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#s1e1: in the beginning
postmodern-blues · 1 year
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it was a cold, dark evening such a long time ago when by the mighty hand of Jove it was a sad story, how we became lonely two-legged creatures it's the story of the origin of love.
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lifewithaview · 1 month
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Ruth Gemmell and Phoebe Dynevor in Bridgerton (2020) Diamond of the First Water
S1E1
Daphne Bridgerton debuts on London's marriage market as a new gossip sheet sets high society atwitter and Simon, the eligible Duke of Hastings, returns to town.
*Portia Featherington: And, Penelope, put down that book at once. You will confuse your thoughts.
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ninjaudio · 2 years
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ok i just downloaded some of the calling, castle rock, the red line, the riches and fear the walking dead. lets see some of noel fisher acting
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menlove · 1 year
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good omens: s2e2 the clue || s1e1 in the beginning
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Well that's not nice
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percheduphere · 9 months
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LET'S TALK ABOUT WHAT MOBIUS WOULD CHOOSE
Here's the thing:
If given the choice, Mobius would 100% choose to stay with Loki at the End of Time instead of living his life out on the timelines.
It would be completely in-character for him to admit this and enthusiastically choose it because Loki has been Mobius's choice in almost every episode of the series with the exceptions of S1E3, S1E6, S2E4, and S2E5.
In S1, I think it's important to note that while working with Loki in S1E1 and S1E2 serves the TVA's purposes, both episodes hinge on Mobius wanting to believe in Loki in the first place. There is a stronger emotional undercurrent guiding all of Mobius's actions that is consistent through the S2 finale.
In S2, tellingly, the relationship firmly reciprocates with S2E1 through S2E6 showing Loki choosing Mobius, with particular attention in S2E4 and S2E5 (the very same episodes in which Mobius isnt given a plot opportunity to choose Loki). It's subtle, but the act of choosing Mobius actually begins as early as S1E4 (choosing to trust Mobius despite the memory loop torture and wanting his friendship). Loki's conviction in Mobius gradually increases alongside intensity through, once again, the S2 finale.
S1E1: Mobius chooses to save Loki from Renslayer and deletion. He chooses to believe Loki isn't a villain. The whole premise of the series relies on Mobius's belief and Mobius's choice to act on it.
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S1E2: Mobius chooses to: 1.) believe in Loki's apocalypse theory, 2.) believe in Loki's deduction that Sylvie is hiding in Alabama, 3.) bring Loki out into field (where Loki's unpredictability and uncontrollability are highest; logically, Mobius should have left him at the TVA), 4.) give Loki his daggers.
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S1E4: Mobius chooses to 1.) believe in Loki's claims that the TVA is lying, 2.) put his life on the line to free Loki and help Sylvie.
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S1E5: Mobius chooses to bring Sylvie to Loki in the Void.
S2E1: Mobius chooses to 1.) prioritize Loki's health and well-being, 2.) put his life on the line to stop Loki's timeslipping.
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S2E2: Mobius chooses to be: 1.) vulnerable with Loki, 2.) encourage Loki's cunning and more terrifying qualities.
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S2E3: Mobius chooses to encourage Loki's use of magic.
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S2E4: Loki chooses Mobius. Tom choosing to place himself between Sylvie and the pies (protecting Mobius when he is vulnerable) was a lovely choice.
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S2E5: Loki chooses Mobius. I'm so annoyed I can't find the gif of Loki talking about how Mobius should have a choice.
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S2E6: Mobius chooses to leave the TVA because Loki is no longer there and looks at his original timeline, as Loki gently encouraged him to.
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Mobius would choose Loki at the End of Time in a heartbeat. What other option would he choose?
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togansweep · 2 years
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okay so here's a rough timeline to prove that succession did NOT take place over a few years, but in just one (very chaotic) year:
so S1E1 starts with logan's birthday, which is october 14.
the next date we know for sure is S1E5, because it's thanksgiving, so that's around the end of november.
I think it was brenna @toganvorce who calculated that the tomshiv wedding takes place on march 10.
in S2E1 kendall says "I've only been here like 48 hours," which makes it march 13 (since he went to iceland the day after the tomshiv wedding)
the rest of s2 is quite unclear (and I don't feel like looking into all the specific dates right now) but it probably takes place over around 2 months.
what we do know is that the time between S2E9 and S3E5 is only two-and-a-half weeks:
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also remember that S3E1 begins on the same day that S2E10 ended!
the next canon date is caroline's wedding:
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this means that season 3 ended on june 14th.
then there's a timejump of 4 months, because season 4 starts with logan's birthday again (october 14).
and there you have it! I probably missed some specific dates for other episodes but you get the gist with this I think.
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myfairstarlight · 3 months
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To Have and to Hold - Penelope and Colin's journey to self-love
Companion piece - or one might say part 2 - of An Ode to Friends to Lovers.
Goddammit this was not supposed to be or take this long.
Ahum. Some time has passed, and after sorting through all my thoughts and feelings, here it finally is, my endless ramblings about two friends in love, but not only.
If anyone asks, no I did not take this long to write this post because of the fact that when taking screenshots to illustrate some parts of this analysis I ended up rewatching whole episodes instead.
So, dearest gentle readers, here's my Bridgerton s3 review, with focus on part 2, but looking at the season as a whole too; the highlights, the let downs, and polin's full love story, let's dive in, shall we?
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The one thing I really liked about s3, something the other seasons could not do, is how so much is structured around parallels and callbacks to previous seasons, in the narration and in the visuals, for both Penelope and Colin. It is the advantage of having a main couple who's been here from the start, and with them, many other characters get weaved into their story, more particularly in part 2. I think that's why I personally did not mind the fact we did not get flashback sequences, unlike previous seasons (although I would have loved to see baby Colin and Penelope meeting... perhaps with Edmund and Violet watching them play and noting how they were childhood friends as well...) And what can I say? I'm a sucker for parallels as someone who loves to look at the details and perhaps overthink things.
