#review Tokyo in April is...

[absolutebl]

This Week In BL - I’m pleased with what’s airing, but conflicted about what’s ended & getting started

Aug 2023 Wk 1

Being a highly subjective assessment of one tiny corner of the interwebs. Organized by which ones (in each category) I’m enjoying most.

Ongoing Series - Thai

Laws of Attraction (Sat iQIYI) 4 of 8 - Omg the way the bodyguard (handler?) looks at the rich kid. Gah. I see why @heretherebedork​ loves these 2. But I really hate him (not the handler, the kid). Fun fight scene. I love lawyer babygirl SO MUCH. HE WILL BE MY 2023 FAV CHARACTER. I’M CALLING IT. This ep, Srs? You’re killing me. Suits! Pussycat bows! And then... The Public Claiming!!!!! One of my favorite tropes! And openly flirting? Boys. I’m getting spoiled. Wait… is that…? NO SINGING. Ah well, Thai BL giveth and Thai BL taketh away. 

Hidden Agenda that isn’t hidden (Sun GMMTV YouTube) ep 4 of 10 - I like the script for this. It feels like the conversations they have are very honest to a uni experience. It’s comfortable and breezy. I did not expect the kiss. Bit early in the arc. There is either going to be a lot of backend drama, or a long domestic honeymoon period. (Bet you can guess which one I vote for.) 

Low Frequency (Sat iQIYI) ep 5 of 8 - It’s moving along in a Ghost Host kinda way (minus the killer chemistry). I’m not mad about it, I don’t think I'll remember it tho. 

Be Mine Super Star (Mon Viki) ep 5 of 12 - My ambivalent relationship with this drama continues. Cohabitation trope. Punn is basically a huge puppy trying to spoil/cuddle/fuck his pretty kitty prince. It is what it is. Meanwhile, I just want more of Big Daddy & the Hot Doc. (Also the name of my burlesque show.) Why does Kevin have more chemistry with Ashi in a 1 min long scene than Punn has had… ever? Is this nascent bad boy effect or nascent 2nd lead syndrome I’m feeling? (Meanwhile Ben! Hi! Long time no see!) 

Be My Favorite (Fri YouTube) ep 11 of 12 - Whatever. Trash(ish) watch here. 

Dinosaur Love (Sun iQIYI) ep 6 of 8 eps - Aw pretty baby is unhappy his bf got injured. But also very blushing maiden. This is profoundly NOT GOOD. 

Wedding Plan (Weds YT & iQIYI) ep 3 of 7 - I have decided that Lom’s theme song is BigBang’s Monster. Listen. You’ll see what I mean. Also BigBang = also very problematic but banging. What I’m saying is, I wanna punch Lom so bad, I went slightly bonkers. Water sports are addressed. A trash watch is happening!

Ongoing Series - Not Thai

Jun & Jun (Korea Thurs Viki) 3 of 8 - How DARE they make me love this show so much? I feel personally attacked. The smell thing! Gah. The way they automatically go informal in private. The flirting. The language. The suits, the EVERYTHING. It’s embarrassing how much I rewatch the final bits of each ep. 

Stay By My Side (Taiwan Fri Gaga) 6 of 10 eps - I adore this ridiculous show. (I just realized that the actor playing Jiang Chi played Ray’s evil 2-timing bf in About Youth). Baby boy is quite clueless. Sweet dreams tho. I love them both so much. The washing his jersey scene was so fucking cute. Couple’s numbers, couple’s keychains, bridal towel, kisses. Thank you Taiwan for NOT activating blushing maiden. However, confident gay/confused bisexual is a go. And we got us some justifiable angst. Sigh. I’m so happy. 

Sing My Crush AKA Follow The Wind (Korea Weds iQIYI) 1-2 of 8 eps - supposed to have released in the first half of 2022 this is a adaption of Myung’s webtoon, from the director of My Sweet Dear, and Love Tractor’s production house, basically Korea does About Youth. It’s sweet (the singing bits are easy to skip) and very much a story of young first love but less stiff than KBL’s usual high school fare (kinda Taiwan feeling). I like it but that very imprecision in production makes me concerned for an HEA, especially with such a low MDL rating. 

Tokyo in April is... AKA Shigatsu no Tokyo wa (Japan Fri Gaga) ep 8fin  - Rough final episode, but it does end happily. Fortunately, I had some warning for my personal triggers, but this is Japan and they did go dark. Full review below. 

Minato's Laundromat Season 2 AKA Minato Shouji Coin Laundry Season 2 (Japan Thu Gaga) 5 of 12 eps - Shin is so cute and proud and boldly out. I love him. Movement in the relationship with both couples, even if it’s movement into arguments and misunderstanding. I suppose we got 12 eps they need to do... something.  

Stay Still (Hong Kong Tues YouTube) 1 of 5 eps - It’s confusing. And… not good? Some flashbacks some present day? 

It’s airing but ...

Stay With Me ... NO I WILL NOT! And you can’t make me.

Review: Tokyo in April is... AKA Shigatsu no Tokyo wa

I had to chew on this for a while but here’s where I ended up. 

Two young men with a shared tragic past reunite and fall in love all over again, but the past will not stop hunting them. Based on a manga, this office set reunion romance is GREAT… damn it. It’s Japan in full on soft focus which means it gets emo, abusive, and chewy. These two characters are giving parts of their souls away in a desperate attempt to shape themselves to the expectations they have of each other. 

Japan gave us the Bed Friends that Thailand could never even imagine. But here’s the thing: I don’t enjoy my BL this heavy and cutting. I know that for The 8th Sense crowd this is peak BL and I can’t argue with the fact that the romantic devotion, domesticity, script, and acting IS all on point. It’s just not my personal preference for that point to be so damn sharp. I appreciate that this being 2023 I have the luxury of consistent quality (especially from Japan) and thus the ability to say… 

I acknowledge that this SHOULD get a 9/10 but I can’t emotionally go higher than 8/10 

RECOMMENDED BUT KNOW WHAT KIND OF BL THIS IS AND TRIGGER WARNINGS LIKE CRAZY 

Japan = sticking to its lanes like their BL is on rails. 

Next Week Looks Like This:

Starting: 

8/11 Love Class Season 2 (Korea Fri Viki) 10 eps 

8/12 My Personal Weatherman AKA Taikan Yoho (Japan Sat Gaga) 8 eps 

Still Coming August 2023

8/19 Love in Translation (Thai Sat One31) ? eps - Two strangers start working in a cafe together.

8/19 I Feel You Linger in the Air (Thai Sat Gaga) 12 eps - The time travel historical romance many of us have been waiting for. 

8/20 My Universe series (Thai Sun iQIYI) 24 episodes - This is sampler pack BL, 12 pairs, each pair gets 2 eps, not sure on the order they’ll drop. Known couples include EarthBank from Destiny Seeker and KaownahTurbo from Love Stage!!!, mostly fresh faces otherwise. Jane to direct several.

8/22 Kisseki: Dear to Me formerly known as Miracle (Taiwan Tues ????) 13 eps - From screenwriter Lin Pei Yu (We Best Love, H3: Trapped) features a student doctor forced to take care of a gangster. I love the premise and like the writer, Viki or Gaga will get this one.  

8/24 Man Suang (Thailand movie, domestic cinema release) - historical drama about Thai burlesque with KP’s MileApo. Tong is in this one too?

8/? Why R U? (Korean remake) is supposed to be out this month, filming started in sept 22. I find everything about this hilarious. I mean if Korea remakes it, we lose all the sexy and then... would we have a story at all? No we would not. Not even for six short eps. It’d be like one of those mesh shopping bags.

Oh yeah, Only Friends is coming. 

2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED)

THIS WEEK’S BEST MOMENTS

Hidden Agenda. I love them. 

Public claiming with the waist grab maneuver! A true hero. 

But I think we can all agree that THIS is the hero all love triangles deserve. (both Laws) 

(Last week) 

[bengiyo]

We are headed into our final Drama Shower show of the season. How do you rank the shows we got this season and how are you feeling about the direction of the project?

What is Drama Shower and Why Does It Matter?

Before we get into rating these shows, I want to do a breakdown of what this is. To give you a sense of how big a deal Drama Shower is, fans are regularly updating a Wikipedia page for it with relevant links to follow the project. Also, there is a dedicated MDL page for it.

Drama Shower is a dedicated half-hour programming block on MBS, a Japanese broadcaster that is over 70 years old, in conjunction with Kadokawa, a Japanese publisher and holding group, that plays BL content at 1:30 am on Fridays. The project's main producer is Kaoru Azuma, who is a self-described long-time BL fan. He wants to show that BL can do a variety of stories in genre, and has recently stated that he wants to produce original content through the project as well.

We originally had six shows air through year one: Mr. Unlucky Has No Choice But to Kiss!, Senpai, This Can't Be Love!, Takara-kun to Amagi-kun, Eternal Yesterday, Candy Color Paradox, and Jack o' Frost.

I originally reviewed these shows as overall a mixed bag, but showing great promise. I liked that they got more comfortable with depictions of m/m intimacy over time. I thought Mr. Unlucky was legitimately funny (9), Senpai never found its footing (6), Takara and Amagi mildly squandered their premise (8), Eternal Yesterday was extremely poignant (10), Candy Color Paradox had ambitions that exceeded its talent pool (7), and Jack o' Frost was a really strong finish (9.5).

MBS seemed to enjoy the performance of this project enough to continue it for another year.

For me, I think it's very significant to give BL itself a time slot to see how audiences are responding to BL as a concept compared to the pitch of individual shows. I'm really encouraged by MBS doing this. Even if you don't care about the name MBS, you have interacted with their content, because they are also behind Full Metal Alchemist and Haikyuu! anime adaptations.

Rating Year 2

I actually liked the way year 2 started, even if I'm a bit mixed on the end. I really loved opening with Tokyo in April is... I liked that they had BL trying to be topical. I think the show unfortunately conflates some things it shouldn't, but I loved TIAI and I loved Ren and Ryunosuke's experience being gay men. I liked the changes they made to the source material. This show was dark in a way that it owned, and I really like that. I gave it a 9.

We then moved to My Personal Weatherman, and that went over well for the people who like to see really hot people go at it with each other. I actually enjoyed how much Yoh and Segasaki actively misunderstood each other even as they were speaking to each other. I don't know that they exactly completed their story, and I suspect that there may be a future outing for this show. Despite enjoying it, I think it didn't get all of its pieces together fully and gave it an 8.5.

We then crossed over into uncertain territory with One Room Angel. Despite enjoying a lot of what was going on in this show, I don't actually think it's a romance. It's my understanding that the angel character is a lot younger in the source material, and so they may have been a little shy about how much they did with these characters on screen. I also don't think the storytelling was balanced between the leads. However, because I am susceptible to complex stories about grief, I gave this show an 8.

Now, we have Sahara-sensei to Toki-kun. I hated this show so much. I think it makes the unfortunate mistake of asking me to care about how homophobia and public perceptions impacts people through its flashback drama, but then does nothing with that in the front. It sucked so hard, and I'm really disappointed because I thought this show had some of the most potential, and I thought Toki was one of the most watchable characters Drama Shower had produced. I ended up giving it a 4.

Our next and final show (I think) for this outing is called My Strawberry Film. This one will also be in a high school, but I know little about it, other than we may have a GL plot in it.

So, overall I'd give Drama Shower an 8. I think fans of BL, and especially Japanese BL, should continue to show up and support it. The fact that we have a dedicated programming block is important. The fact that none of these shows has felt like a retread so far is super important. Drama Shower is varied. There is something in here for almost everyone. Drama Shower is the biggest commitment to BL we've had from a distributor other than GMMTV's ongoing BL slate. Taiwan has Vidol doing is four projects, but Drama Shower is the first time I know of that a Japanese distributor has focused on BL in a meaningful, ongoing way. We should stick with it.

[astoundingbeyondbelief]

Kaiju Week in Review (March 24-30, 2024)

A coworker asked tonight me how Godzilla x Kong: The New Empire measured up to Godzilla Minus One, and I responded, "Almost as good, but in a completely different way." If you like monsters (and if you're following me I have to assume you do), see it, no questions asked. There's about a million of them and they're all delightful. The franchise has long struggled to recapture the specific charms of the Showa era, and I think this comes closer than any of them. (It's the climactic tag-team battle... also Mothra returning to knock some sense into Godzilla). Pure junk food, but you can't just watch Oppenheimer all the time.

Godzilla x Kong tore up the box office this weekend, performing well above expectations. Its $80 million opening Stateside was the second-best of the Monsterverse (after Godzilla). It added another $114 million internationally for the best overall opening of the (still-young) year. China was a big part of that with $44 million; giant monster movies are among the few Hollywood imports that still play well there. With a $135 million budget, lowest of the Monsterverse by a wide margin, it's a matter of when, not if, Legendary announces the next one.

The Oxford English Dictionary has added an entry for tokusatsu, defined as "A genre of Japanese film or television entertainment characterized by the use of practical special effects, usually featuring giant monsters, transforming robots, and masked and costumed superheroes." It's part of a group of 23 freshly-acknowledged Japanese loan words; unclear if the timing is coincidental. Oh, and if you're curious, they added kaiju in 2018. As someone who remembers when the only English-speakers who used either word were in fandom, it's pretty wild to see.

French company Extralucid Films will release Gappa on Blu-ray in June. The impressive-sounding bonus features are naturally all in French, but there's one that transcends language: 17 minutes of extra monster footage. The U.S. version of Gappa, Monster from a Prehistoric Planet, only has about 7 minutes worth of shots absent from the Japanese version, so I'm pretty curious about the other 10. It's also the first time this footage has been released in HD (Tokyo Shock blew it in 2020).

Season 2 of Chibi Godzilla Raids Again is indeed receiving official English subtitles, starting the same day as the Japanese premiere, April 10. Godzilla Battle Line also added a hilariously busted joint Chibi Godzilla-Chibi Mechagodzilla unit, along with a Destoroyah variant. (Maybe Godzilla x Kong units are next month?)

A new Monsterverse movie means new books to buy. The prequel comic Godzilla x Kong: The Hunted is out already (not recommended), but officially you'll have to wait until April 23 for the novelization and May 14 for the art book. Chalk that up to the late release date change, maybe. Unofficially, people are already getting the novelization from Amazon, because they're a monopoly that can afford to pay the fines from publishers for breaking street date. The audiobook version also released on the same day as the film. I don't have intel on what it adds and changes yet; adding everything from the film itself to Wikizilla is all I can handle right now.

The San Francisco Giants are offering a Godzilla VIP Experience on May 17, a long-overdue acknowledgement of the savior of their city. Tickets are almost gone, though I think it's a shame that the promotion is opt-in to begin; what happened to giving these tchotchkes out to the first thousand fans? Well, figures that they'd make getting merch of the Minus One Godzilla in the States a hassle.

