#remains of creation
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I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”
OZYMANDIAS, PERCY BYSSHE SHELLEY
#nothing beside remains round the decay of that colossal wreck boundless and bare the lone and level sands stretch far away#another crazed post i think makes sense#rhaenyra targaryen#rhaenyratargaryenedit#hotdedit#house of the dragon#houseofthedragonedit#my creations*#hotd spoilers#emma d'arcy
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putting the guys in cages for our crimes (everyone being a month behind our self imposed reading schedule)
#les mis incomprehensible posting#les miserables#les mis#valvert#javert#jean valjean#pi creations#valvert discord posting#valjean will remain in his cage until liv catches up <3
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This was going to be a panel of a little comic but I got too invested in drawing minute background details so, here.
#They are having an argument over 1) whether crops can be grown on the moons 2) what - if any - impact does this have on the feasibility#of an afterlife being located on the moons#Brakul is a partial convert to the Imperial Wardi faith but this mostly entails having adopted the seven faced God (and some#other elements of the belief system) into his worldview and participating in expected rites while retaining his central#ancestor veneration practices completely unchanged and mostly prioritized.#This doesn't actually cause much friction in of itself with the big exception being disagreements on the afterlife#Wardi practices surrounding death prioritize proper handling of the corpse and funerary rites in order to get the dead where they#need to be- death is a fraught transition from one state to another. analogous to birth. The role of the living is to get the dead through#this transition (preventing them from being stuck earthbound as earthbound ghosts - which is the Bad afterlife). Once the dead#make it to the moons that's it. They don't really interact with the living. There's plenty of conceptualization of what it's Like#in the lunar lands but the cultural priority is not even slightly on the Logistics of existence there.#Whereas the CORE of religious practice among the Hill Tribes is ancestor veneration - ancestors remain interactive with the living#and require/desire their continual support. They are conceptualized as having earthlike 'lives' where they eat and drink#and grow crops and herd livestock and they need the support of the living (in prayers and offerings) to do so prosperously.#There is a HIGH cultural priority on the logistics of their afterlife and it's self-apparent that the world of the dead needs fertile earth#to support them.#So like bottom line Brakul thinks there's no goddamn way that the moons could support an afterlife (they are described as#barren rock that was flung into the sky during creation and certainly Look that way)#and that the Wardi are just wrong about their afterlife's location. They probably go to the celestial fields (which are located#behind the moons and stars) like everyone else#And Janeys finds this aggravating and doesn't see his fucking point but has developed a nagging concern that Brakul Could be#partly right in that the celestial fields could Maybe exist in addition to the lunar lands.#So like maybe they aren't going to go to the same place when they die?#He's already terrified that he'll be stuck as an earthbound ghost and really doesn't want to be even further separated so#he figures he should make sure he gets himself dead and cremated at the same time as Brakul so they can navigate the#transitional period together.#Brakul is unconcerned because he figures that if Janeys actually does get stuck on those barren ass moons he can just kinda#Go Get Him#Ancestor spirits fly to the earth all the time and the moons would be a much shorter distance. Probably wouldn't be an issue.#Long story short these disagreements and underlying anxieties result in fights over whether you can grow corn on the moons or nah
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I didn’t have Bertie calling himself a bimbo on my The Mating Season bingo card

#bertie wooster#jeeves and wooster#the mating season#unnecessary's stuff#alt text in image description#wodehouse remaining unmatched at blorbifying his own creations
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one interesting thing about having read the silmarillion before lord of the rings is seeing which characters get mentioned in the main books and which ones don’t. for example, feanor and celebrimbor both get several mentions but the sons of feanor have had none so far. of course tolkien can’t mention every elf who ever lived when he has a plot to get through as well but i do wonder if it has something to do with the fact that the legacies of both those characters involved leaving behind something they made which was lasting and important while the sons of feanor only left destruction.
#also you know. no point in mentioning all the cities the sons destroyed when beleriand no longer exists#anyway just something i am pondering since there’s a lot of talk in the books about feanor’s creation of the silmarils and the palantiri#and celebrimbor made the rings and the doors of durin#so their legacies are remembered as long as those artifacts remain#pie says stuff#pie reads#the silmarillion#lotr
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He was taller than them.
