#rather than something that is deserved

[dogsliampaynedoesntinstagram]

I really feel bad for harry cause people are ripping into him again. I saw a joke tweet with a movie exec asking harry to star as a leading man opposite a female and asking for audition reels. Harry showed the pics of him kissing Olivia on the yacht and Emily and the exec was like ewww no thanks. And then people wonder why he's still in the closet. But then I've seen harries who are into the fantasy boyfriend harry saying they have an ick from him after the video. And then the fans who are supposedly supporting him as a closeted artist are upset with him for stunting again. I honestly don't know if what he's doing is the correct path for him if he wants to maintain selling out the stadiums long term. Elton john is an out gay man and selling out stadiums. Do you see a path for him to do this? He's an incredible musician and I understand the gossip keeps his name in the paper but I wish it wasn't this way. I wish the world was different and not homophobic and for him to have the career he wants and I think rightfully deserves without all this other stuff.

I wish the world was different too.

It's worth remembering that Harry is 29. Elton John was 29 in 1976. That year he answered a question about being bisexual. Eight years later he would marry a woman he really didn't seem to want to be in a relationship with. 16 years later he would describe himself as 'comfortable being gay'.

I've no idea if Harry will be selling out stadiums in 2069 - but I also don't think that's a very good way of evaluating the present or the future. There are a lot of things that can happen to a pop star - and people being mean about them kissing doesn't really register in ways that things can go wrong.

[anghraine]

It's interesting (if often frustrating) to see the renewed Orc Discourse after the last few episodes of ROP. I've seen arguments that orcs have to be personifications of evil rather than people as such or else the ethics of our heroes' approach to them becomes much more fraught. Tolkien's work, as written, seems an odd choice to me for not wrangling with difficult questions, and of course, more diehard fans are going to immediately bring up Shagrat and Gorbag.

If you haven't read LOTR recently, Shagrat and Gorbag are two orcs who briefly have a conversation about how they're being screwed over by Sauron but have no other real options, about their opinions of mistakes that have been made, that they think Sauron himself has made one, but it's not safe to discuss because Sauron has spies in their own ranks. They reminisce about better times when they had more freedom and fantasize about a future when they can go elsewhere and set up a small-scale banditry operation rather than being involved in this huge-scale war. Eventually, however, they end up turning on each other.

Basically any time that someone brings up the "humanity" of this conversation, someone else will point out that they're still bad people. They're not at all guilty about what they're part of. They just resent the dangers to themselves, the pressure from above, failures of competence, the surveillance they're under, and their lack of realistic alternative options. The dream of another life mentioned in the conversation is still one of preying on innocent people, just on a much smaller and more immediate scale, etc.

I think this misses the reason it keeps getting brought up, though. The point is not that Shagrat and Gorbag are good people. The point is that they are people.

There's something very normal and recognizable about their resentment of their superiors, their fears of reprisal and betrayal that ultimately are realized, their dislike of this kind of industrial war machine that erases their individual work and contributions, the tinge of wistfulness in their hope of escape into a different kind of life. Their dialect is deliberately "common"—and there's a lot more to say about that and the fact that it's another commoner, Sam, who outwits them—but one of the main effects is to make them sound familiar and ordinary. And it's interesting that one of the points they specifically raise is that they're not going to get better treatment from "the good guys" so they can't defect, either.

This is self-interested, yes, but it's not the self-interest of some mystical being or spirit or whatnot, but of people.

Tolkien's later remarks tend to back this up. He said that female orcs do exist, but are rarely seen in the story because the characters only interact with the all-male warrior class of orcs. Whatever female orcs "do," it isn't going to war. Maybe they do a lot of the agricultural work that is apparently happening in distant parts of Mordor, maybe they are chiefly responsible for young orcs, maybe both and/or something else, we don't know. But we know they're out there and we know that they reproduce sexually and we know that they're not part of the orcish warrior class.

Regardless of all the problems with this, the idea that orcs have a gender-restricted warrior class at all and we're just not seeing any of their other classes because of where the story is set doesn't sound like automatons of evil. It sounds like an actual culture of people that we only see along the fringes.

