#quarto knows

[britneyshakespeare]

I can't believe the Younger Brother (1689) by Aphra Behn has the only one bed trope

[withasideofshakespeare]

We all know that I am First Quarto Hamlet’s number one fan (and I’m probably the only one who thinks I don’t talk about it enough...) so I thought it was time I write out my thoughts on staging Q1′s version of act 3, scene 4, how it affects the plot, and how I understand the odd choices made by its players. Before we begin, here is a rundown on what Q1 is for the uninitiated: https://www.tumblr.com/withasideofshakespeare/704686395278622720/a-rundown-on-the-absolute-chaos-that-is-first?source=share

Another quick note: I will not be adjusting Q1 spelling for this so if it’s in quotes, the spelling errors are some dead guy’s fault. Now, here’s how I’d stage this scene! (Below the cut for your sake)

TW for murder and mention of sexual assault (mentioned by the quarto, not me!)

The first major change I’d make would be tonal. A lot of typical Hamlet productions tend to make this scene angry for Hamlet and terrifying for Gertrude, but I find that the overall tone of Q1 is more subdued. Sorry, Branagh, but no one’s screaming at each other in this production. There’s a quieter horror here. Hamlet enters Gertrude’s chamber calling to her: “Mother, mother, O are you here? How i'st with you mother?” This is significant because it almost seems like he’s let down his guard for a moment. Q1 Hamlet almost never refers to Gertrude as “mother,” only “madam,” and I like the interpretation that Claudius is behind this- Q1 Claudius has the vibes of a step-father who demands that his new wife’s kid refers to his parents as “sir” and “ma’am.” I’d want Hamlet’s tone to be familiar here. He trusts that he’s out of Claudius’s earshot and puts enough hope in Gertrude to assume she won’t rat him out. Upon arriving in her chamber, it should be clear to the audience that Hamlet has an uncanny sensation that he’s being watched. He already knows what he’s going to tell Gertrude (or at least the gist of it) and he knows that being overheard is extremely dangerous. He’s pretty frantic by this point in the play, so we get the line:  “I'le tell you, but first weele make all safe.”

He seems to weigh his options through the next few lines. He looks back at the arras and guides Gertrude away from it, towards her bed. He takes a breath and draws his dagger. He has no intention to hurt his mother, but he is hoping that this half-threat will provoke any onlooker to come forward. Polonius (Corambis, whatever.) cries out from behind the arras and Hamlet whirls around and stabs him through the fabric. There’s no confusion in Hamlet’s next lines as we get in the later versions of the play, so I believe Polonius (Corambis... ugh) either falls forward and Hamlet sees his face or he manages to deduce who it is given that he just saw Claudius in another room.

Gertrude panics and tries to get up. Hamlet knows he only just has time to get a few words in to subdue her so he says the infamous “Not so much harme, good mother, As to kill a king, and marry with his brother.” She sits down again. 

“How! kill a king!“

Hamlet seems to steel his nerves and carries on, his dagger sheathed. He takes down a portrait from the wall: the royal family before things went awry. He ignores his younger self smiling back up at him and turns the painting to his mother. “Why this I meane, see here, behold this picture, It is the portraiture, of your deceased husband, See here a face, to outface Mars himselfe, An eye, at which his foes did tremble at, A front wherin all vertues are set downe For to adorne a king, and guild his crowne, Whose heart went hand in hand euen with that vow, He made to you in marriage, and he is dead. Murdred, damnably murdred”

He watches her intently, gauging her reaction just as he’d instructed Horatio to do at the play. If she’d shrunk away from her now-murderer son before, now she listens intently. He carries on, taking a gamble:

“Looke you now, here is your husband, With a face like Vulcan. A looke fit for a murder and a rape”

He isn’t entirely sure what he intends to imply, but somewhere, subconsciously, he feels he’s right. Gertrude doesn’t want Claudius. (And I think in the context of the First Quarto, he’s right.)

She pleads with him to stop. Maybe she’d suspected Claudius, maybe not. Either way, now she has to keep quiet and pretend everything’s normal with confirmation that Claudius is a killer (and so too is her son...)

The ghost appears. Gertrude shivers. She can’t see or hear it, but she feels it. Hamlet drops the painting and leaps to his feet, torn between attentiveness and terror. Guilt crashes over him. He has failed to kill Claudius. He has killed an innocent man. Hamlet tries to conceal his sobs. The ghost steps towards him, its back to the audience. Hamlet is trembling, but we can’t see his face.

The ghost steps away as instructs him to comfort his mother and we see Hamlet pressed against the wall, tears in his eyes. He turns to Gertrude, mirroring the ghost’s motion, and chokes out  “How i'st with you Lady?”

She responds: “Nay, how i'st with you That thus you bend your eyes on vacancie, And holde discourse with nothing but with ayre?”

It hits him all at once. She can’t see it, she can’t hear it, it can’t vouch for him. His tears spill over. 

He prays he’s wrong. 

“Why doe you nothing heare?” 

“Not I.”

“Nor doe you nothing see?”

Gertrude isn’t sure what to think. If the mad prince tells her to believe that Claudius killed her first husband, does she dare listen?

She responds, shakily: “No neither.”

“No, why see the king my father, my father...” Hamlet reaches out as if to touch the ghost, but it only looks back, sorrowful, and strides away, vanishing into the air.

She says he is mad. She doesn’t know if she believes it. She doesn’t know what to believe. 

Hamlet returns to her side and frantically places her fingers over his wrist. His heart still beats, doesn’t it?

“Idle, no mother, my pulse doth beate like yours, It is not madnesse that possesseth Hamlet.”

He isn’t sure whether he’s convincing her or himself. Gertrude pulls him into her arms. She can’t help it. She feels the blood on his hands, sticky against her dress. She pulls him closer.

He eventually pulls away and implores her on his knees:

“O mother, if euer you did my deare father loue...” He echoes the ghost’s if thou didst ever thy dear father love... half-intentionally. If the ghost cannot speak to her, he will. He must.

“Forbeare the adulterous bed to night, And win your selfe by little as you may, In time it may be you wil lothe him quite: And mother, but assist mee in reuenge, And in his death your infamy shall die.”

The ghost asked him to leave her to heaven. He fears what her judgment might bring. He loves her. He needs her. He can’t do this alone. He’s so scared and he just wants his mother’s affirmation that everything will be alright, that she will support him, that somehow, their family can be saved. He knows he’s lying to himself, but he can’t stop.

They make eye contact. Gertrude takes a moment before nodding and longer before she speaks, but she agrees.

“Hamlet, I vow by that maiesty, That knowes our thoughts, and lookes into our hearts, I will conceale, consent, and doe my best, What stratagem soe're thou shalt deuise.”

She holds his hands for a while, but her eyes drift towards Polonius’s (Corambis’s ARGH) body and Hamlet, who was facing away from it, suddenly realizes what he’s done all over again. He scrambles to his feet and wraps it in the arras before frantically dragging it out of the room and off stage.

Gertrude doesn’t move. She sits on her bed, breathing heavily, her head still turned towards the door. The pause feels long and drawn out. Too long. She stands very suddenly and grabs a rug, placing it over the bloodstains on the floor. She hangs up the painting and as she’s centering it, Claudius enters.  (The Q1 cue is:  “Exit Hamlet with the dead body. Enter the King and Lordes.”  There is, notably, no exit cue for Gertrude. He comes to her, not the other way around.) She turns to face him. He greets her:

“Now Gertred, what sayes our sonne-”

He notices the blood on her dress. He looks down. The rug he’s standing on is soaking through with blood. 

“How... how doe you finde him?”

She stands with her back to the audience, facing him, hardly moving. The panic and shock and horror hit her all over again and she reveals all: 

“Alas my lord, as raging as the sea: Whenas he came, I first bespake him faire, But then he throwes and tosses me about, As one forgetting that I was his mother: At last I call'd for help: and as I cried, Corambis Call'd, which Hamlet no sooner heard, but whips me Out his rapier, and cries, a Rat, a Rat, and in his rage The good olde man he killes.”

What else is she supposed to do in her bloodstained dress, the carpet sticky with gore, and her portrait hung sideways on the wall? Something is rotten in the state of Denmark and Claudius can’t suspect it’s her. Not yet.

[lokicat5]

Having only seen KB’s version, can I ask what’s wrong with it?

Although I’m not doubting your teacher AT ALL, because a) I am small and know nothing, and b) the rest are very amazing takes (especially about Horatio the beloved)

so far my shakespeare professor has talked about how:

- hamlet is a play about generational trauma and the older characters hurting the young characters by trying to make them extensions of themselves and not letting them live their own lives

- hamlet isn’t 30, he’s probably 18-21

- horatio is incredibly underrated, brave, in love with hamlet, and the reason why the audience can never give up on him

- k*nn*th br*n*gh’s production is a crime against humanity

i’m absolutely thriving in this class

[canon-in-too-deep]

50 Free Typesets

New achievement unlocked! I now have 50 public domain books/typesets available for FREE in my library! 🥳 Above is a collage of all 50 title pages.

What does this mean? It means that these classic books have been typeset (typographic, book design, layout work done), and are ready as pdfs that can be used to read, print out, book bind, or burn at your pleasure! (Just keep it to personal use only!)

The full list (with page sizes now noted) of all 50 books available can be found here on my tumblrary directory/masterlist (which will update as I add more), and below the break of this post!

Please please feel free to request access to my library (aka, yee good ol' googly drive). I usually respond within 24 hours, and they are indeed free! Just leave credit if you use, and consider liking/reblogging!

Also, if you find any errors in the files, let me know! I made these in Affinity, not with an AI program, and typos are natural spawns XD

From Frankenstein to Pride and Prejudice, to Sherlock Holmes to a dude that wakes up as a bug, I've been honored to be able to typeset these books and share them with all of you.

A part of me wants to ramble on about the behind the scenes and my continuing personal journey of amateur typesetting...but I think the most important thing I can say is simply thank you! to everyone that's stopped by! So thank you all! (And should I try for 100? 🤔 Hmmm...)

Warning! Wall of text below the break!

All 50 typesets available (some have alternate versions in library):

Persuasion by Jane Austen (Letter Folio)

The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (Letter Quarto)

Frankenstein by Mary Shelley (Letter Folio)

The Merry Adventures of Robinhood by Howard Pyle (Illustrated) (Letter Folio)

Peter Pan by J. M. Barrie (Letter Folio)

Dracula by Bram Stoker (Letter Folio)

The Call of Cthulhu by H. P. Lovecraft (Letter Quarto)

The Importance of Being Earnest by Oscar Wilde (Letter Folio)

The Adventures of Sherlock Holmes by Arthur Conan Doyle (Illustrated) (Letter Folio)

The Invisible Man by H. G. Wells (Letter Folio)

The Great Gatsby by F. Scott Fitzgerald (Letter Folio)

The Tragedy of Romeo and Juliet by William Shakespeare (Letter Folio)

The Picture of Dorian Gray by Oscar Wilde (Letter Folio)

The Divine Comedy by Dante Alighieri (Illustrated) (Letter Folio)

Pride and Prejudice by Jane Austen (Illustrated) (Letter Folio)

The Odyssey by Homer (Letter Folio)

Tales of Space and Time by H. G. Wells (Letter Folio)

The House of Mirth by Edith Wharton (Letter Folio)

A Christmas Carol by Charles Dickens (Illustrated) (Letter Folio)

The Book of Dragons by E. Nesbit (Illustrated) (Letter Folio)

Much Ado About Nothing by William Shakespeare (Letter Folio)

Twenty Thousand Leagues under the Sea by Jules Verne (Illustrated) (Letter Folio)

Crime and Punishment by Fyodor Dostoevsky (Letter Folio)

Around the World in Eighty Days by Jules Verne (Letter Folio)

Alice's Adventures in Wonderland by Lewis Carroll (Illustrated) (Letter Folio)

Leave it to Psmith by P. G. Wodehouse (Letter Folio)

Lord Peter views the body by Dorothy L. Sayers (Letter Folio)

The Room in the Tower by E. F. Benson (Letter Folio)

Right Ho, Jeeves by P. G. Wodehouse (Letter Folio)

The Time Machine by H. G. Wells (Letter Folio)

Metamorphosis by Franz Kafka (Letter Quarto)

Poirot Investigates by Agatha Christie (Letter Folio)

Grimms' Fairy Tales by Jacob and Wilhelm Grimm (Letter Folio)

The Phantom of the Opera by Gaston Leroux (Letter Folio)

Andersen's Fairy Tales by Hans Christian Andersen (Letter Folio)

The Legend of Sleepy Hollow by Washington Irving (Letter Quarto)

Shakespeare's Sonnets by William Shakespeare (Letter Folio)

The Raven by Edgar Allan Poe (Illustrated) (Letter Octavo)

Anne of Green Gables by L. M. Montgomery (Letter Folio)

A Journey to the Centre of the Earth by Jules Verne (Letter Folio)

Sense and Sensibility by Jane Austen (Letter Folio)

Notre-Dame de Paris by Victor Hugo (Letter Folio)

Wuthering Heights by Emily Brontë (Letter Folio)

The Wonderful Wizard of Oz by L. Frank Baum (Letter Folio)

The Blue Fairy Book (Font Sampler Edition) edited by Andrew Lang (Letter Folio)

A Princess of Mars by Edgar Rice Burroughs (Letter Folio)

Ivanhoe by Sir Walter Scott (Illustrated) (Letter Folio)

The Mysterious Affair at Styles by Agatha Christie (Letter Folio)

Emma by Jane Austen (Letter Folio)

Paradise Lost by John Milton (Letter Folio)

[itblackggirl]

Método "Just Trust Me" by Me / Method "Just Trust Me" by Me!

pt-br - eng!

"Who is Victoria? I don't know her, she's a real person?'

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Oii meus amores! A thread será dividida nos seguintes tópicos!

1- O que é o método “Just Trust Me”?

2- Por que esse nome?

3- Como funciona?

4- Recomendações.

5- Success Story.

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1 - O que é o método “Just Trust Me” ?

