put that « A muse in her feelings » album. (and the « Amusing her feelings » is even better but that won't happen before January 2021). The sequence between « Outlandish – Keep it going - flawless » was one of the best thing I heard musically this year. But keep it going is insane. « Meilleurs » from Oboy is … special. And so are the 2 following songs. Meilleurs is now blacklisted but it's still one good song. But I can't listen to it anymore. Maybe that's exactly because it reminds me June and July. Count me in reminds me precisely of August 8th. Btw what a funny day, very far from all expectations we built up through the years (let's remind that the countdown started with more that 400 days, but I guess patience and loyalty is not always rewarded). I might digress from the playlist one second, but on this day we were in Treilles with the guys, and thank God I had them in this moment ... That’s when I drank to heal, with “count on me” for soundtrack. For September, I hesitated between « DEUX TOILES DE MER » or « MEVTR » (which means « Meilleur d'Entre Vous Tous Reunis », the 1st stage name of Damso). Damso’s flow on MEVTR is huge. He makes a whole verse rhyme and on but … 2 toiles is more iconic. Talking about iconic, « Bande organisée » wasn't a masterpiece but a force to be reckoned with (i find this expression funny ahah). I mean, in hip hop nowadays we don't see often rappers teaming up with big groups like that. Plus on this song particularly some of them have interesing flows and a lot of energy. And you can tell it comes from the South. Not of them are goods, some are excellent but this makes a very decent track. « Route 66 » was cool, even tough it's for November (so 2nd lockdown) it gave me really lovely vibes. And I take this occasion talking about November 2020 to remind it was the 10th anniversary of Kanye West's MBDTF and I celebrated it the right way héhé. Finally, this featuring is really ending the year well. Dinos dropped an insane album, his best since a long time and Tayc also (respectively « Stamina, » and « Fleur froide »). So having them on the same track was risky but it paid very well, incredible vibe from those two combined. They could have been in the top 3 albums but some people made better than them. Trinity is my top 1 one 2020. The concept, the musics … it was INSANE. QALF was also great. It's insane to see Damso get rid of « artistic barriers » to focus only on sound and music. No communication etc … Just music. And Eternal Atake from Lil Uzi Vert because it was long awaited but also because it was perfect, also a 1st lockdown album so it helped me forget my loneliness but so much good tracks ! And finally we have the very special songs that I coudn't tell why I like them. I just love their vibes. So now is 4:15 PM and I'm offically finished but I still have to tweak it. Know I won't hesitate to add things that are related to 2020 and that come to my mind :) Thanks for reading me. Have a lovely day, or night.

2020 Playlist

Tayc – La mienne (Accoustic)

A Boogie – Reply feat Lil Uzi Vert

The Weeknd – Escape for LA

Laylow – Nakré

dvsn – Keep it goin ✨

PartyNextDoor – Believe it feat Rihanna

Trippie Redd & Russ – The Way

OBOY - Meilleurs

Kehlani - Serial Lover

Juice WRLD & Marshmello - Come and go

THEY. - Count me in

Damso - Deux toiles de mer

13 Organisé - Bande organisée

Joe Dwet File - Route 66

Dinos & Tayc - Je wanda

Spécial : Lil Tecca - Last Call YNW Melly - City girls

Jessame - Times we had ~ Dennis Lloyd - Never go back ~ Elliot Trent - computer love

3 top albums de 2020 :

Trinity de Laylow - Qalf de Damso - Eternal atake de Lil Uzi vert

#sum up #resume #welcome to #welcome to 2021 #2020 #me #myself #i

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galladerocksgamer · 5 years ago

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I saw several other blogs passing this around and it looked fun so I decided I’d give it a shot and see if I can’t spread it around to some others to do too!

Pick 5 shows, then answer the following questions! Don’t look at them first. Then tag some people.

Gravity Falls

BoJack Horseman

My Hero Academia

Trollhunters

Avatar: The Last Airbender

Who is your favorite character in 2?

Wow I’ve never really stopped to consider this one that hard before. My gut reaction is to say Todd because he is simply wonderful. But Diane is definitely up there too, she’s a character that I really connected to in ways I didn’t expect. Princess Carolyn is in the running too, her series-long character arc was one of the most heartbreaking and heartwarming. I’m not sure I can pick one fave, I just love the development of these three.

Who is your least favorite character in 1?

Uh geez I’m not sure I really have a LEAST favorite, I can’t think of anyone that I particularly dislike. I mean sure there are characters that I dislike because they’re jerks, like Filbrick or Preston or (duh) Bill, but in terms of like disliking them as a character? I’m probably gonna say Priscilla Northwest, she’s as much of a rich jerk as her husband but is a lot less entertaining. Or maybe Gabe Bensen, he’s the least amusing of Mabel’s various love interests to me.

What is your favorite episode of 4?

A House Divided. Just ... no contest, it’s A House Divided. Haven’t seen much else that just stops my dang heart like the ending of that episode. It just HURTS OKAY. In all the best ways. Jimhunters and Unbecoming are very close seconds.

What is your favorite season of 5?

