#really want to try and develop this more at some point

[luvergirl-866]

something like love

part - 6

pairing - paige bueckers x azzi fudd

word count - 4.7k

c/w - language, tiny bit of angst (this is only the beginning i fear.)

a/n - is it cringe of me to ask for live reactions? bc i want live reactions sb. anyway, sorry ik i said this chap would be long and juicy but i decided to hold off on the juicy part, i needed a lil more plot development! also ty to everyone who sends me asks, even if it’s just things like “when’s the next part😫” i love it sm lol. hope yall like this one!!

The next two days are—at least compared to the first two—almost peaceful. The weather is nice, just warm enough and not too humid, which Azzi’s hair appreciates. She got goddess braids done just before the trip and even in protective styles, her hair gets frizzy at the very notion of moisture.

The peacefulness largely comes from the fact that Paige is avoiding her parents like the plague, instead spending all her time with Azzi and her siblings. The third day they spend almost entirely at the local park, shooting around at the court there under the hot sun. Lauren even reluctantly joins for a few games, and she may be adamant about not wanting to play basketball but the talent for it must be genetic because she’s a natural. And if Paige and Azzi spend the whole ‘competition’ brushing hands and flirting, nobody says anything. (Though Ryan does wrinkle his nose at them a few times.)

The fourth day starts out warm, and so Paige and Azzi sneak the kids out bright and early (Azzi, of course, ends up with the job of waking all three siblings up—not one of them is a morning person whatsoever) and go to an ice cream shop, where they eat their cold, sweet breakfasts on the curb while they chat. Both Ryan and Lauren may have argued that they were too old to be excited about ice cream for breakfast anymore, but they both end up with matching, chocolate-covered grins when they’re done.

The weather turns for the worst before noon, though, and the kids want to go home but Paige insists they go to the arcade instead. When she says she’ll pay for as many games as they want, they’re easily swayed. Of course, Paige and Azzi make a competition out of the day, deciding to keep a tally of all their points so that whoever has the most wins by the end has to buy the whole group prizes.

Azzi gives it a fighting go but Paige plays way more video games than she does so she very nearly beats her—but then, when they’re almost out of game tickets, Azzi pouts at her about the whole situation, and suspiciously, she ends up making an incredible recovery, easily beating Paige at almost every game after that.

Lauren picks a koala plushie, Ryan picks some new shoes, and Azzi gets this shiny plastic tiara.

“You didn’t have to get the cheapest prize,” Paige says as Azzi adjusts the tiara on her head. “I got money.”

“I know,” Azzi replies, smiling at her reflection in the mirror. “But I had to. As the princess.”

Paige gives her that stupid fucking look again—the one Azzi still can’t figure out even though she knows Paige like the back of her hand, which is just driving her crazy—and that look shows up so often Azzi should really just start referring to it as The Look at this point.

But then Paige smiles, previous odd expression gone, and the way she does that,—slips out of it like she doesn’t even realize it was there in the first place—drives Azzi even more crazy than The Look itself.

Now, it is the fifth day. And Azzi reminisces on these past two blissful days to try and distract herself from the fact that Paige and her parents are having a heated argument right in front of her and her scrambled eggs.

“No, Paige,” Amy is saying. “Absolutely not.”

“You can’t do that!” Paige replies, throwing her hands into the air. “I’m an adult, I make my own money, I can do—“

“It’s stupid.”

“It’ll be fun!”

“It won’t, because it’s not happening.” Amy is unpacking a load of groceries, and Dean is lingering in the corner of the kitchen being absolutely useless. That seems to be his brand.

“Yes it will, Mom,” Paige replies, voice lower now but still obviously frustrated. “I wasn’t asking for your permission. I was just seeing if you wanted to come with us. I was tryna be nice!”

“Well it won’t be nice when you crash and we all drown, Paige.”

“Jesus, Mom! I ain’t gonna go around crashing!”

Azzi feels very uncomfortable, wishing she were literally anywhere else, but at the same time this is sort of amusing and she has to hide a smile in a bite of eggs.

This argument is, out of all things, about a boat. Paige wants to rent one and have a lake day, and though she didn’t want to, Azzi convinced her to invite her parents—she figured they’d decline but that they’d be offended if they weren’t at least invited.

She wasn’t really expecting a lecture to come out of it, though. But by the tired look on Paige’s face, she knew exactly what was coming their way.

“You don’t even have a boating license,” Amy continues, placing a new jug of milk and some apples in the fridge. “This is illegal. If you won’t listen to your mother, at least listen to the law.”

That very nearly gets a giggle out of Azzi. She chokes it down.

“This is a private lake, I’on need my license.”

“Well that doesn’t sound shady at all.”

“It’s not, it’s super legit!” Paige makes for her phone in her back pocket. “It has its own website and everything, I looked way into it.”

Amy stares her daughter down for a few seconds, hands on her hips, before she lets out a resigned sigh. “Like you said, Paige, I can’t tell you what to do. You’re an adult, do what you want. But you will not be taking your siblings on that death trap.”

“Wha…” Paige flounders, eyebrows furrowed, and her voice raises again, “that was the whole point of this entire thing!”

“Well, that’s too bad. It’s dangerous.”

“I’ll make them wear life jackets!”

“They’re teenagers,” Dean points out rather unhelpfully, and it’s the first time he’s spoken around her in days but Azzi is already sick of him again. “Neither of them are gonna wear life jackets.”

“I’ll force them, I swear.”

“Paige Madison,” Amy snaps, and Paige may be an independent adult now but she still straightens her back subconsciously at her mother’s warning tone, “no means no. They are my kids.”

“They’re my siblings!” Paige replies—rather boldly, Azzi thinks, because if Azzi were in her place she would’ve given up by now.

But Paige, as most daughters do, knows exactly how far to push her mother to get what she wants—apparent in the way Amy massages her temples with her fingers before saying, “You know what, Paige? Fine.”

Dean is jumping in immediately. “What? No, she can’t take my kids out on a boat.”

“She’s right, Dean,” Amy says, though she looks a little pained to be siding with her daughter for once. “They’re her siblings. She wants to do something fun for them.”

“It’s dangerous!” Dean motions sporadically at where Paige and Azzi are sitting at the island. Azzi’s eggs are gone now and so she has nothing to put her awkward energy into. “Neither of them owns a boat, and they are practically strangers—“

“She is my daughter,” Amy says, and it’s so quiet Azzi almost doesn’t hear it, but she does, and it sends shivers through her. Because there’s something dangerous, something protective in her tone, something only a mother who loves their child could convey. And it sends a flicker of hope through her. “She is my daughter and I trust her with her siblings.”

Dean flounders for something but comes up empty, instead storming off all red-faced like a child. Amy doesn’t look either of them in the eye when she says, “Let me know if you kids need anything today,” before leaving the two best friends alone in the kitchen.

Slowly, Paige turns to look at Azzi, something like disbelief in her expression. “Did that—actually go well?”

“Yeah,” Azzi responds. “I think it did.”

Things may just be looking up.

———————————————

Dean may be an asshole, but it turns out he was right about one thing: Ryan and Lauren will not wear life jackets.

“C’mon, guys, it’s the law,” Paige insists, thrusting a pink life jacket at her sister, who scrunches her nose in disgust.

“No way! That’s so ugly, Paige.”

“The color wont matter when you’re drowning.”

“You sound just like Mom!” Lauren sighs, and Paige’s mouth falls open.

“You did not just say that.”

Lauren gives Paige a smug smile, which amuses Azzi because it’s the same smile Paige gives her whenever she wins an argument. “And I meant it too.”

If Lauren were not much smaller than Paige, she would be tackling her right now, based off the look on her face. But instead she composes herself and turns to Ryan, who is sitting at the front of the speedboat on his phone. He feels his older sister’s gaze and looks up at her, then at the life jacket in her hands. “You’re funny.”

“I’m being so for real.”

“There’s gonna be hot girls in bikinis on the lake,” Ryan replies, as if this is the most obvious thing ever. “No way I’m wearing a life jacket.”

Paige sighs and rubs her temple with her fingers, and Azzi would never say it out loud (for fear of being pushed into the lake) but she does kind of look like her mom in this moment.

When Paige turns on her with a warning look, Azzi startles, wondering if she’s somehow read her mind. But instead, Paige picks up another life jacket and says, “Will you at least wear one?”

Azzi smiles, a little puzzled. “Paige, I don’t need a life jacket. I can swim.” Which is obvious considering she and Paige have spent various lake days at her family’s cabin.

“Yeah, but for my peace of mind, though!” Paige shakes the life jacket in Azzi’s direction.

The truth is, Azzi wouldn’t mind wearing the life jacket. But ever since she put on this bikini—pastel purple in color—Paige has been swallowing thickly and averting her eyes constantly. So Azzi thinks she has other reasons for wanting her to cover up.

