#rainbow high fan art

[giantratarts]

redesigns your Emerald McNabb redesigns your Emerald M-

I focused on the safety pins and chains on his jacket and used those to make him look more punk, rather than looking like a recoloured River Kendall. also we need dreadlocks on a boy doll already come on MGA, you're so cringe

[gen4grl]

my johto timeskip designs + bios/teams below!

i think about this group ALOT!!! if i had any confidence in writing i would easily share the whole hgss rewrite i have in my head but alas… just take my drawings instead! i like to give characters more “realistic” outfits… not really a modern au? i love to imagine the pokemon world with all our worlds pop culture which inspires my designs! long post but enjoy!!! ( ˘ ³˘)♥︎

⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆

⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ���⠄⠄⠂☆

lyra + 20. champion ranked trainer

♡ Raised by her single mother, aunt and older cousin Kris in the small New Bark home. Her father died when she was 6 in a mining incident involving Team Rocket. Bubbles, her ace Azumarill, was gifted to Lyra by her father on her 5th birthday - being her final gift from him.

♡ Extremely outgoing, sweetly optimistic and immensely empathic. Absolutley loves making friends and talking to every kind of person. However, is extremely competitive & stubbon and gets frustrated easily - resulting in her giving up quickly but is also extremely quick to be re-motivated. Often feels the emotions of others intensely. Very country girl with an extremely strong Johtoian accent and lisp. Loves 'girly' things like makeup + fashion, period dramas and collecting nick-nacks but also loves spending her days outdoors, espcially in the National Park with Ethan watching the bug-catching contests or the Safari Zone.

♡ Struggled with her battle confidence as a young trainer which resulted in her having to re-battle Falkner and Bugsy several times. Over her journey grew an appreciation for pokemon perceived to be 'weak' & cute and built her team around showing the powers of these types of pokemon. Despite being a Champion Ranked trainer, Lyra opted to work with Ethans grandparents at the daycare center where she specialises in pokemon breeding and training weaker pokemon + their trainers.

⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆

silver + 23. champion ranked trainer

♡ Only child of Rocket Boss, Giovanni. Was born and raised on Island 5 of the Sevii Islands by multiple admins, most commonly Archer before running away to Johto. Has a deep rooted and consistent fear that he’ll never amount to anything but “Giovanni's kid”. Was extremely tight lipped about his upbringing to the trio, especially after learning of his loose connection to Lyras father’s passing. Finally told them the truth of his family after the defeat and final disbandment of Team Rocket.

♡ Originally extremely standoffish, condescending and at times, aggressive. As an adult is still quite serious and independent, but genuinely enjoys the time he spends with his friends and is surprisingly protective of them - especially Lyra and Kris. As time passed, his anger towards his father evolved more into guilt, however, over the years has become more patient, gentle and forgiving with not only others but himself. He still can come off quite intimidating to strangers, but these changes are noticeably visible to those close to him. While usually a quiet person, has a very dry and witty sense of humour that takes most people by surprise.

♡ Mentored by Lance, and later Blue, and spends a large amount of time training in the Dragons Den. While unsure of what direction he wants his life to go into, Lance is adamant he would make a fantastic gym leader or elite four member. Always accompanies Lyra to the yearly Champion Balls and Alola trips. Currently lives in a small beachside bungalow with Lyra in Cherrygrove where he enjoys spending his free time reading and teaching himself guitar.

⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆

ethan + 21

♡ The childhood friend of Lyra, Ethan was raised by his father and grandparents in New Bark. Extremely courteous, friend & family oriented and easy to talk to. A natural comic and can make even the straightest face people crack a slight smile - Red being his proudest achievement. Lax and slightly ditsy but can adapt to any situation and group of people like a flick of a switch. Not the best at articulating himself but always puts 110% into making sure people feel comfortable through his actions.

♡ Completed the 8 Johto gyms but never challenged the Elite Four & Lance in favour for persuing his true passions. Currently works at the Goldenrod Radio Tower where he co-hosts a program consisting of interviewing gym leaders, elite four, champions and other prolific battlers. At nights, does standup in the clubs in the Goldenrod Tunnel. Due to his easy-going nature and career, tends to knows everyone’s buisness + gossip and has crazy experiences with nearly any person imaginable.