So before we tackle Penelope and Colin individually and as a pair, let's talk about:
Eloise's love for Penelope
Eloise ends up being the catalyst for this second part, when she was mostly an observer in part 1. In many ways, she parallels Colin. Childhood friends with Penelope, betrayed by the Whistledown reveal, and yet still caring and protecting Penelope in her own way, which also paralleled Colin. And because I can, here's a small list:
Eloise distracting Cressida so she does not bully Penelope (s3e1) / Colin refusing a dance with Cressida to dance with Pen instead (s1e1)
Eloise running after her at the Four Seasons ball after accidentally revealing her and Colin's secret / Colin running after Penelope at the ball in s3e1
Colin visiting Penelope to apologise for his comment last season and offering the lessons to help her find a husband / Eloise visiting her to apologise and wish her the best in her endeavour to find a husband
Colin leaving to travel and find himself at the end of previous seasons but staying now / Eloise now travelling to Scotland to find herself
Now that we have the whole season, you can tell that in part 1, she foreshadowed how Colin would react in part 2, he just goes through her whole journey in a lot less time. See the direct parallel at the beginning of e5 as Eloise yells at Penelope and storms out, then Colin swoops in and comforts her, and then the end of e7, where Colin is the one upset with Penelope and after he storms out, Eloise is there, hugging her best friend and telling her everything will be alright.
When one is absent, the other is there for Penelope, because despite everything they love her and they know that through the years, Penelope has loved and supported them as well, even if she was still hiding this big part of her. Penelope makes Eloise feel listened to, and makes Colin feel seen. She was their safe space as much as they were hers.
Eloise is also the very reason Colin learning about Whistledown goes so wrong. She is the one pressuring Penelope to tell him, and also the one who eventually tells her to never tell him the truth when Cressida comes forward and claims to be Whistledown. Yes, Penelope is definitely still at fault as well for taking so long to tell him, but to her credit she did intend on telling him after publishing one last column discrediting Cressida, before being convinced to give it up by Eloise. And then when Cressida manages to publish something, and Eloise is terrified about what it means considering she just broke off their friendship, it is to protect Eloise from her ire that Penelope takes her quill again and sneaks out to publish, which leads to Colin finding out.
Then comes her scene with Colin as he asks his sister how long she's known, where all the parallels come through.
"Have you already forgiven her?"
"I want to. Do you think you can?"
Colin goes on to say Eloise is lucky that she's never been in love, implying that his love for Penelope makes it that much harder to forgive. However, he fails to understand that Eloise is in love as well, perhaps not in the romantic sense, but she is, or she would not have been this distraught for a year over her falling out with Penelope, and yet always somewhat keeping an eye on her. And just like how eventually, as push comes to shove, she finds her way back to Penelope, Colin will do much the same as a looming threat comes their way.
She and Colin are also similar in their insecurity regarding Penelope's love for them, and in turn Penelope spends a good length of the season reassuring them. She constantly tells Colin she loves him, especially after the reveal so he knows that this part of her was never deceiving. She reassures Eloise that their friendship is just as important as her love for Colin and she doesn't want to lose either of them.
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The fascinating thing for me about Eloise when taking into account Polin, is that in part 1 they needed her to be away so Colin and Penelope could spend more time together uninterrupted, leading to Colin realising his feelings. This also applies to season 2 actually! While Eloise was in the hunt for LW and distracted by Theo, that's what allowed Colin and Penelope to have a full proper conversation about their purpose, and I'd argue that the moment Penelope said "my purpose shall set me free", something started to shift in their relationship.
In part 2, without Eloise, I wonder if they would have even been able to come together without any more secret between them, if she hadn't been the one to push Penelope to tell the truth, and then the one to support her while Colin was processing his own feelings.
Penelope's ambitions and womanhood
Penelope's journey to self-confidence continues in part 2, this time in regards to Whistledown as she finally accepts her as a part of her, rather than a mask to hide behind. Enters Genevieve Delacroix, the only character in this show who knows what it means to be a woman with a business. It is no coincidence her scene in e6 comes after Portia's talk of "ladies do not have dreams" and after Eloise convinced Penelope to give up Whistledown, because it is just gossip. She directly opposes them.
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In part 1, she helped Penelope be more confident by providing her with a new wardrobe that fits her better, and in part 2, Gen is the very reason Penelope learns to be proud of Whistledown, own up to the mistakes, and yet fully claim her as her.
And then, the final nail in the coffin to me: Cressida, in a red "revenge" dress, shows up at the Mondrich ball, and wields the Whistledown name as Confident by Demi Lovato plays in the background. Cressida stands tall and proud despite the whispers, and I think a part of Penelope truly broke then. If Cressida could exhume such confidence for a body of work which is not even hers, then why can't Penelope be proud of what she's accomplished? This past week has been killing her, she admits it to Gen the eve of her wedding, Colin was a great distraction but giving up Whistledown, putting down her quill, it truly hurt her, and a part of her cannot imagine giving it up again. And so Gen gives her the very advice she needed to hear.
"There is no such thing as true love without embracing your true self."
And look at the contrast before vs after her talk with Gen:
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Colin, of course, shares Eloise's point of view, Penelope should just give it up, and to be fair, he's more scared for her safety, since he caught her alone in the street at night, and then the Queen just threatened the family again. But Penelope cannot stand for that anymore, she is tired of running and hiding. That is Penelope having the confidence to truly be herself. By the end of e7, she's fully bloomed into the woman she's always been behind her quill. The irony being that Colin was also the one who helped her embrace that in part 1, as he helped her bring out that part of her that he's always been privileged to.
And in e8, we see her take the reins. Do what must be done to protect the ones she cares about.
So let's talk about Portia now, because she may not have a business per se, but she had to essentially become "the man of the house" to keep her daughters safe and the fortune they have intact. I've seen people say her redemption came out of nowhere but I concur that in part 1, as Penelope's confidence starts to grow and she stands up to her family, Portia is already trying to be a better, supportive mother, and in turn, Prudence and Philippa follow her lead. Portia is a practical woman, not a sentimental one, at least she doesn't let herself be, that we have seen since the beginning of the show, that's why she was reprimanding Penelope for being reckless with her reputation by asking for Colin's help, and then was pushing for the match with Debling, because he was a lord, who could offer stability, and who would be away most of the time, leaving the managing of his estate to his wife, to Portia that is (or rather, was) the ideal life a woman can achieve.
I loved that they had Portia learn about Whistledown before the public reveal, because then she has to truly face the fact that she has overlooked Penelope all this time, the daughter who is most like her, and Portia is also the only one who points out that Penelope has written badly about herself. It forces Penelope to face the fact that in many ways, she truly is her mother's daughter as well.
