#realizing my brain is just fucked up and what do i do now because if i went to a session now

[sports-on-sundays]

this simple feeling / LN4 & OP81 / Part 3

Summary: Lando x female!Australian!McLaren marketing unit worker!reader x childhood best friend!Oscar - Two Formula 1 drivers who just so happen to race for McLaren also just so happen to have fallen for you. Link to part 1, link to part 2

Warnings: I think I might've messed up the timeline just alittle bit but that's okayyyy (probably should have all taken place like a week or two later but I only realized that after it was all written so I guess you'll just have to deal with it; I'm sincerely sorry), language, sickness, vertigo, let me know if there's more I missed

Requested?: To be honest, I don't think so, but let me know if I forgot about you.👍

A handsome smile adorns Lando Norris's lips as he strolls down the Spanish paddock, and it's extraordinary to believe that despite his outside cover, he has the most pounding headache.

It's all my fucking fault, his mind roars as he catches the eye of Max Verstappen walking past and gives him a friendly wave. Y/n is a nervous wreck over the whole situation, and Oscar seems like he's going to blow if he sees me show Y/n affection one more time.

Why did I ever fucking start this stupid, stupid 'relationship?' It's a mess, and it's all my fault.

And I've got no way of fixing it.

Maybe I should have just given up Y/n in the first place, before all this happened.

Maybe I am wrong for getting in the way of her and Oscar.

But a part of him knows that's not right. He could never give you up. You could never give him up. And neither of you could ever give up on Oscar.

Even though it's starting to look like that might just be the best for him. Or at least, the best option at this point.

After I've gone and messed it all up.

For once in his life, sleep won't just take Oscar Piastri.

It sounds stupid, because he shouldn't be going to sleep. Not here. Not now. But as he lay in his driver's room, all he wishes is for sleep to take him away from his never-ending thoughts into a peaceful, sweet, dreamless slumber.

But every time he tries to replace his current ones with new ones, his brain always leads him back to the main point:

You messed up.

He sighs. He's just being over dramatic, isn't he? Isn't that all it is? Shouldn't he just get over himself?

It's not that he doesn't like Lando. In fact, he does. A... well, a lot. He could see himself having real affection towards him.

He might even want to.

But that longing, confused part in his brain keeps coming back to: But what if Y/n loves him more? Isn't he just getting in the way of what you always wanted?

Isn't this unfair, Oscar?

But that's just the worst part of it all.

It's not unfair. Not one bit.

For your whole life, Oscar has known you. For years, he's cared about you. He's even loved you. He just never said it. Always held back. When he shouldn't have.

If he had just acted way before, in the beginning, it would've been just you and him. That's the way it would have been, and Lando would have never gotten in the way.

But, Oscar's brain whispers, almost like a sneaking suspicion, do you really want Lando out of this, now that he's in it?

Maybe I just have to learn to accept it. Accept him. Trust them both.

Do I just need to get over myself?

Because I am the only reason why this isn't working...

Right?

No one else can feel it, but it's getting awkward. Not even so much in private. In private, Lando is honest, and Oscar tries. In private, you see. They're not all lovey dovey, but they care about each other. It's like all is well, though you and Lando both know how Oscar can get.

But in public, it's worse. Terribly worse. It's like Lando and Oscar want to have something, but they can't. It's like Lando wants it but Oscar won't let him... and, at the same time, as if Oscar wants it but Oscar also won't let himself.

Why not?

In public, since they have to fake, it's like it's hard not to. Because they're closer than friends, but not more than that.

In private, they're trying to fake, so it almost comes easier.

But in public, they almost avoid each other at the same time as being super friendly with each other when they do have to talk.

You hate it.

A huge part of you wonders: If Oscar likes Lando back, why doesn't he just relax and let this whole thing work? Doesn't he need it?

Doesn't he need Lando, just the same way I need him?

He certainly acts like it. Sometimes. The only solution you can think of, though a not very clear or perhaps not very accurate one, and one with certainly no answer, is this:

He wants you more than anything. But he needs Lando more than anything.

But because he wants you so bad, it hurts him to see Lando having you.

Though he has you, too.

But he can't let himself break out and let himself love Lando back, because his feelings towards you are so incredibly strong.

You sigh.

Oscar. Why can't you just give up? Give in? Why can't I show you just how much I adore you?

What do I have to do to show you?

Is there anything I can do that would be enough?

You sigh. What if you're all wrong? What if Oscar really can't love Lando back? What if this whole thing is bound to fail?

What if there's absolutely no solution?

As anxiety begins to fill your chest, you feel as though you're right back at square one again.

Why didn't I just choose, from the beginning? Wouldn't it have been better to break one of their hearts, than all three of our hearts?

Because isn't that what is going on right now?

We're all breaking.

And we wouldn't be if I hadn't ever, ever let it get this fair.

Damn it.

It really is all my fault.

Maybe it's all the stress, or maybe it's just the natural way of things, but either way, by the time a week later that the Austrian Grand Prix comes around, you are in no world feeling well enough to go to it.

Of course, that's fine. You're sick; no one will have a problem with you staying home to rest up and get better. There are plenty of other people who can take care of your usual responsibilities for one race weekend. That's not really a big deal at all.

Of course, Lando and Oscar sure treated the whole thing as one, both of them talking about how one of them should stay with you, and how are you going to get on by yourself, and they feel like such bad boyfriends for leaving you in your unwell state, and so on. Blah, blah, blah.

Really, it was the sweetest thing. You know you shouldn't complain. But you did end up telling the two they were both wrong, not to worry, go race, and it's quite easy to FaceTime and stay in touch so they can check up on you over the weekend.

So despite whatever your boyfriends think about it, that's the decision you made sure was made, because there was no way you'd let either of them do something so ridiculous as to miss a race because of you.

Especially not the Austrian Grand Prix, for God's sake.

Well, whether Lando and Oscar would admit it or not, both of them, in their own little ways, see this as an opportunity for connection with each other.

One-on-one.

So now, of course, Lando has been the sole thing, other than racing, that's been on Oscar's mind all weekend. So much so that he finds himself wandering towards Lando's driver's room after qualifying, his heart leading the way more so rather than his head.

When he reaches the door, he finds it ajar, and peeks in through the door frame, his heart pounding.

Why is his heart pounding?