♡ Currently lives in a small loft in Goldenrod. Spends his free time watching anime + cartoons or in the National Park either watching the Bug Contests, skating or talking to the old folks. Enjoys the nightlife of Goldenrod where he usually pulls Silver out to bar hop or spend hours playing Voltorb Flip.

⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆

kris + 25

♡ Oldest and mother figure of the group. Was born and grew up in New Bark town with her mother before her cousin Lyra + aunt moved in with them when she was 11. The two shared the large upstairs bedroom growing up where Kris introduced Lyra to contests and the annual Champion & Wallace cups.

♡ Mature, soft spoken and extremely intellegent - both academically and socially. Because of this, can offer solutions on any issue on both a practical and emotional level, no matter the person and situation. Has unique relationships with all three kids but in general sees them as her younger siblings and takes the role as the 'older sister' very seriously. Has a warm and comforting presence, making those even to the likes of Silver feel comfortable confinding in her.

♡ Quite reserved and struggled with her purpose and sexuality growing up, espcially in rural Johto. After the death of her uncle and seeing her daughter’s interests in the Wallace Cups and contests, her mother moved the two to the Hoenn region, settling in Lilycove City when Kris was 13. While starting her gym challenge in the new region, Kris fell in love with Hoenn's unique weather patterns and ecosystems. Eventually she quit the gym challenge to peruse a career as a meteorologist where she now works at the weather institute. When not working, she enjoys attending contests, museums and scuba diving. Finally feeling settled in life, she came out to her family + the trio when she was 20.

⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆

[ocularguts]

🧃🌟🛸💫 yum zzzzzzzzlurpie 🥤🌟👽💫

[alpinesquib]

Old Sunny pic from may when I was desperately waiting for her and Luna's 2-pack to drop ☀️🌈🌱

[comicallysmallcereals]

Various main six fashion doodles :3

[mia-alex]

victoria!🪷

[bluecocoaart]

[christiansuxx]

Ke$ha / Kesha - Entire Discography as promo posters with tracklist included.

Each poster designed by me :)

[miau-exe]

album cover of botellita de jerez's self titled but its neon shadow ........ hits you with y rock latino beam. og cover under the cut

[mysticsparklewings]

Karla Choupette, but make her Winx!

----------

It’s been so long since I posted art, I kinda forgot how to caption it 😅

So I’ll stick with facts: Exactly 1 year ago today, I brought home my very first Rainbow High doll, Karla Choupette. Shortly after, I wanted to draw her, and since I was on a roll with Winx-Club-Style art at the time, this is the result! 🤍

⭐️ Like My Art and Want to see more of it? Here's All My Links! ⭐️

----------

This won't be much of surprise to Sparklers that read my most recent Museletter, but to those that didn't: Hi! Longtime no art; How've you been? 👋 😅 If you're curious about how & where I've been, I'm going to direct you to that Museletter for the full details.

Also as you'll see in the Museletter, I had actually started on and mostly finished this piece right before my accidental half-year hiatus actually began (in December). There are many reasons (discussed at length in the Museletter) as to why I've held onto this piece for so long, but chief among them are 1. A lack of motivation to type this description and 2. Even months later, I was still not 100% sure about the background I originally picked out.

We'll talk more about the background in a bit. Firstly, especially for those that didn't read the Museletter, I should probably tell you who/what exactly this is and why you're staring at it. 😆

This lady, dear Sparklers, is one Karla Choupette of Shadow High, which is a...sub-line? I guess is the best way to put it? of the Rainbow High doll line. Except, per my usual art shenanigans, she's been drawn in the Winx Club art style. 😅

Karla is also known as: The Doll that Broke My (also unintentional) 5-6 year Doll Buying Hiatus. And in fact, that was the final key to me dusting off my typing fingers to finally bring this art to you Sparklers today.