Portia ends up being the driving force behind Penelope's decision to reveal herself as well, I believe. Because we joke about how Penelope hid so much money in the floor boards while her family was going broke but mind you, she had no idea they were having money problems, because Portia tried to hide it to not worry them, the same way Penelope has kept her Whistledown secret in the misguided belief that it was for the better, that she could handle the weight of it all on her own. By revealing herself to the Queen, she could free Colin from her mess, get away from Cressida's blackmail and, if the Queen doesn't behead her, she can save her family's title thanks to her writing and money.
Portia's and Penelope's mending relationship was the highlight of the season for me, the true redemption I wanted to see and am glad I got. And I want to point out a little sweet moment in the last episode:
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After the Whistledown reveal, as Portia comes over to praise her daughter, she notices Colin looking in their direction. I personally believe Penelope told her about the annulment, and this is her way to support her before she sends her off to have that conversation with Colin. Portia, who's never been the affectionate mother before, gently caresses her cheek and calls her "My girl", because no matter the outcome she will always remain her little girl.
The beautiful thing about Penelope's ambitions is that they were driven by the women in her life, that's one strength of this season to me. She was inspired by Eloise's strong opinions she so readily shared, Portia's sometimes ruthless ways in the way she protects her family and herself, and Genevieve's smart business endeavours and passion. And so she cannot, won't give that up for a society who is so unfair to women, ironically because the Queen herself is so harsh on debutantes. And isn't it poetic cinema that she ends up revealing herself, in her own terms, during the very ball she fully funded? And after that, it is Philippa, her family she mended things with, who saves her from embarrassment by releasing the butterflies? And then the very same Philippa who during the epilogue, happily declares that her daughter can grow into a successful writer who might not need a husband, just like her little sister?
Side note again but it is also interesting that in contrast we had the Mondrich subplot, wherein Will has to let go of his bar to be accepted in high society (and he's clearly not happy about it), because the London elites do not work, yet here Penelope is, owning a business approved by the Queen.
Penelope's ambitions, in turn, inspire others. Portia, into allowing herself to be soft, Prudence to be more honest (the pregnancy hormones probably helped too), Philippa to readily consider other paths in life, and Eloise into finally doing something and discover a little bit of the world.
And she inspires another Bridgerton as well.
Penelope's bravery and Colin's envy
The thing about Penelope and Colin, and that has been said before, is that their roles are reversed. In romance shows such as these, the man is usually the one with a hard exterior, with secrets he wishes to keep to himself while the woman is the one who encourages him to open up by loving him. That is literally s1 with Simon and Daphne. And even in some ways, it is also Anthony and Kate, the difference being that Kate was not trying to get Anthony to soften up, she was directly confronting him so he fixes his shit himself (I still have beef with Anthony, good for him for becoming a My Wife guy in s3 but man, the journey there was tough).
Anyway. With Penelope and Colin? Penelope is the one with the secrets, who wishes, at first, for a practical match so she may gain her freedom. Colin is the soft-hearted and romantic one, who although offers the lessons, keeps asking her if she likes any of the suitors she talks to. And then, it shifts again. Not in the literal sense, Colin has no secret after he's dropped his rake façade, but he does become a bit colder after the Whistledown reveal, while Penelope becomes the one reassuring him she loves him, and emphasising their emotional bond after she's gained the confidence to do so and accepted that a love match was still in the cards for her. But now, they must overcome Whistledown, the last obstacle she's been hiding behind.
"Well, if she was hiding behind Whistledown, how come Colin calls her brave even before the reveal?"
Well, I'm glad you asked, imaginary person in my head! Let's dial back a bit again.
I am a firm believer that Colin's envy towards Penelope (and him realising his romantic feelings) actually started back in s2, during their talk about purpose. She was the one leading the conversation then, who knew what her purpose would be, and to him, that is bravery, being true to oneself and knowing your place. And we see how in s3 part 1, Colin resorts to adopting a whole new persona, something Penelope does not do, even after changing her entire wardrobe and facing the Ton's eyes, she remains herself (and she is capable of acting! She effortlessly disguises herself as a maid and fakes an accent when delivering the Whistledown papers), and I think Colin noticed that. She has a new dress, and her hair looks different, but she's still Pen, meanwhile he, on the other hand, is pretending to be someone else. And when the scandal about the lessons came out, Penelope still showed her face when people were still preoccupied by the scandal. Debling says it best:
"Well done."
"For being a fool?"
"For stepping away from the herd, even though you risked becoming a target."
Penelope's bravery and honesty are the very reason Debling is interested in her, rather than in Cressida; she knows who she is, and what she likes (whereas Cressida adapts). Sure, he was not looking for a love match, but he was looking for authenticity, which Penelope always had. Because she's terrible at hiding her identity, actually. Eloise guesses it's her after listening to her once! Penelope has never hidden how much she likes gossip. In s2e1 she admits it outright that being a wallflower allows her to hear everything.
Colin rereads her letters and realises, wait, she really is Whistledown, she writes the same way, and although he had mixed feelings about Whistledown, he described her as clever, a quality he's always associated with Penelope as well. She says shit like "it would have been suspicious if she hadn't written about this scandal"... like that girl is not good at hiding herself actually, has never been, it's just that no one really paid her any notice and she was not put into the spotlight until now. I think a part of her unconsciously wanted them to connect the dots because the loneliness was getting to her but she was still scared to own up to it, so she continued to lie.
She's always been true to herself to some degree though, which is its own form of bravery, but she's never had the courage to ask for what she wanted before Colin helped her build her confidence. Colin, on the other hand, may be dense and oblivious, but when he wants something, he is not shy about it, and can even be a bit too impulsive. He's the one who always seeks her out and always tries to protect her and make her happy.
In part 2, as Penelope truly embraces all of herself, just like Colin is learning to be more vulnerable and let go of his ego, the dynamic between them shifts. He's the man, but she got the power.
It started when she gathered the courage to ask for that first kiss, which changed everything, and it solidified when she is the one who seeks Colin at their wedding breakfast. In that instant, he's the wallflower, and she's the one pulling him into the centre and dance in broad daylight.
And this translates in the bedroom too as she goes from following his lead to riding his d-
Ahum, who said that? Anyway, topic at hand. As the dynamic shifts, as Penelope learns to truly be herself and Colin learns the truth, that is when his envy and lack of direction in his own life become too much, and he cannot avoid it anymore. Because he thought he had found his purpose at last, be Penelope's husband, take care of her, provide for her, be the head of their family. But now he learns she's been living a dangerous double life this whole time, that she "mocked" him at the beginning of the season, and she might not even need him to protect her as much as he thought she did because she has money and a prolific career despite being a young lady with minimal agency.
