#reply to this i dare you

[avernusfuries]

@ratkingszarr The upstart of the upper nobility arrived that evening for one of Lord Szarr’s rarely held galas. The young Gortash brought a tiefling as his plus one hoping to put himself into Cazador’s good graces. His hand struck forward to grasp her chin. Forced her to tilt this way and that in examination.

He knew the rumors. He was no stranger to people seeking out infernal contracts. Perhaps it is why Gortash sought him out. The young lord participated in one of his many less… morally outstanding enterprises.

Knew Cazador often facilitated the exchange of people as goods. “This is the child you mean to show off?” His eyes scanned over Karlach’s features. “I would have no use for her. But I can see where another might.”

She would be just another face to the vampire lord. With his rejection the young maiden would be shipped off come morning to somewhere far, far more sinister.

If she could turn tail and leave, she would have.

Cazador's palace had been something of a horror story to the children that played in the streets. There had been rumours of ghost that had yelled and wailed in the dead of night that the other children had heard before, though it had always been excused as the overactive imaginations of them as the sought for a boogyman to be afraid of. It was funny how that was, really. Ignored the insistances of children as though they knew nothing. Little pots had big ears was a saying for a reason, and as Karlach had strode right into it, it had been impossible to ignore that horrible, twisting dread in the pit of her stomach.

There were no ghosts. None that she had seen, at least, but there was something about the cold stone and windowless halls that gave her heebie jeebies. She would have trusted her gut, initially, were it not for the comforting settle of Enver's hand on her shoulder. It did little to chase away that knot of worry that appeared between her eyebrows that she tended to get when she had her haunches up. Karlach favoured her mother in looks, but in expressiveness, she had taken that from her father. Gods rest him.

Enver was a natural at these sorts of things. Named nobles by their names and titles as easily as if he read them off of a page. They all looked the same to him as they dripped in all that sparkled, their smiles a little too fake and clumsy from the wine they'd been offered. Karlach had taken a sip and immediately spat it back into her goblet. That had earned her a look, and she'd abandoned the shit on a random table that she, later, saw a very drunk man take a swig out of.

And have you met my friend, Karlach?

It felt as though she were a prized pig, being shown off to all of these strangers and a part of her wondered whether or not she had been brought as a show of strength. Of what people had to get through should they lift a finger to Gortash. Karlach allowed them to talk about her as though she weren't truly there, and allowed her mind to wander.

Cazador's fingers were cold against her skin, oddly stiff and firm in the way people described the hands of corpses and Karlach's attention was very, very suddenly on the lord in front of her. Perhaps she ought to have been paying attention, and as she peered at Gortash out of the corner of her eye, he dipped his head in a way that told her to play along.

She did, to a degree, but in a desperate bid to get those horrible fucking hands off of her face, the tiefling jerked her head back. Her posture as she stood back was rigid, and he had chased the slackened comfort from her shoulders. Fuck, she wanted to go home.

"I'm not for sale, or hire for that matter," she said. "So even if you did have a use for me, I wouldn't do it."

who the fuck do you think you are / @ratkingszarr. semi-prompted, I accidentally asked for this.

[traumamade]

OPEN STARTER. OPEN TO MUTUALS ONLY.

The harsh light hits him as soon as he wakes up, making the pounding headache worse. It throbs so much that he lets out a pained groan as he tries to pick himself up from where he is laying. 

Right. Drinking until you black out is fine and dandy when it’s happening but the hangover, especially when you go crazy with the drinking, that comes after is the worst part of it. He almost wants to drink again just to get rid of the headache but he knows that is a terrible idea.

Drinking was better than doing something stupid because he wanted to die, at least. With that thought, he becomes vaguely aware of the stinging of his knuckles and the throbbing of his cheek. He must have gotten in a fight he can't remember.

He needs to find some damn Tylenol for this headache. At least he managed to get some sleep for a change, even if it’s was because he passed out due to drinking. Eyes close before fluttering open again to adjust to the light and when he opens them, he suddenly sees the other person in the room.

