#reference for myself basically

[hadoriel]

A Stupid Guide To Unlocking Zones On Alts

For stupid people like me, who like to be a weird little completionist

Note: This is for !!ALTS!! and assuming you've already done all this content on at least one character. WoWhead has decent guides on how to unlock zones for the first time, but not much on how to do so on alts and skip as much work as possible

Classic: There are no zones that require unlocks from Classic. There are some that get reused in new phases, but those will be stated in the expansion their new phase got added

TBC: Isle of Quel'danas has the Sunwell raid and Magister's Terrace dungeon. Should be by default unlocked on all characters, you get there via a portal in the middle Shattrath building

WOTLK: There are no zones that require unlocks from WOTLK

Cata: Molten Front has to be manually unlocked on any character you want to do it on, but it's mostly achievements, so I personally don't see the need to do it on alts. You access it via a questline in Hyjal, and a portal to get to the zone is in the southwestern part of Hyjal, near Malorne's shrine. All other Cata zones should be default unlocked on all characters

MOP: Isle of Giants and Timeless Isle both should be unlocked by default on all characters. You can just take a flightpath to both places or fly there manually. Isle of Thunder, however, requires a short questline to get onto the island. This should start at the portal to get there in Townlong, by the Shado-pan Garrison

WOD: Your garrison requires a short questline to set up and a bit of time to build it into anything worthwhile. If you use the hearthstone, it'll teleport you to the empty plot of land where your garrison would be. Just go towards where your dock is eventually built, and start the questline. Tanaan should be by default unlocked on all characters, though I haven't checked if you still need to do the questline to build the base in order to use the portal back and forth from Ashran (I usually just fly around Draenor and hit Tanaan that way)

Legion: When you first use the Dalaran hearthstone, you need to walk a few steps into the city until you get an NPC pop up with your class questline. I've forgotten if you go to your class hall first, then do your weapon, or if it's weapon then class hall. Either way, you need to do the first weapon in order to unlock the rest of the setting up of your class hall. Unlock your WQs at Khadgar in the tower, Suramar phases in once you save Thalyssra (also from Khadgar). Argus teleporter should be unlocked by default on all characters, though the Broken Shore you might need to just talk with Khadgar at Krasus' Landing and skip the instance in order to set up the camp there

BFA: Ugh. Now the messy expansions with not enough skips and way too many unlocks. Make sure you get your Heart of Azeroth from Magni. Nazjatar should be a relatively quick questline from the docks area. Mechagon will appear from disgruntled workers in the main city. Unlocking your WQs should be from I think the docks as well - if not, you need to set up at least one camp in the enemy zones to unlock the mission table and upgrades. I had to go to the zone select map, click one, and then not continue it in order to do anything with the ship. You should probably do the questline for Vale of Eternal Blossoms and Uldum since it gives you the legendary cloak you need in order to do the last boss of Ny'alotha. Unfortunately this is a LONG questline, like at least a few hours worth. There's not really any skips for this which I think is just the worst. I tend to stop once I just get the cloak, but you can keep going in order to unlock the visions. Almost forgot battlefront zones (Darkshore and Arathi) which should be unlocked by default on all characters. I just stepped into the portal and didn't need to do anything else

SL: Oh boy! More content with not enough skips! To unlock your covenant, you have to just choose it in Oribos and do the whole. dang. campaign. All of it. You can skip your renown grind with the vendor next to the Oribos flightmaster, but that's really the only thing somewhat useful. Otherwise you're just funneling anima to whoever's next on the list to do stuff with it and unlocking things little by little while earning the tmog. The Maw you get sent to during your covenant campaign, very early on, but the covenant invasions to the zone seem tied to Korthia's unlock. If you hate Torghast, there's no skips for the tutorials there and it's part of the covenant campaign. You may be alarmed at the Eye of the Jailer and no mounts! These things unlock with Korthia. Korthia seems to unlock via the campaign, too, after the Torghast, Maw, Runecarving tutorials. You still have to do the questline to get the lodestaff and the guy to come to the cave if you want to earn rep there, though. This should start with just looting any treasure or rare. Zereth Mortis unlocks with a skip on dialogue with Bolvar pretty early in the campaign, like around the time you select a covenant

Dragonflight: Since DF is current, all of the unlocks are just via talking to and using dialogue skips in Valdrakken when you hit cap level. I just hop up to the Seat of the Aspects, talk to Alexstrasza, kill the rebels in the city but drop it after that point, skips for Forbidden Reach are also at the top of Seat of the Aspects, after that you can go down to Zaralek with Sabellian and Wrathion but drop it when Loamm is opened, talk to Shandris to get the Emerald Dream quest and use the item she gives you as a skip. You still have to do the part where you go through the portal in Ohn'ahran Plains and then talk on the other side, but can drop after that (The reason for that is that despite the Emerald Dream portal automatically by default open for alts, the weekly quest doesn't count them as allowed to finish until you've done that one step of the questline. It's dumb)

[tls12lessthan3]

kim dokja [side character] [self imposed]: protagonists like yoo sangah really are a different type, haha................and me? im just your average salary worker.....well, maybe slightly less than average.........