O método foi criado por mim, Natasha, depois de uma observação baseada em uma crença que todos temos desde crianças: No escuro há algo ameaçador, como um bicho ou uma pessoa.

Ele foi baseado nessa teoria que foi reescrita por mim e usada para assumir aparência ou corpo desejado! Eu não sei se ela pode ser usada para outra finalidade sem ser essa, porque da forma que eu fiz, ela é mais usável para aparência e corpo.

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2 - Por que esse nome?

Todos nós, quando pequenos, ou na grande maioria, temos medo do escuro. Não sei vocês, mas eu sou filha única e dormia no meu quarto sozinha e de noite era um BREU! Sério, não dava pra ver nada, eu era um pouco medrosa e criativa então em um canto específico eu sempre via algo lá, seja uma sombra preta se mexendo ou até “alguém” lá! Mesmo que eu SOUBESSE que não tinha nada lá.

Mas por que eu via algo? Porque meu cérebro usava meu sentimento dominante no momento e fazia eu VER o que eu imaginava que tinha lá, basicamente se na minha mente eu via uma pessoa, automaticamente isso se refletia na minha realidade através do meu sentimento dominante que era o medo.

Por isso o nome “Just Trust Me” já que ele veio da teoria do escuro, porque nós “vemos” essas coisas no escuro, nosso cérebro faz com que acreditemos nele! No que ele tá dizendo, afinal, se o cérebro diz que tem algo lá, é porque tem! Isso faz com que a gente ACREDITE nele! Por isso o nome “Just Trust Me” que traduzindo é “apenas confie em mim”

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3- Como funciona?

Bom, você pode realizar o método usando foto/vídeo da sua fc ou body inspo, pode parecer estranho mas eu juro que vai fazer sentido na hora!

— Com a foto/vídeo da sua fc/body inspo:

Você vai escolher a foto que mais gostar e que mostre seu rosto por completo, se quiser fazer isso ouvindo subliminal, faça! Sem problema nenhum. Assim que selecionar a imagem, decore o máximo de informação que achar importante assumir e em seguida, feche os olhos, quando fechar, imagine um espelho na sua frente com a sua fc sendo refletida nele, cada detalhe que você decorou, admire cada um e relaxe, respire fundo e afirme! Eu recomendo coisas simples como:

 “Uau, o meu rosto/corpo é tão lindo!” 

“Eu amo meus olhos e a forma como tudo combina em mim!”

“Não é maravilhoso meu rosto/corpo ser exatamente desse jeito?”

“Amo acordar todos os dias com meu esse meu rosto/corpo lindo!!”

Simples, viram? Eu percebi que usar o termo “desejado” se relaciona com algo que não tem, um desejo não realizado! Mas nós sempre fomos daquele jeito, não é verdade? Por que desejar o já obtido?

Mas sabemos que no início pode ser complicado para algum de nós, tudo isso de se ver no espelho do 3d e não vê nada, mas não se desespere! Toda vez que você passar por um espelho, câmera do celular ou algo que reflete, e seu cérebro mostrar algo que não é o que você sempre teve, só respire fundo, sorria e mentalize suas afirmações, se os pensamentos ruins e a insegurança aparecerem, diga:

“Eu sei o que eu estou vendo e eu sei quem eu sou, eu confio no que vejo!”

Ter confiança, persistência e saber seu valor ajuda muito! Eu diria que é a “chave” para tudo!

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4- Recomendações.

Aqui nesse arquivo eu coloquei afirmações para rosto e corpo, se você achar que não estão naturais para você, mude! Sinta-se à vontade! Mesma coisa com a playlist, se quiser fazer uma própria com as subliminar de lá, está tudo bem! 

Espero que gostem, fiz com todo amor e carinho! 

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5- Success Story.

Chegamos na parte que alguns devem ter ansiado tanto durante a leitura, a minha success story com esse método! Devo dizer que no início eu tinha pedido para duas pessoas testarem mas elas esqueceram então não vai dar para por o relato delas aqui, mas ainda terá o meu!

— Relato usando o Just Trust Me:

Quando eu criei ele, eu usava a Tyla como fc e na época eu tinha feito até um vision board usando ela, eu estava decidida a assumir a aparência dela, então coloquei meu método em prática! Algumas vezes eu me senti insegura e desmotivada mas me mantive firme e em uma manhã após o meu primeiro dia usando ele, eu acordei, tomei banho, me vesti e quando me olhei no espelho, o meu rosto estava diferente!

Eu não estava igual a ela, mas os meus traços estavam bastante semelhantes ao dela, o meu olhar e até o sorriso! Eu fiquei feliz, bastante mesmo, mas não chocada, pois eu sabia daquilo, eu sempre fui daquele jeito então não tinha motivos para surpresa ou espanto!

Eu infelizmente não vou ter fotos minhas aqui por 2 motivos:

– Privacidade

– Eu troquei de fc e tudo sumiu..............

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Chegamos ao fim da thread, espero que tenham gostado do meu método e até a próxima!

beijinhos!

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English Version!

Method "Just Trust Me" by Me!

"Who is Victoria? I don't know her, she's a real person?"

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Hi my loves! The thread will be divided into the following topics!

1- What is the “Just Trust Me” method?

2- Why this name?

3- How does it work?

4- Recommendations.

5- Success Story.

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1 - What is the “Just Trust Me” method?

The method was created by me, Natasha, after an observation based on a belief that we all have since childhood: In the dark there is something threatening, like an animal or a person.

It was based on this theory that was rewritten by me and used to assume the desired appearance or body! I don't know if it can be used for any other purpose than this, because the way I did it, it is more usable for appearance and body.

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2 - Why this name?

All of us, when we are little, or most of us, are afraid of the dark. I don't know about you, but I'm an only child and I slept in my room alone and at night it was DARK! Seriously, I couldn't see anything, I was a little scared and creative so in a specific corner I always saw something there, be it a black shadow moving or even “someone” there! Even though I KNEW there was nothing there.

But why did I see something? Because my brain used my dominant feeling at the moment and made me SEE what I imagined was there, basically if in my mind I saw a person, this would automatically be reflected in my reality through my dominant feeling which was fear.

That's why the name “Just Trust Me” since it came from the theory of the dark, because we “see” these things in the dark, our brain makes us believe in it! In what it's saying, after all, if the brain says there's something there, it's because there is! This makes us BELIEVE in it! That's why the name “Just Trust Me”

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3- How does it work?

Well, you can do the method using a photo/video of your face or body inspo. It may seem strange, but I promise it will make sense right away!

— With the photo/video of your face/body inspo:

You will choose the photo that you like the most and that shows your entire face. If you want to do this while listening to subliminal music, go for it! No problem. As soon as you select the image, memorize as much information as you think is important to assume and then close your eyes. When you close your eyes, imagine a mirror in front of you with your face being reflected in it. Every detail that you memorized. Admire each one and relax. Take a deep breath and affirm! I recommend simple things like:

“Wow, my face/body is so beautiful!”

“I love my eyes and the way everything matches me!”

“Isn’t it wonderful that my face/body is exactly like this?”

“I love waking up every day with my beautiful face/body!!”

Simple, see? I realized that using the term “desired” relates to something that you don’t have, an unfulfilled desire! But we’ve always been that way, haven’t we? Why desire what you’ve already obtained?

But we know that at first it can be complicated for some of us, all this looking at yourself in a 3D mirror and not seeing anything, but don’t despair! Every time you pass by a mirror, cell phone camera or something that reflects, and your brain shows you something that isn’t what you’ve always had, just take a deep breath, smile and mentally affirm your thoughts. If bad thoughts and insecurity appear, say:

“I know what I’m seeing and I know who I am, I trust what I see!”

Having confidence, persistence and knowing your worth helps a lot! I would say that it’s the “key” to everything!

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4- Recommendations.

Here in this file I put affirmations for face and body, if you think they are not natural for you, change them! Feel free! Same thing with the playlist, if you want to make your own with the subliminals from there, that's fine!

I hope you like it, I made it with all the love and care!

(Just translate the statements using google translate)

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5- Success Story.

We've reached the part that some of you must have been looking forward to while reading, my success story with this method! I must say that at the beginning I had asked two people to test it but they forgot so I won't be able to put their story here, but there will still be mine!

— Story using Just Trust Me:

When I created it, I used Tyla as my fc and at the time I had even made a vision board using her, I was determined to adopt her appearance, so I put my method into practice! Sometimes I felt insecure and unmotivated but I held firm and one morning after my first day using it, I woke up, took a shower, got dressed and when I looked in the mirror, my face was different!

I didn't look like her, but my features were quite similar to hers, my look and even my smile! I was happy, very happy indeed, but not shocked, because I knew that, I've always been that way so there was no reason to be surprised or astonished!

Unfortunately, I won't have any photos of myself here for 2 reasons:

– Privacy

– I changed my face claim and everything disappeared…………..

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We have reached the end of the thread, I hope you enjoyed my method and see you next time!

Kisses!

[gatinhogari]

Headcanons - Twisted Wonderland

Sᴋᴜʟʟʏ J. Gʀᴀᴠᴇs - Cʀᴜsʜɪɴɢ

Translated✓

Word Count: +1233

Português (Brasil)

Se você em alguma momento pensou que ele nunca poderia ficar socialmente mais estranho do que já era é porque ainda não tivemos o prazer de ver esse meu bebê lindo de 2 metros tendo sua primeira paixão 😩❤️

Ele não tem ideia de como lidar com esse novo sentimento e por um tempo indeterminado, confundiria como sendo apenas mais um hiperfoco em que dedicaria quase todo o seu tempo a saber absolutamente tudo sobre você, suas coisas favoritas, o que mais detesta, hábitos e rotinas... é ele é meio que um stalker nessa fase...

Mas essa nova curiosidade não o impediria de te tratar da mesma forma cortez, cavalhereisca e amável de sempre, só que seria um pouco mais estranho...

Aquelas simples ações que para ele são nada mais que a educação adequada para qualquer um acabariam por significar muito mais se elas fossem praticadas com você. Ele toma seu tempo para beijar carinhosamente as costas de sua mão, sempre que possível abre as portas quando você for entrar ou sair de algum lugar, ajeita o paletó em seus ombros quando a temperatura esfria. Mas enquanto isso, o seu coração aquece com algo novo, alegre, animado, ainda que assustado com estas emoções

Infelizmente, ele é um garoto solitário, que adora falar de seus interesses, em especial, o Halloween, com tanto amor e fervor que as pessoas que ele já conheceu não buscaram compreendê-lo da maneira que ele merecia. E por isso, sempre tenta se esforçar ao máximo em ser gentil para as pessoas, porque apesar de tudo ele quer muito se conectar com elas e, te conhecer e te ter ao lado dele foi uma das maiores sortes que ele já teve

Sair tarde da noite para qualquer lugar sombrio ou mesmo se perder em alguns dos vários quartos esquecidos de Ramshackle Dorm, contando piadas de Halloween, tagarelando sem parar sobre seus novos hiperfocos, limpando o dormitório ou tentando cozinhar algo. Todos esses momentos simples são tão significativos pra ele que raramente são às vezes em que ele consegue te tirar da cabeça

Provavelmente quando ele se dá conta de seus próprios sentimentos já é muito tarde para tentar fingir que eles não existem. Ele está tão apaixonado mas ao mesmo tempo apavorado com a rejeição ou mesmo com o término da amizade incrível que vocês dois compartilham

Como você é sua primeira paixão ele ainda não tentaria te cortejar, é tudo tão novo pra ele e é necessário que a mente e o coração dele reflitam um pouquinho mais sobre

E por isso, ele tentaria ao máximo, na sua forma mais embaraçosa esconder seus sentimentos... não que você ou qualquer outra pessoa não saiba...

Mas é muito importante pro Skully ter a chance de confessar seus sentimentos por você, faz parte de sua evolução como personagem e além do fato de que ele ficaria muito frustrado ainda que lisonjeado se você confessasse primeiro. Ele é um perfeito cavalheiro e foi ensinado como tal, então ele vai tentar o seu melhor✨️

Eu não vejo que um relacionamento não engataria porque ele das duas uma: ou vai tentar fazer a confissão e o pedido de namoro mais complicado do século, ou então da forma mais aleatória e espontânea possível, agora é só esperar pra ver 😉

English

If you ever thought that he could never get more socially awkward than he already was, it's because we haven't yet had the pleasure of seeing my beautiful 2 meter baby having his first crush 😩❤️

He has no idea how to deal with this new feeling and for an indeterminate amount of time, he would mistake it as just another hyperfocus in which he would devote almost all of his time to knowing absolutely everything about you, your favorite things, what you hate most, habits and routines... he's a bit of a stalker at this stage...

But this new curiosity wouldn't stop him from treating you in the same courteous, gentlemanly and kind way as always, only it would be a little stranger...

Those simple actions that for him are nothing more than proper manners for anyone would end up meaning much more if they were practiced with you. He takes the time to kiss the back of your hand affectionately, whenever possible he opens doors when you're going in or out of somewhere, he smoothes his jacket over your shoulders when the temperature gets cold. But in the meantime, his heart warms with something new, joyful, lively, even if he frightened by these emotions

Unfortunately, he's a lonely boy who loves to talk about his interests, especially Halloween, with such love and fervor that the people he's met haven't tried to understand him in the way he deserves. And that's why he always tries his best to be kind to people, because despite everything he really wants to connect with them and meeting you and having you by his side was one of the luckiest things he's ever had

Going out late at night to any dark place or even getting lost in some of the many forgotten rooms of Ramshackle Dorm, telling Halloween jokes, chattering endlessly about his new hyperfocus, cleaning the dorm or trying to cook something. All these simple moments are so meaningful to him that he rarely manages to get them out of his head

Probably by the time he realizes his own feelings it's too late to try to pretend they don't exist. He's so in love but at the same time terrified of rejection or even of ending the incredible friendship you two share

Since you're his first crush, he wouldn't try to woo you yet, it's all so new to him and it's necessary for his mind and heart to think a little more about

And so he would try his best, in his most embarrassing way, to hide his feelings... not that you or anyone else wouldn't know...

