#ray - reggie

[onscreenkisses]

How often, Betty, would you say you think about sex?

RIVERDALE: 7x09 - "Chapter One Hundred and Twenty Six: Betty & Veronica Double Digest"

[suttonstrackesdrinkingproblem]

What episode of Julie and The Phantoms is this?

[chickwiththepurpleguitar]

It just hit me that the boys all have graves somewhere... Do you think they've gone there? Has Julie? How do they feel about how and where they were buried?

sorry this took so long to respond to! I'm not sure if you meant it as a writing prompt or just a point of discussion.... but i wrote 2500 words on it anyway. Hope you enjoy!

Special thanks to @weneedglitter for her math and naming assistance :)

Send me prompts to help me reach my 2024 writing goal!

It’s sort of an accident, at the beginning. Reggie doesn’t mean to be looking.

He doesn’t really mean to be looking for anything, even if he sounded really suspicious and like he was a total lying liar face when he told Julie and the guys he was just “going for a stroll.” But honestly, it’s a coincidence more than anything that his stroll takes him to the bike rental place on the beachfront that used to be his house. And it’s a coincidence that the pimpled teen working the counter has that day’s mail laid out in front of him for all the world to see. And it’s a coincidence that in said pile of mail is a letter from Evergreen Cemetery addressed to “Archibald Peters or Current Resident.”

He doesn’t actually read the letter (his invisibility these days is spotty at best, and he doesn’t think committing felony mail theft would be much smarter of an idea than making an envelope float in mid-air anyway). He doesn’t know that the letter has anything more to say than “Hey you, know any dead people? Send ‘em our way!”

He doesn’t know it has anything to do with him.

But he goes home anyway— because home is Julie’s house, now— and slides Carlos’s laptop out of its super functional hiding place under his pillow, and looks up the address for Evergreen Cemetery.

And then he poofs into the kitchen and says, “Ray? Will you drive me somewhere?”

The car ride is quiet, mostly because Ray said, “You wanna tell me where we’re going?” when they got in the car, and Reggie said, “Mmhmm!” all high-pitched and obvious, and then never elaborated, and so trying to make other conversation seems rude. He just gives directions, and hums along to the radio, and Ray drives them to the cemetery where Reggie’s pre-ghost body may or may not be buried.

That’s the weirdest part of all of this. Not the mail theft or the bike shop or the idea that Reggie’s parents might have put him somewhere other than the Peters Family plot in Orange County where his grandparents and Great Aunt Barb are buried, but the fact that there is a body, very much dead and scientifically identifiable as his, lying under six feet of dirt somewhere.

He has a body. Now, currently, in most ways even an alive one. And yeah, he’s worked pretty damn hard to get this one, but it still feels really weird that there’s just another one… out there.

“Reggie?” Ray asks as he slows the car along the gravel driveway of the cemetery. “What…?”

He doesn’t finish his question, which is probably a good thing because Reggie’s not sure he has an answer. “Could you…?” he asks instead, staring down at his hands in his lap so he won’t have to look Ray in the eye. “Um. Would you maybe mind going in there and asking if… or, uh, where…” 

He trails off, unable to finish his own question either.

Ray makes a soft sound, somewhere between a hum and a sigh, and nods once before giving Reggie a comforting pat on the knee and getting out of the car.

He’s in there a long time. Long enough for Reggie to get all squirmy and start to feel bad for dragging him into this.

He can only imagine the conversation going on in there: Hi, can you please point me to the grave of a seventeen-year-old who died twenty-five years ago? No, no, I’m not related to him, nor do I have any legitimate connection to him that I can offer you as an explanation for why I’m asking. Please do not ask any follow-up questions.

Jeez. What was Reggie even thinking bringing Ray all the way out here, just on a hunch? As soon as he gets back to the car, Reggie should just tell him to take them back home.

But it’s only a few minutes later that the office door opens and Ray emerges, a piece of paper in one hand. He shakes hands with an older white guy— the manager, Reggie guesses, or whatever the term is for people in charge of the little office at a cemetery— and then heads back over to Reggie.

He gets back in the car, shuts the door, and sits heavily in the driver’s seat without buckling his seat belt or shifting the car out of park. Reggie opens his mouth to say something, closes it again. Shifts uncomfortably in his seat.

Ray hands him the piece of paper. “You tell me what you wanna do, mijo.”

It’s a list— of names and plots, next to a handy-dandy little map of the cemetery. Three are highlighted— Reginald Peters. Alexander Mercer. Lucas Patterson.

