Considering that there’s another post going around that lands on this conclusion, I think it deserves its own succinct post:
When transmascs share instances of positivity to remind each other that the way we are treated isn’t all bad, it’s then used as proof of the whole of transmasc experiences being this way, and that transmascs are not oppressed as a whole.
When transmascs share instances of harm done to transmascs to raise awareness that transmascs are harmed directly within our societies, it’s used as proof that we are taking up too much room in conversations because the harm we face “isn’t bad enough”.
When transmascs share instances of outright murder of members of our community to show that no, transmasc issues are not somehow “lesser” because “we aren’t dying” because we are dying, it’s used as proof that we are trauma dumping and trying to make other people feel sorry for us—look at these AFABs being whiny and hysterical and trying to portray themselves as victims. Or that it isn’t specific enough to us so we should shut up and let other people speak for us.
Transmascs cannot speak about our experiences without being touted as an example of why transmascs as a whole should shut up.
This is erasure.
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I have been having a really weird experience this summer, which is that I fell in love for the first time. I'm 36, and if you'd asked me if I had ever been in love previously, I would have said "I don't know, maybe? I used to think so but now I'm not sure? What's it mean to be in love?? how would I know if I had or not???" I thought that because I had not experienced it myself, the people who were always saying "oh no, trust me, You Would Know" were all lying or otherwise mistaken. I DID NOT BELIEVE THEM. I was fully like "this is some sort of mass delusion, there's no way that's a thing"
Now that I know that this is something that Exists even if it doesn't always Look Like They Tell You, there's SO many things that make sense to me!!! Whenever I encountered Romance Stuff before, I had no desire to do any of it AND could not comprehend why anyone else would ever want to either. It was this really large experiential disconnect for me. Whether or not I want to do any of those things, I now understand why other people would, if they Were In Love. LIKE I GET IT NOW. IT MAKES SENSE TO ME. I still can't relate to things like people in movies falling in love instantly, but now it's like "oh right, that's a potential state of being that exists," rather than "pretty fucked up that hollywood made Being In Love up to sell more flowers or whatever."
I feel like I'm constantly 24/7 running a software update on my brain that's been overdue to be installed for years or perhaps decades. It's just like "OK YUP UPDATING ALL THESE PROGRAMS AND FOLDERS. THIS WILL TAKE SOME TIME AND DATA BYTES OR WHATEVER, BUCKLE UP!" Pretty sure there's actually one of those little rainbow spinning icons above my head the whole time I'm conscious, like I am some sort of very confused Sim.
This happened to me REALLY SLOWLY, too, so it was like a big blockage in a river, and more and more stuff was just piling up against it, and then the dam broke, and now I'm sitting in the shallows of a giant basin lake under a massive waterfall wringing my hat out and going "woah. they got never before seen types of fish in here"
Who else knew about this??? Unfortunately the answer is: a majority of human beings over a certain age DID in fact know about this, it's just that every time anyone said "this is a way people feel about each other sometimes," I said "hmm. sounds fake." In-cred-i-ble.
Turns out that being in love is just an experience that people can have!! It's just a thing that happens sometimes! Some people have had it happen to them a bunch and some people not at all. It's just A Thing That Can Happen To You. Wtf. WHAT WILL I DISCOVER NEXT????? IT COULD BE ANYTHING !!! WHAT WOULD BE THE FUNNIEST POSSIBLE NEXT THING FOR ME TO REALIZE EXISTS? ONLY TIME WILL TELL. (Can you fucking imagine having this happen to you when you are in your seventies or eighties rather than your mid thirties ????? THAT WOULD BE THE WORLD'S MOST DISORIENTING EXPERIENCE.) (I also thought that "having chemistry" was fake.) (Do not diagnose me, I PROMISE I already know)
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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