#reflective themes

[aventurineswife]

Hi! Can you please do a Sunday from Honkai with shy fem reader. Shy fem reader is based on a wishing star whose grand wishes like the character Star from Disney wish movie 2023 please. Fem reader can fly, does magic & change into a human or star form, sorry about my poor grammar.

Where Dreams and Stars Collide

Summary: On the Astral Express, Sunday notices your inner turmoil and takes the time to connect with you. Through a tender conversation, Sunday helps you confront your idealistic vision of a painless reality, offering wisdom on the balance between peace and growth.

Tags: Sunday x Female!Reader, Shy!Reader, Transformation (Human/Star Form), Emotional Support, Slow Burn, Philosophical Exploration, Light Angst.

Warnings: Mild angst, Reflective themes.

A/N: Might've made some few changes since I have never watched the video (heard a lot of negative comments about it so, idk anymore 💀🧍‍♀️)

The Astral Express had always been a place of strange wonders, a train that traveled across worlds, weaving through stars and galaxies. Among its passengers, one stood out, a being of pure wonder—a shy, ethereal girl who could transform between a human and a shimmering star, her powers guided by the grand wishes she carried deep within her heart. You were the Wishing Star, whose wishes weren't just dreams but destinies in the making, waiting to touch the lives of those around you.

Yet, despite the power you held, you were a quiet soul, hesitant to reveal the full extent of your gifts. Your soft voice was often drowned by the bustle of the train, your delicate hands hiding your magical prowess as you clung to the warmth of your friends aboard the Astral Express. Among them was Sunday, whose presence had always intrigued you. With his golden eyes, navy pupils, and gentle air of nobility, Sunday radiated a calm yet powerful aura. But what caught your attention the most was the quiet kindness he never failed to offer, his gaze never pressuring you, always patient.

One evening, as the train moved through a quiet sector of space, you stood near the window, gazing out at the shimmering cosmos. The stars outside felt so distant, just like your own desires—grand and untouchable. The wishes you kept locked away, the dreams that could never truly come true. You let out a small sigh, unaware that someone had quietly approached behind you.

"Is something troubling you, my star?" Sunday’s voice was soft, a question wrapped in understanding.

You turned, startled by his sudden presence. His smile was warm, and though you were nervous, you managed a small nod. It was rare for you to speak openly, but Sunday’s gentle demeanor made it easier. “I… I wish to help others. I want to make their dreams come true, but… I’m not sure how.”

Sunday’s eyes softened as he observed you, his gaze steady but not intrusive. “You have a grand wish inside you, one that can light the universe. But sometimes, even the brightest stars must be patient and trust in their path. You’ve already helped more than you know, just by being you.”

You looked down at your hands, a faint blush coloring your cheeks at his words. “But my wishes… they’re so big. I can’t do it all at once.”

He moved closer, his presence comforting, as if the weight of the cosmos itself had lifted in his gaze. "Not all wishes need to come true at once. Some dreams take time to grow, and others are meant to be shared." He paused, his voice dropping to a soft whisper. "A world without pain… where people can escape the suffering of life, is that not the dream you hold?"

Your heart skipped a beat. He understood. You had always kept that wish hidden, unsure of how others would react. "Yes," you whispered, meeting his eyes. "A place where everyone can be at peace, away from pain and hardship."

Sunday smiled, the faintest hint of sadness in his eyes. "It’s a beautiful wish, my star. But sometimes, the world needs more than just peace. People grow through struggle and loss, even when they cannot see it themselves."

You hesitated. “But isn’t it better to escape the pain? To live without suffering?”

Sunday's gaze became distant for a moment, a quiet ache in his expression. "I once thought the same, that people could be free of their suffering. But the truth is, peace without growth is an illusion. The dream you wish to create—it's not weakness, but a mercy. Sometimes, all we can do is protect others from the pain we cannot shield ourselves from."

His words echoed in your heart, a blend of his own philosophy and his understanding of your wish. You felt a warmth spread through you, not from the bright stars, but from his words, his gentle nature. For the first time in a long while, you felt understood.

"Thank you, Sunday," you murmured, your form flickering with soft, golden light as you began to shift between your star and human form.

Sunday chuckled softly, his voice a melodic hum that soothed your soul. "You are more than welcome. And remember, you are not alone in your journey. We all have our dreams, even if they are vast and complex. Together, we can help them take shape."

You blinked, surprised by his words. "We?" you asked quietly.

