#rusticana

[a9shou]

Pietro Mascagni - Intermezzo, Cavalleria Rusticana [Piano Cover]

[escribirsiempre]

Chupacabras - Succhiasangue (on Wattpad) https://www.wattpad.com/1449521767-chupacabras-succhiasangue?utm_source=web&utm_medium=tumblr&utm_content=share_reading&wp_uname=NicolsGuglielmetti Nel cuore della pampa argentina, un gruppo di amici si avventura in una remota fattoria per un fine settimana di caccia e relax. Tuttavia, ciò che inizia come un viaggio tranquillo si trasforma rapidamente in un'esperienza terrificante quando si trovano di fronte a segni macabri di presunti attacchi di "chupacabras", creature leggendarie conosciute per i loro orribili predatori. Mentre l'oscurità avvolge la campagna e la paranoia si diffonde tra loro, i confini tra realtà e mito si sbiadiscono, portando a una lotta per la sopravvivenza contro una forza oscura e inspiegabile.

[infinitelytheheartexpands]

Cavalleria very good

YESSSSSSSSSSSSS

it is VERY GOOD INDEED

[shredsandpatches]

In honor of orchestra week for Cavalleria, have a thing. I made this diagram of the similarities between our current and previous performances for my chorus Facebook group and I keep forgetting to post it for operablr, the other group of people I know that might appreciate the humor! (The chorus did -- I got a lot of compliments on and off Facebook)

I think it mainly tells us that a) opera composers tend to draw on the same types of numbers for choruses to sing and b) opera runs largely on tenors not having their shit together. Tenors, man.

[opera-ghosts]

The real voice of Pietro Mascagni

It dates back to 1940, Mascagni was now quite old (77 years old) and died 5 years later. The very short presentation and greeting speech serves as an introduction to the recording of the Cavalleria Rusticana by Fonit Cetra (conducted by Mascagni himself with interpreters Lina Bruna Rasa, Beniamino Gigli, Gino Bechi, Maria Marcucci and Giulietta Simionato) which was recorded in that year to celebrate the fiftieth anniversary of the work. Among other things, Mascagni, unlike many other composers, was an excellent director of his own music.

[leporellian]

really love how the phrase cavpag is used as shorthand for productions of cavalleria rusticana and pagliacci because it bears a phonetic similarity to cadpig (the runt of a litter of piglets) which feels really appropriate for the most famous one acts in opera

[princesssarisa]

The Top 40 Most Popular Operas, Part 3 (#21 through #30)

A quick guide for newcomers to the genre, with links to online video recordings of complete performances, with English subtitles whenever possible.

Verdi's Il Trovatore

The second of Verdi's three great "middle period" tragedies (the other two being Rigoletto and La Traviata): a grand melodrama filled with famous melodies.

Studio film, 1957 (Mario del Monaco, Leyla Gencer, Ettore Bastianini, Fedora Barbieri; conducted by Fernando Previtali) (no subtitles; read the libretto in English translation here)

Donizetti's Lucia di Lammermoor

The most famous tragic opera in the bel canto style, based on Sir Walter Scott's novel The Bride of Lammermoor, and featuring opera's most famous "mad scene."

Studio film, 1971 (Anna Moffo, Lajos Kozma, Giulio Fioravanti, Paolo Washington; conducted by Carlo Felice Cillario)

Leoncavallo's Pagliacci

The most famous example of verismo opera: brutal Italian realism from the turn of the 20th century. Jealousy, adultery, and violence among a troupe of traveling clowns.

Feature film, 1983 (Plácido Domingo, Teresa Stratas, Juan Pons, Alberto Rinaldi; conducted by Georges Prêtre)

Part I, Part II, Part III, Part IV, Part V, Part VI

Mozart's Die Entführung aus dem Serail (The Abduction from the Seraglio)

Mozart's comic Singspiel (German opera with spoken dialogue) set amid a Turkish harem. What it lacks in political correctness it makes up for in outstanding music.

Royal Opera House, Covent Garden, 1988 (Deon van der Walt, Inga Nielsen, Lillian Watson, Lars Magnusson, Kurt Moll, Oliver Tobias; conducted by Georg Solti) (click CC for subtitles)

Verdi's Un Ballo in Maschera

A Verdi tragedy of forbidden love and political intrigue, inspired by the assassination of King Gustav III of Sweden.

