#rogue girl
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stephenjplant · 5 months ago
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Above the main storyline, there's a second narrative layer implied, where this whole story exists as a TTRPG campaign being played by Mario and his friends. Mario lacks creativity so his character is just himself, but Peach is here to ROLEPLAY.
-Or, she’s trying her best anyway. She’s also new to the world of TTRPG’s so Peach Pit will occasionally drop out of character and say or do the sort of thing Princess Peach would, before quickly apologizing and resuming her chaotic neutral persona. 😅 *NOT A REAL GAME
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thebubblyship · 2 months ago
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Art!
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literarymerritt · 6 months ago
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Thinking about Them 🥺
Art Tumblr | Twitter
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polarsirens · 7 months ago
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rage
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maiooo-0 · 2 months ago
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Kurt wagner... *clenching fists
Did you know there's a 'what if' of Raven raising Kurt (who she named Michael). I kinda hate half of it but it's actually quite good,,, the art it's my fav part
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causalityparadoxes · 6 months ago
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The fact Rogue didn't push the button while kissing the Doctor. It would have been so easy. In character for what the Doctor might expect even. He's the Rogue after all, the classic morally dubious role.
I think with that quiet 'no' the Doctor was expecting him, maybe even asking him, to take the decision out of their hands. To press it for them. Then they'd both have the fresh pain of losing someone and could go on to travel together.
But the Rogue isn't into cosplay, he isn't playing a character. So instead he puts the Doctor's happiness with Ruby above his own life, and above a life with the Doctor. He pushes Ruby out of the way, taking the controller with him so the Doctor still doesn't have to choose. That sad, cheeky, rogue-ish grin as he does it. Its just so unbearably sweet
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lastofthe20thcenturygirls · 4 months ago
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you could burn up a whole fucking sun just to see her again one last time you become suicidal because she's in another universe you stop your face from changing because you got that face for her but haters would still say you were just "infatuated" with her that your kisses with her were all non-sexual
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lucatielle · 2 years ago
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My character from Dragon Age II. Hawke - Champion of Kirkwall. With modded armor... and daggers... I love those daggers.
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mndvx · 7 months ago
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X-MEN ‘97 – Tolerance is Extinction, Part 1 (S01E08)
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ravengards-rogue · 8 months ago
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i thought of you so often.
arthur morgan x reader.
✧ tags : fem!reader (gendered language, explicit use of she/her in reference to reader), children / planning on children, generally sappiness, fluff, au where nothing bad happens to arthur hdskjsdkfhsj.
✧ wc : 2.4k (???)
✧ a/n : arthur morgan.... save me arthur morgan....also not a super original thought but i can't Stop thinking about it.
✧ synopsis : a collection of love letters, all unfinished, tucked somewhere you aren't meant to find them. oh, arthur loves you more than you knew.
.𖥔 ݁ ˖˚☽˚。⋆
You try to keep out of Arthur's belongings.
He's owed some privacy, for one. More than that, you've never felt any reason to look into it. Arthur isn't a man of many words, though you catch moments of his introspection should you pry. He isn't stoic, neither. And above all things, he's kind. Really truly kind in a way that makes him different from other men.
You don't have any complaints about him is what you mean. Unlike the men you've loved before, there are no short-comings of Arthur that would drive you to wanting to investigate his own personal things. Especially something so personal like his journals, prior or present.
On top of that, you were there with him through everything. You were part of the gang and stayed by him when it all fell apart. It was towards the end of that that Arthur came to you near frenzied, told you his plans, his thoughts. Confided in you and no less than begged to go with him where he ran.
You loved Arthur enough to stay, and so things ended - and you ran. There isn't much his journal could tell that you couldn't surmise on your own.
It's been years now, and you've long since left that life. You live with Arthur quietly, peaceful in the moments with a garden and kitty sweet as sugar.
It's a good life. An honest, quiet one sometimes to the point of being boring. You rarely miss the action, though occasionally you'll take up a bounty just to feel alive and make some money.
Mostly though, you live as unassuming folk. No bloodshed, no wardens, no gunslinging.
Been talk between you both about having a baby, recently. Serious talk. You've made some money between here and there, and you've got a good life. You've traveled too. But it gets a little lonely, and you don't really get your fill with just Jack when John and Abi are ways away.
Before anything like that, though - you need to clear some space. Empty out some belongings and things collecting dust. Living in one place for too long creates all sorts of mess, you find. When Arthur is home to help, he does - but he's been busy lately figuring something out with Charles. Some business venture related to ranching that you know nothing about so far. They'll tell you when its ready.
