The fact we changed from “My name is Celaena Sardothien and I will not be afraid.” to “Once upon a time, in a land long since burned to ash, there lived a young princess who loved her kingdom… very much.”
Because she is no longer Celaena Sardothien, nor does she live in fear of being afraid. She is done running, done with that mask that isn’t hers, because it doesn’t hold any comfort anymore. The only comfort she has is in who she really is; and that is no longer terrifying to her.
While both remind her who she is, remind her why; why she is here, why she will not break, why she is still fighting.
The first reminds her of what she had loved and lost. Of loving words that carry on, (of why she carries on) but that is all. All Celaena had was remnants; of someone, something… even herself.
The second, however, is something else; while it is still a dream, it is real… even among nightmares. It lives in her past, yes, but it is also the present, and any future. It is terribly beautifully true. And it is more; more than grief, and memory. Carrying on, finding ways to exist, survive. More than a dream, or words… even more than she is.
Because Aelin has something Celaena never did. Yes, she has a cause to fight for. She has her strength, her power, and rage; vendettas for things she could focus a fight to defeat; and a still terribly looming fate. The queen has a kingdom she adores. She has many things, she is many things… even Celaena still. But that’s not what I’m talking about, no, mostly, it’s that she has friends. A family. A Prince. She has a life not just an existence, a love with a beating heart, something worth dying and living for. And even if it is all gone to ash (“even when this world is a forgotten whisper of dust between the stars”) that is still hers; not a mask, not a facade, but something real.
In accepting who she is… there is the terrible truth of accepting that she is very much afraid (the fact Fenrys even felt the need to make the word “liar” in their code; because she is not alright, he knows, she knows, we “the reader” know… it’s more so the way we ask “how are you?” as a greeting. Sometimes even in terrible places like a funeral; when we know damn well that no-one there is really “good” or “alright��, but it’s the way we say “hello” and “I want you to be okay” and “are you at least surviving this”). It is being terrified of her acceptance in the first place, because part of being Aelin is the price it holds; because she was “promised” for a fate manipulated by gods before she even had the chance to draw breath… and there’s a doomsday in it that she’ll have to rage against one day… but not yet… not in this place. For now, she just has to exist, survive, live. And only Aelin can do that.
Because it’s not Sam’s words she needs anymore; it’s Rowan’s. And even more so, it’s her own.
It’s the words she said to him, but it is her story (Perhaps even the one she tattooed on her spine? Just a theory of the exact words.) because that, is still hers. Real. Living.
And as any reader knows (it’s why I love these books) you should never underestimate the power of a story.
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MULTIMUSE QUESTIONAIRE
Tagging: @infernalight, @infernal-feminae, @heartsofhell, @questionablemuses, @because-i-simp, @frostworkxfiction, @deepspacevivarium, @hotelbitches, @voxiiferous
RULES: Answer the questions with the Muses that would best fit the answers. Bonus if you give details why. If tagged, copy and paste into a new post – DO NOT REBLOG!
1) Rank your softest Muse and your toughest Muse. (Personality-wise)
My softest muse is definitely Vick. He's a 0 on the toughness scale, he's a big teddy bear and he will choose kindness over anything else at any point.
My toughest muse is probably Barbie. Girl is tough as nails and will not be stopped if she puts her mind to something. She doesn't take pain as a reason to stop and will go harder when it hurts.
2) Which Muse would blow through $1000 quickly?
Valentino, hands down. He spends $1,000 every day easily on things he doesn't even need. He loves to buy expensive things and will do so at all hours. He especially loves spending Vox's money. $1,000 is a drop in the bucket for him and he doesn't even notice spending it.
3) Do any of them have nicknames? Is there a meaning behind them?
Quite a few of them do!
Valentino answers to Bunny from his lovers, it's a subspace trigger word for him. I assigned him Bunny because he's Cute And Horny, aka a rabbit, and a bunny sub is fairly common.
4) Are any of them up-to-speed on the latest trends? Anyone more old school?
Velvette, Vox, and Valentino are obsessed with always being on top of the next new thing.
Alastor hates new things and will fight them as much as he can.
5) Who has the best relationship with their siblings?
