#repeat timeline

[hexcoreviktor]

we creep up on extinction, i pull your arms right in i weep and say, "goodnight, love" while my organs pack it in

[doomed-era]

rereading @/rawliverandgoronspice's gerudo post where it talks abt how ganondorf never divorces himself from his cultural identity even when the gerudo are gone which is true! except in the downfall timeline. which in a doylist sense is because ganon came before ganondorf but the watsonian explanations for this drive me utterly insane

[mayhasopinions]

what in the lgbt even was this scene (see tags for discussion)

[vaalnii]

I finished Octavo much faster than i finished Vaati, i wasn’t as confused on what to do for the shading, since i kept looking back at Vaati to keep it consistent

my favourite music boyo is done, now onto Shadow, and then i sketch out Reborn & Wrath

maybe i’ll also continue with Ravio & Astor as well, but i don’t know much about Astor since i haven’t played AoC yet

Vaati!

Shadow!

[thedeathdeelers]

sunjae singing sudden shower in the first timeline knowing damn well it’s the last time he’ll be performing it is my roman empire.

there i said it

like

look at this

constantly looking like he’s on the brink of tears even though it’s been 15 YEARS

recalling the past, in his own world as he sings this song that is so so so personal to him for the entire world to hear one last time

LOOK. AT. THIS.

the heARTBREAK THE LONGING THE HEARTBREAAAAKKKKKKKKKK THE PURE DESPERATE ANGUISH AAAAHHHH

and then ending the performance with this sort of…empty stare. a dejected acceptance. knowing he’ll never have the Sudden Shower moment with sol again. knowing he doesn’t deserve it, and never will

it’s like his farewell to the world, to her

+ bonus:

she’s there. listening to him pour his heart out one last time. to her. and she doesn’t even know. 🥲.

and yet the song still makes her cry- the anguish in his voice. makes her cry.

[soundleer]

okay apparently im still fixated on that trend thing i drew so imma dump in some bite-sized warmup doodles i did before i drew that piece

okay so unapologetically id let this man shoot me

[snarky-wallflower]

not me listening to Next Time again and being this close to sobbing. because, like…yeah. this song really gets the constant pain of separation that so many Hatchetfield characters go through. Paul and Emma will only connect right before it’s too late for everyone, before the universe ends. Lex and Ethan will have each other, but they’ll be separated by something beyond their control, whether by death or running to protect those they love. Tom and Becky will have loved each other long ago, lose each other, and find each other again, before tragedy. Duke will fall for Holloway each time, but she knows he’ll always have to forget her. Pete and Steph will find each other, but only after they’ve lost so much that they loved before. But they all have to believe that they’ll find each other in the next timeline, get to love each other again, if only briefly.

anyways, Hatchetfield, stop breaking my heart challenge (impossible).

[ryuusea]

sherliam week 2023 - day 1: time-loop; continuation of this au where they started as friends

thanks to sherliamweek for finally making me draw part 2 of this idea FOUR months later.

[nobodysuspectsthebutterfly]

I read GRRM’s interview regarding book vs show canon and I thought the way he was approaching an adaptation of his own story, and fiction as a whole, was very interesting. I do wonder though - does the concept of having a separate show canon kind of become like a cop-out? Because in that case, any TV/film adaptation can just decide to change the plot as they see fit and go “oh, well, that’s our canon, the book is a different canon.” Doesn’t it cease to be an adaptation after a point, or at least become a loose one? In the HotD context, a lot of the changes being made I actually quite like because I can see them fitting in the canon, because there’s nothing suggesting otherwise.

But say, Sansa marrying Ramsay (or, alternatively, the moment that show was dead to me) we can say with absolute certainty did not take place and will almost definitely never take place. D&D knew that too but they went ahead with it anyway; it’s not quite like the Scarlett example where it makes no difference to the story because this change does. I feel like the whole point of adapting written words into something visual loses some of its sanctity if we just accept TV changes a whole separate canon, as opposed to simply a change made by the writers (good change or bad change is up to personal opinion).