Usually when you're tidying, you keep to just your things, or your shared things - but Arthur has lived more life than you. It shows in that big closet space filled with nick-knacks he has yet to toss.
You'd mentioned it to him not too long ago and he'd given you permission to go through them.
(A kiss to your forehead from chapped lips and hands holding your waist, Arthur hums in acknowledgement as you ask his permission.
"Ain't nothing I gotta hide from you. Do whatever you need.)
But like you said - you try to keep your nose out of his business if it's not necessary for you to be in it in anyway.
You weren't trying to look through his things, really. You started cleaning, worked your way to that last box. Up on a shelf in his closet, a little too high for you to reach easily. You made a misstep and dropped the damn thing. It barely missed your head as the whole thing fell open, and out came journals and papers and photographs.
You've always known Arthur to be sentimental, so none of it has been particularly surprising. A photo of wolves and him on a horse, the picture from John and Abigail's engagement. Some other scraps of sentimental value.
And then there was a journal. Not Arthur's journal that he's always using, but another you've never seen before. You know Arthur journals, seen the thing plenty though you never look unless he shows you first.
A journal with a dark brown stained leather binding, fallen open and your name scrawled out in pencil lead at the top of it.
The curiosity got the better of you, okay? Not your damn fault.
So you're thinking on it.
The fabric of your skirt is pooled out underneath you as you hold the thing in your hands, sitting down on the ground surrounded by things. You've stowed away everything else that fell out from the box after ensuring it was intact, including Arthur's journals. Everything with the exception of the one you're holding.
Some guilt eats at you. You don't wanna upset him potentially by having looked. Even if he gave you permission, looking in the damn thing is a little different. But your name was there so clearly, and well - you didn't think he wrote about you. Apart from here and there, maybe.
You hold the book out in front of you with a sigh, looking fondly at his name ingrained in the leather. You press your forehead against it with, resigning yourself completely.
"Lord forgive my pryin'," You mumble, hoping it's enough to absolve you.
Your heart feels funny as you let your fingers trace over the hard edge of the front cover, one eye shut as you start to open it slow.
The first few pages are nothing special.
A page outlining who the journal belongs to and when it was started, and some doodles of yarrow and oleander. The pages after that filled with mundane entries. About people he met or things he saw, all endearing to you. The corners of your lips tug up slightly.
You really love this man helplessly.
You flip through a few more pages, many of them blank before writing starts to appear again. Little by little, you find passages. You look to the dates up at the corner (though not all of them have one) and trace the timeline. This is from all the way back in Horseshoe Overlook.
It feels like ages ago now.
You look at a page with no date, and reading the writing in it. There's doodles of flowers and trees along the bottom of the page. The words are easy enough to make out - because Arthur has the most unusually beautiful handwriting.
There's some entries about you. At first, they all include your name in some context. Mentioned in the same way Arthur might mention Hosea or Abigail. The further you go, the less you see it. The more you become her and she.
It's a trend. The longer you read, the less there is about anyone else. Just you and all your silly idiosyncrasies tucked between pages. Something lovestruck and foolish lights its match in you.
Saw a body hanging at the tracks at Valentine. A gruesome sight. I told her about it and she laughed. Asked me to take her to see it. A strange woman, by all accounts.
You feel yourself smile a little as you continue to flip through the pages.
She joined me riding into town today. Said she had some business to attend but would not tell me any details. After, she came with me to purchase a new gun. I engraved a snake into it's handle, per her request.
Another few pages littered with drawings of delicate berries and waterfalls before you stumble across more writing. The more you flip, the longer the passages become you.
You can't tear your eyes away.
Rained today. Nothing too terrible or worth mentioning, except that she nearly caught a cold playing in it. I brought her coffee to keep her warm, but could not scold her further upon seeing her delight.
Another passage, this time written with messier hand writing. A coffee stain splatters on the white of the page.
Your heart tugs on itself. Swells about a thousand sizes. To think he wrote so much of your time together between these pages.
You read and read and read - and each passage is a little more mundane at the last. Some pages go on in vivid detail, but others are so short you aren't sure what to make of the fact he wrote them at all. As if such little details were important enough to keep in mind.
I picked a flower for her. I thought it would suit her taste. It was white with delicate petals. I did not know the name.
She wore it in her hair this evening. I find I can't stop grinning.
One passage on the next few pages, longer than the rest, catches your eye. From later in your time together, written when you were in Leymone. Near Scarlett Meadows and before the mess in Saint Denis.