“Ugh. What do you want?” Leon grumbles, his voice sounds tired and pained. 

[aninonimosstuff-blog]

THINK FAST CHUCKLENUTS!

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[kawareo]

Someone just sent me an ask that is ruining my morning because i keep thinking about it and need to draw it, how dare you

[me-and-me-fr]

They’re having discourse on Tiktok about attachment issues. Attachment. Issues. You know, the thing usually caused by some trauma or underlying mental issues. Cool, great. They love to victimize people with anxious attachment styles, while villainizing people who have avoidant attachment styles.

Both can be terrible to someone in a relationship.

Both are capable of recognizing that and changing it.

Call me chronically online all you fucking want, but if you believe someone is undeserving of love because of a trauma response, maybe it’s you who needs to take a step outside.

[thepoisonroom]

can i make a post about being irritated by antimaskers as a disabled person without annoying people trying to condescendingly explain accommodations for my disability to me! btw!

[belleyellsaboutturtles]

He’s mine now, @phoebepheebsphibs, you’ve lost your rights

[ikosburneraccount]

can we collectively come up with a better fandom name than lunartics. please. i genuinely feel like this name brings us down as a fandom. 

[n4talia-chaparro]

hmm

BRO I NEED SOMEONE TO PUT THIS DRESS ON GPKRUPP 😍😍😍

yooo can wait to get banned on Tumblr 🗣🗣‼️‼️‼️🔥🔥🔥🔥🥰🥰🥰😍😍 /J /J /J HES SO GY- GOOFY LOL

I missed these type of au asks lmao. Uh

Lady and gentlemen. The Au ask are now open for jokes and giggles 🗣‼️‼️‼️‼️

[lowvintagesims]

@funkiesims and i saw john mulaney last night and this is the front and back of the shirts we made for the occasion

[theyoungprinceling]

@fullmxtal-elrich from X]

While he was walking down the streets, Ling overheard that Edward had gotten into some kind of trouble. He knew that Ed could take care of himself, but from what he heard there was more than one person there, and Ling didn't want to take any chances. He went straight for where passersby directed him.

Because he expected to hear commotion on his way, Ling knew that he was already too late. He just prayed that Edward was the one left standing and it was his attackers who were beaten. Of course he was proven wrong the moment he arrived. His heart nearly stopped when he surveyed the area. It was a mess. Ed's automail was shattered, he was bleeding profusely, his breathing was off. Ed barely looked like himself.

"Ed!" Ling rushed to his side and dropped to his knees, lifting Ed gently onto his lap. "Ed? Edward, stay with me!"

The sensation of Ed dying on him made Ling feel ill. He couldn't let his friend die here, not like this. As carefully as possible, he lifted Ed in his arms and stood. "Hold on, Ed. Please, just hold on for me."

He cared not that blood was getting all over him as he rushed away from the scene. He went straight for the nearest hospital, ignoring and shouldering past anyone in his way. He was out of breath by the time he got inside, and he tried to ignore the fact Ed's breathing seemed to get even slower. He looked around the lobby at the shocked onlookers. Why were the fools just staring?!

"I need a doctor! I need a doctor immediately!" Ling shouted, looking around desperately. "Please! My friend doesn't have much time left- he's lost a lot blood! Get me a doctor!"

[godlygivenanxiety]

character: is severely mentally ill

some people deadass: UGH cant STAND THIS QUIRKY SHIT!!!! get uP and forget ur trauma that i don't relate to and be sane!!! what do you MEAN characters need more than pretty colors and a sexuality??? >:(

[ugartecoco]

Bruno on handing the penalty to Marcus:

He is important for us. For strikers, it is about getting the first goal. We need our strikers to have the confidence to score them.

We have a list of penalty takers and there is no number for the penalty takers; who's going to be first, second or third. In the past few years it has always been me but when I arrived at the club, Marcus was the penalty taker. He was injured when I arrived and I started taking the penalties. He was always respectful saying "You're doing it now, you're doing it well so keep going". Sometimes we have moments to give the ball to each other; it doesn't always have to be Bruno, it doesn't always have to be Marcus but it has to be someone who we are 100% sure that the ball is going to go in. The thing is that Marcus took it and he scored so there's no issue about that.