He swallows, his eyes resting on Lando relaxing, scrolling his phone. He hasn't seen Oscar yet.

Lando. There's a lot I like about him.

Let's just try this. Just for now, forget about Y/n. Think about Lando. Think about all the reasons why you care about him. Think about it as if it were just you and him.

Would you want it to work?

He knows the answer, but wouldn't dare let himself consciously think it.

Oscar gently knocks on the door, as to avoid startling Lando, before saying softly, "Hey, Lando?"

The British man immediately looks up, his hazel eyes meeting Oscar's plain old brown ones. Though he doesn't smile, his eyes soften. And brighten. "Hey, Oscar." He sits up a bit, as to make more room on the sofa. "Wanna come in?"

Oscar nods, stepping inside. Gently closes the door behind himself. Somehow, Lando seems to understand.

He sits down. Closer to him. Turns and looks him right in the eyes. Opens his mouth to say something, but then closes it when he realizes he has nothing to say.

Lando talks instead. "How are you?"

"Fine... and you?"

"Good... I think the race should be promising."

Oscar nods in agreement. The silence feels so simply empty.

"You missing Y/n? Is that what it is?" Lando gently asks.

Oscar considers that for a few seconds, before slowly shaking his head 'no.' "Of course, I wouldn't mind her being here. But that's not it."

"What's 'it,' then?" Lando asks.

Somehow, he just knows, doesn't he?

Oscar's starting to see why you might love that about him so much.

"It's not Y/n I'm missing. I guess I'm missing you. And me. I'm missing us."

"Hm," Lando says simply, seeming to ponder that for a few seconds, before saying softly, almost as a dare, "How could you miss 'us,' if 'us' was never a thing?"

Oscar feels the sudden urge to reach out towards Lando. Put his hand on his, or fix that loose curl, or do something.

But he holds back. Like he's always done with you.

God damn it. Am I really doing it again?

What am I even doing?

"I guess..." Oscar murmurs after some hesitation, staring down towards the tiled floor, "I miss the 'us' that could be and should be but never has been."

Oscar feels Lando look up towards him, but continues staring at the floor.

"Look at me."

But Oscar doesn't dare.

That's when Lando gently moves his hand to grab Oscar's chin and force his head to look at him. Not in an overly gentle way, but not in a way that hurts.

Oscar sighs. Those eyes.

When did he start liking them so much?

"We can make that reality," Lando murmurs, in the same determined way he talks about sports, or strategies. "We can make it happen. You don't have to miss me, or Y/n, and we can make 'us' come true."

Oscar gulps. Nods, though he knows not why.

Maybe it's because I really do want it.

I do, don't I?

Us.

Lando reaches over and grabs Oscar's hand strongly. Wraps his hand around the other man's. "This simple feeling..." Lando whispers. "Don't you like it?"

Oscar swallows. "I don't know if I like it, but..."

Lando waits for him to finish, even after he's trailed off.

"...but I think I know that it's exactly what... what I need."

Lando sighs. A little smile even begins to sneak up on his lips, just gently. Softly. Hardly there.

That's when he leans in and pulls him into a hug. And embrace. And it's refuge that Oscar finds there, in his arms. The same kind of irreplaceable refuge he finds in your arms. He sighs, wrapping his arms back around Lando, feeling the warmth of his body around him like a blanket.

"This simple feeling," Oscar murmurs this time, mirroring Lando's words, swallowing, his voice cracking softly, though tears don't threaten to fall.

It's just a little raw.

"This simple feeling... it's exactly what I want. What I need. From both of you.

"It's like I'd be content if we let this last forever," Oscar finishes softly with, close to Lando's ear.

"We can make it last forever," Lando utters back.

And all time stops in that little room as the two men embrace. A cavern of honesty and truth.

A safe place that promises to hold them forever.

It's funny how someone's cares and concerns can be washed away so quickly.

Like, for example, Oscar's podium at the Austrian Grand Prix in 2024, seeing his team grin up at him, spraying the champagne with George and Carlos, the joy of getting second place.

Partially, also, the joy of being the one to score points for the team.

But once that's all done and he's talking and doing all that PR, it starts nagging at him. You're not here, which means Lando's all alone.

Probably fucking pissed off.

P20.

So it's a mix. He got 2nd! But Lando got 20th.

So he tries to get through all the PR gobbly-gook as fast as possible, while still putting on a good face, since he knows you'll particularly care a lot if he screws up all his interviews the one race you weren't able to make it.

As soon as he's set free from his duties, though, he rushes to Lando's driver's room. On the way, someone even grabs his arm, saying, "Oscar! Oscar! An autograph? Please?" but he brushes them off, saying, "If you stay around, I'll be back to give it to you!" before just running off again.

He honestly can't grasp why he's so particularly and intensely desperate to see Lando.

It's because he did something for me last night when I needed him. Now I can't just leave him when he needs me most.

Soon, he reaches the latched closed door and knocks hard, saying, "Lando? Are you in there?"

There's a few moments of silence, and for a moment Oscar's nerves tell him that Lando isn't even here, and that he ignored that fan for no reason at all, until those thoughts are interrupted with Lando responding with a heavy sigh in his voice, "Osc? You can come in."

Oscar sighs with a certain amount of relief before gently opening the door and letting it shut behind him.

Lando is standing, not facing Oscar, on his phone, texting. Head down.

"How're you-"

"Texting Y/n."

Oscar nods, slowly walking up behind him. He gently rests a hand on Lando's shoulder, and says softer, "What's she saying?"

"Everything she has to in order to try and make me feel less like shit."

"Is it working?"

Lando turns, looking over his shoulder back at Oscar with a wry smile, saying, "Not at all. Max is a fucking-"

"Cheater, aggressive driver, idiot, bad sportsman. I know that's everything you're going to say. You just need to blow off some steam, hm?"

Lando snorts, shutting off his phone, hanging his head. "I've had an hour and a half to do that since the race."

"It takes a while," Oscar says simply, giving his shoulder a squeeze.

Lando sighs, nodding. "I know... I guess I'm not even really that mad anymore. Just disappointed. And frustrated."

Oscar nods, glancing away, beginning to slip his hand off Lando's shoulder.

But Lando reaches back, slipping his hand over Oscar's to keep it there, dragging his other hand over his face with a heavy sigh

It's then that Oscar suddenly feels compelled to do something he never thought he would.

