#replication

[sophieinwonderland]

Just for light fun, if you could, would you want to *duplicate yourself? Of course, to be more specific, by duplicate I mean either:

1) To either physically clone yourself as you were, with Ghost and any other headmates and all.

2) To be able to create an artificial version of yourself that responds to anti-endo or pro-endo posts the way you do on other platforms at a faster rate.

3) To be able to spread, like the previous headmate virus thing you mentioned (I forgor), as a cognitohazard as another headmate in other people, plural or otherwise.

*In this case, duplication is endless and you can make as many copies as you want.

P.S. Our system is doing pretty well trying to construct the new headmate, who still doesn’t have a solid name and contains one-fourth or one-fifth of you. It’s a fairly tiring process to create a composition of a character, but fun!

- Geovanni

I think what would be the coolest would be a duplication superpower! That way we can just duplicate when we need to, get everything done that needs to be done, and then recombine again and share memories!

2) To be able to create an artificial version of yourself that responds to anti-endo or pro-endo posts the way you do on other platforms at a faster rate.

Believe it or not, I have actually considered making an army of bots to spread plural awareness across the internet. I've never pulled the trigger and probably won't, but it's at least something that has been on mind. 😜

3) To be able to spread, like the previous headmate virus thing you mentioned (I forgor), as a cognitohazard as another headmate in other people, plural or otherwise.

I mean, at least a few people have talked about having me introjects, so I sort of already did that!

But those aren't really me.

Also, best of luck on making your new headmate! 😁

[multiplicationdivision]

Two Heads are Better Than One

Honestly it was barely a big deal

Sure, his father had been banking on the treatment. Finally get his version of a son he dould accept, rid his mind of any of those little ideas he’d gotten in his year and a half outside of their small-minded hometown. The man had been so scared of all the normal things he thought were deviant, it was deeply ironic how much money he was willing to shove into this trendy medical arrangement.

16 separate pills made legal only by the way their effect was coveted by the rich and famous. Something something controlled mitosis something something human duplication.

Jake was hardly a genius at the whole process. Neither was other Jake, who would loudly proclaim that it wasn’t their fault they’d forgotten to take the following 9 pills after the first 5. To be fair, the first 5 gave them a pretty good bud to chill with. They’d taken to it quite nicely the day they’d woken up with two heads on their shoulders and it hadn’t taken their absent brains to go wild with the potentials. Jacking off was a whole different ball game and they were becoming all-star players home alone. Either could fantasize or watch porn and two brains worth of stimulation would pulse back and forth from their dick. It was feeling someone’s hand on your cock only for it to be yours and the whole experience was a mindfuck.

It wasn’t his fault he barely had the mind left to remember the other pills when days were spent between playing around with his new partner and crime and sharing every one of his hobbies with a person who cared about them just as passionately as he did.

They’d play a couple hours of any old game they’d always loved, seamlessly trading back and forth between the controls until they weren’t even sure which of them was the one pressing the buttons. Exercising and lacrosse felt the same, the only odd thing out being the way people typically stared these days. It was likely just folks getting caught unaware at his now doubled handsome mugs.

It was only after the pont at which continuing the replication was medically impossibe that they’d actually remembered being two-headed wasn’t the goal. It was crazy considering they’d gotten as far as a couple pairs of custom shirts. Hell, they’d even had plans for a podcast with just the two of them, although a well meaning friend had shown them an example of another pair of clones who’d done the same and it was understandably terrible audibly and almost full blown narcissism. Which his podcast would’ve likely been, considering he found he loved to hear himself talk.

All things to say, his father was resoundingly disappointed but unable to be surprised by it at all. The Jakes had happily given the man the rest of the pills, they’d been expensive, he was sure. It was the first time in forever that he’d actually been grateful to his father and two Jakes saying so surely twisted the knife. All the worse when Jake’s lay rounded the corner of Jake’s living room, a multi-headed bear with full ass on display, leaving his father a jabbering pathetic mess.

His dad was a weird nutjob anyways, banking on a crazy experimental treatment to fix his relationship with his son.

Not that Jake was much better in the ideas department.

He thinks he keeps himself pretty in line these days though.

Two heads, from his experience, is far better than one.