But it's very important for Skully to have the chance to confess his feelings for you, it's part of his evolution as a character and apart from the fact that he would be very frustrated even if flattered if you confessed first. He's a perfect gentleman and has been taught to be one, so he will try his best ✨️

I don't see why a relationship wouldn't work because he's either going to try to make the most complicated confession of the century, or he's going to do it in the most random, spontaneous way possible, now it's better to wait and see 😉

[theriverbeyond]

believing in everything (and knowing nothing at all) by @lesbianjesuslovesyou

A series of childhood memories from the Ninth.

I love this fic, it makes me ACHE for baby Gideon, and I love its exploration of Gideon's dynamics with the other characters on the Ninth as she was growing up :') this is the second fic I bound for @renegadeguild's Fanfic Writers Appreciation Day event!

Fandom: The Locked Tomb

Pairing: Aiglamene & Gideon, Gideon & Crux, Gideon & Harrow

Title font: Supernova

Body font: Garamond

Pages: 200

Size: Quarto letter

Case: Pleather book cloth (Generic amazon brand) with sword shaped cut out and hand-embossed gold foil

Endpapers: Skull Natural Copper by HimalDesign

progress pics and ramblings below the cut!

I was SO excited to try a cutout cover for this, and think the endpapers I picked were perfect for it. The Pleather "bookcloth" I used was a bit thick, and that in combination with the shape of the cut out made for some very goofy progress pics. I ended up gluing scrap paper to the tiny flaps, because they were SO at parts.

Also, there were definitely several places that were like... exposed chipboard/paper, so I used a marker to color it in to hide those issues and it worked great

I initially formatted the cover incorrectly and my printer was out of commission at the time so I couldn't re-print it, so I just cut it up to frankenstien it into what I needed! I'm REALLY happy with how the sword cutout ended up lining up with the skull -- you can see in the above photos that they aren't identical, and this is because I did not think about this at all when cutting and gluing the endpaper in. OOPS!! anyway HOORAY luck was looking out for me bc it ended up looking great anyway!

The color of the cover was honestly hard to photograph but I love how it turned out and how it looked IRL. YAYY

[yan-lorkai]

Só lembrei da minha ideia agora, perdão mandar tarde assim

Você conseguiria escrever yandere! Azul, malleus e vil com uma Yuu que simplesmente não fica presa?

Não é como se ela quisesse fugir ou estivesse muito desconfortável, pelo contrário, elaate gosta deles, ela simplesmente so não fica presa

Tipo, o malleus prende ela em um quarto e meia hora depois ela tá andando pela diasomnia como se ela não tivesse feito a coisa mais impressionante do mundo, e quando perguntam pra ela "como vc escapou?" Ela só fala tipo "ah mano, o cadeado quebrou" como se não fosse nada

Muito obrigada, e time muito cuidado consigo mesma

.⁠｡⁠*⁠♡ Translation: Can I have Azul, Malleus and Vil with a reader that always escape somehow? Like, she's super lucky and things tend to work for her. But it's not that she wants to run away or don't like them, it's just somehow she always escape.

.⁠｡⁠*⁠♡ A/N: Gonna reply in english, Sweetie! But omg have I told you already that I loved this? This is all so silly and they're so dramatic, help---. I was imagining so many scenes when I was writing those hcs that I sincerely thought for a whole second to write a oneshot instead. Glad I didn't because it would be lengthy as hell, not that I won't do it in the future 👀. Well I hope you enjoy, darling! <33

.⁠｡⁠*⁠♡ Warnings: Yandere content, kidnapping (on malmal's part), Azul's insecurity + him guilty tripping reader, reader loves the yandere, technically fem!reader but no pronouns / gendered terms were used so everyone can read!

Malleus is a powerful wizard and he knows it. He could move mountains with the blink of an eye or make the seas stir, in fact, he would be more than happy to demonstrate everything he can do in front of you. He almost looks like a bird trying to impress its partner. So silly.

The problem is that Malleus is possessive, he wants you by his side all the time. He wants you to be the blood that runs through his veins, wants you to be the air he breathes and the water that touches his lips, that's why, after a few months of just being your friend, he takes the first step and asks you to be his lover. And he's a good boyfriend, a little clumsy and confused, of course, it's his first time in a romantic relationship, but he always tries to be better for you. He is almost perfect.

But not even that can tame the inner dragon that roars and breathes fire inside, far from it, having you so close makes Malleus more greedy. He just wants more and as usual he simply takes what he wants. Your moving into his room as he likes to call it happens at night, after you sleep so peacefully without knowing what is happening, his fingers gently groping over your skin, his lips connecting with your cheeks and forehead as he watches over your dreams. He can get used to it.

When you wake up and the first thing you see is your boyfriend and hear him say all those absurd things and feelings that have been building up in his chest, of course you don't react well. You're scared, confused but there's still love for him in your heart as you slowly turn away and hide yourself on his blankets, pondering.

But there's nothing you can do, not at that moment and controlling yourself as much as you can, you pretend that kidnapping people because you love them so much is considered normal - for someone who has lived a long time like him, Malleus certainly doesn't understand sarcasm, since he's overjoyed, kissing you and being content in watching you do completely mundane things.

By the way, even if you wanted to run away, appealing to Silver's good heart or Sebek's sense of justice is in vain. If their prince decided to do what he did then they won't stop him, instead they will talk to you, explain to you that things will be better if you just accept it. And Lilia will endorse this thought.

Now, after some time passed and you realized that you didn't care, it's not as if you're trying to escape per say. But as you were trying to open the doors to go outside for something, you applied a little more force and it opened. The same happened when you tried to open the windows, removing the padlocks from them with ease since they weren't even closed, letting the sun's rays illuminate Malleus's room. If Malleus was trying to keep you in his room he was failing horribly.

Your supposed plans to escape improving with each new attempt, but no matter how many times you "escaped" Malleus always seems to be two steps ahead, a smug smile on his lips.

He always knows that you will try to run away, just as he knows that after that you will come running into his arms as if nothing had happened, wanting the comfort that only he can offer. While your escape attempts are funny to watch, he asks you why you always escape and how, and your answer makes him laugh loudly. So you're not trying to escape, you just don't like to spend everyday in his room and away from him? Granted, he now takes you on walks in Diasomnia's gardens and through some ruins he has found. He also allows you to spend time with his brothers and father.

Now that he knows you're not trying to escape, Malleus will let you walk peacefully through Diasomnia and the campus but you know that somehow he is always watching you. At the end of the day you will return to his side.

⠀

Vil knows who he is and what he is capable of doing, what he is capable of achieving if he stays focused and persists in whatever is on his mind. And at the moment what occupies his mind is you, his sweet schatz. Loving you is the best thing that has happened to him, so soft and sublime, just like the books and movies suggested it would be.

And it's out of love that Vil brings you to live at Pomefiore after talking to you and knowing your opinion, he knows very well that his feelings of possession are unhealthy but in a world of villains, you learn to ignore that. It doesn't mean he doesn't first try to get your opinion on moving before he becomes a villain who stole your freedom in your eyes. And seriously, life in Pomefiore is better than in Ramshackle where you had to hope the roof didn't fly off and be careful with the stairs and the leaks and the hard mattress that made your back hurt.

You notice that Vil reveals his true colors slowly, switching this and that in your schedule to match his. Or doing your skin care himself because he likes the control and taking care of you, and well, you don't really care about that. Not even with the big changes he makes, as long as he still loves you, you follow him without complaining. And Vil realizes this, which is why he never imagined you would try to escape from him. If you can call this an escape attempt, that is.

You were creating potions in Vil's personal laboratory. Why? Because you wanted to show him what you had learned today, but the potion was so potent that it almost put him to sleep as soon as he smelled it. Needless to say, he wasn't happy about it, a little disoriented and with a growing migraine on the way, he thought that you were trying to put him to sleep to run away. But he was strangely happy to notice that you were feeling guilty and explaining what were your intentions as you make sure that everything's was alright with him. As an actor he knows how to recognize a liar, but you spoke the truth. So he decided to let it go.

It was just a single, terrible mistake, right?

Such incidents continued to occur. Sometimes even Rook had difficulty following you around campus, having to use his Unique Magic to be able to keep his eyes on you. Lady Lucky seemed to favor your above everyone else, helping you in your little escapades. You did a little bit of everything, you even managed to create a shrinking potion, staying tiny for a whole day and, instead of looking for Vil to fix this problem, you went out there into the world wanting to experience the spontaneity of the moment. One of these days you'll leave him gray with worry.

Despite the frustration bubbling within him, Vil sits you down at his dressing table to work on your hair and asks you about all these incidents, wondering if they were just tests to see how far you could push him to his limit before actually trying to escape. But when you explain your intentions to him, knowing that you're not trying to get away from him takes a weight off his shoulders. The whole situation becomes comical, here he was worried and with countless thoughts running through his head, a particularly potent potion hidden in his pocket and here you are, completely unaware of the effects you have on him.

He thinks it's ridiculous that he considered that you would run away when he stops to think about how you adore his affection, drink in his every word and savor his every gesture. You're a troublemaker but are still so dependent on him. Maybe he was a little hasty and now he can finally relax. This little quality of yours though both confounded and captivated him.

⠀⠀

Azul is above all a strategist. He plans everything from the way you will meet for the first time to the way he will steal something from you. Maybe a talent, maybe a skill, but something will become his to satisfy that strange feeling he has in his chest every time he sees you. Weeks of plans are thrown out the window as soon as one day you sit in his office chair, wanting to make a contract with him. And that is the unique chance he has been waiting for, regardless of what your heart desires, he is able to achieve it and in return have you.

If only it were that simple... It's only after his whole overblot fiasco that you finally start to get closer, you still staying by his side to help him rebuild Mostro Lounge. And months later, friendship became a relationship due to Azul's calculations and assumptions. In the end you had your wish fulfilled and so did he, having you as his partner was like a dream come true. Yet, sometimes he wonders what you see in him.

He doesn't let that thought stay on his mind much, preferring to spend time with you, thinking about you, heavens he's so clingy he can't even keep his hands off you, that is, when you're alone of course. You're so sweet to him, bringing him coins for his collection and asking him how his day was, it's nice to have someone who cares. But it's terrible to imagine the ways that anyone who has a beef with him would hurt you for his actions, so Azul proposes another contract with the intention of protecting you from possible threats.

The contract in theory is simple: to remain under the twins' watch and protection. Though, your friends and other people tend to avoid you because of this, because Jade and Floyd are too intimidating. You particularly find them funny with their very different mannerisms, hovering over your shoulders like two shadows, Floyd pestering you while Jade supposedly tries to control him. Azul thinks this is a good contract, whether you think so or not - he can be convinced otherwise through persuasion.

Something that Azul didn't foresee, however, was that the twins would get bored of playing babysitter and would drag you somewhere. Jade wanted to show you his terrariums while Floyd wanted to take you to see their house, neither of them answering any of Azul's messages or calls, not even you but that's because you were trying to get the twins not to fight each other. So your escapades happen because of them, because of that Azul knows that you're not trying to leave him and he recognizes that, but due to his insecurity, every time you return to him Azul seems about to start crying while he wrap himself all over you.

If you tried to run away he could at least do this and that to prevent it, instead he tries to make you feel guilty for making him worry so much. He was about to cut off his own tentacles and eat them if you took one more second to walk through that door, is that what you wanted? It must be, otherwise you wouldn't have run away without saying anything to him >:(

Cuddle him now. Or else, he'll gonna be cranky and fussy. He just loves you so much and he knows you love as well, so why do you do this? Just let him love you completely and wholly.

[plor-bindery]

Bound: @tackytigerfic's Drarry Drabbles

My binds made it to @tackytigerfic! I'm excited to share these -- several of which I made months and months ago because I am not that fast at binding, I guess. But at least part of the delay was just how oceans are big and shipping across them is slow.

First up is a wee pamphlet bind of Tacky's Drarry drabble collection on AO3. I love this little format and how quickly it comes together, but that I can also decorate and bind it as reverently as a longer work. Tacky's drabbles are these little gems, tiny windows into whole universes, and are so masterfully compact and enticing.

The artwork is, of course, by the lovely @kk1smet -- used with their kind permission.

I had to make a little index because it was a fun thing to do with all Tacky's various tags.

Endpapers are chiyogami, bookcloth is off Amazon, paper is quarto letter in a cream colour, 24# Hammermill. The design was purposefully generic because, of course, this is a collection and not themed around any one thing. But I still wanted to do something with a bold graphic look as I know Tacky likes that vibe.

This was the first pamphlet bind I made, actually -- predating my bind of Long Haul by @wolfpants.

[szynkaaa]

So Much (For) Stardust by Fall Out Boy

Bind made for a Fall Out Boy trade with beardeddogbindery

Christy and I chatted about FOB and doing an album exchange while I was attending a FOB concert - I know there are a lot of Swifties out there, so it's nice to also bump into another FOB and be able to do a small trade together ((if there are more Fall Out Boy fans out there, don't be shy let us know))

Christy told me that she hasn't really listened to much of the newer Fall Out Boy stuff - I knew that lot of the older fans didn't like any of FOB's post-hiatus works. SMFS was described by FOB as "[the album] sounds closer to a continuation of their 2008 record Folie à Deux", which I thought might be a good "re-introduction" into FOB's newer music. I also really really really really like this album myself lmfao.

✦ illustrations are done on Procreate, everything was typesetted on Clip Studio Paint 0/10 I do not recommend typesetting on CSP lmfao ✦ Printed on A4 folio and then cut down to 148x148 mm because I wanted the lyrics book to be square and resemble an album ✦ original album cover features a painted dog. Christy has two VERY ADORABLE puppers. The only logical approach here is to draw one of her dogs and slap it onto the cover ✦ Dog illustration + endpapers + title page + some other pages are foiled using black foil! It was my first time working with black foil. It's very subtle ✦ Backside text is done on holographic reflective HTV, to add a bit of surprise effect and make it glow like a star

Please go check out @beardedogbindery's page for her two adorable quarto binds (I got two binds. two!!!)

