#richard moser

[white-queen-lacus]

Just watching the first episodes of Kommissar Rex (the 90s series) where there was my first detective love, inspector Richard Moser, whose Italian voice is the same as Kougami! 💖💖

[thawne1942]

Brian & Richard EDIT

[lifeis-strangemercy]

A recent visit of the Leopold museum in vienna, some of my favorite pieces and views 🫶

[mannekenpressprints]

Manneken Press at EXPO Chicago 2023

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[coffeenewstom]

Das einzig wahre Münchner Frühstück

Das ist natürlich eine Glaubensfrage und noch wichtiger als das Bekenntnis zum richtigen Fußballverein, also FC Bayern oder 1860 München, die Frage nach der besten Weißwurst der Stadt! Bei den Metzgereien liegt Magnus Bauch in der Thalkirchner Straße deutlich vorn, obwohl man beim Schäbitz in der Metzgerzeile am Viktualienmarkt auch mal frische Kesselwürscht ergattern kann. Einigkeit herrscht…

[rbolick]

Books On Books Collection - Annie Cicale

Patterned Alphabet (2013) Patterned Alphabet  (2013)Annie CicaleSewn, casebound leporello. H104 x W104 mm. 34 panels. Edition of 41, of which this 26. Artist 4 July 2023.Photos: Books On Books Collection. Patterned Alphabet could well have been entitled Textured Alphabet. The number of different textures almost equals that of the patterns. It is the textures’ interaction with each other as well…

[marimayscarlett]

17 years of "Emigrate" 💿🎶

Today, Richard's first Emigrate album with the title "Emigrate" was published 17 years ago on the 31st of August, 2007. Additional release dates were the 29th of January, 2008 for the US and the 2nd of February, 2008 for Australia.

Recordings for the album took place in Germany, the USA and Denmark, mainly at the Studio Engine 55 in Berlin and New York. Singing and guitar were done by Richard, Arnaud Giroux played bass and Henka Johansson played drums, Olsen Involtini contributed additional guitar sounds and Sascha Moser, the former drummer of Orgasm Death Gimmick, took care of Logic and Pro Tools. Same as several Rammstein albums, this album was produced by Jacob Hellner.

Before the album was released, and even before the promotional CDs were manufactured, the band held a vote on their website. Fans were able to choose which song they wanted to hear in its entirety, after the release of Wake Up. The vote was won by Babe. After that a promotional snippet CD was released, which included both songs in full, but both songs were slightly different versions from the ones later released on the album.

When the CD was released, several promotional sheets were included, among them an interview with Richard. Here he answered question as himself as well as his alter ego "Emigrate", both knew each other for a while and could work well together as they had similar styles and were interested in each other's work. A bit of a peculiar concept, but kind of endearing. The sheets are in german, here is an english translation of this interview.

Here you can see the standard edition inlay, the CD design as well as the alternative cover:

In this interview from one day before the release, Richard explains what kind of meaning the name "Emigrate" has for him and how he came up with it:

Interviewer: And behind this term EMIGRATE, what is the emotional meaning behind it? We know that you chose this name because you went to New York, but...?

Richard: I am someone who wants to be extremely independent. So this project is an emotional release for me. You're constantly faced with fears in your life, and I think there was a certain person waiting inside of me who also wanted to lead her own project, wanted to sing - basically just wanted to be the center of attention. To actually do that in the end, or not to do it, to have to do it, to deal with the public and so on, that certainly has something to do with fear. People always talk a lot, but often don't realize their ideas because they're simply afraid they won't be able to hold their own in the end. I'm glad that I did it.

Interview: Was the name EMIGRATE your preferred name from the beginning or did you also have other name ideas?

Richard: I think names come to you at some point. Searching doesn't help much. At some point I found a piece of paper on the street in New York with “EMIGRATE” written on it. Somehow I thought this word basically described my current state, not only physically but also mentally. Emigrating from my home country, emigrating from the band RAMMSTEIN...it all made sense somehow.

Emigrate entered the German album charts on September 14, 2007 at number 8 and in the following weeks it reached positions 28 and 50, remaining in the Top 100 for a total of five weeks. The song "My world" appeared on the Resident Evil: Extinction - Original Motion Picture Soundtrack.

Two songs were released as singles: "New York City" on the 12th of October, 2007, and "Temptation" on the 7th of March, 2008.