Valentino had a fairly good relationship with his siblings when he was alive. He had seven of them, plus three live-in cousins that were like his siblings.
6) Karaoke night! Who is likely to grab the mic first and bust out a tune?
Beelzebub, Ozzie, Valentino, and Ostello! They all love to sing and party, and they're all pretty good at it. Ostello was a pop-jazz singer when he was alive and before he died in Hell, too!
7) Who is least likely to enter a beauty pageant/model?
Gretchen. She doesn't think that she's very pretty, and would just feel embarrassed even going to watch.
Travis. He is constantly told he's very ugly, and he doesn't have a very high opinion of his looks.
8) If your Muses visited a haunted house where actors scare you, who would panic and who would be unfazed?
Chazz, Gretchen, Charlie, Anya, Magpie, Summer, Travis, and Vick would be the easiest to scare!
Valore, Dimas, Cash, Glitz, Stu, Paimon, Alastor, Darío, Niffty, and Vox would be the hardest to phase.
9) Are any of your Muses particular about taking certain modes of transportation?
Vox prefers to be driven around and doesn't like driving himself.
Valentino only likes to drive occasionally and prefers pretty sports cars when he does.
Anya and Darío are motorcycle people.
Emily enjoys bicycles!
10) Share a little-known fact about any Muse.
Adam is actually a very good father and he loves kids and babies. He is very tender with children even if he can be harder on them once they have grown into adults.
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I know I sound like a broken record by now: repeating the same things others have said before but I think banality of it all is the point of my post. The fact that I have nothing new to say– not about the genocide in Gaza, not about the dwindling attention of allies, is HORRIFYING.
It has been 11 months of a genocide that the UN calls “war on children”. Malnutrition, diseases, lack of suitable medical care have caused Gazan children to lose their childhood; to lose their lives entirely!
There is no hope left for a future unmarked of pain and my friend Siraj Abudayeh ( @siraj2024 ) , who is father to three sons describes it as a “feeling of oppression”. He laments that his children have been forced away from their schools, hopes and dreams by colonizers and where before there were ambitions to excel in either studies or sports, all they know now is helplessness, fear and anger.
Siraj has told me how his children- Abed, Muhammad and Amir have confessed to their father about how they have begun to feel guilty for surviving at all now ; after having lost so many of their friends to the genocide they are experiencing survivor's guilt and it breaks my heart to hear that. Abed, the eldest son, is ONLY ELEVEN!! Can you imagine an eleven year old feeling guilty because he has managed to survive while his friends haven't ? And what kind of survival it is– Half starving, drinking unclean water, forced into tents where sand mites pester him throughout the day?
I am not sure what happened or why the engagement with fundraisers has dropped so drastically lately but there is nothing more atrocious, more horrible than apathy when children are suffering. It is so strange that we can quote James Baldwin so easily and yet have failed to understand what he meant when he said,
"The children are always ours, every single one of them, all over the globe; ...whoever is incapable of recognizing this may be incapable of morality. ”
We have the power that is not afforded to Gazans and therefore it is on us to be attentive no matter how repetitive these posts feel. It is ridiculous and dehumanizing that during a genocide one has to worry about making a post original enough to maintain attention. And yes I know that we won't be able to stop the horrifying banality of Israel’s evil in a day but WE CAN help provide FIVE families that are dependent on this fundraiser with a lifeline during times such as these.
Please we have managed to get this far after struggling for so long, it cannot be that we will fail Siraj when he is so close to the end goal of 82k !!
So DONATE AND BOOST. Find it in yourself to not just reblog but circulate the fundraiser among your colleagues, friends and family. Share it in your whatsapp chats and discord servers. Share it on every other platform that you may have a reach on.
Currently at $72,987 CAD of the short term goal of 75k. We have 2k left to raise by tomorrow.
Vetting at 219
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THE TEXAS LIBRARY ASSOCIATION TELLS CHUCK TINGLE TO STAY HOME BUT WE PROVE LOVE ANYWAY
just when you buckaroos thought 2024 would be a break from book drama, here comes chuck tingle in the mix. recently i was asked to be a featured speaker at the TEXAS LIBRARY ASSOCIATION annual conference. a few days ago they rescinded my invitation. here is what happened.