Overall I think it’s gotta be Season 3. There’s a lot that I love in Season 2 especially, but on the whole Season 3 just has so much going for it. There’s some fantastic character development and new moral issues explored within the Fire Nation itself. There’s the invasion, Zuko joining the Gaang and having various life-changing adventures, the Boiling Rock, the freaking Ember Island Players, and of course one of the absolute best series finales in television. So yeah, it’s gotta be Season 3.

Who is your favorite couple in 3?

Tbh I don’t really have that many ships for MHA (probably in the minority on that one). There’s really only two couples I’m particularly into, and that’s Mirio/Amajiki and Yaoyorozu/Jiro. Mirio is just so supportive of Amajiki and they’re just cute and GAH they’re fantastic. And Yaoyorozu and Jiro, I think it was the first movie that got me attached to them, they’re just super cute too. They’re both just pure adorable pairs, I love them.

What is your favorite episode of 1?

Once again, no contest, because Not What He Seems is just, like, my favorite episode of literally anything ever. It’s just SO GOOD. The culmination of so much story and theory, the animation, the music, the tension of the climax, the ending reveal. It’s just. The best. Gosh. Weirdmageddon 3 is definitely close, the best finale in animation imo, but just absolutely nothing beats Not What He Seems.

What is your favorite episode of 5?

Okay now this one is actually tough. I’m probably gonna say Zuko Alone, it’s just brimming with heartwarming and heartbreaking material, between Zuko’s childhood flashbacks and his touching - and tragic - present story. The Tales of Ba Sing Se is the other top candidate, of course it has the tearjerker Iroh story that is probably my favorite thing in the whole series, but I also love, well, the whole thing. The Katara/Toph and Zuko stories are so sweet and pure, the Sokka story is hilarious, and the Momo story is also dang sad. The Blind Bandit, Sokka’s Master, and The Southern Raiders are also personal favorites.

what is your favorite season of 2?

I am surprised I have a definitive answer for this because the whole series is so transcendentally great, but I do in fact have an answer, and it is Season 4. It’s my favorite story arc of the series, with BoJack for once not having a special project to center his life on, still reeling from what happened to Sarah Lynn, and having Hollyhock and Beatrice rather suddenly entering his daily life. It’s about the closest we ever see to BoJack having some semblance of a family life. The whole storyline of Hollyhock and Beatrice is just fantastic, and it’s the start of the real meat of Todd and Princess Carolyn’s character arcs too - and ends with the setup for Diane and Mr. Peanutbutter finally breaking their destructive cycle. Plus it’s got my two favorite episodes of the entire series - The Old Sugarman Place and Stupid Piece of Sh*t. Also Time’s Arrow is definitely top 10, maybe even top 5. Also also love Hooray! Todd Episode! And Thoughts and Prayers. And Ruthie. Yeah seriously no contest it is my favorite season.

How long have you watched 1?

I started watching Gravity Falls really near the beginning. The first episode I watched was The Inconveniencing, the fifth episode overall, and after that I was immediately intrigued and went back and watched the first four. After that, I watched the whole series as it went.

How did you become interested in 3?

I don’t tend to watch a lot of anime, and my experience with shounen before MHA was touch-and-go. Like I’m a big fan of Fairy Tail and to a lesser extent Dragon Ball but I’m still heavily critical of both and would have a hard time recommending them without a heavy disclaimer. So it was something I’d considered before but never really took the plunge into watching until, funnily enough, my anime-adverse girlfriend decided to check it out. She’s significantly less anime-invested than me (well, she used to be at least) but lo and behold, we both wound up obsessed with it. Color me surprised that this series wasn’t being overhyped and didn’t come with the glaring flaws of every other shounen I’ve watched. So now this is definitely my big interest of the moment, and I am grateful to have it.

Who is your favorite actor in 4?

Anton Yelchin, he just brought so much heart and emotion to Jim. He’s a big part of the reason that Unbecoming just snaps my heart in two, my gosh. As for comedic delivery, Kelsey Grammer absolutely kills it as Blinky, not that I’d expect any less from him. He just has so many lines that completely crack me up and that’s largely because of his delightfully hammy delivery.

Which do you prefer: 1, 2, or 5?

Oh my gosh they are literally my three favorite pieces of media in existence. But it’s Gravity Falls. Like I would just roll over and die without any of these three but it’s not debatable, the absolute #1 in my heart is Gravity Falls.

If you could be anyone from 4, who would it be?

Probably Toby? I think I’d be good in the “well-meaning dorky disaster-prone best friend” role.

Would a crossover between 3 and 4 work?

Theoretically, maybe? Magical troll warriors team up with superheroes to fight a wizard supervillian. It could happen.

Pair two characters in 1 who would make an unlikely but strangely okay couple?

Hmm, not sure I have a good answer to this one. I’ll just say Manly Dan and Tyler. It’s not exactly an ODD pick because we see them together quite a few times and honestly they always look like a dang couple, but we never really see what their INTERACTION is like, so it’s kinda difficult to judge exactly how that relationship does/would work. But I think it’s a nice one to think about.

Overall, which show has the best storyline: 3 or 5?

Oof. Probably gonna have to say AtLA on this one, if only because MHA isn’t exactly that focused on a super-condensed story at this point? Its progress tends to come through more world-building and character development than major plot beats, though it certainly has that too. So yeah I’ll say AtLA.