His eyes softened, a knowing smile tugging at his lips. "Yes, my star. I may not fully share your vision, but I will always be here to help guide you." He reached out a hand, gentle yet firm. "The universe is vast, and though it can be full of pain and hardship, it is also filled with the possibility of dreams. And those dreams are worth fighting for."

As you gently placed your hand in his, a quiet understanding passed between you. For the first time in a long while, you felt as though your wishes could truly matter.

And maybe, just maybe, you weren't so alone in the world after all.

[hymnoeides]

I am so crazy about your Hermes and Athena designs! Your art is so good! Now I wonder what your Aphrodite looks like? 🤔

Quite a lot of people have asked for some Lady Aphrodite, so here’s finally some concept sketch for y’all !!

+ Bonus Eros🥺

[n4rval]

BUT YES.

family history.

[batw1nggg]

i need u guys to know that even though hajime was in the reserve course he Was Not Rich. he couldn’t pay off the tuition. crippling self doubt aside, the reason he accepted the kamukura project was partly because they offered to cancel his debt. a chance at climbing the ladder — the one HOPES PEAK established — came with the cost of either getting lobotomized or falling into lifelong debt before he even reached university. it adds so much to danganronpas messaging about capitalism and it makes me sad when people ignore the financial incentive. hpa were the thing that gave hajime his self doubt issues to begin with, but bringing his debt into this ??? the debt they also gave him ???

[poorly-drawn-mdzs]

Assisting Acquaintance Acquired.

[First] Prev <–-> Next

[bearforcecaptions]

Alex and Bryan had always been close, the kind of friends who made a pact over soda and pizza to turn things around, to finally hit the gym and build some muscle. They’d been nerdy, skinny guys their whole lives, and they felt awkward and out of place as they stumbled into the gym’s locker room after their first workout, faces flushed and sore from the exercises. Both of them wore cheap workout clothes they’d picked up from Walmart just that morning — faded T-shirts that hung loosely on their frames and ill-fitting, generic sneakers.

“Dude, my arms feel like noodles,” Alex groaned, shaking out his skinny limbs as he looked at Bryan.

“Right? I think I pulled something just trying to lift those dumbbells,” Bryan chuckled, but his laughter quickly turned into a grimace as he rubbed his shoulder.

Their voices echoed in the empty locker room, and the fluorescent lights flickered slightly as if the room were stretching itself, adjusting to accommodate these two new, inexperienced bodies. They walked over to the sink, looking at themselves in the mirror, barely recognizing the sweaty, tired faces staring back at them.

But then, almost imperceptibly, something started to shift. Alex leaned closer to the mirror, and he noticed his reflection looked… different. Just a little. His face seemed somehow sharper, his cheekbones a bit more defined.

“Hey… do I look weird to you?” he asked, glancing at Bryan.

Bryan squinted at him. “Maybe? Or maybe I’m just so tired everything’s blurry.” But then he stopped, staring as Alex’s T-shirt started to tighten around his chest, like it was shrinking or his chest was expanding. He looked down at his own shirt and noticed the same thing happening. The fabric stretched and then almost melted away, like it was dissolving into thin air.

Underneath, their chests were broadening, muscles slowly forming in places they’d never had them before. Alex stared, mesmerized, as his pecs seemed to inflate, one solid inch at a time, swelling until they were firm and full. He was startled to see a dark line beginning to etch itself over his right pec, the beginnings of a tattoo forming. Bryan looked over, his eyes widening as he saw the same tattoo mirrored on his own left pec.

“You’ve got the same one!” Bryan pointed, his voice trembling slightly, as he stared down at his own chest​. Both of them were transfixed, watching the tattoos slowly darken, bold lines taking shape, though Alex’s tattoo was slightly clearer and etched on the opposite side of his chest from Bryan’s. Their bare chests shone under the locker room’s bright lights, and it felt almost surreal, as though they were watching themselves transform from afar.

As their chests solidified, so did their arms. Alex flexed instinctively, watching with wide eyes as his biceps bulged out, the veins snaking along the surface like thick cords. Bryan mirrored him, mimicking the same pose, even though he wasn’t sure why he was doing it. Their shoulders broadened, traps rising like hills beneath their skin, framing thick, muscular necks that hadn’t been there moments ago.

The cheap Walmart sneakers they wore started to warp, reshaping into sturdy gym shoes, and they felt a strange tickle as white athletic socks rolled up around their ankles. Their old, ill-fitting shorts slowly lengthened and changed texture, becoming soft gray sweatpants that clung to their powerful, thickened legs.