So Much (For) Stardust typeset will be available at request for personal binding too! .

[henry-fox-biggest-stan]

Some more obscure and / or underrated lesbian literature : An incomplete list made by a lesbian in hopes of making other sapphics happy

(I haven’t read all of them)

Sorted by years (this rapidly became a history lesson of lesbian literature sorry I’m a nerd)

Ancient times

(A good article about lesbians in ancient greece / rome)

Queen Zhuang Jiang 庄姜 (???- BC 690) / We know about Sappho and Enheduanna, but what about her? She wrote poems some of which were, uh, pretty gay. I learnt about her here. It is said than her poems are in The Book of Songs (which is a collection of ancient Chinese poetry). I couldn’t find a lot about her but I found enough to believe than (hopefully) she was a real person and the internet isn't lying to me.

Dialogues of the courtesans - Lucian of Samosata (somewhere in the second century BC) / Basically Dialogues of the courtesans is a collection of dialogues between well, courtesans (prostitutes). Either between themselves or between clients. One of the dialogues is called “The Lesbians”. Link to read (somehow finding a pdf of Dialogues of the courtesans is pretty hard but reading it chapter by chapter online it’s not??)

The Babyloniaka - Iamblichus (somewhere in the second century AC) / Lost novel, so all you need to know is here

Of course we can’t forget this Pompeii poem

1200s

Bieiris de Romans (somewhere in the first half of the 1200s) / Bieiris was a French poet, and we only have one of her poems with us because the others have been lost. We don’t know much (anything) about her, except that she was a woman, French, and who wrote about a woman called Maria. Some say that this mysterious Maria referred to the Virgin Mary, others than Maria was her gf, and others than she was writing in the perspective of a man (because obviously a woman writing about other women in a not so platonic way is unthinkable). Anyway, feel free to get your own conclusions, here’s the poem (translated)

1500s

The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena - Konrad Eisenbichler / So while this is a modern book, it is the only one I’ve been able to find than includes Laudomia Forteguerri’s poems (1515-1555). Some historians considered her to be the earliest Italian lesbian writer. “Although only six of her sonnets have survived, all are testaments to the love she bore for other women, and five are specifically dedicated to Margaret of Austria.”

The Maitland Quarto / Manuscript (1586) / So, this is a collection of 95 scot poems, and poem 49 is pretty sapphic. It’s technically anonymous, but it has been attributed to Marie Maitland (who transcripted the manuscript and is thought to have added her own poems there). The last lines mean “'There is more constancy in our sex / Than ever among men has been”, I haven’t been able to translate the rest of it. The poem.

Galatea - John Lyly (1592) / “Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year "the fairest and chastest virgin in all the country" be sacrificed to a sea-monster. Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man.”

1600s

The Flower's Shadow Behind the Curtain - Ko Lien Hua Ying (somewhere in the 1600s) / It is said this book was written towards the end of the Ming dynasty (1368 to 1644). It’s a erotic book, and chapter 22 includes an erotic story between two 16 year old girls. I found it in Sex in China: Studies in Sexology in Chinese Culture by Fang Fu Ruan (believe it or not, I don’t just randomly know all this books, I did research)

Aphra Behn (1640-1689) / English writer, one of the first female writers to live through her writing. She was also a spy. She wrote a lot about women. “Homoeroticism is standard in Behn's verse, either in descriptions such as these of male to male relationships or in depictions of her own attractions to women. Behn was married and widowed early, and as a mature woman her primary publicly acknowledged relationship was with a gay male, John Hoyle, himself the subject of much scandal.” (here). She wrote a lesbian love poem (in the link before, it also makes an analysis of it). The poem: To The Fair Clarinda

Poems, Protest, and a Dream: Selected Writings - Juana Inés De la Cruz (1648-1695) / So the thing about Juana is than every single spanish-speaking lesbian knows her (and loves her), but hardly anyone who doesn’t speak spanish has ever heard of her, which is a shame, because she’s an absolute icon. She was a Mexican nun who was also incredibly gay. You know how Sappho is called the tenth muse? Juana is also called the (mexican) tenth muse. She’s also called the phoenix of America, which is incredibly badass. She learnt how to read at 3 years old, at 8, she asked her mother to send her to college dressed as a man (her mother refused). She learnt and studied by her own, because she wanted to learn. She studied by cutting her hair (if she got something wrong or forgot something, she cut a strand of her hair as a punishment) because she said that “a head adorned with hair is worthless if it’s a head naked of ideas”. When she was sixteen (important to note than she already spoke Latin fluently at 12, having mastered it in just a few lessons) the archbishop Payo Enríquez de Rivera heard of her, and decided to ask her to be the company lady of his wife (his wife and her eventually would have a relationship) and decided to test her intelligence. He got 40 (!!!) university profesor of all subjects, and they all asked her questions related to maths, literature, philosophy, etc. She answered all of them right. At around 21, she decided to become a nun (not out of faith, but because it was either becoming a nun and being able to continue her education, or marrying a man and stop studying. To her, the choice was clear). Also it is said she owned around 4000 books in her personal library. So yeah, an educated, extremely intelligent gal, who wrote lesbian love poems to her gf, and who was definitely not afraid to stand up for herself.

1700s

The Game of Flats - Nicholas Rowe? (1715) / Poem, “game of flats” was an 18th century slang for lesbian sex. Link to read <- that website includes lots of 18th century queer history and poems like this one

The Sappho-an - Anonymous (1735 or 1749) / When I first heard of this I couldn’t believe it. It sounds like an AO3 fanfic, or some modern erotic book (one of those than have a real person in the cover), or maybe a forgotten 1970s lesbian book. It’s none of that. It’s an anonymous poem written in the 1700s. The plot? The goddesses of Olympus are sexually unsatisfied because the gods keep on going after mortals (except Ares, he’s just too busy with war) instead of paying attention to them. The gods keep going after woman and male mortals, so Hera just says yknow what if they can sleep with men then we can sleep with each other. Sappho also appears. Link to read.

Fanny Hill, Memoirs of a Woman of Pleasure - John Cleland (1742) / Ok fine, this one is not sapphic but the main character (female) does have sex with a woman at one point. This is basically an erotic novel. Very dirty (specially for the time period) and very banned in lots of places. The main character is Fanny, a prostitute. It includes lots of straight sex, some gay (mlm) sex, and two pages where Fanny describes in detail having sex with Phoebe, bisexual prostitute. Not sapphic, but thought it was worth mentioning.

1810s

Christabel - Samuel Taylor Coleridge (1816) / So, have you heard of Carmilla (1872)? If you’re reading this post, you probably have, if you haven’t, it’s a classic (vampire) book than is said to have inspired Bram Stoker to write Dracula. It’s also incredibly gay. Well, some say it was Christabel than was the inspiration for Carmilla. Of course we don’t know this for sure, but the similarities definitely are there. Review from a reader: “what if we were the protagonist and villain of a never-completed sensual gothic poem (and we were both girls) / alternately: when you meet a wickedhot girl only she's SPOOKY but that's SEXY and turns out your dad and her dad were also gay back in the day before having a sexy gay falling-out and she's like 'babe let's get naked and hold each other close' and you're like '—wait fuck I mean uhhhh I PRETEND I DO NOT SEE IT!'” I haven’t read this one, however for what it seems Christabel is not explicitly a vampire. Since the poem is unfinished we don’t know the end, and we just think she’s a vampire because so many things used in here were also reused for vampires characterization (like not being able to enter a house unless invited)

1830s

Mademoiselle de Maupin - Théophile Gautier (1835) / “A woman uses her incredible beauty to captivate both d'Albert, a young poet, and disguised as a man, his mistress, Rosette. In this shocking tale of sexual deception, Gautier draws readers into the bedrooms and boudoirs of a French château in a compelling exploration of desire and sexual intrigue, and gives voice to a longing which is larger in scope, namely, the wish for completeness in oneself.”

1840s

Netochka Nezvanova - Fyodor Dostoyevsky (1849) / Incomplete because the author was exiled. Tells the story of Netochka Nezvanova, her childhood and adolescence, and the many many bad things that happen to her. She falls in love with a girl as well.

1870s

Mademoiselle Giraud, My Wife - Adolphe Belot (1870) / “The sensational Mademoiselle Giraud, My Wife tells of the suffering of a naive young man whose new bride will not agree to consummate the marriage. Eventually he learns from an acquaintance, to his amazement, that their wives are lovers.” In reviews it says than this is a homophobic novel (who’s surprised) but “Christopher Rivers argues in his introduction that the protagonist's homophobic attitude toward lesbianism is ironically linked to his intimate homosocial bonds with men”

1880s

Jill - Amy Dillwyn (1884) / “Jill is the story of an unconventional heroine—a gentlewoman who disguises herself as a maid and runs away to London in search of adventure after her mother dies and her father is pursued by a Victorian gold-digger. Once in London she uses her position as lady's maid to become close to her mistress. Her life above and below stairs is portrayed with irreverent wit in this fast-paced story, but at the centre of the novel is Jill's unfolding love for the woman she works for. On the surface a feminist manifesto, Jill is a poignant story of same-sex desire and unrequited love. A new introduction tells the autobiographical story on which the novel is based —the author's own passionate attachment to a woman she called her wife, but who she couldn't have.”

Mephistophela - Catulle Mendès (1889) / “Telling the story of Baronne Sophor d'Hermelinge, a woman as thoroughly martyrized by her creator as any other heroine in the history of fiction, in spite of the enormous competition for that title established by countless writers, male and female, it is one of the archetypal novels of the Decadent Movement, and one of the most striking, precisely because is it such a discomfiting piece of writing, the deliberately controversial nature of which has been further enhanced as its surrounding social context has changed over time. Highly influential, especially on the works of such writers as Jean Lorrain and Renée Vivien, Mephistophela, in placing lesbian amour in the foreground of the story, deals forthrightly and intensively with a literary theme that had previously only been treated with delicacy and indecision, mostly in poetry. It is essentially a horror story about demonic possession, about contrived and cruel damnation, devoid even of a Faustian pact, which merely employs obsessive lesbian desire as an instrument of damnation.” Goodreads review: “As a story it is quite straightforward. Girl has same-sex desires and the novel follows her various affairs up to about the age of thirty. […] More controversially, Stableford (and the books blurb) suggests that it is a novel of demonic possession. Now Brian has probably forgotten more than I will ever learn about the period but a few of the episodes show distinct Charcotian traits (an early childhood 'illness', two doctors in conversation etc) and a (really great) fantasy/visionary episode in the book seems to show, to me, the influence of Michelets book on witchcraft. If anything, the book seems even more subversive that Stableford suggests, as Sophie seems largely 'out and proud' and the author often says that she is 'is as she is' suggesting to me that it is 'natural' rather than demonic. I wonder whether the publisher asked Mendes to add some suggestion of the demonic to 'tone down' the idea that people were actually like 'that'.”

1890s

Avant la nuit / Before the dark - Marcel Proust (1893) / Short story (seriously, less than 10 pages). I read it the other day before bed and it’s pretty good. Talks about Françoise, a woman, revealing her homosexuality to her friend Leslie.

A Sunless Heart - Edith Johnstone (1894) / “Its first third focuses on Gasparine O'Neill, who shares an intense connection with her sickly twin brother, Gaspar. Living in poverty, the two struggle to live decently until Gaspar dies. Here gritty naturalism gives way to fantasy, as Gasparine is rescued from despair by the brilliant Lotus Grace, a much-admired teacher at the local Ladies' College. Sexually exploited from the age of twelve by her sister's fiancé, Lotus cannot love anyone, not even her illegitimate child. Gasparine devotes herself to Lotus, but Lotus finds her final brief happiness with a woman student, Mona Lefcadio, a passionate Trinidadian heiress. Exploring issues of race, sexuality, and class in compelling prose, A Sunless Heart is a startling re-discovery from the late- Victorian era. The appendices to this Broadview edition provide contemporary documents that illuminate the tension between romantic friendship and lesbian consciousness in the novel and address other debates in which the novel the nature of Creole identity, the education of women, and the dangers of childhood sexual exploitation.”

The Songs of Bilitis - Pierre Louÿs (1894) / Poetry. However, believe it or not, these were not written by a woman but by a man. Why add it then, well, the story is quite original. The author (Pierre Louÿs) published this verses as written in Ancient Greece by a “disciple of sappho” named Bilitis. He created this whole character, she was a woman, she was a poet, she was a sappho disciple, her work has been lost until now, and she was a huge lesbian. Of course, this is not true, but still, it’s an interesting read. “Between their open celebration of lesbian love and the eventual revelation of their true authorship—the verses actually were written by French novelist and poet Pierre Louÿs—they became a succès de scandale. Although debunked as a work of antiquity, The Songs of Bilitis remains a classic of erotic literature.”

1900s

A Woman's Affair - Liane de Pougy (1901) / "Despite her beauty and her riches, Annhine de Lys, one of the most notorious courtesans of 1890s Paris, is bored and restless. Into her life bursts Flossie, a young American woman, and everything changes. The love she offers Annhine is dangerous, perverse and hard to resist. Ignoring the warnings of her best friend, Annhine encourages the affair."

I Await the Devil's Coming - Mary MacLane (1902) / “Mary MacLane's I Await the Devil's Coming is a shocking, brave and intelectually challenging diary of a 19-year-old girl living in Butte, Montana in 1902. Written in potent, raw prose that propelled the author to celebrity upon publication, the book has become almost completely forgotten. In the early 20th century, MacLane's name was synonymous with sexuality; she is widely hailed as being one of the earliest American feminist authors, and critics at the time praised her work for its daringly open and confesional style. In its first month of publication, the book sold 100,000 copies--a remarkable number for a debut author, and one that illustrates MacLane's broad appeal.” She’s pretty sapphic and claims her (female) lit teacher is her true love. Also an excerpt from a Goodreads review: “She awaits the Devil to come and marry her and bring happiness if only for three days, meanwhile rehearsing suicide. She prays to the Devil to deliver her from “unripe bananas; from bathless people; from a waist-line that slopes up in the front" but offers sensuous instructions on how to eat an olive, and enjoys porterhouse steaks and fudge she makes with brown sugar. It's quite a ride. Many recent reviewers pigeonhole her as an ahead-of-her-time Goth or emo, simply transcribing an eternal and universal teen angst.”