Yet he gives in, simply because it feels like exactly the right thing to do in the moment. So he wraps both arms around Lando from behind, pulling him towards himself, letting his nose and lips press against his neck, next to Lando's ear.

Lando sighs in something like contentment.

And Oscar feels himself smiling softly, before it quickly fades off, and he whispers gently in Lando's neck, "You're a good driver. You would've won that race. But I also know that means you'll be able to win the next one, hm?"

Lando nods, sighing. "You're right. I know you're right."

Oscar nods, murmuring, "But you have every right to be upset. And I'll be with you during that working through it as long as you want me to be."

Lando feels an unexpected smile begin to creep up on his face as he mutters, "I want you here with me every single moment you want to be here, Oscar."

"Yeah? It's funny how I've started to like to be with you more."

"I guess that's just my natural charm, hm?" Lando says softly, his smile growing.

Oscar can almost not believe how he naturally chuckles at that and responds softly, "I don't know about that..."

Lando is full on grinning now. That handsome, big, sunny smile of his. "Just ask Y/n about it. She'll tell you all about my charm."

"Hah," Oscar says sarcastically, but for some reason, instead of coldness, like that comment might used to have filled his chest with, he feels an undeniable, affectionate warmth fill his body.

A feeling that he seems to like a lot more.

He just re-wraps his arms around Lando and responds softly, "I'm sure Y/n would tell you all about my charm, too, Lando."

Lando smirks, glancing back at Oscar, meeting the Australian's milk chocolate eyes. "But you don't have to ask Y/n to hear about how charming you are, Oscar. I could talk about that all night." Lando's honestly not sure where all this bravery on his part is coming from, but he's honestly glad for it. Since it seems to be going down well.

Oscar's eyebrows raise as his light complexion becomes slightly flushed. "Hm. You could?"

"Oh yeah," Lando laughs a bit. A beautiful sound. Then the two remain in that peaceful silence, before Oscar lets his hands slip away from Lando gently.

Lando turns, taking the younger man's hand in his, looking earnestly into his eyes. "Hey. Congratulations on your P2, by the way. I was so caught up in my own shit, I completely forgot about your-"

"Don't worry," Oscar says, waving it off. "I don't mind. But thank you, anyway."

Lando grins, leaning in to kiss his cheek and saying simply, "No, thank you, Oscar. Look at the way you've managed to cheer me up like that, huh?"

Oscar smiles at that, his eyes fluttering shut for just a moment, perhaps in something like peace, or trust, for him to murmur, "Not sure how that happened..."

"Guess it's just that charm of yours we previously discussed, huh?"

And Oscar's eyes flutter open just in time to see Lando peck his lips.

And with Oscar's face fire hydrant red and Lando laughs filling the small room, I'll leave it up to the reader to go and imagine what could've happened next.

Oscar and Lando get out of the car, Lando holding some flowers and Oscar a grocery bag of goodies.

"You ready?" Lando says with a little smile, nodding to Oscar.

"Can't wait to see her, despite the poor state she must be in," Oscar says with a nod, and is about to start walking, when he suddenly stops and, with only a moment of hesitation beforehand, holds his hand out to Lando to take.

Lando looks at the hand, before looking up at Oscar again, taking his hand, with a little grin. He gives him a nod, before the two head off towards the house, hand-in-hand.

You're awakened in your feverish state by the ringing of the doorbell. You know you should get up and at least look to see who it is, but at the same time, who could it be? You're not expecting anyone. So you opt for the easier decision to just assume it's something unimportant like the mailman or something and leave it, letting yourself drift back into your feverish half-sleep.

But just as you're about to fully drift back off into slumber, it rings again. You sigh and stand up with an ornery groan, dragging your shaky legs to the window, to peek out of it, to see what on earth is so important.

But you stop as soon as you see them.

Your boys.

Lando holding flowers.

And what's more, they're holding each other's hands.

And they both look completely comfortable with it.

Really? Even Oscar?

He's not that good of an actor!

Soft smiles adorn both their handsome, perfect faces, shining like a charming prince and a shining knight.

Your foggy brain doesn't take the time to consider which is the prince and which is the knight, and you instead rush to the door right away, unlocking it and exclaiming, "Lan! Osc!" You stumble a bit dizzily as your weakened legs threaten to give out, but Lando's arm is there to steady you right away, keeping you from falling.

"Hey, Y/n," Oscar says gently, putting his arm on yours as Lando plants a quick kiss on your forehead, asking, "You okay?"

You sigh, nodding, and saying after the wave of vertigo subsides, "Just still a bit sick."

"No kidding. My God. Let's get you back inside and in your bed," Lando says gently, letting you use his arm to steady yourself as the three of you head inside and to your bedroom.

Once you're there and crawling back into bed, Lando hands Oscar the flowers and says, reaching in the shopping bag, "Got you some chicken noodle soup, Y/n. Want me to make you some?"

"Oh, God," you murmur, sinking back down against the pillow, "Yes, Lando, that'd be great."

He nods and leaves, going off to do that, leaving you with Oscar.

The first thing Oscar does is say, taking the blanket from the bottom of the bed, "Want this on?"

You nod, sniffing up your stuffed up nose. He gently tucks you in, kisses your forehead right where Lando kissed it, and grabs a tissue for you, seemingly out of thin air.

If you weren't a bit feverish, maybe you would of just known he got it out of the shopping bag. But you kind of missed that detail.

"We got you flowers," Oscar says gently, sitting on the edge of the bed, next to you.

You smile softly, leaning up to smell the bouquet, saying weakly, "Aw... that's so lovely... You guys didn't have to."

He smiles softly. "We wanted to treat you. To show you how much we missed you this weekend." He brushes a strand of hair from your forehead, before frowning and murmuring, "You're really warm. Hey, I'll be right back, m'kay?"

You're not sure how long it takes, but in a bit, Oscar comes back to place a cool cloth on your forehead, and puts the flowers, now in a vase, next to you, on your nightstand.

"They're so pretty," you murmur softly, gratefulness to you warm in your voice.

Oscar smiles. "Pretty flowers for a pretty girl."

You smile softly, reaching to take his hand. "I like you like this."

"Like what?" his eyebrows raise.