And this whole matter of "but if they're people, we have to think about ethics, so they can't be people" is a weird circular argument that cannot account for what's in LOTR or for much of what Tolkien said afterwards. Yes, he struggled with The Problem of Orcs and how to reconcile it with his world building and his ethical system, but "maybe they're not people" is ultimately not a workable solution as far as LOTR goes and can't even account for much of the later evolution of his ideas, including explicit statements in his letters.

And in the end, the real response that comes to mind to that circular argument is "maybe you should think about ethics more."

[inkskinned]

you were raised in comparison.

it wasn't always obvious (well. except for the times that it was), but you internalized it young. you had to eat what you didn't like, other people are going hungry, and you should be grateful. you had to suck it up and walk on the twisted ankle, it wasn't broken, you were just being a baby. you were never actually suffering, people obviously had it worse than you did.

you had a roof over your head - imagine! with the way you behaved, with how you talked back to your parents? you're lucky they didn't kick you out on your ass. they had friends who had to deal with that. hell, you have friends who had to deal with that. and how dare you imply your father isn't there for you - just because he doesn't ever actually talk to you and just because he's completely emotionally checked out of your life doesn't mean you're not fucking lucky. think about your cousins, who don't even get to speak to their dad. so what if yours has a mean streak; is aggressive and rude. at least you have a father to be rude to you.

you really think you're hurting? you were raised in a home! you had access to clean water! you never so much as came close to experiencing a real problem. sure, okay. you have this "mental illness" thing, but teenagers are always depressed, right. it's a phase, you'll move on with your life.

what do you mean you feel burnt out at work. what do you mean you mean you never "formed healthy coping mechanisms?" we raised you better than that. you were supposed to just shoulder through things. to hold yourself to high expectations. "burning out" is for people with real jobs and real stress. burnout is for people who have sick kids and people who have high-paying jobs and people who are actually experiencing something difficult. recently you almost cried because you couldn't find your fucking car keys. you just have lost your sense of gratitude, and honestly, we're kind of hurt. we tell you we love you, isn't that enough? if you want us to stick around, you need to be better about proving it. you need to shut up about how your mental health is ruined.

it could be worse! what if you were actually experiencing executive dysfunction. if you were really actually sick, would you even be able to look at things on the internet about it? you just spend too much time on webMD. you just like to freak yourself out and feel like you belong to something. you just like playing the victim. this is always how you have been - you've always been so fucking dramatic. you have no idea how good you have it - you're too fucking sensitive.

you were like, maybe too good of a kid. unwilling to make a real fuss. and the whole time - the little points, the little validations - they went unnoticed. it isn't that you were looking for love, specifically - more like you'd just wanted any one person to actually listen. that was all you'd really need. you just needed to be witnessed. it wasn't that you couldn't withstand the burden, but you did want to know that anyone was watching. these days, you are so accustomed to the idea of comparison - you don't even think you belong in your own communities. someone always fits better than you do. you're always the outlier. they made these places safe, and then you go in, and you are just not... quite the same way that would actually-fit.

you watch the little white ocean of your numbness lap at your ankles. the tide has been coming in for a while, you need to do something about it. what you want to do is take a nap. what you want to do is develop some kind of time machine - it's not like you want your life to stop, not completely, but it would really nice if you could just get everything to freeze, just for a little while, just until you're finished resting. but at least you're not the worst you've been. at least you have anything. you're so fucking lucky. do you have any concept of the amount of global suffering?

a little ant dies at the side of your kitchen sink. you look at its strange chitinous body and think - if you could just somehow convince yourself it is enough, it will finally be enough and you can be happy. no changes will have to be made. you just need to remember what you could lose. what is still precious to you.

you can't stop staring at the ant. you could be an ant instead of a person, that is how lucky you are. it's just - you didn't know the name of the ant, did you. it's just - ants spend their whole life working, and never complain. never pull the car over to weep.

it's just - when it died, it curled up into a tight little ball.

something kind of uncomfortable: you do that when you sleep.