Which has better theme music: 2 or 4?

Oh absolutely BoJack, it’s one of my favorite theme songs.

Okay, I’m only gonna actually tag @immaplatypus for this, but if you see this and want to do it then absolutely go right ahead and do it! I’ve had fun seeing some other people doing these and would love to see even more going forward.

#gravity falls #bojack horseman #my hero academia #trollhunters #avatar the last airbender #atla #mha #bnha

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recentanimenews · 4 years ago

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FEATURE: 3 Anime That Showed What Makes Shonen Great

The first anime many people ever hear of is probably a "shonen" genre title. Millions of kids in the '90s were introduced to the medium through Dragon Ball Z, just as many more were introduced in the 2000s through Naruto, just as countless others were likely introduced in the 2010s through My Hero Academia. For many people, they ARE anime, becoming sort of a shorthand for it, and it's impossible to separate the genre or consider what the medium would be like without it.

But that's not a bad thing. Because while "shonen" literally translates to "young boy," and the shonen section is just one of many wonderful anime genres — it offers boundless amounts of creative storytelling, interesting direction, and inspirational and thoughtful themes. And thanks to Crunchyroll's Project Throwback, I think we have a great opportunity to explore those aspects and discover why certain pillars of the shonen anime genre stick with fans for so long.

You never forget your first anime ✨ pic.twitter.com/OBP9w9Ljxv

— Crunchyroll (@Crunchyroll) August 17, 2020

Naruto is based on the manga by Masashi Kishimoto, and if you've never seen it or somehow never heard of it, it tells the story of a young ninja named, you guessed it, Naruto. Raised in the Hidden Leaf Village, he's an outcast that dreams of being Hokage, an aspirational position that symbolizes him being accepted by his community at large.

See, just in the basic framework of the barest plot elements, we have one of the shonen genre's greatest strengths — creating infinitely relatable themes out of grand, heroic dreams. We don't all wish to be Hokage (though that would be pretty rad) but I don't know a single person who hasn't longed for acknowledgment and recognition at least one point in their life. And because the franchise is also about growing up, as we watch Naruto age through the original series and then through Naruto Shippuden and the sequel Boruto: Naruto Next Generations, we watch him eventually find his place in the world and become someone that can help others find theirs.

Another example is Bleach, Tite Kubo's magnum opus about Ichigo Kurosaki, an aloof high schooler who finds himself suddenly thrust into the role of "Soul Reaper." With his newfound powers and responsibility, he must defend his friends, his fellow Reapers and mankind from malicious spirits and those that would prey on others. Bleach is also a story about growing up (many shonen anime series are) but while Naruto longs for the life experiences granted by aging and adulthood, Ichigo must learn to accept them.

And while he does, Ichigo as a protagonist represents coming to terms with the unexpected things life throws at us. Bleach deals with eschewing what we imagine our goals to be in order to be greater for those that depend on us. Because getting older is scary and weird and always manages to present things to us that we could never have hoped to prepare for, but it's also something inevitable. Time (and evil ghosts) will not stop to smell the roses, and so Bleach's lesson ends up being "How do I become what the world needs me to be?"

And though there are many more shonen titles in the Crunchyroll catalog you can peruse, I feel like it's important to round off this dive into the genre with Gintama. Based on the manga by Hideaki Sorachi, Gintama has always seemed to take a backseat to the heavier hitters of the Weekly Shonen Jump line-up, usually mentioned after Dragon Ball, Naruto, Bleach, One Piece, My Hero Academia, etc. when someone is talking about the most influential and renowned titles. But Gintama is anything but a second-stringer.

First off, it frequently parodies the characteristics and tropes found in other series, with references to One Piece, Saint Seiya, Naruto, and many others found in its fourth-wall-breaking antics. The main character, Gintoki, even wants to read Weekly Shonen Jump on a regular basis.

And enjoying manga anthologies might be his biggest goal because one thing that separates Gintama from its peers is the fact that Gintoki doesn't really seem to have any huge fantasies about his ambitions. Rather, as an ex-samurai, he runs a freelancing business, struggles to pay his rent, and simply wants to live by his own rules and his own sense of honor. However, this doesn't stop Gintama from frequently being thrilling and heartwarming, and it remains consistently underrated.

There are many, many shonen series to enjoy on Crunchyroll, but I feel like watching these three will give you a good idea of why the genre resonates with so many people at so many different points in their lives. Because while it does mean "young boy's anime," there are certain messages that are universal regardless of age or demographic. Most of us wish to be better, wish to be there for the people we love, wish to live a life we can be proud of. We may grow older than Naruto and Ichigo and Gintoki, but they'll always be a part of us.

Daniel Dockery is a Senior Staff Writer for Crunchyroll. Follow him on Twitter!

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features.

By: [email protected]

#Anime #News #Latest in Anime News by Crunchyroll!

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pennysword · 5 years ago

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An Ode to My Hero Academia

Okay, like every anime fan, I've fallen into the My Hero Academia hole and can't get up... and that's not a bad thing.

I'll be the first to admit that I wasn't on the fanwagon when My Hero Academia landed on American shores in 2016. I was two years out of college and the only thing I cared about was finding a nine-to-five that paid my bills and kept my mom from telling me to do something with my life. I was also deep in the pit of post college depression, wherein I'd moved away from all my friends and thought myself too socially awkward and weird to be able to make new ones. That's something a lot of us deal with, I think, especially when we're forced out of our comfort zones.

