#recording tutorial
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chiptrillino · 9 months ago
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Hi, I love your art sm! I have a question about your process; how do you get references for your art? Are you at the point where u don’t need them, or do u have a go to website? Or take photos yourself?
thank you! I explained my process a bit here in this ask LINK depending on the time and energy, i am pretty much at the point where i can figure out some poses by memory alone. but i need one first very crude sketch in order to like to have visuals about what i like to do? or how to pose the body. So: step 1. Crude sketch step 2. Redraw it properly (sometimes i can right away use the sketch for coloring) step 3. Proper line art for coloring (examples below)
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i don't spend much time combing through the internet till i find the one pose i would like to draw now. i just start to doodle. see something i like. and then refine it. i look up images if i have trouble with some anatomy or i need some help with colors and pattern. but its then things like... "toothy smiles" "male torso with belly fat" "guy stretching nude" "long hair in water" "human skeleton with muscle" "underwater photoshoot" check out how it more or less works and then adapt it to the drawing i am working on. i have been drawing for over 15 years now. i have build up a bit of a visual library, and have reached the point that sometimes i see artworks and know which pinterest image was used as a reference because people stuck to only one photo of a model and basically redrew the original just with some refinement. nothing wrong with that just not something i do or at least avoid doing.
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boxbusiness · 6 days ago
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So then I dusted off that Clip Studio Paint program collecting dust on my laptop and used it. I'm horribly not used to it...
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patheticbatman · 10 months ago
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I haven't seen any posts about this yet but l've seen some fan art that makes me feel this needs to be said:
Don't forget Leah Sava Jeffries has darker skin when making Annabeth Chase fan art!
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She is much closer to Lupita Nyong'o than Zoe Kravitz when it comes to shading, reflection, and complementary color usage :).
Lighting for dark skin is different on light skin. Light skin gets changed by lighting, and dark skin reflects the lighting. Below is a lovely shot of Nyong'o's character from Wakanda Forever in mourning. The filmmakers emphasize the umber qualities of her skin in contrast to the funereal white and (arguably harsh) light across her shoulder below.
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Try to pick spots that aren't directly in or near the light, and try mixing 3 or more! You can put it into a color mixer online, or even color pick, lower the opacity, and lay the shades over each other until you find one that fits. And of course, the more 'realistic' you want to go with shading and lighting, the more shades you're going to want to be able to explore vivaciously :D.
Let's take a look at the same 3 beautiful actresses I mentioned at the beginning, with a bad color picked area and a better-ish color picked area. (Please keep in mind, these are not perfect comparisons, as I was not able to find pictures of all 3 actresses under the same kind of lighting.)
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Kravitz's has a clear difference between the two, but they aren't too far apart, in comparison to Nyong’o’s and Jeffries’s. Note the dullness in the poorly picked shades as opposed to the better ones. Also keep in mind that while Kravitz has a rosy undertone (at least in that picture - it’s from The Batman, which has stylized coloring) Nyong’o has a slight cool undertone (I can’t pin down quite what, but the picture is definitely not stylized like Kravitz’s).
Jeffries runs more ochre or russet, but neither of those are pink. They are more red than terracotta or umber, but to call Jeffries’s face rosy would be wrong. Err more towards the golden when drawing her.
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^^saved an image from a writing tutorial long ago, but can’t seem to find it. If someone recognizes it, I’ll link it. EDIT: it’s from this post. Thanks @autumnrowancollector ! <3
And also, the darker skin gets, the less likely warm undertones are going to appear. Don't be afraid to use blue or purple or even green on occasion!
Additionally, cool lighting on dark skin is always a win imo.
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(I was going to use that picture of Jeffries as Annabeth by the lightning bolt, but then I realized the lighting on her face doesn’t quite match up with where it should hit from that angle, and I realized they kind of just turned everything bluer, so screenshot time!)
(Also if you want another really great live action example, check out anything Aldis Hodge is in, like Leverage and Black Adam)(and of course there’s Spiderverse <3 but I want to post pictures of Hodge)
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Now, to here’s a list of more experienced people’s advice:
Black facial features & hair
Shading digitally for a (somewhat) monotone Black character
Stylistic choices and places to start looking for inspiration (besides a search engine).
Coloring Black people’s lips
A better coloration tutorial
Also a nice tutorial for Indigenous skin tones, just in case yall want to draw Piper or use this information for other dark skinned characters :).
EDIT: Some actresses who are closer in skintone to use for Annabeth, provided by the lovely @blackfemmecharacterdependency ! If you can’t find a reference for Jeffries in a specific lighting, maybe check out these ladies’ pictures! It’s a reblog, so scroll down.
TLDR: Don’t make Annabeth pink and pale, make her dark and golden.
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kokoasci · 2 years ago
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<3
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animatedjen · 11 months ago
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BD-1 | Jedi Survivor
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zephyrine-gale · 1 year ago
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Hi, sorry to be a bother but do you have a tag for posts explaining how you draw/colour? I think I remember seeing one of your posts on shading/colouring technique and I can’t seem to find it, your art is so pretty and the way you use colour makes me speechless every time.
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thank you both!! I usually have it under "tutorial" tag, but I'll repost this one and add onto it :>
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hopefully that helps!! I've mostly been eyeballing colors nowadays but layer modes can also help you pop your saturation or lighting/shading :> just be sure to pay attention to how bright your colors are overall, the method I use to make the colors feel vibrant is to pair it next to a more muted color/one that contrasts it on the color wheel
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aners-v · 6 months ago
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How does Rover blink?