Q.E.D. - Gertrude Stein (1903) - Autobiographical short story about a love triangle between three women; Adele (Stein), Mabel, manipulative and wealthy, and Helen, who seduces Adele.

A Woman Appeared To Me - Renée Vivien (1904) / I have no idea how to explain this book other than it's all I ever wanted and it has an absolutely breathtaking prose. Think of The Picture of Dorian Gray, Oscar Wilde’s writing style and descriptions, the character's philosophy, and the queer toxic relationships in the book. Now make it lesbian and even more explicitly queer. Also I'm pretty sure the main characters want to fuck Sappho. On the second chapter the main characters + some side characters (all women + one guy) are having a discussion (a symposium of sorts) about how much they love sappho and how believing she married a man is stupid and how they don’t hate men, just really dislike them, and the guy says: "Mademoiselle, you are trying to hide from the irresistible seduction of the male. You will certainly finish your love-life in the arms of a man." And our main character being an icon finished the chapter answering him this: "That would be a crime against nature, sir. I have too much respect for our friend to believe her capable of an abnormal passion!". It’s so good. I have seen mixed opinions on this one, but I’m just gonna say: the girls than get it, get it. Everything by Renée Vivien is so good, but this is her only full novel I think (she also wrote poems and short stories). If you have to read only one book out of all the books in this post, let it be this one.

Zezé - Ángeles Vicente (1909) / Not translated (I think) but it’s the first lesbian novel written in Spanish which is pretty cool (even cooler than it was written by a woman who, in 1909 (or around it) divorced her husband and lived through her writing). The plot is basically, the narrator (the author) is on a ship and shares the cabin where she’s staying with another woman, Zezé, a cuplé singer, who tells her about her life (her childhood in a religious school, where she discovered her sexuality with had a relationship with another (female) student, her life in Madrid as an adult and living life as a woman, etc)

1910s

Despised & Rejected - Rose Allatini (1918) / A gay man and a lesbian are friends during WWI, which they are against (an anti-war novel). I think the book is in the perspective of the gay man, but his friend is also a main character.

The Scorpion - Anna Elisabet Weirauch (1919) / A review by a reader: “This book felt more like historical fiction than a novel actually written in 1919-1932, considering the explicitly lesbian relationships and coming of age and coming out style narrative. The story follows the life of Metta, a lesbian who grew up with a controlling family in Berlin. The narrative follows her from her first crush on her manipulative governess, to her first love the older and intelectual Olga, and her foray into the gay scene in Munich and beyond. The story isn't without suffering and it isn't just a love story despite how much you might want it to be. Definite trigger warnings for suicide (not Metta), poor mental health, homophobia and general cringe comments due to the time of writing. But the point of the book is for Metta to find a way to be, a way to live her life comfortably and happily, essentially to find herself.”

1920s

The Bacheloress - Victor Marqueritte (1922) / “Monique is an emancipated French woman who leaves home to escape a marriage of convenience to a man whom her parents have forced on her. She then succumbs to all sorts of carnal temptations including a lesbian love affair with a singer. The scandal provoked by Victor Margueritte's La Garçonne, here translated as The Bacheloress, led to its author having his legion d'honneur revoked, which only propelled this novel about a brazenly independent "new woman" to best-seller status. What was shocking then was not so much the reckless behavior of its heroine, who is depicted as the victim of psychological torment, but the portrait of the corrupt post-WWI society in which she lives. Authentic as Monique is, the types of love she encounters, set against the hostile and contemptuous portrayal of her peers, only amplifies her struggle.”

Yellow Rose - Nobuko Yoshiva (1923) / This is the only book than has been translated by this author, she was a lesbian who wrote Class-S romance (a Japanese book genre of the time, which focused on lesbian / homoerotic relationships between women [so-called romantic friendships], than usually take place in an all-girls boarding school). This specific story talks about a teacher-student relationship. She has other books, one called Yaneura no nishojo (two virgins in the attic) (1919) which isn’t translated, but sounds good, the story “is thought to be semi-autobiographical, and describes a female-female love experience with her dormmate. In the last scene, the two girls decide to live together as a couple. This work, in attacking male-oriented society, and showing two women as a couple after they have finished secondary education presents a strong feminist attitude, and also reveals Yoshiya's own lesbian sexual orientation”.

Freundinnen: ein Roman unter Frauen / Girlfriends: a Novel among Women - Maximiliane Ackers (1923) / Only in German, not translated. Review from an English reader: “This novel—which went through several editions in the 20s before being banned by the Nazis—is uncompromisingly, heartbreakingly queer. The novel tells the story of the love between two actresses in Wiemar Germany, Ruth and Erika. Both women struggle to support themselves on the stage, to live independently, and to come to terms with their love for each other and how they might live and express themselves and their desire.”

Surplus - Sylvia Stevenson (1924) / Review from a reader: “This book should be included in lists of seminal lesbian fiction. Published in 1924, Surplus is the story of Sally Wraith's young adult adventures after the end of WWI, during which period she served as an ambulance driver. The novel is not explicit and dos not detail a physical relationship between Sally and her romantic friend Averil but Sally refers to Averil as her "dream girl" with whom she wants to spend the rest of her life. This novel was published before Radclyffe Hall's Well of Loneliness , which is often hailed for its early negative portrayal of homophobia. But I find it compelling that Sally's love for Averil is not treated as deviant. It's just tragic for any babydyke to fall in love with a straight girl!”

The Captive - Eduard Bourdet (1926) / Theatre, “Irène is a lesbian tortured by her love for Madame d'Aiguines, but pretending engagement to Jacques (man). Though Irène attempts to leave Madame d'Aiguines and marry Jacques, she returns to the relationship, saying that it is "a prison to which I must return captive, despite myself". Madame d'Aiguines is not seen in the play, but leaves behind nosegays of violets for Irène, as a symbol of her love.” Read here

Women Lovers, or The Third Woman - Natalie Clifford Barney (1926) / “This long-lost novel recounts a passionate triangle of love and loss among three of the most daring women of belle époque Paris. In this barely disguised roman à clef, the legendary American heiress, writer, and arts patron Natalie Clifford Barney, the dashing Italian baroness Mimi Franchetti, and the beautiful French courtesan Liane de Pougy share erotic liaisons that break all taboos and end in devastation as one unexpectedly becomes the "third woman."

HERmione - H.D (1927) / “This autobiographical novel, an interior self-portrait of the poet H. D. (1886-1961) is what can best be described as a find, “a posthumous treasure”. In writing HERmione, H.D. returned to a year in her life that was peculiarly blighted. She was in her early twenties—a disappointment to her father, an odd duckling to her mother, an importunate, overgrown, unincarnated entity that had no place... Waves to fight against, to fight against alone... “I am Hermione Gart, a failure” —she cried in her dementia, “I am Her, Her, Her.” She had failed at Bryn Mawr, she felt hemmed in by her family, she did not yet know what she was going to do with her life. The return from Europe of the wild-haired George Lowndes (Ezra Pound) expanded her horizons but threatened her sense of self. An intense new friendship with Fayne Rabb (Frances Josepha Gregg), an odd girl who was, if not lesbian, then certainly of bisexual bent, brought an atmosphere that made her hold on everyday reality more tenuous. This stormy course led to mental breakdown, then to a turning point and a new beginning as her own true self, as Her"

Lucia Sánchez Saornil (1895 - 1970) / Spanish poet, putting her here because she’s part of generation ‘27. Read her Wikipedia page because she’s literally iconic (I can’t put the link here for some reason). I love her so much. She was an anarchist and very revolutionary. She wrote under a pen name to be able to explicitly write about women and lived with her partner (América Barroso) until she died. I haven’t been able to find an English translation of her writing, but I do have found a French one, so better than nothing

Dusty Answer - Rosamond Lehmann (1927) / Coming of age story of Judith Earle, sensitive, lonely, who grew up as an only child, but with 4 neighbors (all cousins) to make her company (and eventually harbor romantic feelings for). Then she moves to college, where she meets Jennifer and enters a relationship with her. Although the relationship is not explicitly romantic.

Ladies Almanack - Djuna Barnes (1928) / “Written as a medieval calendar, Ladies Almanack is a clever parody of the crazy sapphic circle of Natalie Barney and her Académie des Femmes. Sharp, biting, witty and transgressive, it is also a modern and pioneer in his vision of lesbianism and the issues surrounding relationships between women. The emotional endogamy, transvestism, motherhood, marriage or differences between sex and gender are already presented in the book with a charge of irony and acidity that is rare in the treatment of the topic. And it is also a breath of fresh air, an essential reference to know the world of lesbian women in all its breadth and diversity.”

1930s

The Angel and the Perverts - Lucie Delarue-Mardrus (around 1930) / "Set in the lesbian and gay circles of Paris in the 1920s, The Angel and the Perverts tells the story of a hermaphrodite born to upper class parents in Normandy and ignorant of his/her physical difference. As an adult, s/he lives a double life as Marion/Mario, passing undetected as a lesbian in the literary salons of the times, and as a gay man in the cocaine dens made famous by Colette." Technically not lesbian, but it’s “set in the lesbian cercles of Paris”

Broderie Anglaise - Violet Trefusis (1935) / Technically not a lesbian novel, but by a sapphic author. Do you know about Virginia Woolf and Vita Sackville-West? Of course you do, everyone does. However, do you know than Violet Trefusis used to be Vita’s lover? They dated as teens and again as adults. There’s this whole gay toxic romantic circle between Violet, Vita, and Virginia. Violet wrote this book where she’s basically adding Vita, Virginia, and herself into the characters and dissing them. The plot centers on an encounter between Alexa, a celebrated English writer (Virginia), and her rival, Anne (Violet), and their discussion about their mutual lover, Lord Shorne (Vita).

Summer Will Show - Sylvia Townsend Warner (1936) / Sophia Willoughby's husband has a mistress who he cheats on her with. So she grabs him and packs him up to Paris with his mistress. She'll raise their children and he can have his mistress all day long if he wants, what she wants is to not see him. Sadly, her children die, and she goes to Paris, where she'll find her husband's mistress, and the two of them start an affair with eachother.

Diana: A Strange Autobiography - Diana Frederics (1939) / “«This is the unusual and compelling story of Diana, a tantalizingly beautiful woman who sought love in the strange by-paths of Lesbos. Fearless and outspoken, it dares to reveal that hidden world where perfumed caresses and half-whispered endearments constitute the forbidden fruits in a Garden of Eden where men are never accepted». This is how A Strange Autobiography was described when it was published in paperback in 1952. The original 1939 hardcover edition carried with it a Publisher's This is the autobiography of a woman who tried to be normal. In the book, Diana is presented as the unexceptional daughter of an unexceptional plutocratic family. During adolescence, she finds herself drawn with mysterious intensity to a girl friend. The narrative follows Diana's progress through college; a trial marriage that proves she is incapable of heterosexuality; intelectual and sexual education in Europe; and a series of lesbian relationships culminating in a final tormented triangular struggle with two other women for the individual salvation to be found in a happy couple.”

1940s

Hidden Path - Elena Fortún (somewhere around the 1940s) / Maria Luisa grows up on 1910s/1920s Spain. She is a peculiar girl, one who despises wearing dresses and wants to dress as a sailor, who could spend all day reading, who loves painting, and who swears she will never marry. Oh, and she's also a lesbian. Based on the author's life Maria Luisa is kind of the author's alter ego, and it follows her from childhood to adulthood while dealing with a world not created with people like her in mind. (Not published until 2016)

El Pensionado de Santa Casilda / The Boarding School of Saint Casilda - Elena Fortún (somewhere around the 1940s) / This book is not translated, but if you know spanish I recommend to pick it up. A group of 14/15 year old girls who go to the same spanish all-girls boarding school, and they are all in love with each other. It follows them into adulthood and how they navigate their lives being women and lesbians in the past (Not published until 2022). Messy lesbians at its finest. Like, seriously. Lesbians still in love with their ex and not over their first love, dating their friends and their ex friend, and the ex of their friend, and having sugar mommies, etc etc

1960s

Winter Love - Han Suyin (1962) / “As a college student in London during the bitterly cold winter of 1944, Red falls in love with her married classmate Mara. Their affair unleashes a physical passion, a jealousy, and a sense of self-doubt that sweep all her previous experiences aside and will leave her changed forever. Set against the rubble of the bombed city, in a time of gray austerity and deprivation, Winter Love recalls a life at its most vivid.”

The Chinese Garden - Rosemary Manning (1962) / “A "very intelligent, sensitive, and compelling" novel of adolescent rebellion and sexual awakening at a girls' boarding school (Anthony Burgess). Set in a repressive British girls' boarding school in the late 1920s—where not only sexuality but femininity is squashed—the novel is the coming-of-age story of sixteen-year-old Rachel, a sensitive, bright, and innocent student. Rachel finds refuge from the Spartan conditions, strict regime, fierce discipline, and formidable headmistress at Bampfield in a secret garden. She also finds friendship there, with a rebellious girl named Margaret. As Margaret has her mind expanded by a scandalous tome entitled The Well of Loneliness, she engages in a bold, forbidden act—the ultimate transgression at Bampfield—and Rachel is drawn into the turmoil. Confronted with the persecution of her friend and troubled by a growing awareness of her own sensuality, Rachel faces an imposible choice that drives her to desperate measures.”

The Microcosm - Maureen Duffy (1966) / “At the House of Shades, Matt, a bar-room philosopher, tries to make sense of the disparate lives which cross here -- of Judy who saves herself and her finery for a Saturday night lover, of Steve the gym teacher who dreads a chance encounter with a pupil in this twilight environment, and of Matt herself, who needs these vicarious exchanges despite the security of her relationship with Rae and her sense that this lesbian sanctuary is a prison too, enforcing the guilt and estrangement of the city streets beyond. Elsewhere there are women such as Marie, trapped within an unwanted marriage and unable to admit her sexuality, and Cathy, for whom the discovery that she is not 'the only one in the world' is an affirmation of her existence. With its innovative structure and style, perfectly mirroring the voices and experiences of women forced by society to live on the margins, The Microcosm remains as powerful today as when originally published in 1966.”

