#ql things

[infinitelyprecious]

Thai bl and throwing gays off a cliff: a collection

Manner of Death:

Chains of Heart:

The Sign:

My Stand In:

Interestingly three of these are a couple getting shot/kicked off a cliff by enemies. (Did Joe get flung off by enemies too? I'm 5 min into ep 1, so I have no clue yet lol)

[happypotato48]

This Is A Gay Asian Rant About BL Comments Made By Some Queer Westerners I See Sometimes.

So you know of those gays (usually white) that made dumb tiktok dancing to list of countries that legalized same sex marriage and list of countries that discriminate against LGBTQIA+ poeple as a way to say something racist. yeah i kinda got the same vibes from some comments regard how asian BL is homophobic just cause they don't live up to queer western standard. look, i'm not saying that some BLs and their creators don't deserve criticism regard how they capitalized/exploited queerness for an easy cash grab.

But people need to understand that Asian countries despite recent progress are still very much culturally conservatives. so when people says that thai bl is homophobic and all the characters looks like bunch of straight guys, which is true for some olders thai BLs i'm not gonna denied that. but after all this time and newer BLs generally being very queer and most of creators being out queer themself and poeple still making these comments, i'm annoyed.

And don't get me start on the actors. you don't know them! why are you making assumption and calling them queerbaiter just cause they acts in bl. like maybe they're straight, maybe they're not but what they're definitely doing is making queer content for you know, queer people here. so when you made halfass comments about their sexuality what do you think that made other queer people who still in the closet feels. and when you add the nationality to that, "these thai bl pair are this and that, this korean actor is so ungrateful for his bl past", etc. when our societies are still very much still in progress regard LGBTQIA+ acceptance. it make us living here feels fucking awful like somehow we're lesser queer than people in the west just cause we don't have citibank at pride or some shit.

And the shittiest in my humbled opinion are comments regard censored chinese bls. people do know like, that the creators making these bls are risking their livelihoods for this. that these shows getting make at all are miracles. yes it sucked that they're censored but they're still very much queer shows making by queer people who want to express thier queerness despite the chinese government being the chinese government. when people dimissing these shows as not belonging in queer media, you're also dimissing their creators and audiences as not belonging in the community.

Look what i want to say is that we're trying our best over here, and maybe our best are not up to your liking. the ways we talk and express our queerness maybe still can be perceived as problematic by western queer standard. but these media are our house and you're the guests. for people aren't shitty we appreciated that you're here engaging and loving our media, this is your home too and you're welcome in it. i can speak for myself that i very much love being here on tumblr and interacting with people from all over the world who love BL. but for people who are being shitty sometimes about asian bl.

YOU'RE THE GUESTS, BEHAVE!

[chezlalune]

#protect him (from himself)

WE ARE คือเรารักกัน (2024) EPISODE 11

[khaopybara]

❝I just... want to be your comfort zone. That's all.❞

HAPPY ONE-YEAR ANNIVERSARY, BE MY FAVORITE!

[leescribbs]

always in between places..

[becauseimanicequeen]

There’s something going on with the red in 4 Minutes.

This was only the first episode (and I know more is coming since I've seen it in the trailer) but I'm already buzzing from seeing all this red.

(I would expand on it if it weren't for the Olympics. But, for now, this will have to do until the Olympics are over and I have time to write about color (including the contrast of dark/light that's present as well).)

[greatyme]

I did something silly….. I made QL guess who!

About a year and a half ago I had the idea for a custom ql guess who game but I had no one to play it with so I just put it to the side until I (hopefully) would. Fortunately that day came this weekend when @pondphuwin and I got to play a few rounds (they beat me 4:5 actually lmao)!

Some of the questions we asked were stuff like “is it from gmmtv,” “does your show have a branded pair,” “is there a love triangle,” “is there a debate over whether your show is a bl or not,” and more personal ones like “am I crazy over one of the main actors,” “do we have beef with the way this bl went,” “did we watch this live together,” and so on. Rlly fun stuff!