Reggie shivers, the edges of the paper crinkling in his tight grip. “These are… Jeez. We’re all here?”

“Seems so.” Ray puts a comforting hand on his shoulder. “It was sort of a long shot, but I figured I’d ask while I was in there.”

Reggie stares at his name— at his friends’ names— just three lines on a list of ghosts.

He points at the plot number next to his name. “Guess we’re going here then?”

It’s not a far walk. Reggie leads the way, squinting at the map, while Ray follows politely behind. Ray doesn’t berate him or even comment when they get lost, and Reggie only gets them lost three and a half times. Eventually, they find it: a modest tombstone in a far corner of the graveyard, neatly kept with a still-fresh bouquet of lilies propped up against it.

The tombstone reads:

Reginald Alastair Peters

August 18, 1977– July 22, 1995

Beloved Son

Loving Brother

Cherished Bandmate

“Oh,” Reggie whispers, reaching out a tentative hand to touch the last line of lettering. He can’t imagine his parents choosing to spend extra money on that particular engraving, not without some serious coercion, but the only other option is…

“Someone’s been here recently,” Ray says, voice reverent and yet too loud, all of a sudden, in the otherwise silence. He reaches around Reggie to pick up the flowers and place them gently atop the headstone. “So your parents might still live nearby.”

“Maybe,” Reggie whispers, though he highly doubts his parents had anything to do with the bouquet. With effort, he tears his gaze away from his grave and down to the map in his hands. “Um. Can we–?”

He cuts off, swallowing against the lump in his throat, and instead points wordlessly at the plot numbers for his two best friends.

“Of course.” Ray puts a hand on his shoulder– warm, solid, reassuring– and takes the map with the other. “May I?”

Reggie lets it go with relief and wipes his sweaty hands on his pants. The walk between graves will give him a good chance to clear his head, and he’s way too distracted to follow a map without getting them lost way more than three and a half times.

But Ray only takes a few steps before he stops and frowns down at the map. He looks up again, turns a slow circle, and walks just a few feet before stopping again, the map falling to his side. “Oh. Well.”

Reggie goes to see what he’s looking at, and his breath catches in his throat.

There’s a good bit of space between them, but the next tombstone over from Reggie’s belongs to Alex. He continues down the line, and sure enough, the next one down from that is Luke’s.

They’re all distinctly different– Luke’s is the biggest of the three, Alex’s has a Bible quote snaked along the side– but they’re all adorned with fresh flowers, and they all have the same phrase tacked onto the end of their epitaphs:

Cherished Bandmate.

Cherished Bandmate.

Cherished Bandmate.

A cold feeling seeps through Reggie’s bones, not unlike the time he and Luke were playing hide and seek and he won by curling up inside the refrigerator.

“I think I wanna go home now,” Reggie says slowly, feeling shivery and stuck and ghostly in the worst way as he stands at the point of the triangle of his and his best friends’ graves.

“Of course,” Ray says, his voice muffled like he’s speaking through water or from very far away. “I’ll go get the car.”

But Reggie’s already poofed out.

***

He doesn’t intend to bring it up again. Because he’s not entirely sure Luke and Alex would want to know. And the last thing he wants to do is assume his friends are at the same place on the same journey regarding their life, death, and rebirth as he is.

He doesn’t want to hurt their feelings if he’s wrong about his theory. He doesn’t want to make them sad if he’s right.

But apparently Reggie’s not as good at concealing his own feelings as he’d like to think– even though Ray doesn’t say anything, and Julie at least seems convinced by Reggie’s “we were running errands” story, less than two days has gone by when she informs him that the jig is, in fact, up.

He’s sitting cross-legged on the couch in the studio, eating a bowl of mint chocolate chip ice cream very slowly because Ray made him promise he wouldn’t drip any on the sofa cushions.

Alex is out skateboarding with Willie. Luke is out “chaperoning” (read: mooching off of) Carlos and his friends’ laser tag party. Julie was ostensibly doing homework, which is why Reggie had taken his ice cream out to the garage, but now the doors open and Julie bounds in to join him, plopping next to him on the couch with a warm (if slightly mischievous) smile.

“Hey there, you,” she says expressively, poking him in the arm.

Reggie blinks, slowly drawing the spoon out of his mouth. “Hi, Julie.”