After Arthur had been kidnapped.
I have gone on and on about the business with Colm O'Driscoll in many entries before this one. Yet, I find it difficult to forget. Many times I have come close to death, and still no experience lingers on my mind quite like this one. Everyone has done their best to look after me. For that I am grateful, though I do not care for being looked after. What use am I like this, I wonder? Perhaps, I should simply be grateful to be alive and in one piece, if a little uglier than I was. Alongside Miss Grimshaw and Miss Tilly, she has been by my side while I recovered. Such a carefree woman and yet I have seen her cry and weep over me countless times in the last few weeks alone. The decent man in me is apologetic for causing sorrow. Perhaps, it is the outlaw in me that feels some strange relief or satisfaction. Her fussing does not give me any grief. If anything, I find myself all the more endeared. Such a decent woman does not belong in a place like this. I hope she is able to go somewhere far away and live peacefully. I am not so shameless to want anything more. The time together we have spent, I will make sure to cherish.
Something painful and pitiful tugs at your heart. Even when Arthur admitted his feelings for you, he had started it on a similar tangent. You tell him often that you're the one who feels out of bounds with him. That a man as decent and as honest as him often feels like too much for you to have so easily.
A tear slips from your eye and you laugh at your own sentimentality, wiping it away before it can splatter onto the pages.
The further you read, the more sporadic entries become. You find that there are pages filled with sketches of you, but many of them are scratched out or half erased - like he did not find them good enough. Of your side profile, of your hands, of you pointing at a target with a gun. You feel a strange feeling of love wash over you.
Instead of concrete thoughts, you're met with Arthur's abstract. Subtle complexities and studies. There's honest tenderness in the way he sketches you and the words he chooses to caption each with. Lighter, thinner lines. Smaller doodles like stray daydreams caught onto a page.
You've never doubted Arthur in his love for you, quiet man he is - but it proves to overwhelm when presented to you in such a way.
You get to back pages. There, you're finally met with more writing. Except, instead of journal entries, there's the start of letters. You find your name at the top of the page.
Over and over. Love letters, all unfinished or scrapped. Written over and over and over, but not completed. There's tens of them at least. You've never received a love letter from Arthur before, though it's nothing you fault him for.
Now you're almost glad. You like this much better.
My darling girl My muse The better half of me, I must find some way to tell you all of what I think of you. It seems no words do it justice, I'm afraid. Still, it is in my best interest to try.
Damn that man.
When you find yourself starting to weep, you don't fight the feeling. You merely shut the book closed and set it in your lap before crying into your hands.
Such overwhelmingly happy tears. You feel off balance. If the whole world turned on its head this very minute, you're unsure you'd notice. What a decent, honest man you've come to love. What a tender one.
In the middle of your crying, you don't hear the door open or close. Nor do you hear Arthur's heavy footfall until he's in the doorway, with a voice worried half to death.
"Sweetheart, what in the hell?"
You turn your head to look at him, watching his eyes widen at your tear stained face. You clamber to your feet hurriedly, book dropping onto the ground next to you as you throw yourself at him as soon as you can.
Arthur is a steady enough man not to stumble when you do, though you can feel his apprehension. Eventually, he circles his arms around your waist. His hugs are strong. Bout strong as him and then some. An arm wrapped around your waist, the other crossed over your back all around your shoulder. Full pressure as he squeezes you tight, patting the back of your head.
"I leave you alone for a few hours. What has gotten into you, little lady?"
You pull back and and look at him, wet lashes and all, before leaning up to kiss him. Arthur meets your lips chastely at first before making a noise of surprise as you kiss him further. You use both hands to grab his face as you do, scruff scratching against your skin. His lips are soft, welcoming. He melts into the touch, so easily - blue eyes lovestruck as you pull away.
"You know I love you, don't you Arthur? More than anyone in this crazy world we live in,"
His face softens visibly. He smiles at you, touching his head to yours.
"Somehow, I do. Though, I'm wonderin' what the hell brought this on."
You tuck your face against his chest, feeling his laughter reverb through you at the way you cling to him so fervently. You sniffle as you talk.
"Found your journal. The one about me,"
He goes stiff, then silent. When you look up again, he's blushing red. He pinches his brow.
"Lord, I'd forgotten all about it,"
You shake your head.
"Ain't nothing for you to be embarrassed about. You are so wonderful,"
He pouts at you. Your heart swells. "You ain't helping with the embarrassment."
You hold him further. Hug him so tight, worried he'll disappear if you don't.