I am a shojo romantic at heart. Most shonen don't really hook me emotionally the way shojos do. And if it does hook me, it's set in a world so fantastical and so bizarre that my interest wanes before long and I would forget the plot all together. When I did delve back into manga or anime (decreasingly so once I got my first adult job at twenty-three), I wanted to wrap myself in the blanket of the tropes that were comfortable to me: a wallflower female lead with surprising feistiness and sense of justice, a beautiful male lead like prince from a fairy tale, a second lead who would do anything for your affection. These stories were mostly set in the real world, even if they didn't make sense sometimes, I could make excuses because I loved the idea of shojo so much more than disliking the flaws.

While a lot of my friends watch anime religiously, I'm more of a casual fan (which is really a nightmare to otakus, who expect you to know every single canon, fanon, and side canon that has ever existed). I remember my first encounter with the show was equally as casual. My friend explained to me it's general concept while waiting in line for my badge at ACEN 2017. “It's about superheroes! There's this girl who is literally a frog! An ostentatious personification of America! When people cosplay this other character they wear a green zentai suit because she's supposed to be invisible and that's funny!”

Fresh off the tails of One Punch Man, which came out in 2015, I thought it was the same concept and I rolled my eyes. I knew that anime followed trends, like most things in the world: one year psychic-mecha anime was what everyone wanted to do and the next, post apocalyptic themes were all the rage. So I thought My Hero Academia was just another One Punch Man, a self-referential, satirical comedy about heroes who knew how ridiculous their own genre was. I'd seen it once and wasn't really interested in seeing it again.

My second encounter with My Hero was a bit more personal. It was 2019 and I was taking my eight-year-old cousin to her first anime convention ever. Her family has always been a little more conservative, being Jehovah's Witnesses and living in one of the most right wing cities in Mid Michigan... and I was thrilled when she confessed to me that she enjoyed shonen-ai, that her mom had bought her a complete set of Sailor Moon manga, and that she wanted to borrow my own personal manga collection for reading. There was only a four month turn around, but I made her a janky cosplay and drove her to Kalamazoo for one day of their local convention, Dokidokon, wherein she pointed out someone cosplaying her favorite character, Shoto Todoroki from My Hero Academia.

At this point I had the base knowledge that my friend had given me at ACEN two years prior, but I just couldn't follow what my cousin was saying. After she shyly asked for a picture with the cosplayer, she explained to me why she shipped this character with that character and why that other character was a jerk... I couldn't understand any of it. And I realized that I had missed something much more important than hopping on the fanwagon of one of the greatest anime of its time... I'd missed an opportunity to connect further with my little cousin, someone who was just beginning to sprout seeds of her own ideas and her own interests, separate from her religiously zealous mother and her perpetually aloof father. I had missed a chance to truly enjoy her happiness, to witness her excitement when she saw her favorite characters pop out of the television screen and manifest themselves before her, alive and in the flesh... and just as heroic as their two dimensional counterparts.

That fall, I watched the first episode of My Hero Academia on my morning elliptical workout and my life was changed.

I mentioned before that one of the reasons I have a difficult time connecting with the shonen genre is the fantastical worlds that I cannot relate to. For instance, I can apply logic to the world of Naruto in my head, but it never seems real like it could be real to me. I always find myself questioning social structure, in-world history, and the story's depiction of the human condition. There's always a nagging voice in my head that refutes all of these pretend worlds in shonen... but My Hero is set in a world not unlike our own. In fact, aside from his green hair, the main character seemed like someone I might have known in middle school: a small, meek nerd type who is always scribbling something in his journal, always knew more than he was letting on... someone you wanted as a friend, whether you realized it or not. Izuku Midoriya as a character is as close to the shojo trope of a wallflower main lead as you could get. When we meet him, he's quirkless and is often bullied for by his childhood frienemy, Katsuki Bakugou. He's kinda squirrely, kinda spazzy, but feels like a grounded character because his golden heart is his most defining attribute. Midoriya has no illusions about what he is. He knows he's weak. He knows that people look down on him. But he is just… good. His goodness is infallible and his goodness rings true in everything he does, including when he risks his life to save said bully in episode two.

Conversely, while Midoriya is full of impressionistic verve, Bakugou turns the tables on the typical second lead shonen stereotype because he's not some edgelord that wants revenge for his slaughtered family. He actually has both parents at home and lives in a nice house and neighborhood. He doesn't have some kind of revenge fantasy playing in his head on his journey to become the best hero... he's just a fucking dick. A dick with a chip on his shoulder because his whole life people have told him that he's the better than his peers... and when Midoriya proves to Bakugou that natural talent isn't everything, he must grapple with the idea that world wasn't everything he thought it was.

Midoriya doesn't automatically become a cool kid after attaining his quirk from his idol, All Might, either. He doesn't stop being socially awkward. Midoriya still nerds out when it comes to All Might and he still takes copious notes on every hero he encounters, his classmates or otherwise. Midoriya has a goal but he doesn't have a grand plan. There's no shortcut to the end, only day after day of hard work and determination and figuring shit out on his own. Since he is the protagonist, we see the reasoning behind everything he does and this fact grounds the world of My Hero Academia for me. We see Midoriya fail and win and fail again, but we never stop rooting for him because we know he is smarter and more capable than his awkwardness allows him to show the world.