(is stuck in a self-perception of eternal bystander to his own life. this keeps him rooted in place, unable or unwilling to either desire more for himself or take active steps to achieve it. he avoids forming relationships, putting unnecessary effort in or generally doing anything that could draw attention to himself due to this self-perception as doing so may violate it. a coping strategy from when his mother's book got popular and he became an unwilling main character who desperately wanted to once again be relegated to the background. this is obviously bad for him and both causes an absolutely miserable stasis and prevents him from connecting with others. however, because it forms a core part of his self identity, it will not easily be shaken off)

han sooyoung [villain] [self-imposed]: nyehehehe i love doing evil and murdering puppies #girlboss #villainsontop!!!!..........what, what do you mean how do i feel about almost killing lee gilyoung and shin yoosoung back at the beginning of the scenarios........well, it was what a villain would do, so.......

(views the world as a story almost as much as kim dokja does and adapted her role from 'heroine of a trashy power fantasy novel' to 'villain of an extremely different trashy power fantasy novel' when the world changed in order to cope. genuinely likes being a bit chunni and cackling about her evil schemes but neutral-to-negative on the actual murdering that comes with them, so uses this self-perception to prop herself up and justify her behaviour. invested in keeping it up because it prevents her from having to reflect on her past actions or how she might feel about them - all she has to care about is staying alive and grabbing power wherever necessary. bad for her as it prevents her from any self-reflection and causes guilt to build up without any outlet)

yoo joonghyuk [hero] [externally imposed]:.............................hm.

(stuck in a protagonist role and absolutely despises it. cannot shake it off entirely at any point because it is quite literally what he was made for but constantly yearns to drop the hero worship and just be seen as he is. his protagonist status is tied to his captive nature in the star stream and something he must transcend to finally escape the novel. metaphor for genderisms (subtle))

yoo sangah [heroine] [externally imposed]: i think people are little too kind to me sometimes........but i do try my best to do my best where i can!

(shoved into a heroine role against her will by society around her, a role which coincides with the uncomfortable expectations her parents have put on her as Their Daughter and one that often leaves her feeling isolated. she's aware of how people see her and the issues it causes for her, leaving her frustrated with this role. even when she thinks she's escaped it, she often finds herself shoved back in without warning (e.g. her entire relationship with dokja) and so she dedicates much of her time to tearing down that wall. metaphor for genderisms (overt))

[n8nt]

super old portraits of gideon & harrow. i used my girlfriend and i as visual references for this which made it extra fun

[yurisupernova]

koschei ☆⋆｡𖦹°‧˚ ༘

[palmettoshenanigans]

The thing is, "Nothing" isn't something that can feel the ache of loss or lack I think. Like,,, when you introduce things like "something" - where you can have a positive value - you can also have a negative value. You can have ten dollars, and you can owe someone ten dollars. You can have ten more than nothing, or you can have ten less than nothing. Zero becomes somewhat of a doorway i suppose? You never stop at zero and just rest there. Either you're in debt, or you want more. The only solution is to remove Things, Stuff, Etc from the equation. Can't have or owe anyone ten dollars if there be no dollars

When you choose to stop and sit there, at nothing, in the home of Zero, 'more' and 'less' cease to mean anything. Cease to affect you. To me this is oddly similar to the concept of Being Here Now, in the Present Moment, unconcerned with the hauntings of Yesterday or the threats of Tomorrow. I am Here. I Am. Here. Now. That's it.

Now feels very similar to Nothing. Not because there is an emptiness, but because there is a Radical Refusal to engage with ephemeral potentials and what-could-be's. They don't exist. What Is Here and Now exists.

when asked, "what do you want?" the response "nothing" doesn't mean 'there is nothing that i care to want', it means 'i am accepting of what i have Now, and i ask naught for anything else, lest I be distracted from what is Here'.

"Nothing" is like Radical Acceptance. It says "This is what Life has served me. This is what I'm working with. This is where I will focus my attention. Wishing for More of something Good or wishing for Less of something Bad will only serve to create more suffering within me. I choose instead to attend to the matters at hand. The good, the bad, and the ugly."

"I want nothing." == "I am accepting of what I have Now, and I ask naught for anything else."

"I am nothing." == "There are no titles labeling me Greater or Lesser - they are all false. I simply Am."

"This is nothing." == "There is no specialness that makes what is going on between us more or less than. We simply Are."