Since this is a custom guess who I had to make all the pieces manually. At first it seems fine and easy bc there’s already official posters right? But the difficulty is that almost every poster is a different size. So I figured out how to get the proper guess who face piece measurements and manually resized each poster to fit, with a slight gradient in the background where the remaining space isn’t covered by the poster. You can see those gradient bars on the top and bottom in the closeup of the last twilight piece, for example. Also it’s just really funny to hold mini posters of qls lmao (using my hand as a reference)

There’s 190 ql poster pieces in total (based on approx. how many I’d seen as of the time of printing) (yes I will add more as time goes on) and they were all put on one big google doc that covered about 10 pages and looked like this!

After I had them all set I printed them out on cardstock so they were thicker & more sturdy and then I did a lot of cutting. And since both players need the same posters I had to cut it all twice

Are there easier ways to do this? Maybe. I’m not sure. Honestly I just did whatever like this is my own gay little art project lol

Once I had them all cut and held them in my hand I felt quite proud of my work and now that I’ve actually played it I really do

Here’s just like a pic I took when we were playing a round. Since there were so many, after every round we took out the two qls we just selected and replaced them with new ones and we never ran out lmao. It took quite a bit of effort but it was totally worth it hehe

[guzhufuren]

New poster, airing schedule and preview of episode 1 "Fall in Love at First Sight" of upcoming uncensored wuxia BL Meet You At The Blossom, airs today July 11th at 8PM GMT+8 on YouTube, iQIYI, GagaOOLala, Viki, WeTV

[nuctua-larc]

Currently rewatching the entirety of demon slayer to prep for the new season and...yea this was inevitable.

[respectthepetty]

Reading the (Visual) Rainbow Awards

Now that 2023 is officially wrapped up, I'm delivering awards to the QLs that gave the best visual narratives in 2023. In order to be considered for these awards, the series 1) had to air during 2023, and 2) had to finish airing by December 31, so out of the 108 BLs I watched this year, 14 are still ongoing and cannot be considered for these awards. Out of the remaining 94 QLs, 67 had some degree of consistent color coding.

*If a show is mentioned with an asterisk, it means the show was not considered in the nominations for not meeting the required criteria.

But before I begin the award ceremony, I must stay on brand and deliver one award for my namesake.

Petty Award: Only Friends & I Feel You Linger in the Air

This award goes to a show or shows that had great visual narratives but I refuse to write about it because I'm petty. Cinematographers Rath and Jim never fail, and they both delivered beautiful visuals in their shows, but these series know what they did to me, so now we got beef. Cutie Pie and Bad Buddy finally broke out of Petty Prison this year, so Only Friends and I Feel You Linger in the Air now join I Told Sunset About You behind bars for making me want to fight them in the parking lot of a Texas Chicken.

Now for the ceremony to begin!

Stats Awards [These awards are based solely on numbers]

Most Popular: Blue Boy

This award goes to the color that was most popular in a pair, number-wise. The stats: A Blue Boy was part of a color-coded pair 26 times this year. The next color-coded boy was a Black Brooder who was a part of 15 pairs.

The Best Blue Boy was Bed Friend's King. He is actually bi-colored with blue and black, so he represents both of the most popular color-coded boys well. He was loyal, dependable, sensitive, and a little arrogant, but always sincere, which made him a King among men, and he truly deserves the title of "Best Color-Coded Boy of the Year."

Most Popular Pair: Light x Dark

This award goes to the color-coded pair who were used the most in the year, number-wise. The stats: The Black x White dynamic was consistently used for 9 couples, and the Happy Human (Multicolored Menace) x Brooding Boy dynamic was used 3 times. A Yellow/Orange Oddity x Blue Boy pair was used for 7 couples, a Green Guy x Blue Boy were used for 6 couples, and Red Rascal x Blue Boy were used for 6 couples as well.

The Best Light x Dark Couple: Tew x Guy from My Dear Gangster Oppa perfectly represent what makes this color dynamic work. Tew was an actual gangster who murdered people and only wore black, while Guy was an innocent college student who only wore white, yet they both ended up owning a bar on a beach and wearing stripes of the other's color to show that everyone needs to find a balance within himself and his relationship.