(EDITED TO ADD THIS LINK. if you have a hard time reading this on way of tumblr you can also read for free on chucks patreon)
i would like to start off by saying it is not my intent to start a fight, and all those reading this should know that the actions of a few misguided folks do not speak for the whole TEXAS LIBRARY ASSOCIATION. i am sure there are many involved who will be very upset to learn what others at TLA have done in their name. there are many individuals here, so please do not paint them all as villains in your mind. besides, chuck loves the dang library everyone knows that.
the point of writing this is not to vilify. i am writing this is because MOMENTS OF DARKNESS are the best places to SHINE A LIGHT AND PROVE LOVE IS REAL. this is a perfect time for learning and growing and for us talk on some very important things that queer buckaroos and neurodivergent buckaroos face every day. this is an unfortunate moment that WE can turn around and use to prove love is real.
i am also writing this to understand some of my own personal feelings on the matter. for something that seems very simple on the surface, the trot is complex, and i am still working out my emotions on the whole dang thing. i am learning in this way.
PART ONE: BAG OF LOVE
a few months ago chuck was asked to be a featured speaker at the 2024 TEXAS LIBRARY ASSOCIATION ANNUAL CONFERENCE. i have been asked to do things like the before and it is ALWAYS a fun time to meet bookseller and librarian buds. trotting around face to face and talking about my story of conquering chronic pain and overcoming my mental hurdles is VERY IMPORTANT to me. i say YES to these things whenever i can. (here i am with authors at CALIFORNIA INDEPENDENT BOOKSELLERS ALLIANCE conference. they are a WONDERFUL group and they proved love with their OWN invitation to chuck. this was such a moving event with so many amazing authors and stories. got very teared up during this photo)
ANYWAY BUCKAROOS i get the TEXAS LIBRARY ASSOCIATION invite and say 'YES BUD LETS TROT'. we are then confirmed.
months pass. a few weeks ago i get a call from my manager and agent and publisher saying ‘the TLA have rescinded their invitation.’
turns out some things had been going on behind the scenes
at some point the TLA asked chucks INCREDIBLE HEROIC BAD ASS PUBLISHER if chuck would be okay with not wearing the mask, to which tor/nightfire/macmillan said ‘what the heck are you talking about of course chuck is going to wear his mask. this is how chuck presents himself’ (NOT EXACT QUOTE)
as you all know, my pink bag way is a VERY IMPORTANT SPACE. as an autistic buckaroo it is a boundary that allows me to express myself freely and relieve my chronic pain from neurotypically masking all day. i have talked about this for years, and it is why i consider my private identity a SACRED THING. it is literally a health issue.
fortunately THE PINK BAG is never really a problem when making appearances. i have spent years going on television shows, doing interviews, speaking at other conferences and conventions, hosting book events on tour, and even MEETING WITH LAWYERS in my pink face covering. it is always respected and that is very validating to my way.
when arriving anywhere i always take precautions. i always warn buckaroos ahead of time that there is a masked man coming. i always have someone go in ahead of me JUST IN CASE. again, there has never been an issue. at a big conference where i am a special guest there is ESPECIALLY not an issue because my face and bio are printed IN THE DANG PROGRAM
SOME FUN TIMES AT BIG EVENTS BELOW:
CHUCK ON TV SHOW NAME OF 'AT MIDNIGHT' BACK BEFORE I WROTE LOVE IS REAL ON MY HEAD:
well, there has never been an issue.... UNTIL NOW.
