#s: no one could be him

[casmick-consequences]

literally the king of oneliners

[part 2]

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[decaffeinatedpartymuggoop]

Instead of the “Jason vs Percy” rivalry we should have gotten Annabeth vs. Jason but instead of a fight for power it’s them having a battle of autism cause their special interests were Greek myths vs Roman myths.

Jason calls a Greek god by their Roman name and Annabeth pops up out of nowhere and goes “erm, actually”

The 7 is talking about some landmark and Annabeth and Jason start arguing about which pantheon it was dedicated to.

“It’s amazing right? It was dedicated to Athena.” “Erm, it was actually built for Mars…”

[saint-hymn]

quick aggie doodle — nov 16 pogbur but he stood maybe a little bit too close to a TNT, and there was no c!Phil to save him from the blast. died as he lived: never whole and alone

also because the breaking bad gus fring death scene won't leave my head, like holy shit look that's peak rule of cool (cw gore)

[whaliiwatching]

one in a million admirers…

based on ofc this prompt

[keferon]

*clasps your shoulders gently and looks you straight in the eye*

Keferon. Please read Ninth by Kyn on AO3. I think you would love it very much. It has a large chapter count, but don't be intimidated, it's very easy to get into. It is currently unfinished, but is being updated regularly.

You are the seventh person that recommended this fic to me so ahahahaha yeah

I’m doing great Help I hate some parts of it but I love the other parts I’m spinning in the blender

…..I made the moodboard….

[greenleaf4stuff]

I cannot get over the little detail of Adar actually releasing Elrond's hand in that scene. (We can see some of it at the bottom left corner of the 1st gif, his grip is already loosening after Elrond drops his weapon; see the 2nd gif for comparison.)

My interpretation is that he is so sure of his greater strength and advantage, and that Elrond doesn't have the ability to fight back/no more knives up his sleeve (so to speak), that he lets Elrond have full autonomy of both of his hands. Mind you, Adar hasn't even lifted Elrond up yet and Elrond could have still fought back multiple ways (using his legs to struggle etc) at this point.

And then Adar proceeds to lift him up, hold him up, choke him and throw him aside like it is nothing. One-handed. Showcasing his physical strength but also retaining the ability to defend himself should Elrond suddenly manage to fight back.

imo, this and his fight with Arondir really show what a unit he is in battle. And that he is aware of it.

[corviiids]

there are many arguments for why light could be transmasc but chief among them to me is that it explains why soichiro and sachiko yagami have one child named "sayu" and one child named "light but it's written with the kanji for moon unusual isn't it"

[freyadragonlord]

The thing about Han Yoojin is...

I don't think he would be more dangerous if he were an S-Class. He is dangerous specifically because he is F-Class.

That's because all of Yoojin's abilities, as well as his behaviours, are a direct consequence of him being a lower rank hunter in a world made to favour higher ranks. Yoojin's strenght comes from his determination, his knowledge, and his anger towards those who oppress the weak and vulnerable.

Lacking physical strenght and strong magical powers, he started studying hard everything there was to know about Dungeons, and he became an incredible strategist. Unable to protect himself from the criminals who took advantage of lower class hunters - and a society that did close to nothing to protect those lower classes -, he became a skilled liar, a manipulator, and he learned how to kill his enemies after tricking then into lowering their guards. He became ruthless, because if he wasn't, he wouldn't have survived, or he would have had to give up on his goal to try and protect his younger brother.

If Yoojin had been an S-Class, Yoohyun wouldn't have had as strong a reason to push him away in order to protect him. Yoojin wouldn't need to lie, manipulate, steal as much, because most things he could possibly want would simply be handed to him.

Even imagining a Yoojin that is both powerful AND as clever and ruthless as he is.... well, he'd be like Sung Hyunje. And even amazing Sung Hyunje is not as determined or imaginative as F-Class hunter Han Yoojin is.

[andy-clutterbuck]

requested by Anons

[tianhai03]

dug through my files and found a leon doodle i never posted. anyways he should have his bra strap back i think <3

[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked.

We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.

[not-so-superheroine]

Jesus is my older brother, not my dad.

other christians don't seem to feel the same?

am i missing something where he insists on such a thing except perhaps with actual little children?

