#putting here because it's a great writing idea
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multi-stays · 2 days ago
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Whipped Cream
Paring: Bf Bang Chan x Gf FemReader
Genre: smut 18+, fluffy
Summary: Channie is awoken with a craving for some Whipped Cream but has nothing to eat it with……….. or does he?
Note:Happy Thanksgiving Y’all
✨💜warnings below the cut💜✨
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Warnings: oral sex!F receiving!, food play, straight kinky, smut 18+, reader is smol, is set after Thanksgiving
Proofread:still no sorry, if there’s an error comments are appreciated, only because I just thought about it Happy Early Thanksgiving 🍁
P.s I know there’s a few days still til Thanksgiving but it’s close enough, right? WHO cares
Walking over to the fridge wasn’t something you’d ordinarily be doing at 3 AM but knowing there was leftover pumpkin pie with your name on it made you dying for a slice.
Sneaking out of bed wasn’t an easy task, you knew better then anyone that your boyfriend Chan was a light sleeper. If you were caught you’d be forced to share and never would you hear the end of how tired he was. Being as quiet as possible you snuck out, making sure you closed the door behind you so the fridge light wouldn’t disturb him.
A few floor boards squeaked and the clock on the wall chimed causing you to jump. You were in the clear, you got out your pie and squirted a generous amount of Whipped Cream on top. Sitting back in your chair you enjoyed the sweet flavors of the pie Han made with you on Thanksgiving.
Only a few minutes had passed and the pie was already gone, thinking about how long it took you to make, it seemed pointless for how easily it disappeared. You adored every second of it tho, all the members at your place hanging out, eating to their hearts desire and not caring about their idol image.
Channie decided it was a good idea to get together every year on thanksgiving and come to an agreement about what to write on a thankful leaf to have as a “personal keepsake”as he so calls it. Some of the members thought it was a great idea, being able to look back and see what they all were most thankful for that year, others not so much.
Deep in thought you didn’t notice your boyfriend creeping up from behind you. His little face peeked at you from where he stood in the hallway. You turn to face him surprised by the way his face looked, awake and not like someone who had just been sleeping.
“I thought you were sleeping” you got no response from Chan, instead he walks over and put his arms around your neck slipping his hands down to your boobs, cupping underneath them like they were hand warmers.
“Something wrong?” You ask with a giggle but still no response, he pulls you from your chair and turns you by the chin to meet his gaze. Looking at him you see he’s staring not at your eyes but your lips, you hadn’t even noticed the Whipped Cream still on your lips from minutes ago. To nervous yet curious as is to why your boyfriend was acting so strange.
He swipes his thumb across your lip and finally answers with a soft “no”, before taking it in his mouth, moaning as he sucks on his finger. His eyes were shut and you could now tell he had a motive for his actions.
His movements were subtle but precise, like a lion stalking his prey he was trying to be sly and not startle you with his plan to make you feel good and have some fun at the same time.
“I was just not tired anymore and was awoken by the sound of the Whipped Cream bottle”
“I’m sorry babe I tried to be quiet, I know it’s hard for you to sleep” you said in a whine
“I was invaded with a thought” he said putting his hands around your waist.
“I don’t know just thought maybe I could eat some Whipped Cream, ya know?”
“You want some Whipped Cream?”
“Yea” he said in an instant, almost proud of himself.
Turning towards the counter to grab the bottle you can feel his hand slide to your thigh, the other still on your waist not letting you go from his hold.
“Here then silly have some” you said squirting some on his lips.
He giggled “I’m not the silly one, silly i need something to eat it on”
“There’s no pie left so you’ll have to get something else”
He licked the cream off his lips and rested his forehead against yours, now mere inches away from your face, you could smell his minty breath blowing into your nose.
“I want to eat it off of you Puppet”
Your breath hitched in your throat, flustered and probably beat red. The confidence in Chan’s voice making it harder for you to keep your composure.