Infinitely so.
They knew he wasn't that big - not compared to everything else around them, from the walls closing off his fortress to the island it sat on, to the silvery sea around it or the body it was still housed within. He wasn't even that big compared to them, and they knew that too: he was only about a bio taller than them, maybe a little more, maybe only half. A sizable, immediately noticeable difference, but it wasn't that much. It wasn't enough to make him appear so gargantuan and frightening. They had stood beside similarly large beings, and while a slight awe had made them queasy it had not been so oppressive.
But there was something about him that made him larger than life. Something that crawled out of him like white marble maggots from a white marble corpse, a strange perfect imperfection that made them feel minuscule.
Perhaps their incomplete number worsened it.
He watched them, impassive.
From how close they were to him (they could have walked up to him; they could have turned that small distance to zero and stood directly in front of him; but they didn't. They couldn't. Something inside them couldn't. Something inside them wouldn't.) they could notice that one of his eyes was not facing them: it was stuck halfway upwards, forever gazing into the sky, while the other continued to stare down at them without so much as a glint of emotion. Despite having all the appearance of a mistake on someone's part, that strange physical quirk had not been fixed. Evidently, it was not an anomaly.
"Good." Artakha said.
His voice held no warmth, no anger, no grief, no bitterness. It was clear and smooth, like polished crystal, and wholly pleasant in its completeness. Something about it almost had them recoil and flatten as if they had been just welcomed into a lethal trap of a lair by the famished growl of a gigantic drooling beast.
They had not expected he would have come to greet them himself. He never had before, delegating his disembodied words and the mechanisms of his fortress to do such a thing for him. Yet this time he had taken it upon himself to walk away from his chambers, from the pristine faintly hued greys that snaked behind him into the deeper parts of his small realm, to stand before them as he did now; in their arrogance, in their hope, they had thought upon coming back to their senses after the surprise of truly seeing him that it must have meant something.
But his tone was calm and empty, a white room with carefully set pastel toys, an environment so quiet and sterile that it smelled potently of the dust it looked to have been blanketed in.
In a strange way, it appalled them.
"You have come back to me." Artakha continued.
His mask glowed softly, golden and splendid. The runes deeply hetched upon it made it seem beyond ancient.
Against the barely visible backdrop of his reclusive kingdom, the glimmer distorted the kanohi into the garbled image of a small, sickly moon, incapable of offering all that sat around it the full strength of the light it could barely reflect.
He did not extend his arms towards them.
"Come now." Artakha ordered passionlessly. "Your work is done."
Something about that shook them from the hazy torpor threatening to devour their brains in too small bites.
"We're here to help evacuate the inhabitants of the last remaining islands," Tahu explained, mortified that his voice was even leaving him and yet unable to place why he felt that way, "The robot's insides are not safe - besides, there's so much to be done outside, and we-"
"There is no place for us in that world." Artakha cut him off.
He had not moved an inch.
They knew instinctively, uncomfortably, that his 'us' included them too.
"Our only purpose is here." Artakha stated. "We are not needed outside the bounds of this body."
"But there is life out there," Gali argued, though the mere act of speaking made her bones want to crumble in anguish to shut her up: "There are people who need us, who could use our help! There is so much to be rebuilt, and all of us-"
"You were made for this world, as was I." Artakha interrupted her.
Their lungs shriveled.
Their bodies hurt.
He remained unblemished in the face of their visible agony, perfect and still; his skewed eye ignored them as it continued to watch the now forever dimmed heavens, hanging lower and lower each day as the metal holding them aloft bent under the weight of age and abandonment.
"There is no such thing as a 'life' awaiting you in that world of real things." Artakha told them. "We are tools to be preserved: if your service will ever be needed again by Mata Nui, I will allow your deployment once more."
"And then?" Tahu coughed. He could swear his arms were melting off of him.
"Then you will return to me." Artakha answered. "As you have done now, because that is your purpose, and that is your only existence."
"And yours?" Gali hissed. Her head felt about to split into a thousand pieces.
"My purpose is to remain here and create, and see that you are used well." Artakha answered. "It is my only use; there is nothing other than this."