And he had already been struggling before the reveal. In all of part 1, he was grappling with his sense of self, realising that pretending was not worth it if he felt empty and if it meant losing Penelope in the process as well. And in part 2, we already saw him struggling with his writing, only able to write again after Penelope tells him she's loved him for years. And then, he refuses Penelope's help to edit his journals into a book because he wants to prove to himself and to her that he could do it on his own. That he is worthy of her love.
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Also note that at that point, Penelope had given up on Whistledown, and wanted to live through him by editing for him as well. Just before, we had the scene where she burned her old Whistledown issues at the same time as Colin was writing, suddenly overcome with inspiration (in this regard, I like that the show ends up allowing Penelope to keep the column and still help Colin with his book, rather than her giving up LW like in the book, where she lives vicariously through him. I know she eventually becomes a romance author in the books, and I hope she also reaches that point in the show, but it is nice she does not have to give up her pen first, you know?)
So when Colin learns she's been a published writer this whole time while he was struggling to find a purpose? Penelope started Whistledown in her first year out after all, at the exact same time, Colin wanted to prove to his family that he can be taken seriously, leading to his disastrous betrothal that season. He had needed to travel to find himself, and even then, it didn't give him the answers he was seeking, and no one was taking his newfound experiences seriously, except Penelope. He's a third son, neither the Viscount, neither the spare, so he had nothing to himself. But Penelope is much in the same situation, a third daughter, from a family less fortunate that his, and yet she has accomplished more than he has. He was already so insecure about his love being unrequited but now that he knows she does not even need to rely on him for financial stability and security? Let's dive more into that, shall we?
Colin's self-worth and ambitions
I've seen a lot of people lament the fact that Colin does not feel as much of a protagonist as Penelope, and while I agree to some degree, such argument fails to take into account the fact that he is the reason the season exists in the first place, not just on a meta level because he's a Bridgerton, but because every action he takes progresses the story. Colin is the driving force of the narrative, while Penelope is the heart of it because he loves her.
He offers the lessons to make up for his comment last season, leading to Penelope gaining in confidence. He interrupts Debling's imminent proposal and chases Penelope's carriage, leading to the engagement. He confronts Portia, leading to her re-evaluating the way she treats her daughters and the Featheringtons mending their relationship. He confronts Eloise and reminds her how obsessed she used to be with Penelope, leading to the reconciliation between the two. He follows Penelope out of worry and learns about Whistledown. When the blackmail happens, he confronts Cressida, this time things get worse (his infamous impulsiveness biting him in the ass once more), but it is still furthering the narrative, leading to Penelope taking things into her own hands and revealing herself in her own terms.
His actions are loud, however his internal growth is much more subtle and we get less scenes of him alone compared to Penelope. And that, I agree, is a weakness of this season. I mean, he spends barely 1/8 of the season upset at Penelope, when people act like he was for half the season. If you watch from the start instead of just looking at part 2, Polin have a lot more happy and cute scenes than angsty ones. Hell! They have more kisses than saphne and kanthony in their own seasons combined, I bet (I didn't count, truth be told, but since they get together halfway through the season, as opposed to in the later half, and had their first kiss in episode 2, I think it's a safe bet to make) (Edit from Star from the future here: so I admit I was wrong. Simon and Daphne have definitely more kisses because they had so many intimacy scenes upon rewatch. I just forgot about them, my bad (mostly, I tend to block out That Scene too, so). Anthony and Kate, on the other hand, were robbed. It's kinda funny Bridgerton built a reputation to be quite spicy, only for none of the seasons after s1 matching the same level lol). I also do feel like a few flashback scenes of him during his travels, waiting for Penelope's letters but getting none as he starts to act like a rake to compensate for the loneliness, contrasted with the lesson scenes in part 1 where he is carefree and silly with Penelope could have benefited his character. I personally do not think he was treated as a "love interest", he carries the season just as much as Penelope, but his emotional weight is lesser than hers, and that was an issue with the writing and pacing.
So here, I must redirect to my other Colin analysis post, as well as this one comparing book vs show portrayal, and though those were unorganised immediate thoughts after watching the show (and vague memories of the book), I still mostly stand by them and so I can also avoid repeating what I've already written.
Colin's insecurity regarding love is a direct result of s1 and, once again, Marina. The parallels between Marina and Penelope are kinda in your face, especially with Colin dropping the entrapment line.
Side note but between Anthony and Colin trying to get with a family member of their future wives first, I sure hope we won't learn Sophie is related to Lady Tilly Arnold or something because otherwise there's a pattern within the ABC bros.
Another thing is that when Marina's lie was revealed, she admits everything else was a lie as well, including her love for him. He was a means to an end, and there's no reason to pretend anymore. But with Penelope? She still tells him she loves him after the fact, and several times after that. Note that, just like with Marina, he learns of the Big Secret while they're engaged. Just like for Marina, he could just walk away now, Penelope even asks him if he wishes to cry off, but he doesn't.
Colin and emotional intimacy
I already made a post about this, but I will reiterate some points anyhow this time, because I need to make some comparisons with Book!Colin, since I've seen a lot of people be upset that unlike his book counterpart, Show!Colin is not physically affectionate with Penelope while still angry at her. So to address this, let's talk about his journals. It is no coincidence that instead of beautiful descriptions of places he's visited, in the show Penelope reads about his experiences with the "women in Paris" and how empty they make him feel. In the book, Colin is older, he is a rake and very much enjoys ladies' company, but in the show, he's only pretending to be one. It's one change they made I liked, to make him different from Anthony and Benedict (when in the books, all these men sorta blend together if I have to be honest). He's the sweet, sensitive brother, who seeks emotional and physical intimacy. Sure, he has experiences, especially after being mocked for being too green, but they felt like obligations, rather than acts of passion (Benedict) or distractions (Anthony). It is also significant that every time someone asks him about his experiences in part 1, he only ever talks about one contessa and never brings up other women, unlike in his journals where, of course, he goes into more details, knowing no one can judge him there.