I'll try and keep this story brief, but...Well, loyal Sparklers know how me and "brief" usually go, so I'll just apologize in advance for how very not-brief this actually will be...

In a way, this story starts in 2016 with the second generation of Monster High.

The first generation of Monster High was, pretty indisputably, my "true doll love" even though until it's beginning in 2010 I'd been raised on mostly Barbie and some Bratz. But the second generation was almost completely canned by the fan base, including me.

By 2018, most Monster High merchandise had disappeared from stores entirely. It all happened so fast for a franchise that had been such a lightning-in-a-bottle success before; It was depressing. (It's still depressing, to be completely honest, even with G3 now alive and well.)

And after that, for years the was really nothing for me in the doll space. With Monster High and Ever After High gone, Barbie's quality having taken a nosedive, Bratz's presence be wildly inconsistent...Whatever options were left either didn't appeal to me personally or didn't stick around long enough for that to matter.

So for the next few years, my attention in the toy aisle was pretty squarely on Shopkins, Num Noms, and the occassional other surprise toys that tempted me enough to try at least once. 🤷‍♀️

In 2020 (so I've been told by the internet—I couldn't have remembered the date if my life depended on it because that's how little attention I was paying to them at the time), Rainbow High dolls started appearing in store. And I do believe I remember seeing them in-store, possibly even an enclosed display. And I remember really not liking them at the time!

And I didn't like what I saw of Rainbow High for a considerably amount of time after that. But somehow, someway, I did very slowly start to come around to them. I think the biggest factor was when I started to understand that despite what sounded like a cutesy name to me, Rainbow High was not effectively a line of CareBears dressed as teenage girls.

Though, at this stage, when I say "come around to," I really mean I stopped viewing the line with active disdain. It would take a while longer of random images popping up on my Instagram and Pinterest feeds (mostly Instagram) before I started to think, "Oh well maybe I'd buy one if xyz..."

But I don't think it was too much longer after the "if xyz" phase that I was browsing around on Pinterest

And there, that was the moment—*Gasp*, Who is she? She looks like Ivy if Ivy were pink! She's so pretty!!

Karla Choupette had appeared.

And for the record, yes—I did and still do think Karla looks a lot like what I envision for my Winx OC Ivy aside from the pink coloring. So if in the future you see me draw Ivy and her outfit looks suspiciously familiar, now you'll know why!

But, to be fair, that's not the only thing about Karla's design that appeals to me. The stark contrast of colors is one for sure, as well as the slight contrast of the punk-ish boots with the more formal/business-like dress/top situation. And after I did (spoiler alert) bring Karla home, I realized she bears some resemblance to one of my favorite Monster High dolls of all-time, Zomby Gaga, so there was almost definitely some subconscious influence coming from that.

Anyway. It was a little bit of a slow burn, but eventually the desire to actually get a Karla doll was rattling around in my head so loudly it was was very nearly literally keeping me up at night.

I completely lucked out in the timeline that Karla had already been out for a while at that point and last year's Amazon Prime Day wasn't too far around the corner. Sure, I could have just bought her at any time, but considering I'd been out of the doll-buying game a while and my "first doll back" was going to be one completely unlike the rest of my collection [..and I use that term kind of loosely here], so I didn't want to put too much money on the line when it was fully possible I'd get her home and unboxed and decide I didn't actually like her all that much.

The funny thing is, the story could've even there. Or at least taken a significant detour. Because, sure enough, Amazon did mark Karla down for Prime Day at the time, but before I could go through with the purchase, she sold out. 🙃

On a whim though, I decided to check Walmart a little later in the day, and lo and behold—Apparently they really wanted to compete with Amazon for sales that week, so they'd dropped their price on Karla to match and actually still had her in stock!

I ordered her for local pickup to avoiding paying for shipping, and the next day—Exactly one year ago today!—Karla came home with me. [And you can see a picture of my exact Karla in that Museletter I mentioned before, for those curious!]

It would be another couple of days before I actually opened her; Both in the store when we picked her up and while I was opening her, I was honestly a little scared that physically being able to hold her would somehow break whatever magic hold this doll had had over me up until either point.