[spiltcandycoatedpunkblood]

so was that legitimately fake outrage at Watcher being "greedy capitalists" that people are now gonna go watch the try guys who are doing the exact same thing?? where's the outrage at their wealth and how they spend their money? why does Keith get people just watching him eat at expensive restaurants, but it's terrible seeing Steven go to expensive restaurants to eat food? it's got nothing to do with "the try guys did it better!!!" it's the fact that you got so outraged because of how much the economy is in shambles and people can barely afford food, let alone another streaming service, and now suddenly it's a great thing seeing the try guys be able to improve their situation with one!! I thought the whole point was that we didn't need another one!! what is it???

it's just obvious that they've both done similar things, but people are taking more issue with the creators of colour for daring to grow and move forward. EVEN AFTER THEY ALTERED THINGS AND GENUINELY APOLOGISED even whilst being fucking eviscerated online. and instead of being helped and understood by their white friends, they get fucking shaded by their friends with a sofa joke and "not to name names" bullshit

what is it with people of colour being left in the dirt by their white friends and/or costars???

[dykedvonte]

RE: Your post on the AU of Jimmy being in the cockpit rather than Curly.

I think that Curly would think that Jimmy was reaping what he had sown, but in a way would feel a twisted sense of relief that Jimmy was brought down by his own actions rather than Curly himself having to be the "executioner" in the situation, so to speak.

With "taking responsibility" and the fix-it mentality that he and Jimmy share being the overarching theme, compounded with Jimmy flat out insinuating that all of his crimes on the Tulpar will be "Curly's tragedy" in that one scene, I think Curly would almost find comfort in the irony that the choice was forcibly taken away from him. Which in itself is messed up, but it might be a bit cathartic. There's an interesting polarizing dynamic within Curly's relationship to his own responsibility in that it's his greatest burden and the thing he, too, avoids the most.

I don't think Curly would find any relief in this actually. While Curly didn't/doesn't like the responsibility he had, he defiantly doesn't avoid it, he just goes about it in a weird way.

A thing I noticed is that its less about taking responsibility with Curly and really what that responsibility meant objectively and then subjectively to Curly. The leniency that he applies to Jimmy also applies a bit to the others as well. He thinks his responsibility is more towards keeping the peace and things in order more than dolling out punishment. He has even more choices to make and responsibilities as he literally has to make sure they survive/ration long enough to be saved. Or figure out how to save them himself. The correct issue with Curly and responsibility is the prioritization in his head. He sees the big picture and prioritizes that. He doesn't notice the little things that he should but it's not a active dismissal, perhaps not even conscious despite how dismissive he seemed. He takes too much responsibility, espcially in regards to Jimmy, and I think this situation is when he realizes that is also a bad thing as he can't "fix" all of his wrongs.

I think he'd regret not making a choice, because in the end this happened because he wouldn't directly choose who to comfort and help. He tried to help both and ended up doing nothing for either and letting Jimmy fuck them all over. In this scenario/au he's thinking about all the times he let Jimmy inadvertently make his choice, and how he chose to let it happen. He regrets all of it and would be so bitter that he was giving his choice up for so long. He chose wrong and it affected everyone. The only thing he'd find cathartic is the fucked up truth it will never happen again, not with Jimmy at least.

But he's not happy he's getting joy from that. I think it's a point not a single character other than Jimmy is depicted at deriving joy from another's pain. Even Swansea is being more sarcastic when he cheers on Curly about crashing the ship and ending his sobriety. He's happy Jimmy was forced to take responsibility, but this? He wanted him to learn a lesson and do something with himself, this is hollow in a way it's just embittering. Jimmy didn't get what he wanted, he can be happy about that but no one else did. This isn't justice or closure for Anya, he's stuck in a place he was so desperate to leave with even more pressure on his shoulders. Daisuke is just a kid and Swansea doesn't deserve this after all his year making himself a better man.

Like in his sections, Curly is preoccupied thinking about all the responsibilities he has, taking on things he shouldn't have to and trying to keep the peace when he doesn't have peace in his own mind.

[astragatwo]

"Listen, I'm not your sidekick—"

[trans-axolotl]

and this is also why i think that any meaningful community building/advocacy/support around madness/neurodivergence/mental illness needs to be founded on principles of liberation and abolition, and that we need to be able to distinguish between people who are allies based on our shared values + goals, and between people who use some of the same language as us, but are fundamentally advocating for separate things.