Bryan felt a sudden pressure on his head, and reaching up, he realized he was now wearing a black baseball cap. He turned to Alex, who was wearing the same cap, the brim low over his eyes, shading his gaze in a way that felt… different. He felt his thoughts slow, like they were softening, melting into something simpler. He wanted to look good, feel strong, and—

“Yo, dude, check it out,” Alex said, his voice deepening, each word sounding slower, less articulate.

Bryan grinned back at him, an identical expression on his face, as his mind began to echo Alex’s excitement. They stared at each other, an odd tension hanging between them as their minds dulled, syncing up, their personalities flattening into something singular, something almost blank.

At some point, Bryan found himself staring at Alex, watching him flex. His own arms lifted in the same way, though he wasn’t sure why he was doing it. He felt a strange compulsion, a need to mirror Alex’s actions, to match him move for move. As he flexed, his mouth moved of its own accord, saying the same thing Alex was saying, their voices blending into one deeper, dumber tone.

“Lookin’ good, bro,” they said in unison, their gazes fixed on each other, and yet somehow, only on their own reflections.

The locker room seemed to shift, as if walls were moving subtly, altering to create the illusion that there was a mirror between them. Bryan blinked, realizing he was standing opposite Alex, but his own reflection now felt hazy, as though he was losing himself in it, becoming less real, less independent. The only thing he could think was how good it felt to flex, to see his thick muscles rippling beneath his skin.

With each passing moment, Bryan’s sense of self faded further, and he became more of an image, a reflection. He could feel his mind flattening into a mere echo, a shadow of Alex’s thoughts, his individuality dissolving as he mimicked Alex’s every action and word. Soon, there was only one real man left in the room, looking into the mirror.

“Lookin’ huge, bro,” Alex grinned, his voice a low, slow rumble.

And Bryan, now only a reflection, grinned back, saying the same words at the exact same time, a perfect mimic. The tattoo on his pec was a mere shadow, reversed and less distinct, as if to signify he was nothing more than Alex’s reflection. With one final flex, Alex turned to leave, leaving the locker room behind, and the reflection vanished, leaving nothing but an empty mirror.

[pastelribbonsxx]

am i my brother’s keeper?

[teleportationmagic]

"You weakened me!" By Ambessa is not a declaration of apathy! It is not her blaming Mel! It is when Mel finally learns that her mother isn't apathetic to her, that she isn't disinterested in her fate or disappointing in her, but instead she loved her too much and too deeply. That Mel threatened Ambessa with ruination, because the only way Ambessa has ever known to survive is by embracing brutality and sacrificing a peaceful death, while all Mel has ever wanted is peace. That a peaceful death would have literally meant the death of her child, back when she was still pregnant with one of them!

And Mel's disapproval of her meant that Ambessa could feel herself tumbling into a path of peace. Into a better path, maybe, but a path that for Ambessa has only ever meant death. If she could be more hardhearted, maybe she could have kept both - her family's survival, and her daughter - but alas. Her sending Mel away is not a failure on Mel's part, but in fact a failure on Ambessa's - because she could not withstand the arrows of her disapproval, now she needs to come to Piltover to collect her before whatever older enemies she has catch up with them both. She comes to Piltover to correct that mistake, to show Mel a harder heart, and yet! It's doeesn't work! Because Mel still demands of her vulnerability and she cannot help giving it to her!

Is there no greater expression of love, for her? To even contemplate opening herself up to that which is deadly, for the sake of the life and soul of her daughter? Is there nothing so undoing?

[zhongli-lover-69]

[crtastrophe]

cleaning my WIP folder and wow are there a lot of pieces I abandoned at various stages of completion because I lost confidence in them, that do, in hindsight, kinda fuck. most are from 2022-2023. merry chrisbmas

[joshuamj]

In Stars And Time? More like In Ace And Gender

+ some alts

[theplatypusblue]

this is like an au?? i guess?? not too many coherent thoughts abt it, its just kinda evil lloyd centric. wahoo.