And then Penelope reads those words, the depths of his mind and his insecurity, and yet she praises him for his writing, rather than mock him for his feelings of inadequacy. That is when it clicks in Colin's mind, although unconsciously, because he flashes back to that scene when he realises his feelings - Penelope is the only other person he feels comfortable enough with to share such thoughts. That's why their first time is such a contrast with the carriage scene, where it was a moment of passion as they get carried (hah!) away after confessing to each other. He was reeling from realising his feelings and narrowly stopping Penelope's engagement to Debling. There was urgency and then relief. Here, it is slower, more tender, because to Colin, this is it, this is where he can prove to Penelope that this was not a mistake, than he can take care of her, bring her pleasure like she could never imagine. He makes sure to tell Penelope how much he loves her, he asks her consent several times, he makes sure she is comfortable. It's a little awkward, unlike the carriage scene, because this is the real and full deal and he sure does not want to mess it up. After all:
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That's why I'm not too mad we did not get a montage with them. Their two major intimate scenes are long sequences with few cuts, emphasised by their proximity and the comfort they feel around each other. They're emotional. They're supposed to make the viewer feel like they're interrupting. And Colin does not want to taint these two experiences, that's why the last intimate scene we get is after they reconcile (though we deserved a longer one). So, to quote myself: Colin does not let his lust take over when he's upset, because Penelope means too much to him. He does not want to lay together only to wake up in a cold bed and still be fighting in the morning. He wants to be hers, body and soul, fully and assuredly, and until he accepts the fact he loves her because of Whistledown and not despite since they are one and the same, then he cannot promise Penelope all of himself either. In his mind, he may be afraid that this emotional intimacy he felt with Penelope when they laid together will be ruined, or just simply gone while he is so tortured by the Whistledown reveal. Everything else is a mess right now but that part of their relationship? It was pure and sincere, and he wants to keep it that way.
And not to dunk on Book!Colin again but that man had anger issues and could be violent, he knew he was hurting her sometimes and did not do shit to stop that. Why would you prefer that over Show!Colin keeping a respectful distance and yet still staying close to Penelope, trying his best to protect her despite it all?
After all, the only time he gives in while they're still fighting is when they argue in the streets and Penelope shouts "I love you" to his face. That is the first time she confesses in the present tense. And for a second, Colin's walls crumble. He's a sensitive man, after all, even when he's upset, he ends up tearing up, so the declaration of love answering his "Then what good am I to you?", a question encompassing all of his insecurities in a few words, well, it's the emotional outburst that makes him almost give in, if they weren't in the middle of the street with carriages passing by. They were also both tipsy in that scene lol.
And while I'm at it, let's link back to my post regarding the entrapment line and the annulment. One thing I fail to mention (there already are so much, to be fair) is that Colin throwing an entrapment accusation can also be interpreted as him giving himself an excuse to remain engaged. The previous episode, he was worried they got carried away in the carriage (and then their future home) and that Penelope was changing her mind. As already mentioned, at that point, just like with Marina he could just walk away. They're only engaged, and no one knows they have been intimate. Sure, it would go against his principles as a gentleman but honestly he already broke them several times when Penelope is involved. And he knows that. He never actually intends to back down, he is determined to marry Penelope, as he said in that carriage this is "a feeling that is like torture, but one I cannot, will not, do not want to give up". But in that one moment, he was hurt and angry and knew what to say to hurt, and did not want to admit that he would have stayed either way because he loves her (and frankly, in this situation, Penelope is in the wrong and she kinda deserves to feel bad about wanting to hide such a thing from him, even if the accusation itself is unfair). So he gives the decision some duty, some responsibility. He's a gentleman, so he must do what's objectively right. Because that is easier than looking into the complexity of his feelings.
And that is marriage to me. Marriage is not a happily ever after. It's a choice, to stay by someone's side through the good and the bad times. And in that moment, he also made his choice, and knew Penelope would be his wife. From then on, they learn to communicate. They were in sync as friends, but as a husband and wife? That is different, even if the foundation is similar, they need to relearn how to navigate life together.
Episode 8 is all about them figuring this out.
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Take these scenes for example. First of all, this has been pointed out by many already but: Colin may be mad, but he still stays close to her by sleeping on the settee just outside their bedchamber instead of taking another room. That's dedication.
Right away, Colin establishes a boundary between them and asks for some space, however, he still waits for her to wake up to tell her rather than leave without a word and having the servants inform her. She's visibly upset about it, insisting he should stay so they can talk, but he still leaves. Halfway through the episode, the situation is now reversed, Penelope emerges, already dressed while Colin clearly has not slept all night, she tells him she is leaving and giving him the space he asked for, and it is Colin's turn to be upset and realising that, no, actually he does not really like that distance anymore.
Note that until that point, they both were very confrontational whenever Whistledown was brought up, Penelope on the defensive and Colin on the offensive, they're both third children who were belittled so that is how they respond - Penelope by standing her ground and refusing to budge, and Colin by attacking and asserting himself. But here, Penelope listens to Colin's wants, and lets go a little. She gives him the space he needs, all the while she is also planning how to fix all this mess without lying to or hurting more people. And then later on again, Colin is the one who listens to her needs and her plan. That is the beginning of a healthy marriage as they both let go of their egos, as they both take a step back to listen to the other and realising they no longer have to do things alone, because actually, that distance between them was hurting both of them. Penelope accepts she can rely on others' support and Colin accepts that it is not what he can do that makes him worthy, but simply who he is.
People lament that in the Whistledown public reveal, Colin ended up not contributing much, as opposed to his book counterpart, but that is literally what Penelope asked him to do. She does not need a hero, she needs her Colin. Kind, supportive Colin, who reassured her with a simple smile and a nod on their wedding day, and who did the same when she stepped into the light once more at the Butterfly Ball. He gives her courage, by virtue of being there and loving her. Just like she gives him a purpose by simply loving him as well. The very thing Colin envied, Penelope's bravery? Well, he is one of the reasons it exists in the first place.
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In the book, Penelope had no idea Colin was planning to reveal her identity, until the last, like, five minutes. He also told Anthony and Simon behind her back. I love the balcony scene but it always bothered me that Penelope's agency in that decision was taken from her. Therefore I love that they gave it back to her in the show. Just like she said in s1e8, Whistledown cannot be unmasked but if one day she shall be, then it would be in her own terms.