“We both know I’m not very good at beating around the bush,” she says, hands in her lap, “so I’m just gonna cut to the chase. The boys tell me you’re sad, and while at first I tried to convince them that maybe just not everyone thinks the 2002 Scooby-Doo movie is as funny as they do and that’s why you were a little quiet during movie night, the more I thought about it the more I agreed that you haven’t been your usual amazing chipper self… lately… So, uh. You know. You know you can talk to me about anything, right?”

“I know,” Reggie says, nodding, because he does know, and clutches his bowl of ice cream to his chest for some comfort. “I, um… I’m not… sad, I just… Okay, so you know how your dad and I ran some errands the other day and I came back early because I didn’t wanna have to listen to his sad Dad Rock the whole drive home and he didn’t have a single good CD in the car?”

Julie nods.

“Well, I actually sorta made all that up. We went to see where the guys and I are buried.”

Julie’s face falls, her eyes going wide. “Oh. Wow.”

“And I didn’t say anything,” Reggie continues, “because I didn’t really know how I felt about it yet. And I didn’t know how Luke and Alex would feel. I didn’t know if they’d wanna know.”

“Of course we would, bro.”

Reggie felt the spark alighting in his chest a split second before Luke spoke, so the sudden arrival of his friends doesn’t startle him. He ducks his chin, staring into his ice cream so he doesn’t have to see if they’re mad at him.

“Reggie…” Julie puts a hand on his knee. “You didn’t do anything wrong– this is a really complicated situation to navigate. It’s just… we didn’t even know you were looking.”

“I wasn’t,” Reggie promises, but he doesn’t know how to explain himself beyond that. He sets his bowl down on the coffee table and slowly raises his eyes to meet his friends’ gazes. “We’re all together. The three of us, our– we’re not buried with our families.”

Luke’s and Alex’s faces go through several expressions before settling on twin looks of determination. “Good,” Luke says. “That’s how it should be.”

“Will you go back with us?” Alex asks. “Take a look all together?”

In the moment that Reggie hesitates, Julie takes his hand in hers and gives it a warm, reassuring squeeze.

Reggie takes a deep breath, feeling it whistle through live, healthy lungs, and reaches out his other hand. Luke takes it and offers his hand to Alex, who joins hands with Luke and Julie to complete the circle. When the ghosts who aren’t quite ghosts anymore poof out, they carry Julie with them, until all four members of Julie and the Phantoms stand solemn but supported in front of Reggie’s grave.

They take it in. The epitaph. The flowers, a bit crumpled from yesterday’s rain but nowhere near wilting. The edge of Alex’s headstone just visible in their peripheral vision, and Luke’s just beyond it.

“We are all together,” Alex says in awe. 

Luke shakes his head. “Why would our parents–?”

A voice behind them says, “I insisted.”

They spin around. Reggie didn’t hear anyone approaching, and yet standing just a few feet back, dark sunglasses obscuring his expression, is Trevor Wilson, three bunches of fresh wildflowers tucked in the crook of his arm.

He nods toward the grave behind them. “They were gonna take you halfway across the state, and the Mercers wanted Alex cremated, and I wasn’t even invited to the funerals but I pitched a fit. Told them I’d pay for everything– the plots, the services, the upkeep– if only they’d keep you all… intact. And together.”

Reggie’s heart does an Olympics-worthy gymnastics routine inside his chest. “You added the bandmate line?” he guesses.

Trevor shrugs a little sheepishly. “I snuck it in on the paperwork. Don’t think Luke’s dad ever forgave me.”

“Yeah, well, my dad can–” Luke starts to say, and then trails off, shoving his hands in his pockets so it’s a little less obvious that they’re curled into fists. His voice is strained but sincere when he says, “Thanks, Bobby. For doing all that.”

“It’s the least I could do.”

With some hesitation, Trevor steps forward and past them, to lay one bouquet at the foot of Reggie’s headstone.

It feels right, for them all to be there together, paying homage to the people they once were.

Reggie’s glad he found this place, even if it was sort of an accident.

--

@wr0temyway0ut

@phantomwriter95

@littlepetbee

@secondhand-sunlight

@ddaxnggirl

@trustworthytoast

@interestinglittlerelationship

@fangirl17-07

@manualamadrugada

@easybugboy

@moonlit-asthers

[legolasghosty]

Best wishes during this tax season to Ray Molina, who is staring at his computer and trying to figure out if there's a way he can claim all 6 of his kids as dependents, even though 4 of them aren't alive.

[jatp-scrapbook]

luke & alex messing around at a celebration of the first album; cupcakes baked by tia victoria and photo taken by ray

[interestinglittlerelationship]

I miss you Sunset Curve.