PART TWO: RESCINDED
a few days ago TEXAS LIBRARY ASSOCIATION suddenly messaged my publishers and said that chuck tingle is no longer invited. my invitation was rescinded. the reason given was that people could possibly be uncomfortable with my mask
right out of the gate i would like to say this: it is absolutely the right of the texas library association to disinvite someone from their conference. it is their event, after all, and they can ban anyone they would like, for any reason.
of course, that doesnt mean other folks HEARING THIS NEWS wont have their own opinions the TLA choices. if the TLA disinvites someone, their reasoning for doing this can be discussed and analyzed. whether or not they follow their own guidelines can be questioned, and certainly their kindness and tact can be considered
there are a few BIG POINTS to make regarding this choice from the TLA
first and foremost, i just gotta say buckaroos, it is incredibly rude to invite someone to be a guest speaker at your event, have them confirm and mark off their calendar and turn down other offers, then rescind their invitation. this is maybe the simplest of the points, but it is an important one.
second, (DEEP BREATH HERE WE GO BUCKAROOS) i personally do not think of my autism as a disability very often, but i also KNOW that despite these feelings it ABSOLUTELY IS. autism is important to be listed as a recognized disability because of the help some autistic buckaroos need regarding government programs and things like that. ALSO just because my neurodivergence has helped me in some ways (hyperfocus and a unique artistic sensibility for example). i personally need to step back and remember my battle with stress and chronic pain from having to neurotypically mask all the time. for as much as i love being autistic it has made some things very difficult.
in other words, i am perfectly capable of speaking and interacting with folks without this pink bag on my head BUT WHEN I AM IN THE CHUCK TINGLE SPACE I REQUIRE IT. i can ONLY use this space while covering my face. is not a want. it is a need. holding this boundary is more important than i can ever say. i will not, and can not, let these spaces cross.
TLA not letting an autistic author wear the face cover theyve set up to express their neurodivergence in a safe, healthy way is--for lack of a better term--NOT A GOOD LOOK.
i cannot fathom them disinviting another author for using a disability aid. i cannot fathom them saying that a buckaroo who hears better with a hearing device cannot use it during their panel because it would make others 'uncomfortable'.
but here we are.
PART THREE: WHAT DOES A BUCKAROO GOTTA DO TO GET BANNED AROUND HERE?
this is the TLAs official stance on disability issues according to their website:
when poking around on the TLA website i noticed a few other things. i noticed a previous guest speaker wearing a niqab, and i was left wondering if the religious significance is what make that okay but chuck tingle banned. that made sense until i looked deeper and saw mascot buckaroos dressed up on the exhibition floor, and saw some kind of spiderbud in a costume contest. nobody around them seemed to be all that scared. their invitations REMAINED INTACT.
it should be mentioned here that AT ONE POINT during the discussions an email was sent from TLA saying chuck is allowed to come and wear his mask in the exhibition halls and smaller panels, just not at any of the big PAID PANELS i was once supposed to participate on. this was a confusing offer, but their explanation was that people who paid for something should have the option to not see chucks 'scary neurodivergence aid'. i tried to wrap my head around WHY they would make a distinction. maybe the exchange of money (rather than time) causes some kind of philosophical adjustment that i just cant grasp?
i wonder, would the author who wears a niqab ALSO be banned from the paid panels? i hope not
my answers trotted up short until i investigated deeper and found this quick moment from one of the TLA help videos. while some events DO require additional buckaroo cash, it actually appears that THE ENTIRE CONFERENCE IS TICKETED AND COSTS MONEY.
at this point i realized there is clearly no actual official policy about not covering your face (other than one from a few years ago saying that you HAVE to cover your face), and the addition of 'money' is a red herring. these excuses make no sense
PART FOUR: CLOSE THOSE GATES
it appears that my neurodivergence is 'scary' enough to get me uninvited, REGARDLESS what their disability and mask policies may say
BUT WHY? why is chucks preferred physical presentation valued SO little by the TLA that a THEORETICAL complaint is worth more? is my neurodivergent expression so awful? is my own safety as a queer activist such an afterthought?
is a pink bag with the words 'love is real' scrawled across the front REALLY going to frighten someone when the posters and pamphlets on the way into in panel would have a photo of my masked face saying THIS IS LITERALLY WHO IS ABOUT TO APPEAR BEFORE YOU.
if THAT accommodation is too much, would it really be so difficult to have someone trot out beforehand and make an announcement? to say 'there is someone on this upcoming panel who needs a mask to express this part of himself, if this makes you uncomfortable then this panel might not be for you'.
and really, i have to heckin ask, is this physical expression of my raw inner truth really so hideous and frightening that fear of making someone uncomfortable is a REAL problem?