The Outlier: Star Struck

This award goes to a series that delivered a colored-coded pair that no other series did. Korean drama Star Struck gave us the ONLY Black Brooder x Red Rascal pair of the year. The leads were color coded as children into adulthood, and the show included color-coded accessories and a color exchange.

Visual Rhetoric Awards

Best Boundary/Barrier/Bars - My School President

This award goes to a series that best displayed an internal conflict with a physical barrier between the two leads. My School President did this several times and each time was different, but throughout the sixth episode, as the boys recreated the music video for Tilly Birds' "Just Being Friendly," the line between friends and boyfriends was clearly represented. Both boys struggled with their feelings and the physical barriers were there as a reminder that one of them would have to cross the line in order to move forward. However, when Blue Boy Tinn finally did, it was after confirmation that Red Rascal Gun felt the same, and it was a gentle move which was true to his character and the high school context.

Best Balance - Between Us

This award goes to a series that best used the scene to outline the balanced dynamic between the leads. My Beautiful Man 2 did a fantastic job of slowly showing Hira and Kiyoi's evolving power dynamic by Hira going from laying down to kneeling in front of a sitting Kiyoi, but Between Us showed that Win and Team were a balanced pair from the very first episode during their sexual encounter. That scene stated that neither boy was being taken advantage of, and this visual continued throughout the show. Both boys were afraid of their feelings, yet both boys loved each other, equally.

Best Background (Noise) - Our Dating Sim

This award goes to a series that best used the background details to strongly reinforce the ongoing plot. Our Dating Sim's plot revolved around a company creating an interactive game that would serve as a dating simulation, and that basis played directly into the former friends-to-lovers' conflict. The very first scene involved Eddy inputting code into his computer to "FindProblem; ResetTime; BackToStage; RestartGame" then the company Ian was applying to and the one Eddy worked at was called RE:TRY with a controller that had a heart as one of the buttons. However, every episode had some degree of background noise speaking directly about the plot including additional game simulation scenes where an unidentified player would have to select future moves based on the boys' previous experiences.

Best Use of Clothing - Never Let Me Go

This award goes to the series that made the best use of clothing to show the evolving dynamic between the leads. Never Let Me Go wins because Nueng began the series in dark solid colors while Palm was in colorful patterns. As their relationship progressed, Nueng's colors became lighter, and patterns were introduced. Yet in the end, both boys stayed true to themselves and each maintained their style while incorporating components from the other. Palm's color darkened but remained patterned, and Nueng opted for neutral colors with patterned ties.

Colors Awards

Honorable Mention - Oh No! Here Comes Trouble

This award goes to a series that had a great visual narrative but could not be considered for these awards because it wasn't marketed as a QL (even though it's canon to me). If Oh No! Here Comes Trouble was marketed as QL, it would easily be nominated for the Best Overall Award. The use of the color red as a continuing reminder of the thin red thread of destiny, alone, would win it a spot on this list, but the show also included ample amounts of visual rhetoric, a "kiss of life," and color-coded matching outfits which deserve to be recognized.

Best Color Exchange - My Personal Weatherman

This award goes to a series where the leads were color coded and switching their colors demonstrated more than their love being mutual. My Personal Weatherman owned this category. The series was riddled with miscommunications between the leads regarding the love they felt for each other, but after Mizuki's possessiveness ramped up at the end of the seventh episode, the love was made clear, through bondage. Yoh, wearing Mizuki's blue, felt the love Mizuki had for him when he was tied up and being, essentially, held hostage by Mizuki. And yet by tying up Yoh, Mizuki could finally physically reinforce the way he felt for Yoh. He wanted Yoh. All of Yoh. To himself. And Yoh needed that to be made clear with a color-coded bonding moment (hehe).