I miss you Dirty Candi.

I miss you Julie and the Phantoms.

I miss you Juke.

I miss you Willex.

I miss you Carrie Wilson.

I miss you Carlos Molina.

I miss you Ray Molina.

I miss you Flynn Taylor.

I miss you Reggie Peters.

I miss you Willie.

I miss you Alex Mercer.

I miss you Luke Patterson.

I miss you Julie Molina.

Happy Three Year Anniversary Everyone!

[ever-changing-fandom-bomb]

Luke obviously stood on something for the last picture and Reggie is a Molina.

[abloodycrow]

After Julie visits the Pattersons a second time she mentions that they should stop by to look at the studio where Sunset Curve practiced, it was a great idea at the time.

Julie, Alex and Luke are mentally preparing for Luke's parents to show up. When Reggie suddenly poofs in, looking far more panicked than ever before.

"Luke's parents are here, Ray made them drinks, he's such a gentleman. Oh, right, they were talking about Sunset Curve - very cool to hear them talking about us by the way. That's not why I'm here though, why am I here? OH RIGHT! Ray is kind of talking to them about Julie and The Phantoms and he said he's going to show them a video..."

So, whilst Julie makes a run for the house, the boys get a headstart just as Ray has loaded a video of their Edge of Great performance. Alex keeps hitting the space bar to pause the video, battling with Ray who keeps trying to get the video to play. Luke is pacing the room, a little bit panicked that his parents might find out about his presence. Meanwhile, Reggie is having a one-sided conversation with Ray about how he's a better person than this.

Julie gets in and lies about the internet being down, but Ray just says "no worries, I have the video saved" Julie just closes the laptop and laughs nervously about how they don't need to see it, they're here to see their son's old studio after all. Luckily it works, and as she leads the Pattersons away, Ray is just left a little bit dumbfounded about it all.

Later, they realise that they have no way of stopping the Pattersons searching Julie and The Phantoms on their own accord, they just have to hope they won't.

[mahuhumaling]

JATP Season 2 Wishlist

that i wrote in my notes app back in:

and realized i never posted it here? tbf i'm rarely on tumblr. but because i really miss them rn i want to share my ✨ brainrot ✨ that i had back when i thought they were getting a renewal.

Carrie Wilson

she was my biggest flaw in Season 1. I wish her "redemption arc" is fleshed out more in Season 2; give her either more context & backstory to validate her reason for unnecessarily antagonizing Julie, or screentime to properly address how she's just projecting an emotion completely different into bitterness and anger into Julie's recovery

show particularly her earlier dynamic w/ Flynn and Julie? Maybe as Flynn calls her out, we'd get flashback glimpses prior to Rose's death (maybe even Double Trouble temporarily being Triple Threat 👉🏽👈🏽)

for some reason i'm picturing a scene where she's in her dance studio (she has one in their mansion, of course) practicing some of her Dirty Candy routine when she keeps messing up and not in the right mindset to keep dancing. i feel like the best (maybe easiest but whatever) way to guide the audience into her artist mind is to make her be a perfectionist. in frustration, she blows up for a minute before slumping onto the ground and reminisces her fun times with Julie & Flynn

also when you have her develop, please don't make her lose her femininity and the bubblegum pop music, it's great

Old Songs Resurfacing

it'll prove how detailed & thorough you are as a screenwriter if you pay off the songs mentioned in Season 1 in passing to be actual songs in Season 2

Unreleased: Get Lost, Long Weekend, Crooked Teeth, My Name is Luke, and if that riff from the scene in EP. 5 that spurred on the Bobby reveal isn't from one of these songs, add that too

Demo Album: Late Last Night, Lakeside Reflection, In Your Starlight

Willex

imagine your queer couple gets to have their first kiss first than your het main couple, not only will that settle Madi & Charlie's statements about being uncomfortable in doing a kissing scene and maintaining the priority of Juke's emotional over physical relationship, it would also make an powerful statement

Reggie's Character Arc

i know that he initially had an arc that involved a romance with Flynn but because of the ages of who they casted, they scrapped it and didn't have time to rewrite the scripts for him as filming neared, so they have time to adapt to how jeremy portrayed him for season 2: a lovable dork who craves familial love

since there's a possibility that lifers can now see the boys, maybe some found family trope for Reggie and Ray Molina?