A Place For Us / Patience & Sarah - Isabel Miller (1969) / First named A Place For Us, then changed to Patience & Sarah. Not necessarily obscure, but no one ever talks about it. Based on a real life story, “In the early nineteenth century, in a puritanical New England town, two women fall in love. With no one to guide or support them, Patience and Sarah try to follow their hearts. Defying society and history, they buy a farm and discover they can live together, away from the world that had sought to limit them and their love…”

1970s

Beginning with O - Olga Broumas (1977) / A poetry collection by a lesbian, greek writer.

The Same Sea as Every Summer - Esther Tusquets (1978) / A stream-of-consciousness type book, by an author who has been compared to Virginia Woolf. “Poetic and erotic, El mismo mar de todos los veranos ( The Same Sea As Every Summer ) was originally published in Spain in 1978, three years after the death of Franco and in the same year that government censorship was abolished. But even in a new era that fostered more liberal attitudes toward divorce, homosexuality, and women's rights, this novel by Esther Tusquets was controversial. Its feminine view of sexuality (in particular, its depiction of a lesbian relationship) was unprecedented in Spanish fiction. The disillusioned narrator of The Same Sea As Every Summer is a middle-aged woman whose unhappy life prompts a journey into she past to rediscover a more authentic self. However, events force her to realize that love or trust will inevitably be repaid by betrayal. This pattern assumes various forms in a story that moves forward as well as backward, playing out in Barcelona among the haute bourgeoisie. Richly textured with allusion, The Same Sea As Every Summer is also a commentary on post-Civil War Spanish society by an author who grew up during the repressive Franco regime.”

Así es: Mi vida 3 - Victorina Durán (somewhere in the late 1970s) / So, not translated but has great historical value. Basically, this is the third book out of Victorina’s memories that she wrote in the 70s. Victorina (1899 - 1993) was so cool. She was an icon. She was a sceneographer, a painter, a costume designer, writer (aside from her memories, she has some theatre plays), etc. She actually wanted to be an actress. She was part of the Círculo Sáfico de Madrid (the sapphic club of Madrid, a club made out of her and her friends, who were sapphic) among others. She never hid her sexuality. She was friends with almost all the importante well known people in 1920s / 1930s Spain. This book is the third one out of her memories, and it’s focused explicitly on her relationships (all with women). She said she wanted to focus on them and give them a book of their own, so this is of great historical value, giving insights into the queer spaces, lesbian scene, wlw relationships and being gay at that time. I need to read it so bad if someone has a pdf please tell me I’ll send them my fanfic wips

1980s

On Strike against God - Joanna Russ (1980) / “A lost feminist masterwork by feminist and speculative fiction icon, Joanna Russ, about a young lesbian's coming-to-consciousness during the social upheaval of the 1970s. When Esther, a recently divorced professor, has her first lesbian love affair, the fallout brings her everyday miseries into focus and precipitates a personal crisis. She flees her small, upstate New York college town, grapples with gender confusion and the ghosts of therapists past, and fumbles her way through comedic sexual self-discovery, oscillating all the while between visionary confidence and debilitating self-doubt. Confronted with the homophobia of straight feminists and the misogyny of gay men, Esther is left to forge a language for her feminism and her burgeoning lesbian desire. On Strike Against God is quintessentially experimental but accesible, alternately wry and earnest, poignantly didactic, playful, and emotionally charged.” From a review: “For anyone like me who's unfamiliar with the quote which inspired the title: A judge was sentencing a picketer from the early twentieth century shirtwaist-makers strike (the first large scale strike by women), and he told her, "You are striking against God and Nature, whose law is that man shall earn his bread by the sweat of his brow. You are on strike against God!"

Faultline - Sheila Ortiz Taylor (1982) / “An outrageous, zesty, funny Lesbian novel; the adventures of a Lesbian mother with six children, three hundred rabbits, and very relaxed attitude."

The Swashbuckler - Lee Lynch (1985) / "Frenchy Tonneau leaves her closeted home in the Bronx for the bars of New York City, the freedom of Provincetown, and the liberation of Greenwich Village in the 1960s and 1970s. Her hangouts, her women, her small yet universal world tell the stories of the times - and the stories of lesbians today. A timeless journey and a riveting read, The Swashbuckler is heart-wrenching, heartwarming, and unforgettable." Butch main character, lesbian life in the 60s/70s, lesbian-feminism, butchfemme, etc.

Fried Green Tomatoes at the Whistle Stop Café - Fannie Flagg (1987) / listen, LISTEN, I know this book is not obscure, absolutely not given it even has a movie adaptation, but people do not give this book the love it deserves. I'm constantly thinking about Idgie and Ruth, they are one of my favorite fictional couples ever, and also my favorite lesbian fictional couple. They are such interesting characters with such an interesting dynamic and I just love them so so much. A femmebutch couple in 1920s Alabama, who go through many hardships but still find eachother, still end together, and even have a restaurant, live together, and raise a kid. And not only them, but the book is made out of 4 main characters (or 3 depends on if you see Ninny as a main character or not), Idgie, Ruth, and Ninny and Evelyn. Evelyn, an 80s depressed housewife in her 40s finds solace and a true friend in Ninny, a 90 year old woman staying at a nursing home (not ‘cause she needs it, but to keep a friend company). Ninny tells her the story of Idgie (her, kind of, sister) and Ruth, her best friend and lover. Evelyn finds feminism and hope through the memories, getting inspired by Idgie and Ruth's story and becoming happier in her life. It has several points of views and it jumps between years (first 1980s, then 1920s, then 1940s, then 1980s again, etc) and it also talks a lot about racism in 1920s Alabama, and i'll just stop because I love this book so much and i could go on forever. Oh, and also they murder a man and feed him to a police officer.

Lovers' choice - Becky Birtha (1987) / A collection of eleven short stories about lesbian women.

1990s

Out Of Time - Paula Martinac (1990) / Susan finds an old photograph album with pictures from the 1920s, all pictures being of a group of women (four in total). She's told it's not for sale, but she steals it anyway. After some digging, she finds out than two of the girls from the photos were lovers! And not only is Susan trying to navigate the details of her life and of her relationship with her own girlfriend, but she obsesses over the women in the picture, and eventually, the spirits of the girls start to haunt her.

The Gilda Stories - Jewele Gomez (1991) / Gilda escaped from slavery in the 1850s, until she's taken by a vampire who (consensually) turns her into a vampire too. Gilda moves through the decades finding community and connections and helping people, and slowly builds a place for herself in time. (Fine, not actually obscure since I’ve seen it all around the internet, but it just sounds so good)

Annabel and I - Chris Anne Wolfe (1996) / Plot summed up by a reader: “Half-orphaned Jenny-Wren spends her summers at her uncle Jake's fishing lodge on Lake Chautauqua. One summer day when she's twelve years old while boating with her uncle, she finds a girl on the end of a dock reaching futilely for her escaped model boat. Jenny swims over and rescues the boat, meeting the orphaned Annabel, spending her summers at her grandmother's summer estate. This begins a friendship that endures and grows for years as the two girls spent each summer together, only to be separated at the end of summer. As the two grow older, they realize a magic is at work that keeps bringing them together, despite the near century between them. As the summers come and go, the two young women discover their love for each other, and the realization that their love is imposible. Can their love persist beyond those fleeting summers and flourish, in the face of time?”. Review from a reader: “The foreword says this book is for all wlw, and that, "Because there are as many different ways to love a woman as there are women who love women; it's the loving, not the label, that really matters." That really captured the core of what this book does, it treasures the love we create with our bare hands for and with another woman.” A time travel romance (Jenny is from the 1980s, Annabel from 1890s)

Ain't Gonna Be the Same Fool Twice - April Sinclair (1996) / Bisexual mc. “Jean "Stevie" Stevenson, the indomitable heroine of "Coffee Will Make You Black," is back—somewhat older and wiser, with some experience and a college degree -- diving headfirst into the hot tub, free love, yoga, and vegetarian lifestyle of 1970s San Francisco. In this liberating new world of raised consciousness, mind-expanding, and disco-dancing, a soul sister with passion and daring has room to experiment with life and love to find out who she "really" is.”

Beyond the Pale - Elana Dykewomon (1997) / “The story of two Jewish women living through times of darkness and inhumanity in the early 20th century, capturing their undaunted love and courage in luminous and moving prose. The richly textured novel details Gutke Gurvich's odyssey from her apprenticeship as a midwife in a Russian shtetl to her work in the suffrage movement in New York. Interwoven with her tale is that Chava Meyer, who was attended by Gurvich at her birth and grew up to survive the pogrom that took the lives of her parents. Throughout the book, historical background plays a large part: Jewish faith and traditions, the practice of midwifery, the horrific conditions in prerevolutionary Russia and New York sweatshops, and the determined work of labor unionists and suffragists." While it is a romance, it's also more than that, it's about the life of Jewish women in the 20th century.

Crystal Diary - Frankie Hucklenbroich (1997) / “Frankie Hucklenbroich's razor-edged, compelling, often wryly humorous story hustles us from the blood-and-beer-drenched corners of her St. Louis meat-packing district '50s youth, through the sex-soaked Hollywood alleys of her '60s baby butch years, into the druggy metropolis of '70s San Francisco. Moving relentlessly from one woman to another until faces and bodies blur, scamming her existence, learning what the street has to how to make a buck, how to make it with a woman, how to court the dangers of crystal meth, how to survive.”

Hers 3 - Terry Wolverton (1999) / Short stories

2000s

Valencia - Michelle Tea (2000) / "Valencia is the fast-paced account of one girl's search for love and high times in the drama-filled dyke world of San Francisco's Mission District. Through a string of narrative moments, Tea records a year lived in a world of girls: there's knife-wielding Marta, who introduces Michelle to a new world of radical sex; Willa, Michelle's tormented poet-girlfriend; Iris, the beautiful boy-dyke who ran away from the South in a dust cloud of drama; and Iris's ex, Magdalena Squalor, to whom Michelle turns when Iris breaks her heart."

Naked in the Promised Land: A Memoir - Lillian Faderman (2003) / “Born in 1940, Lillian Faderman is the only child of an uneducated and unmarried Jewish woman who left Latvia to seek a better life in America. Lillian grew up in poverty, but fantasised about becoming an actress. When her dreams led to the dangerous, seductive world of the sex trade and sham-marriages in Hollywood of the fifties, she realised she was attracted to women, and that show-biz is as cruel as they say. Desperately seeking to make her life meaningful, she studied at Berkeley; paying her way by working as a pin-up model and burlesque dancer, hiding her lesbian affairs from the outside world. At last she became a brilliant student and the woman who becomes a loving partner, a devoted mother, an acclaimed writer and ground-breaking pioneer of gay and lesbian scholarship. Told with wrenching immediacy and great power, Naked in the Promised Land is the story of an exceptional woman and her remarkable, unorthodox life.”

Her Naked Skin - Rebecca Lenkiewicz (2008) / Theatre. “Militancy in the Suffragette Movement is at its height. Thousands of women of all classes serve time in Holloway Prison in their fight to gain the vote. Amongst them is Lady Celia Cain who feels trapped by both the policies of the day and the shackles of a frustrating marriage. Inside, she meets a young seamstress, Eve Douglas, and her life spirals into an erotic but dangerous chaos. London 1913. A crucial moment when, with emancipation almost in sight, women refuse to let the establishment stand in their way.”

The Rain Before it Falls - Jonathan Coe (2008) / “A story of three generations of women whose destinies reach from the English countryside in World War Il to London, Toronto, and southern France at the turn of the new century. Evacuated to Shropshire during the Blitz, eight-year-old Rosamond forged a bond with her cousin Beatrix that augured the most treasured and devastating moments of her life. She recorded these memories sixty years later, just before her death, on cassettes she bequeathed to a woman she hadn't seen in decades. When her beloved niece, Gill, plays the tapes in hopes of locating this unwitting heir, she instead hears a family saga swathed in promise and the story of how Beatrix, starved of her mother's affection, conceived a fraught bloodline that culminated in heart-stopping tragedy—its chief victim being her own granddaughter. And as Rosamond explores the ties that bound these generations together and shaped her experience all along, Gill grows increasingly haunted by how profoundly her own recollections--not to mention the love she feels for her grown daughters, listening alongside her-- are linked to generations of women she never knew. A stirring, masterful portrait of motherhood and family secrets, "The Rain Before It Falls" is also a meditation on the tapestries we weave out of the past, whether transcendent or horrific.”

2010s

When We Were Outlaws - Jeanne Cordova (2011) / "A sweeping memoir, a raw and intimate chronicle of a young activist torn between conflicting personal longings and political goals. When We Were Outlaws offers a rare view of the life of a radical lesbian during the early cultural struggle for gay rights, Women's Liberation, and the New Left of the 1970s. Brash and ambitious, activist Jeanne Cordova is living with one woman and falling in love with another, but her passionate beliefs tell her that her first duty is "to the revolution".—to change the world and end discrimination against gays and lesbians."

Call Me Esteban - Leila Kalamuié (2015) / “With unapologetic vividness, Lejla Kalamujic depicts pre- and post-war Sarajevo by charting a daughter coping with losing her mother, but discovering herself. From imagined conversations with Franz Kafka to cozy apartments, psychiatric wards, and cemeteries, Call Me Esteban is a piercing meditation on a woman grasping at memories in the name of claiming her identity.”