"All soft. I like that."

He smiles. "Just taking care of you." He leans down and kisses your cheek, saying, "Can I get you anything? A drink? Water, tea?"

"Oh... I think I'm good. But thank you," you weakly smile.

He nods. "Are you comfortable? Do you want a fan, or another blanket, or anything?"

You shrug. "I dunno... Maybe a fan would be nice. There's a big one in the closet. Jus' put it on low."

He nods and immediately heads to do that. Once he's done, he goes straight to the windows, saying, "And the blinds? Are they good the way they are, or should I-"

"Oscar, Oscar," you say softly, giving a lazy wave of your hand. "None of that matter. Not really. I don't really care. Why don't you just stop worrying and running around and taking care of me and doing everything for just a moment and just come and be with me, huh? That's what I want for you to do the most. Just come be with me. Let's just talk, hm?"

Oscar blinks. "Oh. Of course." He nods, making his way across the room. As he settles down on the bed next to you, he says simply, "Sorry."

"Don't worry. I like it. You just need to give yourself a break, too. And I want to talk with you, Osc." You slip your hand in his.

He nods, and after a few seconds murmurs, "Maybe that's just what I want, too."

"See?" you smile softly up at him.

You sit together in silence for a bit, him gently rubbing your hand in his, before you finally think to ask, "So... How... How are things with you and Lando?"

"You noticed a change, didn't you, huh?"

"For the better. Unless I'm imagining. Or you suddenly became an amazing actor in one week."

He smiles, nodding. "Lando, he... I think we worked it out. I worked it out."

"Worked what out?"

"That I love you, and I might just love Lando, and that in order to love one, I've got to love the other."

You stare. "You... You and Lando?"

Oscar nods. "We talked. I think I can make this work now. Let this work. We can let this work."

You smile. "Hm. Really?" you look at him with fluttery eyes.

He shrugs, smiling softly. "I can't just care about myself. That's not what a relationship is about. Nor can I just care about you. Nor can I just care about Lando. It needs to be selfless, you know? We need to be there for each other."

You grin and murmur, "For some reason, Osc, I really wanna kiss you right now, but I'm sick. It's like you've just said what I've been dreaming for you to say for weeks now. Probably months."

He smiles, nodding. "I guess it was bound to happen. I just had some things to work through. And even though I don't even know how, and don't think he does, either, Lando helped me work through them, partially, too... Oh, and by the way, with the kiss thing?" he smiles, leaning down a bit closer, before murmuring, "I'm sure you won't get me sick. You're probably way past being contagious." And with that, he closes his eyes and leans in to kiss you gently.

It's then that Lando walks in and says with that cheeky smile of his, "Hey, lovebirds, can I get in on this? When's it my turn?"

You pull away from Oscar and tease, "Oh, get back in the kitchen!"

"Jeez! I guess I'll just eat your soup, then, if you're going to be like that!"

"Wait! No!" you say, reaching your arms out for the tray in his arms.

He chuckles, placing it in your lap, and says, slipping on the bed next to you, on the opposite as Oscar, "Did you really think I would eat your food?"

"You might..."

He grins. "I might."

"Hey!" you giggle, rolling your eyes.

Lando lays down next to you as Oscar says, "My goodness, Y/n, you're so peppy as soon as Lando enters the room. You were acting so sick before, just a few minutes ago!"

You grin, looking him over with a shrug, "I guess I liked the way you were treating me so softly and delicately. I didn't want you to stop feeling like you had to take care of me. Now, come on. You lay down next to me, too, won't you?"

Oscar smiles and does so, murmuring, "I guess I can't say no, huh?"

You smile, contented, shutting your eyes as you feel the warmth from both of them, on each of your sides, envelop you. "I guess not."

As you eat your soup, your boys snuggle up to you, their arms wrapping around you, and the three of you talk. Mostly about Austria, and then about he upcoming British Grand Prix in less than a week now, which you're sure you'll be healed up enough for, especially since getting there doesn't require any planes or airports. Sometimes, that can be the worst part of travelling to Grand Prixs far away.

Soon, though, you finish your soup, and sink back down into the pillows, letting the tiredness seize your body once more. As you begin to drift off, the last thing you whisper is, "I love you guys..."

On each side, you feel each of their lips gently kiss your cheeks, but you don't stay awake long enough to hear how they respond to that.

Here you are, with your two McLaren boys.

Sure, there'll be rough spots. Lots of them. Something like this doesn't promise to be easy.

But sometimes, the harder path is the better one in the end.

And right now, in this simple moment, it feels perfectly worth it.

Well, maybe perfectly imperfect.

But would you really want it any other way?

This simple feeling...

[burningcheese-merchant]

yandere cheese drabbles? 🤲

Merry Crimmus to you all, my gift is more Accidental Yandere Golden Cheese things today

Can't think of a story title atm, buuutttttt here is a story nevertheless 😘

Tucked under a cut because this AU is still fucked lol

"I hate you."

How long has it been since she wrote that? How long ago did she take her seat beside her desk, pull out this paper, and bring her pen to it, only for nothing but those three words to bleed out of the ink?

Sucking in a sharp breath and steeling herself, Golden Cheese at last forced her hand to move again.

"I hate you. I loathe you. You are a sick, miserable, disgusting monster. It is only by the grace of the gods that you still live, and this world shall be a brighter, happier place when you no longer do."

There. That was one thought out of the way. Given life in the waking world. Now she just needed to keep going.

"Why are you doing this? Why do you torment me this way? What have I done to deserve it?"

She paused, briefly considering adding "If you utter even a single word about the Soul Jam, I'll rip yours out of your chest and grind it into a fine powder", but decided against it and continued.

"How can you inflict such untold suffering onto others? Onto complete strangers? How many lives have you ended? How many families have you torn apart? How many hopes and dreams have you cleaved in two with that axe? And for what? For me? When I never asked or wanted you to? What in cheese's name is wrong with you?"

She stopped again, peeking over her shoulder at the shelf by her bed - the one hiding the locked metal door, leading to... her collection. A shiver crept up her spine when she realized that the shelf was slightly ajar; she hadn't taken good enough care to close it all the way after leaving earlier that day...