he has pretty much formed a parasocial relationship with him at this point

so why not instead of a love interest, Reggie can have his character arc develop & we see his family before thru flashbacks and paralleling those in the current times because he sees Ray as a father figure

picture this: it's raining, Bobby opens the garage door to the sound of knocking, the boys find Reggie soaking wet and out of breath when he tries to say he doesn't know where else to go then the boys immediately figure out another fight in the Peters household happened. Reggie tries to talk again when Alex (because even though they're the airhead-sarcastic duo, they know they love each other) runs up to hug him and tells the other he doesn't have to say anything

cut to a freshly showered Reggie, quietly watching tv with Bobby, Luke, and Alex in the garage, eating whatever

also a solo acoustic country song, pls. just to make him happy

The Aftermath of the Deaths

for both the boys and Rose

we get parallels about how Bobby dealt with trauma and grief to Julie

like, the reason why the clothes are still in there (are to have costume changes for the boys) is because Bobby immediately moved out of the house (therefore also the garage) and left the clothes there because he couldn't bear to burn it, or visit the boys' houses to break the news to their families and return the clothes, or donate it somewhere so he just...left it. it would make for a more solid reason (for costume changes) and an emotional context as to how Bobby really tried to forget them because it was "easier."

it would also make sense why Carrie and Julie ended up friends. Rose probably was there for Bobby when they discovered what happened at the alleyway, so they stayed friends over the years and had their respective families but still kept in touch, (bonus points if absolutely nothing romantic happened between them! yay to normalizing platonic male-female relationships) and why Rose would immediately think of Bobby's three late bandmates to send for Julie when she was on her deathbed

Bobby never really "moved on" (because grief is a really complex thing). it's showed that he has a therapist and everything, and this could definitely have some aftereffects on his daughter. Carrie growing up seeing her father be this amazing rockstar but a negligent father and only showing love in ways she doesn't need (like riches and fame and connections to the music industry) because he's actually a really lonely man on the inside and no one can see that except for Bobby's spouse and Carrie. it'd explain why Carrie is spoiled, and other negative character traits that Carrie has on the surface

it's even why Bobby changed his name to Trevor: 1) Bobby is so closely associated to Sunset Curve and it's an absolute pain to be reminded of that every day, 2) it's a stage name and artists really do get that

More Worldbuilding

they already had some pretty creative concepts/ideas in the first season, so why not expand/expound on them a bit more

the instruments are attached to their souls that's why the boys at first can only touch them, like how Willie's skateboard and helmet are attached to him

which is why when they attach themselves to the world of the present, they gather up energy and focus on touching tangible things like the picture frame

this may follow the logic toward the end where they are finally able to touch Julie because she has become attached to their souls. emotionally.

More Creative Collaboration

i believe in the principle that when a story is finally released/published/told to the world, the world shares it. this is also visible in film/tv where when the scripts are finished and actors receive them, the story becomes part of theirs to work on. which means that they have some sort of autonomy over their characters' motivations, a chance to be heard of their ideas and pitches, and why some certain scenes wouldn't work, etc etc. it doesn't just become the director's story nor the screenwriters'.

the actors' ideas such as Perfect Harmony and their solos from Nothing to Lose are great because they let them in. they took risks, and it paid off incredibly well. more of that please. have them be a part of the writing process, (also the story), but never forget what made the music production great in the first place. be coherent and don't be like others that let too many hands work on one piece—it will lose its sound, its identity.

Julie Knowing

that Nick is possessed by Caleb. ohmygOD. hear me out.

the same S1 ending will play somewhere in 2x01, but it will be revealed that Julie was watching through the window the entire time and when she opens the door to receive the flowers, that last look she gives him is actually her scheming.

determined to get Nick back, imagine The Promised Neverland's level of mindgames Julie could play with Caleb because we already know our girl's smart

Free Willie Willie's Freedom

since the boys feel indebted to Willie's help, they insist on helping him too with getting rid of Caleb's stamp

maybe through his connection with Alex? or maybe Willie's family or friends who are still lifers (which is unlikely but either way). he needs to be saved !!