[cherrylng]

Coldplay Live Reviews - 11th February, 2009 - Saitama Super Arena [ROCKIN'ON (April 2009)]

11th FEBRUARY SAITAMA SUPER ARENA

Life in Technicolor

Violet Hill

Clocks

In My Place

Speed of Sound

Yellow

Chinese Sleep Chant

42

Fix You

Strawberry Swing

God Put A Smile Upon Your Face

Talk

The Hardest Part

Postcards From Far Away

Viva La Vida

Lost!

Green Eyes

Death Will Never Conquer Viva La Vida Remix

Politik

Lovers In Japan

Death And All His Friends (encore)

The Scientist

Life In Technicolor II

One of the biggest bands of the 21st century, after all

"I'm so happy to be here in Tokyo. Last time we were in Los Angeles, we were at the Grammys (enjoying the cheers with satisfaction) and it's great to be here in Tokyo after winning the Grammy!" Chris Martin blurted this out as part of his MC rather early in the show. It's so blatant. But the charm of Chris Martin is that this doesn't come across as sarcastic at all. And that was the reason Coldplay won that day. Martin, you have become a star in my mind at this moment.

The four members of Coldplay took to the stage in the darkness, each holding a firework. Like the album, ‘Life in Technicolor’ and ‘Violet Hill’, the forgotten first single from ‘Viva La Vida’, started the show in the same hard-hitting manner as at Summer Sonic. But then Martin sat down at the piano and played the intro to ‘Clocks’. Gee, isn't that too early? Neither the band nor the audience had fully warmed up yet. However, even though the performance was a little rough, reflecting this, the beautiful melody that made Martin one of the best melody makers in the world completely captivated my body and soul. Ah, just when I thought my personal climax had already come, there was a raging hit parade of ‘In My Place’, ‘Speed of Sound’ and ‘Yellow’. The aforementioned lines were also released during this period, and during ‘Yellow’, balloons filled with confetti descended on the standing zone of the arena (Martin was smiling during the song when he ordered the audience to send one of them flying onto the stage and then popped it with the head of his guitar, eliciting a huge cheer). The band had only just begun, but they seemed to be running amok, as if they were about to come to a grand finale.

But, after all, the star of the day is not Coldplay's past, but the Grammy-winning hocus-pocus present of "Viva La Vida". The audience intends to do the same. The song selection from "Viva La Vida" was strong. The audience was still in a frenzy for the climax of the show, from the chorus of ‘Viva La Vida’ (Will's work on the drums made me cry) to ‘Lost’, which the band themselves had likely prepared as the climax of the main show, but it was striking that the relatively low-key '42' and 'Strawberry Swing' were more well-received than the inevitable singalong 'Fix You'. Among these, ‘Lovers in Japan’ performed towards the end of the show was a highlight. When "HAIKU" was suddenly projected on the big screen, the whole audience was stunned, but I doubt anyone was not moved by the fantastic vibrancy of this song, which stands out on the album. The beautiful ensemble, together with the huge amount of confetti that fell so thickly that it obscured the stage, covered the venue with a great deal of happiness (no band is more suited to confetti).

Martin's behaviour is amusing, by the way. He sprinkles in confusing Japanese phrases like "Awesome / Subarashii" or "Are you having fun?/ Tanoshinderu?" at various parts in the songs, dances like a marionette with its strings all tangled up, plays the piano wrong in 'The Hardest Part' and repeatedly says "fuck" (is this a joke based on the song title?), and acts all naive from beginning to end, as if he's just looking for someone to point it out. But it's amazing that such inexplicable behaviour is always so well defined. A star indeed. Even when he's blurting it out, it doesn't leave a gap. Martin and Coldplay, who never show any signs of hesitation or worry, are truly one of the greatest acts of the 21st century. It was a show where I could finally realise this. (Ryo Uchida)

Rock far beyond ‘rock or no rock’

There were ramps on either side of the stage, which led down to floor level. A small sub-stage was set up at the back of the floor (where the acoustic part was performed) and a huge spherical screen hung from the ceiling. Shortly after 6pm, the background music inside Saitama Super Arena suddenly switched from hip-hop to classical music. It was Johann Strauss' ‘The Blue Danube’. I wondered what was going on, but it turned out to be the band's opening number. The four members appeared with torch-like fireworks in their hands. The opening song was ‘Life in Technicolor’, which is the same setlist as Summer Sonic. Of course, the show was also developed in the worldview of "Viva La Vida" as a whole, but compared to the Summer Sonic set where they had Alicia Keys play piano in ‘Clocks’ and even performed a cover of [SMAP's] ‘世界に一つだけの花/Sekai ni Hitotsu Dake no Hana’, this show was of course a vivid presentation of the "Viva La Vida" mode—or rather, it was a live performance that told the story of how far the band Coldplay had risen thanks to "Viva La Vida". The part that symbolised this was the rapid succession of ‘Clocks’, ‘In My Place’, ‘Speed ​​of Sound’, and "Yellow" from the third song onwards.

Needless to say, all of these were single hits that have been representative of Coldplay's career to date. I thought it sounded like a stock clearance sale, but that's exactly what it was. Above all, the reaction of the crowd was magnificent, and apart from the core fans at the front of the arena, there was a clear difference in excitement between ‘Yellow’, ‘In My Place’, and ‘Viva La Vida’. In other words, this was a concert by "Coldplay of ‘Viva La Vida’", not by "one of the leading rock bands of the 2000s with four albums under their belt". So there was no need for a hot rock groove, and of course the band understood that. That is Coldplay's destiny, and the very difficult and complex balancing game they are forced to play as a rock band.

It is interesting to note, however, that while the atmosphere of this show was naturally quite different from Radiohead's show that I saw at the same Saitama Super Arena, it was not dissimilar to that of U2's. While Radiohead were quite a stoic rock show, and U2 seemed to fulfil their ‘role’ more convincingly and without failure, Chris Martin is a man who is inherently strange and far from the stability of a so-called pop star. He moves restlessly around the stage, sometimes singing and thrashing about, and even doing a few last minute antics at the end of each song. But at the same time, he can shout "I came here straight after winning a Grammy!" or scattering yellow balloons during the song ‘Yellow’, and handling detailed operations such as "moving to the sub-stage in 30 seconds, and then returning to our usual position on the main stage while the lights are out." And it's not that either one is essential, but both are very serious. This is reflected in the ambivalent title and theme of the latest show, which is stranger every time I see it. Despite being such a big and accomplished show, watching Chris is thrilling. The thrill is definitely that of rock ‘n’ roll. Such inconsistency is what makes Coldplay so interesting and why they continue to be one of a kind. (Tomohiro Ogawa)

Translator's Note: This is quite the amusing read of the live reviews by the journalists who saw that concert. Compared to reading the live reviews talking about Muse's concerts -which they're used to Matt's eccentricities and expect his awesome guitar playing- this felt as though they didn't expect Chris to be far more eccentric than they anticipated LMAO

I tried to find if there were any live video recordings of the Feb 11th show, but unfortunately there wasn't any. However, an audio recording of the whole concert is now available on YouTube... that came from Guy Berryman's In-ear monitor, for some reason. Quite an interesting way to listen to the whole concert.

There's also the video version that was recorded for MTV, but it was for February 12th, and cut down to only 40 minutes of content.

Good news is that full audio recording of it from the audience's perspective is available for listening too.

[rifki16]

Love is Better the Second Time Around ep 4

Photo Credit : Love is Better the Second Time Around Promotional Account on Twitter | https://x.com/koi_nido/status/1772596502365356096?s=46

Gosh, this episode really made me so happy. It really compensated the massive emotional blue balls which I had because of Cherry Magic the Anime episode 11

SHORT REVIEW HERE WE GO ! SPOILERS SPOILERS!!!! DO NOT PROCEED IF YOU WANT TO BE SURPRISED BY THE PLOT

The biggest thing that popped up to me from the episode is the Sukida vs Aishiteru difference in Japanese. Before watching the episode, I had this understanding that, okay, Japanese people prefer to just use Sukida as the stand-in for "I Love You" rather than using the actual phrase of Aishiteru. Even when Hitro described how much he always loves crab cream croquette, he used the word Sukida - chuto sukidasteo -, instead of Aishiteru, granted that he was describing how he loves an inanimate object, not a person. In the cold open, Hiro used the noun form of love, which is "Koi". OH and the nighttime postdate pier confrontation. I really would love to understand which words Takashi actually used. "まずは さ僕と恋をしてみようよ" - Takashi actually used the noun form of love - koi -, the second time in the show. "のに 君が思ってる以上に僕もずいぶん君にはまってるよ" was what Takashi said before the date, here he used the word "into you" or more literally "addicted to you". But then, during the sex scene, while Hiro was riding Takashi I MUST ADD, I was so shocked that Takashi actually said "Aishiteru". The notion of Japanese people being too afraid of standing out by saying "I Love You" really just blew out of my mind immediately. Of course, the context of the scene might actually describe the intensity of their love that crosses the mass mentality of conformity and hence, the utterance of "I Love You". And also, it happened very privately. Not in some streets where other people might judge you more, ergo lowering the bar of whether to say "I Love You" or not. This case of saying I Love You or not is very interesting for me, I really want to understand more Japanese speakers preferred dictions.

The second biggest thing that I noticed from the show is their way of saying Sex. My understanding is that in BL Japanese works, they will just flat out say "Sex" rather than coding it, like what happened in Tokyo in April is..., Straight J-Dramas, on the other hand, just used the word "it". In one of the episodes of Turn to Me Mukai-Kun, the only straight J-Drama that I've watched Mukai-kun talked with one of his previous sex partners, they used the word "it" to describe their no-strings-attached sex. Of course, it's just an observation, I have not watched that many straight J-dramas. However, it turns out, in this series, they much prefer to use the word "it" as well. In episode 3, when Hiro said, before leaving the onsen, "Just because we have done it, doesn't mean we're dating". I really thought it was just due to Hiro's disbelief that he had sex with his ex-boyfriend, hence the implicit shame in admitting, and uttering that he had "sex". But now, in episode 4, during Haru masturbation scene, he says "そもそも好きだししちゃったし", again, the use of "it" Even though, I think the context has shifted, Haru was slowly admitting his love and feelings to Takashi; hence, he may not see the sex as something to be ashamed of anymore. But again, this might come from a very amateur observer of Japanese linguistic culture, I mean, the use of "it" might actually signify the idea that Haru doesn't see what he does with Takashi as "Sex" maybe they see it as "making love" lol, I know, such a corny phrase. However, maybe, Haru is just not at the point of saying that they are making love yet, but not calling it something as casual as "sex", (I’m Not a Girl, Not Yet a Woman by Britney Spears playing in the background). But that hypothesis doesn't really stand as Hiro actually said the word "sex" as they were having sex. What exactly are the connotations of the word "sex" for Japanese speakers?

I really love the consent feature of this episode. Hiro was too drunk to give consent, so Takashi just entertained him in his house, and they went out after Hiro became sober. Weird that they didn't use the trope of being too drunk and being needed to be carried by your love interest lol.

I also love that they used Uke taking care of Seme trope. it happened in My Personal Weatherman, Sasaki to Miyano [not definitive], If It's with You [not definitive], to say the least. I know it's not good in equating all of these heteronormative gender roles to a gay couple, but I think it's a nice trope to show that Ukes have dignity and play such a crucial role in gay relationships. I think it's much better for Japanese viewers to understand the out-of-the-box ness of queer couples by showing more on how Semes can also take care of Ukes - like in The End of the World with You.

ALSO. My brain itch still stands!!!! HIRO REJECTED TAKASHI. NOT THE OTHER WAY AROUND. Gosh, the unequal love trope was called back in this episode. Is this a new trend amongst Japanese BL works?

FURTHERMORE. How can Takashi be that rich? Are university lecturers in Japan paid that well? the apartment, the stuff? HE HAS HIS OWN OFFICE, like what?

P.S. I really love how just mid-wild the sex scene in the end is. It's so typical of this show to be crazily in the middle.

After Takashi proposed and they all got lovey-dovey, omg they look so cute in acting like newlyweds.

Of course, they're gonna break up before reuniting in the finale, wouldn't be a bl if it didn't have one. Gosh, I'm gonna cry so hard in the next episode.

[piningintrovert]

2023: A Year in Review

Thank you for the tag @wanderlust-in-my-soul and @25shadesoffebruary; I'm always down for a trip down memory lane

Rules: Link your favorite and most popular post(s) of each month of the year and tag some CCs friends

January

Most popular: Payu and Rain make up, Love in the Air Special Episode (understandable lol just like with everything else, they were insane for this) Favorite: Yeo Jung becoming Dong Eun's executioner, The Glory (full black and white set, my beloved AND this monologue is just so *gestures wildly*) Honorable mention: Tinn asking Sound to help Chinzilla, My School President (had a lot fun playing the text and emoji animations; it took forever and a day but it was worth it)

February

Most popular: The Complete BL Sass™ Collection (finally gave the people what they wanted lol) Favorite: Masumi finding out the world is going to end, The End of the World With You (one word: ACTING)

March

Most popular: You're my man; don't call yourself a pebble, My Beautiful Man 2 Favorite: (same as above)

April

Most popular: Payu touching Rain's lips, Love in the Air (deleted scene) Favorite: Kiyoi just wanted Hira to feed him, My Beautiful Man 2 (shameless plug for my "don't mind me" collection)

May

Most popular: Why do you like me?, Be My Favorite Tralier Favorite: Deleted scene from Payu & Rain's first time, Love in the Air (I still maintain that it was a CRIME to cut that scene out)

June

Most popular: Bad Buddy meta; Ink and Wai are the only ones who know about Pat and Pran's relationship as shown with their outfits Favorite: Tongfah and Paper's first kiss, Second Chance (the blue in this scene speaks to me)

July

Most popular: Payu and Rain attending Sky and Prapai's wedding, Wedding Plan (I would like to know when we're getting the special episode of WP where Nuea plans Payu and Rain's wedding) Favorite: Domestic Kazuma and Ren, Tokyo in April is...

August

Most popular: Henry, the world-class insomniac, Red, White & Royal Blue Favorite: Prince Henry "You're in his DMs" tweet (this was the first time I made an edit like this and I love how it came out)

September, October & November

I went offline for a bit so nothing for these months

December

Most popular: Smol Rain next to Big Zaddy Payu, Love in the Air (first set after my three month hiatus; way to come back with a bang) Favorite: Welcome to Smirk City, Pit Babe (the first gif... need I say more?)