Best Kiss - The Eighth Sense

This award goes to the series that best used a kiss to support the color narrative of the story. The Eighth Sense waited until the second-to-last episode to deliver this extraordinary color-coded kiss, but the wait was well worth it. Jae Won was color coded as a Brooding Boy (dark) and Ji Hyun was color coded as a Happy Human (light). After an accident involving the two, Jae Won was the darkest he had been, color-wise and mentally, so he isolated himself. But after several episodes apart, Jae Won walked out of the darkness, straight to Ji Hyun's, and kissed him on the street with all the colors of the rainbow pulsing around them perfectly showing that Ji Hyun was the color in his dark world, but that Jae Won also brought color to Ji Hyun's life and directly to his doorstep.

Best Pink - Be My Favorite

This award goes to the series that best used the color pink to demonstrate the love between the two leads. Normally, shows use pink lighting, pink clothing, or pink blankets to display this visual, but Be My Favorite used pink wisteria delicately hanging behind Pisaeng comforting Kawi. The flowering plant symbolizes friendship, love, and longevity and perfectly tied into the show's themes of valuing friendship and putting in the effort day-after-day to make any relationship last.

Best Heart - Love Tractor

This award goes to a series that best represented love by using a tangible item to symbolize a heart. Even before Yechan realized he loved Yol with the physical representation of Yechan's red gloves sprouting out from his left chest pocket in Love Tractor, Yechan let Yol know that he could be trusted with Yol's heart. During the third episode, Yechan taught Yol how to pick strawberries. He advised Yol to be gentle, to not use force, and to not put too much pressure on them or they would bruise or break. Yechan proceeded to use this method with Yol, and continued to give Yechan red fruits to enjoy as a means of encouraging Yol to experience things he had truly not before, like fresh strawberries, stolen fruit, and unconditional love.

Best Accessory - I Cannot Reach You

This award goes to a series that best used a color-coded accessory to support the ongoing plot. Usually, color-coded accessories are physical items such as a phone, a shirt, or a mug, but I Cannot Reach You instead color coded feelings via a bokeh effect. Blue Boy Yamato tried to deny his feelings for his best friend, Yellow/Orange Oddity Kakeru, but the colors don't lie, and the bokeh effect snitched on him each time. When Kakeru was tending Yamato's wound or when Yamato thought of kissing Kakeru, the bokeh effect would show both boys' colors to let the audience know that Kakeru was on Yamato's mind. But the biggest moment was when this phenomenon happened to Kakeru, which finally showed that he felt the same for Yamato. [GIF by @my-rose-tinted-glasses]

Best Blinding Light (of Love) - HIStory 5: Love in the Future

This award goes to the series that best used a blinding light to emphasize the overwhelming feeling of being in love. Taiwan and its long-standing HIStory series win this award because Taiwan showed everyone else why it's the expert. HIStory 5: Love in the Future waited until the last episode to use this with an established couple, which is why it deserves the win. Vincent had already quit his job and moved to the beach, where his boyfriend Wynn would visit, but in the last episode, Wynn quit his job as well and ran to the beach because he finally realized Vincent was the reason all his dreams came true. Vincent told Wynn he never planned to tell him because he didn't want Wynn to believe he owed Vincent, and Wynn told Vincent his love was genuine regardless of what Vincent had done for him. They kissed, and the blinding light hit as they solidified their love. Therefore, the light wasn't just for love, but for understanding what that love meant and where that love came from.

Best Lighting - Moonlight Chicken

This award goes to the series that best used lighting to support the story's narrative. Cinematographer Rath, who has regularly partnered with Director Jojo and Director Aof, never misses. Not once. And Moonlight Chicken is a flawless example of that. Warm and cool lighting were used to show the difference between neglect and care, isolation and warmth, and a house versus a home. The characters' development could be directly seen through the lighting surrounding them and projected on them. Heart's entire storyline is a beautiful progression through blues and oranges and reds, and we see that although Jim did not realize he was the heart of his community, the lighting made sure that the audience understood how important he was to each character he interacted with, even Alan.