He spoke with the certainty of a man off to the gallows, the kind who knows well no dashing stranger or loyal friend will come to save him, and who thus accepts the coming execution with the mellow tiredness that brings the cattle into the slaughterhouse; but unlike the convict marked for death he held no sadness, no despair in his words, no roaring blasphemies nor tear-soaked regrets, not even that drowsy desire for it all to be done. He felt himself not a victim, and not like a victim he spoke, for that was not what he was.
He spoke like a machine that knew why it had been made, and that its function was now unnecessary. There was no poetry about it, and there was no injustice either. The world had begun with duty, and with this new lack of duty it would simply stop to one day begin again: he had known it would have happened since the start.
He had been made to wait until the lack of purpose passed, to one day be put to work again.
But they could not accept it.
They could not, because they were not him.
They were not machines. Not fully. Not anymore.
"We can't leave it all behind," Onua said softly, because his throat was coarse and dry as though burning inside his neck, "We have our Matoran to take care of - our Turaga, too - our friends, our-"
"You have nothing but your duty and yourselves." Artakha corrected him.
They flinched.
"As I have nothing but my duty and my creations." Artakha continued.
Few were aware that he had no brother anymore.
They did not inquire how he had come in possession of such information: beyond their inquiry being a waste of time, certainly it had not reached him in the same way it had them. Like for his reason of existence he simply seemed to have already known, somehow, that his only kin's death upon return would have been inevitable.
After all, one does not keep a broken instrument.
"We're not complete," Lewa fought back feebly, struggling through the tightness that threatened to crush his middle into a jagged heap, "Kopaka and Pohatu - they are-"
"They will come to me eventually, as you have done." Artakha sentenced. "And in the most dire of cases, I will simply make them once more."
The weak glow of his mask sent chills down their spines and almost sent them to their knees.
He had said it so carelessly. Without any inflection, any intonation, any difference in his speech. His voice had remained polished and clean, sanitized, pale colors melting into a greyish nothingness as though the images he conjured through them had not been nightmares woven into song.
He watched them as they contorted and writhed in place as composedly as they could, still slaves to the stilling awe he commanded. He did not blink.
"How many times have you made us?" Onua wheezed. Dark spots stole the sight from his eyes.
"For now, once." Artakha responded.
They wanted to cry.
They wanted to scream.
They wanted it to be over.
"We can't stay." Lewa breathed. He felt only an impossibly wide, horrible, biting cold.
The waves rocked behind them softly, gently, anchoring them to their bodies and selves as they struggled to do so on their own.
He remained unperturbed.
"Come now." Artakha only repeated. "You are to be preserved in sleep: that is my duty as well. You overshot your time active - two weeks had been calculated as the maximum amount it would have taken for you to deal with any issue; after all that has happened whilst you were awake, I assume this will be a... Pleasant... Change of pace."
(He said 'pleasant' strangely. As though he was using that word only out of politeness, without intention, without understanding it. As though the very concept behind it existing was alien to him.)
Then he turned, and walked through the open gate once more.
He did not look back when it became clear no other footsteps would have followed his own; he did not stop when the heavy entrance to his realm closed definitively behind him and he found his fortress once more lacking his most useful tools.
He walked to his chamber, passing the Matoran he had been given across the millennia: they worked in thoughtless silence, as Matoran were always meant to do, some repairing the signs of age upon the floors and walls, some taking materials to their rightful places, some finishing up the count of this or that's inventory, more still tinkering away much like he'd long been used to - perfect clanging cogs of a well-oiled clockwork. Soon enough they would complete their endless work, for nothing else would be there to be done; only then they would stop, and sit, and wait, in a blank torpor that fools might have called sleep, in order to be ready to return to their duties when their toiling would once again be required.
He arrived to the room (not the forge, not for now) and stood before his useless throne; there he stopped, and sat, and waited, staring forth with one eye as the other gazed upon the ceiling in a vaguely aware torpor, patiently existing in a stasis borne of lack of duty.
He was ready to remain for ages.
He had been made to, after all.
But movement distracted him.
A crooked thing walked into the chamber, smiling.