It's always nice to look back on the year like this because I sometimes feel like I don't contribute enough to the fandom (dw I'm actively trying to change that mindset ^-^), and something like this really helps puts things into perspective for me. Even with a three-month hiatus, I created quite a bit of content—content that I'm proud of :)

Tagging @raypakorn @musicdramalove @snimeat @forcebook @spicyvampire @aejeonghae @maxescheibechlinichacheli @dengswei; feel free to ignore~

[meimi-haneoka]

Cardcaptor Sakura Clear Card Chapter 72: Comments + JP-ENG translation differences

Hellooo everyone! The plot-train that will bring us to the finale of Cardcaptor Sakura Clear Card Arc is unstoppable, so here we are once again, at the beginning of another month, for another chapter of the climax of this saga!! April 1st as usual is a very busy and important day in the CLAMP world, as it is not only the so-called "CLAMP Day", but also the birthday of our Sakura Kinomoto (and many other CLAMP characters!)!! Moreover, precisely as I'm writing this post, SakuraFes is being held in Tokyo!! Fans strived hard to get a ticket (I could see the struggle on my TL on Twitter) and while some managed to get one somehow, others were left out....since there's been lots of anticipation for this event, we'll see if it was worth the struggle and if we'll get info about the thing we're all waiting the most for: a second season of the Clear Card anime!! (UPDATE: IT WAS INDEED ANNOUNCED like we all hoped for!! Congratulations to all of us!! 😂)

In the meantime, let's focus on the analysis of chapter 72 because boooooy, it might be one of the shortest chapters ever (I remember chapters this short were released in 2018) but the info that was disclosed in it!!! We're definitely, definitely at the climax and it shows. CLAMP sensei are solving all the mysteries and giving us all the answers one by one. But since this is important info that will help us understanding the story better, let's review this chapter (and its translation) carefully!

And as usual, before diving under the cut and into the chapter, the gif of the month (paying homage to Lilie, lol) !!

The Cover Page

Oooh, what a pretty Sakura we have here!! She looks as if being half-asleep, and judging by the content of the chapter, it kinda makes sense. Sakura stays in a dream for the most of it. The simple dress is very elegant with all those gemstones applied on it. It also looks as if Sakura is creating them? Also, we have once again the black background that's become so common lately in the color pages of Clear Card. With that expression, Sakura looks a little bit more mature, and I really like it. The text in the JP version reminds us again of the last words Lilie said in the previous chapter: "I crossed time and dreams to come to see you".

"I know her very well, and yet I don't know anything about her"

The chapter starts right from where we left off at the end of chapter 71, with our Sakura and Lilie meeting for the first time....or is it?? 😉 Sakura sounds a bit confused at what Lilie said, but as usual (bless her!!!) she's very perceptive and notices that Lilie resembles Akiho a lot, more than actually Sakura herself. Lilie seems delighted and answers "I'm happy to hear that!!" (and not "Thank you!" like she said in the ENG translation). I was all smily when I've read this for the first time, but what came right after threw me in a puddle of sadness, and now you'll understand why. Sakura asks her if she knows Akiho, and Lilie's answer is "I could say I know her very well, and at the same time, that I don't know anything about her. And that makes me terribly sad". That's it. I was all giddy and happy to finally hear Lilie starting to talk, and she had to throw this brick made of sadness at me like that, right in the beginning. 😭😭Because it's clear here she's referring to the fact that despite being her own daughter, she won't survive long enough to see her grow up. Not even long enough to ascertain who she will look more similar to, her mom or her dad. Because Lilie died when Akiho wasn't even 1 year old. She was just a baby. The realization tinted that "I'm so happy to hear that!" we've seen before of the same sad color. ☹️ BUT!! We're not here to get shot down by angst so early in the chapter, so we proceed with Lilie apologizing for making things so confusing for Sakura, and she informs her they're in a dream. Then she finally proceeds to give some explanations on what's she's been trying to do this whole time, at the same time solving one of the BIGGEST mysteries in the Clear Card Arc. The question everyone had ever since chapter 1 was: "who's under the cloak of the Mysterious Cloaked Figure?" And here, my dear readers, we finally get our answer, in the year of the lord 2023, 7 years after the beginning of the manga: MCF WAS LILIE ALL ALONG!!! But let's see her version of the facts. Basically, Lilie in the beginning strived hard to travel through time alone to speak directly with Sakura at the age of 13 years old (HOW F*CKING POWERFUL IS THIS CHILD??), but it wasn't successful because her voice didn't reach our girl. We see a flashback right from chapter 7 with someone dressed with the robe standing right outside Sakura's house. Do you remember that? Yeah, MCF didn't appear only in dreams, but also physically in Sakura's reality. These scenes appeared in the anime as well and in the end we found out that under the cloak there was a sleepwalking Akiho, acting completely unconsciously. As it's typical with CLAMP anime, this turned out to be different in the manga! (But there's still a chance they'll explain that scene of the anime in a different way!) I had the impression, for a long time, that MCF was a different person depending on the dream Sakura had, or depending on whether MCF appeared in a dream or not. Well! Turns out even that intuition was wrong, because MCF was ALWAYS the same person, it's just that...some big mess happened, but let's see how Lilie explained it herself. Since her voice couldn't reach Sakura, and since our girl kept seeing the future ahead in her premonitory dreams, Lilie tried to get in touch with her through the dreams she was having.

But, for a twist of fate (I know you're all laughing right now) Lilie ended up mingling with Sakura's foretelling dreams. Yessir. When we saw MCF apparently "attacking" Sakura, or riding on top of Dragon-chan, she actually didn't have anything to do with it. She just ended up being mixed in the middle of all of that. Sakura sometimes dreamt about a "force" pulling her key away, and Lilie ended up in front of it, thus suggesting that MCF was the one trying to grab it. Turns out, it was Lilie probably trying to talk or communicate with Sakura in some way. But hold on, the revelations aren't over yet, oh no. Lilie explains how that mingling with Sakura's dreams went quite wrong.

Because yes, when one of her premonitory dreams was trying to warn her about Kaito taking the appearance of Syaoran during the play, with the Cat costume...well....Lilie ended up mixing in again, and that's how we got our MCF Syaoran. Hahahahaha! Are you baffled?? 😂Well I have to say I had so many theories as to why Sakura saw Syaoran under the cloak of MCF, some even concerning the psychological side...well, damn. Sakura simply never truly doubted her boyfriend and silly of me for thinking she could 😂 Also, we know now that we can rest assured Syaoran won't turn into an evil pawn or something...it was just a huge misunderstanding. Poor Lilie, I can't really hold it against her even though she ended up making a huge mess, because she really strived hard however she could, and...fate didn't work in her favor, apparently...until the right moment, that is (remember, hitsuzen always knows when it's the right time!) Moreover, Lilie tells Sakura that she already dreamed of this very same meeting they're having now, and guess when that was? Yes, at the end of chapter 6, precisely in the scene I mentioned in my post for chapter 71!!

After the shocking revelation (that made me yell at CLAMP once again for how astutely they FOOLED all of us for 7 years - I'm pretty sure no one thought about this possibility), I started to realize something. Sakura, in her premonitory dreams, pretty much dreamt about things mainly connected to Kaito. The "You won't be able to come back anymore" voice? It was the Association + Squids threatening Kaito with what would've happened if he dared touching the artifact inside Akiho. Dragon-chan? As its shape it's basically the same of the Seal of D that engulfed Kaito right before he disappeared into the artifact book, we can safely say it's strictly connected to him as well. MCF Syaoran? He was actually Kaito himself, disguised as the Syaoran-Cat of the play. I have to admit it, I had started getting signs that one of the MCFs Sakura was talking to during her dreams might have been Kaito, at some point. I knew the height worked against my theory, but when Sakura said "You look....so lonely" in chapter 48, right when Akiho had supposedly the same dream and confessed her love to Kaito through "the moon is beautiful" phrase right after that, I knew the "lonely" one could be none other than Kaito. Maybe Sakura was supposed to see Kaito in her dream, that one time, but Lilie mixed up again. Heh. 😅 And here we get our first serious translation mistake that can easily create confusion. Lilie goes on saying that the Cards Sakura had newly created (thus the Clear Cards) have now disappeared, and her magical powers diminished by an amount corresponding to the power of those Cards. Moreover, the Cards that once were separated from her (the Sakura Cards) are now back with her and their connection to her became stronger than before (well, we have seen it, Sakura now summons Mirror even without a particular reason, just to talk). Here, the ENG translation completely skipped the distinction between the two decks of Cards (in the JP version Lilie clearly talks about "the cards you had newly created" and "the cards that were once separated from you"), making Lilie sound as if she's still talking about the Clear Cards even in the second panel.......when we can clearly see the back of the Sakura Cards there. And right in the next panel, we have yet another translation mistake. They completely made up what the Book did here. ENG: What's more, the book's forbidden magic...can only turn back time so far. It has no power over times before the caster or the target were born. He's younger than me... JP: Moreover, the "forbidden magic" (that originated) after using the Book does not reach further than the (moment in) time when the person who activated it and the target of said magic were born. And "that boy" is younger than me.

Lilie never mentions anything about the Book "turning back time". The "forbidden magic"'s work is to rewrite the memories that were recorded in the Book, it does not turn back time. I wish they made that clearer, it's been messed with even in the previous chapters!

But it's not over, as even the next sentence suggests something that in my opinion is incorrect. Lilie goes on explaining that for this reason, she decided to visit Sakura "now" that she's the same age as hers (she literally says the word 今, which for her is her present), crossing time and dreams to reach her. However, the ENG translation here says "So I've come to you from the time when I was the same age as you", suggesting that adult Lilie went back in time to reach Sakura's age and then went to visit Sakura in a dream. There's nothing that suggests that, in the JP sentence. As she will say herself later, Lilie is capable of seeing the future so much ahead, so it seems convoluted that she'd wait to become an adult, just to go back in time to when she was almost 13 (supposedly Sakura's age) and then cross time again to go see Sakura in the future. It makes more sense for her to attempt this when she was *already* 13 years old. I checked the other translations, and the Portuguese and French seem to agree with me (they translate correctly that 今 with "now that we have the same age").

Anyway. For Lilie it was important to attempt this now, while the Book's power can't reach her and mess with her goal, and while Kaito and Akiho aren't born yet. And she adds "(I've come to see) You, the cute Alice (daughter) of the girl named after a flower who became my friend", and we see a nice flashback of a little Nadeshiko, at the same age when she met Lilie. Sakura in this way understands that Lilie knows her mother. Sakura asks if Lilie came from the past and whether she came to tell her something. Lilie confirms she wants to talk about something that for her will happen in the future, but for Sakura it has already happened. Sakura is unstoppable with her questions (good!) and asks Lilie if she can see the future, to which she replies that yes, she can see the future in her dreams exactly like Sakura. "I can see what will happen just moments from now...what will happen long in the future...and even...what will happen after I've passed on". And here came the other punch in the stomach for me. Because Lilie's expression here is really, really painful. I think I'll do a separate post with all my thoughts on Lilie triggered by this chapter, so maybe check it out later if you're curious.

That's who I am

Sakura asks "Isn't it painful to know plenty of the future ahead?" and Lilie's sorrowful smile is already enough of an answer. But she goes on,

"the things I can do...and even those I can't...make me the person that I am"

I found that extremely beautiful. It is painful, yes, but that's part of herself too. And Lilie seems to be very accepting of her nature and her "gift", as well as her limits. Maybe that's why she's able to remain so positive and strong even in a very difficult situation like hers.

The moment is solemn. Lilie says (lit., JP): "Kinomoto Sakura. Your memories and records have been rewritten". Here the ENG replaced "records" with "life", probably because it doesn't make much sense to include "records" just like that. The Spanish version translated it as something like "(your memories) and the records that keep track of them", and I think that works very well. Sakura is shocked upon hearing that. Lilie here talks in future tense because this is something that for her will happen in the future: "That boy...will lie and tell the guardian of the book, who will one day be named Momo, that his goal is to exchange you with the other Alice". And why will he do that? Apparently, because in this way he won't make Momo think or have any suspicion that he will be the actual target of the exchange magic for the artifact that was inside Akiho. (JP) "Because Momo knows painfully well what will happen if that boy becomes the target, in the state he'll be in at the moment of the exchange". I'm a bit butthurt they removed that "painfully" and went for "all too well", because in the original JP text Lilie uses 痛い程 and its literal translation is "to the point of hurting". And I think that's perfect to describe Momo's feelings. Momo cares about Kaito, a whole lot. And she would've never agreed to a goal like this, endangering his life in that way and ending up carelessly triggering the Seal of D. And this is precisely the reason why Kaito lied to her. Because he knows that. He knows she's a "kind and a bit stubborn" creature. And her kindness towards him would've lead her to stop him, something he couldn't really afford.

Lilie can't help but muttering "blockhead". Yeah, in Japanese it's the same わからずや "insult" that Momo used at the end of chapter 70, precisely as he was disappearing engulfed by the artifact book. (And the ENG should've kept the translation of that term consistent between the two chapters, which was "dolt" in chapter 70 and turned into "hardheaded" in chapter 72). This made me wonder whether Lilie was the first one using that term for him, and so Momo took it after her, or if she simply saw that moment in a dream of the future, and quoted Momo's words. One thing is for sure, the JP fandom used that terms quite a lot after reading chapter 70. 😂 Lilie continues saying (still in future tense) that Momo will want Sakura to stop the forbidden magic, so she will give her a hint, but that will end up being incorrect, precisely because Kaito will lie about his real plan. So, what does this translates to, for us readers? When we were thinking that Kaito wanted to exchange the girls, we weren't completely wrong. Or, rather, we weren't lead to that theory without good foundations. It's just that Kaito lied to Momo and made things seem that way on purpose, so his real goal would've come out only at the last moment, the moment of activation of the forbidden magic. When Momo couldn't do anything about it anymore. He really mislead all of us. Because he wanted things to go this way so badly. Because he wanted to be the one to take into himself the thing he inavertedly caused Akiho to be engraved with, and which was about to kill her soul. I sense a profound, desperate sense of guilt from this. It's no wonder Momo was so mad and ended up crying, at the end of Chapter 70. She did what she could to protect "her children", but she ended up losing one anyway. Because, just like in the most common relationship between a teenager and their parental figure, he deceived her and still had it his way, stubborn and oblivious to how much suffering he would've caused to the people who loved him the most. No wonder CLAMP called him more than once "immature" in their Twitter Spaces. This is the reason why I see Momo as a strong parental figure for both Akiho, but mainly for Kaito too.

What is happiness to you?

So Momo's hint ended up being incorrect (remember the "world where no one remembered Sakura"?). But Lilie says "But even so, it's still the same. What's happiness to you?" Because, as Lilie says, the answer is the same even for the other Alice by Sakura's side. And in this very important moment, there's another difference in translation.