Andrew does not want. He will simply Be that which he Is, Here Now, with whomever is with him, and he will take them as they Are. And if what Am and Here and Now equates to is something good, well...

He'll take it.

[s1renatheconfused]

Sometimes I think to myself "I wish Chuuya Nakahara was real" and am immediately forced to remember that he was. He existed. And the version of him I'm talking about is from a super powered mafia-detective fanfiction (manga)

As such, I now have to specify in my OWN MIND that who I'm referring to is the Chuuya Nakahara from hit anime/manga bungou stray dogs, and not the real life poet whom he was based off of.

[yoshidatommy]

[liltaireissocute]

My rogue OC Hepatia and the way she's dressed 'cause i love this mess

[rinchdressing]

klapollo baseball/photographer au

[calamitaswrath]

Arval Fireemblemwarriorsthreehopes and A Xenobladechronicles3futureredeemed were a targeted one-two strike against my gender identity, and I will never forgive them for it (affectionate).

[vaguely-concerned]

Origins is of course the DA game most closely in conversation with and playing around with Tolkien (right down to the walking talking poetree haha) -- and even more so than most works in the larger western fantasy tradition derived from Tolkien's work that DA:O also hails from and owes a lot of its Stuff to, what makes the game so great to me is that it's doing so very deliberately, and is subverting and deconstructing those tropes and entrenched ideas in some very interesting ways without at all denigrating what it's commenting on. (it doesn't have the almost disdainful undertones of the vein of fantasy that seeks to make the world more 'realistic' ala the more tedious reactions to G.R.R.Martin's work, for example, despite having the darker fantasy bent to it.) among other elements it adopts, what I find the most fascinating is the choice to use the same literary device/conceit Tolkien did in ostensibly only having in-universe biased sources and works to deliver the world through (which I feel is an underappreciated thing about his approach but is part of what makes his world so enduringly compelling and real-feeling -- the feeling of real scholarship devoted/applied to a made-up world. the grounding effect of a good diegetic footnote about source criticism, truly).

many things to be said there, and I'm glad each following game has taken on different perspectives and lenses and traditions to view the world of Thedas through because if you stick with that one too closely for too long I fear we could teeter precariously close to Pratchett's famous and bitingly accurate accusation of most modern fantasy of that era just being about rearranging the furniture in Tolkien's attic lol. and while you could accuse DA2 (my perfect wife who has never done anything wrong in her life to be clear) of many things, that's not one of them, they are pulling on some completely different strings for that one and both the game and DA overall is better for it, to my mind. as so many things in this series: worth staying with and exploring for an installment even if it might get stale if all of it was like this! people are understandably sad about the elements from previous games that they liked which were lost along the way, but that capacity for reinvention is to my mind a huge strength of dragon age as a whole.

(I think Veilguard is coming in as a close second in Tolkien conversation-ness if only in outlining/revealing the worldbuilding that indeed may have been planned since DA:O around the animosity that SHOULD by all rights exist between dwarves and elves in this universe (as per Tolkienesque tradition standards). but doesn't really because you see: politics and the many pitfalls of conservation of knowledge over the ages. our ancestral enmity got semi-intentionally lost between the floorboards of history and you know what. maybe for the best. the humans are already up to so much shit you gotta keep your eyes on them at all times you can't be brawling with each other in the deep roads while they're still around getting up to their nonsense or they'll just pile up even more of it)

[art--harridan]

[Image description: A traditional drawing of Katrina from the film Vamp. It is boldly coloured with oil pastels, and is a close-up of her face, stretched out to bare her fangs. Both her mouth and her eyes are wide open, although one of her eyes is obscured in a dark shadow. She is deeply shadowed, although the contours of her face are lit up from below in a bright and unnatural neon green, which also makes her visible eye look uncanny. There is a pink rim light around the top of her head, and deeper reds behind her. The oil pastels create a grainy texture that is offset by the rigidity of the colour blocking of the different tones of her face.]

[roboyomo]

me when i sacrifice my life trade my humanity for the machine to keep the world from dying

[helyeahmangocheese]

filipino percy's issue with the gods started when he realized that the gods are why there's an exclusive "our" and an inclusive "our" in tagalog. and the gods clearly were never talking about their family in a way that included their children 😐😐

[kaasiand]

first I designed japanese glyphs for comic sans

now I'm designing japanese glyphs for my own cool kickass font for my racing game Accelerogue. don't say Wip3out. I know.

(would love to hear opinions on this from native readers of japanese)

[jackalopedaily]

Jackalope Daily Day 349

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imtalkingtolike4peopleincludingmyself

How would YOU feel if I started posting about my MILGRAM THEORIES on THIS Account?

Should I reserve it for jackalope only content or should share my incredibly vast wisdom??? 🤔🤔