One example I see a lot of is the idea of "lived experience" professionals, people who have a career in the mental health system and who also have some personal experience with mental illness. These professionals oftentimes will talk about their own negative experiences in the mental health system, and come into their careers with a genuine desire to improve the experience of patients. But their impact is incredibly limited by the system they have chosen to work in: the coercive elements of psychiatry incentivize professionals to buy into the existing power structures instead of disrupting them. And as a whole, many lived experience professionals end up getting exploited and tokenized by their employers and used as an attempt to make carceral psychiatry seem more palatable. Professionals in this dynamic are not working to effectively challenge the structural violence of their profession: they become complicit, even if they do also have good intentions and provide individual support.

(I do know some radical providers who have found innovative ways to fuck up the system and destabilize and shift power in their workplaces, but this is a very small number of providers and is not most of the lived experience providers I've talked with.)

Another example I see a lot in our spaces has to do with the evolution of the neurodiversity paradigm. I feel a very deep connection to the original conceptualization of neurodiversity and neurodivergent as coined by Kassiane Asasumasu, but in recent years I've seen a lot of people using neurodivergent language in a way that feels pretty dramatically different than the foundational principles. This isn't saying that people should stop using ND terminology or that all neurodivergent spaces are like this--rather, I just want to point out some trends I see in certain communities, both online and in my in personal life. Although people will often use neurodivergent language and on the surface, seem allied with concepts of deinstitutionalization, acceptance, etc, the values and structure in these community spaces often rely heavily on ideas of classification based in DSM, and build very prescriptive and rigid models for categorizing different types of neurodivergence in a way that ends up excluding some M/MI/ND people. Certain types of knowledge are valued over other types of knowledge, and certain diagnoses are prioritized as worthy of support over others. There's a lot of value placed on identifying and classifying many types of behaviors, beliefs, thoughts, actions, into specific categories, and a lack of solidarity between different diagnoses or the wider disability community.

Again, this isn't to say that ND terminology is bad or useless--I think it is an incredibly helpful explanatory model/shorthand for finding community and will call myself neurodivergent, and find a lot of value in community identification and sharing of wisdom. I just feel like it's important to realize that not every ND person, organization, or initiative, is actually invested in the project of fighting for our liberation.

when thinking about our activism, as abolitionists, it's important to be very specific about what our goals, values, and tactics are. For example, understanding the concept of non-reformist reforms helps us distinguish what immediate goals are useful, versus what reforms work to increase the carceral power of the psychiatric system. And when building our own value systems and trying to build alternative ways of caring for ourselves and our communities, we need to be able to evaluate what brings us closer to autonomy, freedom, and interdependence. I need people to understand that just because someone is also against psych hospitalization does not mean that they are also allies in the project of letting mad people live free, authentic, meaningful, and supported lives, and that oftentimes people's allyship is conditional on our willingness to conform to their ideas of a "good" mentally ill person.

[robbyykeene]

Potentially unpopular opinion, but I love that Miguel was an asshole again in the second part of this season! It’s a reminder that he’s a character and not just Johnny’s main support. I mean Robby didn’t deserve it at all, but it makes sense that Miguel couldn’t help taking his anger out on him. And I love that Johnny was on the receiving end of it, because it feels like the tension between them just went away for no reason.

Sorry if I’m bothering you!

You’re never bothering me, and I completely agree! They so rarely give Miguel any narrative agency these days, and like Johnny all it does is reduce him as a character. Miguel is a whole, complicated, messy teenager. He isn’t a saint. He isn’t perfect. He makes mistakes and has ugly unfair feelings sometimes, like every single teenager does. And I love when this show actually lets him be like this, lets him be wrong, lets him be a little bit of a dick to the people he cares about who don’t deserve it. Lets him be a real person with actual human feelings. And then also lets him take accountability for what he does wrong, apologize, show how much he’s grown, that he is a good person and a good friend. I love it truly, and it feels like it’s something that in a lot of ways hasn’t really been granted to Miguel since he fell off that balcony.

[bittercappuccinu]

tried drawing a wallpaper for myself :)

shadow alone below because i like how he looks more

[frozenartscapes]

What crossover do you think would be the coolest/funniest/saddest for FE3H? ATLA? Sailor Moon? Etc.?