And Azzi can’t let her get away with that, can she?

“I don’t need it.” Azzi steps forward and takes the life jacket out of Paige’s grasp, tossing it aside before reaching to trail her hand down Paige’s bicep, squeezing the hard muscle a little bit. “And besides, won’t you save me if I’m drowning?” she asks, smiling coyly.

Paige’s throat bobs, eyes landing respectfully on a spot past Azzi’s shoulder. “Well, that’s not really how that works.”

Azzi blinks, and she knows just how big and brown her eyes are when she looks up at Paige through her lashes. “No? Thought you’ve been in the gym?”

“I have,” Paige says defensively.

“Hm.” Azzi lets her hand trail off Paige’s arm, resting it on Paige’s side before dancing her fingers dangerously over Paige’s exposed abs. “You wanna prove that to me, baby?”

Paige’s eyes widen, and Azzi loves the way she can not only see but feel her stomach tense under her fingers. But the moment is broken by a gagging sound nearby.

Lauren—who has sat beside her brother and pulled out her own phone—is now looking at them with disgust. “You guys are so gross.”

“You shouldn’t be making sexual innuendos in front of Lauren,” Ryan adds on, though his eyes don’t leave his screen.

“Yeah!” Lauren agrees, then furrows her eyebrows and starts tapping at her phone. Azzi guesses she’s probably searching what sexual innuendo means.

“Hey, yo, don’t blame me,” Paige says, putting her hands up and taking two big steps away from Azzi. “She started it.”

“Azzi’s a freak,” Ryan says.

“Whoa, chill!”

“Hey, that’s actually offensive,” Lauren says. She has picked up a habit of defending Azzi with her life these last few days they’ve spent together, and Azzi has decided she would do the same. “That’s like calling her a monster or something.”

Ryan smirks, finally looking up at them. “I didn’t mean that kinda freak.”

“Okayyy!” Paige jumps in before Lauren can do any more Googling. “Let’s get this show on the road. Imma go untie us real quick, then we’ll head out.”

For the first time, nerves bubble in Azzi’s tummy. “Paige, you sure you’ll be able to drive this thing?”

Paige looks almost offended at the question. “Yeah, duh.”

“It’s just, you’ve never driven a speed boat before…”

“Trust me, mama,” Paige says, nodding cockily to herself. “I got driving skills like you’ve never seen.”

Fifteen minutes later, Azzi realizes Paige was telling the truth. She has certainly never seen these driving skills before.

Paige is an—erratic driver, to put it mildly. This lake is private, huge, and though there are plenty of other boaters out Paige drives as if they’re the only ones on the water. At one point, she gets to such a high speed that even Ryan grasps onto Azzi a little bit.

When Paige very nearly runs into a cruising party boat, Azzi finally gets up from her place between the kids and marches over to Paige, who glances up at her with a sheepish smile. “Whoops.”

“Lemme drive,” Azzi demands, beckoning for Paige to get up.

“No!” Paige says stubbornly. “I’m doin’ good!”

“I thought I was going to die!” Lauren pipes up angrily.

Azzi motions to her. “See? You’re scaring your brother and sister.”

“Whoa, who said I was scared?” Ryan says.

Azzi decides against bringing up the fact that he kept clinging to her arm. “This is scary, I wanna drive.”

“But babeee,” Paige groans, bringing the boat to a stop so she can properly argue, “you drive like a grandma.”

“I drive like a sane person, is what I think you mean to say.”

“It’ll be boring.”

“Paige.”

Paige stares her down for a moment before sighing like a stubborn little kid. “Fine. You can drive.”

Azzi nods, pleased, and shoves at Paige’s shoulder when she doesn’t move. “Get up.”

A slow smile creeps over Paige’s face and Azzi doesn’t like the look of that at all. “I gotta show you the ropes.”

“I don’t need you to teach me how to drive this thing,” Azzi says as if it’s obvious, because really, it is. The thought of Paige trying to teach anyone her…unique ways is downright scary. “I got it.”

“Nah, I think you’ll need some help.”

“P, for real, stop being difficult and move.”

“I’m not about to—“

“Can we go?” Lauren says loudly, getting both girls’ attention.

“Yeah, I’m getting hot as hell just sitting here,” Ryan agrees.

“I wanna get to that diving cliff Paige was talking about!”

Before Azzi can turn back to Paige to continue arguing with her, Paige has her hands on her hips and is pulling her firmly into her lap. Azzi squeaks, grabbing onto the wheel for leverage.

“Paige!” she exclaims, turning to glare at the smug-looking girl underneath her.

“You heard them,” Paige says simply, shrugging her shoulders as if her hands are tied. “Let’s go.”

“I don’t—“ Azzi starts to argue once again, but then Lauren is sighing dramatically in that teenage-girl way of her’s and saying, “Seriously, come on!”

So, almost in a daze, Azzi turns back to the front and moves her hand to the shift, getting the boat moving slowly again. She tries desperately to ignore it when Paige leans up close to her ear and murmurs, “Atta girl,” but she can’t help the goosebumps that erupt over her neck and Paige must spot them because she chuckles lightly before leaning back, letting Azzi do her thing.

Trying to shake off the feeling of Paige’s hot breath fanning over her skin, Azzi amps up the speed a little bit, determined to show Paige that she can be fun and safe, as promised.

After a few minutes of skimming over the water, Azzi calls over the wind, “Thought you were gonna ‘show me the ropes’?”

“Looks like you got it,” Paige says, sitting straight so she’s pressed up against Azzi’s back again, and her hands find their place on Azzi’s waist.

“Why’d you make me sit on your lap, then, P?” Azzi asks, and her tone lilts teasingly but she is sort of freaking out on the inside because moments like these—moments where Azzi hardly bothers to hide her feelings for Paige and Paige, instead of shying away, responds—are becoming a little too common for comfort.

Paige rests her chin on Azzi’s shoulder, lips brushing her cheek when she says, “Think you know why, hm?”

Yeah. Definitely far too common for comfort.

Ramping up the speedboat a little bit—enough that Ryan whoops and Lauren leans over the side to touch the water—Azzi shifts her hips. She moves out of discomfort, almost subconsciously trying to get away from this buzzing energy between her and her best friend, but Paige lets out a huff of air at the motion and, curious, Azzi does it again.

A full-on gasp this time.

A flush creeps up over Azzi’s cheeks all the way down her chest, and she’s not sure if it’s from pleasure or shyness, though likely it’s both. But she can’t let Paige have the upper hand, because Azzi can’t even imagine how quickly she’d fold if that happened. So instead, she turns her head to the side and says, “All good, Paige?”

The problem with this is Paige’s face is still turned toward her when she says it. And when Azzi moves to reciprocate the angle, their lips are so close that they brush on the last word. On the utterance of Paige’s name.

Azzi jerks back as soon as it happens, putting a couple inches of distance between their faces, and she’s sure the flush is noticeable by now. She tries for a lighthearted laugh, “Oh, sorry, didn’t realize you were so close—“

She doesn’t see it coming when Paige kisses her.

It pulls a gasp out of her, lips now pressed against Paige parting slightly in surprise, and her eyes don’t even close until she feels Paige’s tongue dip inside her mouth.

It’s a quick swipe, her tongue against the space between Azzi’s teeth and upper lip before she’s pulling away—only enough to make the kiss much more chaste.

Her hands slide from Azzi’s waist to her stomach, and Azzi grips onto the steering wheel for dear life when Paige moans ever so quietly into her mouth, the sound barely heard over the wind whipping around them. And then the wind is whipping Paige’s hair into their faces, a few strands getting in Azzi’s mouth, which she takes as her opportunity to pull away. Paige stares at her—The Look again—for only a split second this time (Azzi much prefers that over the lingering one) before her face is breaking into a smile, not cocky or smug or teasing but just bright, and Azzi can’t help but laugh with her as they pull Paige’s hair out of her mouth.

“Keep your eyes on the lake!” Lauren yells at them, and when they look at her she’s got her nose wrinkled. “What is it with you guys and PDA today?”

“Maybe someone put viagra in their coffees this morning,” Ryan suggests, looking equally as disgusted as his little sister but also twice as amused.

“What’s viagra?” Lauren asks.

“Yo, Ryan!” Paige snaps, her hands moving tantalizingly from Azzi’s tummy to rest low on her hips instead, and Azzi forces herself to look back where she’s driving. “Keep it PG, dawg!”

“I could say the same thing to you,” he replies, and Azzi isn’t looking at him but she can picture the smirk on his face—she knows the look all too well by now.

The three of them bicker for a few more minutes, and Azzi tries really hard to focus on where they’re going rather than the implications of that kiss and all the questions that follow it.

Paige is the bad driver, but when she leans forward and mimics her—“All good, baby?”—Azzi worries she may be the one to crash this boat.