We follow Midoriya during some of the darkest times of his life, including when he learns that he would never develop a quirk. What hurt him more than the doctor delivering this news was his mother's fervent apologies rather than words of encouragement. Because even without a quirk, Midoriya could have done anything he wanted to, had he had the support of his family. In shonen anime the parents are usually convenient plot devices or they are dead. In My Hero, though, Midoriya has a close and communicative relationship with his mother. One of the more powerful scenes involving Inko Midoriya is when she refuses to let Midoriya go back to his dream school despite his protests. She explains that, first and foremost, she is his mother and her duty is to keep him safe. When I see this scene I always choke up because this is how humans act and I don't think I've seen it in another shonen before. I hear the common argument, “Well, he's training to become a hero. He's gonna get hurt.” as a justification of why Inko should be fine with Midoriya's broken bones. And while logistically that may be true, we know that most parents wouldn't feel that way. It makes sense as a narrative, given what we know about Midoriya and Inko's relationship.

Something I also love about this series is that every character has a fail stop, a logical reason why they aren't as OP as possible: if Todoroki uses his right side too much he gets frostbite and if he abuses his left he gets burned. If Ururaka overexerts her Zero Gravity, she gets motion sickness. Even All Might, Midoriya's mentor and the strongest hero in the world™, cannot be in his hero form for more than three hours a day. Every character must learn to recognize and live with their shortcomings, because even heroes need to find their place in the universe... and rely on those who fill the empty spaces around them. Because this show, despite it's taglines and ultimate moves, thrives on the logic of balance, of give and take accepting that no one can go at it completely alone, I realized that it was nothing like the aforementioned anime. It was so much more.

Like my friend told me three years ago, on a surface My Hero Academia is about superheroes. It's about capes and costumes and training montages and redemption arcs and all the things that we nerds love... But beneath the surface, My Hero Academia is about recognizing your own power. Izuku Midoriya isn't a hero because he inherited All Might's quirk. He's a hero because, to the very marrow in his bones, he does what is right. Izuku strives to be better than his own self doubt and the world telling him he's not good enough, even though most times he ends up crying his eyes out. He embodies the will to succeed that we all have within us when we find our passions, whether it be beginning your fitness journey with some anime on the elliptical, bagging that nine-to-five job, or something more substantial, like training, despite the odds, to become a hero who saves people with a smile on his face.

#my hero academia #boku no academia #anime #plus ultra

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steve0discusses · 6 years ago

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Yugioh S2 Ep 26-27: Marik Also Tries Mind-Crushing, Except Literal and With A Very Large Storage Unit

Ah, Yugioh, where two children are possessed by ghosts and two other children are possessed by just some guy named Marik.

He’s still pretty sure he has a plan. To be honest, at this point it just seems like he’s desperate, but I have to hand it to Marik, that he’s doing more than just relying on a spooky golden maraca thing he keeps in the side pocket of his cargo pants. Something that a lot of shows do really wrong with villains (pointing fingers directly at My Hero Academia while I’m typing this) is that they rely too much on their fancy looking superpowers to show they’re a bad guy. It’s fine to have super powers but you gotta back it up with making sure you’re throwing your heroes into a psychological nightmare--at least once.

At least once, MHA, it is Season 3. Please. You have such a huge budget and the best animators in the world. Please. I beg of you.

Yugioh, on the other hand is like...when WON’T we be in a psychological nightmare?

And so Marik has decided, after the bandsaw murder clown incident, the blown up skyscraper 100 story fall to your death incident, and the spooky mime incident, that he was ready to just really go to town on effed up villain stuff today. It’s time to pull all the stops. He’s got Yugi’s BFF’s all ready to turn on Yugi, he’s got an abandoned shipyard...for some reason...

All in all, as much as I rat on Marik, I very much appreciate that he didn’t monologue in some Mahjong bar for twelve episodes about all the reasons he wants to do evil stuff, he just goes out and does it. Let me rephrase, he just goes out and makes other people do it, but at least someone is doing something in every episode. Can’t say that about all the TV I watch.

You do have to hand it to him he never does the same plan twice.

(read more after the cut)

So, spotting Joey from afar, Kaiba lands his helicopter dangerously close to him, and just walks out unarmed, his smallest brother standing next to him. Mokuba is still taking everything in from last episode apparently and he’s just really confused most of the time as Joey starts going off about himself in the third person to Yugi.

And Seto decides to just watch? He doesn’t call for help, he doesn’t use his crazy amount of leverage, and he doesn’t do the smart thing which would be to run the hell away, he just kinda soaks this all in and has decided that he lives here now.

So, Marik, who can do a lot of the dark magic stuff Pegasus and Bakura have showed us, decides to instead go old school and forgo magic for most of this fight (other than some possession of course.)