So... This may not be what you're thinking, but I recently had an AU idea (that I probably won't write but I just want to share). Having recently watched the Wild Robot, I had a thought:

Hegemon Edelgard as Roz

Ok, so the story would have to change a fair bit, but essentially, following the events of Azure Moon, it is revealed that Edelgard survived and escaped into the forests of Adrestia. She's not completely transformed - think her more human form in Heroes - and she has to come to terms with this. This transformation has not only altered her body, but she now has new abilities she needs to learn. On top of trying to survive in the wilderness, she also has to process the fact that everyone she knows and ever cared for is dead.

She's alone, in the wild.

Being half beast allows her to understand the other animals, however none of them are especially welcoming to her at first (and she isn't either). On top of that, she has new instincts she needs to fight and is completely lost on what her new motivation should be. (Which is a problem in itself because Edelgard's primary coping mechanism for all of the trauma she's faced in the past is to double down on a big goal - something to keep her mind occupied so she doesn't run the risk of thinking too hard about just how much her heart actually hurts. The old "if I stop and think about this for more than two seconds I'll go insane" trope.)

Then, through a series of events involving having to defend herself from an angry demonic wolf and haphazardly thrown fireballs, she hits an eagle nest. To her horror, she discovers the family has all died - except for a single egg. To stop herself from becoming completely consumed by guilt, she decides to take care of the egg. It hatches soon after, and taking care of an egg turns into taking care of the chick inside.

She meets other animals and forms bonds with them along the way. A solitary raven she saves from a trap, who decides he is in eternal debt to her. A songbird who offers the most advice in how to raise a baby bird. A stag who is always trying to challenge her at first, until he realizes she makes a better friend than competition. A wolf who teaches her how to properly hunt and fend for herself in the wild. A mouse whose kindness outweighs her terror to show comfort to Edelgard when she was obviously on the verge of a breakdown. A badger who takes it upon himself to fight off any predators who may try to harm them, no matter the size difference. A possum who, despite seeming rather lazy, offers a lot of advice about foraging techniques and building comfortable habitats.

It is revealed that the eagle would have been the runt and likely would have died had nature been allowed to take its course. There is still tension when she learns just how her family died, but she realizes that Edelgard did everything possible to make up for it.

Along the way, Edelgard becomes more and more in tune with her wild side, and starts to learn more about what the Hegemon can really do. She can give herself wings, and she and the eagle learn to fly at the same time. Her claws she once thought monstrous now protect the things she cares about. She incorporates her tail into fighting. She uses magic now - magic that is wilder than anything she learned in school and allows her to feel more in touch with the forest. It isn't long before she feels more at home in the woods than she ever did in civilization, and she is happy to let this life be her new one forever.

Until the Agarthans learn she's still alive.

Dimitri and Byleth might have killed Thales, but a new leader took his place and succeeded in evading the King's attempts to snuff them out. Once the Agarthans learned that one of their most powerful weapons was still alive, they tracked her down and captured her (not without a fight, mind you). It then falls on her animal companions to stage a rescue mission, led by the eagle Edelgard saved, who rallies not just the main animals but many of the forest inhabitants as well.

The Agarthans tried to force Edelgard to obey them, going so far as to push her transformation to what Thales had originally envisioned for the Hegemon Husk (I always thought the Hegie we get in the game was still a transition stage, and that the true form of the Hegemon Husk would be like a twisted version of the Immaculate One - or an approximation of what Sothis' dragon form would look like). The eagle finds her while the others are stalling, and thanks to the Power of Love, snaps Edelgard out of her rage state. She then turns on the Agarthans, and succeeds in wiping them out. However, as she kills the leader, he wheezes out that there will always be more, and they won't stop until they have their weapon.

The animals celebrate their victory, but Edelgard can't get the Agarthan's words out of her head. Their forest home sustained heavy damage in the attack, and a number of animals died. Even amongst her main group, the stag had suffered a close call while charging an enemy mage, the badger broke his leg, and the wolf has a permanent scar across her eye. She makes a decision, then.

King Dimitri is in his castle in Faerghus, busy trying to work out a peace deal between Fódlan and Almyra. Suddenly a guard bursts into his study, stating hurriedly that there's some strange forest witch demanding to see the king. Dimitri, exhausted by paperwork, decides to humour this and heads for the audience chamber.