(a terrifying display of autism. apparently)
i cannot imagine what kind of precautions they need to take before a stage play featuring costumes and masks.
you MIGHT think chucks queerness and left leaning politics could be the issue with this organization, but they have had drag queens as past speakers (also featuring some GLORIOUS makeup and hair that covers almost all of their faces. VERY CURIOUS). regardless, the TLA do not seem like a conservative bunch.
if you are bisexual or an autistic person who is good at 'passing' you probably already know where this is headed, your dang spiderbuckaroo senses are tingling at FULL ALERT. i will say i do not KNOW the real reason why i was uninvited, and i do not have enough information to make any concrete statement of the real answer. there is only evidence that masks have been fine at TEXAS LIBRARY ASSOCIATION events in the past, but not much else to go on.
so the FACTS part of our discussion ends there, but i think it opens us up to talk about some very important feelings that bisexual and autistic buckaroos know well.
THIS is where we take a unfortunate, hurtful moment and turn it into a discussion. this is where we prove love is real.
as someone who is constantly doubted and put through purity tests because of my unique way, we are pushing up against a subject i know well. thats right buckaroos: we are talking GATEKEEPING
AGAIN, i do not know if this is the answer, but someone in my position might be VERY STRONGLY INCLINED TO THINK that a few well-meaning left leaning buckaroos think i am a joke and that this is a character, and that there is something problematic about my work because i am not really a real person.
any upstanding left leaning organization would OF COURSE allow a mask for a neurodivergent buckaroo with an unusual visual presentation, an autistic buckaroo who conquered his chronic pain ONLY by creating this important space... but what about a FAKE autistic buckaroo?
any upstanding left leaning organization would OF COURSE allow a mask for a queer LGBTQ activist standing up for gay and trans rights against a torrent of scoundrels hunting for his legal identity. its a matter of safety... but what about a FAKE queer activist?
let me be very clear for the 100th time: i am a real person. this is not a joke. i am not playing a character. i am really autistic and bisexual. tinglers are sincere and they are not ‘so bad theyre good’. they are just good. camp damascus is not ‘my first serious book’ because my queer erotica is serious. my art is important and real.
when people tell me to unmask they often do not know WHY they want it, and of course one very good reason is innocent curiosity. but there are SOME cases where i start to get THAT feeling--that tingle all of us ‘passing’ buckaroos get when we can sense the real intent behind the poking and prodding. that is the feeling of stumbling into a gatekeepers crosshairs.
if i was to take off my pink bag, what about my face would you analyze to tell if i was REALLY queer. my eye color? my ear shape? if you learned my legal name, would you see if it sounded autistic? is my voice neurodivergent enough?
or is all of that utterly absurd? i am curious what the TEXAS LIBRARY ASSOCIATION thinks.
PART FIVE: GENDERED
this will be the shortest of parts, but it has to be said. i have a very complex relationship with gender, as written about at length here and here. i understand these things can be difficult to parse for some, but i ask that you trust me when i say that the ONLY reason i have been able to talk about my gender and sexuality and learn these things about myself is because of this pink bag. this outward appearance is a direct expression and reflection of my gender journey.
if the texas library association does not care about my appearance as an expression of my autism, then i cant imagine them giving a dang about it as an expression of my gender and queerness. that being said, it is personally very important to me and i think it should be mentioned
PART SIX: SO YOU WANT TO REMOVE AN AUTISTIC QUEER AUTHOR FROM YOUR EVENT BECAUSE PEOPLE MIGHT FIND THEIR DIFFERENCES SCARY
there is a question to be asked here: how could the TLA have done this correctly?
i have one very big piece of advice i would like to shout from the rooftops. please, for the love of sweet barbara, DO ENOUGH RESEARCH to know if this appearance will be a problem and, IF SO, dont extend an invitation in the first place. unique buckaroos with different presentations are constantly left in this place of limbo because we are bombarded with careless actions like those of the TLA. before you consider extending a branch to an artist who might need more accommodations than usual, think to yourself 'CAN WE MAKE THESE ACCOMMODATIONS?'