Little personal addition, since this is my favourite Emigrate album and one of my favourite albums ever - here are my three favourite songs from it:

Sources: 1 2 3 4

[anotherdayinbliss]

Koloman Moser, Ver Sacrum cover, February 1898

Ver Sacrum (meaning "Sacred Spring" in Latin) was the official magazine of the Vienna Secession. Founded by Gustav Klimt and Max Kurzweil, it was published from 1898 to 1903, featuring drawings and designs in the Secession style along with literary contributions from distinguished writers from across Europe. These included Rainer Maria Rilke, Hugo von Hofmannsthal, Maurice Maeterlinck, Knut Hamsun, Otto Julius Bierbaum, Richard Dehmel, Ricarda Huch, Conrad Ferdinand Meyer, Josef Maria Auchentaller and Arno Holz.

[fashionbooksmilano]

Versacrum

The Vienna Secession Art Magazine 1898-1903

Gustav Kilmt, Koloman Moser, Otto Wagner, Alfred Roller, Max Kurzwell, Joseph M.Olbrich, Josef Hoffmann

Valerio Terraroli

Skira, Milano 2018, 224 pagine, 28,5x29,5cm, ISBN 978-88-572-3876-0

euro 40,00

email if you want to buy booksinprogressmilano@yahoo.it

This book gathers the covers of Ver Sacrum, the official magazine of the Vienna Secession, which ran from 1898 to 1903. Published for the 120th anniversary of this historic magazine, it reproduces all 120 regular issues―plus some special, limited-edition covers―in 1:1 scale, alongside a selection of block prints, lithographs and copper engravings.

Ver Sacrum (meaning "Sacred Spring" in Latin) was conceived by Gustav Klimt, Max Kurzweil and Ludwig Hevesi. During its six years of activity, 471 original drawings were made specifically for the magazine, along with 55 lithographs and copper engravings and 216 block prints, by artists such as Gustav Klimt, Egon Schiele, Koloman Moser, Otto Wagner, Max Fabiani, Joseph Maria Olbrich and Josef Hoffmann. Writers such as Rainer Maria Rilke, Hugo von Hofmannsthal, Maurice Maeterlinck, Knut Hamsun, Otto Julius Bierbaum, Richard Dehmel, Ricarda Huch, Conrad Ferdinand Meyer and Arno Holz were published in its pages.

Ver Sacrum reveals the tremendous originality of the Jugendstil language, a cornerstone of modernity that elaborated new forms of design, illustration and print/editorial composition.

31/10/24

[simena]

Richard Moser

[dailyanarchistposts]

Footnotes, 51-100

[50] Martin Crutsinger, “United States Cites China and Other Nations in Report on Unfair Trade Practices,” Associated Press, March 31, 2006.

[51] Dale Maharidge, “Rust and Rage in the Heartland,” Nation, September 20, 2004, www.thenation.com.

[52] Pam Belluck, “To Avoid Divorce, Move to Massachusetts,” New York Times, November 14, 2004, as quoted in Michelle Goldberg, Kingdom Coming, 67.

[53] By 2010, according to the Center on Budget and Policy Priorities, if the proposed federal cuts remain in place, elementary and secondary education funding will be cut by $11.5 billion, or 12 percent; 670,000 fewer women and children will receive assistance through the Women, Infants and Children Supplemental Nutrition Program; 120,000 fewer children will be served through Head Start; and 370,000 fewer low-income families, elderly people and people with disabilities will receive rental assistance with rental vouchers. See Sharon Parrott, Jim Horney, Isaac Shapiro, Ruth Carlitz, Bradley Hardy, and David Kamin, “Where Would the Cuts Be Made under the President’s Budget?: An Analysis of Reductions in Education, Human Services, Environment, and Community Development Programs,” Center on Budget and Policy Priorities, February 28, 2005, www.cbpp.org.

[54] Dale Maharidge, “Rust and Rage.”

[55] Arlie Hochschild, “The Chauffeur’s Dilemma,” American Prospect 16: 7 (July 2005), 53.

[56] Ibid.

[57] Dietrich Bonhoeffer, Life Together: The Classic Exploration of Faith in Community (New York: HarperCollins, 1954), 330.

[58] D. James Kennedy, Evangelism Explosion, 4th ed. (Wheaton, IL: Tyndale House, 1996), 59.

[59] Ibid.

[60] Ibid., 60.

[61] Ibid., 137.

[62] Ibid., 2.

[63] Ibid., 139.

[64] Ibid., 103.

[65] Ibid., 22.

[66] Margaret Thaler Singer, Cults in Our Midst: The Continuing Fight Against Their Hidden Menace (San Francisco: Jossey-Bass, 2003), 114.

[67] Robert Jay Lifton, cited in Denise Winn, The Manipulated Mind (Cambridge, MA: Malor Books, 2000), 21.

[68] William James, The Varieties of Religious Experience (Mineola, NY: Dover, 2002), 187.