(I also want to say though that despite my criticisms earlier, Book!Polin remain one of my favourite dynamics in the books because despite it all, they're one of the healthiest couples. They work together as a team, and it helps Colin learned about LW before he proposed. They discuss Cressida's blackmail, whereas in the show Colin first dismisses Penelope in his need to prove himself capable of protecting her. We see them encourage each other in their writing more than in the show (fingers crossed for s4 though!) and they even discuss how they will keep Pen's Whistledown money for their children. They're a team, through and through, and in the show, we see the start of that, which makes sense, their show counterparts are ten years younger, not as mature as they are on paper.)
All through part 2, Colin stayed true to his confession in that carriage. His love was like torture. He was so insecure about Penelope not loving him as much as he does, questioning what good he even is to her and if she just lied. And yet he held on and did not want to give it up, he embraced it rather than ran from it like the other leads we had so far. He was shattered by the Whistledown secret and yet, he remained, worked through his sense of self, through his anger, through his insecurity, because Penelope is worth it. He was willing to lie for her, to lie to Benedict to get the money needed, to protect her. And Penelope clung to him just as fiercely, always reminding him that she loves him for simply being him. One always has worth. That is the validation Colin has always craved, that is when it truly sinks in for him and that he understands her selfless love for him; he does not need to pretend, he does not need to be useful, he does not need to have everything figured out, he can breathe. Penelope will be there every step of the way. Has always been, in fact, she's always been a constant in his life, and now that he is lucky enough to stand by her side and soak even a little bit of her light, well, he sure won't ever let go again.
And to end this section, not really a point of analysis, but shoutout to my girl Pen whose first instinct when she realises she can touch Colin is to reach for his hair and boy does he melt at the touch. Unlocked his hair pulling kink right there.
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This is still a friends to lovers story
Fear not, the romcom vibes are still here! I kept this part for the last to end on a sweet note, just like this season. And this is also the part where I stop pretending to be a reviewer and I just allow myself to be self-indulgent, pointing out how cute these two are.
So, first of all:
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They just fucked and what's the first thing they do together? Laugh. In the carriage, Colin did make a joke, prompting the laughing but in the mirror scene? They simply look at each other and start chuckling because they are so giddy upon realising this is real, they're best friends, and they're in love, and they'll be married and they will soon be able to do this whenever they want. Then, Penelope lets out a bit of her insecurity, hoping this was just as good for Colin as it was for her since she knew he was more experienced, and when he reassures her, Penelope grins and jokes about "the women in Paris", which she does again during the Mondrich ball, teasing him about the spicy parts of his journals. She is so secure in their relationship, she feels no jealousy towards Colin's past experiences but bet if anyone ever brings up Debling again, Colin would lose it, and I kinda wish we had at least one scene of Colin properly addressing his one-sided beef with Debling.
During their whole engagement (and before the LW reveal), they're just so incredibly in love, so sweet it might give you cavities, and it was such a breath of fresh air after two seasons and one spin-off of the main couple never really embracing their love until the later part of the seasons. The way Colin makes Penelope smile during the reading bans scene, then when they dance alone in the church, or when Colin adds the twirl (the flourish!) during the dance at the Mondrich ball and then when they laugh at the Butterfly Ball when everything is said and done and they can finally, fully be themselves... They are just two romantics at heart who are thrilled to be in love and miss no opportunity to flaunt it in front of the Ton who's always judged them so harshly. I wish I could include videos in this because posting screenshots would not give those moments justice.
And the comedic aspect of the romcom vibes of this season are still present in part 2, although a bit overshadowed by the Whistledown drama but I mean:
Penelope and Colin finally having a chaperone in Portia, and having no idea how to act now because they never had to worry about a chaperone before (and by that point, Penelope is already pregnant)
Poor Kanthony trying to find the right time to announce the pregnancy but here come Polin, getting engaged out of nowhere
Portia and Violet's tentative beginning of friendship, wherein Violet is trying so hard to be polite when faced with Portia's over-enthusiastic attitude
The whole charade scene with Anthony getting so competitive and glaring at poor Penelope when she gets the answers right.
All the times someone brought up Whistledown's imminent unmasking and Penelope taking psyching damage every time (meanwhile in part 1, it was everyone telling Colin how kind of him it is to help Pen find a husband). Peak "actions have consequences huh". She could not catch a break. Which okay, she was panicking and then fainted but I still find it a little funny because girl, you kinda had it coming.
The whole scene of Penelope revealing the money she made with Whistledown and Colin's, Eloise's and Portia's reactions.
And I'm probably forgetting other parts. It has now been confirmed as well that a lot of the reshoots were to make the season more light-hearted, more romcom, and they had Colin be less angry than he originally was in the script (notably after their wedding breakfast), so even if I resent that dreadful wig they put on my poor man, I'm so grateful the season remains, overall, more romcom than true drama like the other seasons could have been, because at the end of the day, this is the love story of two friends who already cared so deeply for each other. Honestly, I'd argue the true angst of the season came more from Eloise's and Penelope's rekindling friendship (and also Cressida's home life) (the true love triangle).
And speaking of truly knowing one another, let's go back to the one thing that brought Colin and Penelope together: the letters.
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Note how loosely bound Penelope's letters to Colin were compared to the other pile, because he has kept them with him during his travels this past summer and kept rereading them when she did not respond back. And just like the letters (or lack thereof) were the first clues that something had shifted in their relationship and Colin realises how much he misses her, her letters also become the reason he reconciles Penelope with Whistledown because oh yeah, the writing is the same, clever, sharp, and beautiful, just like his Penelope. As he rereads them, he realises how he himself overlooked Penelope for so long, how he was compelled by her quill, how powerful it was that they made him feel more confident and how their absence made his sense of self crumble. The same way, upon his return, Whistledown calling him out, shattered that new self he had tried so hard to build. Penelope was the reason he found his confidence, then lost himself when she did not respond, and the reason he had to look inward when, through Whistledown, she saw through his facade.
But also isn't it sweet, that he unknowingly always praised her writing? Of her letters obviously, but of Whistledown as well. For all his negative feelings about the gossip column, one thing he always admitted is how clever Whistledown is, hence why he did not even believe Cressida could actually be her. Deep down, he's always admired her writing, even if he did not realise it was her yet. He was so attached to her letters after all.
And speaking of writing? Penelope becomes his muse.
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That is him writing about Penelope's debut, proving he's always paid attention to her, between this, him being the one to bring up how they met, and recalling all the times Eloise kept bringing up Penelope in conversations. And he's writing all of this after the church dance scene! After Penelope's declared her love for him and how she's loved him for years! He was lamenting that love made him so simple he could not write a single word, but it is love that fuelled his mind once more and broke his writer's block. And then in the epilogue, he is so proud to say Penelope helped him edit his book, he who, a couple of episodes earlier, was so determined to do this on his own to prove himself, now his pride is that he worked together with his wife and they are building a family, and a writing empire, together.