Like I said before, if you’re gonna write a villain, they gotta get in your hero’s head a bit. It’s villain 101. Should it ever go as far as a Yugioh villain on kid’s TV? I mean proooobably not necessary? But something this episode does is show that a villain does not need superpowers. All they need, is to test your hero’s greatest insecurities to the breaking point, which is something Marik does really well, and surprisingly a lot of shows I don’t need to mention, because I already have, don’t do. They kinda rely on “well he’s got evil powers, so he’s evil and they punch a lot” while not understanding that it was never the powers that gives a show that tension that villains bring.

Like, Yugioh does a lot of things wrong, but surprisingly, they know how to write a clearly evil villain who’s just overheard that Yugi’s big thing is this bond of friendship--which is really childish--but he goes with it anyway. So he makes this bizarre Joker-like card game scenario that is based on breaking those friendship connections. But leave it to Yugioh to have something really pure in theory but in practice turn into this screwball nightmare. Yugioh is kind of like a really simple chocolate cake but there’s a tire on it and it’s on fire.

I will say, it is odd that Seto got dragged here into the friendship battle, as he is the worst friend. So now he also gets to go through friend torture with some school mates he occasionally has class with. TBH, I don’t think Seto has even realized yet that he has also been 100% abducted since the moment he walked off that helicopter. Seto lives in a nice denial place.

So lets go over Marik’s Big Plan #7.

First, off you gotta put on these shackles, seen here:

I feel like Shackles are this seasons Maze Labyrinth. I mean I guess Yugi’s shackled to his destiny? Or at least the destiny of the ghost he’s attached to? Anyway, so many shackles this season.

And then these shackles and chains are connected to Joey as well as this anchor we see here:

What nice symbolism to illustrate that Yugi’s friendship will drag everyone he knows along with him--as it has for the past 2 seasons. Not really a big spoiler for everyone involved in this battle.

And then this was a thing Marik added just for kicks, which can be symbolic, too, but I don’t feel like diving into it:

I actually never thought these two would actually cancel a game. Mokuba decided against blowing his whistle at it though, he decided it was probably too late for that. Aaaaaand it was:

Yo, how do you sneak up on people with a 70 ft crane?

Honestly I was surprised that Seto cared enough about Tea to not move, but I guess he couldn’t kill Tea in front of Mokuba. And I dunno, Seto and Tea never really talk to eachother, so I guess I’ve never noticed that he thinks she’s decent enough to continue existing. He might like her better than anyone else on this show other than Mokuba. And I’m not saying that to ship them, although I’m sure it’s a fine ship sailing around out there, I’m just saying that it is notable when Kaiba accepts that someone else besides a Kaiba deserves to live.

And then one last touch:

I guess no one told Marik that Tea and Yugi aren’t actually dating? I mean how much would it suck to go on one date with a guy and then all of a sudden you’re dealing with all of his villains?

Accurate, actually, that is exactly how dating works. You go one date and then you casually run into him in an elevator and then all of a sudden he’s like “So my ex fiance took me to court over the engagement ring and it’s so unfair that I can’t get that money back when she’s gonna marry this other guy she’s only known for a month anyway.” and it’s like “You were engaged?”

But, for his credit, 2 weeks later I needed a date, called him up, and he was like “Sorry, I’m in the hospital because I got an ulcer removed because apparently there’s too much stress in my life pulling these allnighters for my classes, and my car died and it’s gonna cost 2k to fix it, and then my ex fiance visited me in the hospital which was hella weird because my Dad is here. Anyway I got a tube down my pee hole and it was the worst pain I’ve felt in my life including the ulcer they removed from my gut. But I dunno. When’s the date?” and I just assumed he was pranking me but turns out, the next day, my teacher confirmed the kid was in the hospital and as high as balls.

Anyway, Pharaoh isn’t the worst person in the world to date, I guess.

It’s nice that Yugi was able to find all of his accessories in blue leather and silver rivets.

The duel begins, everyone cries, except for Tea who’s just screaming from the sidelines that Joey needs to remember how much he loves Yugi. She reminds him to think of the experiences they’ve shared and it was like oh boy maybe skip the part where you bullied Yugi to to hell and then he got cursed with a ghost that lives in his body.

TBH, I feel like it would be bad to introduce Serenity to the fray? Like if I were Marik I’d be like “woah get Joey’s sister out of here, that’s gonna snap him out of it.” but it’s not like Marik gets the whole family love thing anyway, living with Ishizu.

In case you were wondering, yes Mokuba actually tried to explain to Tea what was going on, so the show went over what the hell was going on I want to say like 3 times. Which is something you kinda have to do when you’ve turned your card game into Mousetrap.

And so this is where the episode ended, and I was capping along and felt like this could be a two parter post for this weekend, so why not? Lets continue.

Ah, and it starts out with Marik on a boat.

That boat gets mysteriously bigger and bigger every time it shows up. How many Rare Hunters are there? Like 10? And do they have to rent an apartment on this boat, like how does this all work? And if they do rent an apartment on the boat, who’s cooking? Like Marik, obviously is not a cook since he’s a living disaster, but I want to know more about boat life. Did Bandit Keith ever make them a crunchwrap supreme? Is one of the Rare Hunters always playing Wonderwall? Do they tan on the bow? Why would this boat ever need to be this big?

And I know this isn’t any of the Yugioh spinoff shows, but if I were to write one it would absolutely be Marik’s Boat Life. That would be the name.