Best Cinematographer: Nid Nidchaya - Dangerous Romance, Love in Translation, My Universe*

This award goes to the cinematographer who best supported the story through visuals without distracting from the ongoing plot. Thailand dominated this competition with Joy (The Promise, The Warp Effect*); Rath (Never Let Me Go, Moonlight Chicken, Our Skyy, Only Friends, Last Twilight*); Jim (Step by Step, Hidden Agenda, I Feel You Linger in the Air); and Suthipong (609 Bedtime Story, Our Skyy, Chains of Heart, My Dear Gangster Oppa), but only Nid deserves this win.

My Universe consists of twelve different stories, and each has had a slightly different visual presentation, but it's Nid's work in Dangerous Romance and Love in Translation that show off his true skill. When Red Rascal Sailom was drugged and attempted to call Blue Boy Kanghan, the bathroom was lit in blue as Sailom fell down from the purple, and when Kanghan cried while pinning down Sailom, they were surrounded by their colors. When Phumjai and Yan Feng kissed in their store, their colors enveloped them much like the colors would combine as they had sex in the same spot a few episodes later. The colors and the love were always present even if it was overlooked, which only reinforced the on-screen drama of failing to notice the ways love is always present, even when in conflict.

Best Rainbow - I Became the Lead in a BL Drama

This award goes to the series with the best use of a rainbow. There were many rainbows this year featured in opening credits and several more that were nominees of this award such as Our Dining Table's rainbow over the smiley face sucker, Dangerous Romance's rainbow over Kanghan's heart, Past-Senger's rainbow paper hearts in a jar, and Wen's office Pride flag in Moonlight Chicken, but I Became Lead in a BL Drama's rainbow in the opening credits of the first episode swooped in right before the clock struck midnight ending 2023. The reason it stole this award at the last minute is simple - it's queer. Regardless if a kiss happened or not, this series was still about two men falling in love, and that's pretty gay. But how the rainbow was used in the opening credits of the first episode with the Blinding Light of Love as the clapperboard hid the leads' kiss is what gave it the edge in this category. We only saw one practice kiss because the scripted one was never for us. That kiss was for the audience of the fictional BL drama, and the real kiss between the actors was just for them. It was gay. It was meta. It was Japanese BL.

Best Surprise - La Pluie

This award serves as a catch-all for a series that delivered a color-coded surprise while still incorporating it well within the plot. Several series offered color-coded surprises in 2023, but La Pluie, the show about soulmates, splendidly reinforced its plot through the two color-coded brothers at the center of the series. Tien was a Yellow/Orange Oddity who believed in the power of destiny, yet he ended up in blue with a person who wasn't his soulmate, and his brother, Blue Boy Tai, who never wanted a soulmate, ended up with his and embracing more yellow in his life. The story is more complicated, and so are the colors, but for a series about bucking fate, it resisted every common use of color-coding techniques in order to support that theme. Life is unpredictable, and so were the colors.

Best Group Effort - Destiny Seeker

This award goes to the series that best color coded a majority of its characters. Destiny Seeker had consistent color coding throughout the entire season, but it really excelled at color coding each of its three couples. The youngest couple color coordinated, the second pair were yellow x green, which is usually reserved for friends and not lovers and went well with their plot, and the main characters were the traditional Thai blue x red. The show gave three different color-coded pairs yet provided something new and fresh while still hitting each stop on the BL history tour, and no couple was wasted. Each one, and their colors, perfectly added to the story, and gave a nice depiction of the rainbow of colors that queer love can be.

Best Consistent Color Coding - Tie: What Did You Eat Yesterday? 2, My Beautiful Man 2, Naughty Babe

This award goes to the series that had the most consistent color coding throughout its run. However, this year we were blessed with sequels and additional outings from some of our favorite series and color-coded couples. Therefore, this award goes to THREE shows for not only having consistent color coding but for also openly using those colors as part of the plot:

Shiro x Kenji [What Did You Eat Yesterday?] - Shiro was always a Brooding Boy (dark colored) and Kenji brought color into his life, but the second season directly addressed this. Shiro wasn't ever going to be a colorful person, but he didn't need to be because the show repeatedly stated that relationships are about balance. Kenji loves Shiro because he is practical and saves for their future. Shiro loves Kenji because he is upbeat and optimistic. They have different colors, but they are the perfect match, just like their aprons.

