#reminds me of the summer
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saradiation · 5 months ago
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Aradia 🖤 
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nikswonderland · 1 year ago
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hot summer nights…. ig credit: licciyoc
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kulai · 1 year ago
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being utterly self-indulgent AGAIN
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millenari · 5 months ago
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this shot from cats 98 always sends me bc you have two(2) female characters in frame whose Whole Thing is to be s‌exy and then you have misto there effortlessly out-thotting them both. equality.
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fence-time · 1 year ago
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Winters only just begun and I’m already yearning for summer again (so ya’ll get an impy working in the summer sun ^^)
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misstrashchan · 2 months ago
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The Little Prince and the Ever After
So it was confirmed a while ago that Oscar's allusion is the Little Prince, which many Oscar fans and Rosegarden shippers in particular where theorising back in V6, with Oscar's crush on Ruby Rose being proof that she was the Rose that the Little Prince loved and cared for. Both @conehatcryptid and @chaikachi have written wonderful posts about Oscar's allusion to the Little Prince here and here.
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However, after V9 I'm inclined to think both Ruby and Oscar interchangeably play the roles of the Little Prince and the Rose, in much a similar way that Blake and Yang both interchangeably are the Beauty and the Beast (Blake's surname means beautiful woman, and she likes to read like Belle, but she is also the Beast who wishes to redeem themselves, and is a literal Beast as a faunus "black the beast descends from shadows". Yang is introduced as the "yellow beauty burns gold" and wishes for a life of adventure like Belle, but she is also the Beast, being left by their Beauty and having a fiery temper).
This is in part theorising/speculation, as V9 obvious main allusion is Alice in Wonderland, and the similarities I see maybe coincidental, since both stories deal with similiar themes. Both stories have a child that travels to strange lands to meet characters that represent the misgivings and absurdity of adult society and the pressure to conform to these as you grow up, and the confusion as to who you are and should be that follows.
Alice's journey to adulthood is a path that takes her from a confused child changing size and unaware of her true identity to an assertive girl scolding the immaturity of the Mad Hatter and ends with Alice being brave and confident enough to confront the Queen of Hearts.
The Little Prince's story is about the importance of reconnecting with your inner child as an adult/someone growing up.
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"No! I will grow up, but I'll never forget about being a child!"
In V9, Ruby must grow into an adult like Alice does, but also reconnect with her inner child as she does so like in the Little Prince.
RWBY is known for its multilayered literary allusions, and Oscar, the Little Prince, does introduce us to the story The Girl Who Fell Through the World in V8, which is Remnant's version of Alice in Wonderland. Not to mention Ruby and Oscar's arcs are intentionally foiled, so maybe it's not coincidence. It's entirely possible with how V9 also appears to be following the story of the Little Prince too. While Ruby is in the Ever After she travels through the different acres like the planets the Little Prince visits, meeting similar characters.
She is confronted with the question "what are you" on an existential level:
Little: What's wrong?
Ruby: Have you seen other people- humans- like me?
Little: Exactly like you?
Ruby: No, not exactly like me. We're similar, but different.
The Little Prince:
"Good morning" he said courteously.
"Good morning--Good morning--Good morning," answered the echo.
"Who are you?" said the little prince.
"Who are you-- Who are you-- Who are you?" answered the echo.
"Be my friends. I am all alone."
"I am all alone-- all alone--- all alone" answered the echo.
She meets Little (as in "Little Prince" as well as "Little Red Riding Hood" and "Alice Liddell") who is meant to symbolize Ruby's inner child, as the Little Prince reminds us of the inner child we have forgotten as we grow up. Both Ruby and Little "die" in a sense as the Little Prince does, but ascend and come back.
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In fact the whole way ascension is described in the Ever After is on par with how the Little Prince and the Snake describe how they will leave their body as an empty shell behind to go back home, being "called back" home to the Tree.
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"It'll look as if I'm dead and that won't be true, this body is simply an empty shell, I can't take it with me"
Purple Paper Pleaser: Then, the wisest of our village suggested breaking from our physical forms, so that the winds may carry us back to the Tree.