That's when he comes face to face with a ghost - or maybe demon. She wears an old, torn cloak covered in moss and a dress that looks to have come from the forest floor itself. The tips of golden horns peak through the hood of her cloak. A black eagle sits on her shoulder. She offers a cordial bow, revealing hands armed with obsidian claws. "Dimitri," she says in a voice he has heard countless times in his nightmares, "It has been a long time."

"...Edelgard?" he breathes. Goddess... What has become of her?

Edelgard smiled, revealing a glimpse of her fangs. "I come to you today with a proposition," she stated, "How do you feel about finally ridding the shadows of Fódlan of the wretched snakes that dwell there?"

[dw-flagler]

BLONDE WILDBOW CHARACTERS

Every wildbow character with hair color described as blonde or similar to blonde. Characters are listed in alphabetical order.

A character's category is determined by their debut appearance. Though Lisa Wilbourn appears in both Worm and Ward, she will be listed as a Worm character, and not as a Ward character.

WORM:

Ashley Stillons I (Damsel of Distress)

Ava ? (Cuff)¹

Brad Meadows (Hookwolf)

Carol Dallon (Brandish)

Crystal Pelham (Laserdream)

Dean Stansfield (Gallant)

Elijah Mathers (Valefor) (Later dyes white)

Elle ? (Labyrinth)

Emily Piggot

Eric Pelham (Shielder)

Gabriel Maxberry (King)

Glastig Uaine/Valkyrie

Greg Veder (The Worst)

Hero

Hoyden

Jaager Charles (Gasconade) (Appears ONLY in PRT Quest)

Jeanne Wynn/Brown (Citrine)

Jessica Biermann (Fenja)

Katherine Oldershaw (Grace)

Kurt Wynn (Harbinger/Number Man)

Leonid(?)

Lisa Wilbourn (Tattletale)

Marissa Newland (Sundancer)

Melody Jurist (Cricket)

Mike ? (Lightstar)

Missy Biron (Vista)

Mrs. Knott

Neil Pelham (Manpower)

Nessa Bierman (Menja)

Oliver ? (Oliver)

Principal Blackwell

Riley Grace Davis (Bonesaw)

Sam ? (Prism)

Sarah Pelham (Lady Photon)

Tammi Herren (Rune/Scribe) (last name presumed)

"Tom Moss" (Acidbath)

Victoria Dallon (Glory Girl/Antares)

"White Fairy"²

Blonde Adjacent:

Alabaster (white hair)

Kamil Armstrong (white hair)

Madeline ? (Winter) (white hair)

Paige Mcabee (Canary) (yellow feathers, hair unknown)

Polka (white hair)

Scion (gold hair)

Scrub (white hair)

The Simurgh (silver hair)

Worm has: 38 blonde characters, and 8 blonde-adjacent characters, for a total of 46.

WARD

Ashley Stillons II (Swansong)

Ashley Stillons III (Damsel of Distress)

Axehead? (Presumed)³

Bianca ? (Goddess)

Harbinger V (Limerick)

Hunter ? (Mincemaid)

Jay ?

Kathlee Rosenthal (Monokeros)¹

Lachlan ?

Lionwing

Moose

Mr. Drowsing

Nate ? (Reconciliation)

Paris

Rain O'Fire Fraizer (Precipice)

Ryan ? (Cradle)

Samuel Vasil

William Giles (Scapegoat)

Blonde Adjacent:

Anita Vera (white hair)

Christine Mathers (Mama Mathers) (silver hair)

Coiffure (silver hair)

Colt (Colt) (bleached hair)

Dino (silver hair)

Egg (yellow hair)

Engel ("glowing" hair)

Enyo (silver hair)

Foggy Idea (gray dyed hair)

Nailbiter (bleached hair)

Presley ? (gray-white dyed hair)

Vince Crowley (poorly-bleached hair)

Voltrage ("pale" hair)

Ward has: 18 blonde characters, and 13 blonde-adjacent characters, for a total of 31.

PACT:

Blake Thorburn

Chloe Duchamp

Diana Thompson

James Thorburn

Joanna Duchamp

Lea Duchamp

Lola Duchamp

Paul Thorburn

Penelope Duchamp

Peter Thorburn

Rose Thorburn Jr.

Rose Thorburn Sr.

