#read as a kid

[thebookbin]

The Lightning Thief

Rick Riordan

Publisher: Disney Hyperion Genre: middle grade, fantasy Year: 2005

I distinctly remember buying my first copy of The Lightning Thief at the Scholastic Book Fair in third grade. It was 2005, mini erasers, scented pencils, and grippers were all the rage in elementary school. The cover looked a lot different then, all white with lemon-yellow Word Art for the title and an ugly lightning bolt across the cover with various monster from the book clawing out. I still have it. It's one of my prized possessions.

Reading this again as an adult is such a different experience, I almost regret it. There is so much nostalgia associated with this story. Honestly there's nothing I can say about it that hasn't been said before. All I can do is convey how I relate to this story.

The book is undeniably funny. I remembered that as a kid. It also reminds me how much I love chapter titles and they should come back, and not just for middle-grade. The plot moves extremely quickly, it's a little bit jarring to my adult 27 year-old brain. Then of course is the gut reaction of "I'm calling CPS on Chiron these are CHILDREN and you sent them across-country ALONE your camp counselor license has been REVOKED." Also my perspective on Poseidon has changed. Before I understood. He's a god. He's all-powerful. Now, I'm like "You don't want to be his dad? Too bad, I'm his dad now! We're going fishing!" Metaphysical powers do not excuse shitty parenting.

I'm excited to continue rereading this series because I expect I will relate to older-Percy a lot more. I remember that they do get a little more serious as they go on. But even in this one, the fact that Percy's mom was abused. And they literally had a conversation about murdering Percy's stepfather. I mean, luckily Sally didn't make him do it, but still. Also I remember Luke's betrayal being so dark and harsh, but on the other end, I think he's so lame for having a nemesis who is twelve years old when he's like 20. That's embarrassing, dude.

Other than that, I just want to reminisce. These books aren't for me anymore. I grew out of them. I will always cherish these books for the wonder they brought to Little Casey, but Old Casey can't quite suspend her disbelief to sink back into that world, and it makes me a a bit sad. I guess that's the nature of growing up. But I hope this story remains just as magical for all the new Little Caseys out there.

storygraph | bookshop.org | local houston

★★★★ nostalgic sarcastic tween stars

[justnoodlefishthings]

The way people demonize seagulls is actually unreal. Almost all of their natural habitat has been destroyed (almost all coastal areas have been developed, destroying natural sand dune ecosystems) and they're doing their best to adapt. They're literally just trying to survive. You're in their home. The vitriol some people have for these gorgeous sea birds just because they're not shy about snatching food if you're not cautious is insane

[glitter-stained]

Random goon: Hey boss, were you the one to pick that name as an alias? And why this one?

Red Hood : I used to have another name, before... A long time ago. But that person is dead now. I get to choose for myself now, they can't take that from me. I won't let them.

Goon: Huh.

***

Random Goon: Say boss, why do you never take off your shirt in front of us?

Red Hood: Well uh, I actually have that really fucked scar on my chest and I'm not comfortable with...

Random Goon: Don't worry boss, we get it, you don't have to explain yourself to us.

***

Red Hood, high on some toxin: God, I wish my family...

Random Goon (on boss-sitting duty): why not try reaching out to them?

Red Hood: They would never accept me as I am now... They wouldn't agree with my so-called "life choices". Besides, they don't miss me, they miss the person they think I used to be... I wasn't even a man when I last saw them.

Random Goon: Damn boss, that sucks.

***

And then the goons throw the Red Hood a party on trans visibility day and Jason is so confused he straight up cries.

[britishmuffin]

ATLA sketches because I'm deep into it atm 8)

★ patreon || website || twitter ★

[valtsv]

are we still doing this because i have a late submission

[larissa-the-scribe]

guys I had this realization the other day that Redwall works really well for reading aloud, and kinda half-remembered something about the author reading to kids? So I looked it up to see if I had made a connection.