[sickofthistoxicshit]

To be honest the way part of the fandom has treated this Tommy character as a god makes me dislike him more. Unfortunately the Buck bi arc was tainted for me because it all feels force. Also what doesn't help is that Eddie was to much involved in that storyline.

The way people are acting like it's a perfect relationship and yet we barely saw them together feels just weird.

Also I don't like how some literally push Eddie away for this new white man.

This is Taylor Kelly all over again. The sad part is that the season is short and people wAnt to to spend their time giving more to the new guy.

I hope him and Marisol are gone, but I'm afraid. These two characters took the joy out of the Buck and Eddie storyline for me.

The fandom, I think, in this case, is definitely the problem here,

Lou is completely unassuming and enjoying the process and being a buddie shipper just like us - if one actually bothers to read the interviews and not just pick and choose what to talk about.

That is what makes me like Lou.

The fandom has somehow glorified Tommy's character after a couple of episodes and yeah it rubs the wrong way, because, what about the story we had so far?

Is season 7 a reset to 911? and everything that came before that doesn't count? Why not just make it 911 abc pilot then?

I don't think that's the case, but I think the last minute switch between Buck and Eddie kind of ruined it for the Tim because, yes, in a way it feels forced and out of left field.

Supposed that Buck was indeed vying for Tommy's attention, why do it like that? and why involve Eddie in the first place?

I have a lot of questions and my main problem here is not that Buck is experimenting with Tommy, it's the way they practically propelled this ship off the cliff into a dangerous spin, they went from zero to 200 in a second. - That is not how you build a relationship.

You don't try to figure out what you want, mess up the first date, then invite said date to an apology coffee and then invite him to family wedding on the way. It just doesn't work that way.

I may be straight, but I have gay and bi and lesbian friends, neither one of them has ever brought a second or even a third date to so much as a friends get together before they were sure that this is something that would last, before they brought the intended victim to be judged by friends and family.

And people who talk about Tommy as being established in the 118 family, that is not true. He has a connection with Chimney in that that he owes him his life and an acquaintance with Hen, who is clearly not very fond of him, because of obvious past she had with him and their old house before Bobby came into the picture. - Remember - Chimney was her ONLY lifeline in that house.

Tommy was not a liked character before.

Arguably Buck had more history with Taylor than he did with Tommy (which is none at all) - But Taylor is a strong opinionated and often self-serving woman (not unlike Buck mind you), emphasis on woman. - That is the only reason she never stood a chance. Because the writers could have made her and Buck the greatest love story this show has seen, but they continuously managed to ruin any fondness for any female LI to ever grace that set.

And this season is short, to bring in a new LI kinda defeats the purpose of re-establishing the team and this show, because it does feel the same as any of Buck's old relationships that were being pushed for the benefit of 'god forbid Buck actually learns how to be alone and healthy and happy' - the only thing that changed in Buck this season is his sexuality and nothing else, and that vexes me.

My problem is not with Tommy, it's the perpetuation of 'poor baby Buck' society. - I love Oliver and I love Buck - I am tired of the ever repeating pattern of forgiveness for his self serving ways without any accountability that we keep seeing.

I don't think Buck's or even Eddie's firsts or you know what? even seconds should be each other, I am more than happy to make this journey with them, but let it be a marathon not a sprint to the finish line - they knew they would get renewed for another season, they could have written and built it better than what we got - because the moment they switched gears after the second episode, the story became written in the same messy last minute way both S4 and most of S5 were written.

There is no grand plan, at this point they are merely winging it and see where the wind takes them. - And that is idiotic, they had SO MUCH TIME to make this a well written story with the strike and long break after that, to write as they film is lazy and stupid and mostly childish.

And yes this is Taylor all over again, not in that they are the same type of people, but that Buck is jumping head first into a relationship without actually knowing how he got there. - Bobby said that himself - and it is the same, because who in their right mind invite a second (kinda) date to a family event? Like dude have you ever dated before? Do you how this works?