[wachinyeya]

Scientists successfully replicate historic nuclear fusion breakthrough three times

[salialenart]

my small swatch of ‘A Tale from the Decameron’ 1916 by John William Waterhouse

[tunaspatty]

arts ive made!! hell yeah

[mangledinside]

Trying to recreate the mlp show style; it's a lot harder then I thought it would be 😅

[nictelsm]

Tried replicating pen pressure in JSPaint with a trackpad.

God I wish I had Photoshop and a drawing tablet, my drawing experience would be much more fluent.

[thirdity]

The connoisseur of Camp has found more ingenious pleasures. Not in Latin poetry and rare wines and velvet jackets, but in the coarsest, commonest pleasures, in the arts of the masses. Mere use does not defile the objects of his pleasure, since he learns to possess them in a rare way. Camp — Dandyism in the age of mass culture — makes no distinction between the unique object and the mass-produced object. Camp taste transcends the nausea of the replica.

Susan Sontag, "Notes on “Camp”"

[izbirakin]

''Sadece kötü şeylere veda et. Kaybolmuş hissettiğin zamanlara, 'evet' yerine 'hayır' cevabını aldığın zamanlara, tüm yara berelere, tüm baş ağrılarına, cidden son kez yapmak istediklerine veda et.''

(How I Met Your Mother)

[religion-is-a-mental-illness]

By: Benjamin Radford

Published: Jan 19, 2024

A few years ago I was asked by an author to review his book, and it contained a discussion of the pyramids at Ghiza. I gave him the following feedback:

“You have a big red herring argument at the bottom of p. 36: ‘not a single group has been able to successfully erect even a scaled-down’ pyramid…. ‘even the skeptical community should be able to build an exact replica…’ This is seriously flawed reasoning, and you repeat this error four or five times. The burden of proof is on those making the extraordinary claim (‘aliens did it’) not the ordinary claim (‘ancient Egyptians did it).’ By your logic, geologists who counter creationist claims about the Grand Canyon would have to spend billions of dollars divert a river over a plain to prove that it was created over millennia by water erosion instead of created that way by God some 4,000 years ago.”

I added that researchers in fact have a pretty good idea of how the pyramids were built. The fact that none of them have (or have tried to) build a replica of the Great Pyramids doesn’t logically mean they are wrong.

[ The author deciding whether or not to build a full-scale replica of the Great Pyramids. ]

The idea of replicating a controversial event or project to test its validity sounds simple in theory. For example some people claim that the Egyptian pyramids were made (or designed) by aliens or ancient astronauts. The (ahistorical) assumption is that people at the time didn’t have the intelligence or technology to move the stones and build a pyramid shape.

Since the pyramids were built around 2560 BC there are no photographs or depictions of them being created, though in 2015 papyrus records were found of pyramid construction tools, and legions of pyramid builders’ graves were found in 2010, for example. Egyptologists have a pretty good idea of where the rocks were quarried and how they were cut and moved, but doubters are fond of noting that scientists have never actually replicated the pyramids. They claim that skeptics or scientists must build an entire pyramid to prove how it could have been done, using materials and tools of that era.

This seems like a reasonable challenge until you realize why such an effort would never be done—not because it can’t be done but because it would be impractical. Duplicating the great Ghiza pyramid would take many years and cost tens of millions of dollars. Who’s going to pay for it? It would also be pointless, since such a replication experiment would not be valid unless you used tens of thousands of workers (estimate range from 15,000 to 40,000) and spent a decade or more building it (as the original did). If some eccentric billionaire wants to fund it he or she should feel free, but scientists recognize it as an enormous cost and effort just to disprove some wild theories about aliens—which it wouldn’t do anyway.

Replicating 9/11

A similarly misguided idea got notoriety in May 2015 when a man named Paul Salo launched a crowdfunding project which, he claimed, would prove once and for all whether the conspiracy theories about the September 11, 2001, terrorist attacks are true or not. On his Indiegogo campaign Salo wrote: “Many people want to know more about 9-11. We are like a Mythbusters for September 11th. It’s an important project for many reasons. Many people doubt various details of 9-11. As the world has changed our trust in government and media has declined significantly. We want to see for ourselves. We don’t need people to guide our thinking. In this project we will recreate 9-11 to the best of our ability given the funds raised. Our ultimate goal is a fully loaded 767 and a similar structure to the WTC. We will crash the fully loaded (with fuel) plane (complete with black box) into the building using autopilot at 500 MPH.”