Pulling you closer, Chan placed a sloppy wet kiss at the corner of your mouth. Slowly he crept his hand up to your neck and leaned into you further, desperately trying to deepen the kiss. He pushed you back into the wall and kept you there, pressing his body against yours.
You don’t know from where but you found your confidence again, probably from realizing even tho he’s incredibly hot and the most sexy human being you’ve ever placed your eyes on, he’s still just Chan. The same Chan you go on long car rides around town with belting out your favorite songs together. The same Chan that kisses you to bed every night and says “I’ll see you tomorrow Puppet” making you feel safe and comfortable with him at all times.
You broke away from the kiss and teased him, taking of your top and spraying a small amount of Whipped Cream on your nipple. Quickly you knew you had to run, especially after that stunt you just pulled Chan was prolly rock hard and you haven’t even touched him yet.
Once inside, you laid down on the bed and made yourself comfortable while awaiting Chan’s next move.
“No need to worry Puppet, tonight’s about you and making you feel all good and taken care of, I promise”
He said it like he needed to reassure you, like you would run away if he didn’t say it. You knew Chan and reminded yourself of that, all nervousness and anxiety gone by his lil side smile and messy bleached curls that fell in his face.
Chan went to the cavern between your boobs, licking the sweet remains of the Whipped Cream that melted and slid there. Your foot found its way to Chan’s hard member in his pants, a reassuring smile against your skin as you rubbed it ever so slightly.
“God Puppet you taste so sweet” he said in between sucks.
You were squirming underneath him barely able to keep your composure with his big cloud like lips attached to you.
“Off” was all you could get yourself to say as you pulled at his shirt, he obliged pulling it over his head in one swift motion discarding it somewhere across the room. The satin feel of the skin on his pecks sent quivers down your spine, thinking of what other parts of your body would feel like dragging against it as your finger so effortlessly did now.
One breathy kiss on your skin led to the next, Chan slowly making his way down to your clothed cunt. All you had on was underwear so Chan could have easily slipped it off, but no. He did it oh so gently, delicately placing his fingers under the thin fabric and sliding it down, like you would brake if he hadn’t done it so excruciatingly slow.
He spreads open your folds pumping two fingers in, your tight walls surrounding him earning a breathy moan to escape from his lips.
“Fuck Puppet your so wet for me and I haven't even touched you yet”
Topically you didn’t want to look, to shy or embarrassed to do so but tonight was different in so many ways. You desperately wanted to see Chan pleasure you, watch him as he pumped his fingers inside you. Watch as the rings on his bony fingers disappeared and reappeared wet and glistening in the soft light. See Chan’s visual approval and the shudders that leave his body when he knows it feels good.
When Chan feels you are ready he pulls his fingers out and brings them to his mouth, savoring your essence left on his skin, something you’ve only ever seen him do so seductively.
He cocks his head and looks at you with a devilishly cute smirk, almost to cute especially when having sex “you had your late night snack now it’s my turn” grabbing the bottle of Whipped Cream from the bedside table he sprayed a small dollop on your clit. The feeling was cold but soft and you were already so wet and so desperate for friction you could care less what was on you as long as Chan accompanied it.
Chan stared at your vagina for a few seconds smiling like an idiot, felt like hours to you just laying there all worked up and horny whilst your boyfriend admired his work.
“What is it baby I’m wasting away” you whined, clawing at his arms in desperate attempt to make him move, blink even.
“I’m sorry Puppet your cunt is just to cute, your glistening folds and an adorable bundle of nerves now fashioned with a cute dollop of Whipped Cream.”
Feeling ashamed for having whined at him, you hid your face in a nearby pillow and tried your best to stay still as Chan drug his finger over your clit, pushing some of the Whipped Cream down your slit.
He then snaps, waisting no time diving nose first into your sweet wet pussy, devouring every inch of you, sucking the Whipped Cream off you and lightly flicking your clit with his tongue.