Song Sequences Ideas

juke counter melody duet like Rini's "Even When/The Best Part," Shane & Mitchie's "Wouldn't Change a Thing," or dodie & Jon Cozart's "a love song/a non love song"

emotional carrie ballad paired with lyrical hiphop choreo

willex song - i absolutely have no idea where this could go directionally but maybe alex on an acoustic guitar with a really soft sweet tune

reprises of S1 songs but in the complete opposite of their original style (the fandom's lonelier All Eyes on Me version, i see u)

nick guitar solo - just because Sacha actually plays, idk how it'd fit in to the plot yet but hey

Nothing to Lose (Reprise) - back in the '90s, a producer manipulates Bobby to sign a record deal to become a star but on one condition: disassociate himself with Sunset Curve, to which he first declines until he slowly gets persuaded. (sort of like Todrick Hall's So Lucky to Be You meets Lyn Lapid's Producer Man)

"So how about it, Bobby Shaw? Do we have a deal?"

"Trevor."

"I'm sorry?"

"Call me Trevor Wilson."

i'm pretty sure someone made an animatic with this idea too but i cannot for the life of me find it !!

7. Season 2 starts the same way as Season 1 does before the opening song plays

Black screen that reads a text "Hollywood 1995"

a pan down to the Orpheum's overhead sign that reads "SUNSET CURVE SOLD OUT"

cut to the interior with Rose finishing up her cleaning when a stage manager calls out: "Sunset Curve!" to which Bobby abruptly stops his pacing back and forth to look up. he and Rose look at each other. music swells until...

cut to him running onto the alleyway, "are they still not finished eating? those gluttons are dead to me i swear—" he cuts off his own words when he sees the boys getting dragged onto stretchers. but we, the audience, don't see it. just a close up of bobby as the ambulance lights reflects his face. rose comes up behind him, still clutching their t-shirt.

[i honestly have no idea if Bobby should get on stage because it just proves Luke's theory of The Orpheum's opening bands eventually becoming big & successful so it'll explain the Trevor Wilson fame even though at first he only did it for the boys, or if he shouldn't because according to the article Julie googled he ran away immediately after they were pronounced in the scene] but either way, this is how the opening starts.

then it progresses to Rose and Bobby respectively having children so they could parallel each other blah blah

8. Julie plays a simple song on the piano while the guys watch her in awe

Storytelling through Props

let's dive deep into Rose's luggage/suitcase and use the props to head for Julie's emotional attachment with them

they already did it with the wardrobe: Rose wears the black leather vest in the pilot while Julie wears the same thing in EP 6

add depth to the characters' relationships like us finding out Julie's multilayered necklace is actually a gift from Carrie or something

SOYON ANN YOU'RE A GIFT FROM GOD. Bobby's necklace is present in both young and old!him

**Rose in flashback scenes should be wearing clothes we've already seen Julie in Season 1 just for greater effect.

The Bobby Conflict

definitely needs to be brought up again by Season 2; they only discarded somewhere in the middle because more pressing matters like the boys' existence blipping away was pushed to the forefront of the story

however, The Bobby Conflict changes. it'll be cleared up that he was offered a record deal as a solo artist by a manipulative producer. and given that the poor boy is only 17 (too, maybe), he agrees. what he doesn't know is the contract's fine print: giving up Sunset Curve's royalties

that information clears it up to the audience and the band, so the conflict becomes this: Bobby's Survivor's Guilt. god wouldn't that be so good tackling that in a kids'/family show.

[artem1sc0re]

I’ve reached the stage of watch dogs brainrot in which I’ve began to headcanon them as secondary school (highschool) students; including deciding on the subjects they’d do, what they get up to, etc.

I’ve spent the entirety of my week doing this so I hope the brainstorming somewhat stays accurate to the characters (if not criticism is accepted!)

So ermmmmm here’s the appearances

Clarification; I’ve had to make a couple of almost drastic altercations to Ray’s, Clara’s and Sitara’s designs because of uniform regulations; their canon styles are flashy/unprofessional and wouldn’t exactly be good representation of the school, as well as Ray’s hair possibly being too long/disheveled (because uniform regulations where I live are THAT strict that they dress code hair length on boys as well), so I apologise if there’s any inaccuracies with the characters🤧🤧

Here’s their year and the list of subjects they’d do (just as context before you read the transcript):

Aiden is a lower sixth; on his first year of A levels:

A level - Sociology, IT, Chemistry

GCSEs - IT, Double science, Home Ec & H&S

Ray is an upper sixth; studying A2 level:

A levels - IT, Design and technology, Physics

GCSEs - IT, Physics, History, Chemistry, Design and Technology

Jordi is a lower sixth; studying AS level (most of his GCSE subjects were filler):

A levels - IT, Chemistry, Spanish

GCSEs - IT, double science, Spanish, further math

Clara is a lower sixth, studying AS level:

