#rip olivia

[riewiggles]

My Heart...

I just learned that Olivia the corgi passed away.

My heart hurts.

[poeticblogname]

the cycle has begun again, shock, anger, depression whatever. i will start at the beginning again, i will do this forever, but it will get easier over time.

[iiheartsai]

the olivia kill scene in s4 was actually ridiculous like what did she do to charlie to make him do ALL of that

[theunholyvirginemilyprentiss]

I feel like in Evolution, Paget Brewster has become to Criminal Minds what Mariska Hargitay is to Law & Order: SVU.

THEN…

2006/ 1999

NOW…

2024…

[madeleineengland]

RIP Olivia Hussey (17 april 1951 – 27 december 2024).

[stitchedspider]

[purebbyfawn]

parting is such sweet sorrow … ♡ rip olivia hussey

[noheteroexplanation]

Compilation post of the Rhaenicent Quotes in the House of the Dragon Season 2 Companion Book

The Companion Book discusses various aspects of the making of season 2, such as production, set design, costuming, writing and acting. In this post I will compile all the quotes that make reference to Rhaenicent. The quotes are below the cut.

Quotes on Rhaenicent in season 1

Expertly crafted, the first season breathed visceral life into an essential chapter in the history of Westeros by foregrounding the experiences of childhood friends turned reluctant adversaries Rhaenyra Targaryen and Alicent Hightower.

Hess was keen to explore the ways in which the patriarchy impacted the world of Westeros, and how circumstances conspired to drive an ever-greater wedge between the show's central protagonists, Rhaenyra and Alicent.

As the scripts came together, the two characters became the principal lens through which the episodes unfolded. Alicent and Viserys's marriage leaves Rhaenyra feeling betrayed, while Rhaenyra's brazen indifference to societal dictates infuriates Alicent.

Quote on Rhaenicent at the start of season 2

Both sides, too, appear largely determined to ignore the wisdom of the women in their midst. Despite having been crowned queen in an impromptu ceremony at Dragonstone, Rhaenyra struggles to fully assert her authority over the men who serve on her Black Council, many of whom simply wish for her to step aside so they might enact their own plans. At the Red Keep, Alicent, too, is ignored and dismissed by her sons and her father, who disregard her considerable political savvy and her years of experience serving on Viserys's Small Council.

Quotes on Rhaenyra and Alicent's arcs in season 2

For the writers, the characters' arcs were a means to continue their exploration of House of the Dragon's powerful central theme—that the patriarchy would rather destroy itself than see woman on the throne. "Rhaenyra is beginning to understand that even though she's the queen, it doesn't really matter," Hess says. "Because she's a woman, she's seen as a figurehead, not somebody who's actually in control. Alicent is realizing, Oh, I'm entirely disposable once the men are in charge. The season is about them coming to active reckoning with the patriarchy."

Adds Condal: "Alicent and Rhaenyra were doing much better in a time of peace and prosperity, when you could have more nuanced arguments about what power is and who should be in power. But once it becomes a real war, the men who trained their entire life for this expect to step up to the front of the table and say, 'Thank you very much, but this is what we're going to do now.'"

Quote on set design

In the second season, the young queen (Helaena) moves into Alicent's former chambers, while Alicent, now Queen Dowager, takes over Rhaenyra's former living quarters.

Quote on Rhaenyra and Mysaria that makes reference to Alicent

"Rhaenyra hasn't had a friend that she can be real with in a long time," Hess says.

Introduction to the Sept scene

"The Burning Mill" also afforded D'Arcy and Cooke a rare opportunity to work together, as the hour concludes with a confrontation between Rhaenyra and Alicent, one of only two scenes between the characters in the second season. The scene unfolds inside King's Landing's Grand Sept, where the Queen Dowager has gone to pray. Rhaenyra disguised as a septa, kneels next to her, and their tense exchange begins.