His large frame towering over you despite him being between your legs. You were always short and small, called a runt sometimes in school, but Chan swooped in and made you feel safe, with being so large and as muscular as he is it was easy to feel so. Accompanied with all his praising words he sorta became like your safe haven.
You were a mess head flung back and your eyes sealed shut, hands roaming for something to pull. As Chan prodded his wet tongue at your hole, your hands bolted to his hair, softly tugging at his roots trying to make him go further in your sex.
His movements were sloppy, your bed was a mess, your breathing was out of control, but you felt hot, rocking your hips into Chan’s face practically suffocating him between your thighs.
Chan knew you were close before you did, was probably very easy to tell from where he was “I know your close Puppet so just move me where you need me and I’ll help you.”
You pawed at Chan’s chest as he sprayed some more Whipped Cream on your soaking cunt, couldn’t even tell cause of how wet you felt. He pushed your legs up and started again, reattaching himself to his little bundle of nerves, sucking and licking in all the right places as you rode out your high.
After you cummed all over Chan’s face you were completely out of it, unable to move from how hard your orgasm hit you. All you could feel was Chan’s soft kisses around your groin and occasionally the warm feeling of a wet washcloth. Water slowly turning cold as he gently washed away all the Whipped Cream that may have been left on your fragile and sensitive skin.
Chan flopped down beside you pussy drunk and almost completely incoherent, staring off into space.
A small “cold Channie” was all you could mutter out, still high on your orgasm and tired from being up so late.
“Ok” he huffed while pulling you into his chest. You wrapped your legs around his waist, wetness from your oozing cunt now all over his bare stomach. Noticing he didn’t mind you snuggled closer to him, breathing in the musky smell of his faded cologne.
You let yourself be put in a trance by Chan’s small touches, flicking your hair back out of his face, rubbing small circles on your back with his soft fingertips, and the small gruff groans that he would make when you tried to move in closer, if that were physically possible.
The small up and down movements from Chan breathing and the moonlight coming from your open window soon sent you to sleep. You couldn’t tell if Chan was actually asleep or not, his eyes were shut but usually it takes him a couple agonizing hours of staring at the wall before he’s sleeping.
You felt safe like this with Chan so you didn’t let yourself worry too much. Could that have been selfish………. probably yes, but you just enjoyed his slow breaths as he rocked you soundly to sleep.
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hunter470 · 2 days ago
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Here’s my imagination having fun.
TM: Let’s break up Buck and Tommy and make it really hurt. It’s gonna be great.
Writers: But, Tim, this doesn’t make sense. We’ve been laying the foundation for a long-term healthy relationship for Buck. You even brought Tommy back because of all the connections he had with the 118. You wanted Buck’s love interest to be connected so they wouldn’t be off on an island. This just feels like it’s coming out of left field.
TM: True, but I keep getting texts from Oliver and he wants “Buck to f**k” and I think that would be fun. I mean, he’s newly bi so he should sleep around with a bunch of people before finding the one. We can have a lot of fun with that. Just think of the possibilities.
Writers: But that goes against all the character development we’ve done for Buck over the last seven seasons. We wanted him off the hamster wheel and to get into a long term relationship. Plus, aren’t you being a bit biphobic with your statement?
TM: Nope, I like Oliver’s idea so let’s do that. Oh, and make Tommy the bad guy and don’t let any of the other characters encourage him to talk to Tommy. We can have fun with that…maybe have Buck baking to get over him or he wants to call Tommy and Eddie steals his phone. Yeah, I like that. Use it.
Writers: Are you sure? We’re gonna get a lot of pushback from the audience. We’ve all seen the overwhelmingly positive response the Buck and Tommy relationship has gotten online.
TM: That may be true, but because the audience is so invested in the relationship, it just makes it more fun when we break them up. Remember, based on our ratings, the audience will watch whatever we put out there. Besides, Tommy’s just a side character so they won’t care. They only care about Buck. Oh, and I wrote a whole scene about Tommy being engaged to Abby. Make sure to work it in. It’s genius.