———————————————

“Sunscreen time!”

“No, what?”

“We just put some on!”

“Az, I’m never gonna tan at this point!”

Shaking the sunscreen into her hands, Azzi motions the three siblings towards her. “C’mon, you need it.”

“I don’t burn,” Lauren insists as she steps up in front of Azzi, lifting her arms dutifully anyway.

“You’re already getting a little red,” Azzi points out, applying an extra-thick layer onto Lauren’s rosy nose.

“This is lame,” Lauren groans, though she still lets Azzi work in silence and mumbles a thank you before she turns back to the lake.

Ryan is next, and he doesn’t complain about it but he does stare down at his phone the entire time, his head only falling back down when Azzi tries to push it up. “Ryan,” she sighs.

He tears his eyes away from his phone, only to look around subconsciously. Azzi knows he’s trying to see if the gaggle of teenage girls along the rocky beach have noticed him getting his sunscreen done.

“Hurry up,” Paige complains, nudging her younger brother in the back, and he turns around to shove her.

Azzi fights back a smile. “You can put it on yourself if that’s better.”

“It’s good,” he says nonchalantly, but he hasn’t quite mastered acting like he doesn’t care.

Azzi finishes up quickly, ending the torture with an encouraging smile, watching him run up to join his sister where she stands on the ledge above the lake, sneaking up on her. He pushes her in and Azzi laughs at the way Lauren screeches before her eyes drift to Paige, who is now standing right in front of her, looking awfully petulant.

“You really don’t want me to tan, huh?” she says, wincing as Azzi rubs the cold lotion over Paige’s sun-kissed shoulders.

“Your white ass is gonna burn if we don’t do this every thirty minutes,” Azzi says, reiterating what she said the past five times Paige complained about the sunscreen.

“I got a little melanin in me.”

Azzi looks at the way Paige’s blue eyes are squinting against the summer sun, the way her pale skin is already tinted pink, and raises her brows.

Paige holds her hand up. “Just gimme the sunscreen.”

Chuckling, Azzi squirts some into her hand before giving the bottle to Paige, who turns around and starts doing her front while Azzi does her back. They’ve done this maybe a hundred times, before countless sunny fair days and hot boat rides, but today it just feels a little…off. Everything feels a little off about them recently.

Azzi worries it may be her fault. She has always been good at hiding her feelings for Paige, good at making sure her attraction doesn’t show on her face just like she knows all her other emotions do. But recently, ever since they began this facade—and more so ever since they arrived in Montana—she knows she’s been slipping up. She thought she’d be okay but she wasn’t prepared for the way Paige would look at her like she wasn’t pretending, the way Paige calls her pet names even when they’re alone, the way Paige told her she liked kissing her and wants to do it again.

The way Paige did do it again.

And there lies the burning question: why?

Azzi knows Paige doesn’t have feelings for her. Azzi knows that she’s the only one who lies awake thinking about having Paige in every sense of the word, the only one who wakes up in the middle of the night thinking of Paige with an uncomfortable stickiness between her legs. She is the only one, of course, who is in love.

Then why do Paige’s eyes and hands wander nowadays? Why does she call her baby in quiet moments? Why did she kiss her when she really didn’t have to?

Could she be—attracted to Azzi? Maybe through playing this role, she’s seen Azzi in a new light, and realized her best friend is no longer dorky and fourteen but rather a tall, pretty twenty year old with a great ass. (And yes, Azzi knows she has a great ass.)

She could be attracted to her and not be in love. She could be attracted to her and have no other attachment whatsoever. The two things can be true at once, can’t they?

The thought flatters her but it mostly scares her, because she’s barely surviving this unrequited love as it is. But with her best friend having any level of attraction back? How is she supposed to continue on like that?

“Azzi?” Paige asks, and the tone of her voice implies she’s already said it a few times.

Azzi hums, blinking. “Sorry, yeah?”

“Uh,” Paige says, and it’s then that Azzi realizes her hands have stopped rubbing lotion into Paige’s back and have sort of just come to rest on her waist—like it’s instinctive. Like it’s natural. “You done back there?”

“Yeah, sorry,” Azzi says, but for some unknown reason she can’t find it in herself to let go.

Paige glances over her shoulder. “Azzi?” she repeats.

Azzi can’t really take it any longer.

“Why’d you kiss me?”

Paige’s sides tense up under Azzi’s hands, and then she’s stepping away, out of her grasp, and turning to face her.

The look on her face is guarded, almost closed off completely. This is dangerous territory and Azzi has barely dipped her toes in the water yet.

When Azzi’s hands fall helplessly to her sides, Paige says, “I was pretending.”

As much as Azzi doesn’t buy it, the words—and the flat, cold intonation of them—sting. “Didn’t feel like it.”

“Why’re you being weird about it?” Paige asks, eyes dancing nervously away from Azzi’s face.

“I’m not, Paige. I just—I wanna know. For real.”

“You agreed to do this for me,” Paige reminds her, as if that has anything to do with this. But, of course, it has everything to do with this, and Azzi hates how easy it makes it for the both of them to hide under a facade, a lie.

“I know,” Azzi says carefully, also taking a step back if only to get away from Paige’s chilly stare. “But you didn’t have to kiss me this time. There wasn’t a reason.”

Paige shrugs, and Azzi hates to admit it but she is much better than her younger brother at acting nonchalant. “We’re s’posed to be a couple. I don’t want my siblings getting suspicious. They know I’m a touchy person.”

Getting the sinking feeling that Azzi won’t get anything out of this conversation other than a fight, she nods slowly, looking down at the ground. “Yeah, I guess so.”

Paige, as usual, thaws at the slightest hint of weakness, taking a tiny step forward. “Did it make you uncomfortable?”

“No,” Azzi is a little too quick to say. The kiss caught her by surprise, but they’ve only done it two times and Azzi is quickly coming to find that kissing Paige is the most comfortable thing in the world—it’s natural, and right, and like curling up in bed with a book and a warm cup of tea—and Azzi also knows they should never do it again.

Despite the earnest answer, Paige looks at her suspiciously. “You sure, ma? Don’t ever wanna make you uncomfortable.”

Azzi does her best to fix her face, which she worries may be showing a little too much. “Yeah, yeah. I’m sure.”

“Aight,” Paige says, but she still doesn’t sound very convinced. Azzi’s just glad she’s letting it go.

“Sorry for bringing it up,” Azzi says. She’s not.

At this, Paige sighs, reaching out to bridge the gap between them, running a gentle hand up and down Azzi’s arm. “Nah, don’t be, I get it. Sorry for getting a lil defensive.”

A little? Despite the fact she doesn’t believe Paige one bit, and that she doesn’t like anything about the interaction they just had, Azzi manages a smile. “You’re good.”

Paige nods, and her smile at least seems to be sincere. But as they jump into the lake, and as Paige talks Azzi’s ear off while Azzi floats around lazily in a donut floatie, things feel even more off than before.

Azzi can’t quite place what it is until late that night, when they’re both going to sleep and Paige is, for the first time in ages, strangely quiet. She glances over to find Paige lying on her stomach, face turned away, breathing too quickly to be asleep.

And that’s when Azzi notices it. The gap between them, the sheer amount of space from Azzi on her side all the way to Paige, who is almost on the edge of the bed.

Paige always sleeps close to Azzi.

And she always sleeps with her head turned towards her.

@azzibuckets @smiths-fan--13 @ch12334 @makethemhoesmad @the-other-half @rosemariiaa

lmk if u wanna be on my tag list btw!!

[toraoistired]

let's talk about project 2025 and smut.

bc I've seen some of my favorite authors already state they aren't writing any more smut due to the mere threat of project 2025 going into effect. And hey, I'm a simple person who likes to read abt sexy times.

pls read through all the way and share if ya like any of what i wrote here - i don't want panic to be spreading through the writers of tumblr/ao3 like wildfire unchecked.

qualifications: BA in political science focusing on domestic policy, activism and ethnic studies.