Salo aimed to test the widely-challenged (in conspiracy circles anyway) claim that jet fuel can burn hot enough to sufficiently weaken a building’s steel structure that it collapses—instead of, for example, the Twin Towers coming down due to hidden explosives. While Salo’s scheme to duplicate the Twin Towers attack had a simple and populist appeal, actually pulling it off as a valid scientific experiment would be incredibly difficult and expensive, if not impossible. For a real science experiment you need to control for variables that could affect the results; in this case there are many variables including size and weight of the plane, the building type, and so on.

Salo promised that “You will be able to see for yourself what happens under these extreme circumstances. I���m not sure which country we will purchase the aircraft and building but it doesn’t really matter much.” Actually Salo would find when talking to engineers that it matters greatly where the building is, since building codes vary wildly by country and region. Buildings in earthquake-prone regions are built differently (and able to sustain greater structural damage without collapsing) than those built elsewhere. Variations in construction materials will also complicate comparisons. Each building’s architecture is different, and will not necessarily react the same way to the same structural damage. In order for the experiment to be valid, he would need to build an exact replica of the Twin Towers; not just any tall building will do, since the load-bearing structures vary from building to building.

He planned to “recreate as best as we can” the circumstances of the World Trade Center attacks. The problem is that “as best as we [that is, he] can” would leave an enormous margin of error, one so big as to make any results invalid and pointless. His results, should he have pulled it off, would be dramatic and sensational but hold no evidentiary value at all.

As with many such replications, Salo’s experiment would in fact be pointless and inconclusive no matter its outcome: If the building collapsed exactly as happened on September 11, conspiracy theorists would argue—correctly—that the conditions weren’t exactly the same as in the original building collapse. If the building collapses differently, that won’t prove anything either, for the same reason. Neither anyone questioning or defending the “official story” will accept his conclusions and admit they were wrong. Salo’s grand scheme went nowhere.

Bigfoot’s Famous Film

I’ve heard some version of this question dozens of times during my career as a monster investigator. Though I’ve investigated the best photographic evidence for several mysterious creatures—most prominently the 1977 photograph of the Champ lake monster, as seen in the articles Joe Nickell and I wrote in the July/August 2003 issue of Skeptical Inquirer and in our book Lake Monster Mysteries—I hadn’t done an in-depth investigation into the famous 1967 footage taken in Bluff Creek, California, by Roger Patterson and Bob Gimlin (P/G). The film is said to show a female Bigfoot (dubbed Patty) walking across a riverbed.

The film has been the subject of controversy and debate for half a century, and is routinely cited as the gold standard for Bigfoot footage (even some fifty-five years later, which is deeply suspicious given the ubiquity of high-quality smartphone cameras since then). Though the footage is blurry, one thing is clear: it’s either a hoax or a Bigfoot. Skeptics have offered damning analyses, both of Patterson and the murky circumstances under which the film was created and developed; see for example Greg Long’s The Making of Bigfoot and Daniel Loxton and Donald Prothero’s Abominable Science. Bigfoot believers offer a variety of responses, many of which wrongly place the burden of proof on skeptics, such as “If it’s a guy in a suit, where is the suit?” and “If it’s faked, why can’t anyone re-create the film using materials available in 1967?”

The alleged failure of the film to be recreated by researchers has long been a popular talking point among Bigfoot believers. A few examples will suffice; a fellow named Scott Renchin, in replying to a Skeptoid YouTube video about the P/G film, wrote in January 2022 that “A real skeptic would prove the film is a hoax by recreating the film using techniques and materials used to create the alleged hoax footage… the BBC did this already and failed miserably.” This same BBC show was also directed to me by noted cryptozoologist Ken Gerhard and others.

Film Replication Claims

The literature on this just-under-one minute film is both voluminous and contentious and there’s a lot to unpack. I’ll begin by noting that my focus is not on Bigfoot’s existence generally, nor even on the authenticity of the film specifically. Over and over when seeking information on this topic, respondents invariably went off topic and dove into why the film is obviously a hoax—or just as obviously authentic. Instead my topic is very specific, and simple: Who, specifically, has actually tried to replicate the film itself, using what equipment, and when? What documentation do we have of sincere, dedicated efforts by knowledgeable experts to create footage that matches the P/G image?