On writing the Sept scene

As he was writing the episode, Hancock, knowing the import of the sequence, worked in concert with Hess on the conversation in which the women finally express to one another their feelings of anger, suspicion, and resentment. "'It's not that either has betrayed the other,"' Hess says. "It's that all this stuff has happened that the men around them have facilitated, and now they don't know what to think about each other. There's this displaced fury, and they end up trying to fight it out with each other. That's often how women in high-powered positions are made to feel about each other—to be suspicious of each other and to struggle with one another over things that they should be [in agreement on]."

Input from Emma and Olivia on the Sept scene

During the period of rehearsals prior to the beginning of the shoot, D'Arcy and Cooke weighed in on the emotions their characters would likely be experiencing, and Hess made a point to reshape the sequence based on their feedback. "They both felt they could get more visceral and angrier," she says, "like, if they weren't who they were and in a sept, they would be punching each other."

The importance of the Sept for Rhaenicent

Setting the meeting inside the Grand Sept gave the scenes additional weight, as the characters had been present in the space together only once before: In the first season, a teenage Alicent brings her best friend there to help her process her grief over her mother's death.

Rhaenyra's point of view on the Sept scene

The fact that Rhaenyra makes the trip to the capital at all is a dangerous gamble, "It's quite a chaotic choice," says D'Arcy. "There's some slight irrational thinking going on and maybe a little bit of self-destructive tendency as well. I have this sense that part of her wants forgiveness. I think she also wants to look the person who's caused her such pain in the face and to declare it. I really loved that scene because while trying to negotiate as an adult on behalf of the kingdom, you also watch two children try to reconcile so much painful feeling."

Alicent's point of view on the Sept scene

Cooke played the scene as though Alicent still feels a deep and abiding love for her childhood best friend, despite all the pain and tragedy they've both experienced. "They grew up pretty much as sisters, and that is hard to break," Cooke says. "I think they both can tell when the other is lying or postulating. This feels like a complete breakdown of any pretense. They are showing each other their most honest and vulnerable side. They have this back-and-forth about what Viserys's intentions were and this discovery of what he wanted."

Aftermath of the Sept scene for Rhaenyra and Alicent

Each woman leaves the encounter in the Grand Sept fundamentally changed. Rhaenyra arrives harboring doubts that Viserys had indeed wished for his son, Aegon, to follow him onto the Iron Throne. But hearing Alicent allude to the prophecy of the Prince That Was Promised she feels newfound surety about the path forward. "For the first time, she has to choose it for herself," D'Arcy says of Rhaenyra's destiny. "Suddenly, there's this decision to kill the possibility that anyone else truly has the heirdom, and that causes her to reckon finally with going to war. She chooses her title. She doesn't just inherit it."

Alicent, meanwhile, is confused and confounded to discover that Viserys might have been referring to Aegon the Conqueror as he drew his last breath. "This throws Alicent's world into complete chaos," Cooke says. "She's been so solid in what she heard. That story, and what she's told herself, has given her such strength, even in the eyes of people that think she's completely out for her own gain."

Quote from Olivia on shooting scenes with Emma

During the shoot, Cooke found herself wishing she and D'Arcy could perform together more often, "It was great working with Emma," Cooke says. "lt's too few and far between [our scenes]. I get stolen snippets with them, but it's always so wonderful and juicy."

Rhaenicent parallel storylines in episode 2x05

As Alicent is undermined in the Red Keep, Rhaenyra is faring little better on Dragonstone.

Alicent's decision at the Lake to go to Dragonstone

"Alicent has lost pretty much everything—any power, any legitimacy that she held—and war is afoot," Cooke says. "I genuinely don't think she believes that [the Greens] can win, and I think she believes that they shouldn't win. She wholeheartedly believes that she got it wrong. Her need to escape King's Landing is to get some clarity on the situation and try to figure out what she needs to do."

Quote on the Dragonstone meeting

In the episode's final moments, Rhaenyra has a second fateful encounter: She returns to Dragonstone and, to her surprise, finds Alicent proposing an arrangement by which the Blacks could take the throne with minimal bloodshed. Set inside the Valyrian scroll library in Dragonstone, the sequence finds Alicent advising Rhaenyra that Aemond will leave the Red Keep to join Cole in the Riverlands on the march to Harrenhal. At that point, Helaena as Queen Regent could command the guards to lay down their arms, allowing Rhaenyra to take the castle. In return, Alicent asks that Rhaenyra allow her to live out her days with Helaena in the countryside. Aegon will need to be executed, Alicent acknowledges, but she believes his sacrifice is necessary to avoid war.