Anyway, Yugi decides to fly over Pharaoh’s shoulder like a little angel. It’s been kind of a while.

So like it’s foreshadowed pretty strongly that Yugi’s decided “why even bother, Pharaoh, we don’t need your card talent today. At least my life will end as I lived, short and very awkward”

On the other side of town, Tristan has to go up a group of these Rare Hunters, and from everything we know about Tristan, this shouldn’t be so difficult? Like he punched out Bakura and threw Double Spike Mullet over his shoulder at one point, but unfortunately, punches don’t seem to work. But do you know what does?

I completely forgot Duke Devlin was a character in this show. Surprised he’s not in this competition, but apparently his game he’s making alongside Pegasus is really panning out--which is kind of effed up because Pegasus is a murderer. But youknow...I guess that everyone in the show decided to overlook that?

Whatever, I spent an entire episode trying to understand that, lets get back to the friendship plot line. Yugi decided to play a card that lets Joey take a card from Yugi’s hand, which gives him an opportunity to show Joey’s dragon. But will Joey overcome Marik and take this very good card to use on Yugi? (bro just corrected me and told me this card is actually not good but wtv)

He takes a different card. Friendship triumphs over...this card that I should know more about but I don’t watch the card games so I’m just gonna wing it here.

And then Yugi plays it anyway, and the music swells and it’s meaningful again.

Because the Red Eyes is connected with his heart now. Not sure when that happened exactly but it apparently happened at some point.

Seriously, when did this happen? I ask a lot of questions rhetorically but feel free to answer that one. Did I miss something? S1 this card was just kinda there.

Pharaoh, sensing that Yugi has very well lost his mind and will be absolutely hit by a fireball, decides to take over. Remember that the last time Yugi got hit with a fireball, he passed out pretty much before it hit him. And then he died. Yugi died last time a fireball hit him (I’m pretty sure that was a fireball in the Pegasus fight? It feels like years ago). Mind, that was a shadow duel, but apparently that doesn't matter this season because all the cards are real and no one cares that this is a very big problem.

Pharaohs legs are either three times the size of his torso OR they’re wearing extremely high waisted pants. Both scenarios are good.

And he gets hit in the face with a fireball.

And doesn’t pass out. Good for him. He is about 15% alive though, Yugi is basically going to die if he gets hit with another fireball. Like his lifepoints still say 1000 but it takes him like ten minutes to walk all the way around this pier and give Joey this:

Luckily, Marik as Joey plays cards so slowly, that the ten minute walk was still shorter than a single turn in Yugioh.

Also this is a thing? Just anyone can put that on?

so this whole time anyone could have been wearing the ring to Mordor? Just anyone? OK then.

Anyway, next week, on Yugioh:

Does Marik have any lag on that superpower of his, because I feel like it would make this show make some more sense on his part? Did the mime just walk home? If they all did die this way--not saying the will or won’t because they’ve died so many times now, but if they DID--weirdest way to die, amiright?

And if you’ve stumbled onto this blog which is halfway through S2, let me direct you to this handy link, which gives you all the recaps in chronological order from S1

#Yugioh #yugioh recap #photo recap #ep 26 #ep27 #Yugi Muto #Joey Wheeler #Marik Ishtar #Tea Gardner #Seto Kaiba #Kaiba #Mokuba #Duke Devlin #Tristan Taylor #Serenity Wheeler #Boy there's a lot of characters in this show now and so many are like...possessed

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gaijinschoollibrarian · 6 years ago

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Manga and Women: Buying Manga for School Libraries in the #MeToo Era

When I talk to other school librarians about manga and anime, many of them voice a similar concern: the manga they see has horrible treatment of women. These are not invalid concerns, especially as school librarians are working to make their collections more inclusive and affirming. And when students are requesting series that depict sexual harassment and assault as comedic occurrences (I'm looking at you, Seven Deadly Sins), or at the very least, series which treat women solely as sexual or romantic beings, I can't blame my colleagues for their hesitation.

That said, there's a lot to unpack with this debate. There are elements of Japanese society that are inherently different from American society. Many school librarians also know nothing of the distinctions between genres of manga, or have only heard of what's most popular among their patrons. Manga is often seen as the way to get boys reading, and so masculine titles tend to be extremely popular for purchasing. What I'm going to do is try to unpack these things, piece by piece, to try and provide some context- and maybe show my peers that the stereotypes of shōnen manga are not all there is out there to purchase.

Societal Differences in the Perception of Gender

If we all work from the supposition that gender is a social construct, then perhaps it might be easier to understand that Japan's constructs are similar and different to Western constructs. Japanese media can come across as being both freer and stricter with gender roles. Here are a few things you need to understand about Japan in relation to women:

Japan is ranked 110 out of 144 countries on the World Economic Forum's annual report on gender equality.

There is only one female member of the Japanese Cabinet.

As of 2017, only 3.4% of executives in Japan were women.

The ratio of female-to-male physicians in Japan is 21%.

Japan has been trying to improve the standing of women in society, but it's been difficult.