...Which leads me to how the Curious Cat and Neo are both the Snake who convince Ruby/the Little Prince to "die".
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We get Cats and Snakes being linked together early on in the first episode of v9:
Mouse Leader: You have our sincerest apologies! Please understand that our kind is a bit skeptical of cats… and snakes… and cats.
This stuck out to me considering this is foreshadowing of the Curious Cat being the main antagonist of the volume, but we don't ever see any snakes in the Ever After.
The Curious Cat's first appearance is akin to the one of the snake in the Little Prince movie (2015) of two eyes peering out at the Prince
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The Snake is a character who speaks in constant riddles and is confident they have all the answers to life's mysteries, similar to how the CC knows so much but is incredibly cryptic in how they speak. The snake is also meant to represent the inevitability of death, and part of the CC purpose is to help the inhabitants of Ever After to ascend, which is a process of death and rebirth.
Curious Cat: Mmmm, when we break or wear out or simply finish what we were made to do, we’re called back. But Herb… his heart was too weak to listen, so I gave him a little bit of mine.
Blake: Is he… dead?
Curious Cat: (chuckles) No, no! Well, maybe a little bit, but not at all.
When it comes to Neo being the Snake, she manifests her illusions of the Jabberwalker to terrorise RWBYJ after killing it, the one being capable of dealing permanent death to Ever Afterans.
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She's also the one who offers their "poison" to the Little Prince, (the tea made from the leaves of the Tree) which they accept.
Additionally the way the Curious Cat enters Neo is like that of a snake slithering inside her. Once the snake bites someone, they are described as becoming an "empty shell", and the CC is looking for an empty human vessel to possess, while Neo wants to destroy Ruby and make her feel empty.
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Curious Cat: You’ve lost something most important, haven’t you? And now you have nothing left. How delightful! An empty host, perfect for me to fill.
Neo-Torchwick: You don't deserve to die Red! You deserve to be broken down... torn apart... wiped from existence.
And when the Little Prince believes their Rose has perished (Penny) or will perish (Oscar), because of them, they give themselves over to the Snake completely.
But, Neo and the CC also play into the Fox allusion as well. The Curious Cat's ability to give his heart and understand others is similar to the Fox's sentiment in the book, who tells the Little Prince the importance of taming, and of looking with the heart:
"Now here is my secret. It is very simple. It is only with one's heart that one can see rightly. What is essential, is invisible to the eye."
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"Men have forgotten this basic truth. But you must not forget it. For what you have tamed, you become responsible forever. You are responsible for your rose..."
Curious Cat: I know, Your Majesty, it truly isn’t fair. You must play your game and win at any cost. It must hurt your heart. Let me help.
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Curious Cat: But Herb... his heart was too weak to listen, so I gave him a little bit of mine.
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He "tames" the Red Prince in managing to calm him down from executing RWBY to just exiling them.
He helps Herb to "see with the heart" when he becomes blind to how he has stagnated and forgotten his purpose in being overwhelmed by his work.
The Fox is meant to show us the importance of the patience and compassion that is needed to understand and connect with others, to reach out to them. This is part of the CC purpose in the Ever After in fixing those who are broken, but becomes the negative declination of this in becoming manipulative over time. (like him "taming" the Hawker to make him do his bidding)
Neo is like the Fox in that she dislikes hunters (huntsman and huntresses) and she has lost the person who has tamed her, who was "unique to her in all the world" with Torchwick. Part of what escalates Ruby's conflict with her is that she does not take the time to understand and empathize with her:
Ruby: Is that seriously what this is all about? You still blame me for what happened to Torchwick?!
Neo-Roman growls
Ruby: If you’re looking for an apology, you’ve wasted your time!
and much like the Fox points out here:
"One only understands the things that one tames... Men have no more time to understand anything"
And that it is only when Ruby takes the time to understand Neo towards the end that shows how she has started to grow, to understand the importance of looking with the heart, the very first step of "taming".