The season ends as they kiss in front of the very window Penelope often sat in front of, overlooking Bridgerton house, hoping to catch a glimpse of Colin, who now will always be looking at her first. They also now have the heir to the Featherington barony, and they inherit the very house with the garden where Colin first broke Penelope's heart, then mended it by offering his help, then where they shared their first kiss. It is theirs now.
And it's just! They're so in love! I have no other words (also this post is so long, I am getting tired myself I probably sound like a broken record by now).
Conclusion
I think Bridgerton s3 has officially become a comfort watch. I'm never one to really rewatch shows, but this specific season has joined the small list I have. As already mentioned, when it comes to romance, friends to lovers has always been a favourite and Polin is such a good depiction of the trope. They're the gigglers on the side of balls, the ones who did not so much seek the centre stage but were thrown in the middle of it, which fits so well even on a meta perspective because Luke and Nicola admitted they sure did not expect their season to come this early either. They won't be the most popular couple, perhaps, but my God, they are mine. Despite the length of this post, I think I probably still forgot some points but oh well, gotta stop somewhere and I'm sure people more eloquent than I made posts as well.
This season was not perfect, I have a lot more gripes about it than this long post makes it sound like (although they're mostly non-polin related or something about the production), but I like to focus on the positives. And for all its flaws, s3 sure knew how to deliver a sweet romance between two outcasts who found their home with each other.
And with that, dearest gentle readers, this humble author - or rather, this person who fancies themself an author at their lost hours - finally lets their old keyboard rest, and hopes you have enjoyed this long read into a mind with too many thoughts about a gentle, kind man who has a lot of love to give and a fierce, passionate woman who wants to be loved.
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(The sweetest little parallel to end this on, ever since s1, he's always seen her <3)
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indigovigilance · 1 year
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One more note on Time
I just published this clipset demonstrating that during the S2E6 finale, fifteen minutes of time elapses when... it shouldn't have. We hear the sound of a ticking clock throughout the "Conversation" portion of the final fifteen.
But this is not the first time that sounds made by clocks have been used to signal something important in the show.
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Going all the way to S1E1: during this park bench conversation, a bell begins to toll while Crowley lists off all the things that Aziraphale will lose if Heaven triumphs in Armageddon. If you listen to that scene and ignore the dialogue, you'll count twelve gongs. There's no way there was actually a bell tolling in the background, as this scene would have been clipped together from multiple shots, so it's not an artifact, it was added in post.
What is the significance of the 12th hour?
If you live long enough, you'll experience some 12th-hour moments. These are those moments where all hope is gone; where you believe there is no possibility of change in your situation; where you've completely given up on fulfilling your expectations; where you just decide to settle for your current situation.
So that's what the ticking clock in S2E6 made me think of: time marching inexorably forward while Crowley is watching his relationship with Aziraphale slip through his fingers.
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lifewithaview · 2 years
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Matt Smith as Philip,Duke of Edinburgh in The Crown (2016- ) Wolferton Splash
S1E1
In 1947 Prince Philip of Greece renounces his foreign titles to marry Princess Elizabeth, elder daughter of George VI. Her mother and Grandmother are less than complimentary about his family whilst the appearance of Shadow leader Winston Churchill at the lavish wedding sets his rivals whispering that it is a show of politics. Following a general election Churchill is prime minister once more - to the delight of the king, who confides in him that he has lung cancer, but urges him to keep it a secret and Christmas passes without the family being informed. However George asks Elizabeth to represent him on an upcoming Commonwealth tour, whilst Elizabeth is asked to keep another secret by her sister Margaret, who is in love with commoner Peter Townsend.
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somedayillbepeterpan · 2 months
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FOR BONUS POLINWEEK
DAY ONE | Favourite Season 3 scene: The Butterfly ball
PART 1: THE VENUE AND A FULL CIRCLE MOMENT
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Disclaimer: This is going to be a series because the chokehold this scene has on me has been feral. I've ruminated on this scene for such a long time because I want to give it justice. I literally just need this out of my head so I can move on so I hope you can come on a journey with me 🤣 Also, this is my first time participating in Polin week and I'm so excited!
I have made a prior post about the Butterfly ball and it is what made me dive into the deepest end of this rabbit hole. Here it is if you're interested in it - Butterfly ball: Colin and Marina vs. Colin and Pen
_____ Notice how this venue is circular? Yes, the Mondrich ball also had a circular dance floor but the opening of this scene with the Dankworths and Finches particularly had circular sweeping shots, making you feel like you're inside a ball (the thing, not the event).
A subtle way of telling you that this scene is a FULL CIRCLE MOMENT.
WHERE IT ALL STARTS AND HOW IT CLOSES A 3-ARC STORYLINE.
Let me first paint the picture from S1.
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S1E1: Diamond of the First Water - Danbury ball
I don't know if anyone has clocked this but Pen and Colin's love story, the scene where it became very obvious to us that Pen has a one-sided crush on Colin, is at her very first ball as a debutante wearing a BUTTERFLY DRESS.
As a freshly minted debutante, this is the first time that Pen sees Colin in a setting like this-- as an eligible suitor and we can see from her face that the scene she is seeing is making her feel all sorts of emotions. The Penelope scene we get before this was when she was convincing her mother to let her skip the season as she feels wholly unprepared for it. It is very evident on her face how affected she is to see Colin as a potential husband.
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If anyone remembers themselves as a 17/18 year old, I know that there were instances where one would think about finding the "one" at that young age, when your emotions/feelings about love are still so innocent and untainted. We know from S3/book that Pen fell in love with Colin from the moment they first met but growing up with him and having a crush on him vs. seeing him as a potential partner in the marriage mart surely opened up a plethora of emotions and ideas inside Pen's head.
Aside from that, this is also the first ball that Pen writes about in her column where she openly challenges the Queen's taste (ma'am, you are but 17. How can you have the gall to challenge the head of your state so openly?). We are also introduced to the dysfunction of the Featheringtons'-- Philippa and Prudence being as ignored as Pen and Portia being insecure and egotistical.