ENG: "Even if it makes someone else happy...imagine living in a world where the people you held most dear are gone. Could you call that happiness?"

JP: "Even if someone told you that's happiness/even if someone told you they're happy like this, can you really call it happiness if they live in a world where they lost what they didn't want to lose?"

It's painfully clear what Lilie is meaning here. Even if Akiho looks (and maybe even affirms to be) happy and cherished in this new arranged world with her memories rewritten, can she really say to be happy if the ONE thing she didn't want to lose the most....is gone? Sakura thinks hard about that. Even if Lilie doesn't mention names specifically. And just as she's thinking hard about the answer, the dream starts to crack. Sakura is about to wake up and Lilie knows it. (JP) "I come from a time where the forbidden magic can't reach. But you're right within its range. Once you wake up from this dream, I guess you will forget about meeting me. But, you have the magic that you've been preparing yourself. You just need to realize about it. I believe...in the two Alice"

And just like that, Sakura wakes up in Syaoran's arms, on the floor of the school grounds. Syaoran is visibly stressed and nervous, so much that when Sakura wakes up with a "Oh..." he goes "Don't "oh" me! You suddenly fainted!!" 😂 although this is a tense moment, I laughed at this scene because the stressful moment made some of the old, "rude" Syaoran come back 😂yes, there isn't any translation mistake this time around. The nervousness made Syaoran a bit snappy with Sakura 😆 Sakura, still in his arms (kyaaa), says that she had a dream, and she had the impression Akiho appeared in it. Syaoran helps her standing up, trying to defuse the situation joking that "that's what they call a sister complex, Sakura", and that Tomoyo told him about this term 😂😂(I've already seen some of my Japanese mutuals on Twitter saying Tomoyo teaches Syaoran stuff she shouldn't teach him 😆) Sakura doesn't really answer the joke, as she's still quite dizzy and confused by the dream. Syaoran goes back to be serious, seeing her like that, and asks if she's ok. Sakura says she is, but she holds her head almost as if she had a headache, so Syaoran asks her if she had a premonitory dream. Sakura isn't sure, you can really see she's trying hard to remember the content of the dream, but she just can't. Although, there's one thing she remembers. That this was a dream telling her something very important, both for her, and for everyone else.

And this, dear readers, is where chapter 72 leaves us, ready to advance the plot once again in the next chapter. As I said in the beginning, this chapter was short but finally explained some important things that were torturing us ever since the beginning. But not only: the just released volume 14 featured a change of script in chapter 70, when Momo is talking to Kaito after the forbidden magic was activated. Instead of asking him "what about you?", she tells him "You even lied to me, the guardian of the book, about the subject of the rewriting" which is directly connected to what Lilie said in this chapter. It was a "last minute change" (that normally happens between the Nakayoshi version and the tankobon version) probably to justify better why we were lead to believe that Kaito wanted to exchange the two girls (and thus not giving the impression CLAMP were playing us for fools completely). Moreover, it sounded strange that Momo would've let Kaito go on with his plan if she knew he would've ended up triggering the Seal of D. It looked pretty OOC for her, so maybe Ohkawa wanted to fix that. I was a bit confused by this change in the beginning, but now I completely understand why she did it.

Furthermore, there's the mention of the "magic Sakura has been preparing" that really intrigued me. Is this about the usual "zettai daijoubu da yo", or is it something more complex? Could Sakura have been preparing a spell that would activate in a certain circumstance before the play happened, in case she needed it later? Of course her memories now have been rewritten, but Lilie's words suggest that she will soon remember about preparing this magic. And I'm super excited to find out what it is. It would give Sakura a really good development, and show she can be planning things too!

At the end of the chapter, Sakura forgets about meeting Lilie. And while that might seem as once again an unnecessary stepback, I don't really think it is. If this was played in this way to give Akiho the agency she needs later, then it makes a lot of sense. Especially when many of us are hoping to see her remembering about Kaito on her own. Because it would be particularly significant. If Sakura remembered this meeting, and the fact that their memories had been rewritten, and about "Momo" and "that boy" who lied about exchanging them, logically the first thing she would do is to inform Akiho about it. But is this how things are supposed to go? Is this how Akiho is supposed to find out a truth that concerns her very closely? If Akiho is meant to remember Kaito on her own, because the void he left in her life will soon feel larger and larger, suggesting her that she's not truly happy and that something/someone is missing, then it makes sense for the narrative to hold things back for a short while. Sakura can always remember about this meeting on her own later on, thanks to her magic. While Akiho will work hard to grasp the true happiness she wants, with the help of the people who care about her. And I suspect that might happen as soon as next chapter. And then it'll be time to understand what to do to bring Kaito back, or to reach him where he is.

While here we keep praying hard for a happy ending in the manga, in the meantime I bask in the happiness of the freshly announced sequel of the Clear Card anime!!

Next release dates for what concerns chapter 73:

April 30th, on CLAMP’s Youtube channel (digital, JP and other languages) May 2nd, on Nakayoshi (paper and digital, JP)

Kodansha announced for May 10th the launch of a new simulpub platform directly managed by them (K-Manga), where it's very likely it'll be possible to read Clear Card in English digitally and simultaneously with the Japanese release. Although, that service will work only in the US (for the moment).

Alright, see you at the end of this month!! 😉

[popculturebuffet]

TMNT Month: Mutant Turtles: Superman Legend The Weird Fun Turtles OVA that Didn't Loose It's Glasses (Comission for Emma Fici)

Hello all you happy heroes in a halfshell and welcome to tmnt month, a celebration of the most radical heroes of all for their 40th. For those just joining, i'm jake I do reviews.. and I ended up having to cut part of this month off as I needed to take the rest of last week off after.. well you know. I was.. not in the best place.

So I wasn't in any shape to write.. not helping was a chaotic weekend turned into week where my sister is in the hosptial. It''s been a slow recovery, but i've gotten there: Migrating from twitter to bluesky has helped as I can just watch people say funny things and talk stuff without getting flavor blasted with a dickhead forcing his opinon on me becuase he owns the place. You can find me there here

That plus seeing Hugh Grant sing radio heads creep and Weird Al and Will Forte give a full throated performance of hot to go, not to mention a loving supportive family, have helped me move past this hard time.

And in these trying times... this is honestly the perfect thing to come back with. A truly bonkers piece of a franchise I dearly love that's fun to dunk on but still genuinely fun to watch. It's insane by TMNT standards which are pretty high. The series is usually running from a pretty batshit place even at it's most grounded. But legend of the supermutants is easily one of the weridest experiments in the franchises history.

It came about for the reasons most things did during the height of the tmnt's popularity in the late 80's and early 90s

This OVA came about because in Japan there was a line of super mutant toys, and soon after another line metal mutants so to promote them, these ovas were crafted by tv tokyo, done in a style similar to the 87 cartoon. Why they didn't make one for the bodacious birthday turtles I have no idea

I mean I want to see pennywise poppin mikey fight raph the magnificent while birthday guest leo watches. Donetello is presumibly dead in this timeline.

In Loving Memory of Shark Fistin Donetello

As for why there wasn't more that's simple: TMNT was petering out at this point , on the final season of the 87 cartoon so there probably wasn't a ton of profit to be had. Now why it hasn't been brought here SINCE is a mystery as it's the kind of curosity tmnt fans would love and a good chunk of the cast is still around to dub it, and by this point nick finally has the rights to the 87 cartoon in full. It could be issues with TV Tokyo we just don't know.

There was also a manga that wasn't offically translated here but you can find on archive.org. It's also bonkers in the conkers, featuring shrinking, creepy masks and fanservice for all

I couldn't review them in here as it was a bit much to try and cram into one review but I also felt i'd be remiss if you all didn't see splinter rocking that loin cloth. I mean come on april , he deseves to show off his toned ass as much as you do.

While you won't get butts with this ova you do get twin faries, Shredder wanting to eat krang , overused running gags, the ending of sonic adventure, the star of ninja gaiden, a fuckton of mirrors, sexy lizardman rocksteady, murder, a seemingly endless joke about glasses, trains, and krang's silky voice used as an instrument of torture. These two episodes are insane, wonderful and I can't wait to show them off under the cut.

The Great Crisis of the Super Turtles! The Turtle Saint Appears!

The Turtle Saint Appears opens with a recap for an episode that dosen't exist, explaning the new status quo for our heroes: So our heroes were summoned by Krys Mu, a magical fairy that guards the mutatstones, 4 powerful stones that can super mutate their user and allow the turtles to become buff more humanoid super charged versions of themselves and also they can fuse now. This power isn't just for good as Cris Mu's evil sister dark mu is contained in an evil mutastone of greed that Krang uses on shredder , bebop and rocksteady since he ain't got no body and he's sad and lonely. Our heroes won and now stand ready. Now you may be having some questions. Valid ones like "Why this wasn't it's own episode", "why is shredder in dope new armor"

, and "Why is rocksteady's form a sexy lizardman"

And rest assured you'll get.. one answer. Just the one. He's very lonely. Shredder's armor is explained in the manga: the turtles destroyed it during their last fight with him, and Krang made him a spiffy new set that also gives him super strength and stuff. Something the special COULD have brought up instead of cramming this all into two minutes but I digress. The rest.. is left pretty vauge and is a bit out of this neck of the franchises usual reliacne on aliens and stuff. This is straight up magic, which I've seen isn't ABSENT, btu they usually use a super science hand wave.

I"m not going to be too harsh on this insanity though for a simple reason: this special was made to sell toys. I grant the 87 cartoon and all turtles cartoons after it show you CAN make a good cartoon and still merchandise the crap out of it, but with just an episode a piece to make a backstory for these and presumibly not just wanting to have an origin story an episode, I get the episodes picking style over subtstance, going for a flashier end of the world plot instead of two origin stories in a row.

We then get our spiffy theme song. It's endearingly cute talking about how their fighting turtles, not ordinary turtles and having a nice peppy bit. it's not my faviorite japanese tmnt opening but it's a close second out of two

I mean you can't hear that and not get hype. You just can't. Fun Fact: this dub also seems to have been done by TVTOKYO.. and didn't quite do so good as the darker astetic didn't play well to fans of the original. Alas.

So onto the episode itself: the stars are going out and to no one's suprise it's that no good bastard Krang done did it. He's feeding the stars to dark mu to power her up. Shredder is less than impressed and his mood dosen't improve when he finds out krang's plan: to blow up the earth

Shredder's temper tantrum increases when he finds out Krang wants them to live in dimension x instead and we move to the next scene as he rants about Krang being an octopus and how he's going to eat them.

We transition from Shredder's poorly disguised fetish to NASA where a scientest up in space notes the stars are going out. Mission Control asks if he has his glasses on. This gag... bothers me. It bothers me on a level it shoudln't especially given what a week i've had, but it's just the same stupid "YOU WEARING YOUR GLASSES" gag repeated. The only varation is someone in his shuttle finding his glasses.. but those were his backups. They just keep hammering this stupid gag into my skull while I pray for Krang to hurry the hell up and win already so this stupid glasses guy can go with the rest of the earth.

April reports on this naturally and we cut back to the turtles, splinter.. and april as it was a pre recorded segment for a change, and they discuss what's going on trying to figure out what this means. Mikey suspects THE ALIENS... and I mean.. he gets shouted down.. but krang IS an alien. He's from another dimension, but he's a creature that can live outside his physical body as a living brain and comes from another planet. He qualifies. I mean Shredder isn't but the special weirdly refers to shredder and the foot clan like he's not the only human member of a team consisting of robot minions, two mutant dummies and a living brain he wants to vore.

Crys Mu chimes in and confirms it's her sister dark mu: she feeds on chaos, sisters am I rite?, and thus this whole business is getting her ready to emerge which would end the world.

She needs more energy though so Krang sends out the dumbass patrol to go cause a ruckuss. The Foot Soldiers aren't present as their on vacation. No really their on vacation and we see them later having a good time on a beach. It's amazing and I applaud the gag. A lot of the humor in this special dosen't quite hit, but that gag is genius. This is why you have unions, with the guild of calamitous intent even henchman get paid days off, mechanical men or not.

So with a crimewave high with muggings mysterious, the Turtles go to tussle with their foes. In a touch I love splinter.. sees this for what it is and gets involved: The turtles go to fight team chucklefuck, and splinter goes to face Krang himself, something I love as... it's not a fight I think we've ever really gotten.

This is down to Splinter's roll in the franchise: he's for the most part the tough but fair mentor. There's been deviations as always: his 2012 self is still tough on the boys a time but has a gentler touch, his rise incarnation is a hot mess content to just binge on snacks and ignore his mountain of trauma, and his mutant mayhem incarnation has all the stern yet wise mentorship you expect.. but is also an INCREDIBLY awkward dad. There's universal traits: the love for his sons, a background in martial arts, the name hamoto yoshi if he was a human. But his roll tends to stand firm: he's there to support and teach the boys and when their without him their at their most frought and vulnerable.

But being the boys dad.. it also means it's a tad less fun to include him at times, and so the boys are mostly left to their own divicies, with Splitner stepping in being a sign shit has gotten THAT bad, like how he shows up during their first fight with the shredder in the 2003 cartoon , at the climax of the live action movie or my personal faviorite in the idw comics when Casey , part of the family at this point, is beaten up by his abusive dad again. Splitner rescues the boy, threatens his dad and makes it clear he's not going anywhere near the boy or else. Incarnations that loose splinter tend to feel lost afterwords wether it's temporary like his kidnapping in the movie or seeming death in rise, or permenant like his deaths in 2012 and IDW. The turtles are pure escapism and execs and writes probably figure kids, adults and whoever don't want their dad hanging over them every step. There to support them, love them and step the fuck in when things are worst.. but giving them space to let them just caper and have fun on their own. To have their own adventures.

As a result when Krang shows up, Splinter usually either isn't there to intervene, or assumes they can handle it. The 2012 series has him mildly involved, but he's more heavily involved with the foot storyline due to Shredder's unending hatred of him. Krang is just another one of the weridos his son punches in the face. Shredder is as much his arch enemy in most continuties as he is the boys.

So it's neat to see them square off.. but sadly there isn't an actual fight. The fights in this ova are mostly just.. people shooting their special attacks at one another. It LOOKS cool and what not but you can tell they didn't have the budget for actual full on fights and use sharp cuts and what not. So the turtles grapple with the super troopers while Splinter and Krang just .. make banter. It's disapointing. I mean I can play shredders revenge again and play the second to last level but it's just not the same. I do like that when they get flooded out of the lair Krang chastises Splinter for leaving the door open and the joke of Krang being more upset SPlinter barged in unannounced with Krys Mu by his side.