"You must be very patient. First you will sit down at a distance from me-like that- in the grass. I shall look at you out of the corner of my eye and say nothing. Words are the source of misunderstanding"
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(...I believe this will continue on in Remnant with Mercury and later Cinder)
The idea of intertwined allusions of the Fox and Snake with the CC and Neo in V9 interests me. Because it makes me wonder if my theory/prediction on Emerald/Mercury both being the Fox to Oscar's Little Prince may not be entirely right, but that they will both be the Snake also. If they are it will likely be an inversion, with the Prince (Oscar, and maybe Ruby) helping the Fox (Emerald) realise the importance of "taming" (taming Mercury, specifically) while the Snake may play a more positive role in saving instead of killing.
After all, the baobab tree roots in the book are meant to consume and threaten to kill the rose if she is neglected too long, and while Ruby is consumed by the Tree in the Ever After that very much resembles the baobab, and she does "die" in a sense, the tree is a positive force that helps her to be reborn and grow into her true self. So, Emerald/Mercury could have a similar duality in alluding to the Fox and the Snake, capable of killing and saving the Little Prince.
@aspoonofsugar I think has mentioned Emerald's design resembling a snake puts me in mind of this, plus Mercury's main allusion being, well, the god Mercury, whose symbol is this:
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A staff with wings and two snakes entwined around it. His emblem also features wings, and like a snake he technically has no legs (in a symbolic sense too, his lack of semblance and agency, the freedom to be his own person) Alchemically I believe the mercurial character is meant to shift between life and death also? So there is something there in how the Snake simultaneously saves and kills the Little Prince. (also this is me really really stretching here with my red string but. The Curious Cat. Like Mer-curius. Mercury. Both the Snake for Ruby and Oscar.)
Depending on your interpretation of the stories ending, the Little Prince ends up dead because of the Snake's bite, or the Snake genuinely helped him return home and be reunited with his Rose. Mercury/Hermes is said to be able to travel anywhere, any plane of existence without limitations, which has lead to theories of Mercury's semblance being flight or teleportation, which, well, in relation to the Snake aiding the Little Prince:
"I can carry you farther than any ship could take you," said the snake. He twined himself around the little prince's ankle, like a golden bracelet. "Whomever I touch, I send back to the earth from whence he came," the snake spoke again. "But you are innocent and true, and you come from a star . . ."
This is of course just me going off on another theory for funsies, but it would be interesting if Mercury was placed in between a choice of killing or saving the Little Prince and helping reunite him with his Rose. How Emerald and Mercury would save Oscar/help him and Ruby is unknowable. They could be save their life, help delay the merge, or just helping assure him of his own personhood and agency (this could be explored through how both Mercury and Oscar lack semblances relating to the "curses" placed on them in relation to their father figures), or something else entirely, but either way I'm pretty confident they'll have a significant role to play in the Vacuo arc.
I am aware most Rosegarden fans are mainly theorizing Tyrian as the Snake, (I've even seen some say Ruby is the Snake as well as the Rose, with a similar sentiment of the Snake being capable of saving/freeing the Little Prince, not killing him) especially since the first scene Oscar is introduced is him waking up from a nightmare following Tyrian being sent to capture Ruby Rose, as well as like, him being a venomous scorpion faunus present in the desert right now. But even that only makes me more certain in a way since Tyrian is meant to be Mercury's dark foil (and the antagonistic mercurius for Emerald/Mercury) accompanying him into the desert. So like, it Could Be Both.
Ruby also meets a King/Narcissist like in the Little Prince (the Red Prince). The Narcissist demands to be complimented and coddled, much like the Red Prince. The King is drawn wearing a crown too big for him (in the 2015 movie adaptation it is constantly crooked and threatening to slip off his head), similar to the Red Prince.