Alicent's decision to petition Rhaenyra

"It's massive that Alicent travels to Rhaenyra," Cooke says. "It's treason. If Aemond found out that she'd gone, [her] head [would be] on a spike. But it's to petition the friendship that she and Rhaenyra once had. It's to look Rhaenyra in the eye and be like, 'I'm not lying. This is me as my rawest self. This is me shedding whatever power or queenly status I had. It's yours. I was wrong. I don't want anything to do with it. I'm done. I'm tired, I'm so exhausted. Let me and Helaena go off and live in the countryside with a couple of chickens and a cow."

Ryan Condal on the decision to end the season on the Dragonstone meeting

For Condal, bringing Rhaenyra and Alicent together one last time was an ideal way to conclude the season, to remind viewers of the women's role in the narrative and their inextricable links to each other.

On Rhaenyra and Alicent's contrasting character arcs in season 2

"You have two characters who have these wildly divergent arcs [and they] come back around at the end to again find themselves on one another's doorstep," Condal says. "Rhaenyra has seen this meteoric ascent over the course of the season. She's gone from somewhat of a beggar queen, who is crowned on a hill, to a leader of an army of dragons and of men. Alicent began the season having put her blood on the throne, the thing that she sacrificed her youth and body to do. But she comes to a place where she is now looking at the cost of the choices that she's made and wondering what it was all for. She's realizing that neither of her sons is suited to rule the realm, and she wants to stop the spinning wheel that is the game of thrones."

On the filming of the Dragonstone meeting

Two days near the end of the production schedule were set aside to film the weighty scene, so that D'Arcy and Cooke would have enough time to thoroughly explore how their characters might react to such an unexpected turn of events. "The way we prepared for it was, they both came to the scene without a rehearsal so that they would be able to start fresh and feel things in the moment," Patel says.

On Alicent's choice to sacrifice Aegon

The trio agreed that for the scene to work, the audience would need to truly understand Alicent's motivations for risking so much in reaching out to Rhaenyra. "Alicent found herself in Episode 7, and who she found is someone who is honorable," Patel says. "Her honor lies in being responsible for her actions, and she knew that she had misunderstood Viserys on his deathbed, and because of that Aegon was now king. She needed to set the record straight and do the right thing."

On Alicent's love for her son Aegon

They also set about finding ways to convey that despite how deeply disappointed Alicent is in Aegon, how turbulent their relationship has been, deep down, she still loves him. Thus, the idea of offering his life to Rhaenyra was unimaginably fraught. "The entire season was going to end on this hinge, so for that to be effective, we needed to believe that she loved her son and that it was truly high stakes," Patel says, "It was important to feel that unconditional love of a mother that is hard to describe."

The aftermath of Alicent's choice in season 3

"The entire season finale hangs on the cliff of Alicent telling Rhaenyra, 'I'm going to give you son for a son,'" Patel adds. "But what she doesn't realize is that the son she has promised has escaped."

Hints for Rhaenicent in season 3

Amid the beautifully realized fantasy trappings, the family drama—grounded in themes of love, loyalty, and betrayal—remained the central focus, with Rhaenyra and Alicent continuing to serve as the fulcrum of the narrative. "They still have quite a bit to learn about who they are as people, and how far they're willing to go for their goals, whether those are personal goals or familial goals in either pursuing the throne and ambition, or protecting their blood," says showrunner Ryan J. Condal. "They both realize, certainly, that they are living through a historical period in this world."