But as you can probably guess by the way I'm telling this story and the fact that this art exists—Nope! And even a year and 20 (...soon to be 21...) more Rainbow/Shadow High dolls later, Karla is still my favorite. She is, in fact, the only one I currently have 2 of, as I found an incomplete-but-in-great-shape Karla for cheap on eBay about a month later.

To be fair, I should back up a bit and clarify: If you're familiar with the doll space, you may be wondering why/how Karla was the buying-hiatus-breaker for me even though Monster High G3 started releasing new dolls in 2022.

Technically I suppose she wasn't because I did get some of the MH G3 dolls and Howliday Draculaura for Christmas 2022, but for space/storage related reasons, it would be much longer before I actually opened any of my new MH dolls, and there were various aspects that made G3 still feel kind of rocky and uncertain at the time.

Karla was the one that really sparked my excitement for dolls in general again, though the excitement manifested as a rolling snowball instead of a roaring fire—I started out, as many doll fans across all brands have, insisting Karla would be the "only" Rainbow High doll I wanted/needed.

And if you'll remember I quoted a collection of 20 Rainbow High dolls a few paragraphs ago, then you'll already know exactly how that well-intended insistence turned out. 😆 [And this isn't even touching on the fact that, as also mentioned in the Museletter, that Karla and the Rainbow High girls also ignited a "make things for the dolls from scratch" spark in me that I have felt in...Mm, probably not since the earliest days of Monster High, sometime before 2013.]

Some of you are also now probably doing the math on how we arrived at the concept for this artwork—This is very much not the first (or even second or third) time that I've used the Winx Club art style as a vessel to express my love for some other thing.

It's been a while since the idea began by now, but I remember I had inklings of wanting to draw Karla for a while—I think in particular I wanted to play with Karla's white eyelashes in illustrated form since it's both something I've never seen on a doll before and also white eyelashes in general are just a unique and interesting concept to me—And since I was sorta on a roll with the Winx Club stuff/style, it wasn't too long or too far of a leap in logic to decide this is the way it would be done.

Likewise, if you've seen any of my most-recent Winx art, you'll already be fairly familiar with my process for how the art comes together in the most literal senses. So because of that and because it has been long enough that I don't remember finer details like areas that were particularly tricky so well, I'm going to skip over a lot of that here.

However, I do remember and can tell you a few things that make Karla here a little different from some of those other attempts of mine, so I will now start rambling about that in whatever order things come to mind.

Firstly and possibly the most obvious, Karla you could say Karla's wasn't "Winx-fied" as intensely as Helena or The Nanny, which was a very purposeful choice. I love Karla's original design so much that I really didn't want to touch it too much, and so while a fairy form like those other two artworks can often be more fun, I opted to keep Karla "casual."

To that end, I followed what patterns and "rules" I've observed for the Winx's Season 2-3 "casual outfits" as best I could without making any serious alterations. [The linked screenshot isn't the best example of said patterns/rules—You kinda have to take in multiple screenshots to get the best feel for that—but it's a decent enough point of reference for which outfits I'm talking about.]

So the main thing you'll notice are the things I took away or simplified because I think thy pushed Winx Club's style "limits" a bit too far—Karla has her fan but it's missing the word "Shadow" across the front, the zippers on her shoes aren't well-defined, the charm/pin from her tie is missing, you can't see the pinstripes on her dress (though if this were meant to be the Seasons 2-3 promo art style and not true-to-show style, I would've left those in)...things like that.

I did make small exceptions for things I felt would take away too much if I left them out like the details on her belt, the buckles on her boots, giving her eyeshadow, etc. But I tried to balance it all out. The belt is probably still pushing it, but I genuinely wasn't sure how else to handle it and I think everything else worked out well enough.

Now, I did make the decision to approach the line work more so how Season 4 would do it—There are more colored lines here than is really typical for Season 3, especially when you count Karla's hair. This was mostly done to try and preserve some of Karla's own "feel" when you look at her, but also a little for contrast of the different elements/textures at play. [For example, I thought lining her hair in black would look too harsh.]