Leipzig Opera House, 2006 (Massimiliano Pisapia, Chiara Taigi, Franco Vassallo, Annamaria Chiuri, Eun Yee You; conducted by Riccardo Chailly) (click CC for subtitles)

Part I, Part II

Offenbach's Les Contes d'Hoffmann (The Tales of Hoffmann)

A half-comic, half-tragic fantasy opera based on the writings of E.T.A. Hoffmann, in which the author becomes the protagonist of his own stories of ill-fated love.

Opéra de Monte-Carlo, 2018 (Juan Diego Flórez, Olga Peretyatko, Nicolas Courjal, Sophie Marilley; conducted by Jacques Lacombe) (click CC and choose English in "Auto-translate" under "Settings" for subtitles)

Wagner's Der Fliegende Holländer (The Flying Dutchman)

An early and particularly accessible work of Wagner, based on the legend of a phantom ship doomed to sail the seas until its captain finds a faithful bride.

Savolinna Opera, 1989 (Franz Grundheber, Hildegard Behrens, Ramiro Sirkiä, Matti Salminen; conducted by Leif Segerstam) (click CC for subtitles)

Mascagni's Cavalleria Rusticana

A one-act drama of adultery and scorned love among Sicilian peasants, second only to Pagliacci (with which it's often paired in a double bill) as the most famous verismo opera.

St. Petersburg Opera, 2012 (Fyodor Ataskevich, Iréne Theorin, Nikolay Kopylov, Ekaterina Egorova, Nina Romanova; conducted by Mikhail Tatarnikov)

Verdi's Falstaff

Verdi's final opera, a "mighty burst of laughter" based on Shakespeare's comedy The Merry Wives of Windsor.

Studio film, 1979 (Gabriel Bacquier, Karan Armstrong, Richard Stilwell, Marta Szirmay, Jutta Renate Ihloff, Max René Cosotti; conducted by Georg Solti) (click CC for subtitles)

Verdi's Otello (Othello)

Verdi's second-to-last great Shakespearean opera, based on the tragedy of the Moor of Venice.

Teatro alla Scala, 2001 (Plácido Domingo, Leo Nucci, Barbara Frittoli; conducted by Riccardo Muti)

[the-importance-of-being-wilde]

Inspired by @operabracket

[sidewalkchemistry]

Horseradish (Armoracia rusticana, Brassicaceae - Mustard Family)

an extended version of this materia media can be found on the Patreon - where I share some gastronomic/culinary commentaries on horseradish

"The root's potent smell can be attributed to allyl isothiocyanate, or Mustard oil, which is released when the plant's skin is broken or disturbed. Similar to other members of the Brassicaceae family, this constituent is also found in Brussels sprouts, Mustard, and Turnips."

"In Greek mythology, the Delphic Oracle told Apollo, 'The Radish is worth its weight in lead, the Beet its weight in silver, the Horseradish its weight in gold.'"

"To a worm in a horseradish, the world is a horseradish” - Yiddish Proverb

Gardening: full sun to part shade; well draining loose or sandy soil; regular water; room to spread and grow deep, often takes over more space than expected; thrives even when neglected; herbaceous perennial

Native Region: Russia & Eastern Ukraine

Season: autumn and winter (hardy to zone 5)

Affinity: sinuses, lungs, digestive system, circulation

Parts: roots and leaves

Medicinal: fire cider/oxymels, cold-water infusion, succus (fresh juice), cough syrup, poultice for sprains/injuries, tincture, culinary measures

"Grated horseradish mixed with honey [or vegan alternative]. After mixing, allow to stand to take off sharp taste. The [sweetener] is only used to make it more palatable. 2/3 horse-radish and 1/3 [sweetener], or to suit the taste. The ordinary radish, especially the black radish, may also be used the same way, or finely sliced and eaten alone as a salad. For consumptives who cough without spitting, give a spoonful every once in a while." - Special "Mucus-Eliminator" Recipe in Arnold Ehret's Mucusless Diet Healing System

^I like to add grated orange peel to help make it more manageable to taste^

Actions: diuretic, stimulant, expectorant, rubefacient, aphrodisiac, digestive, antiseptic (laxative), aperient, anthelmintic, emetic (in high doses)

‼when you cut into horseradish, its pungent smell can irritate the eyes and nasal passages, so it's better to do in a well-ventilated area or outside. It is more potent in its effect than onions. The taste is also very pungent, so you don't need much.