[69] “Staff Biography: ��Dr. James Kennedy,’” Center for Reclaiming America for Christ, www.reclaimamerica Us.aspx?pg=djk.

[70] “Dr. Kennedy’s Profile,” The Kennedy Commentary, www.kennedycommentary.org; Truths That Transform, Coral Ridge Ministries, www.truthsthattransform. org/ITT.asp?page=about; “About the Coral Ridge Hour,” The Coral Ridge Hour, www.coralridgehour.org page=crh.

[71] Terry Gross, “Closing the Gap Between Church and State,” Fresh Air from WHYY, May 18, 2005.

[72] Ibid.

[73] Bob Moser, “The Crusaders,” Rolling Stone, April 7, 2005, www.rollingstone.com =1140382586732&has-player=false.

[74] Ibid.

[75] Ashley Fantz, “Cross Purposes: The Rev. D. James Kennedy Teaches That Homosexuality Is a Sin. Richard Murphy Loves Him Anyway,” Broward–Palm Beach New Times, May 2, 2002.

[76] Worthy Creations, www.worthycreations.org.

[77] Rob Boston, “D. James Kennedy: Who Is He and What Does He Want?” Americans United for Separation of Church and State, www.au.org.

[78] Kennedy, Evangelism Explosion, 72.

[79] Ibid.

[80] Ibid., 73.

[81] Ibid., 84.

[82] Ibid., 42.

[83] Ibid.

[84] Paul Tillich, “You Are Accepted,” in The Shaking of the Foundations (New York: Charles Scribner’s Sons, 1948), 155.

[85] Kennedy, Evangelism Explosion, 48.

[86] D. James Kennedy and Jerry Newcombe, The Gates of Hell Shall Not Prevail (Nashville, TN: Thomas Nelson, 1996), 135.

[87] “Aggregated Grants to Coral Ridge Ministries, Coral Ridge Presbyterian Church and Evangelism Explosion” (grants cover January 1998 to February 2004), Media Transparency, www.mediatransparency.org.

[88] Klaus Theweleit, Male Fantasies (Minneapolis, MN: University of Minnesota Press, 1987), 1:218.

[89] Francis FitzGerald, “A Disciplined, Charging Army,” New Yorker, May 18, 1981, 53, quoted in Robert Smart, “The Passion of the Christ: Reflections on Mel’s Monstrous Messiah Movie and the Culture Wars,” Jump Cut 47 (Winter 2005), www.ejumpcut.org.

[90] Karen McCarthy Brown, “Fundamentalism and the Control of Women,” in Fundamentalism and Gender, ed. John Stratton Hawley (New York: Oxford University Press, 1994), 176.

[91] Ibid., 182–183.

[92] “Dobson’s Choice: Religious Right Leader Becomes Political Power Broker,” People for the American Way Foundation, February 24, 2005, www.pfaw.

[93] James Dobson, Dare to Discipline (New York: Bantam, 1977), 23.

[94] “Dobson’s Choice.”

[95] “Right Wing Organizations: Focus on the Family,” People for the American Way Foundation, www.pfaw#.

[96] “Dobson’s Choice.”

[97] James Dobson, “The Gender Gap,” Focus on the Family, www.family.org.

[98] Mark Edmundson, “Freud and the Fundamentalist Urge,” New York Times, April 30, 2006.

[99] Ibid.

[100] Susan Friend Harding, The Book of Jerry Falwell: Fundamentalist Language and Politics (Princeton, NJ: Princeton University Press, 2000), 176.

[maaarine]

MBTI typing: past Nobel Prize & Fields Medal laureates

medicine

(INFP) May-Britt Moser

(INTP) Katalin Karikó

physics

(INTP) Albert Einstein

(ENTP) Richard Feynman

(ENTJ) Donna Strickland

chemistry

(INTP) Demis Hassabis

(ENTJ) Frances Arnold

economics

(INTP) Esther Duflo

(ENTP) Miton Friedman

literature

(INFJ) Louise Glück

(INFJ) Kazuo Ishiguro

(INTJ) Albert Camus

(INTP) Jean-Paul Sartre

(ENTP) Bertrand Russell

peace

(INFJ) Elie Wiesel

(ENTJ) Barack Obama

(ISTJ) Henry Kissinger

mathematics (Fields Medal)

(INTP) Terence Tao

(INTP) Cédric Villani

[mannekenpressprints]

Manneken Press at EXPO Chicago 2024

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[alicepao13]

Rating the Kommissar Rex/Il Commissario Rex/Hudson and Rex human partners for funsies, in chronological order. Contains spoilers, some bias, and opinions based on superficial characteristics. I will take the blame for any distorted memories I have of the shows, although I did a full rewatch last summer. (Rewatch refers to Kommissar Rex and Hudson and Rex. I could only watch Il Commissario Rex once. Well, 0.75 times. I couldn’t find some of the episodes.)