Researchers have tried to recreate the movement of the subject in the film. My colleague Dave Daegling, for example conducted a detailed analysis of the P/G film in his book Bigfoot Exposed and explored the question of whether a human could walk like the creature in the film. He determined that—like the creature’s size and speed which are well within human limitations—it is certainly possible for a person to walk the way it does using what’s called a compliant gait. It’s not the most comfortable method of locomotion for a human, but it’s easy to adopt with a bit of practice and doesn’t rule out a person in a suit.

It was certainly possible to create a realistic costume like that seen in the film in 1967. Planet of the Apes, for example, was released the following year, albeit with the help of professional makeup and costumers.

Those resources would not have been available to Patterson and Gimlin, though Planet of the Apes required close-ups of the actors including faces in sharp focus, whereas the P/G footage is at a great distance, out of focus, blurry, and unstable—all factors that (intentionally or otherwise) obscure details, thwart analysis, and facilitate fakery. The out of focus background actors in ape costumes are a very close match for “Patty.” Hollywood special effects experts including Stan Winston, when asked about the footage, have declared the footage bogus and said that what’s seen in the film would certainly have been possible in the 1960s. In fact a fairly realistic gorilla costume appeared in the film Are You With It?—from 1948, nearly two decades before Patterson and Gimlin set out to film a Bigfoot.

[ Film still from 1948’s “Are You With It?” ]

Instead the question is about replication of the film itself, which is a far more challenging and expensive task, and would require not only the original equipment but a reasonably similar costume, gait, location, environment, and so on.

Where’s Bigfoot (Recreations)?

Alleged films trying to replicate the P/G footage turned out to be nearly as elusive as Bigfoot itself. I found a handful of videos of television shows attempting (usually lightheartedly) to make their own Bigfoot films, while not making any serious attempt to replicate the P/G film per se. For example one show, Evening Magazine, described their half-baked, tongue-in-cheek stab at it in 2005: “We wondered what it would look like if we tried to make a Bigfoot film of our own… We picked up a gorilla suit at Champion Party Supply and made no modifications to it. We used a 16 mm film camera, roughly like the one Patterson used.”

In my questioning of Bigfoot proponents I was often assured that many (or at least “several”) attempts had been made to replicate the film, but when pressed to name one, the BBC show was prominently mentioned (often accompanied by chiding about how I should do better research). Searching for something more substantive and scientific, I reached out to Daniel Perez, a respected Bigfoot researcher and publisher of Bigfoot Times newsletter, to ask if he was aware of any attempts to replicate the film. He kindly provided a list of references to material about the film. Of those, about a half dozen were television shows, and of those only two mentioned any replication or recreation. The first was a 2007 Discovery Channel show titled Best Evidence: Bigfoot which Perez notes “covers the attempted replication of the movements seen in the P-G film” (emphasis added). As noted, this is not the question at hand and in any event if anything casts doubt on the film’s authenticity.

The second was to a 1998 BBC show titled The X-Creatures: Shooting The Bigfoot (available on YouTube under the title The X Creatures Bigfoot and Yeti); see stills below. Of this episode, Perez notes that “The show attempts to recreate the P-G film but certainly appears to fail miserably.” I reviewed the episode a dozen times, and here’s exactly how the narrator describes the attempt (at the 20 minute mark): “Using the same distances recorded at Bluff Creek, the same camera and lens, and an amateur operator, it’s possible to exactly recreate the action of 1967.”

To be clear: The show at no point claims to recreate the Patterson/Gimlin film itself; instead it’s an attempt at recreating the action depicted in the film, which is a very different matter. Accident and crime reconstruction analysts recreate actions all the time, using anything from toy cars to computer animation. It’s a fairly straightforward process that does not require replicating all the relevant conditions at play when an event occurred. Even when an accident or crime is recorded on video, the investigators need not recreate the video itself, just the actions of people and objects seen in the video.

The goal of the X-Creatures show was to determine how plausible Patterson and Gimlin’s claims are using only two criteria: the reported distance, and the original camera and lens. That’s it. The show makes this crystal clear: “The most important revelation… is how close Roger and Bob were to the creature; they were right on top of it, which makes the behavior even less natural. It walked away, utterly unconcerned… At this distance, with this lens, you’re certain to get the creature in the frame—unless you artificially wobble the camera.”