[herinsectreflection]

I'm So Evil, And Skanky, And I Think I'm Kinda Gay (Bad Girls)

In 1872, a full twenty-five years before the release of Bram Stoker’s Dracula, Irish author Sheridan Le Fanu published Carmilla. This story depicts the relationship between the young and innocent protagonist, Laura, and the confident and mysterious title character, Carmilla. A friendship blossoms between Carmilla and Laura and the two become close, but over time Laura becomes suspicious of Carmilla’s strange behaviour. She flees from her, and it is revealed that Carmilla is a vampire who has been preying on Laura – feeding on her nightly and attempting to turn her into a creature of darkness. Carmilla is confronted, killed, has her head removed and body burned, and the ashes of both are thrown into the river. 

A simple story and much shorter than a true novel, Carmilla’s historical impact outweighs its length. Not only is it one of the earliest and most notable pieces of vampire fiction, and a great influence on Dracula itself, it is also the origin point of one of the most controversial tropes in this genre of fiction: the Lesbian Vampire.

The vampire myth as constructed by Dracula and its compatriots positions vampires as a corrupting sexual influence upon women. Older men sneak into the bedrooms of virginal young women, penetrate them, and therefore transform them into something tragic and ungodly. They personify a threat to patriarchy; a threat perceived in the form of female sexuality. The idea is that an unmarried woman having symbolic sex will irrevocably twist them into some kind of monster.

The Lesbian Vampire exists as an extension of this idea, focusing on one of the most diabolical threats to patriarchal ideology – a woman who sexually desires another woman. Carmilla’s victims are exclusively female, and her pursuit of Laura is very visibly romantic in nature. She kisses Laura, confesses love for her, the two take walks in the moonlight and embrace each other. This is what leads to Carmilla feeding upon Laura and threatening her death. Symbolically, there is no separation between the two. The danger Laura is in is caused by same-sex desire. Carmilla’s villainy is her lesbianism. The trope does not have to include vampires in a strict sense, but more generally the link of sapphic seduction leading to corruption.

Read More

[dol--blathanna]

Thinking a lot about Orym choosing a rabbit when asked what animal he would pick if cursed with lycanthropy.

Because, it makes sense. Orym is small, quick, agile, jumps well, and is highly perceptive. That definitely evokes rabbit imagery. But a lot of Orym’s identity is also tied up with being a protector – giving people AC bumps, the shield being as much a part of his fighting style as his sword, even his title: Saviour Blade of the Tempest. He wants to be a “Shield that protects Exandria”; his priorities about saving the gods are less about the gods themselves, and more about protecting the people of Exandria from the unintended consequences and bloodshed of releasing Predathos. And it would’ve been very easy to pick a large, strong predator to try and evoke the sense of a protector – a wolf, for example, an animal associated with loyalty and protecting its pack. Yet Orym chose a rabbit.

And I think that’s interesting, because rabbits are often seen as ‘cute’ animals – but they’re also a prey animal. In fact, they’re a common food source for many animals across several ecosystems: foxes, wolves, wild cats, dogs, birds of prey like eagles or owls, coyotes, stoats, and humans (and that’s just off the top of my head). Rabbits are skittish, easily frightened; to be rabbit-hearted is to be timid or cowardly. They are not generally associated with fierceness or prowess in fighting. Mice and rats are prey animals too, but typically seen as vermin (rabbits are sometimes seen as vermin too, but a farmer could eat a rabbit – they wouldn’t eat a rat). Deer are prey, but they have hooves and antlers that bring a danger to hunting them, for any animal – the difficulties of hunting rabbits are more related to their evasiveness, speed and good hearing than any life-threatening danger they might pose. Rabbits are, first and foremost, prey animals. They are killed and eaten, so that another animal might live.

Which made me think a lot about one of Orym’s other key traits: self-sacrifice. Bait and switch doesn’t just bump up his ally’s ACs, it specifically switches their place to put him directly in harm’s way. Goading attack is meant to encourage enemies to attack him instead of his friends. He literally made a deal with a hag, essentially exchanging his own life for power to protect his friends. How many times has he gone down in a fight? He’s not the only tank – but unlike Ashton (and Chetney, who also uses ‘self-sacrifice’ in his fighting style with his blood curses) he has no abilities to reduce the damage from the hits he takes (barbarian rage and the werewolf form).

(Side note: I think it’s pretty interesting that Chetney, the wolf, has attacked Orym, the rabbit, more than anyone else when losing control. That Orym’s facial scar was given to him by a friend, not a foe).