Writers: Abby? As in the Abby Buck dated? That doesn’t make sense. It doesn’t fit the timeline or the previous episodes’ narrative. So, Abby was engaged to a firefighter from the 118 and then dates another firefighter from the 118 and what, it just slipped her mind? Seems like a bit of a stretch. Also, why didn’t Tommy tell anyone he worked with at the 118 that he was engaged? Wouldn’t that have helped him stay hidden from his team? Kept his secret safe?
TM: It doesn’t matter. Just retcon the timeline or ignore the timeline altogether. It’s not like anyone will notice. The audience doesn’t pay that close attention. Plus, they’ll be too upset over the breakup to care. It’s just such a great idea that I got from the fans who sent me that red string theory video. They’ll love the fact that I used it.
Writers: We’ve seen the video but that was to show how Buck and Tommy are meant to be together and not to cause problems. Won’t that upset people?
TM: I doubt it. They’ll just feel acknowledged that I used it and be grateful. The audience loves everything I do. Remember, these are the viewers who loved a bee-nado and my obvious ripoff on a 1975 airplane disaster movie. They even bought a 66 year old police sergeant and a 10 year old boy landing a heavily damaged plane on an active freeway in LA. So, it’s not like they expect reality in our stories.
One day after episode 6 airs…
ABC Executive: Tim, have you seen the number of saddened and upset viewers commenting on social media about last night’s episode?
TM: It’s amazing, right? I knew people would love it! We’re doing great things over there. You can expect this level of storytelling for the spinoff. You’re gonna love it!
Executive: I’m afraid you didn’t hear me. People are upset and saying they’ll stop watching the show. We’re even getting hundreds of feedback messages on the ABC site. People are not happy. How are you going to fix this?
TM: Don’t worry. People won’t stop watching. They’re all lemmings and love everything I write. Anyway, it will all blow over after the next episode. I threw in some Tommy crumbs that will make viewers think he’s coming back, which they’ll live off of and keep watching. Oh, and if that’s not enough, we have a scene with Buck and Jee baking that is so cute they’ll forget all about being upset over the breakup. Cute kids are the answer to everything.
Executive: 🤦🏻‍♂️
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marlynnofmany · 19 days ago
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Lookie what I got! The rarest of collector's editions, with only one in existence! (There's an @ symbol in place of a © on the title page.)
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(There's only one because I fixed it after I ordered my proof copy.)
Someday this will be very valuable, for sure!
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bylong-sun · 3 days ago
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I swear to you guys, stop having great ideas! I can't help but write about it, @whalemleck make them stop!
Anyway, I'll throw this here and go back to work.
English is not my first language.
ProudDadAu
That's it, Sentinel was done!
Everyday is the same thing, wake up, do paperwork, have meetings with the Primes, receiving threats from those glitches (Quintessons), making battle plans with the generals and then more paperwork! He had to overwork today again, because some idiot mixed the documents and sent them to the wrong department!
He just wants to go home.
Going out from another meeting, Sentinel carried even more files than in the morning. He was trembling of exhaustion, didn't even remember when was the least time he had energon for breakfast.
Seriously! He was about to reboot his own systems if someone asks him to do anything else, he will-
"Ah, Sentinel! There you are"
Sentinel's wings trembled, he almost dropped the documents. Great it was the Primes again, his optic had a nervous twitch when he sees that every single one of them had one or more tables on their servos.
"Could we trouble you for one more thing in a bit"
Primus please help him!
The Prime's assistant smiles at them, he needs to put himself together. Remember who you're doing this for!
"Of course! Is there anything you need me to do for you ?"
"Yes, so there's-"
"Daddy, daddy!"
As if Primus had heard his prayings, two beautiful sparklings ran towards him. The two hugged each of their father's legs as they laughed, his spark immediately melted.
"Come play with us! Come play with us!"
Sentinel quickly pushed the files into the arms of one of the Primes and grabbed his children.
"Owww~ my littles sweets karts, you missed daddy?"