Sadly that flood means: it's time. the fight between the turtles and team chucklefuck lasted just long enough for him to do a sonic adventure and flood new york. Now our heroes gotta open their hearts or else, as Dark Mu arrises and she's.. Krys mu but iwth black hair, a sexier outfit and more power. Krang naturally has her use it on shredder and this is where this up to this point entirely normal special about the turtles turning into roided up versions of themselves who look meh and fight super versoins of their enemies, inclduign shredder as a giant terrifying dragon man for some reason, goes off the rails. Krang makes his shredder grow.. and as a result shredder is a GIANT MONSTER. Wow this really is the climax to a sonic game.

So Raph says what we're all thinking "Shit". Casual swearing in Japanese Childrens Media, you love to see it. We then get the greatest moment in either episode as splinter launches a giant murder ball of energy at the turtles.. and Splinter FUCKING CATCHES IT. Keep in mind Splinter dosen't have a mutastone, is deep in middle age, and isn't hurt at all from this, while Shredder has been given DOUBLE mutastone power and made into a fucking kaiju.. and Splinter STILL fucking blocked the attack. The action here may be slowly portioned out, but dman if it isn't fluid when it happens.

THe boys and splinter escape into april's news helicopter, which shredder bats at like a kitten. So Donnie.. has a clever plan. And a really clever one. He gets down there and fucking BAITS kaiju shredder, goading him into attacking a building.. enough to SAW IT IN HALF SO IT FALLS ON TOP OF HIM. Look this special is silly as fuck but you can't say it's not amazing. Donnie dropped a building on a fucking kaiju shredder.

Dark Mu decides to just fly into space and kill everyone because she can do that. She always could. Shut up. So the turtles have to use their ultimate power. The Turtle Saint. You think they'd save this for the line blatantly riping off saint seyia but no, their going full saint now merging into a bigger turtle man. And since I have the opprotunjity I gotta say.. the deisgns for the super turtles are mid as hell

Now i will give credit where it's due. The masks are dope as fuck. Their cool, heroic, and really pop. The rest though.. is just the turtles as more humanoid. Their pretty standard super humans and ther'es no diffrence between the four. Which is normal sure, but in a toyline that also got as weird and creative as "let's make raph a birthday magician", they could do better. I"m not saying "Let's make Raph a Birthday Magician is the peak of creativity.. but it is amazing.

The saint mode is a bit bettery. I don't like how white it is and wish it's midsection was yellow or green instead of blue, as Blue is leo's color. Same iwth the max. You could've made the belt Blue to represent leo. It gives the impression he's in control instead of what the Saint is: all four of them controlling one body. I still like it more than the base form though: while the coloring is off, it looks less generic, with the superhero outfit, mighty sword, giant wings and turtle feet more visable but also armored. It gives a better impression of this being a super mode the turtles use than the regular super mutation.

I also like how the saint functions: it has a three minute time limit, explaning why they don't just use it and beat everyone up, and it's HARD to use. Simliar to waht Steven Universe would do eventually, the fusion relies on the boys working in synch mentally.. and given how their all so vastly diffrent: the dutiful son, the angry wiseass, the loveable goofus and the science boy, it's very hard to actually CONTROL saint mode. So while it's mostly played for laughs Dark Mu genuinely dominates the fight and our heroes can't land a hit. I like when a super mode has limits, that it's not just an instant win button but something that you have to master.

So to win the day Crys Mu sacrifcies herself, pulling a goku and grabbing her sibling so the turtles can kill them both. They naturally don't want to stab their friend.. but Crys insures them as a spirit she can't die.

So naturallyt hey pull off their finisher for crys and kill both fairies. The turtles are then picked up by nasa. And... in a dark time such as this.. it's so nice that i'm getting paid to write that and to have watched that.

The turtles look out and see the crystals floating in space, implying both farieis survivied but are now trapped in the void... then we end on a joke and some end credits so we're just moving on from that. Crys and Dark only get mentioned in the opening credits. While Mutastones are involved it's pretty much a complete soft reset: the turtles mutastones are inert, so they need a fresh set and kenner needs a fresh set of toys to plug soooooooooo....

The Coming of the Guardian Beasts - The Metal Turtles Appears!

So for this adventure

And so are the turtles as Splitner got a message from a hidden ninja villiage he's cool with that needs his help. The thing is the setup makes more sense than last time: Splinter and Shredder ARE from Japan, and while Splinter got framed and thrown out of the foot clan, given what Shredder turned it into it's not a shock he'd still have allies who'd want his help.

Mikey of course goofs around and then has to shove himself into the taxi in a great bit of physical comedy. Back with Team Dumpdumb, Krang has found a new mutastone and wants Shredder to go get it, who bitch cries about how the mutastones are all trouble, he dosen't get beat up and how women are in star wars now and that displeases him. Krang gets him to do his bidding the usual way... by laughing in a very annoying high pitched voice till shredder does what he says. I know the 87 shredder isn't the most compitent shredder.. but I have to belivie he can outlast a laugh and go five minutes without whining like a toddler.

So they get teleported to Japan.. on top of a bullet train. The turtles are interrupted from a riviting conversation with a passenger about what thomas the tank engine character they are to deal with this.. and also have to hang the fuck on. I love this as until archer I hadn't thought of how.. fucking hard it'd be to actually fight on top of a moving vechile let lone one this fast, and it's a great gag. The turtles don't have to fight though as NINJAS arrive, including their leader and the one who sent for splinter, Hattori Kinzo who looks distractingly like Ryu, the protaganist of Ninja Gaiden

They use some shurikens to knock shredder off a train, again love this job so much, and take the turtles to their villiage to get their help. As it turns out he needs help guarding a sacred mirror that contains a set of sacred stones, fresh new mutastones. Unfortuantely for them a ghost of a bandit or something whose not really explaind shows uand just .. laughs. Yeah why the ghost came back is never really explained, he's left vauge as to if he's helping the turtles or team shredder.

Speaking of team ran out of names, they find our heroes and the shrine grows into a castle everyone starts climbing. eventually though raph questions

So they split up: the non mutant ninjas keep climbing and the mutant ninjas take the stairs.

This ends up not mattering as Bebop, Rocksteady and shredder beat the turtles and while Team Ninja tries to throw fake mirrors everywhere it fails and Shredder grabs the mirror.

So after beating Ninja Gaiden we get ARMORED versions of the villians. And look i've only read maybe a volume of saint seia, a manga about our boys they can be heroes, and frankly even that little tells me their just using the same gimmic, replacing the animals of the western astrological zodiac with animals of the chinese zodiac. That said while the concepts a blatant knockoff.. they do a good job making it thir own. If you compare the designs

There's defintely some similarites in the head pieces, but they vary it up enoguh int he actual armor to still feel creative and they look dope. Each one fits the turtles: Leo has a samurai garb, Raphs flame motif fits him and his animal, michealngeo has warm round edges and donnie's looks mildly cybernetic. It's smallt ouches but it's clear the animators put a bunch of thought into it. The toys themselves well.

Yeah these do not look great, with the indviduality gone for the most part and the armor clunkily fitting over previously existing molds. While I get the point of this it dosent look great. The designs for the others also look sharp: SHredder gets white tiger armor a perfect contrast to Leo's dragon, Rocksteady gets errr snakes and Bebop is a pirhana for some reason.

`I esepcailly love shredders looking like a dope upgrade of his normal look.

Our heroes are at a disadvantage easily getting curb stommped until the ghost who pointed shredder to the mirror.. helps them get it. Our heroes get their forms. And no I don't quite get the spider either but it looks cool and the fight here is a bit more intenstive if still mostly calling special moves. but the moves look spiffy and the finale is excellent. Shredder tries to retreaate as he didn't know till Ninja Gaiden explained it that the suits hav ea time limit so we get a neat beam struggle between him and leo.. that ends when the time limit comes too. The bad guys are beat but still have thier stones, but our heroes have theirs, everyone celebrates and the castle collapses because why not. NOTHING WAS RESOLVED

I like the metal mutants episode more as I write about it. The first one is more batshit insane, but this feels like a more solidly put together story. I mean it's still nuts, yo uhave the random ghost, but it feels far more in line with 87 tmnt: plenty of jokes but nice stakes and action to go with them and a premise and setup that could easily slot into the show before the red sky days.

Overall theses ovas are goofy fun. Probably not among the best turtles content but fun unique toy tie ins that are just long and batshit enough to be fun, but not so long they outstayed their welcome. I would've loved a full TMNT anime and still would at some point, but this is a pretty neat piece of turtles nonsense right when I needed it most. Thanks for reading.

[waitmyturtles]

The very quickest of updates on the Old GMMTV Challenge!

1) I’m emotionally recovering from the AMAZING FEEDBACK SESSIONS related to Thursday’s TharnType review. So many folks commented, reblogged, sent asks, and/or DMed me -- amazing stuff, painful stuff, personal stuff. What I’m really impressed by around here is how the fam that interacts with me and my posts take ACCOUNTABILITY for what y’all watch. I had some tough but EYE-OPENING and RESPECTFUL conversation. My heart is so full. 

2) Theory of Love review dropping Monday! FUCK, THIS SHOW WAS SO RIDICULOUSLY GOOD. GAAAAHHH. I really sing its praises, so for those of you who couldn’t stand it, this might be another review to avoid! (BUT, but, it might be an interesting read for those who might want to plumb the depths of why you didn’t like it!)

3) I am having the TIME of my life watching 3 Will Be Free. This is only my second Jojo Tichakorn show, after Dirty Laundry (GODDDD I LOVED THAT SHOW), and just.... Joss and Tay? Jossy midriffs? Tay as someone the POLAR, POLAR OPPOSITE OF PETE? (P’Pete About Aboyz, he is NOT here.) Sine, Gunsmile, Jennie? I’m loving Mild? 

Jojo just overwhelms in such a GIVING way. I really need SO MANY MORE shows about the Thai sex industries. I’m CRUSHING through this show. Next week might be another two-review week. Let’s see.

That’s it! I’m behind on Tokyo In April Is...., but I’ll catch up. I’m too wrapped up in 2019!

[pandasmagorica]

Intro/tracking post

Last updated November 17, 2024.

Older queer white cis dude in California, pronoun he.

Love music.

Enjoy QL, mostly Thai, mostly series.

Here to read and comment on posts. Lack of posting does not represent non-engagment with a series. Reblogging represents engagement, not (necessarily) agreement with a post. Non-reblogging may (or may not) reflect an accessibility issue with the original post or that there is some other reason I don't want it on my blog (even if I like or agree with it).

If a series puts me off in the first episode, I will often abandon it, sometimes within the first few minutes. I'm less likely to abandon midway. If I'm considering abandoning a series I've otherwise liked up to that point, I'll often read the reviews on MDL or look up posts on the series, at risk of getting spoilers, to decide whether to go on with it (and it's gone both ways).

Not a fan of spoilers, but recognize it as a risk of engaging so I don't (usually) spoiler-shame. Please don't put them in comments to me, if you would be so kind.

Okay with sad endings if they're earned or otherwise inevitable.

Incomplete watchlist (which I will update from time to time):

In progress - active

Every You, Every Me (week by week watch)

I normally try to do only one week by week watch at a time, but Every You, Every Me is more of an anthology series, so there's rarely anything to track from one week to the next.

Top Shows (in order as best I can, ask me on another day and stuff might move):

Until We Meet Again and everything I like better than Until We Meet Again. Expands as needed.

Not Me (best QL series ever for plot, acting, cinematography, and music, content warning for violence) (1 re-watch)

Bad Buddy (lots of fun, new discoveries on every re-watch) (3 re-watches)

Knock Knock Boys (episode 1 notes with mature content) (episode 3-6 notes without) (sex positive romantic comedy)

He's Coming to Me (heartwarming, delightful coming-of-age work. I didn't care for the library raid part and skipped it once on rewatch and there seemed to me to be some inconsistencies with the ghost rules.) (3 re-watches)

Cherry Magic (Japanese version, delightful, looking forward to the Thai remake if they ever settle the rights issues)

To Sir With Love (could get me to try lakorns)

Semantic Error (enemies to lovers comedy that hits all the right notes)

A Tale of a Thousand Stars (fine series, not sure why I haven't rewatched it, need to rewatch after Our Skyy 2)

55:15 Never Too Late (not QL but has a QL subplot, notable for having an older semi-out gay character) (1 re-watch)

Gaya Sa Pelicula (Like in the Movies) (odd couple thrown together, fall in love, hit limits

Eternal Yesterday (re-watch episode notes) (not usually into high school QL but the plot got me and it blew me away, achingly sad throughout) (1 re-watch)

Until We Meet Again (fine contrast between the ghosts of the past and the world of today, deep story, but has a few problematic scenes that I cringe at, theme music got repetitive; content warning for suicide) (2 or 3 re-watches)

Much as I love them, I don't automatically recommend every one of them to everyone. The right rec for the right person!

In progress - on hold

The Eighth Sense (on possible hold as I consider a trope I don't love)

Cherry Magic (Thai) (on apparently long-term hold pending rights issues)

I Promised You the Moon (but not actively watching)

Considering

Okay, this is a really long list and I'm probably not going to watch all of them, but a fan's gotta dream, right?

Although I Love You, and You?

Boys Be Brave

Ex-Morning

Happenstance

The Heart Killers

Leap Day

Living With Him

Mama Gogo

Midnight Motel

My Strawberry Film

Old Fashioned Cupcake

Oh! Boarding House

1000 Years Old

Peaceful Property

The Player

Revamp

Shadow (although probably not)

Stay Still

ThamePo

Tokyo in April Is...

Us

First episode watched but not committed to

Our Dining Table

Also Completed:

A Cut Above (in alphabetical order):

Near misses for my top list, bubbling under that line. Highly recommended.