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foxaoxarts · 2 years ago
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BEE KISS TOMORR- *dead* /j
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If anyone wants to watch me drawing this like a little victorian child then the timelapse is below the cut 🤣
(FLICKER WARNING. It's all through out so be careful!👍 )
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myokk · 6 months ago
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My painting process!!🫶
I just wanted to share a tiktok I made where I document my painting process bc I get a lot of comments/messages about it & maybe you’ll be interested in seeing how I do it & maybe even try it out for yourself!!!!🙏💓🙏
I was also thinking about maybe doing a tutorial if anyone’s interested where I ACTUALLY explain myself instead of just showing the process.. lmk what you think😇🙏
And here you can see a comparison of a painting before and after I added the colored pencil🙏 (really need to trust the process here lol)
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trevifountain1 · 5 months ago
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The Outsiders Slime Tutorial
Hi, I’m looking for a bootleg of The Outsiders Musical from its World Premiere Run at La Jolla Playhouse. I have seen the show on Broadway and while it was amazing, I would do anything to see footage from the world premiere. I could not afford a trip to San Diego last year, but I did read all of the reviews, and the major takeaways I had were that the show was longer, there were more songs and characters (justice for randy fr) and i believe dally’s death was different? i also really want to see the original original cast, you know? Anyways, if anyone has a bootleg or knows where I can find one (because let’s be real, there has to be footage out there) PLEASE LET ME KNOW IM BEGGING
Edit: I do have an audio recording of the Broadway version and I will trade it for this bootleg if that’s what it takes
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tinyclove · 11 months ago
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do u care him
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iraprince · 2 years ago
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TIME FOR A PROCESS POST let's talk abt getting from this (client sketch - which, btw, i know other artists have talked about this plenty, but i LOOOOOOVE a client sketch as early direction on a commission. LOVE it)
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to this!
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at first we didn't know if the title was going to go across the desk, or over the central figure (emara's) head against the back wall. so there was a 1st version where we were favoring a higher title, then we started favoring the desk so we scrapped the clutter + centered it more
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i used clip studio's 3D models (particularly for the chair, guard, + weapon crates) and perspective rulers to help with laying everything out at this stage, tho i abandoned the 3D pretty early on bc it's a bit too clunky for me. maybe i'll find it quicker to use w more practice!
(the rest under the cut!)
once the basic layout was approved, i threw together a value study to explain how in the final image all the clutter of the bg detail would be unified and pushed back. lately i find myself thinking abt value earlier + earlier in the process; planning ahead saves me a lot of time!
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i fiddled with starting to refine things digitally, but then i got A BRAND NEW LIGHTBOX delivered in the mail with perfect timing (lmao) so i just ended up printing off the digital sketch, finalizing in pencil, + scanning back in
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then comes five billion different steps of locking in values, again. i did everything greyscale first, but i didn't worry abt getting things super polished at this stage bc i knew color would factor in a lot to later decisions
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this is the point at which presenting these wips "step by step" is kind of misleading; i didn't do these stages one at a time, but rather had a BUNCH of different lighting/shading layers that i kept toggling on and off as i worked to make sure everything was coming along well.
(to get some of these caps i actually went into the main file again and turned a bunch of stuff on/off just for the sake of getting specific examples, because actually when i was actively working on it there was rarely a point where i was actually working on something with "all lighting turned off and just the shading on," or anything like that; but i AM interested in showing what effects different lighting/shading changes had on the base colors, even if i wasn't really making these changes in a rigid order.)
i.e., just for the sake of interest, here's how the flat colors look without those adjustments!! but i honestly never looked at it like this on its own for long...i had all the shading/lighting turned off so i could see what i was doing while flatting, but i was constantly checking back and forth.
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then tones added on top (which were actually just two copies of the tone folders in the above posts, set to linear burn and overlay) -
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which makes it get HORRIFYINGLY dark, but that's when we go in and add a bunch of lighting adjustments.
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the most obvious lighting change above is the big burst of hot pink light from the corner, but there was also some masked overlay + burn layers to pop out the guard + emara and make sure they were pulled out from the bg. if this were a standalone illustration, i maybe would have let the bg (and all that painstakingly drawn detail..........) stand out a little more, but a cover functions differently, and i wanted to make sure the eye goes to the title first. that means sacrificing bg detail even if it looks sick lol
then final touches! a lot of my very last touches are things that are close to invisible; gradient maps on very low opacity, noise, a little bit of scribbling on upper layers. the typesetting was all by the client, except for the lettering for "emara king's," which i did myself!
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finally, here's a comparison of ⬅where i left off one night close to the deadline thinking "it's probably done, but i'll sleep on it just in case," then all the adjustments i made the next day with fresh eyes.➡ and that's it!!! phew!!! that's how i make a cover!
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kaxenart · 10 months ago
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Armored Core VI has a lot of oddly specific use-case barks.
Like "assault boosting to the last fog machine in Survey the Uninhabited Floating City"
....I have no idea why "sleepover secrets time" was the first thing to pop into my head.
Is she flirting. Does she just want to chill.
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metalgearstranding · 2 months ago
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Wonder what they made him do...
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vincentbriggs · 10 months ago
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Writing sewing video scripts is a whole lot of "Is this too complicated? I don't want people to be confused!" and "Am I overexplaining this? I don't want to sound condescending!" and the glove video is even worse than normal, but I finally recorded the voiceover today and I think it's fine! I show and explain all the pieces before I even get into the drafting, so hopefully this'll all makes perfect sense to everyone and you'll all make fancy gloves and it'll be great
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bunabi · 4 months ago
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hi I'm fighting with XSplit & DaVinci Resolve right now
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