"We miss daddy alot!"
"Yes! You're always working!"
"So come play with us!" Bout yellow and red sparklings declare loudly.
"Of course daddy will play with you!"
Saying that Sentinel walks through the Primes like they weren't there.
"Uhm... Sentinel? We need y-"
Sentinel's face darkened as he looked over his shoulder to the Primes.
"I'm taking the rest of the day off, ask other bot to do the work"
Saying in a cool tone before leaving, the Prime's flint. They had never seen their assistant like that before.
It probably have to do with those sparkling.
"Sooo, where do you want to go?"
Sentinel kindly ask his sons after left the building, they both got even more agitated.
"To the library!" Bee shouted.
"What? No!" Cliff shook his helmet.
"Okay~! to the library then!"
Bee celebrated and Cliff threw himself to the side dramatically, complaining loudly.
"What's wrong with going to the library Cliff?"
"Only a boring bot would like holographic history "
"Bee likes holographic history ?"
"Bee is different!"
This sparkling, he swears.
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Cliff: Only a boring bot would like history.
Sentinel: Bee likes history
Cliff: Bee is different!
note
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camels-pen · 10 months ago
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(i haven't read Whole Cake in a while, and i never really watched it, so bear with me)
I'd love to write a fic with Usopp on Whole Cake. it'd be sooo fucking long and i'd need to refresh myself on the entire arc, but god i'd probably be so satisfied when it's done. specifically for having brought a single moment in my head to life, but we'll get to that.
On Zou, he insists to be taken along on the Sanji rescue team and has worked himself up with a whole bunch of very good reasons as to why he should go there instead of helping in Wano, but of course Luffy just immediately accepts with a "yeah sure"
With Whole Cake, I think he'd be flipping between having fun as part of the idiot trio/quartet (Luffy, Chopper, Carrot), and being terrified with Nami. There wouldn't be that many differences in the arc as a whole, though; some things would be easier/better and some things would be worse- I don't necessarily think Usopp's presence would be overall an advantage or disadvantage, just different. Like, major events would stay mostly the same, but little details would change and maybe those little details would build to a far more drastic change-
for example, maybe one of Big Mom's kids considers themself a great sniper and wants a match with Usopp, or is motivated to work harder because Usopp is around and they want to take him out and boast about it. Maybe it means Sunny takes more damage than canon, or maybe Usopp's help means less damage to Sunny. (idk if i'd really do smth like this, but it's just an example)
skjdhf fuck i'm really not equipped to try and figure this out when i don't remember shit from Whole Cake aaaa
I do know that, despite his penchant for talking and rambling, I'd probably have Usopp be dead silent after his initial shock when Sanji fights Luffy. Everything about that is the same, except Usopp is just watching Sanji the whole time- not panicking, not moving, and not speaking. He doesn't say a word the entire time, doesn't even make a sound, and that, along with Luffy's words and Nami's begging, stick with Sanji.
(Usopp is thinking of his own fight with Luffy in Water 7, he's partially wondering if this was what it was like- if it was this painful to watch from the sidelines- and partially knowing he doesn't have to say a word, because he knew, like he knew back then, that it didn't matter what was said. It wasn't quite the same, but he could tell in the way Sanji moved, in the way he spoke and held himself, that he was putting on a front, trying to be brave in all the wrong ways. Usopp didn't say a word to Sanji because there was nothing he could say that Sanji himself didn't already know. Should've known. And his quiet, direct stare, was more than enough.)
the singular moment i really wanna write, is a scene where Sanji is apologizing for dragging them into his mess- either during the big meeting in Bege's castle or some other time- and Usopp's like "I'll do what you can't, you do what I can't, right?" and Sanji pauses, a little confused, until he remembers Enies Lobby and a stupid mask and cape and-
and tears are gathering in his eyes now, fuck, but he laughs a little. It sounds wet and his face is itchy and they're surrounded by tentative allies, but he- he laughs again and he says, "Fuck, you remembered that?"