Anti-Reset (episode notes) (speculative fiction on the future of AI, in a robot and a human who fall in love, quite emotional)

At 25:00 in Akasaka (review) (QL meta romantic comedy, content warning for dubcon that kept it off my top list)

Century of Love (episode notes) (a 120-year-old man learns to let go of the past and find his future with a young man he meets by chance who might be that loved one from the past after all, content warning for violence)

Formula 17 (campy and fun) (2 or 3 rewatches)

4 Minutes (review) (avant-garde metaphysical exploration of regret and renewal)

History 3: Trapped (very funny and enjoyable

I Became the Main Role of a BL Drama (feel-good comedy)

The Great Doctor (episode notes) (not QL) (medical/historical/time travel mashup, content warning for violence and gory medical stuff)

Kiseki: Dear to Me (watch notes) (top notch crime drama with a lot of humor - content warning for violence - includes an older gay couple) (1 rewatch)

Lovely Writer (very meta about the QL industry and quite funny)

The Miracle of Teddy Bear (episode notes) (magical and bittersweet; includes an elderly gay couple)

Moonlight Chicken (touching and fun)

Once Again (touching time travel, sad throughout) (1 rewatch)

180 Degrees Longitude Passes Through Us (intelligent and a good watch, melancholy, feels very much like a stage play)

The Sign (deeply flawed but wild and enthralling deep dive into northeastern Thai mythology disguised as a cop series - content warning for violence - yeah, it's a mess but it's a glorious mess)

10 Years Ticket (episode notes) (crime drama about two warring families, bittersweet ending - not QL, but there's a QL subplot)

3 Will Be Free (review link) (wild ride with great twists, content warning for violence, yeah I'd call it QL)

Unknown (review link) (found family, found love - content warning for violence, unrelated "brothers")

The Warp Effect (not QL, but some queer characters)

and a fanfic:

What's in Your Head (Bad Buddy zombie fic) (content warning for violence, requires AO3 login)

Others I enjoyed (in alpha order):

I enjoyed these enough to be happy I watched them, but not enough to consider them classics and in no danger of breaching my top 10.

Be My Favorite (fun time-travel fantasy with a strong political viewpoint and good twists, one of the mains is a bit hard to take)

Bed Friend (not sure enjoyed is the right word, has some triggers, but worth seeing, loved the cat role-play)

Bite Fight (so bad it's good; horror comedy)

The Boy Foretold By the Stars (fun, sweet comedy)

Choco Milkshake (fun, touching pet fantasy)

Cupid's Last Wish (fun body-swap plot, insane amount of food and landscape porn, rural settings, content warning for gross cow veterinary scene)

Dark Blue Kiss (pretty good, creepy interloper)

Dear Tenant (enjoyed isn't the right word, and had to pause and walk away from it partway for a major cry, but an excellent film)

DNA Says I Love You (review link) (sweet, sad, interesting gender minority rep)

The End of the World With You (mix of SF and fantasy, good story and relationships)

Eternal Summer (Taiwanese film about youth discovering their identity - bisexual love triangle - well done if a bit melancholy)

First Love Again (A slave and a woman in Goreyo fall in love, but the slave is killed for it. Two reincarnations later, they are two men in modern-day Seoul. Oh, and there's a spirit who used to be a cat guiding the former slave through his wish to be loved. Good balance between romantic comedy and drama.)

Ghost Host, Ghost House (nice supernatural treatment)

Gift Shop for People You Hate (not QL but has two minor gay characters making guest appearances, one evil and one harmless) (horror, with a very dark sense of humor) (this one doesn't show an English title on YouTube, but if you search YouTube under that name you'll find it) (1 rewatch)

Innocent (a relationship involving split personality disorder, very different, dubcon alert)

Jack O'Frost (melancholy and sweet)

The Man Who Defies the World of BL (very funny after watching several series and becoming aware of the tropes)

The Man Who Defies the World of BL season 2 (okay, maybe a joke can go on long enough)

Me, My Husband and My Husband's Boyfriend (bittersweet poly-ish story)

Midnight Museum (not QL but has a major bromance that could go full QL if there's ever a sequel) (a mess, but a glorious mess)

Mr. Unlucky Has No Choice But to Kiss (quite enjoyable)

Monster Next Door (extrovert falls for introvert, romance and miscommunications ensue)

My Ride (enjoyable comedy with dramatic moments - includes an older gay couple)

Naked Dining (good fun, lots of misunderstandings and food porn)

Neverland (web series from India, well done and too brief)

Our Dating Sim (fun series about the courage to correct your mistakes from the past, set in the video game workplace - a few cringe moments, but generally a very kind series)

Peaceful Property (episode notes) (bromantic ghost comedy drama, takes until the halfway point to get really good so approach with patience)

Rainbow Prince (campy and fun, not enough songs for something that's supposed to be a musical, you have to be okay with cheesy)

Rak Diao (funny, very silly, very sitcom, although the harassment jokes got old fast and didn't stop)

The Rebound (sports meets organized crime and trouble mom, new entry into best grandmothers of QL, fun and thrills with some teary moments)

Silhouette of Your Voice (movie, a young man who is losing his hearing meets another young man who he can hear clearly - interesting take on disability, slow in places)

Sleep With Me (review link) (sweet lesbian romance, kinda slow for such short episodes, great disability rep)

Something in My Room (the abridged-episode version) (good, not great, ghost story)

Stay By My Side (review link) (fun ghost story version of Mr. Unlucky Has No Choice But to Kiss)

Tale of the Lost Boys (movie) (friendship story between a visiting straight Filipino and a gay Taiwanese aboriginal in Taiwan, heartwarming story)

Tinted with You (a way too short, fun time travel fantasy involving a painting and a mystical art lover that bring an art student together with an ancient deposed prince)

Twilight Kiss aka Suk Suk (fine, bittersweet Hong Kong film about an affair between two older heterosexually married men who are actually closeted gay men)

Twins (Thai pulp, fun, not too deep, some poop humor)

Wandee Goodday (a smart, sex-positive comedy with some missteps that kept it off my cut above list)

What Six Survivors Told (quick review) (zombie comedy, not QL but a bi character and same sex attractions, strong female characters, very funny)

Your Name Engraved Herein (not sure enjoyed is the right word but it's fine work)

Zero Photography (from Magic of Zero) (most entertaining product promotion vehicle I've seen in QL, even better than Pran & Pat's product placements in Bad Buddy)

Torn about:

These all had some kind of major issue that prevents me from recommending them.

Fish Upon the Sky (appalled at the racism/punch-down humor in episode 4, otherwise loved its play with form)

Last Twilight (entrancing series, but the characters didn't grow, the ending was poorly set up - needed a few more episodes - and it ultimately fumbled on disability rep)

Mr. Cinderella (nearly abandoned this one because of a supporting toxic character, but kept with it after reading a post about the traditional Vietnamese story it was tracking)

Secret Crush on You (cringed for the first half, considered dropping it, read the defense by trans reviewers, watched the rest, and suddenly it got really good)

Together With Me (mix of great content and really problematic content)

Lukewarm:

I'm more glad than not that I watched these but in retrospect would have been okay if I had missed them:

Bagan Beginning (Not-bad early Myanmar foray into QL, lots of food and antiquity porn, content warning for violence in the last episode)

Color Rush (interesting concept, just okay)

Enchanté (not as bad as people say it is, but also just okay)

Gay OK Bangkok and Gay OK Bangkok 2 (definitely gay and, er, okay)

Nitiman (okay enough)

Only Friends (episode notes) (a sex farce with too much toxic behavior for my taste and a last episode choice that left a bad taste in my mouth)

Our Skyy 2 Bad Buddy x Thousand Stars (counting the four episodes as one series even though they have different names, didn't love this but didn't hate it either, very pale compared to the original two separate series)

Our Skyy 2 Vice Versa (was just okay with a really bad idea at the base of its plot)

Star & Sky: Star in My Mind (not great, not bad)

The Tasty Florida (cute enough, just so-so)

Vice Versa (brief notes) (good concept, product placements became way too intrusive for my full enjoyment)

Ones I wish I could watch:

I only watch legit sources, both so the creators get money for it and to reduce the hacking risks that watching gray presents.

Triage (I don't have a Thai phone number to log in to AISPlay, and even if I did not sure if it would have English subtitles)

Manner of Death (I need a WeTV subscription and will check that out) (thank you to @lurkingteapot for this info)

I Feel You Linger in the Air

Peach of Time (supernatural plot) (supposedly I can watch this on WeTV using VPN but I'm not yet ready to make the leap to VPN)

Series I abandoned:

23.5, despite my pledge to watch it, very late (episode 11, mid-part-2/4) because of what I call the punching bag trope that just showed up

Accomplishment of Fundoshi Bartender (episode 2 when he screamed offstage about not dating married men - I know this series isn't intended to be realistic but I still need the other characters to react to his behavior - this series has gotten entirely too silly for me)

Caged Again (cute idea but not into the high school dynamics)

Candy Colored Paradox (bored by episode 2 or 3)

Cooking Crush (a few minutes into episode 1 [2/4] as it is getting way too silly for me, plus we're going to have to put up with hazing/bullying as comedy - at least they had some new sound effects)

Cutie Pie (hated the infantilizing, left by episode 3 or 4)

I Told Sunset About You (left in episode 1, not loving the high school content)

Love by Chance (had someone fall on top of someone else in the first 30 seconds, left immediately)

Love Stage (apparently without most of the music - I'm guessing there's rights issues - but I abandoned it after 2 episodes because one of the lead's acting felt flat and I didn't enjoy the humor)

Lucky My Love (first segment didn't engage me)

Meow Ears Up (lost interest in the first episode with the fangirls in the store incident)

Monster Next Door (I'm finding the visual effects painful)

My Secret Love (first segment didn't engage me)

One Room Angel (dropped after episode 3 because it's so depressing; open to returning if it cheers up)

Playboyy (a new record - I got scared away by the content warning before the episode even started - however, based on various posts I might reconsider in for a binge watch once it's over)

SOTUS (not a fan of hazing)

Star & Sky: Sky in Your Heart (abandoned around the time of the outhouse incident)

Theory of Love (abandoned when nearly at the beginning Gun's character was crying in the shower)

VIP Only (failed to engage me in the first episode)

Un-favorite tropes:

Falling on someone

Heavy seme/uke dynamic

Northern rural Thai loan sharks

Evil ex

Boss/Employee

Stuff that I've written as opposed to reblogged I've tagged #pandasmagorica so I can find them easier.

[absolutebl]

This Week in BL

June 2023 Wk 3 

Being a highly subjective assessment of one tiny corner of the interwebs. Organized by which ones (in each category) I’m enjoying most.

Ongoing Series - Thai

Step By Step (Tues WeTV & Gaga) ep 9 of 12 - There sure is a lot of drinking in this show (who am I to talk?). Omg so awkward: The not-break-up not-confession. I have heartburn. Also I could not watch Jeng break down. Just nope. Then time jump? If that was our DOOM episode the timing is off. Or next week is the final? Or we get 3 eps of domestic bliss and sexitimes? I’m confused. 

La Pluie (Sat iQIYI) ep 9 of 10 - I like how trope-subversive this show is - first soulmates, then love triangle, now the faen fatal. NO SINGING. Oh good. They didn’t! Yay! So yeah I still love it. But I am also still a touch scared of where it might go. This one can’t be trusted. 

Be My Favorite (Fri YouTube) ep 5 of 12 - not a bad ep this week or was I too drunk to register nuance and damage? You decide. Trash watch here.

Luminous Solution (Sat Gaga) ep 5 of 6 - I always have to psyche myself up to watch this show, because I want to fast forward through most of it, but it’s on Gaga so that’s damn near impossible. At least this is the penultimate episode. I think after 3 BLs I can safely say Gun is just not a good actor. Speaking of... crying clothed in the shower? I haven’t seen that trope in years. But I LOVE the high school boys and their story so much. Love Sick level of earnest floppy goodness, I’m such a sucker for this kind of romance. I want them to be in a completely different BL. I’m so conflicted. I NEED this show to end so I can decide how I feel about it.

Ongoing Series - Not Thai

Love Tractor (Korea Weds iQIYI) eps 5-6 of 8 - So much is happening, evil x-boyfriend shows up. We got flashbacks to coming-out drama + nasty dad (super unusual for a KBL). But baby’s first taste of desire is hilarious. This one is full of lovely contrasts, and contrasting life experiences. It’s all about support and neglect. 

Tokyo in April AKA Shigatsu no Tokyo wa (Japan Thurs Gaga) ep 2 of 8 - Very much full of hero worship and giving me My Beautiful Man vibes (only softer and office set). “Dazzling” = always an interesting word when it comes up in JBL subs. It’s clearly a Japanese word/concept like kawaii  that is more complex than the English word being used. Meanwhile, this being Japan we get lots of hints as to separation and dark past events. 

Tie The Knot (prev Under the Same Sky) (Pinoy YouTube) eps 1-2 of 8 - From OXIN Films (Rainbow Prince), based on a true story (?!), Briggs's family runs a bridal business but he has never fallen in love until he meets a groom to be in an arranged marriage. EXACTLY the same premise at Mame’s forthcoming Wedding Planner. There are so many characters and prospective couples (including a v bi girl with a female fuck buddy, not seen that in a BL before) that it is a little hard to keep straight (heh). I’m sure it will shake out. It’s intriguing so far, if a touch silly. I actually like the arranged marriage premise because the two rich kids involved in it are so weirdly kind & platonically sweet to each other, even if they’re both on the same page about it only being for show. 

Vian the series (Vietnam YouTube ) ep 7 & 8 of 12 - Apparently there is very little difference between a cat and a demanding princess of a boyfriend. That clocks. Basically this was the dating times. 

Naked Dinner AKA Zenra Meshi (Japan Fri Gaga) ep 11 of 12 - There is a lot more meat to this silly little BL then I thought there would be given the premise, but it’s Japan so that’s as it should be. But, as it’s Japan there’s also a little too much cringe for me. I do enjoy how generous Japan is with late bloomers and I would def like to host a kimchi party  but otherwise... meh. 

Stupid Genius (Vietnam Fri YouTube) ep 3 of 6 - Bi erasure still alive and well I see. This one remains fine for VBL but no more than that.

It’s airing but ...

House of Stars (Thai Mon iQIYI) 12 eps - I bounced at ep 3. Will binge if told it is worth it at end.

Stay (Pinoy YouTube) 7 eps - It’s mostly in English and set in LA so I’m not bothering but the first one did drop.

Ever After (Pinoy YouTube) - I investigated but as spies reported it's a real mess (not a hot one). Don’t bother. 

About Us but Not About Us (Pinoy Prime?) - from 2022 supposed to be finally getting inter distribution, didn’t show in my territory. A professor grieving the loss of his partner meets an ambitious literature student. I’m not fussed. 

Stay With Me ... NO! 

In case you missed it

What Did You Eat Yesterday movie, BL Express posted a review. I’ve yet to get hold of it but if you enjoy Our Dining Table this is it’s grown up parent series & movie. 

Café in Love - I finally got around to watching this. And frankly it hits all the tropes but is so damn bad. The setting is cute, the central brotherly relationship is sweet, the side cast is v queer (baby gay has all these auntie queens catting about) and some complex bisexual awakenings but… but… everything else is a chemistry void. Some fun language wordplay and exploration of cultural tropes like cheek kissing does not save it from an unnecessary amount of punching  and a but ton of sexual harassment and statutory rape. No thank you. I had to rewatch Destiny Seeker to get over this. 3/10 

I gave up 

Takumi-kun Series 6: Nagai Nagai Monogatari no Hajimari no Asa (Japan Sun ????) 10 eps - NO ONE ASKED FOR THIS and no, I have no idea where to get it, why would I? Apparently it finished. I still can’t find it but it’ll be off this list next week.