It is a LOT of pressure and not even for Buck himself - because he brought this on himself - but rather for Tommy (aka the intended victim) to be first introduced to the family after a couple of dates when he himself has no idea where he and Buck are standing.

Marisol, has indeed sucked the joy out of the Eddie's story, I don't get why do either of the boys had to be in a relationship starting this season to begin with. Like, she is literally a handbag, the token hetero symbol, so to speak, what she is doing there? is beyond me.

The catholic guilt of her being a nun is bullshit, and as Bobby said himself, Eddie has no problem committing to certain people/things. She serves no purpose this season other than a seat warmer/ glorified babysitter since Buck is otherwise engaged.

They could have gone for Eddie finding his way in the department, Eddie dealing with his mommy issues, Eddie trying to figure out what and who he wants in his life, Eddie trying to navigate Chris' terrible teenage years.

They could have explored the fact that a guy going with his supposed gf/wife in the golf course checking Eddie's hot ass (6X17) - Oh wait, they were going to... the ground for Eddie's coming out was all laid out and they took a sharp turn to left field in the second episode of S7 and made it all about Buck again, because the Natalia actress couldn't come?? what kind of a weak ass reason is that?

And yes, the cliche of receiving the odd white man out (who played a controversial role in early seasons) rather than the regular casted poc male or the guest starring woman, for that matter, better is all kind of f-ed up, but no one would talk about that, of course. 👀

Anyway, I am hoping that whatever is coming next will be worthy of our time and attention because so far we got about more of the same as far as Buck and Eddie are concerned - except that Buck has just broaden his variety and has a bigger pallet of mate choosing at his disposal.

I have two very close bi friends, so I know how their minds work, because God knows they share with me more than I ever wanted to know lol. And one of them is watching 911 with me and she is happy for the rep as well, but unhappy with how it was developed too.

At the moment, I have decided to put any Buck and Eddie topics aside and just want to get the LONG AWAITED Madney wedding, if anyone deserve a happy ending, it's them. ❤️

[randomnameless]

Genuine question, not trying to start a fight, why do you get so upset about gods and churches being presented in a negative light in fictional works?

No pbs!

I guess it's a mix of being too common, too forced and having, in general, the cast use common tropish arguments to fight /defeat them.

I rant a lot about this game, but take TS where we have three sort of factions opposing each other, and each are supposed to suck. Who is the faction who never receives any "positive traits" or "pet the dog" moment?

The game force fed us a scene where an Aesfroti soldier - when Aesfrost is depicted as a highly militarised nation with a cult of personality towards their current ruler, that invaded the protag's home and slaughtered several civilians and NPCs in the process - say goodbye to his wife and kids before going to "war" to defend his land against, well, the protags who are invading it to kill their warmongering leader.

As force-fed as this scene was, it, I believe at least, tried to tell us that even the Aesfrosti who pillaged villages and killed their inhabitants are humans, and care about their loved ones, sure it's corny, but it's all about not deshumanising any party.

When we attack Hyzante? Niet, zilch, nothing. No similar scene where random soldiers, or NPCs, worry about what is going on and if they're going to die when their wall has been breached. They just, don't exist in this context.

I think the cherry on the cake is the Golden Route scene, where, apparently, nationalists Aesfrosti decide to turn back against their ultra charismatic leader because, uh, he "lied" when he declared the war and used a false pretense, so the soldiers and people who were butchering babies and invading a city where people were preparing a marriage apparently now have morals and rebel.

There's no similar scene for Hyzante when the cast reveals that the teachings of their Goddess were made up and salt wasn't exclusively given to them by divine intervention, because rock salt exists everywhere. Sure it would be a bit weird and forced that people thinking they're chosen ones and looking down on everyone else suddenly, hm, don't break down when their entire system of belief is shattered, but hey, if the Aesfrostian Gregor can have morals after washing his hands of all this Glenbrookian blood, why shouldn't religious npc #55 not make the same heel face turn?