I have followed your blog for almost a decade so I’m really curious to hear your thoughts on the subject.

GRRM's "Scarlett example" -- his question of "how many children did Scarlett O'Hara have?", because in the book Gone With the Wind she had three, one with each of her three husbands, whereas in the movie she only had one -- has been his go-to when asked about the difference between book and show canon since at least 2012. Or to quote him from 2015,

How many children did Scarlett O’Hara have? Three, in the novel. One, in the movie. None, in real life: she was a fictional character, she never existed. The show is the show, the books are the books; two different tellings of the same story.

This is IMO one of the most sensible ways for an author to look at adaptations of their work (even if I have gotten rather tired of GRRM using the Scarlett example specifically, pick something different George, we've seen it before lol). There is book canon and there is show canon. They are different parallel universes. They're separate canons because they contain changes made by the writers, and also because the very process of moving from the written word to visual media must involve some kind of change.

And this applies to all adaptations. That's why I brought up X-Men comics vs the Fox X-Men movies vs the X-Men cartoon (original 90s and 2024's '97). For example, there's 4 different versions of the Dark Phoenix Saga between those canons, at the very least. Wait, sorry lol, I forgot the Ultimate canon version. And the various in-comics alternate universe versions. And god knows when they finally bring the X-Men into the MCU they'll probably do yet another DPS there too. And that's only one of many storylines that are radically different between the various canons.

Or look at the various Interviews with the Vampire. Is the new tv show "not an adaptation" because its Claudia is a teenager rather than 5 years old as in the book or portrayed by an 11 year old as in the movie, thus resulting in extremely different relationships and a reshaped plot? (Among many other changes?) No. IWTV has book canon, movie canon, and show canon.

And I can't speak that well about Transformers since it's not a major fandom of mine, but go take a look at their various continuities if you want some more perspective about just how very far the meaning of "adaptation" can stretch.

Or hell, look at Stephen King, where among his many many many adaptations, some of which just barely resemble the original text, the only one he sued to have his name removed from was The Lawnmower Man, because they literally used an entirely different story and just slapped his title on it.

And then there's the movie Adaptation, which is a wildly meta-adaptation of the non-fiction book The Orchard Thief (it's a story about the process of adapting that book and involves a fictional version of the writer, the screenplay writer, and an entirely invented screenplay writer's twin brother)... and it was nominated for Best Adapted Screenplay for multiple film awards (and won a few times), and the original writer even said it kept to the book's themes.

Suffice it to say, HOTD has a long, long, long way to go before it could ever "cease to be an adaptation after a point". Changing the timeline to make Alicent and Rhaenyra the same age, or doing Blood & Cheese differently, do not even compare to what some book-to-visual media "loose adaptations" have done. Even GOT, as wildly terrible as their non-book storylines could be, both their changes to the text and after they had no actual text to work with, never became a "loose adaptation". Certainly it became a less than faithful adaptation -- and let's be real, it always was unfaithful for both themes and the essential elements of so many characters -- but it also always was a remarkably accurate adaptation of the whole span of Westeros (in geography and breadth of characters) and the general (not specific) book plot. (Consider previous attempts at adaptation that GRRM rejected, such as a single 2 hour movie, or eliminating Jon and Dany for being "irrelevant", or only making a Jon movie with none of the other storylines, etc.) Which is why, when GOT was different (and awful) it was such a betrayal, like a zombie or evil alien wearing the skin of your best friend or beloved child, and worse, that this twisted lookalike was the only version millions and millions of viewers ever saw and believed to be true.

But again, this just underlines what GRRM has said. "The show is the show, the books are the books." There is book canon and there is show canon. They are separate things. Parallel universes -- very close parallels, often touching in many places, but sometimes they're quite different. Sometimes the differences in adaptation enhance the themes of the original canon; sometimes the author may even consider certain adapted characters (Shae, King Viserys, Helaena) to be better than his original canon; sometimes you know there's only those tricky NDAs (and payments of lots of money) that prevent him from expressing his disappointment in more ways than dropping the Sansa TWOW preview chapter only days before the release of GOT S5. But perhaps if we're lucky, maybe one day we'll have yet another parallel canon to compare to the others.