Why You (Khmer ????) - Billed as a horror romance, not sure if this is a movie or a series where it aired... nothing except that it exists.

Next Week Looks Like This:

3 BLs are finishing but nothing is starting up. We running lean these days. 

Just started today (Sunday): Dinosaur Love (Thai iQIYI) Trailer 10 eps - from Ultimate Troop about a uni student, Rak, whose partner cheats on him with Rak's best friend. This gives bad boy hazer Dino an opportunity to hit on Rak at last. From The Yearbook people so I shouldn’t watch this as it airs. After Remember Me? I swore never again with them. But there’s so little on right now, I might fall on the pulp sword. 

I’ll include it in next week’s summation. 

I’ll have the July 2023 upcoming for you next week too. 

2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED)

THIS WEEK’S BEST MOMENTS

I love him, Your Honor. (Be My Favorite... HIM, he’s my favorite.) 

I love them, Your Honor. (Luminous Solution) 

Watch a tiny GL ship set sail across the seas of overly optimistic tumblrs... (La Pluie)

MY PRECIOUS! OMG I LOVE HER SO MUCH. (Tie the Knot) 

Incidentally, I would like a future as a dictatorial elder queer running a slightly shady business fleecing the straights via their dumb marriage traditions surrounded by nubile half-naked hotties.

And ya know what? I think this is achievable life goal for me. 

Gotta go, I have a future to plan. 

(Last week.)

[bengiyo]

BL 2023 Review

I wasn’t sure how I wanted to write about BL for this year. I was originally going to do a The Good, The Bad, and the Ugly framework for it, but that feels meaner than I actually am about it. Instead, I think I’ll just write out some sections and unpack some things I felt along the way.

I Watched Too Much Again

Last year I engaged with about 92 productions around the world. This year it was 99 (I tracked stuff I completed here). Sure I dropped 18 of them this year, but goddamn. The problem with watching as much as I did this year is that I worked full time this year and also maintained a separate hobby. I also continued my twice-weekly watch sessions with my friend Emily, so there are an additional 100-ish watch sessions in here of rewatching, plus a few other rewatches (Theory of Love and My Ride most notably).

One of my struggles at this point is I’m far too familiar with the genre, and find myself feeling impatient and irritable with shows that aren’t to my taste the way I used to. Throughout the late summer and fall I found myself increasingly grumpier about the genre, and it didn’t get better until I had a holiday and basically slept a day to get some energy back. I also found myself growing apart from fans I’ve known and followed a long time. It’s been a difficult year for me as a long-time fan because my tastes, habits, and friendships in the genre have changed even if the amount I watch hasn’t really.

I Wrote a Lot This Year

I recently converted my watch tag away from my gaming internet persona to just my shortname, so all near-1000 of my Stray Thoughts posts can be found under #ben watches now. I’ve also been going back and adding #ben writes to some of the standalone pieces that I really liked. In reviewing them, the pieces I’m happiest about are my ode to Framboise from Kabe Koji Nekoyashiki-kun Desires to Be Recognized, my post begging everyone to watch La Pluie, my post about what it means to actually like queer men, my SBS ep 10 post that ended up being wrong, my post about the Lavender Scare and Be My Favorite, my Tokyo in April is… post about the breaking of the BL line,

However, the two posts I am most proud of is my half-joking response about why I think tagging each other back and forth across Tumblr in our writing is so important. and The Knowing: Being Queer in BL because I had so much great conversations with folks as a result of both of these posts.

Looking back at my own blog, this is probably the most active I’ve been in my entire time on this website, so thank you to everyone who interacted with me this year, because it really is people talking to me that gets me most inspired to write things down. Big shout out to @lurkingshan who will bug me repeatedly until I blog something that I said in passing.

We Started a Podcast!

After hanging out with @shortpplfedup since Bad Buddy, she got inspired and really wanted to bring something different to the BL podcasting sphere. I had time, and liked talking with her enough, so we started @the-conversation-pod. Now we’re a full year into it and planning out future stuff. It’s been so much fun being able to get things off my soul and break poor NiNi in our recording sessions.

From this year, I think my favorite episodes we did were The Moonlight Chicken Episode, the Eighth Sense episode, the ITSAY Anniversary Episodes,  The Wedding Plan episode, , and The Holiday Clip Show. Huge shout out to @ginnymoonbeam for anchoring the transcription process, and @lurkingshan for editing.

The VIIB Awards will begin airing soontm so look forward to that.

Favorite New Term: Business Gay Performance

Let’s be clear, Bump Up Business is not good. It is an obvious BL cash grab from OnlyOneOf that seeks to comment on the fake nature of BL while doing everything it can to trick the audience into believing that the BL pair is real.

Before we got deeper into this year, I was a big fan of a certain pairing, and then their fans took it too far and it affected the way I engaged with their performances and their work. I like that we have a new term for “fanservice” that communicates that you understand that this is for work. (thanks to NiNi for this comparison) I can look at the latest behind the scenes video from Last Twilight and say that I think Sea really understands the work they’re doing, and he and Jimmy have a very relaxed and mature version of BGP without feeling like I’m feeding into shipping.

Do I think they’re dating? No. Do I like the way they fake it? Absolutely!

I can look at one of @respectthepetty posts about Yin and War having personalized, color-coded mics, and we can talk about the next level BGP between the two and both communicate that we know that this is a performance.

It actually makes the extra PR work fun for me again, because now I can just shout “BGP! BGP! BGP!” and it not feel like I’m giving myself brainrot.

Thai BL Needs to Finish Stronger Next Year

Let’s get into some of the show stuff. This year was defined for me by Thai BL starting strong with good premises and then squandering them by not focusing on the details that mattered or leaning into baseless melodrama. Time for some reads. Some of these shows were generally good, but they failed at these things:

609 Bedtime Story: The world building crumpled in the back half and both endings are flat.

A Boss and a Babe: Cher is a pro gamer who worked for a gaming company and there was no plot point about this at all, or collaboration between the two groups.

Bake Me Please: Why was a show about cake so lacking in flavor?

Be Mine SuperStar: You had a real opportunity to explore a fan and idol romance and had Punn show so little growth. I hope the footage of First’s range is helpful now that Ja is out of BL.

Be My Favorite: You redid that whole amusement park date and muddled so much of what the hell happened on that day.

Between Us: You had years to make this interesting. Why are there five pairs and why is the end of this a JC Penny catalog photoshoot?

Dangerous Romance: What the fuck happened to the Sailom we had in episode 1 and 2 before that gun incident?

Hidden Agenda: Tee, what the hell was this? Twelve weeks of this?

I Feel You Linger in the Air: You may be the most beautiful show, with some of the most impressive performances of the year, but you absolutely botched this ending. Finish the goddamn season next time.

Love in Translation: I love you, but that whole kidnapping plot was so stupid at the end.

Low Frequency: I like your OST. That's about it.

My Dear Gangster Oppa: No examination about how gaming friendships become close quickly because of the combination of anonymity and teamwork (shout out to @twig-tea for this excellent summation).

My School President: Saving your gay commentary for the final episode felt like a conservative choice. I want more from you next time.

Naughty Babe: You retconned your own characters to tell a worse story. Unforgiveable.

Never Let Me Go: You didn’t know if you wanted to be a high school BL or a mafia story. It was difficult to watch.

Only Friends: I cannot believe you did Boston like that at the end. Either give Force’s character a clear personality next time, or keep him enigmatic; half measures make him and Book look worse. Sand was absolutely embarrassing. Boeing was a waste. Ending on all of them paired like that felt so unearned.

Step By Step: You forgot to ground Jeng’s external dreams at the end, so the final two episodes are just frustrating.

I’m glad I got that off my chest. We can go into the next year now.

Korea Put in the Work This Year

I really like the efforts from the various Korean studios this year. I really hope we get a Strongberry joint next year, but I want to acknowledge that we had 18 Korean BL dramas I watched this year, and at least three of them I think are must watches: Our Dating Sim, Sing My Crush, and The Eighth Sense. Beyond that, I think Love Tractor, Unintentional Love Story, and A Breeze of Love are easy recommendations.

It’s really impressive how the complaint for me this year with Korean BL is not about them using their time poorly. It’s more about normal drama concerns, where I think characterization is a little weak, or a theme doesn’t land squarely. This rapid iteration from the Korean studios is really impressive to watch, and I’m excited to see what some of the recognized players do next year.

Taiwan and The Philippines Have Been Quiet for Me

I wasn’t really able to connect with much from the Philippines this year except for The Day I Loved You. I never wrote about The Day I Loved You, but this beautiful and heart wrenching show is one of my favorites from this year. I wasn’t too keen on the Oxin Films offerings of this year, and I’m still chasing down the ones from The IdeaFirst Company.

As for Taiwan, this new BL project from the end of the year just isn’t hitting. Kiseki: Dear to Me also ended up really hurting me with the way they used Wayne Song and Huang Chun Chih. I love that angry little man with the white hair, but I’m still salty about Wayne and the general mess of that show.

Japan was Busy This Year

I watched 16 new shows, a few older ones, and a few movies this year from Japan. We haven’t gotten this much from them ever. I continue to love the Drama Shower project from MBS, and my beloved What Did You Eat Yesterday? returned this year. We had pretty stellar outings with Our Dining Table, If It’s With You, and I Cannot Reach You.

I think a third of the Japanese BL I’ve tracked on MDL actually released this year. That’s huge.

Still, I am going to side eye Minato’s Laundromat 2. You were the show that let me down the most this entire year. More than Only Friends, more than Step By Step, and even more than Kiseki. You absolutely blew it. You were telling a great story about a man with an acute case of internalized homophobia coming out of his shell and learning to love his younger partner and you blew it for stupid amnesia nonsense. I will never forgive you for this.

Where Were All the Uncles This Year?

Really, without Jim from Moonlight Chicken, and without the men from What Did You Eat Yesterday? we had an alarming dearth of older gay characters passing on knowledge and wisdom to the youngsters this year. What the hell happened?

Rare Dynamics Won: Second Chance Romance and Friends to Lovers!

We had so much second chance romance this year. It’s really my favorite version of gay romance because gays don’t always have ideal settings when they’re young. We had Our Dating Sim, Individual Circumstances, Jun & Jun, The End of the World With You, Tokyo in April is…, Be My Favorite, Love Class Season 2, and A Breeze of Love. I am satisfied.

Friends to Lovers is actually so rare in romance and we have so many to choose from this year! The best examples are I Cannot Reach You and Sing My Crush, but we also have one of the pairs in Love Class Season 2.

Gay Thoughts

I had a couple of ongoing thoughts this year about queerness in BL.

First, I want to return to my post about Sing My Crush and La Pluie, and how I assert that Men Need to Be Angry Sometimes. More than giving men grace to be righteously angry or upset about things, along with letting them express it in ugly ways, I really want to get into how we engage with these shows. I will stop engaging with moralistic reads on characters in 2024. I will no longer engage with asks, reblogs, or meta gripping the fandom where we're judging the moral fiber of the character.

The question that really only matters for me at this point is: Is this act from the character justified from their characterization, the narrative, or genre conventions; and is it interesting? Whether or not the character is good or bad reeks of the lame arguments about good and bad representation, and I am not watching BL like I’m being graded in Sunday school.

The second thing I really want to acknowledge at the end of the year is that the gay sex is finally getting better again. I watched The Novelist this year, and we have taken so long to get back to the space that show took us on the portrayal of male-male intimacy. We are in the genre about people with dicks. It should feel like it. There should be a masculine component there that feels specific to queer intimacy.

I will acknowledge 2 Cutie 2 Pie, A Boss and a Babe, Be Mine SuperStar, Bed Friend, Candy Color Paradox, For Him, I Cannot Reach You, Kiseki: Dear to Me, La Pluie, Love Class 2, Love in Translation, Love Mate, Middleman’s Love, Naughty Babe, Only Friends, The End of the World With You, Tokyo in April is…, and Wedding Plan for your contributions.

Final Thoughts

I like how broad the genre felt this year, and I enjoyed how much speculative fiction is entering into the conversation. I don’t know how I feel about there being five vampire stories in the works next year, but overall I’m glad that we’re getting more experimental concepts. I’m burnt out on the college engineering BL, and would like to see more shows about working adults.

Despite how grumpy I was for at least three months, I think this has genuinely been one of the best years we’ve ever had in the genre. I made a lot of new friends in BL this year, and I’m excited to see what comes next. Thank you all for spending some of your time with me this year and I’ll see you in the next one.

[astoundingbeyondbelief]

Kaiju Weeks in Review (April 14-27, 2024)

Kazuhiro Nakagawa has directed a new Godzilla short, although you'll have to travel to the Tokyo Metropolitan Government Building to see it properly, as it's projected on the surface of the building! Failing that, here's the best-looking video I could find on YouTube. Godzilla: Attack on Tokyo runs about seven minutes and pits Godzilla (Naoya Matsumoto) against an upgraded Super X2.

Chibi Minilla has made her (yes, her) debut in Chibi Godzilla Raids Again. It's an interesting situation where the character isn't specifically gendered in Japanese but is definitely female in the English translation; Wikizilla has the details. Also, the episode itself has serious Godzilland vibes.

I forgot to mention that Godziban (which is still releasing specials; unknown when they'll get to Season 5) introduced Gojita and Zillala, based on the Final Wars Godzilla and Zilla, respectively. 2024 is truly the year of pink Godzillas. This week's episode brought Varan to the fore.

IDW solicitations included the 14th Godzilla Rivals issue, Godzilla vs. Manda. Nice to see a C-lister like Manda in the spotlight, as Rivals has mostly stuck to higher-profile creatures. Jake Lawrence is writing and illustrating. The logline:

Late into the night, the crew of a small fishing trawler off the coast of Australia is keeping busy by telling stories of the sea. Little do they know, they’re moments away from happening upon a mysterious shipwreck… and the fearsome sea dragon Manda going toe to toe with Godzilla in the middle of the most brutal ocean brawl any sailor has ever seen. Can this small crew make it back to shore safely in the midst of this all-out kaiju battle? Join Jake Lawrence (Teen Dog, A Nice Long Walk) on a thrilling adventure on the high seas to find out!

[yourkimjaejin]

12:04 pm ~ Juno ~ April 2023

"Juno, I know you're angry-"

"Angry?! I'm past angry. I'm tired. I worked for months, training and getting ready for a group you ripped away from me with no warning. I wanted to be in a group with Sungchan, Shotaro, Eunseok and Seunghan. Now, they'll be debuting without me and I'm left with no second group, again. At this point, I'm ready to call it quits and have AG as my only group. I kind of like having a regular schedule."