Kommissar Rex

Richard Moser: The blueprint. Not necessarily the best one in my opinion (although if you ask kid me, yes), but they modeled at least two other characters after him in the reboots. Pretty nice (although a product of his time), street smart, recently divorced, and the first few episodes where he and Rex are getting used to living together are hilarious. Moser’s dry humor was good too, also his whump scenes where great. And I appreciated the nude scenes a lot (thanks, German tv of the 90s). 8/10

Alex Brandtner: The hot one. Also, more of a “new age” cop (new age here means post 90s, don’t get confused). Kid me didn’t appreciate the hotness but I watched it in my teen years, and oh boy. And the action scenes, while sometimes ridiculous and making you wonder why???, really showed the actor’s training in physical scenes too. I always liked the way Brandtner immediately bonded with Rex and then we learn of the tragedy with his own dog. Too bad his love life was even more non-existent than Moser’s. 9/10

Marc Hoffmann: I’ll be honest, I just didn’t care for him for the most part, but I did like the fact that for the first time there was a ship with him and Nikki. They went for a different style with this one and it shows. Marc is less type A than the previous two, not a bad thing, but by that point, it was clear that Kommissar Rex as a show was nearing its end and I think it sometimes showed. 7/10

-----

Il Commissario Rex (At this point, let me just say that I don’t associate the two shows with each other. And whoever has watched both, would probably agree with me. It hardly matters that the Italian show starts as a spinoff.)

Lorenzo Fabbri: Ugh, I don’t know what it is with this guy but I didn’t like him much. His style was a lot like Moser at first (adopting Rex, saving him from a miserable fate, learning to live with him, etc.). I absolutely hated the storyline with the forensics scientist throwing herself at him every chance she got and him trying to avoid her instead of flat out telling her he’s not interested, and then at some point they slept together??? Anyway, did not like. 6/10

Davide Rivera: I liked that guy but sadly we didn’t have that many episodes with him. He could have had more to offer as a character. More quiet than the sometimes too loud Lorenzo, and took some time to warm up to Rex if I recall. I liked that he took no flack from his boss (Sidenote: the boss didn’t like Rex at first and kept wanting to get rid of him, and I wanted to rip him to shreds). 7/10

Marco Terzani: I literally found one season of his episodes, so I’ll reserve judgment (if anyone has his second and third season, please give it to me lol or point to the right direction). He seems kinda reckless? He’s definitely attractive. ?/10, more research needed.

----

Hudson and Rex

Charlie Hudson: Started off as kind of mediocre for me, then he made me change my mind. When I started watching, I was hellbent on comparing every single thing of this show to the characters of the original at first, so I’m partially to blame for my initial perception of him. However, I won’t blame myself for the bad writing, pacing, and overall mediocrity of S1 that contributed to a big part of it. Anyway, they used some of Moser’s backstory (divorced, adopts Rex after his K-9 partner tragically dies) and expanded on it. Charlie has had the most development as a character than any of the others, which makes sense since he’s the first of Rex’s partners to live that long or not get rebooted lol. He definitely gets bonus points for having a love life too. And for not dying, despite all the whump situations he gets himself into. Definitely falls under the reckless category too. 70% himbo, 100% whump magnet. 9/10

[madamesmoke]

Before even hearing about NCIS or Law and Order, I grew up on german and austrian crime procedurals, and one of my favorites was no other than "Kommissar Rex." Especially the 90's version starring Tobias Moretti.

It follows the homicide inspector Richard Moser and his loyal companion, the titular Rex, a German shepherd. They solve homicide cases in Vienna.

The following picture is from circa 1994.

[kwebtv]

From the Golden Age of Television

Series Premiere

Medic - White is the Color - NBC - September 13, 1954

Medical Drama

Running Time: 30 minutes

Written by James E. Moser

Produced by Worthington Miner

Directed by Bernard Girard

Stars:

Richard Boone as Dr. Konrad Styner / Host-Narrator

Beverly Garland as Estelle Collins

Lee Marvin as Larry Collins

Jeff York as Dr. George Fletcher

Lillian Buyeff as Miss Mitchell

Mary Stewart as Nurse Marie

With:

Charles B. Chambers, M.D.

Norman Rothenberg, M.D.

Raymond Dwyer, M.D.

Julia McGill, R.N.

Gloria Negri, R.N.

Sandra Blumberg, R.N.