Part I - what is it?

project 2025 at its core is a roadmap. it was created by the Heritage Foundation (an extremely far right disgusting think tank), and plenty of people associated with the previous and incoming Trump presidency. its like 900 pages of alt-right, christian nationalist bullshit.

but its not uncommon.

think tanks like the Heritage Foundation often create roadmaps like this to plot out what they would most want to see in a future presidency or period of political control. it isn't even particular to right-wing think tanks; left wing ones do it too! the difference in this case is the magnitude and attention paid to the manifesto.

the heritage foundation is a vast organization with a lot of money, and has had a part in US politics for a long ass time now. because of this, what they say/do carries a bit more weight. combined with the fact that dems in the past election used project 2025 as a common refrain (instead of like, developing their own policy but whatevs), you get a general public who is aware of the buzzword "project 2025" but not knowledgeable about what it contains.

what it does actually include is certainly worrying, but among the new freaky shit is a ton of stuff that has been on the republican party's to do list since day one, like dismantling the department of education. just reading that seems really shocking, i know, but if you look back to when the department was created, you will find evidence of republicans trying desperately to dismantle it.

i find the media flurry around project 2025 to be a bit concerning, because while i understand dems wanting to show voters how dangerous this shit can be, its also made it into something far more important than it could actually be. as i stated earlier, these types of policy blueprints are extremely common among think tanks. its like their entire job!! and yes, this one is scarier and more visible than others, but it

a.) isn't the official policy of the incoming admin (and if you look at their actual policy statement, its very clear they don't rly have policies, so who knows what that's gonna look like)

b.) isn't united states federal law

Part II - what's it gonna look like?

i'm not gonna sit here and say you shouldn't be worried about project 2025, bc a lot of whats in it is freaky asf. but that freakiness is what (in my opinion) will be its primary challenge. since its so out there, the extreme right wing republicans are going to have to work their asses off to get the votes they need to pass these things.

which brings me to another point-- project 2025 is a whole list of proposals. its not like republicans can put forth one bill that has the entirety of project 2025 in it and pass it all at once. for a whole laundry list of reasons, that's not possible. the process of getting one bill passed through the house and senate is an excruciatingly long one, and doing this process for 900 pages worth of plans ain't gonna be easy.

i should mention that donald trump has yet to endorse the plan as his own, so there's the real possibility that he wont even want to implement any of the ideas included. i could 100% see him ignoring the entire plan because he doesn't like that someone else came up with it tbh. and while i don't believe he has never heard of the heritage foundation, as he has claimed in the past, i think it is important to note that there hasn't been any confirmation from him that project 2025 is his roadmap.

the plan includes rollbacks of rights for every minority group possible, restrictions on immigration, access to morning-after pills, restructuring of the federal government to allow for easier hiring and firing based on little/no evidence, etc. all in all, not great.

but again, project 2025 isn't united states federal law

Part III - what does it mean for fanfic authors?

the section that has the fanfic-consuming/creating world in a tizzy is the bit about outlawing pornography. this is a concerning policy propsal, but not because of possible fanfic bans. rather, bc project 2025 and the heritage foundation at large sees queerness as inherently and exclusively sexual.

"pornography, manifested today in the omnipresent propagation of transgender ideology and sexualization of children" (The Heritage Foundation, p.5)

thus, if they ban pornography (with a definition that includes/focuses on queerness), they can effectively ban expressions of queerness in the united states.

that shit is scary. and while i never want to rely on foundational documents when the people interpreting those documents (court justices (esp those appointed by the previous and incoming trump admin)), i will hesitantly say that this is gonna be a tough sell. both from a constitutional standpoint, and from a broad base support standpoint.

for the first of the two points, arguing that the first amendment doesn't "apply" to something is always a slippery slope, and defending that point is extraordinarily difficult. obviously this isnt always the case, but especially relating to pornography and obscenity, proving that a work fails the Miller test (a three part test created in Miller v. California (1973) to determine if something is obscene or not) is, like, really hard (heh).*

while the miller test is precedent for specific cases that come up in the court system, if some version of the porn ban goes into effect, the US court system is going to be dealing with challenges from every state, every form of media, every fandom.

which brings me to the second point. broad base support.

while the headline about Grindr crashing in Milwaukee during the RNC wasn't true in 2024, republican events in previous have brought an influx in users to the area in which the events are held if ya know what i'm sayin👀

on a real note though, getting a pornography ban passed in the united states would be exceedingly hard (no pun intended). especially one that includes forms of media like written pornography, not just visual. in terms of feasibility, a ban on video pornography is incrementally more likely than one on all forms of pornography. arguments against porn are weak at best, and the anti-porn movement in the US (usually religious) has been trying, and failing, for decades to ban pornography. most content about porn bans also refers primarily to video-based porn, not written smut.

let's just say worst case scenario something like this does go into action. anything you've written before the law goes into action cannot be used as a way to prosecute you. that would be an example of ex post facto punishment, which is explicitly prohibited in the constitution and by court precedent.

*note: i'm not endorsing the way the US court precedents around porn/obscenity look, as they are another symptom of purity culture and anti-sex culture created in the US

Part IV - what do we do?

well, giving up before a bill has even been proposed ain't it. it makes me deeply sad to see so many writers saying they wont be writing smut anymore because of the vague possibility of this plan. not only does it make me sad, it makes me angry. because that means people have seen so much misinformation about what project 2025 is and how it works that they are too scared to do anything about it. let me repeat again.

project 2025 is not law in the united states of america, nor is it in the process of becoming so. act accordingly.

so go forth, write smut, be gay, do some shit to make the heritage foundation angry today. and don't give up before the battle has even started. bc that's how they win. and i know shit seems really scary, but community and mutual aid is how we are gonna make it through this, so do your due diligence and research what you're scared about! knowledge is power and you gotta wield that sh*t.

i'd like to end with a quote from Timothy Snyder, who everyone and their mother has been quoting recently, but i still think it has value.

"Do not obey in advance. Most of the power of authoritarianism is freely given. In times like these, individuals think ahead about what a more repressive government will want, and then offer themselves without being asked. A citizen who adapts in this way is teaching power what it can do. Anticipatory obedience is a political tragedy." (Excerpted from On Tyranny by Timothy Snyder, 2017)

[Note - i have cited sources where appropriate, but this is also based on my (important to note, informed) opinion. please treat it as such, thank you]

[arcane-ish]

I know it's not a fun thing to think about it, and we have one more arc to think about it, but my worry is that the correct take from this is that the writers just have a different, more negative read on the relationship of Silco and Jinx.

Some interviews with cast members give me the vibe that they weren't that comfortable with the too positive read some fans had on Silco. (ie Ella Purnell for example)

My read on Silco as a character, as a person is that he was a guy who suffered trauma, who hardened, and it was important for his character development to grow to care about Jinx. But he's not the subject of this season. Jinx and Caitlyn and Vi are.

And it's not so much that there isn't enough time to do a montage to show Silco's softer side, it's that from Jinx's point of view, from her character development, Silco just isn't as positive a factor. (for the record, this imo doesn't just affect Silco. With Warwick we also didn't really get much about his torture and what it means to him to become the beast, his role also is heavily dictated by what his existance means for Vi and Jinx, like when the flashbacks of his past seemlessly roll over into the montage becoming about Vi's point of view of her mother and sister)

I read the writers interview with things like:

SCIFI VISION:   Yeah, it's definitely going to make a change, it sounds like. Talk about the fact that Jinx doesn't, I guess, at least right now, have anybody, now that Silco's gone, too. I mean, is that a good thing? Is that a bad thing? I mean, his influence isn't there, but I do think he actually cared about her, as crazy as he was. CHRISTIAN LINKE:   Yeah, I mean, it's the first time in Jinx's life where there isn't someone else telling her who she's supposed to be. In the beginning of her game, it's Vi, her big sister, who she really wants to impress and please. Then it's Silco, who really wants to make her, like, the most potent version of the talented weapons tinkerer that she is.

So, suddenly, the voices are gone, and she has to figure out for herself who she wants to be and what she wants to do, and that is a true first for her.

This reads like they see Jinx being "free" of Silco and figuring herself out as the positive aspect and I think in the show this being represented as her forming relationships and having some happiness and maybe even glipses of "Powder" showing up (when Silco insisted Powder was gone) or Jinx trying to reject being Jinx.

I think there's a good chance that it can't stay that way and Jinx goes back to being Jinx, but the issue is whether that is being portrayed as a bad and tragic thing. Because Act 2 certainly seems to feel wistful about the way Jinx is in it. (that said, there's certainly maybe some meta meaning to be mined on how Viktor's community seems beautiful but it's likely the wrong path/not the real deal)

From the show it's still clear that Jinx cares for Silco, but again in regards to his influence on her it seems to be a more mixed bag. Or even the show leaning towards Silco represents Jinx represents violence and it's something that makes Jinx unhappy and that she tries to back away from a bit.

Now there's a good chance that the death of Isha might put her in a vengeful state and have her go deeper into Jinx as a personality. But again with the open question being whether that makes her happy or actually unhappier.

Right now it feels like going deeper into Jinx seems to be more liked to her losing emotional connection from others (because she's withdrawing deeper into herself and becoming more abrasive with others).

I guess we will see in Act 3 if she goes more Jinx if she comes to enjoy it more and if Silco shows more up in connection to it. (I could see maybe a glimpse of Silco and Jinx's past relationship showing up at like a fundamental transition moment, like giving fully into Jinx or when she is close to death)

I think the problem is that for fans of Silco his relationship with Jinx represents a softening of his hard stance, while the writers from Jinx's point of view seem to mostly be casting as him representing her hardening. Rather than let's say, the softer aspects of their relationship being something that is guiding her out of a dark or hopeless moment.