Of course, Orym isn’t the only character with self-sacrificial tendencies (FCG wins by a landslide), but I just can’t stop thinking about how weirdly perfect it is that he chose a rabbit for his animal. Rabbits are prey animals. They are eaten, so that other animals may live. Orym takes the hits, he goads and switches with his team mates to put himself in danger, he makes a deal with a hag at the cost of his own life. He’s a soldier, throwing his life away for a cause over and over again because Ludinus must be stopped, because Keyleth has put her trust in him, because it’s the only way to protect his friends, to protect everyone, because it’s the right thing to do. Orym is a rabbit. He’s always been a rabbit. That day in Zephrah, it could have easily been Orym who died instead of Will and Derrig – “unfortunate but necessary sacrifices”, as Ludinus viewed the attack. It’s unfortunate they had to die, but it was for the greater good, according to Ludinus. It’s unfortunate that a rabbit has to die, but it will feed a family of foxes, or stoats, or even a hungry human, so it’s acceptable, right?

Orym is a rabbit. He is giving himself to a greater cause that could very easily kill him – he already willingly signed his life away to Nana Morri. Because that’s what rabbits do. They die to feed others.

And the theme of being disposable is present across the entire group, not just in Orym – Bell’s Hells has been called a “party of NPCs” before. Aside from FCG’s death, I’d say Laudna perhaps fits this theme the best: she was literally murdered and hung from a tree simply because she looked similar to Vex, acting as a warning to adventurers she had never met before. But FCG’s death was – rightfully – viewed as a terrible tragedy by the group. Laudna’s decision to remove Delilah, finally freeing herself from her abuser and emphasising she is more, and deserves to be more, than just some disposable puppet – this was rightfully viewed as a very good thing! But Orym seems to be embracing this identity of self-sacrifice instead, rather than this mindset being properly challenged or acknowledged as a bad thing. After all, there’s no time. There’s too much at stake. Keyleth, Bell’s Hells, all the memories of those who have died in this fight, all the people who might die if Predathos is released and kickstarts a second Calamity – they’re all relying on him, right? A rabbit feeding so many animals with his sacrifice. And it’s not malicious compared to the way that, say, Delilah killing Laudna was an incredibly evil, fucked up and unnecessary thing to do. If Orym died to save everyone else, well, at least everyone else would be saved, right? Saving lives is good, isn't it? How could he complain?

Because rabbits are prey animals, and Orym is a rabbit too. Destined to die so that another animal may feed.

Except, that’s not true. Rabbits are more than just prey. They’re highly social, and thrive best living with others. They’re playful, they enjoy running around and kicking their legs just to show their enjoyment. They’re inquisitive and mischievous, even being associated with tricksters in some folklore and stories. They’re also associated with innocence, playfulness, spring, youth – all manner of things, depending on the story or culture. And they’re not helpless, either, even if they might be thought of as such. They can bite and scratch and draw blood quite easily if they want to! In fact, freezing up isn’t their only response when being attacked by a predator, they are known to fight back if cornered. They can sprint quickly, they have excellent hearing and senses of smell, they know how to evade predators.

Rabbits are prey, and they are also survivors. They have their own social dynamics, their own habits and dislikes and preferences. They are more than just a wolf’s meal. And Orym is more than a soldier, too. He’s more than a “necessary sacrifice”, he’s more than just a shield and sword. He deserves more than to die for a cause. He deserves a happy ending, just like everyone else. I hope he remembers that.

Orym is a rabbit. And the message isn’t that he shouldn’t be a rabbit. It’s that rabbits are worthy of surviving, too.

[maskedchip]

the juicebox bandits

[sukibenders]

Hear me out: you can ship JayVik without falling into or using rhetoric that fits the disposable black girlfriend trope. You can ship JayVik without using Mel as some conceived ploy or antagonistic plot device that makes her out of character. You can ship JayVik without falling into misogynistic rhetoric (eg. viewing female characters as disposable or stepping tools, amongst other things). You can ship JayVik without erasing the impact Mel has had on Jayce and their relationship because, whether you shipped it or not or even gave it the time of day, Mel and Jayce did care for each other, and to deny that or say Viktor held more importance/impact than her in Jayce's life to where she's viewed as "unnecessary" just to further your ship is so wrong and, whether you intended for it or not, does carry undertones where black characters, especially black female characters, emotional impact on others is ignored or downplayed even though there's context to support just how important it is/they are. Lastly, you can ship JayVik without using anti-black and misogynoir type rhetoric because the amount that has flooded this fandom, but especially from some fans of this ship, is atrocious. Ship what you like, but be respectful and careful with certain things you say, is all I'm saying.