Hira x Kiyoi [My Beautiful Man] - Hira was a loyal and reserved servant (blue) to his god Kiyoi (white). Yet the second season and movie continued to show that Kiyoi was not a god, but instead a man lacking love and color, and because of that, Hira had to learn to give his color to Kiyoi rather than mindless devotion. Both men shined the brightest when it was clear that Kiyoi loved Hira for his stalker tendencies, and Hira thrived knowing that the best way to show Kiyoi love was by being himself and doing exactly what he loved, which was taking care of Kiyoi with all his color.

Lian x Yi Kuea [Cutie Pie, Naughty Babe] - All polycule jokes aside, Lian and Kuea had a complete color-coded story in Cutie Pie, so Cutie Pie 2 U felt like a repeat of the first season, but then came Naughty Babe. The boys wore more of the other's color which proved they were very much still in love as husbands, and at their best friends' wedding, these husbands stood in red and took a serious moment in a season full of hijinks and shenanigans to look directly at the audience and state that "Love Always Win." Domundi has been beating this Marriage Equality drum the hardest, and it continues to use its characters to emphasize the importance of QUEER family and rights. The Next Prince and Love Upon a Time when?

Best Overall - Kiseki: Dear to Me

This award goes to the series that did it like nobody else to claim the ultimate prize, and no other show can even compete with Kiseki: Dear to Me. The promo material, as shown above, outlined the light versus dark dynamic the two couples would have in the show. The main couple would be the lighter love and the second couple would be the darker version. It also showcased that the main couple would be the loyal blues, and the second couple would be the defiant reds. Before the show even started, it told us there would be balance. One couple with their baked treats would be sugar and sweet, while the other couple with their torture tactics of chili peppers would be spice and everything-not-nice. It would be a group effort.

And once the fun got started, we got several color-coded cameos from couples in other well-known Taiwanese BLs, the Blinding Light of Love for both couples, and the pink light of love.

But it didn't stop there! The series gave the traditional color exchange between Blue Boy Zong Yi and his devoid-of-color future-husband Rui, but true to his word and actions, Zong Yi never took his color back. He was serious about his love and gave it ALL to Rui, which was also depicted by Zong Yi opening a bakery that specialized in strawberry goods, because in case it wasn't clear, strawberry =💗= love.

Even with all that, the second couple still stole the show for most viewers. Perhaps it was Eddie's rainbow cardigans and sweaters. It's possible it was Eddie's cat collars combined with Chen Yi's dog tags or the body pillows of each other that watched the other's back as they slept. Maybe it was the graffiti behind Chen Yi that stated he was "no good at goodbye" when he was lying to Eddie about needing him to help with business issues or that they continued to wear each other's clothing which WERE COLOR COORDINATED THE ENTIRE TIME!

Regardless of the exact reason people preferred one couple over the other, Kiseki: Dear to Me continued to serve a visual narrative that underlined the plot and provided additional context for both couples and the overall story. Color-coded boys in love get happy endings, and this series proved that.

Before the show even began.

[hotasfahrenheit]

one thing about this first episode of 4 Minutes that really caught my attention specifically because of my job-

as a florist working ***in America***, most times that a basket of white flowers is sent to someone, it's either being sent to a funeral/calling hours, or as condolences to a home of someone who has lost a family member. most get well arrangements we make at my shop are things in vases. (so please note reading the rest of this that this is all my perspective as an American living in America and i don't have ANY kind of authority about floral traditions in Thailand and anything i might be missing because of that!! this is just what i know about flowers HERE.)

from what i can see in this shot, we've got Oriental lilies, roses, waxflower, alstroemeria, eucalyptus, possibly some lisianthus, and i'm sure more flowers that aren't visible. it's a lovely arrangement! it makes me curious what kinds of flowers are regularly available in Thailand, and what else is in that basket.