There was no attempt at replicating the original film. Nor, for that matter, was there any attempt at duplicating the costume, which would be necessary for recreating the film. We can plainly see that the hair color is wrong, the hair length is wrong, the size is wrong, the musculature is wrong, and the feet they used looks nothing like what could possibly have made the tracks allegedly found at the site. The angle to the creature is wrong, the terrain is wrong, and so on.

I still have not found a single film or video attempt at recreating the Patterson/Gimlin film using period equipment, the correct location, a credible costume, and other important criteria. Defenders of the P/G film can’t have it both ways, disingenuously arguing on one hand that this BBC show was the best filmmaking expertise made to replicate the film while smugly noting that it was an obvious failure because it looks nothing like the original.

With Bigfoot proponents unable to identify a single attempted film recreation, I tried a different approach and asked Craig Scott Lamb, a filmmaker, film historian, and administrator of the Ape Suit Cinema, a Facebook group dedicated to filmed ape costumes. Lamb replied, “I know of no actual attempts by special FX professionals to replicate what was seen in the Patterson film. However considering the cost of a pro ape suit I can certainly understand the lack of motivation… In other words who’s going to foot the bill?”

Lamb’s question is as enlightening as his answer: No special effects experts he’s aware of have even tried to replicate the P/G costume—much less in service of a failed attempt to replicate the film itself— but he’s exactly correct about one of the key impediments to replication. Whether the Patterson/Gimlin film is real or not, the fact that no one has tried to replicate it is irrelevant to its authenticity.

More importantly, the Bigfoot community has the logic exactly backwards: the question is not why no one has replicated the film if it’s a hoax, but instead why no one has replicated the film if it’s real. In other words (regardless of the film’s authenticity) why does the best Bigfoot footage date back to the Lyndon Johnson administration and the release of Sgt. Pepper’s Lonely Hearts Club Band?

This poses a serious blow to the film’s credibility: these Bigfoot creatures are really out there wandering in front of eyewitnesses with cameras, why haven’t better films and videos emerged in the past fifty-six years?  Both still and video cameras have become much higher quality and much cheaper over the past decades. It used to be that quality cameras were needed to take high-quality photographs; anyone could take a blurry Disneyland vacation photo with a pocket camera, but to get clear, sharp shots you often needed a more expensive camera and lens.

These days most people have a twelve megapixel high-definition camera in their pocket smartphones, which provide stabilizing, zoom, and other features that would have been the envy of Hollywood only a decade ago. At no time in history have so many people had high-quality cameras on them virtually all the time. If Bigfoot, Nessie, and the chupacabra exist, logically the photographic evidence for them should improve significantly over the years. Yet it hasn’t. Photographs of people, cars, mountains, flowers, sunsets, deer, and literally everything else in the world have gotten sharper and clearer over the years. The only exceptions are things never proven real, such Bigfoot, ghosts, and UFOs.

It’s true that replicating the P/G film would be difficult and expensive, but this has nothing to do with the content of the film. To use a simple analogy, period Hollywood films are notoriously expensive for the simple reason that to make them look authentic the production designers must locate era-appropriate props, costumes, and more. A film set in the early 1900s, for example, may need vintage vehicles, clothing, telephones, and so on. These can be rented from prop shops, but still require much more effort and cost to secure than would ordinary objects of today.

If someone did spend considerable time and effort to create a convincing costume and setting, that would not serve to silence the critics but bolster them; the response would not be, “Yes, you’re right, it can be credibly duplicated” but instead, “Yes, but see how much money you had to spend! Patterson and Gimlin didn’t have these resources, so it couldn’t have been faked!”

Replication in Investigation

Replication can certainly play an important role in skeptical investigation, though recreating the circumstances surrounding an “unexplained” event is far more crucial than necessarily duplicating or replicating a given sighting, photograph, or video.

It’s actually quite easy to capture a photographic image that cannot be replicated in every detail. A photograph is a two-dimensional representation of a split-second moment in time (depending, of course, on how long the exposure is) in a constantly changing environment. Replicating some photos is easy—a close-up of a shiny penny in fixed studio lighting, for example. But outdoor photographs, or those of urban settings, can be difficult or impossible to exactly replicate in every detail—which is the standard often demanded. Clouds come and go by the hour (sometimes by the minute); leaves move position in even a slight wind.