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The King claims absolute authority, that what he says will happen if he orders it so. However this is untrue, as he will only order what will already happen. The Red Prince claims he always wins his games, but the board game he plays with RWBY is already in his favour as the pieces on their side throw the battle so he can claim victory. Both cheat and find loopholes in order to maintain their superiority over others. The King symbolizes rulers who make a big deal about the power they have, but who in actuality are pretty ineffective as rulers and will cheat and find loopholes to justify their power. It also mocks their grandiosity and showiness, which is kind of funny because they think they are way more important than they actually are, all of which fit with the Red Prince (...and with two other characters that were significant during the Atlas Arc *points at Ironwood and Cinder* even moreso after episode 3 of RWBY Beyond)
The Lamplighter, whose job on his tiny planet is to continuously light and snuff out the single lamp, but because the night and day cycle is so short he essentially never rests and is caught in this loop, always stuck working and nothing ever changing. Jaune as the Rusted Knight is stuck doing the same jobs everyday in a Sysiphus task of preventing the Paper Pleasers from ascending, and rests very little. He is also the Geographer, who maps out other planets but can never travel himself (because he is too busy drawing maps) and suggests to the Little Prince to visit Earth (the acres that Jaune maps out but has yet to properly explore because he can't leave the Paper Pleasers, is trying to find a way back to Remnant, their "Earth").
Another interpretation is the Lamplighter as the Caterpillar, who similarly has a neverending and thankless task of helping the Afterans ascend, and has stagnated as a result.
The Stars are not a character in the book perse, but they do come up a lot both in RWBY and in the Little Prince, especially when it comes to the theme of death and rebirth, and grief. In V9 in the Ever After we meet the Paper Pleasers (origami stars) that Jaune is desperately trying to stop from ascending, essentially keeping them trapped as he monitors them. There is a character in the Little Prince that obsessively monitors the stars and keeps them trapped, the Businessman. It is pointed out by the Little Prince that while the stars make him rich, the Businessman is of no real use to the stars.
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In much the same way the Paper Pleasers do not need Jaune as much as he needs them to prove his own worth.
The climax of the Little Prince movie (2015) adaptation is the stars being freed from their entrapment, ascending into the sky, free from control, by the protagonist who is a young girl trying to break free of the expectations placed on her by adults as she grows up, is like one of the stars herself, rising into the sky.
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The paper pleasers ascending, while initially seen as tragic, in actual fact allows them to grow and be more, and the Genial Gem that appears to once have been the Paper Pleaser called Ruby is the one who explains this process to WBYJ as they are worried about Ruby and how the process of ascension will affect her.
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The Pilot is likely WBY, as for them Ruby is like a younger sibling to all of them who helps them reconnect with their inner child early on in the story, much like the Little Prince does for the Pilot. For Weiss, Ruby helps her connect with her inner warmth and heart. For Blake, she helps reignite her lost idealism. For Yang, she is her inner child to nuture, the one who lost her mother. The author Antoine Saint-Expury based the character of the Little Prince on his own younger brother who died, and that the Pilot as the narrator of the story is himself as an older sibling remembering and grieving for them. When WBY all watch Ruby drink the tea, it mirrors the scene where the Pilot watches the Little Prince give himself to the Snake, and is too late to intervene, particularly for Yang.
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Their body disappears, and it is uncertain whether the Little Prince has died or found their way back home to their planet, and to their Rose. For Ruby, it is both. She dies and was reborn, literally reclaiming Crescent Rose and regaining her Rose emblem, she reunites with her Rose, her own sense of self. And in her ascension is able to come back to defeat the Curious Cat, and return home to Remnant with everyone. (coincidentally I think this is how Oscar's story will go, he will sacrifice himself to the Merge fully and "die" in a sense, momentarily, but return fully to himself later on, reuniting with both his sense of self and his Rose, Ruby Rose).
Oscar is also Ruby's Rose in a sense, someone she has tried to protect and care for. Even the pattern on the back of his outfit can be seen as the stem and thorns of a rose, like Ruby's hood can be seen as the petals of a rose. The Little Prince believes that if the Rose is left alone, then it will be his fault if they die:
“If some one loves a flower, of which just one single blossom grows in all the millions and millions of stars, it is enough to make him happy just to look at the stars. He can say to himself, 'Somewhere, my flower is there...' But if the sheep eats the flower, in one moment all his stars will be darkened... And you think that is not important!"
"He could not say anything more. His words were choked by sobbing."
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When Ruby cuts down an illusion of Oscar, killing him, it is foreshadowing that Ruby is afraid she will not be able to save Oscar from his fate. This is the final breaking point for her (along with Little's death) that leads to her drinking the tea.