"And on top of it all, you burden me with these... with these so-called gifts," she wrote when she turned back to face her little work-in-progress. "These tokens of... what? Your affection? You call this affection? You think handing a woman the blood and viscera of your hapless victims is how you win her heart? What parasite burrowed into your brain and took control of your senses to make you think this way?

"You sicken me, Burning Spice. Well and truly. You are selfish, wicked and unfathomably cruel. You are a blight on all mankind. You are hardly a step above a rabid animal. I should have put you down and spared us all of this chaos ages ago."

She stopped and set the pen down. Her eyes bore into the last sentence she wrote, unblinking. Dragging along each word, back and forth, over and over again for what may as well have been an eternity.

She should have killed him already. He should be long dead. She should have saved the world as well as herself by now.

But...

... Shaking her head, she moved the letter aside and grabbed another piece of paper. That train of thought is done. Time for another one.

"You curse me, Burning Spice. Not only with your presence, not only with your words, not only with your heinous actions... You curse me with the aftermath of it all, as well. I alone am burdened with the end results of all of your lovesick rampages. I have a closet full of severed heads because of you! Innocent men and women who have been denied their lives and their dignity to satisfy your sick infatuation with me! I struggle each and every day to find their names and identities so I may return them to their loved ones, in an act of penance on both of our parts, because I am as much of a sinner as you for even having them!!!"

She always had blood to wipe off of her hands every time she went into that room. That precious ichor, now cold and sticky, staining her delicate, flawless skin as she carefully tended to the new additions and tidied up the old ones. Every single time.

Not a single head ever left that room. She did all the work of uncovering who these poor, unfortunate souls were, and then... left it at that. Left those souls trapped in limbo. In that cold closet, behind that cold metal door. Never to see the light of day again.

Every visit inside that little den of sin only made the excuses she comforted herself with grow weaker and weaker.

"I don't understand you. I have tried, and tried, and tried with all of my might, to no avail whatsoever. Why? Why are you doing this? Why are you like this? What do you stand to gain? Is this really how you wanted to live your miserable life?"

Wait.

... Who was she writing this to?

She shook her head again - harder this time - and set the letter aside, on top of the first. No more. Next thought.

"I hardly sleep anymore. I'm haunted by the things you do. The things I do. The things I DON'T do. Why have you done this to me? Why won't you stop?"

... No. No more. Into the pile. Next thought.

"You-" Her hand was starting to tremble, smudging the ink. Another deep breath and an attempt to still herself kept her moving along. "You don't hurt children. You listen to me only this one time, for this one instance. How kind of you. How sweet. How thoughtful. Why you do it, I don't know; all life seems the same to you. Just a sea of useless little flesh automatons for you to toy with and crush as you see fit. Why do you obey the line I draw? Why does it matter? Is this the one shred of conscience that yet remains within the black hole your soul resides in?"

No more. She can't think of children. It didn't matter that Burning Spice listened to her and didn't harm them; the mere possibility was too much. Too horrible. Next thought.

"You drive me mad. You never leave my mind. Front, back, the spaces between. You consume my thoughts. Your image has been engraved into the insides of my eyelids. I even DREAM of you now, so oppressive is the hold you have over me. I can't bear it. The guilt. The shame. You curse me."

Next.

"It's a waste. You're a waste. Your entire life is a waste. You could've been someone worthwhile. Someone who made this world more bearable. You have the power, you have the means. Yet you always choose yourself. You were a hero once upon a time, there's no reason you cannot be one again. What a waste."

Next.

"Or were you not? You were never truly a hero, were you? You did it for the praise. For the gold and jewels. For the scores of people chanting your name, building statues in your honor. Selfishness. Arrogance. You're a thief. A coward. A fool."

Who- no, who is this? Who is this for, again?

"I hate you. I HATE YOU. I WANT TO KILL YOU. I WISH TO SEE THE LIGHT IN YOUR DEVIL'S EYES DIM AS I END YOUR WORTHLESS LIFE. YOU MEAN NOTHING TO ME. YOUR FEELINGS MEAN NOTHING. YOU ARE SICK! DERANGED! THE ONLY PERSON YOU EVER LOVED WAS YOURSELF, AND EVERY COURSE OF ACTION YOU TAKE ONLY SERVES TO PROVE IT MORE AND MORE!"

Her hands were trembling violently now. Ink splotches stained the pages. Deep, dark dots. Jagged streaks. Small, delicate fingerprints hovering above certain words.

"I want you."

Same as the very first letter, Golden Cheese stopped and stared down at the page with wide, unblinking eyes.

"I want you You're handsome. I think you're handsome. Devastatingly so."

A bead of sweat trickled down her temple.

"I want you You're handsome. I think you're handsome. Devastatingly so. Your voice shoots through my ears and drills into my skull each time you speak. I never want you to stop talking. Why do you ever stop talking?"

His voice. That deep baritone that went from silky smooth to hot and rough effortlessly. Did he do it just to get to her? To rile her up? Did he know what his voice did to her?

It was working.

"Did your eyes always look the way they do? Is the fire within them ever-burning? Were they taken from a demon and given to you the day you were born? Why do I still feel them raking over me, consuming me, even long after we've parted ways? Why do you always seek to set me ablaze?"

"It's a waste. Really. A waste. You're a good-looking man. You could've lived a normal life. You could've found a nice girl and-"

And? And? And what?

"You could've used that face and voice and those eyes of yours to charm someone and-"

And? Why can't she finish the thought? Why did her heart pound against her ribcage so hard it ached every time she tried?

"You you would you could have you could've been a normal reasonable good man and had a wife and children-"

She took the page and crumpled it, tossing it at the wall.

"I want you. I want your voice in my ears. I want your eyes devouring me. I want to hold your face in my hands. I want you to give me another one of those hellish grins of yours. I want to feel you sink your teeth into me. I want to taste your lips. I want to feel your tongue caress mine. I want to feel your hot breath in my mouth, on my skin. I want your hands on me. All over me. I want you to touch me. You've told me about all the things you want to do to me- do it. Do them. I'm sick of waiting and so are you. Why do you tease us both like this? Do it. Touch me. Taste me. Break my bones. Break my bed. Praise me, call me a goddess, worship me. Worship me like you have been all this time. Tell me you love me. Tell me you adore me. That you'll die without me. That you'll slaughter us all for my sake. Do it. DO IT. Praise me, touch me, kiss me, fuck me, just fuck me, Burning Spice, PLEASE-"

No. No, no, no. Not this. She can't say any of this. She can't. SHE CAN'T.