And then, we have the slavery/human experimentation plot - in general, when TS tries to give nuance, they more or less explain/justify why something that "sucks" is done, it's basically Silvio's character.

Aesfrost' Gustadolph manages to push his "freedom" mentality because his land is a harsh place where people are desperate to survive, salt smuggling is reprehensible, but it's the only way to give some to the ones who cannot afford it. Of course is everyone is free, no one is because, as Gustadolph puts it, they're basically free to die for his ambitions.

Hyzante? Follows a racist creed where Rozellians have to pay for some great sin, and are slaved away in a lake to recover salt until they die. It's, later, justified by Hyzante wanting to keep its salt monopoly else they don't have anything, and wanting to curb down the Rozelle people because they know about the exitence of rock salt (and I guess getting free workers to harvest salt from the lake + having state enemies make his own population docile/not willing to rebel ?).

And then, we have the human experimentations, that are just done for, uhh, Idore's lol. When Hyzante is known for its "advanced medicine" and we could have had the usual dilemna of, idk, having those humans experimentations used to develop this medicine that is reknown in the world (idk, sacrificing a Rozellian to save someone else's life?) - it's not the angle the devs picked. Rozellians are sacrificed to power up an idol, Idore wants to control the world through his idol and soft power (compared to Gustadolph's hard power) and manipulates his people (just like Gustadolph) to do so.

The two are very similar, but who is the final boss? Complete with a transformation in an eldritch monster? The war-mongering imperialist or the jaded old man who is leading de facto a religion?

Hopefully there's the entire "human experimentations for no other purpose than the lols" to settle them apart.

---

I recently watched Dune, and even if I have some issues with the adaptation, the Bene Gesserit isn't portrayed as "comically" evil-er than the Harkonen Empire, I reckon the comparison isn't adequate, because Dune is multi book series when I'm mostly talking about video games.

Symphonia's church of Martel is a font for the Big Bad (tm) to put in motion his nefarious plans, and yet, through the game, we see how random clergymen use their, uh, religious buildings to help people around. Ultimately Martel herself is reincarnated through plot device and tells the big bad to stop being an ass and the story is less about "church and gods evil" but "big bad distorts Martel/church's teachings and role for his plans because he has a tragic backstory"

(but then Symphonia ends with the biggest whitewashing from every Tales I've played for its big bad so I'll stop talking about it because otherwise I'm going to be salty).

Abyss' church is more or less the same thing - the Church is supposed to help people deal with the fact their verse has "predestination stones" where the future is already written, and in the course of the game, we see how it has several factions and one opposes the group (who has the pope as a NPC!) - but it's not a story about "gods bad church BaD".

I remember playing Suikoden Tierkreis a long time ago, and while the game seemed to go through familiar "church bad gods bad" route and we end with defeating a god-like entity... I pretty much loved the twist that, in a game that relied on alternate dimensions/universe, the god-like entity was actually the protag if he made different choices!

In those games, if you fight a religious body and someone pretending to be a God or what not - it's not because people fight against an eldritch creature who wants world domination and to erase puny insects, or is the reason why everything goes wrong, but because, at the end, the conflict/fight is ultimately caused by someone, generally a human or at least a non "god like" entity, wanting to destroy the world.

I don't remember if FE was my first JRPG series or not, but I always liked the idea that if the world is doomed in those games and the heroes must prevent said doom, it's not because a god-like being wants to destroy the world, but because people, humans/randoms are the most shitty ones out there.

---

As for the "tropes" often used to deride fictional churchs and religious people, well, I will again point to TS - which did a splendid job in the Benedict Route where you smash Hyzante after allying with Aesfrost.

There's one battle where out protags diss Hyzantese because they worship a goddess and have no free will, listening to Her teachings and Her says (the traditional "religious people have no free will and listen to their churches who tell them how to think!") - which is immediately countered by one of those Hyzantese characters asking Serenor if he's not the same, but instead of blindly listening to a Goddess, blindly follows Benedict. And it ends with the final chapter title referencing automatons/puppets : who is that title talking about ? The fake "idol" Idore created, or the fake "king" Benedict created?