...But as much as I am a Rosegarden shipper, it's actually her mother Summer Rose and Ruby's identity that is the main "Rose" to her Little Prince in V9 that she becomes separated and united with, imo.
She learns that their Rose (Summer, and themselves) are not uniquely one of a kind, but "like any other common rose" the same as all the other hunters represented through their weapons in the Tree with the blacksmith. Like the Little Prince in the Rosegarden:
"Good morning" said the roses.
The little prince gazed at them. They all looked like his flower. "Who are you?" he demanded, thunderstruck.
"We are roses" the roses said.
And he was overcome with sadness. His flower had told him that she was the only one of her kind in the whole universe. And here were five thousand of them, all alike, in one single garden! ... Then he went on with his reflections: "I thought that I was rich, with a flower that was unique in all the world, and all I had was a common rose."
Not in the sense of being a SEW who believes they are the only one of their kind, but that like her mother Summer Rose, or any other huntress or huntsman that has lived (represented through the weapons she looks at, and her saying they all have the same weight to them) she is not perfect, or unique in always knowing the right thing to do and being a flawless shining hero. Ruby thought the ideal of the hero Summer Rose she carried and tried to emulate was unique and special, what made her "rich" in the sense it defined her self worth, but she was a "common rose", a person, a human being, just like Ruby. Being like any other common rose means Summer is much like Ruby herself, just a person trying their best, with their own flaws and burdens to carry. Ruby leaves the Rose behind initially (gives up her Rose emblem that Summer left her, rejects Crescent Rose) and the pedestal she puts her on shatters, becoming disillusioned with Summer like the Little Prince does with his Rose, specifically after finding out that they lied.
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Ruby: What? What was that? She… She lied. She left with Raven. Why would she…?
Blacksmith: Who knows why people keep the secrets they do. Maybe you’re not the only one who has felt the weight of other’s expectations. Like Alyx, like your mother.
What makes Summer unique to Ruby is not her being an ideal hero, but the love she had for her as a mother, and that in of itself is incredibly beautiful and powerful, because it helps her realise and affirm her self worth.
Summer: (voice) I love you…
Ruby turns to see the red glowing light behind her.
Summer: (voice) Just the way you are.
"Of course I love you," the rose said to him. "If you were not aware of it, it was my fault"
Much like the Little Prince learning and understanding that his Rose is unique to him, not because she is one of a kind, but because of their time shared together, loving and caring for one another. That it is our ties to people that makes us special and unique in the world, to the people we are connected to and choose to care for, more than any power or titles do. Which goes back to the source of Ruby's power as a Silver Eyed Warrior, her love and compassion of those around her. The true power of humanity.
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kindahoping4forever · 8 months ago
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Calum on IG Story
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mabaki · 8 months ago
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It's summer and Anet teased us with the beachwear armor, so of course I had to draw him in it LMAO
topless ver. below lmaoooooo
Cuz you know, I keep separate layers and I always draw his body first anyway might as well alkjsdflkjLKJSDLFKJ
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Someone said he's on vacation from all his affecitonate bullies LMAO
And also to apolgize to him, for putting him in the bikini version earlier HAHAHAHA
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happyheidi · 2 years ago
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𝘵𝘩𝘦 𝘸𝘢𝘳𝘮𝘵𝘩 𝘰𝘧 𝘴𝘶𝘮𝘮𝘦𝘳
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artbyfuji · 9 months ago
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crazy way to find out 🤯
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powersocial · 7 months ago
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𝕀𝕟 𝕥𝕙𝕖 '𝔸𝕕𝕠𝕡𝕥 𝕒 𝕊𝕚𝕞' 𝕔𝕙𝕒𝕝𝕝𝕖𝕟𝕘𝕖, 𝕪𝕠𝕦 𝕙𝕒𝕧𝕖 𝕥𝕙𝕖 𝕠𝕡𝕡𝕠𝕣𝕥𝕦𝕟𝕚𝕥𝕪 𝕥𝕠 𝕚𝕟𝕗𝕝𝕦𝕖𝕟𝕔𝕖 𝕙𝕠𝕨 𝕥𝕙𝕖 𝕓𝕒𝕓𝕪 𝕨𝕚𝕝𝕝 𝕕𝕖𝕧𝕖𝕝𝕠𝕡 𝕓𝕒𝕤𝕖𝕕 𝕠𝕟 𝕪𝕠𝕦𝕣 "𝕡𝕒𝕣𝕖𝕟𝕥𝕚𝕟𝕘".···•✦
❁ You cannot alter ethnicity, but you can make adjustments to them through realistic methods like weight changes and muscle development.