He recognized not the vessel, but the neutral miasma which slithered from its mangled form: it wriggled through the space around him like larvae burrowing in prey, used to permeating every mind it touched, and only regarded him curiously when it found him impervious to the complex, confusing charm of its ever winding workings.
"You." Artakha said dispassionately.
The crooked thing stood before him, smiling.
"There is nothing in this world for you." Artakha stated simply.
"The toys belong to the box, the box belongs to the child, and the child belongs to the parent."
"Leave my realm at once." Artakha insisted without animosity. "There is nothing for you here."
"In the smith's forge the furnace is indeed king amongst the tools, but a tool itself nonetheless."
"I am aware of myself and my duty, my eternity." Artakha spoke. "You cannot impede my function."
"Of course I can!"
He stiffened suddenly; his neck bent under the weight of his head and his body sagged where he sat. His chest convulsed briefly, just enough to push a murky liquid through his crevices, coating his body in blackened rivulets doomed to dry out.
His mask laid cracked and half made dust where it had fallen from his face.
He did not move.
The crooked thing turned, and walked through the door once more, smiling as it crept out of the fortress amongst heaps of stilled machines, crumpled into a pantomime of its mangled shape and silent even of their inner mechanical song, that until moments earlier had been so hard at work on maintaining the broken life-sized diorama of a bustling holy island.
#bionicle#artakha#tahu#gali#onua#lewa#velika#random writing#me trying to explain artakhas voice: you know those AWFUL monochrome childrens bedrooms. he sounds like they look#also u know when ur having a convo w someone and they give a vibe that makes u physically ill. thats what the Mata are havin#death tw#see my previous posts tags for my thoughts on artakha and why he's like this in here. also say hello velika as he kills hundreds#also uve been tricked into reading part of my organicd au as evidenced by the lack of kopaka n pohatu (theyre havin a bad time too)#ANYWAYS. Artakha said 'pleasant' weird bc its like an afterthought. hes not here to be pleased hes got a job and so do his kids#but theyve been getting more people-like and theyre pretty upset so using people-like language will help them get in work mindset right?#(the answer is no) (he makes an attempt anyways)#i explained kinda his deal w remaining in the robot in an ask post abt the bahrag post canon if youre curious btw#artakha shittiest dad of the MU!!! congrats!!! collect your prize -> matau sawing his knees off w his buzzsaw#it is. late af in the night. the rapture of creation got me. enjoy
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What about the other critters? Does anything else seem to feel this?
[ Other creatures must notice! ]
[ Centipede must- Where is? ]
[ Centipede has escaped? Must be running away-- No, no it is... asleep? ]
[ Centipede does not notice. Does not notice it is released, does not notice strange thing. ]
[̸̢̨͚̞̐͠ ̶̩̱̬̝̀̈̍̍̚ͅẄ̵̡͉̰I̴̧͈̻̠̥̊̆ͅT̶̡̫̻͇͓̊N̷̳̹̺͕̙͐͂̔Ḛ̷̡̗̣̌́̾̄̕͝S̷̰̠̭͓̿Ș̶̢̼̐́̀ ̶̧̭̺̙̬́̀̇̓̆̕]̴͓͖͉́
[ Ghh-! Pain, head... did something hit head? ]
[ Presence... waiting. Presence knowing. Presence... ]
[ It asks something from. Must give something... must request? ]
// El now has the ability to speak something to the spirit. Asks may be channeled through El for this purpose. You may also ask things of El, such as observations gleaned of this strange experience. . .
#rain world#rainworld#el the lizard#my art#rain world lizard#oc#drawing#story comic#main story#echoes#i was once the head engineer of this project#until the call came to ascend#and yet cursed as i am#i persisted#i remembered this project i had failed to complete#would our creation remain still-yearning?