(which again doesn't mean that Jinx feels negatively towards Silco or that what she takes from it is negativity. And I think there's still plenty of room to tell a story of his having positive influence on her. It starts with her letting go of him and one can argue that having the strenght of let go is an important thing to teach a person (especially if I see Jinx being haunted by the ghosts of Mylo and Claggor being symbols of her inability to let go). And even when Silco fans joke about Jinx's line about how things might have been different if Silco had found the letter, to me that is still a representaiton of Jinx having softer feelings, a softer read on Silco. Maybe it's an unrealistic take on him, but it's a softer take on him rather than her reading him as a negative and oppressive force in her life)

Okay, I'm rambling and not making much sense and we will know soon enough if Silco's role in regards to Jinx becomes more pronounced as she maybe embraces her Jinx side more. Or if the writers have just an a lot more mixed or negative view on his role in her life as it relates to her development. Or if they want to specifically write a story of her emancipating herself from both Vi and Silco and if she makes her choices towards violence or whatever she decides on they want it to be on her own terms rather than just being what Silco wanted. Because they want it to be truly HER story and her choices and not "actually this is the story of badass Silco who formed attachments, sacrificed himself for his daughter and triumphs from beyond the grave because she is finishing what he started because of his badass influence on her".

I guess what I want to say is that I don't think that there being no young Jinx & Silco flashback so far doesn't have to do with lack of time, but them going with a specific characterization for Jinx where her might for whatever reason (too fresh, emancipation, Silco being associated with violence and she is still in the grief phase, her memories not being as positive [people might not like it, but I get the impression if we compare how Jinx interacts with Isha if maybe her childhood with Silco she felt lonely despite his best efforts]) doesn't want to go there yet.

Can I get something off my chest? I was really hoping we'd get more flashbacks of Jinx and Silco together.

their backstory holds so much potential for deeper exploration, expanding on how he raised her after Vander's “betrayal” could have given more insight into how Jinx became who she is, and the complexity of their bond.

Scenes that truly delve into how he cared for her, how their bond was built over time.

I wanted to see those tender, fractured moments where he helped her navigate the chaos in her mind, whether through tough love, quiet support, or simply being there when she had no one else.

Moments where his stern but protective demeanor softened just for her. Maybe a glimpse of him patching her up after a dangerous mission, or the way he'd indulge her quirks when no one else could.

He wasn’t just her dad, he was her anchor in a world that had abandoned her, and it would’ve been fascinating seeing more of how he filled that role. Their bond was so complex god

There’s so much we don’t know, and so much that could have been shown, and I can’t help but feel like more flashbacks could have given it even greater depth.

[mkmas]

Jude Jazza - A story about a ruthless and arrogant man and an unfulfilled promise (JP ECB)

as usual I don’t own the story or characters, they belong to cybird. some things might’ve translated not as smoothly but i tried to get close to the original tone + eng isn’t my first language so forgive any mistakes ;-; also beware of some spoilers about his backstory

I wonder when it happened.

When my sister was still alive, she and I had a high fever.

(I was in so much pain l felt like I was dying.)

(I remember her asking me to distract her from the agony of the high fever.)

Jude: “What do you want to do when you’re rich?”

It was a playful way to forget, even for a moment, the pain of the day.

Jude’s younger sister: “Anything?”

Jude: “Sure.”

The pained look on my sister's face breaks into a little smile of joy.

Jude’s younger sister: “If that's the case, let's see… I want to go to the moon!”

My sister's eyes, which are the same amethyst color as mine, look towards the highest point in the sky. There, like a jewel dropped into the deep sea, there was a round moon floating in the jet black.

(...... Ha, the moon.)

Jude: "Idiot, even if I had that kind of money I can’t do that.”

(I've never heard of humans going to the moon.)

Jude’s younger sister: “But the Queen’s got the whole world on her palm, right?”

Jude’s younger sister: "If we can go around the world, can't we go to the moon?"

How much money does the Queen have? As I was thinking about whether it was really possible to go to the moon with that kind of money...

Jude’s younger sister: "Hey, brother, promise me. When you become rich, take me to the moon."

A human being going to the moon is a dream too ridiculous to be true. But my sister, who might die tomorrow, needed hope at this moment.

Jude: "I got it. I'll use money, magic, anything to get you there.”

Jude’s younger sister: “Brother, it's lame to think you can use magic.”

Jude: “Keep quiet.”

Jude’s younger sister: "I'm going to go to the moon. I have to get well soon."

Jude: “That's right. We have to get you better."

Only when I was with my sister, I felt something like the outline of happiness. Every time her small hand grasped mine, a warm feeling spread across my chest. But before the feeling of happiness could develop, I always felt sorry for her. Just when I was thinking that one day I would make my sister happy. She was bought with money, and then she died after.

And then I - I swore revenge.

By the time I started my trading company upon graduating from public school, I had the noblemen who killed my sister completely by the scruff of the neck.

Even though they were already busy dealing with taxes, it piled up even more with debt.

-- After their mansion and land were all seized, I went to meet the people who bought my sister.

Jude: “Thank you very much for your time.”

Nobleman: "W-what are you? W-Wa...!"

I grabbed the hair of the most pompous looking nobleman sitting in the chair as hard as I can.

Jude: “You guys are the ones who buy poor children and make them do bad things."

Jude: “There's no point in trying to make excuses. Everything can be backed up."

The nobleman’s eyes widen as I flung the report that contains numerous misdeeds I’ve already investigated.

I dragged him down and stamped on his head as hard as I can with my shoe.

Jude: "Confess. A few years ago, you bought a kid with asthma from a longshoreman."

Nobleman: “Well that’s… Uh.”

Jude: “Confess…!”

No matter how much I hurt them, the noblemen didn't speak.

Then I realized.

They really don’t remember.

When I threatened the servant, he trembled and spilled everything.

Servant: “I buried so many people in the garden that I can't remember who's who…”

When I headed for the garden of the beautiful mansion, I found that only one corner had been dug up in an unnatural manner.

Jude: “…….”

-- So so many. I sit in front of one of the piles and gently touched it with my fingertips.

Jude: “Brother is here... Answer me.”

I didn’t hear anything.

I didn’t even know if she was here.

All I know is that it was already too late.

So then I introduced the nobles to my father and brother, who were still working at the port, sipping muddy water.

(Isn't it great to do hard physical labor with the person you sold your daughter to?)

I had my subordinates watch over as they were weakened by the humiliation of the harsh labor.

I did nothing, I just watched.

Soon after, the nobles, my father, and my brother were all dead.

I killed them all.

-……De.

-……Jude.

Ellis: “Jude.”

(Ellis….?)

(……Ah, I fell asleep.)

It seems that because I didn't get enough sleep, I passed out while sitting.

(--- Even if it's)

Ellis: “What kind of dream was it?”

Jude: “Hah?”

Ellis: “You sounded like you had a nightmare.”**

Jude: “It was a shitty dream.”

Ellis: “I see. Jude is unhappy even in his dreams.”

Jude: “Shut up dumbass.”

Ellis smiles and looks somewhere else.

When I followed Ellis' line of sight, I saw a full moon floating there.

Ellis: "I guess Jude won't be happy until he gets to that moon."

(I know the truth. Even if I went to that moon, I wouldn't be happy.)

My sister whom I promised to is dead.

I can't take her to the moon.

The crazy dream I have is a promise that will never come true.

Ellis: "Hey, Jude. Can you breathe on the moon?"

Jude: “Ah?”

Ellis: "I'm just worried if Jude dies there before I can kill him."

Jude: “You really are fucking crazy. It can’t be helped.”

Still, I only have this promise.

That's why—.

(Someday I'll go to the moon.)

**Just in case this small detail matters (not really but) he was making sounds like people usually having nightmares do. i bet he gets these nightmares often;-;**

*If anything got deleted and i didn’t notice it’s probably tumblr being weird on my ipad bc of storage ahajaj)

TN: OK wow after reading his backstories… my crack theory about jude and the moon some time ago turned out to be at least 70% right? also jude has always been pretty snarky/sarcastic haha even to his younger sister (a little) i have a loooot of thoughts on his backstory but ill dump it after finishing his route. it really is dark and horrible how the rich people bought children and just…. did all that…. i support jude torturing crazy nobles 🙂‍↕️

[fraternum-momentum]

(if this was already asked im so sorry! i cant with tumblrs search thingy) hii!!! i havent drawn in ""my style"" in years, but your art has inspired me to try again. do you have any tips on how to develop it and become more consistent? much love and thanks <3333

hello !!! dw i don't think this has been asked beforee so ur good :3

imo you can't really brute force developing your own style. i think it slowly develops over time the more media you consume and get inspired by ! (i mean, i'm still trying to find my style so yk,,)

in my case, i tend to gravitate towards more semi-realistic styles, so i would need to develop my fundamentals (gestures, anatomy, line of action, etc, etc..) first as a base point. i would say learning your fundamentals is important even if you want your style to be super cartoony bc it really does help when it comes to deciding which parts you want to exaggerate and stylize and stuff. (it may be boring for some people but i promise u it rlly does help a lot !!!)

btw ur anatomy doesn't have to be perfect on the get go when u want to try stylizing 😭 shit even my anatomy was p bad before i started drawing in my 'style' so dont be discouraged !