A levels - Art, IT, sociology

GCSEs - Art, IT, design and technology, double science

Watch dogs 2 dedsec:

Marcus is repeating his first year of GCSEs (partially to get another chance at a better score, another part to stay by his friends):

GCSEs - IT, Media studies, History, Politics, single science

Wrench is repeating his first year of GCSEs (his scores were ridiculous /neg)

GCSEs - IT, Media studies, geography, Double science

Josh is repeating his first year of GCSEs (he’s a perfectionist and as much as resitting exams exist, he insists on staying back 1 year):

GCSEs - IT, Media studies, HE, Double science

Sitara is studying the second half of her GCSEs:

(Chosen) A levels - Art, H&S, Media studies

GCSEs - IT, Art, H&S, single science, further math

Horatio is studying the second half of his GCSEs:

(Chosen) A levels - English language, H&S, IT

GCSEs - IT, H&S, History, double science

Transcript for those who cannot read my handwriting:

(Photo 1)

Aiden

- face is always cold so he wears the mask to keep himself warm (and possibly to accessorise)

- cut thumbholes into his jumper/sweater for comfortability (had to get Clara to stitch it evenly)

- has a natural resting bitch face, makes it almost difficult for him to be read emotionally via expression

- if he isn’t revising for chemistry or doing IT coursework during lunch, he’s hanging in the art rooms with Clara

- low-key has a crush on Clara… (Jordi frequently teases him about it)

- confrontational; if it affects him or the people he knows he WILL stand up for himself/them, even to teachers if he has to

- shares chemistry classes with Jordi (who frequently yaps to him in those classes)

Ray Kenney

- has acne w/ growing beard/stubble

- couldn’t style his hair so he stuck with a mullet

- goes to a different school but turns up for shared education classes

- makes a business of selling his study notes (basically photocopying them then selling them)

- IT prefect

Jordi

- definitely was some form of a greasy kid during his first few years but then had the craziest glowup during sixth form -> no one bullied him because of his tendency to bite back. Hard.

- sells contraband around the school building -> no proof that he does sell it as he’s always subtle with his locations, changing around where he sells and hiding his stock pretty well

- the type of guy to shove you ten times harder in the corridors if you shoved him (intentional nor unintentional, and yes, people shoving people in the corridors is quite common at least in my experience 😭😭)

- can be a class clown but the teachers have no reason to tell him off as he gets work done and has surprisingly good test scores

Clara

- is pretty neutral when it comes to the dress code, even subtly bending the rules to her liking

- busy asf doing art or studying, though does appreciate the company given from time to time whilst she works

- shares sociology classes with Aiden

- organises revision sessions for IT with Aiden (and Jordi; he seems like the type of guy to third wheel for the shits and giggles but also to study too)

(Photo 2)

Josh

- NEVER wears his blazer; finding the material to be too heavy

- always wears his beanie; if told to take it off he’ll proceed to put it back on the next class

- always ends up in the SEN (special educational needs) office frequently due to lack of co-operation

Marcus

- ABSOLUTE hype man during exam season

- Always instigates study sessions with the dedsec group

- mostly because he himself barely studies and usually he’ll sacrifice sleep to study

- Debate club member

Wrench/Reggie

- was able to get privileges to wear his mask

- most of the time gets dress coded for his pins or any other accessory he decides to wear almost on the daily

- decorates his blazer and bag with pins and patches

- when given an assistant under the name of ‘entitlement’ even when he declined, it painted him as an absolute ass due to his aggressive behaviour and lack of co-operation

- same as Josh usually ends up in the SEN office due to lack of co-operation

- draws on arms and hands frequently when bored + to retain attention

Horatio

- Similar to Sitara, is the more studious one of the group and makes sure to remind everyone of homework, school events + staff training days

- school council rep

- same as Marcus; is a debate club member

- Seems like the type of guy who’d know a lot about the teachers and would be able to hang around them due to being on their good side

Sitara

- Similar to Horatio; is the more studious one of the group

- has learned ways with bending the rules of the dress code with subtly hiding highlights, piercings and makeup

- Reminds the group about homework but usually sends the answers if nobody has it done

Some extra headcanons:

- Sitara uses sparkly highlighters when making revision stuff

- Wrench gets agitated with crowds in the cafeteria so Marcus helps get his food

- Jordi partnered with Aiden in chemistry classes primarily because Aiden low-key has leverage over him (by leverage I mean he basically knows the location of his batches of contraband)

- Marcus thrives in English language, especially in speaking exams because of his infectious nature and confidence

- everyone asks Josh for help in IT classes due to how good he is at it (they all share the same IT classes)

- if the WD2 dedsec all in separate classes, they have a collective oneNote document to make shitposts on and contact eachother with

- Wrench goofs off at various instances during revision sessions, even singing brainrot or catchy revision songs that pop into his head

- Marcus is NOT subtle with taking his phone out, that guy’s on it during break where teachers can see

- Ray knows what cars the teachers drive.