Usopp shrugs, a little smile on his face. "They were some wise words from a wise man."
Sanji laughs a third time. "You think I'm wise?"
And they banter a little more before Bege tells them to quit it since they're on a time constraint or something. Quietly, Usopp will ask, "It-it helps. On bad days. And I figured, 'what's a worse day than this?' Ah, not that you getting married would ever be bad per se-"
"Usopp," Sanji says, looking more relaxed and settled. He smiles fondly and grabs his friend in a one armed hug, crushing him to his side. "Thanks."
And yeah, don't remember much beyond that, except the whole "hiding and then busting out of the cake" bit, which would mean Usopp in a cute little tuxedo or smth- maybe with a fedora aaaaaa <- loves fedoras- helping out with the fighting and eventually sailing with everyone to Wano.
He would be so distressed about fixing up Sunny now that the whole thing with Whole Cake is over. Maybe there'd be a gag about him promising Franky to take good care of Sunny while they were gone and being confident, after being Franky's tinkering partner and learning from him over time, that he could handle minor repair work much better than he did the first time around with Merry. And so when he finally takes in all the very-not-minor repairs he has to do, he's certain Franky is gonna strangle him for not keeping his promise. Probably also try to write in some nostalgic 'repairman Usopp' vibes from pre-Water 7.
Also something something, Sanji, wanting to do more for the crew bc he still feels guilty about Whole Cake, decides to take it upon himself to help Usopp not fall into a whole anxiety spiral about the ship. In turn, Usopp ends up helping Sanji not feel so guilty- usually by handing his own words back to him on a silver platter. And, yknow, having the two of them bonding and being buddies again like they so rarely get to be in canon nowadays qwq
#one piece#usopp#whole cake island#nemotime#that bit in bege's castle isn't exactly how it would go. just kinda. trying to get the vibe. also it's wayyy too short lol#the sanuso bit can be platonic or romantic. originally when i was gonna write out this idea a while ago i was thinking romantic with my#'they get engaged/married b4 dressrosa' au but tbh platonic works just as good#im- these guys man. i hate them so much (affectionate)#i'll get to rereading whole cake and finding a way to put him in there but for now. this.#if anyone's got other ideas im all ears#edit from like march 7: thinking about this again#maybe usopp being silent is an indicator for sanji that usopp's really fucking disappointed or shocked or w/e#but for usopp himself it's like being back in water 7. he doesn't even mean to be silent. he's got words built up on the tip of his tongue#but none of them come out. and despite sanji being Right There all he wants to do in that moment. is run.#at the very least he stays and watches the whole confrontation through. but afterwards he probably feels like shit#because he's the guy who's great with words right? he's the guy that can relate the most out of the group who went to WCI. he should be abl#to make a significant difference and help convince sanji to come home. but he feels like he failed. like he's going to lose another friend#and it's going to be all his fault. (again)#[not really. we all know merry wasn't his fault but we love old insecurities rearing their head in this house]#later he'd probably end up saying the words he wanted to say. and maybe it's better that way. that he ended up waiting#until luffy's had a proper shot at scolding sanji first. because then usopp can act as support and reinforcement. which. yknow.#a sniper's duty and all#anyway i got other shit to do so i'm cutting myself off here#wci usopp
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MiqoMarch'24, Day #7: - light -
A bit of a different take on this prompt, today is all about sin eater D'nyr from the point of view of an alternate timeline where he really did become a Lightwarden!