@/atie1225 @/jasminjaegerart @/quietgom @/AmiThompson_h

ok when it comes to stylizing what i find helpful is copying certain aspects of an art style i like. ur not stealing their whole thing btw !! but u should try to analyze what parts of someone's style that you like !

like for example, i like how Alfons Mucha does hair, so i implement it in how i draw. i remember i liked how Ken Wakui does noses bc its simple enough, so that's what i currently do, i liked the nose bridge lines thing from mha and jjba so i added it to my drawings, and so on and so forth

obv these arent all my influences, there's probably thousands of artists i like, shows i've watched, comics and manga i've read that influenced me etc etc and our art styles are just a mish mash of all of that ! it's actually super cool to see how different people draw depending on what influenced them so ykkk

as for consistency don't be afraid to use your own art as references ! shit even i have a couple of my drawings in my inspo board because of how much i like them and sometimes i would look over and try to remember how i did those LMFAO

but idkkk i don't think you have to strictly adhere to your style. imo experimenting is good and seeing how it changes over time is super cool ! so you shouldn't stress urself out about that :3 eventually you'll develop the habit of sticking to your style, it just takes a bit of time !!

i think that's all, i hope this helps :3

heres the drawing by itself bc i kinda like it

[the-music-maniac]

This is one that ended up way longer than I would've liked but the brainrot has reached concerning levels.

Brief mentions of sephgen, sephgeal, sephzack, multishipping, spoilers for crisis core, rebirth etc. etc.

I've begun realizing the longer I traverse the various pages of FF7 fanworks that when I say I ship Sefikura, the romantic/sexual aspects of it don't matter as much to me as the emotional catharsis of it. And I say this because I feel like sefikura is often used to explore one specific type of fantasy/smut/kink etc. There's a portion of people who like the ship because they like exploring how fucked up it is for post-nibelheim Seph to try to make Cloud into a puppet - this is usually (not always) accompanied by size difference kink, sub Cloud dom Seph, etc. And while I personally despise that characterization common in that interpretation of the ship, it's still valid, cause y'all should be able to explore your own fanfics however you want. An "Ew. Oh well, none of my business." kind of deal.

I would like to make it known though, that as a Sephiroth fan I kind of hate domroth. Block me if you must, we can just agree to disagree lol.

My interest in Sefikura stems mostly from Sephiroth. I'm gonna shamelessly admit here that while I love Cloud as a character, he doesn't intrigue me as much as Sephiroth does. And I know I'm biased cause he's my favourite, but I get easily stuck on characters who were abuse victims that became villains because they gave into their demons, characters who managed to stay kind, up until they were so beaten down they snapped, characters who I think have redemption potential, even if it wouldn't be easy to do. Which can be the case with Seph both pre- and post- Nibelheim.

Post-nibelheim is a LOT harder to write convincingly, seeing as how he actually did fuck up like. Everything. And his victims don't have to forgive him. Not Cloud either, even though I am writing a post about sefikura. The redemption is more about personal improvement, rather than forgiveness. But it's really interesting because a Sephiroth that even has a chance at redemption post insanity, is one who is a mix of before and after. He still has all that rage inside him from how he was treated by humanity, still has visions of annihilation and delusions of grandeur in his head, but he also remembers that he used to love, that he used to have companionship, scarce as it was, and cared for the well being of the soldiers he lead, etc. How does he get to that point in the first place, and how does he deal with it after? With the warring that is likely occurring from those two sides, the festering resentment of knowing he was given so much less than he should've been, knowing that he had a human mother, but since he IS closer in capability to a god than a human, does he think he's a monster because of his heritage still or because he gave in? Does it even matter at this point, what he is? And what will he do, now that he has a portion of his humanity back (however that occurred) and isn't just purely Jenova? How does he deal with knowing that even in the depths of insanity, he still just didn't want to be alone? And of course the turmoil on Cloud and Co's side, usually some flavour of, okay so repeatedly killing him isn't working, I'm tired of fighting him every couple of years, I still have the responsibility of making sure he doesn't fuck everything up again, and of course the hatred they understandably feel for the shit Sephiroth has done. And as Sephiroth kind of fights to recover some semblance of identity and understanding of himself (without destroying anything), watching that occur and knowing objectively that your enemy didn't deserve what he got when he was a child, that a part of what occurred was after he was pushed to that degree - even if you subjectively can't make yourself feel it at the beginning. And then as the story progresses and characters undergo development, Cloud likely wrestling with the fact that he actually is starting to understand Sephiroth's predicament, realizing Seph can be so very human at times. And dealing with the worst sin/betrayal of all, enjoying his company for his company's sake. A Sephiroth that gets through that and finds some semblance of contentment is meaningful because it would take a mind-boggling amount of hardship and work to get there. And tbh here's where the bias comes in - it's what I would say is a happy ending for everyone. I know people would disagree, a lot would say Cloud and Co getting rid of Seph is good riddance, why should he get a chance, why should they have to deal with him, etc. hence why I acknowledge this is biased - but a happy ending to me is one where everyone else gets to stop fighting Seph and move on with their lives and Sephiroth actually gets to live the life he wanted when he was a child. I won't ever be entirely satisfied with FF7 canon for this reason (true of any tragedy). Nothing that happened to him pre-insanity was fair. So. Catharsis.

As for "redemption" of pre-nibelheim Seph, I read time travel fix-its when it comes to sefikura cause I find it more interesting. For anything pre-insanity that involves canon divergence without time travel, sephgeal, sephgen, sephzack, shipping, platonic or poly makes more sense to me, cause those three are positioned better to help Sephiroth in a meaningful way. Also I personally do think Cloud is a little too young for that then (even if I'm also convinced he 100% had a celeb crush on Seph. Which is also not what Sephiroth needs at that point).

So, for sefikura, pre-nibelheim redemption usually involves Cloud getting yeeted back in time, either by the planet or by choice, to stop things before any of it happens. Cloud usually believes he has to kill Sephiroth, so he'd likely be in close proximity. So how would he deal with seeing, first hand, all the ways that Sephiroth was isolated and dehumanized in Shinra? Cloud still hates him at this point, for good reason. So he's here, witnessing not only Sephiroth being a kind/decent (awkward) human being, but also the lab visits, Hojo being Hojo, being paraded around for propaganda, the effect the "betrayal" of the other firsts likely had, Sephiroth being straight up depressed and malnourished and overworked, hearing whatever lies were fed to control him when he knows the truth. How does he deal with the moral repercussions of killing a technically innocent man? Especially when he realizes that a little support and compassion could've changed the outcome entirely? And Sephiroth on the other hand, now stuck with this persistent stranger that doesn't treat him like either an emotionless weapon or a legend, but some secret third thing (is he trying to kill him???? Can't tell, mixed signals are happening). Cloud would also likely help take Sephiroth's mind off things by virtue of existing - not because Sephiroth particularly cares about Cloud at the beginning (why would he, they're strangers) but because Cloud is fucking weird. Not a soldier, still mako enhanced, angry/aggressive at him in particular and seemingly frustrated about it, history that doesn't match up to current behaviours, etc. Hell, Shinra would likely even order Seph to keep an eye on Cloud. Meanwhile Cloud is desperately fucking with the timeline to ensure everything ends up differently, and accidentally becomes some sort of support for Sephiroth in the process. Because while everyone else was so fooled by the propaganda surrounding their hero, leaving him alone to his own devices (despair and depression), Cloud knows that his attention should be on Seph right now. And I don't think he's the type to just leave things alone out of spite if Seph where to, for example, stumble out of the lab, half delirious from Mako, because of one of Hojo's whims. There's also the question of whether Cloud would know to help with Angeal or Genesis' degradation, which could help either clear up some misunderstandings between Seph and his friends, or just ensure that Seph doesn't lose them at all in the first place.

And if Sephiroth were to find out/be told the truth, about his mother, or about the future, HOW is he gonna react to that???? Knowing that okay, so my heritage isn't actually that of a monster, I have human DNA, but ended up snapping and trying to destroy the world anyways - once again, what does it mean to be a monster, and is he one already, if he hasn't even done all of it yet, technically? In this timeline he's likely closer to Zack, maybe close to Cloud, potentially has met Aerith, maybe Genesis and Angeal are still alive, so he's more tethered by a support system, so how would that change his viewpoints? Would he feel guilty? Does that send him into a worse depression?