Lancelot: Her Story - Carol Anne Douglas (2015) / Arthurian legend retelling! "A young girl sees a man rape and murder her mother. She grabs a stick and puts out his eye. Her father raises her as a boy so she will be safe from men's attacks. She practices and practices until she becomes a great fighter - Lancelot. She wants to protect women—and she does. Lancelot hears about King Arthur, a just king across the sea, and journeys to earn a place at Camelot. She vows to serve him. but fears that Arthur and his men will discover that she is a woman and send her away. Lancelot is shocked to realize that she is falling in love with the king's wife, Guinevere. Guinevere is a strong woman who would have preferred to be queen in her own right, not through marriage. Saxons attack Arthur's kingdom, and Lancelot finds out that fighting a war is far different from saving women in single combat. The savagery of war devastates her, she is living a lie, but she is also deeply in love…”

Jigsaw Youth - Tiffany Scandal (2015) / “Lose your best friend because you finally Came Out. Spend days driving aimlessly because there's nothing to do. Serve your rapist breakfast because you need your job. Fall asleep to gunshots and sirens because that's the only sense of home you've ever known. Hold hands with ghosts. Your life is in pieces, but you can't be broken. Wipe off the blood. Tired of being told who to be, what to wear, how to act and who to fuck. Break the rules and learn fast how to never get caught. All you need is nothing, but you're happy with your car, guitar and camera. Throwing around polaroids of tits like they're money, you swap stories about adventures and realize that we're all running away from something.”

Creatures of Will & Temper - Molly Tanzer (2017) / Recommended as a sapphic picture of dorian gray retelling, it tells the story of Dorina (hedonistic, art lover, and woman-kisser), her older sister Evadne (fencer and responsable), Lady Henrietta (suit-wearing, cigar-smoking lesbian who is a horrible influence), and Basil, Dorina and Evadne's uncle, and who's character has not changed much. They also summon demons.

The Adventures of China Iron - Gabriela Cabezón Cámara (2017) / “1872. The pampas of Argentina. China is a young woman eking out an existence in a remote gaucho encampment. After her no-good husband is conscripted into the army, China bolts for freedom, setting off on a wagon journey through the pampas in the company of her new-found friend Liz, a settler from Scotland. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina's richly diverse flora and fauna, cultures and languages, as well as to the ruthless violence involved in nation-building. This subversive retelling of Argentina's foundational gaucho epic Martín Fierro is a celebration of the colour and movement of the living world, the open road, love and sex, and the dream of lasting freedom. With humour and sophistication, Gabriela Cabezón Cámara has created a joyful, hallucinatory novel that is also an incisive critique of national myths.”

2020s

Thirst - Marina Yuszczuk (2020) / “Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. It is the twilight of Europe's bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women-and they cross a threshold from which there's no turning back. With echoes of Mary Shelley's Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.” Lesbian vampires!

The Lives We Left Behind - Olivia Bratherton-Wilson (2021) / I read this one so long ago and I don’t remember everything with detail, just than I really liked it. “1943. Seventeen-year-old Dorotea Miller is given the responsibility of managing the family farm when her father and brother are conscripted, leaving her with only her distant mother and the unfamiliar Land Girls for company. Angeline Carter and her four younger brothers are evacuated to the Welsh countryside to escape the bombings; the Miller farm is nothing like they've seen before and certainly more than Angeline bargained for when she meets the surly, unwelcoming farmer's daughter. Despite their rocky start, misunderstandings and tragedies, Dorothea and Angeline realise that their friendship may run deeper than either of them had prepared for.” There is also a sequel! That one I haven’t read tho.

Agatha of Little Neon - Claire Luchette (2021) / "Agatha has lived every day of the last nine years with her sisters (the other nuns) : they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a formermill town now dotted with wind turbines. […] Agatha is forced to venture out into the world alone, to teach math at a local all-girls high school, where for the first time in years she will have to reckon with what she sees and feels all on her own. Who will she be if she isn't with her sisters? These women, the church, have been her home--or has she just been hiding? […] It is a novel about female friendship and devotion, the roles made available to us, and how we become ourselves." Lesbian nuns

Burning Butch - R/B Mertz (2022) / A butch lesbian memoir of their life growing up catholic and surviving in the world, while dealing with faith and what it shape it takes to them.

London on My Mind - Clara Alves (2022) / So, the English translation just came out! Funny thing is, I started this in 2022 even tho I don’t know Portuguese (translating paragraph by paragraph with google translate) and it was pretty good. I haven’t finished it (translating a whole book with google translate is definitely work) but I’m so ready to read it now that it’s translated. Dayana (seventeen, black, plus size, and Brazilian) is forced to move to London with her father (who abandoned her mother and her) and his new family after her mother died. She’s having a pretty horrible time, until, on a walk, finds a redhead girl… escaping Buckingham Palace?? So of course, she helps her escape. Who exactly is this girl? Why was she escaping?? The answer, her name is Diana and she’s sort of (super) the princess of Wales. Huh.

Helen House - Kayla Kumari Upadhyaya (2022) / “Right before meeting her girlfriend Amber's parents for the first time, the unnamed narrator of Helen House learns that she and her partner share a similar both of their sisters are dead. As the narrator wonders what else Amber has been hiding, she struggles with her own secret--using sex as a coping mechanism--as well as confusion and guilt over whether she really cares about Amber, or if she's only using her for sex. When they arrive at the parents' rural upstate home, a quaint but awkward first meeting unravels into a nightmare in which the narrator finds herself stranded in a family's decades-long mourning ritual. At turns terrifying and erotic, Helen House is a queer ghost story about trauma and grief.”

Promises in Pompeii - Violet Morley (2022) / Set in Ancient Rome, it tells the story of two girls, Octavia and Helvia, childhood friends, and their journey through life as women and through their feelings. In the author ig, she said it includes: adventure/survival, against the odds, brothels, butch/femme, coming of age, disguised as a man, first love, friends to lovers, opposites attract, etc. I’m currently reading it, and I really like it so far.

Nettleblack - Nat Reeve (2022) / “Subversive and playful, Nettleblack is a neo-Victorian queer farce that follows a runaway heir/ess and an organisation of crime-fighting misfits as they struggle with the misdeeds besieging a rural English town. The year is 1893. Having run away from her family home to escape an arranged marriage, Welsh heiress Henrietta “Henry” Nettleblack finds herself ambushed, robbed, and then saved by the mysterious Dallyangle Division - part detective agency, part neighbourhood watch. Desperate to hide from her older sisters, Henry disguises herself and enlists. But the Division soon finds itself under siege from a spate of crimes and must fight for its very survival. Assailed by strange feelings for her new colleague - the tomboyish, moody Septimus - Henry quickly sees that she's lost in a small rural town with surprisingly big problems. And to make things worse, sinister forces threaten to expose her as the missing Nettleblack sister. As the net starts to close around Henry, the new people in her life seem to offer her a way out, and a way forward. Is the world she's lost in also a place she can find herself? Told through journal entries and letters, Nettleblack is a picaresque ride through the perils and joys of finding your place in the world, challenging myths about queerness - particularly transness - as a modern phenomenon, while exploring the practicalities of articulating queer perspectives when you're struggling for words.”

Sunburn - Chloe Michelle (2023) / In Ireland, the early 1990s, Lucy feels out of place in her small town. She falls in love with her best friend and she has to find a way to find herself, make a meaning out of her feelings, and hide the truth from her conservative small town and religious peers.

Lucky Red - Claudia Cravens (2023) / "A vibrant and cinematic debut set in the American West about a scrappy orphan who finds friendship, romance, and her true calling as a revenge-seeking gunslinger." Lesbian cowboys

Neon Roses - Rachel Dawson (2023) / “Eluned Hughes is stuck. It's 1984 in a valley in south Wales: the miners' strike is ravaging her community; her sister's swanned off with a Thatcherite policeman; and her boyfriend Lloyd keeps bringing up marriage. And if they play '99 Red Balloons' on the radio one more time, she might just lose her mind. Then the fundraising group Lesbians and Gays Support the Miners comes down from London, and she meets June, a snaggle-toothed blonde in a too-big leather jacket. Suddenly, Eluned isn't stuck any more - she's in freefall. June's an artist and an activist, living in a squat in Camden. With June, Eluned can imagine a completely different - and exciting - life for herself. But as her family struggles with the strike, and her relationship with her sister deteriorates, should she really leave it all behind? From the Valleys to the nightclubs of Cardiff, London and Manchester, NEON ROSES is a heartwarming, funny and a little bit filthy queer coming-of-age story with a cracking '80s soundtrack.”

Tale of Three Ships - Darcia G. Laucerica (2023) / “In a world under the thumb of an empire, pirates sail away searching for a breath of freedom. But even the ocean is tainted by the powerful nation that has spread lies about women being bad luck at sea. Glenlivet has never cared about the fear-mongering. Her ship welcomes those who are rejected and need a home. For all the sailor' s superstitions and "codes" of piracy the captain mocks every day, not leaving the docks when it's dark is a personal boundary she swears by ever since acquiring The Outsider about eight years ago. She just might have to break her own rules to protect her crew, escape the claws of a king who wants her dead, and murder the man who raised her.” I’ve heard so many good things about this. Lesbian main character, with mlm and trans side characters. Author in social media said it includes: Chosen pirate family, sirens, indigenous and latine inspired characters, anti-colonialism, and people fighting injustice and abuse.

How to Breathe Ash - Alex Nonymous (2023) / “Eleanor Perrault doesn't know if there's a right way to handle being suddenly orphaned at sixteen, but it's definitely not the way that she's been coping with it. It's been two months since her parents died and despite her autism normally causing her to be even more emotionally volatile than most of her peers, she still hasn't even managed to cry over them yet. On top of trying to learn how to grieve properly, Eleanor's juggling starting a new semester in a new town with an aunt who seems eternally disappointed in her and a cousin who's randomly decided to start hating her. And a crush on the incredibly pretty president of her new school's QSA. How to Breathe Ash is a contemporary YA Cinderella retelling following Eleanor through elaborate dances, anonymous chat rooms, and learning the right way to not be alright.” Autistic mc! While I haven’t read anything from this author (yet) they have lots of wlw/nblw/nblnb books with autistic main characters.

War and Solace: A Tale from Norvegr - Edale Lane (2023) / “A battle-hardened shieldmaiden. A pacifist healer. Can the two find love amid the chaos of war? From Edale Lane, the award-winning, best-selling author of Sigrid & Elyn, comes a new Tale from Norgevr! Tyrdis is a stalwart warrior raised to value honor, courage, and military prowess. When a traumatic injury renders the powerful protector helpless, she depends on the lovely, tender-hearted Adelle to restore her from the brink of death. Is it merely gratitude or true love that draws Tyrdis to the healer? Defying cultural norms, Adelle despises violence and those who propagate it, but when her shieldmaiden patient saves the life of her beloved little girl, she must reexamine her values. Could Tyrdis be more than a stiff, efficient killer with an amazing body? In a kingdom steeped in conflict with their neighbors and internal strife, shocking secrets are revealed, and both women strive to ensure justice prevails. Can they overcome their differences to safeguard their friends, end the war, and fall in love, or will fate prove to be a cruel sovereign?” Historical fiction set during 643. The author also has another two sapphic books set in the same time period.

Maddalena and the Dark - Julia Fine (2023) / “A novel set in 18th-century Venice at a prestigious music school, about two girls drawn together by a dangerous wager Venice, 1717. Fifteen-year-old Luisa has only wanted one thing: to be the best at violin. As a student at the Ospedale della Pietà, she hopes to join the highest ranks of its illustrious girls' orchestra and become a protégé of the great Antonio Vivaldi. Luisa is good at violin, but she is not the best. She has peers, but she does not have friends. Until Maddalena. After a scandal threatens her noble family's reputation, Maddalena is sent to the Pietà to preserve her marriage prospects. When she meets Luisa, Maddalena feels the stirrings of a friendship unlike anything she has known. But Maddalena has a secret: she has hatched a dangerous plot to rescue her future her own way. When she invites Luisa into her plans, promising to make her dreams come true, Luisa doesn't hesitate. But every wager has its price, and as the girls are drawn into the decadent world outside the Pietà's walls, they must decide what it is they truly want—and what they will do to pay for it. Lush and heady, swirling with music and magic, Maddalena and the Dark is a Venetian fairytale about the friendship between two girls and the boundless desire that will set them free, if it doesn't consume them first.”

Greasepaint - Hannah Levene (2024) / “Set against a backdrop of 1950s New York, this experimental novel follows an ensemble cast of all-singing, all-dancing butch dykes and Yiddish anarchists through eternal Friday nights, around the table, and at the bar. In one of many bars, Frankie Gold sings while Sammy Silver plays piano after a day job at the anarchist newspaper. The Butch Piano Players Union meets in the corner next to the jukebox. Laur smokes on the back steps, sweaty thigh to thigh with Vic. Frankie's childhood sweetheart, Lily, turns up at yet another bar to see a second Sammy play every Friday night. And before all that, there's always dinner at Marg's. Fabulated out of oral histories, anthologies, as well as the fiction of the butch-femme bar scene and Yiddish anarchist tradition, Greasepaint is a rollicking whirlwind of music and politics- the currents of community embodied and held inside the bar.”

Perfume & Pain - Anna Dorn (2024) / “A controversial Los Angeles author attempts to revive her career and finally find true love in this hilarious nod to 1950s lesbian pulp fiction. Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer's group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student who smells like metallic orchids and is researching 1950s lesbian pulp, or her new neighbor, Penelope, who smells like patchouli. When Astrid receives an unexpected call from her agent with the news that actress and influencer Kat Gold wants to adapt her previous novel for TV, Astrid finally has a chance to resurrect her waning career. But the pressure causes Astrid's worst vice to rear its head—the Patricia Highsmith, a blend of Adderall, alcohol, and cigarettes-and results in blackouts and a disturbing series of events. Unapologetically feminine yet ribald, steamy yet hilarious, Anna Dorn has crafted an exquisite homage to the lesbian pulp of yore, reclaiming it for our internet—and celebrity-obsessed world”

How It Works Out - Myriam Lacroix (2024) / “Surreal, darkly comic and achingly tender, Myriam Lacroix's debut sees a queer love story play out in many alternate realities. What if you had the chance to rewrite the course of your relationship, again and again, in the hopes that it would work out? After Myriam and Allison fall in love at a show in run-down punk house, their relationship starts to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam's depression was Allison's flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker-or sexier-would their dynamic be if one were a power-hungry CEO, and the other her lowly employee? From the fantasies of early romance to the slow encroaching of violence that unravels the fantasy, each reality builds to complete a brilliant, painfully funny portrait of love's many promises and perils. Equal parts sexy and profane, unsentimental, and gut-wrenching, How It Works Out is a formally inventive, arresting, uncanny exploration of queerness, love, and our drive for connection, in any and all possible worlds.”