that basket is also STUFFED and LARGE, which means it's a pretty pricey arrangement. which i mean Great's family clearly can afford to throw a bunch of money at flowers, so that checks out. a basket like that with the flower selection and the amount packed in there would run probably somewhere around $200 or more at my shop, it's pretty big. it's also probably pretty heavy with floral foam and water in there, so props to Bible for making it look light, because those don't look like silks to me.

anyway for reference here's a less expensive basket arrangement i made a couple months ago for a funeral service (probably around $90). i don't do a lot of funeral work so i don't do baskets often, but this was done on a slow day when they wanted to work on teaching me some new stuff.

is there meaning that could be read into the different flowers and flower choices? possibly, but i CAN tell you that in America, those are all just common flowers for making this kind of stuff and it's more about having a selection of white flowers available on hand in the moment, and things like the alstro and wax that will fill space between the more expensive higher end flowers like the lilies and roses.

do the flowers have different significance in Thailand? again, possibly, but like i said before, i don't know enough about Thai culture to know if they send or gift flower baskets for the same reasons people send or gift them here, and i don't know about the meanings of flowers there versus here.

so do with this knowledge what you will! i just thought given the circumstances that it was a really interesting choice instead of something in a vase.

[maybe-boys-do-love]

Someone probs wrote about this before, but it’s absolutely bonkers how Aof’s Bad Buddies and Our Skyy crossover with ATOTS put men’s bisexual/pansexual experiences in conversation with gay experiences.

You get Pran and Phupha and even Tian all existing to some extent as gay characters—and I don’t say that because anyone specifically uses that label (only Tian really goes near there). In fact, I don’t even say that because of the gender they’re attracted to! There’s more to their gayness than that. They’re gay characters because all three of those characters exhibit major signs we associate with effeminacy and, more importantly, its early suppression by others, which leads to the shameful self-repression we see in their present day incarnations. They all have softer sides—music, art, gentleness—that they tuck away privately, and they each have clear examples throughout their stories of people telling them that they need to eliminate or at least hide that part of themselves. And these interests and expressions are not just subtext about sexuality here, they are specific markers we culturally expect to see alongside gayness. And the suppression, or lack there of, of those effeminate qualities is a significant gay milestone.

Pat doesn’t have that experience, though, which I think is genius from a writing and queer theory perspective. The thing about the LGBTQIA+ grouping is that it’s a very potent political grouping, but the experiences of each letter within that acronym are distinct, and often it’s precarious to bring up the differences. However, with Pat’s bisexual characterization, we see how it can be productive. Because Pat’s embodiment, interests, and sexuality contained more aspects that were socially acceptable, he did not experience the same type of suppression as Pran, Tian, and Phupha did early on. He never needed to develop coping mechanisms that involved self-denial. Therefore, he’s comfortable being expressive with his more feminine side and his affections. He doesn’t have the same sense that his sweetness puts him at risk of anything. This openness provides a model for Pran in Bad Buddies and Phupha in ATOTS to explore releasing some of their self-control, anxiety, and shame to share the sentimental parts of themselves (Tian’s whole arc in ATOTS is about coming to terms with this more feminine heart inside of him—RIP Torfun 😢).

I think one of the lessons we’re supposed to glean from Pat is that any person, queer or not, could be that open and comfortable with the full spectrum of gender expression, from fist-fighting to hugging your nong nao doll over a crush, if they were given full support by their fams. Since that perfect world doesn’t quite exist, this is a really unique secondary message we get about the potential of reaching across the divides and growing from other groups within the LGBT acronym. Of course, no character is a stand-in for an entire group. Not all bisexual and pansexual folks escape childhood without suppression of their gendered ways of expressing themselves, and they have unique societal and internal challenges that come with their sexuality. But it’s okay to acknowledge, as Bad Buddy and ATOTS do, that many (but not all of course) exclusively gay men have interests and gendered styles of expressing themselves evident earlier in their lives that make them a target for shit, which leads to a specific loneliness-inducing style of relating to themselves and others. P’Aof and his team, instead of comparing those experiences with bitterness (which is what I’ve often felt inclined to do in the past tbh) asks what possibilities exist when these people can understand one another. It’s also somewhat symbolic of the possibilities that occur when the BL trope of ‘gay only for you’ is, not put in contest with lgbtq media, but instead synthesized—which is what P’ Aof has explicitly aimed to do for his whole career.