Sefikura just tends to give me emotional catharsis when it's written like that, because it gives Sephiroth the opportunity to mourn what he should've had, and gives him a fighting chance to change it. It's someone else being shown the decades of neglect, how deep the hypocrisy of Shinra actually went, the systemic abuse, acknowledging all of the bullshit Sephiroth went through before Nibelheim. It's him breaking out of other's expectations of him, Jenova, or Hojo or whoever else, and getting his childhood wish to just be normal. Like Angeal said (quoted loveless I think) "and what do angels dream of?" "Angels dream of becoming human."

This is also why I find very little enjoyment in reading domroth sefikura. Sephiroth isn't someone who reminds me of that type of personality, before he went crazy. He seems like a very awkward, calm and even sometimes soft dude in his downtime. He's literally just some guy. We don't see a lot of his personality because he was trained (tortured) into believing anything other than perfect control is weakness and failure. I don't think he would have any sexual experience. I think he's depressed, and exhausted and alone and is just very good at hiding it. I don't think he even wants or needs sexual intimacy necessarily, so much as he needs someone to feel safe around.

Anyways. This is. Way too long now. Goodbye.

[flutterclouds]

This was such a great chapter, Tesh! I really loved getting to read about Nia and Toby trying to get their real first lead into the earthquakes. I also really liked reading about the tense scene in the rain between Calder and Kern. I do wonder if the Girafarig that slipped away will show up again. I do have to wonder what they might be up to.

I also loved seeing Samir team up with Team Scarlet in this chapter. Toby internally noting how Nia attracts lonely people to her was such a cute touch. I thought the narration’s noting of the the town having so much rain to be quite interesting. Perhaps a Pokemon is using Rain Dance? On that note, Earthquake is a TM, and a large number of Pokemon can learn it, including Girafarig. I’m not sure on how TMs might factor into the world of Seekers of Soul, so I’ll just have to wait to see if any of my move theories might be have some truth to them.

Another part of this chapter I really loved was the worldbuilding. Toby being sensitive to contact with water due to being a Fire type is so interesting to me. Does he drink water at all, or does he only stay hydrated through hydration berries? I also loved the little detail of Deidra being more sensitive to the quakes since she is a Lopunny and thus has pretty good hearing. Nia having the wherewithal to get under the saloon was also such a good detail since I know some places in the our world have extensive earthquake education. That makes me think that Nia must have lived somewhere near an earthquake fault, or at least learned about it at some point.

I think you’ve done such a great job expanding the world of Seekers of Soul, especially when it comes to the mythos and geography. The towns and locations visited so far feel very lived in. The Xylem Guild is a cozy community of Seekers, Ghatha is a lively city of colorful stone, and Asra is a desert mining town that comes alive at night after the day’s work is done.

Finally, I want to say I loved seeing more of Toby’s softer side this chapter. It was especially clear when he absorbed the Oricorio’s words, letting them take precedent for a moment over his need to find information about Team Zenith. He’s really come such a long way. Nia too, she would have never have gathered the courage to chase after Samir in the rain after an earthquake at the start of the story. You’ve done such a great job with their character development. I’m so excited to see where their adventures lead them next, with the matter of Giratina hanging over their heads and all. There’s also the matter of Will. At this point, I do not trust him and going by an animation you posted a few years ago, he’s definitely connected to Giratina in some way. Either way, I’m looking forward to seeing what Nia, Tobias, and Samir find in the mines next time.

Pokemon Mystery Dungeon: Seekers of Soul

[Chapter 43] (34 Pages)

<< First | < Previous | Next >

-

Trouble crops up in Asra. Tobias and Nia find a new lead.

-

Keep reading

[eerna]

i was one of the people who saw the early leaks post and i remember trying not to read too much of it but i had a moment of being like wow this cant be real but also it definitely could be. i remember reading about the damn caitvi sex scene and i thought to myself thats so ass why would they do it in a prison and then i realized the writers probably thought it was some meaningful parallel or something about vi being able to transform being imprisoned with something good

then the act dropped and i saw the damn parallels with cait finding her in the cell and i was like ok yeah. they basically had that as an idea. amanda overton was talking about it in a watch party and said they love their parallels and it was meant to symbolize vi addressing her trauma and im like. i see what they were going for and i get it I GUESS narratively but i really feel like this is such monkeys paw shit like we got this scene at what cost. and like the scene ITSELF was very good and sweet and lovely but like could it not have happened ANYWHERE ELSE?

i feel like the biggest problem with arcane s2 was that the creators rlly wanted to push the bar with animation storytelling. amanda talked about this too and like i feel like it kind of highlights the problem. where bc this show is so amazing graphically the animators wanna highlight that with as much action as possible instead of focusing on smaller scenes and more intimate quiet moments. i watched arcane s1 all at once after it came out and there were def parts that felt a little rushed in certain acts but it was nothing like s2. it just feels like they had all these story beats they wanted to hit but didnt give it the time it deserved and it sucks bc they said they always meant it to be 2 seasons so like why does it feel like this. they wrote them back to back around the same time what happened between s1 and s2. i just feel like the caitvi sex scene is a microcosm of the larger problem. they had these emotional beats and story moments that in isolation are really powerful but its almost like we didnt get a proper A to B transition. its like we skipped several steps for sooo many story beats.

such complex characters with real ass lives causing real ass problems. cait's privilege being an issue, how gratifying that could be to have explored. viktor's experience being explored more in depth. just so much more about zaun. like all of it was there in tiny slivers but it was never given the depth to GROW or properly BREATHE bc five million action scenes and plot points had to be squeezed in.

ultimately i love arcane overall. i think it has broken boundaries and done some amazing things. but its blemishes are really... painful at the same time. and knowing how the writers did such a good job in s1 makes me just like. cmon guys. you had it. YOU HAD IT

anyways sorry for blowing up your ask with so much rambling i just... idk. what are your thoughts on this stuff do you agree with my assessment or do you think the culprit is something else

No prob, welcome to the symposium~ Yeah, I totally get what the writers were going for with Vi. Which is why I am so shocked they thought it was a good idea. Like, okay, she is addressing her trauma in the sex scene... But why should her trauma get addressed by being locked in a jail cell by her sister, who just spent days being wrongfully imprisoned in there by the girl she's about to have sex with, and who then told her she was gonna off herself. If anything, the thing I was feeling was pain because it happened again, a Zaunite was thrown in jail by the Enforcers after she helped and saved them without any rights, and she was reminded she was less than them and her life is worth nothing... Mmmmm, the perfect memory to overwrite prison abuse!

I too felt s1 had some strange pacing choices, Vi and Jayce teamup comes to mind first, and that was, surprise surprise, a fight scene. But those were pretty minor, and still left time for other scenes to develop properly. It only becomes a real problem when it happens scene after scene, character after character, until no one is acting in character and you constantly feel like you have skipped a scene or two. I too remmeber them saying they wrote the seasons back to back, but. Dare I say it. I think s2 was so majorly rewritten by the time it went to recording that only the bare bones remained. In fact, that might be why we feel this way - maybe they DID have a frame they wanted to follow, but the rewrites warped and twisted the characters so intensely they ended up making no sense in the context of that frame. That's right, I'm talking about the way they decided to more closely follow and collaborate with LoL in s2. Jayce's final speech to Viktor only makes sense for game Viktor, and goes completely against s1 Viktor. Vi deciding police brutality doesn't really matter all that much makes sense for game Vi, and foes completely against s1 Vi. Jinx giving up on ever being loved or accepted by others makes sense for game Jinx, and goes completely against s1 Jinx.

So yeah my thesis is: Arcane knows it looks good, and sometimes it prevents it from being well written. It also decided to throw in its lot with LoL in s2, and no amount of good intentions from the writers could have saved it from crashing and burning.