"I love you, Arthur."
"You already told me once, didn'tcha?"
"And I'll tell you one thousand times over," You emphasize, pouting at him. "Really. I love you,"
"I love you too sweetheart," His hand cups your face, thumb brushing along your waterline. "Don't cry no more. Spoils that pretty face."
"I'll try but I don't know if it's all out of me,"
Arthur laughs, pressing a kiss against your hairline. "Guess I'll just have to wipe your tears."
.𖥔 ݁ ˖˚☽˚。⋆
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scturndicr · 2 months ago
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they are so perfect!!
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hldjpg · 3 months ago
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Doodles::>>
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browsethestacks · 3 months ago
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X-Men #01 (2024) (San Diego Comic Con 1950's Variant)
Art by Mark Brooks
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notyoujamie · 5 months ago
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greenglowinspooks · 1 year ago
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(DCxDP) The obligations of a rogue versus those of a parent (Pt. 4)
Tw: descriptions of body horror, Dr. Crane has PTSD and Does Not Realize, Crane has an actual panic attack and just doesn’t care, the Riddler makes one (1) sex joke about Batman
Will be crossposted to AO3 eventually
(Pt. 1 here) (Prev here) - (Pt. 5 here)
(Masterlist here)
Dr. Jonathan Crane is in his lab, the acrid scent of chemicals filling the air, and his hands are shaking.
Danny’s health, for the first week that he had him, had been steadily improving at an extremely quick rate. However, his healing had begun to stagnate. Danny said that it was because his body had run out of ectoplasm, and that while there was a lot of ambient ectoplasm in Gotham, he needed a stronger type in order to heal.
And so, that led Dr. Crane here.
He had stolen the research notes from the Penguin years ago regarding his experimentation on him.
(He quite vividly remembers the sound of bone creaking and groaning as it twisted, lengthened. The squelching of shifting tendons and muscles, the strange fabric-like tightening of skin. The feeling of going from man to monster, of losing all claim to his humanity.)
Danny had called him Liminal, part ghost. He had said that he was transformed by, among other things, a kind of synthetic ectoplasm.
Danny needed ectoplasm.
Crane had the research notes. He had every ingredient necessary. And yet, attempt after attempt failed.
The chemical smell burns his nose. His hands tremble.
Dr. Crane is not afraid.
He doesn’t feel fear anymore. He’s tried to, many, many times, but nothing has worked. And yet, his hands are shaking still.
(The horrifying sensation of vertebrae pop-pop-popping along his spine, growing and lengthening. The unbearable itching beneath his skin as toxin glands begin to form. The feeling of his teeth sharpening and elongating, of his skull growing, of his vision changing and brightening. The awful stench of chemicals. The awful stench of ectoplasm.)
Jonathan takes careful note of his shaking hands, his blurring vision, his accelerated heart-rate and shallow breathing.
(Human hands. Human vision. Human heart and lungs and organs.)
He takes note of them, but he does not let that distract him from the task at hand. Danny is not a chemist, but Jonathan is.
The boy knows enough about chemistry in theory, but he won’t go anywhere near Crane’s equipment. He seems to have some sort of intense fear of laboratory settings, probably developed during his stay with the GiW, and Crane is willing to respect that, if only because he cannot afford to lose him.
As such, Crane is the only one qualified to do this. And, unfortunately, if he isn’t successful the boy may very well die.
He heats the chemicals to precisely the right temperatures, adding each one to its correct container.
Dr. Crane thinks of the Scarebeast, that creature born of cruelty and greed and a sense of superiority. That creature which he tries to ignore is a part of him, that can never be removed. A damage which cannot be undone.
He pours the contents of a small beaker into a larger flask, watching the liquids swirl together. The stench in the air is becoming closer and closer to the one burned into his memory.
Crane’s whole body is wracked with unpleasant sensations. It’s truly unfortunate, he thinks, that despite his mind’s lack of fear, his body still reacts so harshly.
Jonathan’s eyes wander, eventually settling on a purple and green card sitting innocently on the corner of the table.
Right.
Even if they wiped out the GiW tomorrow, and even if Danny could survive without ectoplasm, he would still be in danger.
Crane has to get him back to good health. It’s the only way he can be sure that the boy can defend himself properly.
The solution in the flask begins to foam, and Jonathan does not hesitate as he adds the final ingredient. He pours the mixture into a new container, capping it and placing it into a freezer set to -40 degrees.
Hopefully this time he got the timing right.