Keep in mind that a full and true replication may require the original people or objects, under the exact same conditions. Depending on what part of the image is under scrutiny (a dark manlike patch in shady wooded area, a face seen in a ghost image, or an odd light in the sky) the image may look different. Sunlight reflection off a gleaming polished fender of a 1958 Corvette, for example, might potentially help explain a mysterious light or image. Substituting a 1984 Honda or a 2012 Ford in a replication photograph may not get the same results.

A close-up photograph of an egg taken in 1950 might look identical to one taken with the same camera and lighting as one taken a century later in 2050. But in most cases a landscape photo will be difficult or impossible to exactly replicate 100 years later. But more importantly, the task of recreating the film, as a practical matter, is enormously difficult under the best of circumstances. We can begin with the terrain, which like all other natural habitats, has of course changed significantly in the past fifty-five years. Consider all the environmental factors at play: Trees die and fall, rivers and streams move, and so on.

I’ve done replication in some of my investigations, including for the Santa Fe Courthouse Ghost, Sandra Mansi’s photograph of the Lake Champlain monster, and so on. But I’m always careful to include qualifiers and not claim to have duplicated anything exactly, but merely as best I can under the circumstances. Claims about how skeptics can’t (or won’t) duplicate things such as the Patterson/Gimlin Bigfoot film, or the pyramids, or anything else are spurious red herrings.

The question has broader implications for investigative skepticism. In many cases, using the principle of Occam’s Razor, replication should be enough to demonstrate that an extraordinary claim is indeed unlikely to be true. For example self-described psychic-turned-“entertainment artist” Uri Geller rose to international prominence in the 1970s and 1980s performing various acts which could be—and have been—duplicated by professional magicians, perhaps most notably the late Amazing Randi. This does not of course provide conclusive proof that Geller was simply a skilled magician instead of a psychic, which is after all impossible to prove. It does, however, give critical thinkers a logical, rational, science-based reason to doubt the claims.

Science is based on comparisons—between control groups and experimental groups, for example. By controlling variables and comparing two groups of people or situations, scientists can tease out what factors are at play. The key here is the variables under control.  A photograph, film, or video represents a fixed—and usually very short—moment in time. With the exception of long exposures, most photos are a two-dimensional representation of what was in front of a lens for a fraction of a second. We can’t see what happened just before or after the shutter opened. The P/G film, which is after all just a series of photographs when speeded up give the illusion of movement, is just under a minute long, and one reason it’s suspect is that we don’t see the figure coming into or exiting the frame.

For more on the topic of science and replication see my Skeptical Inquirer article “Skepticism and Pseudoexperiments” in the September/October 2020 issue.

Data Replication

Though I’ve focused here mostly on photographic replication, there are other aspects worth mentioning. The issue of replication in science is pretty straightforward: It’s essential for establishing the validity on an experiment. Because well-controlled studies are difficult to design and carry out, there is always the chance that a given outcome will be the result of random chance, experimenter bias, or any number of other factors. If a result is true and valid, then any other researchers following identical procedures should, in theory, get similar result—though, it should be noted, they may not necessarily interpret the results in the same way.

Replication is such an issue in science that the inability to replicate results has garnered significant attention. BBC News reported that “Concern over the reliability of the results published in scientific literature has been growing for some time. According to a survey published in the journal Nature more than 70% of researchers have tried and failed to reproduce another scientist’s experiments.” Skeptical investigation sometimes involves designing experiments and scientific protocols, for example when testing dowsers, psychics, and others (see, for example, “Testing Natasha” by Ray Hyman in the May/June 2005 SI and Jim Underdown’s work with the Los Angeles-based Independent Investigations Group).

Depending on what’s being measured, replication can be difficult under the best of circumstances. If you’re trying to replicate a population study it’s important to look at the statistical methodology to be sure a representative sample was used; slight variations in the underlying populations can introduce confounders and thus create spurious (Type I and Type II) errors, suggesting that an experiment has not been replicated when in fact it has, or vice-versa.

Whether the topic is a famous Bigfoot film, 9/11 attacks, pyramids in Egypt, psychic powers, or anything else, the oft-heard complaint that something can’t be—or hasn’t been—duplicated or replicated is often a red herring. Despite its strong anti-elitist and populist appeal, the claim demonstrates a fundamental lack of knowledge about control groups and science in general.