Roxanne Thorburn

Sandra Duchamp

The Briar Girl

Blonde Adjacent

Malcolm "Fell" Atwell ("light" hair)

Pact has: 15 blonde characters, and 1 blonde-adjacent character, for a total of 16.

TWIG:

The Baron Richmond

The Duke of Francis

Duncan Lambsbridge

Emily Gage

Gordon Lambsbridge(?)

Helen Ibott

Jamie Lambsbridge

Jessie Ewesmont

Lord Carling

Lord King

Lord Leeds

Marcella

The Duke of Francis

The Twins (counts as 2)

BLONDE ADJACENT

Lady Glora ("pale of hair")

Lara (white hair)

Nora (white hair)

Twig has: 15 blonde characters, and 3 blonde-adjacent characters, for a total of 18.

PALE:

America Tedd

Anthem Tedd

Avery Kelly

Edith James

Eloise Miraz

Freak (of Freak & Squeak)

Gillian Ross

Liberty Tedd

Reggie the Composite Kid

Snowdrop

The Family Man

Ulysses Miraz

Wallace Davis

BLONDE ADJACENT

Mrs. Schaff (white hair)

Crooked Rook (white hair)

Gemma Duchamp (Grey hair)

Luna Hare (white hair)

Pale has: 13 blonde characters, and 4 blonde-adjacent characters, for a total of 17.

CLAW:

"Valentina's Mom & Sister"

Claw has: 2 blonde characters, and 0 blonde-adjacent characters, for a total of 2.⁴

Notes

¹ Both cuff and monokeros are noted to have dark hair in Ward while having blonde hair in their original appearances (Worm and WD Helena respectively).

² White Fairy is Mr. Gladly's girlfriend and a prolific redditor who is seen during the leviathan battle and the PHO greg interlude. deep cut. As a mortal enemy of greg veder, please treat her with appropriate respect.

³ Axehead is never seen in ward. However, Titan Skadi (who forms from Axehead) is described as having golden hair. I am presuming that this is from axehead the human having blonde hair.

⁴ Literally 1 person told me any characters from claw. i haven't read it. there's more than 2, but i haven't seen anything.

[spr1ng]

i feel so at peace but at the same time so chaotic and drained

[dirtytransmasc]

Alicent, exhausted, being forced to present her son to Viserys, panic in her eyes, hoping he is good enough for her husband:

[percy-phone-ze]

I know this is cliche, but please give your pets an extra hug or kiss or scritch for me today. You never know when it’ll be your last chance to do so

[dykedvonte]

I could see Jimmy's struggles on Earth being more about keeping a job/supporting himself. I definitely agree he's had some issues with police, but it's minor stuff like getting into fights at bars or petty thief.

Especially with his horrible personality, it's probably was hard not only finding a decent job, but one he felt comfortable in/believing he was a part of the team.

Giving him a laundry list of crimes makes it seems that predators like him are easy to spot when that's completely not true.

This exactly!!!

I’m not saying that Jimmy is like someone who slips under the radar completely, he does and says shit that’s weird, abrasive, threatening even but it’s never to the extent of outright suspicion. He’s just before that category and that’s part of the struggle. You have people like Curly that see the parts that aren’t all bad, even if they aren’t great, and those that don’t want to be involved when he steps over the line. On Earth, him crossing the line was seen with a sort of inevitability, people like Curly are much farther and fewer between.

He has a bad record but not an horrible one. He’s rude and abrasive but not outright violent. He’s bad with people but not in a way they stay away from him, he can’t keep them around outside of like Curly and non-comital pals, they probably don’t see enough of him to care. Jimmy’s in the perfect situation where he can just scrap by on his own but he’d be miserable. He’d always be on the cusps of comforts and stability someone like Curly or Swansea or Anya are stable enough in.

It’s why it’s easy to see why he could be given the benefit of the doubt. Why someone would pity and try to give him a step up or even try to find him a way out when he fucks up. He’s already pretty fucked in life why make it harder? But it’s the exact reason why you kinda shouldn’t. It can embolden the worse parts of him but he isn’t naturally trying to get away with the worse, it’s just he will if he starts to realize he can.

[martyrbat]

habeas corpus – detective comics #1086

(ID in alt!)