Jonathan tries to relax, the ventilation in the room slowly but surely clearing the familiar smell from the air.
He thinks of the letter.
Surely, he thinks, that man can come up with some better material for his jokes. Or, at least something new.
Same old threats, same old attempted poisoning.
Aiming his threats at Danny, though, that was new. New and utterly unacceptable.
Scarecrow did what he had to.
He doubted that his solution would last forever, of course, as with that man it never did. As such, he would prepare both himself and Danny for the inevitable moment that his choices came back to bite them.
However, for the moment, they were safe. Danny could rest and recover, and Jonathan could figure out a plan to minimize possible damages.
Jonathan is no longer shaking.
He’s exhausted. This is his fifth attempt today, and each one leaves an unfortunate strain on his mind and body.
With a sigh, he settles himself into his seat at a nearby desk, opening up his computer and logging his most recent attempt. He still has to wait for it to chill to know if it was successful, but he can always update the logs later.
Once he’s done, he stretches, joints popping loudly as he walks to the freezer.
When he sees the results of his tireless work, the ghost of a smile flits across his face.
Success.
Jonathan picks up the jug of ectoplasm and leaves the lab, which is in all actuality the basement of the new apartment that he moved himself and Danny into after receiving the note. The scrappy old woman who was his landlord had told him that as long as he paid her five hundred dollars up front, she would let him set up in the basement without any questions or cop calls.
And so, the most expensive apartment in the Narrows was his.
At least, he thought, the distance between the basement and the apartment was short enough that Danny didn’t have to sit in while he was doing his labwork.
Jonathan knew that he didn’t exactly have a strong grasp on the concept of ‘lab safety,’ proven by his built-up immunity to almost every toxic chemical he’d ever encountered, and he doubted that Danny should be around such an environment.
He was back to the apartment quickly, not bothering to hide the self-satisfied smile on his face. Danny is sitting in his armchair, trying to read one of his books. Danny looks up, ready to greet him, when he sees the jug in his hands and pauses.
“Is that..?”
“Synthetic ectoplasm,” Jonathan says proudly, “I found the Penguin’s research notes and decided to recreate it, since you said that you needed it to heal properly. I’m not sure if it’ll work the same as what you usually have, but I hope it’s helpful all the same.”
Danny is standing, now, and looking at Jonathan with a strange look in his eyes. He looks, Jon thinks, like he’s about to cry.
Then Danny is rushing forward and wrapping his arms around Jonathan, his scrawny form shaking.
Jonathan is, for a moment, horrified. Did he do something wrong somehow? Why is this child, who’s so afraid of touch, hugging him?
And then he hears Danny’s voice, and he knows that it was all worth it.
“Thank you,” he’s mumbling, over and over, “thank you, thank you, thank you, thank you so much.”
“Of course,” Jonathan says softly, because what else can he say?
The boy cries in his arms for a while, and Jonathan briefly wonders what his life must have been like before, if a person like him can be seen as a comforting figure.
Then, Danny pours himself a small glass of the synthetic ectoplasm, putting the rest into the small fridge which had come with the apartment, and he settles back down, sitting in the armchair once again.
Jonathan sits opposite of him, and they chat with one another as Danny drinks.
Danny talks to him about the stars and tells him about different spaceships, and Jonathan makes sure to pay attention and ask the boy questions.
He doesn’t miss the way that Danny lights up every time he asks him something about his interests. He’s so passionate, so smart, a trait that he seldom sees outside of his fellow rogues, and Jonathan wants to encourage that.
It’s…nice. Peaceful, almost.
And then the front door flies open, because Jonathan isn’t allowed to have nice things.
“Jon,” a familiar voice rings out, “what the hell?!”
Danny is frozen in place, clearly terrified.
Jonathan heaves a sigh, turning to face the nuisance who’s entered his apartment.
“Eddie,” he drawls, “to what do I owe the pleasure?”
Edward’s face is red with anger as he invades Jonathan’s apartment.
“Oh, I don’t know! Maybe it’s the fact that you sent a bunch of rogues a cryptic message and then dropped off the face of the earth for two weeks! I was worried, Jon!”
Jonathan hums in acknowledgement.
“I didn’t think it was that cryptic,” he says, picking up a book in order to pointedly ignore the Riddler.
“Oh, of course you didn’t, you straw-stuffed hickory dickory dickhead. I swear, you’re always—” he pauses, finally having noticed Danny sitting opposite of Jonathan, “—who is this?”