putting all of this on the shoulders of a single 'buckaroo with a difference' is exhausting. as the TLA has shown, we currently live on a timeline where a buckaroo like myself never really knows if an invite is SOLID without doing a deep dive history lesson on how often a group discriminates and against who.
i did not want to spend my whole family holiday worrying whether or not i should say something publicly or just lie down and shut my dang mouth. i had to consider HOW i should say it. i had to worry whether or not its worth standing up for myself in the face of the largest state library association in the country. i think buckaroos with differences are with me when i say: WE ARE SICK OF HAVING TO DO THIS WORK TO COVER FOR THE POOR BEHAVIOR OF LARGE ORGANIZATIONS WHO TREAT US BADLY
another option would just be to use kindness and common sense and happily accommodate artists with unique presentations to your conventions
PART SEVEN: LOVE IS STILL REAL
i would like to close by saying THANK YOU to my publisher nightfire and editor kelly for standing up for me. they immediately stood firm and had my back. they are the real dang deal. THANK YOU to my management and agent buds dongwon and gino for trotting along beside me. THANK YOU to the folks at the texas library association who initially invited chuck with goodness in their heart and then likely got bowled over by someone else, and maybe even got knocked to the side by a big closing gate.
i hope there are librarians in texas who are still interested in carrying BURY YOUR GAYS when it comes out (which is ironically about someone who creates a space through art to express their queerness where they cant otherwise). libraries prove love is real and what they do IS SO IMPORTANT. it was SO IMPORTANT TO ME as a young buckaroo and i cannot thank you enough. i am not sure if me writing all of this will hurt my sales in some way, but this opportunity to speak about the reality of disability awareness and queer gatekeeping is too important to stay silent. (if you have not already preordered BURY YOUR GAYS then give it a preorder to make up for some texas library losses i guess.)
which leads me to my final thank you. THANK YOU to the buckaroos reading this. yes YOU. i am in the position to stand up and speak my mind against scoundrel forces ONLY because i have the might of you buckaroos by my side. the buckaroo trot is ALL OF OUR TROT and we are ALL HERE TO PROVE LOVE. i cannot tell you how much i appreciate the way you have created a space for me to express these important parts of myself. you have seen this pink mask over my face and saying YES, I ACCEPT YOU, you have literally saved my life. for that i am so thankful.
if you are UPSET by what youve read here, then turn it into something positive. you can support autistic creators, or make a donation to the AUTISTIC SELF ADVOCACY NETWORK
and besides WHO IS REALLY MISSING OUT? this is what it looks like when you invite the worlds greatest author chuck tingle to your event and treat their identity as valid. WE HAVE A DANG GOOD TIME
KEEP TROTTING INTO THE FUTURE. KEEP KICKING DOWN GATES WHEREVER THEY MAY BE. KEEP PROVING LOVE IS REAL AND PROVING IT TOGETHER. lets go buckaroos - chuck
UPDATE AN HOUR AFTER POSTING:
true buckaroo TJ KLUNE was set to be another author on panel chuck was removed from and has informed me he has now chosen to decline his invitation in support and solidarity with chuck. i am so deeply moved by this. thank you from bottom of heart buckaroo
to be very clear TJ has a huge platform and DOES NOT NEED TO DO THIS. these conferences are great for book sales and he is taking a hit out of pure solidarity. this is queer buckaroos standing up for eachother. i am floored by this kindness and love
please consider checking out his books if they are not already covering your dang bookshelf. chuck blurbed IN THE LIVES OF PUPPETS and i was blown away i heckin loved it
MOST RECENT UPDATE:
here is more
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"This extra space next to me belongs to you. I know where I end now. I won't get lost." -- shoot me (metaphorically) and leave me for dead (metaphorically) why won't you. To make this about Dylan and maybe it's about Connor, maybe it's about Brinksy, maybe it's about any journeyman in the NHL. My brain screamed Chris Driedger and his memorable (to me) Players' Tribune article:
And how can you mention Dylan and Zach (Za-ach, the way Dylan says it) without me having a breakdown about them? You simply can't. And for the younger dudes, maybe it's a little Bords/Briss, not yet steady in The Show, a little bit of distance, a summer that tries to erase and make up all the memories they've made separately... and then a blurry insta story in Vegas. Just like old times but somewhere else. Maybe it's not the same bed, maybe it's not the same set of forks, but maybe it's the principle of the thing.