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(Mostly) EndHawks sketch dump
#bnha#endhawks#endeavor#hawks#adelaida art#i had to clear my brain a bit#too many fanfics and too little own creation so here we are#drawing some fluff#how did i even get into that ship - it will remain a mystery forever#i will clean up some of them bc they look promising#them sketches#and i have a never-ending list of brushes to check in csp so i will try to mix those two
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hg timeline (up to the events of tbosas) based on what time period each event has the vibes of

#red is just lies to make the math make sense#grandma’am is alive before the war that forms panem (and i say it was a war) because#1. in tbosas coryo said something about his grandfather having a hand in panem’s creation#2. in the speech katniss hears at the reaping it says that there was a “war for what remained” and “panem rose out of the ashes”#coriolanus snow#tbosas#the ballad of songbirds and snakes#crassus snow#grandma'am snow#tigris snow#wait i hope my handwriting is readable#if not ill post a text version#this is the worst x axis ever sorry
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needless to say, phil and evetta had an awful first impression of each other
#runaway au#me doods#tommy threw a table at phil in a panic before this convo btw#have i mentioned that evetta is some weird creation that goes against the natural order?#she's my oc from my first vampire the masquerade campaign and her backstory remains the same hehe#using thicker lines is sooo fun i should do it more
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Bernard Dowd & Wes Weston, is this anything?
I don't even know if I want them to be a ship or mortal enemies or the same person or what, but they should interact more, is what I'm saying. One conspiracy theorist to another.
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could i request a level 3 nicole (class of 09) ?
level 3 nicole class of 09
credits — 1 : official , 2 : official
✦ — names : nicole, nic, nico, cole, riley, elle, sierra
✦ — age : 18
✦ — gender : nonbinary, fembluic, femlilic
✦ — orientation : neptunic
✦ — pronouns : she / gaze / gloss / pulse / click / knife / snap / he
✦ — roles : persecutor, perpetrator, mortician
✦ — front triggers : being ignored or spoken over, personal boundaries being overlooked, needing a moment where emotions don't matter, being underestimated
✦ — sign-off : -🗂️, -🧷, -🖇️, -✂️
✦ — likes : cold lighting, self-reliance, knowing exactly what people think of her, being in charge
✦ — dislikes: exposed emotions, dosprganization, being doubted, being cornered, sloppy mistakes, being asked to "let her guard down"
#🖋️ — a new frontier : packs made by us#📬 — all that remains : requested packs#build a headmate#build an alter#bah#bah blog#create an alter#alter packs#build a alter#bah pack#headmate pack#alter creation#.. mod violet
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Bites my leg like a chicken tender. I should write about Artakha and the toa mata post-canon
#bionicle#to me he is... very great being-like. like his approach to his creations is closer to that of the great beings' than that of a father#and the great beings if youve read my mata nui 'childhood' fic are. not particularly nice#specifically hes sort of like angonce if he was truly detached from his emotions and creations#which is partially ironic. bc my angonce is Very emotional abt mata nui despite his efforts not to be#artakha feels ownership over the mata but no love. he remains in his world out of duty and assumed they will do the same#he dismisses their wants bc they are tools - as he is. he's very conscious of his role and its everything he lives for#though living might be incorrect. he exists. he has no wants nor needs. only orders to follow. and thats what he does.#i like to imagine he acts as a weird shield against Velika's mindfuckery so everything around him is less sapient than it should be#hes like a furnace in a smith's lab. an important instrument ruling over tools but a tool itself nonetheless#idk if it makes sense#in my human design one of his eyes is strabic and pointing upwards so he can never see the world in front of him fully#hes always concerned with something higher. something holier. whatever it is that a machine considers holy
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creatur es.
#they've all changed so much . some for the better. but kity remains more or less#sen's drawing again...#my unfortunate creations (oc tag)#08 (senei)#kaijin (senei)#koakuma (senei)#clay (senei)#reverie's head is there too i guess but i'm not tagging her#my art#illustration#artists on tumblr#oc#monster oc
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Robos Ky from my notebooks.
#mx creations#traditional art#fanart#Guilty Gear#Guilty Gear fanart#Robo-Ky#how draw hair ?? it remains ever a mystery with this guy#these are the nicer Robos; next time won't be as pretty I'm afraid
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Remembrance.
#Azuri's creations#project moon#limbus company#lcb Dongbaek#either way I am still deeply obsessed with her#and drawing her. She's become my new muse lately#I miss her so deeply she makes me feel so much#I glazed this just in case so there's some oddities here and there but#I still put a lot into it#her unglazed beauty remains as a personal file...#but I think it still works with all the textures the original image has anyways
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