"YOU'RE MINE. YOU BELONG TO ME NOW. IS THIS NOT THE LEAST YOU OWE ME FOR WHAT YOU PUT ME THROUGH? YOU'RE MINE! MINE! YOUR TROPHIES ARE MINE! YOUR BODY IS MINE! YOUR HEART IS MINE! ALL MINE! DON'T YOU DARE EVEN CONSIDER DOING ANY OF THIS FOR ANYONE ELSE!"

"YOU'RE MINE"

"YOU'RE ALL MINE"

"I HATE YOU"

She slammed her fists down onto the desk with such force that cracks formed in their wake. Out of the chair, away from the desk, out of her bedroom she went. Rushing down the hall. All but throwing herself out the nearest door. Taking off into the sky with a quickness that made her wings ache.

So absorbed in her failed therapy session was she, that she never noticed that the eyes of the marble snake adorning the decorative tree Burning Spice had given her had been glowing the entire time. Nor did she know that he himself, that object of her ire and her sick affection, was lounging on his throne, watching her fall apart with that devil's grin she loved so much.

----------------

Hope this is good. I'm sorry to keep you all waiting. New installment in the Accidental Yandere AU, there shall be more soon. Happy Crimmus 🎄

[joudama]

And that’s that for Veilguard. Got all the achievements and got the four main possible endings (didn’t bother with the bad ending where you do none of the side quests, everyone dies, and you end up trapped in the Fade forever with Solas).

My four Rooks:

Female Shadow Dragon elf mage - saved Minrathous - romanced Harding - punched Solas in the face

Female Antivan Crow human rogue - saved Treviso - romanced Lucanis - tricked Solas into using the fake dagger

Male Grey Warden dwarf warrior (this was originally going be a Qunari, but I couldn’t get over the yassified look of all the qunari I tried to make and I gave up) - saved Treviso - romanced Davrin (meant to romance Bellara and lol welp, that didn’t happen) - big softie who sent Solas into the Fade with the Inquisitor

Male Mourn Watch elf mage - saved Minrathous - romanced Emmrich (meant to romance Bellara or Neve and lol welp, that didn’t happen) - told the Inquisitor she could do better and made Solas go off into the Fade alone.

My Mourn Watch one is probably going to be my “canon” run, since I liked it the best (that’s not saying much) of my runs. I went with a life leeching run for him, including using the unique items that made health potions/companion heals not work, and beefed up leeching. Literally the only time I died was when my controller ran out of juice in the middle of a dragon fight. The Elgar’nan fight was over so fast I was like, “Wait, is that it?” It was like the curb stomp fight in Inquisition with Corypheus before they let you have enemies scale up with you.

And now for my thoughts. And oh boy, do I have a lot of them. Hoo.

I have…so many issues with this game. It is a very good…whatever the gaming equivalent of a popcorn flick is. It’s great if you go in with your brain turned off and enjoy all the shiny. But that’s not what I want in a Dragon Age game. I’ve been replaying DA2 - the game that DATV is basically trying to channel - while playing these, and the difference in writing quality and intricacy of plot and world building could not be more sharp. The first time I played DATV, I thought it was fine. Almost aggressively fine. I had fun with streaming the game and seeing where it went. I loved the reveals with the wolf statues. I had some major issues with the writing being as subtle as a brick to the face at times (more on my thoughts about the dialogue LATER, because oh boy), but it was serviceable. And I genuinely thought Veilguard had been robbed by not being nominated for Art Direction at the Game Awards, because say what you will, the areas are fucking gorgeous. But, even then, I was like, “Yeah, this would not have deserved a GOTY nomination had it gotten one,” and placed it at a 7 or 8 out of 10. A good enough, enjoyable game that ran well, but was not by any means GOTY material.

Then I made the mistake of playing it again, and the cracks began to show. By the time I hit the middle of Act 2 of my third run, I was just so done. I hated every time certain companions had anything to say at all. I hated that you couldn’t call people out for being a jerk but had to be the supportive nursery school teacher at all times to them. And for the first time playing any BioWare game at all, I found myself wishing I could either not recruit certain people or kick them out of camp. The cracks were beyond showing at that point, and I no longer thought the writing was even “serviceable.” Things that hadn’t seemed so bad on that first popcorn flick run suddenly became a problem - not being able to actually talk to your companions to get to know them went from “it feels more natural to have them saying this stuff while out in the field” to “what is even the point of going around the Lighthouse if all it gets me is a line spoken at me or overhearing bits of them having ACTUAL conversations?” It legitimately hurt replayability. I missed being able to actually talk to my companions, and I realized I cared more about Manfred and Assan than most of my companions because Manfred and Assan actually seemed to like interacting with me. I will take Manfred’s rock-paper-scissors game over a “hey Rook” and dead-eyed stare.

By the time I hit late act 2, I couldn’t wait for it to be over so I could delete the damn game off my hard drive…only for the last achievement I had yet to get to NOT pop when I finished the game. I looked it up and discovered it wasn’t set by triggering a certain end state, but was tied to picking some flowers in Act 2, and wanted to cry. I don’t usually 100% games, especially if I feel like some of the achievements are bullshit I don’t want to do (‘sup, MELE needing you to do some Armax Arena Spectre-level fight - I would sooner chew off my own arm than do that, as anyone who watched me stream Veilguard would have guessed watching me kvetching the whole time I was doing that Hall of Valor shit), but that was just frustrating. I decided to try to get it on a fresh run as a Mourn Watcher, since I’d heard that was one of the surprisingly good faction backgrounds, and that was a good choice. Mourn Watch became my favorite faction, when it had been Shadow Dragons until then. It added so much to a lot more conversations than I would have thought, and made it so I actually enjoyed the sadly few times you get to actually have conversations instead of eavesdropping/being talked at. I’m glad I decided to slog through one more time for that achievement, because if I’d ended it on that third run, I know I would have never played it again. It turned back into a popcorn movie again, aided by me knowing when to put on a YouTube video and watch or scroll through Bluesky instead of listening to a certain character be the fucking worst. If I ever play again, it’ll be a Mourn Watcher (I already know the Veil Jumpers and Lords of Fortune are considered, shall we say, lackluster background factions.)