Miscellaneous:

Picture descriptions

Olivia Cooke (left) and Emma D'Arcy filming Alicent and Rhaenyra's confrontation. (2x03)

A suspicious Rhaenyra (D'Arcy) greets her estranged best friend (Cooke). (2x08)

A quote from Sara Hess comparing Rhaenyra and Alicent to Sharako Lohar

"She's operating outside the system. Rhaenyra and Alicent are so much struggling with the patriarchy, it was super refreshing to have a woman who's like, Fuck everything."

[laynefaire]

Found on Facebook -

"When an artist leaves this world, an irreplaceable silence follows….echoing in the hearts of people around the world. There's this indescribable power in music, a magic formed by the hands and the voices of those who create it. But….it's not just about the music. It is something that touches our soul and helps mend the pieces of our broken hearts, fixing our wounds with their music.

These artists that we cherish aren't just people on a stage or voices behind a record…..they are our companions in the most intimate parts of our lives.

It’s a connection. It is genuine, deep, and it’s alive with appreciation. Through their music, these artists serve as muses, storytellers, and healers. They give us pieces of themselves with their lyrics. In their vulnerability, we find strength. In their honesty, we see truth. And through their art, we meet them.

When an artist leaves us, it isn't just their silence we hear, it's the quiet mourning of millions who knew them not through words exchanged directly, but through the timeless conversations held in the symphonies of their art.

To grieve an artist is to grieve a part of ourselves….a part that felt seen, known, and understood through the gift of their vulnerability.

In grieving, there grows an understanding that their legacy isn't finished. It lives on every time a note is played, a song is hummed, or a lyric is quoted. This lasting presence exists in every heart they once touched, speaking to us long after their voice has fallen silent.

Embrace the sorrow that you feel. In doing so, we honor their legacy. The immortal gift of music that will forever be with us. Each time we press play, we restore a piece of them and a piece of us.

They may have left the stage, but their melody will live on forever.

🤍🕊️In memory of Liam Payne, 1993-2024🕊️ 🤍"

-Olivia Johnson

Your Favorite Neighborhood Swiftie

[knopartt]

current party on my osaa playthrough. not doing very good here yk (abella is ALSO missing a leg btw but shes grounded for having low hp at the bar.)

[axl-awesome]

more goobie woobies WHEEE

[transvampireboyfriend]

it bothers me to no end how from the moment the rumour gets out everyone just assumes pen asked for colin's help when he literally offered it, it was HIS idea. but also i think it makes for a great opportunity to show how being whistledown influences pen too, in the carriage she said "when i asked for your help" but she never did, but she did write it that way, because she knew that's what the ton would think. the way she shapes society but within its boundaries and the way she is tired of the status quo but is responsible for maintaining it, it's like she puts herself in whistledown but whsitledown bleeds into her. one of the characters of all time

[caharaism]

i made some termina picmix gifs because they're my favourite thing ever (i had too much fun making these)

[theunholyvirginemilyprentiss]

I’m sorry, MARISKA? As in DETECTIVE OLIVIA BENSON? Paget, babe, I can’t take any more.

She gets it, and I’m having a proud moment. *Wipes away tear.*

*btw Paget is a real person please do not be one of those people who insists she’s gay over the internet/ pressuring her to come out, her sexuality has nothing to do with you. I just like that she is so understanding toward the LGBTQIA+ community. Thanks for coming to my TED talk xx.

[madeleineengland]

Ave, maris stella,

Dei mater alma,

atque semper virgo,

Felix cæli porta.

~

Hail, star of the sea,

Nurturing Mother of God,

And ever Virgin

Happy gate of Heaven.

-JULIET'S FUNERAL (ROMEO AND JULIET 1968)

[broken-from-memories]

when taylor swift said ‘who could ever leave me, darling? but who could stay?’ and when phoebe bridgers said ‘i get this feeling whenever i feel good that it'll be the last time’ and when lorde said ‘they say, you're a little much for me, you're a liability’ and when maisie peters said ‘got the news just last month that i am exhausting and you're not in love’ and when gracie abrams said ‘every time i get too close, i just mess it up’ and when lizzy mcalpine said ‘how do i tell you that i don't know what it means to be happy with somebody?’ and when boygenius said ‘i don't know why i am the way i am’ and