[cardboardfeet]

shiguang comic bc they r my stress balls

read left -> right. dialouge under cut.

Cheng Xiaoshi: Qiao Ling, would you love me were I a worm?

Qiao Ling: ehhh...

Cheng Xiaoshi: WHATS WITH THAT REACTION !!!

Qiao Ling: You'd be pretty slimy, no?

-

Cheng Xiaoshi: hhmmmrrr... Guang-guang, would YOU love me if I were a worm?

-

Lu Guang: I like you as you are. Idiot.

Cheng Xiaoshi: WHTA

-

Cheng Xiaoshi: YOU LIKE ME??

Lu Guang: Obviously.

-

Cheng Xiaoshi: ...!!

-

Cheng Xiaoshi: Ahhh, maybe I am blessed...

Lu Guang: Don't go and get an ego now.

Cheng Xiaoshi: Sure.

[khaopybara]

❝I'm going to seal my feelings here. That's how I protect Ayaka.❞

KATO SHIHO as AYAKA and MORI KANNA as HIROKO episode 7 of AYAKA IS IN LOVE WITH HIROKO

[curapicas]

I find it curious Link Click uses the twins flashback to shove on our faces right away the parallels between Cheng Xiaoshi and Li Tianchen. Both combative boys, protective of their family, somewhat naive in different ways and quite enamoured with looking cool. So yeah, there's parallels, but to be fair the writing is good enough that you can find parallels with the main duo regarding any of the new s2 characters. And I think Link Click cleverly does that so we only realize closer to the finale what is, in my opinion, the strongest parallel: Cheng Xiaoshi and Li Tianxi.

They are both "the babies" of the group. Whereas Cheng Xiaoshi has two endlessly nagging friends who often scold him and push him to do better, Li Tianxi lost both her mother and a brother capable of caring for her, thus her needs go ignored as she grows up with Qian Jin. Qiao Ling and Lu Guang work together with CXS to earn a living/pay off his debt, LTX is used by her family to carry out the shady stuff they don't really need to do (both CXS and LTX get in extremely emotional and vulnerable situations because of it).

Cheng Xiaoshi eventually grows and understands his powers as a duty, and even though LG and QL still try to shield him from the worst*, they look proud whenever he shows what he's capable of (QL even calls him cool!). LTX's one "act of rebellion" is framed as a betrayal and she's straight up murdered. In the confrontation, she even prefers hiding behind CXS, whom she met hours beforehand, exactly bc she knows what her family is capable of.

Both are sensitive people, burdened by well-meaning actions with over-the-top consequences (it hurts to try and explain this one). In (this specific trauma for) CXS case, he was already an adult and in s2 spends the entire time reevaluating and adapting; in LTX's, she was a child and hardly knew how to deal with this guilt and /waves hands/ everything after

I really like this parallel of their running and emotional actions setting off this part of the plot. They cross paths, but the people they help do not have their fate changed significantly by this. But those moments where they FEEL Emma (+Lu Guang in this specific parallel) and Chen Bin were enough to carry LTX and CXS both into their roles in the story.

LTX finally "goes back" to the home she idealized, CXS is waiting at home for his parents. They cross paths, both get shot in that tunnel, but just as quickly go down opposite directions. LTX out of care for her (criminal) brother, parts with him; while CXS waits, he also built a new home for himself with new people he can call family. There's hope for him yet.

*tbh they're a biiiit controlling, but I can see that habit developing through the years, not because they don't mean well

[becauseimanicequeen]

Just like last week, the red pops of color keep appearing in 4 Minutes.

(As soon as the Olympics have ended (and I have at least one more episode to go on), I'll write more about this and the other colors: yellow and blue (and perhaps even green). But, for now, I'm just collecting the red.)