[kouraissant]

The Sun is dead and love is an unbearable thing (On Yudrein Aile & Grief)

(Above) KOURAISSANT / (Aeschylus: The Oresteia, Aeschylus & The Oresteia: Agamemnon, The Libation Bearers, The Eumenides, Anne Carson) / Things Haunt, Joshua Jennifer Espinoza / Chapter 514, Turning, 쿠유 / Morning in the Burned House, Margaret Atwood / The opposite of a haunting is something very lonely, heavensghost / A Rosario Castellanos Reader:  ‘Memorandum on Tlatelolco’, tr. Maureen Ahern / Sue Zhao / The Song of Achilles, Madeline Miller / The Empress Yamato Hime, tr. Kenneth Rexroth / Spring and All, Cathy Park Hong / UNDER A STAR CALLED SUN / there is no absolution for the fallen, only the dying, p.d / Chapter 1, Turning, 쿠유 / Lesbos (From Ariel), Sylvia Plath

(Below) The Haunting of Bly Manor (2020), dir. Mike Flanagan / 6CHO1

[thatonefandomjumper]

What do you mean Leo made Percy a dog whistle that has "LEO + PERCY 4EVER 🖤" engraved onto it???

What do you mean it lights up in rainbow when it's used???

[windcarvedlyre]

I've been following @druidposting's DR2 playthrough on discord and we just had a really good discussion about DR's Closing Arguments. Specifically the way the murderer is depicted as grey and featureless, which until now I found a bit annoying.

In Danganronpa it's repeatedly the case that we don't have the full picture until the talking actually stops- which always goes beyond the end of the trial. We generally vote first and come to understand what the murderer's actual motive was, sometimes filling in important pieces of the timeline in the process, afterwards.

But none of that matters for the killing game because characters' emotions aren't directly relevant to who was the 'blackened'- the only thing that matters to Monokuma- so it comes out afterwards and does nothing to change their execution. It doesn't matter how sympathetic they are (basically everyone) or whether other people share responsibility for the situation (eg. Hanamura, Pekoyama, Momota) or whether they intended to murder at all (Nanami). They objectively pulled the trigger and nothing else matters. Nothing about them as a person matters.

The Closing Argument mechanic might illustrate that problem- literally. They're a dramatic, conclusive summary of the entire case... constructed before the vote even happens, before we know if we're actually right, and they're missing something really important:

The actual perpetrator.

We quite literally don't even begin to see the real person behind the crime, any real exploration of their mental state, anything besides the cold, hard facts of the murder that are necessary to convict them, until the comic finishes and the protagonist makes their final accusation- replacing the grey figure with their real appearance in a shot that's often intensely emotional.

And these comics lack crucial parts of the case's timeline and sometimes important parts of the very scenes they depict that we only find out about afterwards. And those are what we know; characters may die with some pieces of the truth and prevent us from ever learning them. These aren't objective depictions of the murder, they're the protagonist's subjective attempt to connect the facts they have. A join-the-dots portrait of someone with missing dots and no colour.

Even characters' expressions may not match how they truly feel, with the grey placeholder potentially looking way more confident and sinister than they were in reality. Pasting Falter's commentary here since they put it well.

For obvious reasons this could especially be a problem for characters that die before the trial- the ones we never get a post-vote testimony from. DR1 chapter 4 really highlighted that in the way Asahina's huge misinterpretation of Oogami's feelings took up a lot of the post-trial discussion, only for Monokuma to reveal Oogami's real suicide note and recontextualise everything.

It might really be a problem for how Komaeda's depicted in DR2 chapter 5. While he isn't greyed out, we get panel after panel where he's either level-headed or maniacally evil, and even the depictions of his self-torture and death don't humanise him:

But we know that his real feelings were more complicated than that. We have his actual corpse to compare the last page to.

He died afraid.

If we approach the comic as Hinata's mental image of him instead of reality, he died without anyone truly understanding him. He was alarming, very hard to relate to, actively fought against people doing so, ensured even the killer didn't watch him die, and the survivors couldn't begin to understand his motive until a chapter later. The Closing Argument reflects that.

Early in DR1 Togami calls out the rest of his class for judging others by their own standards. However, he, too, is doing this, maybe more so than many other characters; his inability to view other people through anything but the cold, brutal logic of the killing game bites him in the ass in chapter 4. In DR2 chapter 2 voting without a good understanding of Pekoyama's motive or Kuzuryuu's involvement nearly got everyone killed. Komaeda's a walking embodiment of the problems with flattening people into caricatures and not empathising with them, suffered from people doing that back to him, and his case- the Closing Argument for which turned everyone else into grey placeholders- was impossible to solve with objective facts. It was only survivable because the survivors cooperated and one person tried to analyse things the way he would.

The games have always been a critique of the justice system and Japanese society and push us to care about others as individuals, not reduce them to- and judge their right to exist by- something they've done or their net impact on society. There are always consequences when someone neglects to do that, and the above might be yet another way the games explore that theme.