Which brings me to some of the big, fundamental problems this game had.

This is not a CRPG. It’s just not. It’s an action RPG now, with the focus on “action” not “RPG.” It’s part of the whole Mass Effect-ification of Dragon Age. And I say this as a huge Mass Effect fan:

Dragon Age should not be like Mass Effect. And vice versa.

When Andromeda came out, they decided to ditch the Paragon/Renegade system, and instead went for DAI-style emotion-based options. Which seems great! More speech choices to make a more nuanced Ryder instead of picking up or down! Great! Only no! A lot of people hated it because it didn’t feel like Mass Effect. They had taken away something that had seemed like a major part of how you roll played in the series, and replaced it something very different. It was the first time they took a mechanic from one game and ported it into another, and it didn’t really go over well with a lot of ME fans because it didn’t feel like a Mass Effect mechanic.

And now with Veilguard, they basically made a Mass Effect game with a Dragon Age skin on it. And it just doesn’t work.

Combat: They copied the combat wheel from Mass Effect, but did it kind of badly. I honestly hated it because I tried to play like I do in Mass Effect - pull it up, use it to look around and get a handle on my environment, then pick an enemy or a safe space to bolt to - and the camera snapping the enemies meant I couldn’t. It drove me crazy because it was like the Mass Effect wheel but fundamentally not, and the camera drove me mad because I’d pull it up trying to find where the nearest blight boil was, and it would snap on enemies instead of just letting me look. It’s like they wanted to get rid of every little bit of tactical game play and replace with smashy smashy bang bang instead. Don’t think, don’t plan, just attack…which fits in with the popcorn flick-ness of DATV. Don’t think, just do. Turn your brain off and look at the particle effects.

Another Mass Effect-ification with regards to combat is dropping from taking 3 companions to 2. Which you need to do to have that Mass Effect style combat wheel, and the Mass Effect 3/Andromeda style primer/detonation style interaction of companion powers. It was very satisfying, but not very Dragon Age-y, and requires throwing out some of that DA lore to make it work, because now everyone uses magic-based abilities even if they aren’t mages. Assan attacks deal fire damage. You can spec a warrior who calls up a giant lightning hammer to twirl around, and…how? That’s not enchantment, that’s plain ol’ magic, and how?! Warriors didn’t deal magic-based attacks uncles their weapons where enchanted before, but now, everyone is just tossing magic attacks at everything. That’s not how the world of Thedas has worked until now, but you can’t have those flashy explosions or particle effects otherwise, so shhh, turn off your brain and don’t think, shhh. Look at the screen light up and the pretty lights. It worked in Mass Effect because they had already set up tech and biotic attacks, but there’s no way to make hitting something hard with a sword cause it to blow up and damage all the other baddies around them, so now everyone has magic. OK.

As an aside, it was also a really bad idea of get rid of how aggro worked. Dragon Age had always worked by warriors drawing aggro because they had the heavier armor (or could use taunt on enemies targeting squishy mages or rogues). Rogues had lower aggro because they had lighter armor, and could sneak. Mages had even lower aggro because they had the lightest armor and were distance fighters. DATV threw that out the window, and Rook draws all aggro because they are the only ones with a health bar. Your squad is immortal in fights, which means there’s no reason for enemies to ever target them. Which means god help you early game when mages and rogues have no real skills yet. Enjoy dodging while your companions hit the enemies with what seems like attacks as powerful as spitballs. It also means that there are times what the game tells you and the fight you just seem are completely at odds. Remember that fight with the Wrath of the Stone in Harding’s companion quest? That thing is on your ass the entire time, but then at the end of it, Rook says something along the lines of “It really hates Harding,” and…are you gaslighting me, game? That thing ignored Harding the whole damn time in favor of trying to stomp me like a cockroach. Harding did not exist to it during my fight. It had a hate boner for Rook and Rook alone, no matter what the game tried to insist on after.

Now, imagine how that would have felt if Harding actually could have been killed/knocked out during the fight, and it was only going after her? What if you couldn’t damage it if it took her down, so you had to make sure she stayed alive? Imagine how different that fight would have hit then? But no, that would mean the devs have to think about how to rez characters and how healing would work, and would mean players have to be tactical, and shh, no, no more of that, no thinking, just dodge and hit things and look at the particle effects. Shh. Have some more popcorn.

Story: DATV wants so badly to be ME2. It wants to recall the big suicide mission where you have to have everyone ready or you’ll all die. But you can’t copy what you did before and get the same flowers and results. You just can’t. You can try, and all you’ll get is diminishing returns. They tried to do the big cosmic horror of ME1, complete with a Virmire choice, then have the big final stakes of ME2, and no. You can’t follow a template and get the same greatness. That’s not how it works.

And speaking of following templates…

Romances: The romances in Veilguard are just dismal. And I think it’s because they decided to follow the Mass Effect pacing formula instead of the Dragon Age one.

Dragon Age: You start flirting in Act 1. You usually flirt with everyone because hey, why not? Some time in Act 2, things start getting serious, and you have to settle on who you want to go for. Things start to get serious, you get together, and then you get happy fun adult time with your new LI. You get the option to break it off or commit to them fully. By Act 3, you’re in a committed relationship. People comment about it. You can go to them and spend time with them - nothing major, maybe just a kiss. There might also be a special scene that’s just with them and unique to the romance. And by the end, after the lengthy amount of time that’s passed, you are Together.

Mass Effect: You start flirting in Act 1. You usually flirt with everyone because hey, why not? In Act 2, you keep on flirting with everyone. By the end, you might have to make a choice if you’re flirting too hard with everyone and the two LI options tell you to pick someone already, but you’re just picking who you’re interested in. Early in Act 3, there might be an almost kiss, but it’s mostly just the occasional anticipation of eventually boning and nothing really happens until right before the final big fight, when your LI shows up to your cabin for “oh shit, we might die in a few hours, so let’s go out with a high note” happy fun adult time. The only time you get that “committed relationship” vibes is in ME3 if you’re romanced the same character for at least one other game, and you choose to continue the relationship.