"There's no need to be hasty Juno-ssi. A part of AG's concept is every member has a second group. You and your fans have waited a long time for this and...and I'm prepared to make it worth your while."

"What do you have in mind?"

.

.

.

"Final decision?"

"You'll make the final decision. You'll review the boys progress week to week and at the end of the show, you will be the decider. Who debuts and who doesn't will be up to you. This group will ultimately be your group. Your second group."

"I get to decide who debuts?!? You trust me with that power."

"I trust you won't be biased."

.

.

.

"I want to be the leader."

"Excuse me?"

"You just said this is my group. I've looked at the ages of all these

kids. Someone need to protect them and that's gonna be me. I will join NCT Toyko if I get final decision and you name me the leader."

"And if we don't?"

.

"Well nothing really. Nothing to you or those boys. I'll happily remain a member of AG with no other group of my own."

.

.

.

.

"You have a deal. Juno, you're the new leader of NCT Tokyo."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"Was that a good idea? Demanding to be their leader. I can't count how many times you've called yourself lucky to not be in mine or Marks shoes." Mozy asked while she and Juno waiting for their drinks.

Juno sighs, "I had to. Did you see? Their ages? They're babies! Each one of them is either two to seven years younger than me. Six of them are about to be thrown into an industry where if you don't have a strong mind and a stronger support system it will chew them up and spit them out on the other side. A shell of who you once were." Juno pauses, trying to get her emotions in check. "Someone has to protect them. From SM, from the business, from themselves, it doesn't matter. If it has to be me, so be it."

Moxy smiles at the determination in her fellow members face, "Well, welcome to the leaders circle. We meet every third Tuesday of the month. We answer to Taeyong oppa and only Taeyong oppa. Lastly, our lines are always open should you need any leader-to-leader advice."

.

"Did you have that speech prepared?"

"Oh yeah! Mark stumbled his way through it for me. I figured I'd be saying to one of the boys but.....I'm glad its you. You'll make a great leader."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've been trying to figure out what I was gonna do with Juno and the new group. I thought this idea was my favorite. Juno being a mother of six at age 23!! I kind of love it.

Taglist: @alixnsuperstxr / @1-800-call-ria / @sophrodite / @sunflower-0180

[rifki16]

Love is Better the Second Time Around Episode 5

Photo Credit : Love is Better the Second Time Around Promotional Twitter Account | https://x.com/koi_nido/status/1775007525647372784?s=46

Love is Better the Second Time Around Episode 5

POTENTIAL TRIGGER WARNING: Homophobia and Disownment. I’m not going that deep into the topics which include homophobic and depictions of being disowned, however, I’m just trying to be cautious.

Love is Better the Second Time Around Episode 5 is OUT! Let’s get into the short review right away. SPOILERS DUH.

As expected, of course, the couple broke up even though Haru just admitted that he liked Takashi – as well as agreeing to “go out” with him. I want to talk about four topics from this episode.

First theme: Disownment in Japan

I mean, as it turns out, being disowned in Japan is not only caused by homophobia. I think this has been depicted many times in several Japanese TV medias which I have encountered – I think, in general, not achieving the family’s expectations of you will make you really isolated from the family. However, HUGE DISCLAIMER, this subtopic is not going to talk about whether it is more likely to be disowned in Japan compared to other countries nor is it going to delve into the psyche of Japanese families, as well as their internal dynamics, and why they choose to disown instead of choosing other methods in showing their dissatisfaction or repulsiveness towards their kin. This subtopic will focus exclusively on being disowned in Japan by your family because you have been outed as a cis-gay man through the lens of two Japanese BL works: Love is Better the Second Time Around episode 5, Tokyo in April is… episode… I guess the whole series.

To clarify, I’m talking about the act of disownment of a child or an adult by their family, so it’s not about a baby, newly born or not, being abandoned by their mother because of a myriad of reasons. It’s quite hard for me to find a credible source on the internet about the practice of disownment in Japan, be it the reasons, or mechanism. I found this article about how, in the classical times of Japan, disownment is a form of remedy due to your crimes against your “ancestors” (https://www.japanesewiki.com/history/Fukyo.html).

I also found anecdotes that many Japanese families would disown their offspring because they marry “Internationally”- as the film Life: Love on the Line puts it. The anecdotes are very old, it’s from 2007 (https://ask.metafilter.com/83832/How-does-disownership-of-a-child-work-in-Japan

).

Setting all of those aside, let us dig deep as to what happened in the two series. In Love is Better the Second Time Around, Takashi was outed by, who turned out to be, a distant relative of his. The rumor got spread around. He got disowned. He needed to change his surname from Hoshizawa to Iwanaga. I don’t know how he got his PhD in economics, I assume in Japan, only PhD graduates can be a lecturer. Maybe his new adopted family paid for the tuition fee until his doctorate degree, or maybe he got scholarship all the way up to his PhD studies.

In Tokyo in April is…, Ren was saved by Kazuma from being groomed sexually, not the over-the-internet-incredibly-flirtatious-chat grooming. He was forced to be outed in the hospital to describe what He and Kazuma were doing in the love hotel. Kazuma’s mum slapped and told Ren never to meet Kazuma again. Ren was forced to go to a HS in France, not allowed to inherit the hospital of his grandfather. In the manga, his dad was forced to resign from the hospital, in the live-action series, it was not mentioned about his dad’s status after the rumor of his son’s gay sex act was spread around. He needed to change his surname. He finished his HS and his degree, I think, in France. Then he went back to Japan with his new identity and all.

Now, before going to the analysis. Two things that I have observed to stand out very clearly: 1. The disowned son is still given a future, 2. The disowned son needs to change their surname as he is no longer a member of the family. I still don’t know how Takashi got his degrees, financially, but he still could get those degrees and become a respected economics lecturer. In Tokyo in April is…’s finale, Ren said to his sexual-assault-covering boss that he was grateful to him because he “could repay his family’s tuition” because of the job, which means that his disowning family still paid his tuition in France, just as a loan tho.

It's very unique for me to see this representation, because in many western medias, the disowned son becomes unhoused, a fear which still terrifies me today, and his future really becomes uncertain. In terms of name, I don’t really recall disowned gay men in any western media works to have changed their surname or name completely. I understand that many trans- or non-binary individuals or gender fluid people to have done this, be that they get disowned or not. Let me say before we get deeper into my two cents of this subtopic. I’m not saying that disowned gay sons in Japan have it “easier” compared to other disowned gay sons around the world just because that they are not immediately unhoused in these two BL works. I don’t know the statistics, and I really don’t think we should compare our sufferings amongst us gay men.

A). However, does Japan’s own attitude to the idea of a “state” contribute to these representations? I mean, in western media works, the disowned gay son is completely cut-off because said son is not a member of the family and thus not merited the PRIVATE wealth and comfort of the family. Western idea of ownership, state, and cold-war era propaganda of the “nuclear family” really contribute as to why the representation of disowned gay sons in their media become understandable. But in Japanese, it’s very new for me. Or is it a mere fear of criminal prosecution if the family doesn’t provide means for the future of the disowned gay son? I don’t know.

B). Your family name holds a special place in Japan. I know that it also carries a huge weight in many parts of the world, even here in Indonesia - where most plebian families don’t have a surname - your surname holds such an importance too. In most western media works which I have consumed, the disowned gay son, doesn’t really change his name. He just gets own with his own life, as his surname is the last of his concern. I think this connects well with the first observation I made – in most western media works, the disowned gay son is too focused on surviving, that he doesn’t give a fig about what he is called. If we see it in practical terms, let’s say a disowned gay son is moving from somewhere in the deep south of the states, and he moves to somewhere in New York, new England or somewhere in the west coast, his new start will not really check his name on some federal database, his new semi-blue-collar employer will not check his family background. Unless that he has a criminal record, he is free to use his old name or a new one, his family will not be disadvantaged at all because neither his new life nor his family is connected.

Take these observations with huge grains of salt, as I did not revisit many western media works as a reference, and I have not, and did not, included all Japanese BL works which have this trope, such as Umibe no étranger. I completely forgot as to what happened to the disowned gay son, in that anime film, before coming back to his hometown.

Second theme: Foreigners and Japanese

The second theme I’d like to talk about is Japanese relationship with foreigners. The relationship in a sense of how Japanese see foreigners against/for their patrimony. I will not write a lot about this subtopic because it touches complex topics like Japanese nationalism and the Japanese idea of race – topics which I don’t know much about. To talk about this subtopic, I want to discuss two works, Love is Better the Second Time Around episode 5 and Life: Love on the Line (director’s cut film).

Let’s revisit the chatroom/blog discussion website from 2007 (https://ask.metafilter.com/83832/How-does-disownership-of-a-child-work-in-Japan

). One of the posters said that when, I presumed his personal pronouns are he/hem/his, his Japanese wife married her non-Japanese husband, she got disowned. But then, when her sister got divorced, she was “seen better than her sister”. Setting aside the perception of divorced or spinsterish people, isn’t it crazy that based on that one anecdote, his wife’s family disowned their own daughter just because she married a non-Japanese person. Again, I don’t know the statistics hence I don’t know the prevalence of this behavior. I don’t even know whether the poster of the story on the website was telling the truth or not, however this anecdote is a great jumping point in understanding what happened in the two works I want to present.

In Life: Love on the Line, Ito, the bitch who actually kissed Nishi first, asked to break up with Nishi because he wanted to have “a normal family”. Hold up, I need to vent about Ito, WHAT A BITCH, you really don’t appreciate what you got bro. JESUS, I really cannot contain my anger to Ito. Venting side note over. Ito eventually got a divorce with his wife because he still loves Nishi. And, when he went back to his family’s house to announce his divorce, it turns out his sister is marrying a south Asian person, I forgot whether it was Indian or any other ethnicity. His mother became mad and pointed to his sister that she needed to be more like Ito because he has a normal life and family. His mum’s statement prompted him to stand up and said that he’s getting a divorce, and he has been in love with Nishi all this time and adding “compared to International love, it’s pretty normal right?”, or something to that effect.

In Love is Better the Second Time Around, we don’t really see the family dynamics as to why Takashi is called back to his family, besides the fact that because his sister is marrying a non-Japanese person, he needs to be the one that bears the responsibility of continuing his family’s business. I have not read the manga so I don’t know how Takashi family views their daughter’s “international marriage” compared to their estranged son.

Side note, it seems that Takashi is going to decline the offer to continue the family business because he’s gay… huh? I mean in Restart After Come back Home, Mitsuomi still can continue the family business even though that he’s gay. Well, he has not come out yet. Side note to the power of two, Isn’t it weird that a salaryman can just continue his father’s, long established, carpenter business? Like huh?

I really need to understand more about Japanese view on foreigners marrying their own. I mean, it’s a pretty extreme stance to say that, even a heterosexual, “international marriage” is considered a strange, or deviation from a normal one. Is it just because of the practical matter that the non-Japanese person cannot continue the family business? Is it because that the non-Japanese person hard to assimilate to the Japanese culture?

Side note again, does this mean that BL works with protagonists that used to live in the west like Tokyo in April is… and Senpai, This can’t be Love, to name two, also have “full” Japanese parents, just that they used to live abroad…?

Third theme: Haru mental leap

I think Haru in episode 4 and 5 are very different, “bigly”. We just saw Haru getting comfortable in episode 4 of getting in bed and accepting Takashi as his lover – boyfriend. I think in this episode, Haru became braver in his mannerism as well as drawing the line with Takashi. Yes, I will be having sex with you as lovers, yes, I will be calling you my lover, even in front of my own enemy, but I will not be moving into your place, yet. I think because we have seen how Takashi disappointed, or as it turns out, was smeared to look like he disappointed Haru, Haru’s walls were already up, so it’s not easy I guess for him to draw lines.

Someone on Twitter actually translated the conversation Haru and Takashi on LINE. In the chat, Takashi actually congratulated Haru on being the Deputy Editor, and Haru’s response was just like “okay”. Like wtf. This is another trope that I don’t like in Japanese BL works. I think the biggest offender of this trope is Minato’s Laundromat. It’s the trope of “Oh yes we’re now boyfriends, but I’m gonna act too cool to care about it”. Like what…? I mean Hiro’s mannerisms on digital products, E-Mail and social media are so different with his real-life behaviors, to the people that he knows. Why does he still use his journalist face even with Kyosuke?

Fourth theme: Blackmail – Japan’s most loved trope?

Before talking about this subtopic, let me first take my celebratory dance. I’M SO RELIEVED THAT MY BRAIN ITCH IS NOT WRONG OMG. Haru didn’t overhear some sob in the hall that Takashi bet against him. It was, presumably, Kyosuke that took a picture of a young, I think, Haru, and wrote in the email that Takashi was betting against his appearance in the train station.

What is it with BL and blackmail trope? I mean I know that it’s not uncommon for closeted gay guys to be threatened by blackmail about his sexual orientation, but I already see this plot line used in Help I’m Being Harassed by the Sexiest Man of the Year and The End of the World with You. I think The End of the World with You is such a unique one in using this plot line as the perpetrator of the blackmail is also the one who did the gay sex act with the blackmail victim lol.

Side note: I guess in the finale, Haru is bringing up the fact that Takashi is carrying all the burden by himself – gosh this trope again, I’ve seen it in Tokyo in April is…, let’s see how they execute it next week.

linguistic corner!!!!

I can’t believe how many times “aishiteru” was said in this episode. It seems like the show runners saw my blog post about the Japanese disinclination in using the word “aishiteru” and prefer to use the word “sukida”, made script changes and reshot a lot of scenes – I know it’s the conspiracy and narcissism talking in my head haha. I am genuinely surprised as to how many “aishiteru” was said in the episode, is it because that Takashi loves Hiro that much that he said that? I mean in this episode Takashi actually said it not while they were having sex.

I think this may be true as it is actually a point of rift between the two. I think it was since episode 3? That Hiro has always mentioned that their love intensity is different, is it that he feels that Takashi doesn’t love him enough? That’s why he was sort of lingering with the idea that Takashi still sees him as “an outsider”. Side note: while I’m writing this subtopic, I Love by Official Higedandism is playing HAHAH. The way that Takashi kept secret some of his familial stuff, read the previous subtopic about “carrying the burden all by himself”, I think, made Hiro easier to ask for a break, or rather that he was asking for a break up, but got a break.

Side note: this is the first time that I see when gays break up in a Japanese BL work that his place becomes a mess like in western media works, I mean all I see in other works is the guy failed a class (The End of the World with You), the guy continues his life but still missing his ex (Life: Love on the Line, Although I Love You, and You?, Mr Sahara and Toki-Kun, My Beautiful Man, Pornographer).

All in all, I can’t wait, albeit dread, for the finale next week !