Anyways, the usual "religions people have no free will because their church/religion tells them how to think" trope reeks of r/atheism and the double standard - bar in this route of TS, but I guess, in TS itself in the Roland route! - is never called out, blindly following a charismatic leader is okay, as long as charismatic leader isn't religious?

Regardless of my IRL thoughts about religion, usually those tropes are presented as a "gotcha!" when they are... not at all, but the games/books leave it at that and we're supposed to roll with it.

I'd say it's lazy writing or, as we saw in Naruto, a quick way to end a story without having to dwelve in characters and their motivations : "you're a god/alien/other being and you're bad, so let us do what we want!" - end of the story.

Hopefully some fillers and to an extent, Boruto gave her more meat bar being the 11 hour villain we had to defeat quick and who manipulated the previous sad'n'lonely antagonists - but it still felt rich from Naruto, known for his famous "talk no jutsu" and trying to understand people he's fighting against, to drop the ball with Kaguya, calling her pure malice and ending with some "let us live the way we want" to wrap up the plot so he can wrestle with his boyfriend later on.

In the end, we often end up with "religion bad bcs the big bad manipulates people through it", as if those mangas/animes/vg never have other examples of charismatic people not using religion to manipulate their randoms/people or "gods bad they should let humans do what they want" when we've read/seen/played through various, uh, really fucked-up shit humans did - but on their own! and ultimately, but it's more in fandom spaces, with have Projection 101.

TLDR : church/religion/gods are too often used in those works as the ultimate scapegoat to either wrap up a story in a rushed ending or to pretend to have "nuance" but still have a common enemy where all the "nuanced" characters can grow/be whitewashed and side together against that "common enemy".

Just like in all things I guess, I prefer when something isn't painted as purely negative and all of the positive traits are erased because there is a need for a perfect scapegoat - sure, bring out too much "nuance" and writing/designing a game/manga/anime becomes harder because there's no "clear cut" antagonist, and yet, the one who always gets fucked in this scenario is the religious/church side.

Want a generic stock villain who will destroy the world so the heroes have to fight against them? Just create a "religion" in your setting, and have the big bad either hell bent on resurrecting Chtullu to destroy the world because Chtullu BaD, or have them be the most corrupt piece of shit who manipulate everything in the shadows, so the rest of the world, even the ones who slaughter others bcs they feel like they must start a war, can be whitewashed at the end.

I mean, there's a saying about diverting attention from a fire by starting a bigger one near, or a trope of "aliens made them do it" : who cares if Madara started a continental war and targeted a village full of random civilians he swore to protect because he lost the elections? Did y'know he was manipulated by a woman, I mean, an eldritch thing created by a woman, regarded as a God, who ultimately wanted to get out of her fridge to kill everyone?

Roland must get over his hatred for Aesfrost for barging in his kindgom and killing hundred of his people while they were preparing for a wedding, because hey, Idore is evil and plans on ruling the world through his sham religion!

I'll forever be salty at TS for not giving Kamsell the occasion to rise against Idore, or not even have minor NPCs get the same treatment as Sycras suddenly going all "u lied to me gustadolph so i won't listen to u anymore + sad goodbyes to my wife'n'kids".

Extremism of all kinds can lead to wars/tragedy/fucked up shit - Sure I don't want to get my History lessons in video game medium when I play lol, but what I really don't like is how it feels like depicting "they're extremists because they're religious" feels like the default/easy answer : want a bunch of brainwashed people the heroes must fight against and can't talk no justu their way out of this fight/will fight without looking too BaD? Depict those people as "misguided" members of a corrupt church/believers of a religion, no one will givea fig. If they are instead supporters of a charismatic leader who throws them through the meatgrinder to further their goals? Well, there's no automatic loyalty so either you have to show/depict it on screen, else it can be challenged at key points to demonstrate how those people - who follow the charismatic leader - aren't completely "mindlessly listening to their leader" or how their leader "isn't that bad after all".