[madesimplemssql]

Snapshot Replication is a robust feature in SQL Server that allows data to be distributed as it appears at a specific point in time. Let's Explore:

https://madesimplemssql.com/snapshot-replication/

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[wolveswatchspace]

A Beginner’s Guide to Buying Replica Watches: What to Look For

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[multiplicationdivision]

Procrastinator’s Delight

“I have so much shit to do bro” Robbie whined, planting himself down by his buddy, Omar. The man was as oddly comfy as ever, thick sweatshirt and oven physiology. Like a personal toasty pillow.

“Aw is the little baby crying because he hasn’t done his job all week” Omar pouted at him, no sympathy in his eyes. It was true if not a little rude. Not like the guy had any room to talk, he and Omar had been doing jack shit together all week.

“Work sucks man. It just me out there and its fucking back breaking. Screw me for not wanting to pour concrete and weld rebar in the middle of hell’s asshole”.

“There are other jobs you know. Could come work for me”

Yeah, like that was a good idea. Omar was ruthlessly bad at his “business ventures”. The man found money somehow, but the beginning and end of his schemes were always suspicious. Lucrative maybe, but a bit too risky for his take.

“Nah I’m cool my guy. Appreciate it honestly, but I just want to complain about this shit.”, Robbie buried himself in his best friend’s thick hoodie, trying to escape reality. Maybe he shouldn’t have slacked off so much this week.

“Well dread later dipshit, I actually wanted to watch my movie, not an hour-long fest on the failures of responsibility”

“Sorry, its just I literally can’t do everything I need to do”, Robbie tried complaining again, fueled by his actual anxiety and the need to fuck with his friend.

“Yeah yeah, pay attention. Important X-men shit going on in the screen right now. Are your problems bigger than wolverine’s abs? Unlikely”

“Wolverine doesn’t need to operate a four-wheeler whilst curing a foot of concrete at the same time as lying my ass off to my boss in a day. Wish I had like two of me”

That last part of his complaint shook Omar. Shook him in the way that only weird suspicious ventures Omar could be shaken.

Robbie knew he would need to full on pester the man.

“You got time in your schedule to help out good buddy?” he demanded to an Omar decidedly not looking at him. It was the face of a man he could crack, subtly twitching.

“Nah, you know I’m not fit for heavy labor like that.” Omar said again, face trained to not break. It was far too stiff, a perfect sign. Robbie could always count on his living get-out-of-jail-free card.

“Yeah, I figured not. What shit do you really have for your suffering pal, Omar”

Omar gave up immediately with a long-defeated sigh, because the two always did that. Too much codependency ran through these two for them not to give in immediately. Unhealthy probably, as all codependency was, but useful at times like this.

He turned his head to face Robbie directly in the eyes, serious brown eyes to Robbie’s own desperate pair.

“You have to promise me you won’t go crazy”

“So you just point that thing at me?” Robbie said, hesitant of Omar’s strange remote. Just looked like any normal remote, for a tv or something.

Omar nodded, switching on a power button on the side of the device. A light on the top of it flickered blue, in a way that was expected for a remote. All signs pointed to this being a prank, but Robbie trusted this man and his bullshit with his life.

“So what does it do anyways. Would be more reassuring to know if its going to drug me or hyper caffeinate me. Probably wouldn’t help with the job shit you know” he asked hesitantly, watching as Omar mimed firing the remote like a gun.

“Definitely not a gun. Trust me.”, he said, pointing with one eye closed as he aimed. The blue light flickered on and off weakly.

A part of Robbie really hoped this was a prank. He should probably stop being so reliant on his friend and his weird garbage.

“Ready?” Omar asked, finger on whatever button would start this shit. Poised to likely disintegrate him. That would be one way of getting out of work

Robbie inhaled slowly and untensed himself.

“Ready”

Some part of Robbie expected a blast or a boom of some sort. An earthshaking sound to accompany his anxiety.

Instead, he got a light thump on the ground beside him.

He turned his head.

A man stood there.

He was Hispanic, with a light stubble. A short haircut and a ball cap. A cheap shirt just like the one he’d put on earlier today. A pair of joggers that still had a stain from his morning, not as cleaned off as he’d thought he’d gotten.