And it turns out, yes, actually, because he read aloud to kids at a school for the blind. But all the books they gave him to read were depressing. So he wrote Redwall, a story about heroism and courage and making it through struggles, and filled it with so many sensory, visual details so he could give them something better and I just-- that's so wholesome-- help

[jq37]

You gotta hand it to Fig. All of the Bad Kids were given foils this season and they got to decide how much they wanted to engage with that part of the plot. Gorgug only interacted with Mary Ann in passing despite them both being on the Owlbears. Fabian noped out of chatting up Ivy once she crossed a line with Mazey. Riz was so busy that he truly had no time to engage with Kipperlilly even though she's obsessed with him. Kristen interacted a bit with Buddy but spent way more time verbally sparring with Kipperlilly. And Adaine was somewhat interested in Oisin but never overtly acted on it.

But Fig?

She's in Ruben's WALLS. She's in his DREAMS. She's faking her alter emo's death. She's got the Fantasy FBI after her. She's SO SO tiny. No one is doing it like Fig's doing it.

[clarisse-doodles]

inspired by this post, in which Damian does not know what Vine is

[raynewolferune]

DC x DP Prompt: Bruce is bad at emoting but at least ghosts are empathic (too bad bat kids are not)

Was reading Twincognito on AO3 when I stumbled across this gem again:

~

" “Danny, Tim. I was just…checking in. Is everything alright?” Curse his inability to make meaningful conversation when it wasn’t a life or death situation.

They glanced at each other and shrugged.

Then Danny hauled himself out of the bed and walked over to Bruce.

Bruce tried not to let too much excitement show on his face. "

~

Now I really want to read a story where Bruce adopts Danny post Meta trafficking and is being his usual emotionally constipated self. His kids keep getting mad at him because he's treating their new meta brother who was trafficked poorly (generally being stilted in conversation with him, walking away hurriedly mid-conversation, avoiding Danny when he's feeling really awkward, etc). They think Bruce is discriminating against Danny for being a civilian, meta, dealer's pick, but really it's just Bruce being horribly socially awkward. Danny knows this because of ghost empathy and find the whole thing hilarious. The whole thing comes to a head with the Bat Kids staging an intervention in the Bat Cave.

[esspurrr]

not a new observation by any means but it still blows my mind how whenever a natural disaster happens in a supposed Bad State every white gay city slicker will be cheering about it like its actual 4 year old morality. grow the fuck up

[crowkip]

ᯓ★

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[catmask]

sometimes while i think about that while a lot of adults did not treat me very well as a kid i also get a lot of 'in hindsight this person was so good to me and i didnt even realize it until now' as an adult. today i was thinking about how the first anime convention i ever went to was when i was 10 and i asked the man working the manga cafe what manga was/what a good place to start was (because the con was very overstimulating for me and i had gotten lost) and he asked how old i was before recommending yotsuba and asking if i wanted any water or something to eat. its really simple but theres a lot of bad things that couldve happened or he could've been careless in his recommendation, but instead yotsuba has remained one of my favorite manga for years, and probably a large portion of why i continue to read manga as an adult... i think adults who try to involve kids in the world safely/kindly even in little ways make so much more of a difference than they ever really know.

[arimiadev]

*non-vn gaming journalists constantly foaming at the mouth to assert how much they hate visual novels*

(this is for a review of tsukihime)

[walkerrenee]

sometimes i randomly remember how insane maggie stiefvater was for making ronan lynch—a man that can create reality—a man of god, when he himself is a god of a man. then to take this man and have him be not only in love with, but a literal soulmate of a man named adam. parrish. adam parrish. who, mind you, lives above ronan's very own place of worship. and is the namesake of the first of mankind that the bible says god made from the literal dust of the ground (adam parrish: comes from nothing, hair "dusty" in color) and appoints him to care for the garden of eden (adam parrish: sacrifices himself to ronan's sentient forest). then has adam viewing ronan as a god and ronan saying "maybe he dreamt (created)" adam???? like who just fucking writes that and goes about their life?

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.