Japan has a long history of having a traditional gender balance of labor wherein women are expected to raise children and take care of housekeeping, while men are expected to work. Japanese society generally has a very heavy line down the center in this division, much more so than there currently is in the West. Since 1986, the Equal Employment Opportunity Law has been in place to try and provide more gender equity in the workplace in Japan, but it's been a struggle. Part of the problem is that there was no penalty for employers who did not adhere to the changes.

Japan, also, has a serious problem with the way it handles and reports sexual harassment and assault. Certain occurrences which Western women consider assault are not necessarily seen as such by Japanese women. In her article, "Shifting attitudes toward sexual violence in Japan", Masami Ito describes her experiences:

When I was in junior high school, a young man who lived in the same apartment building flashed me in an elevator, blocking the entrance as he did so.

When I was in college, a middle-aged man cornered me in the box seat on a train and masturbated in front of me.

When I was in my mid-20s, a man pressed himself against me in the aisle of a convenience store and then followed me home. I had to call my father for help that time.

And, of course, I have been groped on trains many, many times.

Until recently, I never considered these incidents to be sexual assaults, nor did I ever view myself as a victim. I told myself that such things happened all the time and I was never physically hurt. I compared my experiences to those of other women and I considered myself lucky.

In Japan, there's even a word for men who grope women on crowded trains: chikan. Tokyo's Metropolitan Police Department reported 1,750 cases of groping on the trains. (I attempted to find figures on this particular crime in NYC from the same year, but was unable to find any exact report of figures.) It's such a common occurrence, it's often a plot point in manga. In My Love Story!! the protagonist meets his future girlfriend by stopping a man from groping her.

I want to be clear, and maybe the panels of My Love Story!! do something to show this, that the problems of sexual harassment in Japan are seen as problems by people in the country. There are Japanese feminists and citizens who want things to change. Last year, the BBC released a documentary titled Japan's Secret Shame, which went into the experiences of three different women who were raped in Japan. It's not available at the moment, but if you can find a way to see it, it may give insight into the issue if you want to know more.

Shōnen, Shōjo, and So Much More

The complaints I hear the most are in relation to what is known as shōnen manga. Shōnen is geared toward boys between ages 12 and 18. There's a reason this stuff flies off the shelf with our male-identifying patrons: it's literally made for them. The longest running series in Japan are shōnen manga, and are household names here in the West (you've probably heard of Dragonball Z, I presume). Typically, these are high-action, hyper-masculine stories. And while there are exceptions, such as My Hero Academia, there's a large history of "fan service" in shōnen. There's also some pretty big issues with some of the creators of shōnen titles.

For example, the author of Rurouni Kenshin was found with an enormous backlog of child pornography DVDs. Not only did he have this material, he admitted his attraction to young girls. His manga is currently still in publication, after he paid a fine of only ¥200,000 (about $1,800 USD). No, I am not joking.

I don't want you to come away from this thinking shōnen manga is evil, by the way. What I want is for fellow school librarians to know that what they're seeing is just a fraction of what manga has to offer. Some shōnen has female protagonists (Yotsuba&! features a mostly female cast with little to no fan service, as its main character is a child). And a lot of women and girls read shōnen.

Shōjo manga is the counterpart to shōnen: manga written for girls between the ages of 12 and 18. Honestly, shōjo can have its own issues. Some titles feature girls whose identities revolve solely around romance or a desire to get married and make babies. Kidnapping and threats of sexual assault can be normal (the idea being that these girls need to be saved by their boyfriends, who frequently are much older than them). There's a whole slew of manga revolving around schoolgirls having romantic relationships with their teachers. So, I also don't want you to think that being labeled shōjo makes the content automatically appropriate for students.

I recently reread a manga I loved as a teen, Ayashi no Ceres. It featured multiple rather explicit sex scenes and the main character dropping out of school to have a baby. It was an easy decision to select other series over that one, although I still consider it a classic. I leave it to students to select series with those sort of themes at their own pace through alternate pathways such as the public library, bookstores, or manga apps.

However, I do want to point out that shōjo manga is a category in which feminine fantasy and identity is often at the forefront. And while this is the case, there are many shōjo manga which widely appeal to boys. Titles which spring to mind are Escaflowne and Magic Knight Rayearth.

There are other categories as well: seinan (for adult men), josei (for adult women), kodomo (for children), and gekiga (for adults, with a more "artistic" and "literary" reputation). The differentiation between adults and teens has more to do with the difficulty of the Japanese than the content or target demographic. Gekiga is probably the most "different", because it strives to be taken more seriously. (I have a plan to talk more in-depth about each category in their own posts).

Look For Women

When purchasing, if you are looking to move away from the pure moe that is popular among certain titles, I'd suggest looking for women who are mangaka. The likelihood that problematic behavior will be present is lower, and honestly, women creators can always use the boost. Series that are beloved by boys are written by women: Fullmetal Alchemist, Inu-Yasha, and Ranma 1/2 are examples (admittedly, the latter two were both written by Takahashi Rumiko).

Note: I kept this fairly pared down, so if you'd like to know more or have any questions, please don't hesitate to comment. If you would like me to go more in depth on any topic, please let me know, and I will do an expansion in a future blog. I have some deeper dives planned, but if I know of a direction people specifically want me to go, I’ll tackle it.

#manga #school librarian #school libraries #social commentary #japanese culture

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