To begin this deep dive into this analysis, Pen started her debutante season unprepared, insecure, very much infatuated with an idea of Colin in her head (especially after he "rescued" her by the end of S1E1), and in over her head as she hides behind LW.
A quick research about yellow butterfly symbolism gave me this definition: Yellow butterflies symbolise positivity, hope, and transformation. Seeing one might mean good news or big, positive changes are headed your way.
It took her 3 seasons to fulfill the "prophecy" of this yellow butterfly dress but we do get there and it is so much more than we could have ever hope for for this adorable wallflower.
This metamorphic journey has just began.
(posts will be updated with links as I put out the next ones in the series).
PART 2: THE COLOURS, THE FEATHERS, AND THE NUMBER 8
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altruistic-meme · 7 months
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one of the things i'm so nervous about with s3e6 is that i 100% don't think we're going to get to see the rest of the "break up" conversation between wilhelm and simon. which means the start of the episode will have us all being super tense to know what actually happened and where they stand.
because that's the way the show works. it's a pattern. whenever we get an episode ending with any kind of cliffhanger, the next episode doesn't start with that same scene, it is always a later scene and we sometimes get explanations in that scene, and we sometimes get them even later, and we sometimes never get an explanation at all.
s1e1 -> s1e2: they lean towards each other at the party. the next episode begins with the on the table scene. did they kiss??? no, but we don't learn that until the end of s1e2.
s1e2 -> s1e3: they kiss. the next episode begins 3 days later. what happened after the kiss??? we never learn.
s1e5 -> s1e6: the video gets leaked. the next episode begins with Wilhelm and Simon in their own rooms. did Wilhelm tell Simon at the event??? we never learn.
s2e4 -> s2e5: Wilhelm and Simon kiss at the ball. the next episode begins with them both thinking about each other. did Simon still go to Marcus' house like planned??? no, we learn later in the episode.
s2e6 -> s3e1: Wilhelm's speech and Sara calling the police. the next episode begins with the legal negotiations. what was the immediate fallout of both the speech and the police report??? we never learn.
s3e4 -> s3e5: Wilhelm and August talking about Erik. the next episode begins with Wilhelm walking through the Palace. did they actually talk in therapy??? did they discuss Erik at all after this??? no, i don't think so, but we aren't actually ever told.
these are some of the more obvious examples i could quickly remember. but they make up my point nonetheless. the only times i can remember us getting any kind of immediate following scene are:
s1e4 -> s1e5: with Wilmon still in bed together. (but this ignores the whole August side-plot of the end of s1e4 which isn't acknowledged again until later in the episode, so it only mostly counts)
s2e3 -> s2e4: probably the MOST direct following scene despite how short it is. Wilhelm texting Felice that he doesn't think Henry will tell anyone.
s2e5 -> s2e6: similar to the s1 one, Wilmon are still together in Wilhelm's room.
so yeah. i'm nervous because i truly don't think that s3e6 is going to start where s3e5 left off. so we're going to walk into the episode with NO IDEA where Wilmon stand with each other, and that is, I think, the scariest part of this whole thing.
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chouyo · 1 year
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the start of a lifelong rivalry-partnership S1E1: the end and the beginning
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imm0rtal-idi0t · 27 days
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This is the scene in s1e1 where Merlin walks in on Morgana getting changed, according to the book.
“Merlin could see her elegant silhouette and had to fight to drag his eyes from it so he could get out of there.”
HAD TO FIGHT TO DRAG HIS EYES FROM IT *shakes you violently*
(From The Magic Begins official Merlin BBC book)
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thatgaiagirl · 1 year
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I still like the interpretation that God favours Aziraphale and Crowley, and is sort-of preventing Aziraphale from Fallling properly for his little indulgences, because they both have Free Will.
God created Humans with Free Will - not Angels, and therefore, not Demons either.
Well. Except Aziraphale and Crowley - it can be seen as them ‘going native’ from exposure to Humans, being able to make their own choices now, but I think it goes deeper.
Crowley has clearly been comfortable with exerting his Free Will and defying Hell since the very Beginning - emphasised most, I think, in the Job minisode, where he’s already settled into the ‘I’m on my own side’ routine and it feels like he’s been disobeying Hell for a good while. And if i may tie this into the Crowley is Lucifer theory for a second, he’d be the first Angel to ever develop Free Will, which is what led to him falling in the first place. He has something no Angel or Demon has - imagination. He’s been unique in his ability to ask questions from the very start.
But Aziraphale also had it from the start. He gave away his sword. He acted on his own internal sense of Right, of Good, that was separate from Heaven’s wishes at the Beginning. People have already made observations about the ‘I gave it away’ moment from S1E1 as the moment Crowley fell in love, but it goes deeper than that. This is where Crowley realises that he’s NOT the only Angel to ever develop Free Will. This Angel, who’d previously warned him off asking questions like any other would’ve, had an Inkling of human choice in him (a choice that led to the birth of violence and the Sword becoming the symbol of war, unintentionally).
THAT is why Crowley became interested in Aziraphale. That’s why he sought him out at Noah’s arc, to talk to the only other Celestial Being capable of choosing like he could. It’s why he stuck to Aziraphale during the Job fiasco. He was nurturing that part of him, encouraging his Free Will to blossom. Introducing him to human food. Letting him see what he could do with it. It’s also why he doesn’t want Aziraphale to Fall - obviously, Crowley is heavily protective of his Angel, but at that early stage he also doesn’t want the only Angel with Free Will left in Heaven to suffer the same fate he did.
The part of Aziraphale Crowley fell in love with was his ability to choose. His free will. His silly little requests like asking him to miracle away a paint stain when he could do it himself, enjoying food so immensely, assisting Aziraphale in a dangerous magic trick because he CHOSE to do it, because he said ‘Trust Me’, all his little quirks and their arguments and the exceedingly HUMAN behaviours he’s picked up over the years. Crowley loves Aziraphale as Aziraphale, not the Angel.
And despite himself, its also what Aziraphale loves about Crowley. He loves Crowley for Crowley’s Goodness - what he doesn’t understand is that Crowley’s Goodness isn’t Heaven’s Goodness. Heaven’s Goodness is the Goodness that drowned the world. Heaven’s Goodness is the Goodness that wanted Job’s children dead. Heaven’s Goodness with leave the world just as destroyed as Hell’s Evil.
But he doesn’t realise that. Not yet, anyway. And, as an Angel with Free Will, why wouldn’t you want him for the Second Coming?
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