Energetic Uses (eg. flower essence, elemental rituals): FIRE ELEMENT - balance fiery nature, excite inner fire, move you beyond sense of being stuck/helpless, shine a light on blockages, release old patterns or thoughtforms

Indications: hoarse, persistent, dry cough; rheumatism; tuberculosis; kidney stones; parasite infections; cold; congestion

Analogs: wasabi, radish, mustard, brussels sprouts, moringa (Moringa oleifera)

Traditional Uses:

Ancient Greeks & Romans: rub for lower back pain or menstrual cramps, aphrodisiac

Middle Ages: asthma, arthritis, cancer, toothaches

Jewish: bitter herb for Passover seder

Native Americans: toothaches, menstrual cramps

British: accompaniment to beef and oysters, cordials

Scurvy preventative

Treatment for tuberculosis

Restoring color and freshness to skin (cosmetic usage)

Modern Ideas:

"The enzyme horseradish peroxidase (HRP) is a useful

tool for detecting antibodies in the molecular biology field."

"In 2008, researchers reported that they had developed a fire alarm for the deaf and hard of hearing by harnessing the strong smell of horseradish."

"Researchers from Pennsylvania State University announced in 1995 that according to their studies, using horseradish may help purify wastewater and tainted soils."

Sources: a b c d e

[doyouknowthisopera]

[bluehome91]

i “Cavalleria Rusticana” di Pietro Mascagni.

#GrandeOpera

[opera-shitpost]

Let me tell you a story.

Picture it: Sicily, 1883.

An attractive peasant girl is minding her own business, when a young man from her village starts courting her without warning. That young man, Turiddu, is a former soldier who recently returned from the army, so she’s of course impressed. It’s a well-known fact that he had been courting with Lola, the village beauty, before he set off into the army, but that by the time he returned, she was married to Alfio, the village carter.

Anyway, after that betrayal, Turiddu immediately sets his sights on the aforementioned peasant girl, who believes his ardent declarations and promises well enough to allow him to make passionate love to her. Of course, what is bound to happen happens, and soon enough, the entire village hears all about this affair. And because this was Sicily, 1883, the girl gets all the blame and is even excommunicated from the church, while Turiddu gets away with everything.

To make matters worse, it becomes very clear that he seduced her with the intention of making Lola jealous, which works flamboyantly well, because soon enough, the jilted peasant girl witnesses him hanging around Lola’s house every night while Alfio is away carting shit, blissfully unaware of all these happenings.

And then on Easter, she begs Turiddu one last time to come back to her, to no avail. Outraged, she curses his Easter, and later tells Alfio all about Lola’s affair, though she immediately comes to regret it. Alfio challenges Turiddu to a knife fight, which he accepts by biting his ear till it bleeds, which is a Sicilian custom meant to represent a fight to the death. Turiddu gets killed in the fight, but not before telling his mother to look after the girl in case he doesn’t come back.

That peasant girl was me. And this story was a summary of the plot of Cavalleria rusticana in the style of the “Picture it: Sicily” stories from The Golden Girls.

[vera-dauriac]

Well, the long weekend has started, and I had grand plans that have been derailed by the flu. It seems as if the weekend shall be spent on my couch with opera and snacks. We begin with finger sandwiches and the 2015 Salzburg Easter Festival Cavalleria rusticana with Jonas Kaufmann.

[rayatii]

This day of rebirth, Lips that touched wine and told lies Shall also taste death.

- Operatic Haiku No. 12, by Yours Truly.

[shredsandpatches]

Goal for this season: somehow get myself picked to be the woman who screams "Hanno ammazzato compare Turiddu!"

I think I'd crush it.

[opera-ghosts]

December 17.1908 at The Metropolitan Opera a wonderful cast for Pietro Mascagni „Cavalleria Rusticana”