- Jordi never keeps his opinions on everyone and teachers to himself. Bro would not care if the teacher was right behind him. They call him a motor mouth for a reason

- Give Josh a swivel chair in a computer room and he will NOT stop spinning on it unless the teacher is talking

- if there’s a substitute, Marcus and Wrench watch stuff on YouTube during class

- Wrench doodles on textbooks that get reused (on a novel, he leaves comments and small doodles)

- Sitara vandalises science tables

- when Jordi, Clara and Aiden do revision sessions, Jordi tries to tease Aiden’s feelings towards Clara whilst the both of them drown him out; if he’s not doing that he’s studying with them and being the one asking the questions and shooting one or both of them a shit eating grin when they get an answer wrong

- Wrench does exams in a separate venue

- Marcus cannot study by himself unless he’s with the company of his friends, or unless he’s pulling an all nighter for a subject he cares about

- Marcus and Sitara take the same bus and stop at a local shop to buy sweets and snacks for everybody; tldr they are walking food banks

- Aiden is secretly a choir kid

- Jordi the type of guy to steal his friends’ food if he’s too broke to buy any or if he just couldn’t be bothered

[ginervacade]

Did I ever say on here that I have a plot for a whole second season of JatP? ( I know we all do but I actually wrote mine out)

If this gets like 4 notes I’ll break down the episodes

Update: THIS IS UP

[bogslob]

I went in to this season expecting it to be a bittersweet ending.

I expected them to end up dead in the original apocalypse.

I had hoped we would see five become the old five that created the commission. I was expecting them to realise that in all timelines an apocalypse takes place but the original was the best for what ever reason. Or maybe the original time line wasn’t the best but five got twisted in some way in to believing it was.

I expected the new time line to be much faker. Maybe the people would be oddly robotic. The whole world would revolve around Reggie but none of it would be real. Or maybe it would be real but people were not allowed to do anything he would not want, 1984 style. After seeing how he monopolised this world in s3 I had hoped that would have been explored.

I thought we might see Alison slowly coming to terms with the fact that Ray and Claire weren’t really her Ray and Claire. They were created to be hers. They would be exactly how she wanted. They would never disagree with her, they would do exactly what she wanted without her having to ask. But it wouldn’t be real. And Alison would notice. They wouldn’t have the autonomy to do anything but serve her so how could they be hers. She would still love them but hate herself for turning them in to this.

Maybe the only way for anything to be real, for anyone in this world to have the autonomy to do as they please, they would have to restore the original timeline.

I don’t know, I just think I would have preferred any other ending to the one we got.

[narcissusbrokenmirror]

yea yeah Netflix canceled Julie and The Phantoms after their first season i kno i kno

But imagine this. season 2 comes out and it opens with a scene of Carlos recording for his vlog, that it no longer a ghost hunting vlog but a ghost awareness vlog, where Carlos talks about living with Ghosts.

He introduces Luke, who's sitting on the stairs, does a minor interview asking how they came back to the studio, how they became visible and when he died, also makes a joke about how Luke really smells like he hasn't showered since 1995. Cut. Introduces, Reggie, who's on the kitchen with Ray preparing their lunch, he says Reggie likes to hang out w his dad, eats 8 meals everyday, and likes to watch star wars w ghost hunting tv shows w Carlos, and is trying to get him to play DnD. He means to introduce Alex, but Julie appears on the background saying he is not in the house, Carlos turn back to his camera and says Alex spents lots of time hanging out with his ghost friend. Ray, outside of view, asks Carlos to turn off the camera and set the table w Julie, Carlos says "well, someone else could help if he didn't dropped all the plates with his ghosts hamds" and we can hear Luke on the background yelling "i already said I'm sorry!!!". camera is off.

People would watch his videos and think this is some promotion to Julie's band, by taking the name way too literally and having the boys pretend they're ghosts. but they are.

[darkphoenix180]

[jatp-scrapbook]

the boys having their photo taken by ray at the orpheum, bobby snuck a photo from the side

[baixueagain]

am I doing this right