#real sauce

[fieriframes]

[THIS HERE IS HOMEMADE BARBEQUE SAUCE. AT SOUTH TEXAS, YOU GOTTA HAVE REAL SAUCE. THE SAUCE IS EXCELLENT. IT'S REALLY GOOD. AND COMPLETELY UNIQUE. IT STARTS WITH CARAMELIZED ONIONS IN BACON FAT, COOKS DOWN FOR AN HOUR AND A HALF.]

[dozydawn]

[c01a]

ANXIETY BE DAMNED MY BOCCHI CAN WORK A GRILL

[bizzyboys]

Hello Jade Harley fandom

[whim-prone-pirate]

hey guys what do you do when you dream about a girl who doesn't exist. you meet her, she lives in your building, you and your other friend start to get to know her. your friend is kind of a dick, but that's just how he is. as you get closer with this girl, you start to convince yourself that you like her—you don't. you think she's gorgeous and you think you're supposed to fall in love with her, but you haven't. and in your efforts to love her, you do something that hurts her, your friend egging you on, trying to get you to go further, double down, and the girl pulls away from you. she doesn't look at you like she used to. she won't stand close to you and her new boundaries are clear—she needs you to keep your distance and you're not going to be able to fix this completely, not ever. and you understand that, and you're a kind person, so you are as respectful towards her as you know how. again, your friend is a dick about the whole thing, which doesn't make you feel better at all. maybe you shouldn't feel better. because you started it. you told yourself you were going to love her and you didn't and you did it wrong. and now that you've fucked it up for good, you feel yourself starting to look at her differently than you did before, just like she's doing now. but you're looking at her with shyness and gentleness and from six feet away, shrinking into yourself with a tiny glint of light in your eyes, while she stands stoic and tall, her eyebrows tensed and her mouth flat as you fumble your way through an attempt at aftermath-themed small talk, her responses short and clipped and knowing. she knows what's happened to you. she knows why you're looking at her like that. and she knows that you know that you lost your chance and you're not getting the same chance back and definitely not in the same way. and when she asks you for a small favor or wishes you well, you skip away, your voice soft and light and far too gentle, so fucking gentle, and you know that she hates you a little bit. and you know that now, only after, you love her a little bit. and then you wake up. what do you do then?

[drchucktingle]

please enjoy brand new tingler THIS SENTIENT HOT SAUCE DESTROYS MY ASS IN A GOOD WAY out now on amazon and true buckaroo tier patreon

[sporkberries]

True Loves Kiss ( when kissing the messiah/the anti-christ please be cautious. though it may draw you out of the lonely it could also lead to severe facial scarring, but hey, you score either way!)

[jaymang0]

[turnaboutfix]

Oh yes of course!!!

I meant specifically like her very early concept art (blue haired) and like, one of the first ones where she has short hair (but still with those 2 loose locks at the front)? I hope you know which one I'm talking about lolol

BUT if you wanna speak your thoughts on like. All of them. I want to hear 👂❓️

( @ellivcca asked what I thought about Maya's concept art and I replied in priv if they could be more specific)

Let's talk about Maya's designs! ✨

I will skip the blue-haired art for now, since I have more to say about her other early designs. They're in a few Japanese AA Guidebooks, but "逆転裁判2 真相解明マニュアル", or "Gyakuten Saiban 2: Fact-Finding Manual" has the most in one place. There are blurbs that discuss the designs, and I'll do my best to summarize them. My Japanese isn't amazing and I had to mostly rely on machine translation + cross referencing dictionaries, so it's possible I may be inaccurate. Also, I'm a novice at Japanese culture, so if I'm misrepresenting anything please bring this to my attention and I'll correct things accordingly!

The book acknowledges that Maya was intended to be of high-school age, hence the the sailor suit artwork. They seem to suggest that the loose socks was a hint at Maya's spunky personality.

When they began to explore her as a spirit medium (1), they wanted her to come from a wealthy, noble family. It looks like a lot of these explorations made it to Franziska's design, with some of the shapes of the shoulders and the jabot-looking neck wear, which is interesting!

As they kept exploring in the second round of sketches (2), they stressed traditional/folk dress as being an important part of her design. They noted they had her carrying something on her back at the time, which I think hints more to her "folksy" feel.

The beaded necklace she's wearing in (2) are drawn from Mala bead necklaces, which are prayer beads rooted in Hinduism and Buddhism and are said to help focus the mind during meditation. They seem present in a lot of spiritual figures in Japan.