An absolute mirror, but not exactly. This man seemed like he’d popped just out of thin air and appeared unbalanced from the slight drop. Robbie reached out to steady him as if it was second nature.

The mirror smiled at him and he felt himself smile in turn.

Two Robbies turned to Omar with absolute elated joy.

“HOLY SHIT OMAR”

“HOLY SHIT OMAR”

The two Robbies got dressed as Omar snored on the couch.

They’d been lucky they’d had two clean company jackets. Whatever technology was put into their make was all that kept them from baking in the sun. They would be spending ages in the sun today.

Robbie tossed a pair of sneakers to his double as the other tossed him some socks in turn. This whole morning and all of last night had felt like that. Robbie would toss a couple eggs in the pan as his better half would put on the coffee.

It was addicting existing like this.

Even last night had been spectacular. Twin Robbies gaming together whilst Omar randomly cheered either on. Stalemates all throughout the night, escalating from video games to trivia to rock paper scissors. Omar ate the ridiculousness of their synchrony up, cackling at every little shtick they did.

Man had tuckered himself out. They’d already premade his breakfast, leaving it on the table and setting an alarm. The guy needed some schedule and real food.

“You ready to go Robbie?” he asked out to his grinning double, the guy shirking on his jacket with excitement.

“All ready Robbie! You got what we need?” he said, nodding his head towards the remote lying on the table. Omar had made him promise not to go crazy.

Robbie snatched it up.

He wouldn’t go crazy.

There were five Robbies and counting at the work site today.

Five Robbies not counting the few that had disappeared in pairs to whatever private corners they could find. Robbie was nothing if not efficient in his ways of getting off.

Robbie liked to think he was Robbie Prime here in this little group, distinguished by his slightly differing sneakers part from the other group. That and the fact that he wasn’t wearing a hard hat. He didn’t need to, as he had been on lying duty.

It took some damn bodies to get together a week’s worth of work before his boss could storm into the site on his Monday check of the place, but it had been done. Rocks had been moved and concrete had been set enough for it to have looked dried.

Whenever a Robbie got slightly overwhelmed by his task, it was easy to get a spotter. Just a type of a remote and a new Robbie was up for the work, diverging straight from his maker.

Robbie “Prime” was pretty sure he wasn’t the original, as that guy seemed to be busy with another Robbie somewhere in one of their porta potties. Robbie “Prime” was happy to pick up the title though, as he was basically the same man.

Hell, he’d even handled the whole call from Omar, panicked about how he knew Robbie took the remote. As a response, they’d calmly taken a picture of their little group to send to the guy. It hadn’t calmed him down, but Robbie(s) thought it was funny.

Objectively, 10 of a guy was maybe too much but that was quitters talk.

It felt addictive popping a new him out of the air, knowing they’d share the same energy as he did. Robbie “Prime” for example had just done so again, two Robbie “Primes” wrestling each other for the original position. All in good fun of course.

Eventually they’d run out of stuff to do that was real work in this place. Fortunately, the break room was fit for a crew of at least twenty and they were barely at fifteen. They had plans in order since they’d seen what that remote could do and Robbie giving quickies to each other was only the beginning.

Omar would understand when he tried the remote out too.

Image sourced from @brawnyai_backup on Instagram. Really recommend their AI photos. Don’t think they intended on making so many cloned photos, but I can definitely appreciate that AI quirk.

[tenth-sentence]

Because of its close resemblance to deoxyguanosine triphosphate, an essential precursor of DNA synthesis, acyclovir triphosphate is taken up by viral DNA polymerase to form an enzyme-substrate complex on which no 3'-OH exists for replication to continue.

"Chemistry" 2e - Blackman, A., Bottle, S., Schmid, S., Mocerino, M., Wille, U.

[pony-central]

VoreTober Day 19 - Replica

When DrugFriend finds a food version of himself guarding the door to Sick Boyfriend's intestines, then things will happen.

Day 20 is "Gather". I'll need to brainstorm this day, too

[tedrandler]

“Cat’s Cradle” #acryliconcanvas 20x16” 2023 #tedrandler #contemporarypainting #aftergabrielyakovlen #catscradle #catpainting #pearls #superpretty #pattern #replication #romanticpainting #tweeuntilitisnot https://www.instagram.com/p/CqQOqzSu1Qe/?igshid=NGJjMDIxMWI=