The Mass Effect pacing works in the Mass Effect trilogy because each game is only 20-40 hours long. Veilguard is a good 80 hours long. That means using that same amount of romance you use in ME is going to mean you’ve got too little butter to spread over too much bread. It’s why you have a good start for the romances in Act 1, then act 2 is a such a desert of nothing after you commit that I genuinely wondered if I’d hit the wrong option at said no at several points during the very long third act. There’s not just enough content for that long of an Act 2. Near the end everyone starts commenting on you being with them, but it’s not actually happening in the game. There’s no flirting, there are no extra scenes, and even the scene when you commit to them is based on a scene that happens with everyone, just with a romance option tacked on. The only person (of the ones I romanced, so I can’t speak to the others) who really get unique scenes was Emmerich. He actually takes you out on a unique date. It helped a lot to make Emmerich’s romance feel more fleshed out than the others. And Davrin had so many little jaunts out in the woods that those turned into romantic trips out, which added a lot to his. But Lucanis’ and Hardings? With both of them, like I said before, I genuinely wondered if I had accidentally opted out. Their romances most used the Mass Effect format, and it just doesn’t work for a game this long. BioWare knew that once, long ago, because Andromeda did not use the ME trilogy format for romances and was closer to one they used in DA. But DATV is trying to be ME2, so they used ME2’s very thin romances as a guide.

And we can all see how well that turned out.

The Executors: Fuck me, they feel like Cerberus reskinned, and I absolutely hated when Mass Effect shifted from sci-fi/Lovecraftian horror to space opera with Cerberus as the main bad guys you have to fight with the Reapers functionally falling to the background. The Executors are a secret, shadowy organization pulling strings from behind the scenes like the Shadow Broker codexes in ME2 retconned Cerberus into having been doing in ME. Ugh.

The Andromeda-ification of dialogue: Remember Peebee? Remember how she talked? Give her long hair and pointy ears, and she’s Bellara. Down even to the techno-babble. It’s like they’re trying to change magic to just “sufficiently advanced technology.” Everyone speaks in that modern, quippy style that was annoying in a game set hundreds of years in the future because it felt dated by the time the game came out (Ryder makes a Frozen joke, y’all). And it feels completely out of place in a game set in an early modern setting (I don’t think DA is medieval, honestly - it’s more a pre-industrialization/early scientific revoltution setting, so more 1500-1700s, and I’m gonna stop now). It was jarring. You can only let one quirky character break the rules about how people talk (Alistair in DAO, Varric in DA2, Cole in DAI) but when everyone does, it’s jarring. You can be anachronistic, but you have to know what you’re doing and how to do it when you do, and I’m sorry, but the current crop of BioWare writers don’t. They wrote the dialogue like it was a modern day YA novel, not a Dragon Age game. It would have been fine for a modern day urban fantasy game. It was not fine for a DA game set in the same time period as people using the four humours for “modern” medicine (remember the surgeon in DAI? Talked about the four humours? Yeah.)

OK, I did not intend to go on for this long, and I haven’t even gotten to what the game did to how religion is handled or the sociopolitical aspects of Thedas, and how they threw out so much that made Dragon Age unique in their urge to do a soft reboot, so I’m just going to end it here. I wanted to love this game, and I can only do that if I turn my brain off, and that’s not what Dragon Age should be.

[rapidhighway]

[lunar-wandering]

remembering that im gonna have to get my wisdom teeth taken out sometime next year and experiencing all 5 stages of panic

[maybeicanbesaved]

got into yet another fight with my mom, again about voting/the election, she said that she’s only voted once in her life and never cares to again because she ‘doesn’t care about politics’, saying that shit almost proudly?? and it set me off for obvious reasons, then she got mad at me for saying it’s because she’s privileged and ‘most’ shit doesn’t affect her directly so she can afford ‘not to care’

[catastrxblues]

—

[ankhisms]

can i be emotionally vulnerable with you all in the torture dungeon

[seafoam-taide]

You know I thought for awhile that I was just a rare type of person who sure, liked people well enough but was okay being alone didn't necessarily need anyone and NO. NO. NO. OH MY GOD . YOU GIANT DUMBASS. NO HAHAHA NOOO NOPE

[oh-cramity-its-amity]

its so weird to read some of my old fics (do NOT do it but i'm just being hypothetical rn) and reading it. like who even was this person?? i completely was in a haze back in 2020. i literally was posting 3 chapters a day. A DAY. what in the WORLD was that shit.

anyway i remembered some STUPID sappy shit and i didnt remember if i'd put it into a fic or not BUT I FOUND IT.

She and Hope had been dating in secret for months anyway, and any attempt to go talk to Ryan only filed her disposition of displeasure upon knowing that she couldn’t tell anyone, Molly especially, it destroyed herself mentally. They couldn’t really go anywhere near the school, always having to lie to everyone about having projects together when Molly wasn’t around them. It’d consisted with 9 PM - 2 AM intervals of being able to actually see each other. Hope would sneak through her small bedroom window with a portable record player and whatever she had gotten from the vintage record store downtown, and Amy would always fall asleep around eleven because of her internal clock. She would always wake up to find a single sticky note stuck on the edge of her desk whenever she woke up to her alarm the next morning. One of them, Amy still had tucked inside of her phone case, a heavily detailed human heart, with blue and red ink sketched onto a neon pink sticky note, there was a caption that headed the small paper reading the phrase over every now and again makes her almost melt every time. “You have my heart.”

yeah idk why the fuck but i thought of this fucking idea again today and i was like "omg did i ever put that heart note thing in a fic???" yeah you fucking did.

all that to say ME AND WHO???? imagine. thats so fucking.... RAHHHH.

[bbeelzemon]

sometime this past year i had the experience of uh experiencing [something trivial i dont even remember at this point], and then felt in real time as my brain changed the memory right in front of me. like i Knew that my memory was now incorrect, but i couldnt remember what Actually happened. and i think that moment is the first time i ever truly started to realize that my memory in particular is not infallible and that brains change your memory of things and events all the time, especially over several years

[birdblues]

tw for sexual//assault in the notes

[gibbearish]

like theres not a lot of games im REALLY good at so when there are ones i latch on super hard. and boy have i latched on to this one

[continuousmeowing]

I fell asleep on the couch and had a dream that kind of freaked me out

[biolums]

its one thing getting jealous. its another thing to be fljealous of someone who wore boot cut jeans unironically..

[genderfluid-druid]

Hmm.