Anyway, goodbye. Sorry for this, your tag walls make me break out in imagined scenarios.
Much love. xxx
please never be sorry for sending me messages <3 i love reading them i love getting them i think they’re beautiful and i love them i’m!!!!! [🥹💕🦋🫧✨💘😭 <- the best approximation of what my heart is doing]
ok NOW i am taking this step by step because every narrative here kicked me straight in the knees (metaphorically) i am w e e p i n g (literally): i knew tangentially about chris driedger going to seattle but i had never read his players’ tribune love letter to seattle & all i can say is oh. oh. and with the part about trains delayed but still being right on time—
sometimes a dream is a truth your heart knows long before you do. the space that the city and the team made for him (“you’d be the only guy on the team”)🗣️🗣️🗣️ !!! but the way that chris talks about needing to put in the work & leo not letting him quit,,, that’s chris filling up the teakettle with twice as much water, crowding one side of the bed (falling asleep against a bus window dreaming), becoming unburdened by the idea of not being their guy, not having the fallback being their draft pick to content and settle himself with. that’s chris betting on a future. that’s the train coming down the tracks, right on time.
(i am feeling unhinged about it)
SECOND. i know i was the one that said zach and dylan to start so technically i brought this on myself but also i have been ktfo by the mere mention of the way that dylan says zach’s name different from everyone else, stealing an extra breath, stealing as much time as he can get with him, which reminded me of a poem i just read:
The Need Is So Great, Jim Moore
^^^dylan still in love with zach even as he’s leaving, can feel himself losing him, and taking every sliver of the love in his smile that he can get. even if he knows zach doesn’t still feel the same way he’s drawing out the long goodbye & saying i love you in a thousand ways without ever saying it out loud (“i have been asking for a time but in ways that have no words” because he doesn’t want to ask too much, to ask for love) in the hope that zach will say it back OKAY I’M LEAVING i can’t do this
that was a lie because THREE. “maybe it’s the principle of the thing” please insert the most ungodly screech how could you just (lovingly) come in straight with the steel chair and bean me upside the head with that l i n e i think this story has the potential for such tragedy in it but also the most tender domestic longing because bords & briss have known each other for a long time (i think) and guys do sometimes lose themselves when they first get to the nhl.
it’s a big scene, you’re with big name guys, you’re finally doing the thing you always dreamed about, you’re no longer necessarily the best because everyone’s the best, you’re not sure how you fit in, you can get lost in the glitz and the glamor of it but you can also literally get lost in it, the slog of the season and getting caught up and down between teams and leagues and endless airports and buses and travel and ice rinks, losing your phone (accidental) and having new people hound you for quotes and fame and connection so you lose your phone (on purpose) and i think where i’m trying to go is: this could play out as the tragedy of borde going to the california coastline and briss shipping off to the vegas strip and both of them getting a little lost.
maybe there’s someone else, maybe i am steadfastly not thinking about “a summer that tries to erase and make up all the memories they've made separately” as either a summer of them pretending things are ok after a year of barely speaking and now being completely different people they never were before OR a summer of them trying to pretend like they can forget about each other because maybe they didn’t think their relationship was the same thing, is all, when they were or weren’t together. maybe it’s nobody’s fault but for the fact that they were scared and tired and lonely trying to make it in the big times and didn’t know how to show it. and then borde shows up with takeout and plastic forks in vegas and it’s december and nothing like winter in ann arbor and still they fill up all the empty spaces in each other with the things they didn’t know they’d miss until they were gone and this is the real thing, not whatever they were trying too hard to be, to recreate their own nostalgia for the love in their memories. it’s the principle of the thing, is all, to always be true to the love they have right now & not what they think it should be.
sorry that i wrote you kind of an essay of an answer but i had so so so many thoughts because your ask was so lovely so thank you for sending it to me (you are always welcome to!! i love your imagined scenarios!!! cannot even explain how much!!!) & thank you for taking the time to read my walls of tags :))) <3
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📚 A List Of Useful Websites When Making An RPG 📚
My timeloop RPG In Stars and Time is done! Which means I can clear all my ISAT gamedev related bookmarks. But I figured I would show them here, in case they can be useful to someone. These range from "useful to write a story/characters/world" to "these are SUPER rpgmaker focused and will help with the terrible math that comes with making a game".