❁ Feel free to use the prompts provided below they are completely optional, or introduce this little baby to your sim family and see how your parenting helps little Summer develop in game! (o゚v゚)ノ (the first prompt isn't really important for Cas but it can give you an idea on the baby's life & personality)
❁ This is my first ever challenge so I'm sorry if their are any inconsistency's! (pls be kind) Don't forget to tag me @powersocial so I can see and share your sims! If you have any questions I'm happy to answer them.
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download:🍼𝕃𝕖𝕥'𝕤 𝔸𝕕𝕠𝕡𝕥!🍼(also available on the gallery, ID @seyvia)
✦•·················• 𝐂𝐨𝐧𝐠𝐫𝐚𝐭𝐮𝐥𝐚𝐭𝐢𝐨𝐧𝐬! •·················•✦
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You could also put the list of prompts on a 'picker wheel' if you'd like! Have fun! ♪(^∇^*)
@ts4challengehub
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ultrademonkiller737 · 18 days ago
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Still thinking about how the scenery here reminds me of southern Italy......
And honestly I love it sm
The sceneries in some parts of Italy are always mesmerizing in their simplicity
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Also you cannot tell me Stereo Love wasn't playing in the background in this moment.
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eliounora · 5 months ago
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saw a video claiming that having two cars makes one upper middle class and a bundle of thoughts occurred to me that I'm struggling to word elegantly but it's something about how people can't tell between middle class and the upper middle class and the rich, and therefore don't realise just how rich actual filthy rich people are and how poor actual poor people are. also something about poverty being deemed a virtue, which makes it harder for people to recognise and especially admit their own privilege and luck, resulting in well-off people insisting they are poor and middle class people getting called rich for arbitrary things.
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sweetiebunbuns · 7 months ago
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Haha soooo what if we kissed? 👉👈
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dol-dee · 8 months ago
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Kylar Dress up
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spadaaces · 28 days ago
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Thinking about Akiren and his hometown…. I like to think/headcanon that he doesn’t hate it there. There is a strange sort of comfort being there at times, but it’s not really.. Home anymore. Same with his parents - my hc is that they’re pretty average (he goes through So Much shit all the time I think he deserves a Little bit of normalcy in his life lol). They’re nice and they care for him, but after living in Tokyo for a year and everything that happened that year, there’s this weird gap now.
Akiren went through so much in the span of that year and he changed a lot during that year. We obviously don’t know too much about pre-game Akiren, but it seems like he’s always had this strong conviction, but acted more reserved than he actually is, similar to how he keeps his head down when he’s put on probation. And then he does not only awaken to his persona and is able to rip of that mask both figuratively and literally, but he finds a place where he can truly start being himself. He finds people who also discover themselves and grow alongside him, and makes him stronger - and he finds people he truly belongs with. And despite all the shit they had to go through, it’s also some of the most fun he’s ever had and these people are so special to him and they understand him and he them and -
And then he has to go back home. And he knows they’re gonna miss each other, but also that he’ll see them again. And it is a little nice to be back, it’s peaceful for a change and at least he has Morgana with him. But it’s a bit too peaceful. There’s not the buzz of the city anymore, he’s not used to it being so quiet - he’s not used to having so few people around him anymore. The town is the same, his parents are the same, but he isn’t. And it feels weird cause nothing is necessarily wrong or bad there, he’s just so. Out of place. He’s a completely different person but no one in this town knows that. And so it’s really easy to slip back to how he’s always acted when he’s there. Because this isn’t where his real self is supposed to be.
Then summer rolls around, and he travels back to Tokyo and all his friends are there to welcome him and Morgana back and it finally feels like he can breathe again. Like he’s finally back where he belongs and he’s able to be his full honest self.
He’s home.
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