[hyasinthum]

mmm, i don't think i care for how mel's relationship with the arcane was handled. actually, the entirety of the medarda family drama was incredibly rushed, and i think it may have been better to scrap interesting and more expansive story possibilities in favour of simpler and better-executed plot points

i.e. mel's abilities felt like such a plot contrivance because we didn't see her develop them, we didn't see her learn from them, and we didn't see her use them for much other than ex machining other characters out of death blows. they really did her character a disservice by making her so powerful without having her grow into — or learn from — her power

as for ambessa, i really liked her as a villain, but i would have liked her better if we had seen the kind of threat that the black rose posed to her family. it's not really enough to make hand-wavey claims that they wanted mel and that kino's life was the price to keep her safe. this is a character who is ostensibly motivated by kinship (and power, no doubt, but also by family ties), but we kinda, like, don't really see what moves she makes that demonstrate that? or at least, i don't see how fucking around with piltover's and zaun's affairs could provide any benefit to her and her family, since conquest didn't seem to be her endgame. it's clear that the black rose was the biggest threat to the medardas, and it seemed like this threat is what drove a lot of ambessa's maneuverings, but i didn't really see how ambessa's feud with the black rose intersected with zaun/piltover relations beyond just "oh hey these people have the sci-fantasy equivalent of nukes and some fucked up little scientists... this could be useful for an imaginary war with some spooky magic people who don't really do much to move the plot"

idk, i think i ultimately felt disappointed by the medardas's role in the story because it felt like the story needed a problem to push things forward and needed a solution to tie things up, and ambessa and mel were just two characters who could be yoked to those problem/solution chariots in order to keep the show's urgency intact and keep the pace from faltering. their story would have probably been super compelling if it had the room to breathe and the time to be explored (and i do wish to be in an alternate timeline where we got a medarda-centric season or a spinoff or something), but it didn't do much for me, personally, shoehorned as it was

that being said, i did enjoy this season. don't mind my howling into the void. just trying to keep the ole' noggin sharp by picking apart something i like and tinkering with its pieces

[urban-fleabag]

Hi... So... You responded to my post about my shift a little while ago and I was wondering if you could give me some tips on how to be more in touch with my theriotypes. I have a good idea on how to let myself be a cat, but I was wanting to know about my (Also recently discovered) wolf theriotype. Being a cat is easy, I've been doing it my whole life without realizing it and just need to be more open to it, but the wolf is a problem. I know that you're a coyote, and was wondering if you could give me tips about being a wild canine or if you have any other sites, communities, or other advice for me to figure it out myself. I've been researching wolf behavior, so I think that'll help.

You're definitely on the right path researching wolf behavior! That'll point you in the direction of what sorts of things will make you feel more like you and give you ideas on what to try out. For me, personally, vocalizations are pretty huge- that's a very Coyote Thing, but can apply to wolves too, howling is like, one of their Key Features.

I also highly recommend making your room your den and establishing a local territory- either just your back yard, or some local places you hang out. I find it helps a lot for me to think of home and work as parts of my territory, it helps me feel secure. Some people even go out and "claim" parts of local parks with howling/vocals and hanging out, but I haven't gotten the chance to do that yet.

If you're a gamer, I HIGHLY recommend Wolf Quest on the PC- one of my partners is a wolf and they're legitimately obsessed with the game and have been following its development for years. You play as a wolf in Yellowstone and you have a pack and raise pups, and I've heard really great things.

I also personally find that adding extra meat to your diet if you're so inclined can help you feel more at home. I need the extra protein anyways, so it was a major bonus for me, but really anything you can tear up with your teeth should be good. Make sure you're still attending to your human form's needs, but feel free to indulge. I also find oranges are a good treat to rip and gnaw on if you're not a fan of meats.

Some good media that might help you feel at home is a movie called Wolfwalkers (highly recommend even to a non therian tbh it's great), and Autumn J on YouTube makes a lot of alterhuman music including one specifically about wolves if you wanna give a listen! It always makes me feel shifty in a good way.

Unfortunately, I don't have a ton of sites or community based links, so I'll crowsource this one- I hope you don't mind me answering publicly. I will say, avoid the fuck out of TikTok. It's full of misinformation and gatekeeping, and generally just kind of a warped view of what therianthropy is. Feel free to check it out for gear and quads I guess, I've heard good things about quads but I can't do them due to my carpal tunnel and they're a newer thing afaik. Just don't rely on TikTok for informative stuff- it skews super young and overall isn't helpful for education, which is fine because it's an entertainment app.

[imjustanauthor]

The man had a point. If a tree fell in the woods but nobody was there to hear it, it did still make a sound. This scarecrow could have been hiding in the shadows for decades - centuries, even! People were so willingly blind to the strangeness around them that it really wouldn't surprise him if the town had simply ignored its existence for years.

It also made sense that the scarecrow would maintain the maze. If that was his domain, then would he not want it to be exactly how he liked it?

Still, it was amusing to think of a ghostly scarecrow out working the fields, ploughing the ground and sowing seeds. Did other ghosts work jobs too? It wasn't unheard of, but Mulder had always assumed the reports of that behaviour were more about habit than any kind of desire to maintain anything.

Scully must have developed some kind of psychic abilities because the second Mulder started to have thoughts about heading back to the maze to investigate, she was telling him to stop before he could even suggest such a thing. He looked back to her, wilful obstinance rapidly building.

"Why not, Scully?" Mulder shot back. "This is clearly an X-File! We could get a hotel room for a few days, check it all out. I'm sure Skinner will understand when we get back and try to expense it."

Even for an invented urban legend this particular story seemed ridiculous. Even within fiction there had to be some kind of continuity but these men were stating so-called facts that were absolutely contradictory. Scully could see that even Mulder was questioning their information, though she thought perhaps it was too much to hope that he would be heading to the same sceptical conclusions as herself.

"Just because the scarecrow is in there doesn't mean people always believe it, now does it?" the man countered Mulder's question with a pointed look that was painfully obvious. Despite herself, Scully felt her eyes roll.

"So, let me get this straight; the scarecrow has been there since the 1930s, but people have only really started listen to the stories in the past ten years, and despite being supposedly abandoned, the maze is fully maintained," Scully surmised, throwing a pointed look that matched the man's own.

"It's the scarecrow that maintains it," the other man told her, his voice a hush as if sharing some great and previously unshared secret.

"I don't believe this," Scully muttered under her breath. She couldn't deny that there was something as yet inexplicable in that maze, but they might as well as get explanations from the Mad Hatter than listen to these two.

"No one's ever dared enter to find out if it's there the rest of the year," she heard one of the men tell Mulder as she turned away, looking in every direction but this source of her frustration. "Guess you could wait around and see. If you're brave enough."

Scully's head swivelled back around as she swore she heard an idea take root in her partner's mind.

"Mulder, no."

[shortbreadly]

this screenshot has been tugging at my heartstrings since the owl house ended so i had to redraw it

original screenshot

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[doedipus]

a large amount of time I've been spending on -untitled undefined scope original fiction project- since the last time I posted about it has been trying to develop the protagonist concept I came up with last summer or whatever into like, a character that would feel real and era appropriate.

it's fun research to do. naturally a lot of the details I assigned to her are things that I already think are cool, so it's been a lot of fun trying to trace her traits back through the relatively recent past, getting reminded of how much things have changed, or where the gaps in my intuition are, and then doing a flurry of reading to get a sense for exactly how someone like her and the people around her could have happened and what her life was probably like leading up to her present day. hopefully this results in some good good verisimilitude.

[zylphiacrowley]

This turned out to be kind of long so I'm going to put it under a cut ^^'

So I had sort of danced around shipping X'vahl with various NPCs and one other PC, but nothing ever really stuck as someone I could truly see him being romantically interested in. The closest I could ever really get for him was very dear friends (who are also extremely important to him, but no matter what angle I seemed to try to come at him with, he was very stubborn about not wanting to develop romantic feelings for any of them lol). I had honestly just resigned to not ship him with anyone at all and just sort of have him be single forever.

Then I was playing through Endwalker and you go and meet Erenville in Labyrinthos and I was like "Oh, he is very pretty!" Then you get to the part with the toads and that's honestly probably the part that I started to be like "Oh okay, he's favorite character material for sure." Then I did that "Haha what if I shipped him with X'vahl. No, that wouldn't work.... unless?" And I kept turning it over in my brain and you know that thing when you're developing a character and they go "I'll take it from here." That's basically what it felt like lol.

After further developing their relationship X'vahl's "Oh" moment was actually before the toad incident. It was when Erenville has WoL help him sedate a bird (when you get to play that darts minigame lol). In their canon, X'vahl did manage to sedate the bird, but he also slipped and fell in the water. Erenville was only slightly annoyed about having to help this wet catman who had spent the earlier part of the day attempting to interrogating him out of the water. I'd also like to note that X'vahl's "Oh" moment was initially less "Oh I think I'm in love" and more like "Oh........... fuck. I do not have time to develop feelings for someone right now." and he fully intended to ignore it until he kept thinking about the very attractive gleaner who saw him embarrass the shit out of himself (twice at that point) to the point that Tataru picked up on it and "gently encouraged" the two of them to spend some time alone together to get to know one another.

fellow wol x npc shippers- If applicable, what was the "oh" moment for you and your oc falling for their love interest? Was yours seperate from your WoL's?

[claitea]

a little personal project i'm slowly chipping away at, thought it would be fun to make it into a chart that i add a doodle to every time i finish a new character so i can track how i'm going with it!

by project i just mean i want an oc of each type. i'm not making a game or anything the positions listed are purely for fun HDJBFJFKE