...I should also probably mention that while I still stand by Karla looking a lot like what I want for Ivy, I really was focused on trying to capture Karla as herself here—I can't say Ivy never entered my mind during the drawing process because that's kind of impossible given that she lives and dies entirely in my imagination, but I did not consciously at any point use Ivy as reason or justification for any changes made to Karla's design.

Oh, and if this pose feels a little familiar, much like with Fran, I opted to re-use a pose I'd already been working with around the time I started this project. It's hard to tell from my sketches in the linked image, but in this case I did decide to re-draw the arms to nearly the opposite position because it made figuring out what to do with her fan so much easier.

Ironically, this pose is not at all the best way to get a good look at her white eyelashes, but I worked with what I had to make something nice without it taking 2-3 (or more) times as long, so I'm not actually too upset about that.

You could say that's sorta what happened with the background—I can't say this is my most favorite background I've ever put together, but I really did not have any better ideas, so...🤷‍♀️

Maybe it's obvious, maybe it's not, but I decided to try combining a design formula that's been used in a lot of the Rainbow High boxes as a background (and sometimes in other promotional material) with some general ideas from promotional images/profiles you may have seen of the Winx before.

So if you thought you were seeing Alfea castle edited into a rainbow gradient back there, you would be absolutely right. 😉

This is also why Karla's name is just kinda randomly hanging out over there on a "true to show style"—It's a little more consistent with the Winx profiles/images and added a little extra something I felt was missing from the full package.

And while not my primary motivation, I did kind of like the idea that with a background situation like this, if I decide I ever want to draw more Winxify-ed Rainbow High girls, I can re-use it and have them all a little more visually united as a series.

I have no current plans to do that, but I like being able to leave the door open for it, y'know?

...I think those are all the main things I wanted to mention. This is the real trouble with not writing these descriptions as soon as I'm able—I forget too much! But there's not much to be done about it now, so oh well I guess.

In such case, the important thing really is that I'm still happy with how the art turned out. Or at least Karla and some of the other details. Even at this very moment I still have my quibbles and doubts with the image of Alfea hanging out back there, but at this point I really don't want to put off uploading this any longer solely because of that, of all things.

Since I did find it in me to scramble what was left of this description together though, coupled with things I mentioned in that last Museletter, I really hope this means I've finally turned some kind of internal corner and and that it won't be another block of months before you Sparklers see more art from me.

At the very least, I can now say I've tried this new submission portal from dA and...It's not my beloved Sta.sh, but...eh, it's okay I guess. I still miss my editing/formatting tools being more available like in a proper text editor, but in some ways I do think I like this better than the previous submission portal, if I'm going to be forced to type out my descriptions in here from now on.

I think at least knowing that—that I'm marginally more familiar with this new portal now—will be a step in the right direction.

One last thing before I leave you Sparklers for today—I plan to give this description a once-over before I submit, but I've written most of it late at night after a busy shopping day and may or may not have caught myself almost dozing off a couple of times, so on top of my faulty memory, if you notice any exceptionally weird mistakes, that's probably where those came from and I missed them on my second read-through. 😅

In any case, Sparklers, I thank you for still being here and being patient with me—Like I said before, I sincerely hope this is just the beginning of me finally being "back," at least for a while, but ultimately only time will tell if it is or not.

But if it is, then I expect to see you all again much sooner rather than later...😉

----------

Artwork © me, MysticSparkleWings

Karla Choupette/Rainbow High © MgA Entertainment

----------

⭐️ Like My Art and Want to see more of it? Here's All My Links! ⭐️

[1eyedkat]

Hope Ur Not Afraid of the Dark

[aro-culture-is]

Aro culture is going to spencers and seeing only ace pride merch and no aro pride merch

.

[pinkandsupersparkly]

Victoria Whitman ❤️ 🌸

[himes-things]

I think she’s neat!

[kore-queen-of-hades]

The color wheel challenge but with my rainbow high redesigns

Color wheel template under the cut

Template:

[deep-sea-alpaca]

I almost deleted this drawing jsjs