This is what I used to make my RPG game, but it could be useful for writers, game devs of all genres, DMs, artists, what have you. YIPPEE
Writing (Names)
Behind The Name - Why don't you have this bookmarked already. Search for names and their meanings from all over the world!
Medieval Names Archive - Medieval names. Useful. For ME
City and Town Name Generator - Create "fake" names for cities, generated from datasets from any country you desire! I used those for the couple city names in ISAT. I say "fake" in quotes because some of them do end up being actual city names, especially for french generated ones. Don't forget to double check you're not 1. just taking a real city name or 2. using a word that's like, Very Bad, especially if you don't know the country you're taking inspiration from! Don't want to end up with Poopaville, USA
Writing (Words)
Onym - A website full of websites that are full of words. And by that I mean dictionaries, thesauruses, translators, glossaries, ways to mix up words, and way more. HIGHLY recommend checking this website out!!!
Moby Thesaurus - My thesaurus of choice!
Rhyme Zone - Find words that rhyme with others. Perfect for poets, lyricists, punmasters.
In Different Languages - Search for a word, have it translated in MANY different languages in one page.
ASSETS
In general, I will say: just look up what you want on itch.io. There are SO MANY assets for you to buy on itch.io. You want a font? You want a background? You want a sound effect? You want a plugin? A pixel base? An attack animation? A cool UI?!?!?! JUST GO ON ITCH.IO!!!!!!
Visual Assets (General)
Creative Market - Shop for all kinds of assets, from fonts to mockups to templates to brushes to WHATEVER YOU WANT
Velvetyne - Cool and weird fonts
Chevy Ray's Pixel Fonts - They're good fonts.
Contrast Checker - Stop making your text white when your background is lime green no one can read that shit babe!!!!!!
Visual Assets (Game Focused)
Interface In Game - Screenshots of UI (User Interfaces) from SO MANY GAMES. Shows you everything and you can just look at what every single menu in a game looks like. You can also sort them by game genre! GREAT reference!
Game UI Database - Same as above!
Sound Assets
Zapsplat, Freesound - There are many sound effect websites out there but those are the ones I saved. Royalty free!
Shapeforms - Paid packs for music and sounds and stuff.
Other
CloudConvert - Convert files into other files. MAKE THAT .AVI A .MOV
EZGifs - Make those gifs bigger. Smaller. Optimize them. Take a video and make it a gif. The Sky Is The Limit
Marketing
Press Kitty - Did not end up needing this- this will help with creating a press kit! Useful for ANY indie dev. Yes, even if you're making a tiny game, you should have a press kit. You never know!!!
presskit() - Same as above, but a different one.
Itch.io Page Image Guide and Templates - Make your project pages on itch.io look nice.
MOOMANiBE's IGF post - If you're making indie games, you might wanna try and submit your game to the Independent Game Festival at some point. Here are some tips on how, and why you should.
Game Design (General)
An insightful thread where game developers discuss hidden mechanics designed to make games feel more interesting - Title says it all. Check those comments too.
Game Design (RPGs)
Yanfly "Let's Make a Game" Comics - INCREDIBLY useful tips on how to make RPGs, going from dungeons to towns to enemy stats!!!!
Attack Patterns - A nice post on enemy attack patterns, and what attacks you should give your enemies to make them challenging (but not TOO challenging!) A very good starting point.
How To Balance An RPG - Twitter thread on how to balance player stats VS enemy stats.
Nobody Cares About It But It’s The Only Thing That Matters: Pacing And Level Design In JRPGs - a Good Post.
Game Design (Visual Novels)
Feniks Renpy Tutorials - They're good tutorials.
I played over 100 visual novels in one month and here’s my advice to devs. - General VN advice. Also highly recommend this whole blog for help on marketing your games.
I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye
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