[persona-2-daily-reminder]

Daily reminder that EP is just NG+ for Tatsuya.

[beneathsilverstars]

the shit siffrin said in act 5 isn't even that bad 😭 they were mean one time!! very precisely mean but like. their friends aren't that fragile. i woulda forgiven them even if they weren't going through timeloop hell. sometimes you're feeling shitty and don't know how to handle it so you fuck up and what matters is that you recognize that and do your best to take steps to prevent it from happening again!

[kindaorangey]

ROLIN!!!!! EXPLORE ARMAND'S RELATIONSHIP TO ISLAM IN THE SHOW AND MY LIFE IS YOURS!!

[op-dumpstertruck]

“I got you no matter what” EXCUSE ME WHILE I CRY SCREAM THROW UP—

Yesss - if there is one thing Zoro is, above anything else, he's loyal! I haven't drawn much out yet, but I do see him being not exactly perfect with this (he does tumble along, says some insensitive stuff, really doesn't get Sanji for the longest time because they communicate badly) but! When shit hits the fan he is there! And of all the strawhats I think he'd be the most quiet/calm/stalwart support there is. (And Zoro is definitely pro choice, I do see him as someone for whom it's as simple as 'he doesn't want this so it's not gonna happen'.) With alllllll the other things they argue about, this should be a huge fight. But it doesn't happen - not here, and not about that.

[panicked-herb]

Some post cannon character designs and head cannons for Hiccup, Fishlegs, and Camicazi.

Bonus: Alvin the Treacherous

[harukapologist]

Yesterday I was having lots of 09 thoughts & mainly talked about him, so today I'll talk about why I think Haruka will not die before T3.

First off, what is the point of leaving such an engaging mystery unsolved?

If you think about it, Haruka's death would add two things in the story: drama factor to test the fans' feelings, and a chance to learn more about the extraction system. For the drama/emotional factor, it would be more useful if he stayed alive in critical condition; the fans' feelings will change and that will affect how these fans vote for Haruka and the other prisoners. In the scenario that he dies, the other prisoners' character developments will get somewhat of a push but Haruka's case will remain unsolved forever; if he stayed alive, I think that would help him and everyone develop further. e.g we would see more tension with Muu as she seems to be spending less time with him, we would see how Haruka struggles to cope with his verdict, how he interacts with the other prisoners etc it is much more compelling that way in my opinion

There is a possibility the extraction system could work on a dead body but 1. there would be no VD and VDs are important because they force the prisoner to think about and focus on their crime before extraction, 2. I don't see it being worth killing off a character, there are other more effective ways to get a reaction out of the audience and keep all of the prisoners' fates tied. And if it doesn't work, then wasn't Haruka's death pointless? It is just such a fruitless way to seal his case. Him being dead has only one outcome, which is...well, being dead. But surviving his attempt may have many outcomes: he might not attempt at all and remain unscathed, he might get in critical condition, he might be punished for attempting to escape milgram's boundaries by dying; who knows?

Not only narrative-wise is Haruka important, but also Haruka is a fan favorite, at least in JP fandom. He is well-loved, a lot of fans are intrigued by his case and killing him off without even getting close to solving his deal—which I see as one of if not the most ambiguous in the prison for many reasons—will leave a lot of fans disappointed and some may quit milgram, so the sales and audience etc will drop.

You have to keep in mind that Jackalope is biased, loves messing with us and sometimes says or implies things that are not true (e.g implying Haruka and Muu's dynamic to be romantic "lovey-dovey" when they are just friends) so you should not take anything he says—much like most of the info we are presented in milgram generally—at surface level.

Something else to be considered but which I wouldn't rely on as heavily, is that minigrams have foreshadowed things before (e.g system Amane), and Haruka has been really in the spotlight in nearly every recent minigram. I take this as a sign that he might not only survive but also play an important role in T3.