Later (3), they explicitly comment drawing inspiration from the Matagi, a group of hunting clans in the northern Japanese mountains (be careful looking them up, they do bear hunting and there's a lot of explicit imagery, even on the wikipedia).

They comment on that this version of her early character might be very athletic. She also seems to be more stoic in these explorations.

Then, for (4) and (5), they evolved the design to make it look appear more feminine, giving her long hair, but making a note that her look isn't typical of modern people. The large orbs in (3), (4) and (5) I think are supposed be drawn from "Yuigesa"(結袈裟), or harnesses decorated with pom-poms worn by Shugendō practitioners, hermits who live in the mountains and practice asceticism.

Then in (6), they added the magatama and committed to her having black hair. They note shortening the hem of her costume from design (5).

The magatama addition is pretty significant! Magatama necklaces are used by noro priestesses of the Ryukyu Kingdom from the islands in the very south of Japan.

Their religion broadly speaking, involves ancestor worship and the relationships between the living and dead, gods and spirits. It seems to me like the culture in Kurain Village draws a lot from the Ryukyuan people--and you can even see this with the beads along with the magatamas.

But there seems to be a lot of generic imagery of Spirit Mediums that I've been able to find in Japanese media which have shared elements of design in Maya's final design. The most interesting of these to me is "ほんとにあった!霊媒先生", or "It Really Happened! Spirit Medium Teacher". The design similarities are striking (and make me wonder if Maya was an inspiration?)

So, to summarize it all up, it seems like the early designers (and there were only two! Kumiko Suekane and Tatsuro Iwamoto) wanted a character who was different, folksy, feminine and spunky that displayed unique spiritual power to aid in the narrative/game mechanics of the games, and they explored the different facets of their own culture--from the northern Matagi clans to the southern Ryukyuan people--Japanese iconography, and tastes into Maya's final design.

And I think that's Real Neat. :)

Thoughts about other designs (Blue-Haired/SoJ Maya) under the cut cuz oh my gosh this post is already huge.

Blue haired Maya!

What's interesting to me is that a lot of the design language on this early Maya art seems to have been carried over to Ema's design (glasses, boots, coat/skirt). She also has similar vibes to Lynne from Ghost Trick.

I definitely enjoy Maya's final design a lot better, but I like the triadic color harmony and spunk here!

And then her design update in Spirit of Justice! These concepts are from "逆転裁判6 公式ビジュアルブック", or "Gyakuten Saiban 6: Official Visual Book". :)

Takuro Fuse (the character designer) comments that he never drew Maya before when he took a stab at updating her, so he wanted to get that down first before tackling the designs. He wondered how she would change over the course of 11 years, and first experimented with a design, thinking about how Mia would look like as a spirit medium. He thought it would be interesting if Phoenix wouldn't be able to tell if Maya channeled Mia. (Me too tbh.)

I feel like this design has a bit too much going on, but I do like the longer cream colored sleeves!

Takuro talks more about how he was exploring all sorts of designs before landing on something more simple. He wanted her to have what he called a "traveling costume" and was very fond of the hat. These designs seem to pull from similar places I've discussed with Maya's early designs, as well as Japanese pilgrims.

As fun as the additions and changes to her design are, I think it was very smart to just add subtle changes: the longer robes, jacket, and the additional beads to her necklace. The shawl is a nice touch, too. This reflects how post-7yg Phoenix and Edgeworth also have subtle changes to their designs as well, which I love and I think were very smart moves from a design-perspective as well as personal taste. Their designs are very iconic and I think it was a service to maintain that iconography.

This was a very fun thing to explore! Thank you kindly @ellivcca for the ask!

[eskildit]

i think a lot about hot sauce and jeannemary. two young girls so ready to kill and to die. a comparison made all the worse when you recall that hot sauce lost all her family to the cohort, that she can specifically recall fourth style necromancy (using corpses as bombs). a fourteen and thirteen year old that could easily have been on opposite sides of the same front line. 

[lolathepeacocklord]

[kenchann]

🎉happy birthday vil! 🎉 👑🍤

[sauce-cat]

🌧️🔶

[chaystarz]

sorry i drew Gerard again so….

[poorly-drawn-mdzs]

Spice is the variety of life!

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[cheadarchesse]

Was stuck in a car for 2 hours, waiting, so I worked on embroidery. Trying to use this as a silver lining. Someone tell me how cool and brave I am for not spontaneously combusting.

Overall happy with this project. It's my first one with this much detail