“My apprentice,” Jonathan replies, dreading the upcoming headache he was no doubt going to develop from Edward’s company, “he’s helping me hunt down the GiW. His name is Danny.”
Edward gasps dramatically.
“You—an apprentice?! And you’re letting him sit in the old man chair?! You don’t even let me sit in the old man chair,” he wails, draping himself over the headrest of the couch with a flourish, “Jonathan, I thought I knew you!”
“Edward,” Jonathan says, “get out of my apartment.”
“Oh my goodness, this is incredible. You’re becoming the bat!”
“I am not becoming the bat, Eddie, now get out.”
Edward has a shit-eating grin on his face as he waltzes over to Danny. Danny, who seemed terrified when he first appeared, is now looking at him with obvious amusement written all over his face.
“I mean, look at him! The hair, the eyes, the scrappy build. If you put him in one of those traffic light vigilante costumes, he could easily pass as a Robin!”
“I’m not doing this with you today, Eddie.”
“Riddle me this, Jon: I am a treasure hidden inside of a chest. You can break me, or steal me, or give me a rest. I can flutter, or pound, or attack, or drop, but if you don’t have me, you’re certainly fucked. What am I?”
Jonathan pauses for a moment before he groans, dropping his head into his hands.
“Eddie.”
Danny sits still, a confused look on his face as he repeats the riddle silently. Then, his face lights up in delight.
“A heart!”
“Jon, I like this one,” Edward says with a smile, ruffling Danny’s hair, “you are correct! A heart, something that I wasn’t aware that our dear Jonathan had!”
“Eddie, stop.”
“No, no,” Edward says, “I was worried about you, you deserve this. I mean, you even missed girls night! You never miss girls night!”
“Girls night?” Danny asks, absolutely delighted.
“Oh, of course,” Edward says, sprawling over on the couch, dangerously close to just laying in Jonathan’s lap, “we have it once a week. I’m invited because of Selina and Jon’s invited because Harley likes him.”
“And what does girls night entail, exactly?”
“Eddie,” Jonathan groans, “please.”
“Well,” Edward hums, “we usually paint our nails, or watch a movie, or gossip about the other rogues, and occasionally, we tell each other about any ‘encounters’ we have with Batman,” he says, raising his eyebrows up and down.
Danny’s jaw drops.
“Edward, shut up,” Jonathan says, an irritated tone in his voice that wasn’t there before.
“No way,” Danny says, “I thought that Batman, like, hated you guys or something. You mean he actually..?”
“Oh, the Bat is much like a bottle of liquor or a cheap cigarette, in that he was made to be passed around.”
Danny chokes on air.
“Edward Nygma,” Jonathan hisses, getting out of his seat and looming over the man, “get the hell out.”
Edward pales.
“Leaving, leaving!” Edward says, dashing away from Jonathan. He pauses, turning to flash Danny a quick smile.
“Remember Danny, I’m your favorite uncle! Not any of the other rogues, me!”
With that, he leaves, the room falling completely silent.
And, as per usual, that silence does not last.
“You full-named him?” Danny asks gleefully, “and it worked?”
Jonathan just sighs, sitting down on the couch and rubbing at his temples.
“Please, don’t take anything Eddie says seriously. He’s a moron.”
“Dr. Crane, please let me come to girls night with you,” Danny pleads, his eyes sparkling, “I promise I won’t embarrass you.”
Jonathan groans.
“Of course you won’t, Eddie will do it for you.”
“Come on, please?”
“I think we’re a bit busy with the GiW at the moment,” Jonathan snaps. He pauses as he notices the crestfallen expression on Danny’s face.
This boy is going to be the death of him.
“Perhaps, though, when all that is taken care of…”
Danny cheers, grinning wildly, and Jonathan is not at all relieved to see him happy again. Certainly not.
The rest of the day is relatively normal.
Danny works on trying to get information from the GiW database while Crane refines his his fear toxin, both preparing for a raid on the GiW base they located in Gotham.
It was only a temporary base, nothing of note, but there was a chance of discovering more bases through it, and that wasn’t something either of them were willing to give up.
Still, something like this would take time. Rushing would only lead to failure.
Late in the night, long after Danny is fast asleep in his room, Jonathan pauses.
The GiW are not the only threat out there. They aren’t the only threat to him or to Danny. Perhaps it could be helpful to reach out to someone with greater resources than himself.
He sends a quick message to Red Hood.
Hopefully, he thinks, everything will go smoothly.
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2-guns-b1tch · 6 months ago
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Had to redraw this scene because Edward and Miss Tuesday literally have this vibe
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