All the Painted Stars - Emma Denny (@a-kind-of-merry-war) (2024) / “Oxfordshire 1362. When Lily Barden discovers her best friend Johanna's hand in marriage is being awarded as the main prize at a tournament, she is determined to stop it. Disguised as a knight, she infiltrates the contest, preparing to fight for Jo's hand. But her conduct ruffles feathers, and when a dangerous incident escalates out of Lily's control, Jo must help her escape. Finding safety with a local brewster, Lily and Jo soon settle into their new freedom, and amongst blackberry bushes and lakeside walks an unexpected relationship blossoms. But when Jo's past caches up with her and Lily's reckless behaviour threatens their newfound happiness, both women realise that choices must always come at a cost. The question they need to ask is if the cost is worth the price of love…” The cover of the edition coming out in November is SO pretty and lately I’ve been looking for medieval sapphic books like crazy.

Gentlest of Wild Things - Sarah Underwood (2024 - out august 15th) / So this book is by the same author as Lies We Sing to the Sea, and I’m in no rush to read that book (a so-called odyssey retelling even tho the author has admitted to never actually reading the odyssey??) but this one looks compelling. “On the island of Zakynthos, nothing is more powerful than Desire-love itself, bottled and sold to the highest bidder by Leandros, a power-hungry descendent of the god Eros. Eirene and her beloved twin sister, Phoebe, have always managed to escape Desire's thrall. Until Leandros' wife dies mysteriously and he sets his sights on Phoebe. Determined to keep her sister safe, Eirene strikes a bargain with Leandros: if she can complete the four elaborate tasks he sets her, he will find another bride. But it soon becomes clear that the tasks are part of something bigger; something related to Desire and Lamia, the strange, neglected daughter Leandros keeps locked away. Lamia knows her father hides her for her own protection, though as she and Eirene grow closer, she finds herself longing for the outside world. But the price of freedom is high, and with something deadly-something hungry- stalking the night, that price must be paid in blood…” The author said that “Gentlest of Wild Things is a sapphic vampiric twist on the story of Eros and Psyche”

The End Crowns All - Bea Fitzgerald (2024 - out on July 18th) / “Princess. Priestess. The most beautiful girl in Troy. Casandra is used to being adored - and when her patron god, Apollo, offers her the power of prophecy, she sees an opportunity to rise even higher. But when she fails to uphold her end of the agreement, she discovers just how very far she has to fall. No one believes her visions. And they all seem to be of one girl - and the war she's going to bring to Troy's shores. Helen fled Sparta in pursuit of love, but it's soon clear Troy is a court like any other, with all its politics and backstabbing. And one princess seems particularly intent on driving her from the city before disaster can strike... But when war finally comes, it's more than the army at their walls they must contend with. Casandra and Helen might hold the key to reweaving fate itself - especially with the prophetic strands drawing them ever closer together. But how do you change your future when the gods themselves are dictating your demise?” Sapphic retelling of the iliad where Helen and Kassandra end up together

If asked, I’ll also do one with gay books

(No 1950s lesbians because I don’t like pulp fiction :( )

[fuckyeahgoodomens]

The stuff in Gabriel’s box that Crowley dumps out to read the bottom..was that stuff Gabriel brought back from Heaven that Aziraphale wasn’t a high enough rank to see..but Crowley can? Or just random insignificant bookshop stuff. Aziraphale almost looks confused when Crowley dumps it out

Hiya! :) Those were bookshop things Aziraphale put there bc he started using it as just a box :). But they are actually quite interesting :D.

In the Good Omens book there is (with Bilton and Scaggs being publisher next door to Aziraphale):

Bilton and Scaggs' second great publishing disaster occurred in 1653. By a stroke of rare good fortune they had obtained one of the famed "Lost Quartos"—the three Shakespeare plays never reissued in folio edition, and now totally lost to scholars and playgoers. Only their names have come down to us. This one was Shakespeare's earliest play, The Comedie of Robin Hoode, or, The Forest of Sherwoode. *The other two are The Trapping of the Mouse, and Golde Diggers of 1589.*

Master Bilton had paid almost six guineas for the quarto, and believed he could make nearly twice that much back on the hardcover folio alone.

Then he lost it.

In the box on the left you can see the two plays that has been lost to the publisher neighbour (*cough*StolenByAziraphale*cough*? :D).

The second document I'm a bit confused about :D.

New Cumnock,

February, 1913

...from the Trustees of the late John Gibson, Post:

...from Cumnock, the sum of One hundred and fifteen

...with interest at four per cent until final

...of the Estate is to he be deducted from the

...falling to me,

John Gibson

Some kind of last will? I found a Jonh Gibson from New Cumnock but still don't know the connection to Aziraphale? :)🤔

@neil-gaiman could you shed light on this please? :) ❤

[snek-panini]

I actually didn't mean to let nearly two weeks go by since my last bookbinding post, but somehow time has just slipped away from me till now. For today we have a pretty simple one, though:

This is Postcards from Paris, by ghostrat, a story that I asked to bind way back at the beginning of May. It's a Good Omens human au, involving letters received by an unintended recipient and a long sequence of getting to know one another via writing. I love epistolary stories and wish they were more common both in and out of fandom, and this one's really soft. Like the whole last chapter makes me feel all rosy and warm. Go read it if you haven't, it's wonderful.

More photos and such under the cut!

The cover up there is chocolate lineco book cloth with blue metallic htv. Like with many of my small-sized binds, I tried to not buy anything specific to this one and instead make something coherent from what's already on hand, and that philosophy lent itself well here. The story's about getting to know someone with only the verbal impression of them, not even their voice but just the words they choose and their handwriting, and has a lovely feeling of being overwhelmed by their physicality when you finally meet in person, and I think the stripped-down feeling of the bind fits that theme. It's deceptively simple, and you won't realize how deeply you're in love with the story until after you've read it.

Top view, with blue ribbon bookmark, and slate-blue plain cardstock endpapers. I'm pleasantly surprised by how well all the blues match, considering the htv was bought for another project, the endpapers were bought in a multi-pack for another different project, and the ribbon probably was cut from the shoulder of a fancy shirt. I really would have liked to do custom blue-and-brown end bands, but at barely 80 pages the book's too short for that so it's got premade ones in black and white. The front hinge wouldn't behave when I cased it, so it's got that weird wiggly part and I don't know why. I've used this cardstock for endpapers before and never had that issue, so it's a bit of a mystery.

Interior photos. The stripped-down, simple philosophy persists. About the only theming I did was to choose a handwriting font for the larger text, which seemed appropriate for a story told in postcards.

Random interior of typeset. This thing has so many scene breaks, my god. I sincerely thought about picking two handwriting fonts and putting all the postcards in those. They would have been opposing ones so you could tell who was writing without the scene break lines, but it was too difficult to read at this font size and looked kind of messy, so I didn't. I always size down the font a little for quartos, because the full-size one I use for folios looks weird on a half-size page, but this is the only time I've found that decision working against me.

And that's that! As always, I hope I did the story justice with this bind. The designs feel right when I make them, and I hope others agree. I've still got two more books to post from this late spring batch, so those'll be up over the next week or two.

[canon-in-too-deep]

Tumblrary Directory

Imprints: in_D Press (main)

This directory is ongoing and updated as needed. Everything listed as Free is indeed free to use (for personal use only), just please leave credit and consider liking/reblogging or following this blog. Any errors found, feel free to let me know. (づ��⩌◕)づ For free access to my files/library, click the link and request access (and send a sworn oath written in blood to never violate the sanctity of the library).

Note: I do not use AI to make these. Just my own mediocrity ᕦ(◕⩌◕)ᕥ

Free Typesetting Resources

Font Book

Dingbat Book for Dinkuses

The Blue Fairy Book (Font Sampler Edition) edited by Andrew Lang

Typesetting Template (Affinity, Letter Folio): Notes for Typesetting Template and Tutorial for Typesetting Template

Font Recs

Typesetting Tips

Free Public Domain Typesets

[Books listed in order of upload date. Previews and details of each typeset can also be found in their original posts.]

Persuasion by Jane Austen (Letter Folio)

The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (Letter Quarto)

Frankenstein by Mary Shelley (Letter Folio)

The Merry Adventures of Robinhood by Howard Pyle (Illustrated) (Letter Folio)

Peter Pan by J. M. Barrie (Letter Folio)

Dracula by Bram Stoker (Letter Folio)

The Call of Cthulhu by H. P. Lovecraft (Letter Quarto)

The Importance of Being Earnest by Oscar Wilde (Letter Folio)

The Adventures of Sherlock Holmes by Arthur Conan Doyle (Illustrated) (Letter Folio)

The Invisible Man by H. G. Wells (Letter Folio)

The Great Gatsby by F. Scott Fitzgerald (Letter Folio)

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[heliotropepajamas-books]

Fanbinding: Domina by AsMyWimseyTakesMe

Catching up on my backlog of books, I present fanbinding project #2

Domina by AsMyWhimseyTakesMe

Date Completed: June 12, 2023

Size: US Letter Quarto.  16,401 words/144 pages

Copies: 1

Sticking with my favorite 1920s characters, my next binding project was Lord Peter Wimsey set in a Sentinels & Guides are Known world.  While Harriet Vane wasn’t my favorite character in the book series I really like this fic because the sentinel/guide trope explains Lord Peter’s sudden obsession.  As always, we need more Bunter but there was a cameo from Bertie & Jeeves to tie it back to Green Ice (Binding #1)!

First time using HTV for anything, so ignore the gold gel pen touch-up on the spine.

I tried to keep things as close to my first book as I could - decorative paper from the same pack, all the fonts and measurements the same.  It’s going to be a thematic series going forward.

I don't seem to have the author's username if they're on tumblr, so please tag them if you know it!

[finalfrontierpublishing]

So it's been a while since i posted any books - mostly because i've been hiding my progress like a little sneak.

I just finished this bind last night of The Desert Storm by @blue-sunshine-mauve-morning, or really it's volume 1 out of like ??? 15, maybe. Please take whatever i say with a pinch of salt (I have had 0 sleep for more than 24 hours, and that tends to make me a little very sleep-deprivation drunk a.k.a. unhinged). Okay, on to thoughts! The Desert Storm was foisted onto me by @celestial-sphere-press who told me under no uncertain terms that I WOULD FUCKING LOVE THIS SHIT. Well, I did. This more than 1 million word epic about Ben Fuckin' Kenobi is pretty much god-tier fanfiction. It reads like a goddamn novel. I can never think of canon again without thinking that this good shit should be canon. I read it and then consumed half of it within a week, and I have zero regrets. @blue-sunshine-mauve-morning, i absolutely love you and love your writing. It is the best thing since sliced bread. It is better than sliced bread.

I also had the benefit of @celestial-sphere-press saying, hey would you want to use the typeset? MY GOD, i am grateful. I love this fic, i would have typeset it if it hadn't been typeset but Des did such a beautiful job that i am absolutely in awe and thankful that she and the author allowed others to use it. Look at it - it's so beautiful. I only had to think hey, i just gotta design the cover and et cetera and so the book happened.

Please also check out @celestial-sphere-press 's amazing post here and here, who is the only person i know who's started and is almost complete in fanbinding this epic, and is also making an author a copy of the entire series.

Some stats, if you will.

96215 words || 380 pages

Title font: Ghaomiec

I took some inspiration from starblight bindery's lovely desert scape as well as this amazing cover of Dune which i own. I love that the landscape emanates Dune vibes while being oh so Tattooine - just sand and heat, relentless loneliness and melancholy. This fic centres around Obi-Wan Infinite Sadness Kenobi so it needed SAD VIBES TM, which i tried to deliver in desolate landscape form.

Also thank the heavens for Renegade members, who in a masterful stroke of Group Buy Saves Money, managed to source extra-out-of-production colours of Colibri and help a fair number of us get really cool limited edition versions of bookcloth. I am now a proud owner of a lorge stash of Duo and Colibri of which i am now sitting on like a shifty dragon with a hoarding problem. Good luck getting your bookcloth now, Folio Society, ha ha (gloating)! This particular bookcloth is Colibri Copper which has been wholly stashed for The Desert Storm series. I am leaning on transitioning to Malachite for Rise and Fall when I get to it.

The front cover design was done with a stock image and converted to a PNG, which i then fiddled with and did some HTV magic with. It was remarkably easier to weed than expected. I tried something new and ironed the design on the naked bookcloth first before gluing it to the boards, which was a new challenge in making sure everything was aligned.

Endpapers are marbled endpapers (Renato Crepaldi) which I got from Hollanders, which perfectly fit the colour scheme of the bind. The only hiccup was as I was cutting, I realized the sheet was running in the opposite direction of his usual papers and half the size, and only yielded 3 A5 size endpapers and so my heart went noooooooooo. oh well. i guess i will use it for quartos.

Endbands are my favourite - silk in 3 colours in the french doublecore style (as i was binding this i did not have the mental capacity to handle the difficulty of 4 strands). the truth is i usually only can do 4 when I have higher brain function and am willing to spend 80% of my time unraveling it from getting tangled.

I also forgot to mention I had mild fuck-ups, I got glue on the front endpaper which I had to hastily remove with wet cloth, and the back square is preposterously bad but I'm ignoring it for now.

Anyway, i've actually managed to complete a few other binds which have not been mentioned here as they've all been gifts/ surprises or event books in some form. I am SO EXCITED, also because I am travelling in the latter half of July to San Diego and L.A. and I get to meet some bookbinding friends in the flesh. Renegade is fucking amazing y'all. I am ready to embrace these crazy lads who have enabled me for the last 1 year, even when i'm the solitary (1) weirdo from my country of origin in the server. Also... potentially bookbinding trip early next year??? I am enthused.