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀- observations log. 1/5/XX, day.?? - ……..thus the creature was bestowed the title of Forgiven Temperance by its former allies, following the meaning of self-sacrifice and asceticism; excessive restraint/repression of one’s self for others benefit. At his core, one can suppose that this was both his fatal flaw and driving virtue! The poor soul… To date, nobody knows for sure what the beast fully looks like, not even those who fled the site of its transformation at the depths of The Tempest! It has scarcely budged from its initial location a few moons ago… obvious logistical reasoning aside, only a scant few exploration teams have had the wherewithal to venture down there past the safety of the Ondo's dwellings. Reports have led us to believe that the creature is covered in sharp spines and has monstrously large "claw-hands" (as it was described), or possibly some sort of scorpion-like tail as well? Its profile is unclear and hard to make out in the murk from such a distance, but one thing is unanimously clear; all of our teams have fled after seeing what they claimed to be "horrifying gold eyes" staring back at them! Yet the beast has not once given chase upon sighting our researchers, which is just as unsettling as it is perplexing… Due to the unique constraints inherent to its location, we are at present unable to cull the Lightwarden and return the night to the region of Kholusia. Mercifully, its light has not pierced anywhere else due to the sheer distance from the water's surface acting as a convenient attenuating filter, but one could surmise that if the beast were to emerge then all of Norvrandt would be under light pall again… its effect on the populace is quite clear: residents have responded with equal levels of fear and also apathy to this situation, as while some are content to live their lives as they had been before (with the beast effectively "out of sight and out of mind" and therefore not a problem), others are starting to become fearful of the ocean entirely (a complicated notion, due to their relative proximity at all times to it)! Disquieting rumors have started to spread amongst fishermen and sailors alike, that if you venture too close to the ocean you'll be dragged under by the Lightwarden, never to be seen again… though one would hope most people would question how bogus this sounds-- if you'll excuse me interjecting my own personal opinion... at this juncture I simply cannot see the Lightwarden ascending from the briny deep just to prey on hapless passersby when it has showed absolutely no inclination towards moving from even just one single spot-- it has nonetheless had a noticeable impact on the region's imports and exports of fish, so now we must find an effective way to quell the people's terror to rectify the economic impacts alongside dealing with the creature too………..
------ (as a bonus, have the rough draft of his Lightwarden trial encounter under the cut! because I am sad it will never get to see the light of day otherwise and I was proud of the concept years ago lmao)
CONCEPT: . Overall theme is “the breaking down of appearances to reveal what was always there, but hidden away”-- stage and boss both change per phase to reflect this, going from a more idealistic “this is what the WoL as a sin-eater would look and fight like” to a “ohhh god what is that that’s not the WoL anymore” . Mechanics are based around D’nyr’s repressed feelings towards others (loneliness, anger/the need to lash out sometimes, not always saying how he feels, his dislike of others putting him on a pedestal, etc.) and the world at large (eg. the fragility of life, futility of some things, etc.) and his unfulfilled hopes and wants (to live unfettered by responsibility to the world, to settle down with a family of his own someday, etc.)
PHASE 1: . Certain mechanics grant a stacking buff to the boss (Fervent Denial), which is necessary to progress the fight! These mechanics have an interrupt bar and represent the feelings and things that D’nyr has repressed-- if the cast is interrupted, the buff will not be given, increasing the flat % of damage taken from the ultimate attack at the end of the next phase [it's calculated based on the damage dealt to the boss in the first phase (% thresholds that indicate how much it weakens the overall ult damage by), as well as the actual phase progress bar (below 80% is no extra damage, at 80-90% it is +3% extra damage, 90-99% an 5% extra damage, and 100% a flat wipe)] . In a meta sense, the only way to put him down for good is to damage him when he is at his most vulnerable (ie, his final form), and the only way to get him to show that is to let him go berserk and not deny him the things he’s been disallowing himself all this time-- as D’nyr at his core would never allow himself these actions, it causes a “breakdown” of the mask (literally, the bosses’ one too [he has a blank slate mask with a golden kintsugi X like D'nyr's scar, for context]) and internal walls holding him back, fracturing his perceived sense of self and causing him to shift into a form that represents all of these denied things, which is what truly needs to be destroyed/purified! . Normal mode has 7 chances to grant Fervent Denial giving some leeway for mistakes (the buff stacks cap at 5 however, so it is not possible to get 7 stacks despite there being opportunities to do so), but Extreme only has the exact 5 chances needed to progress! If players have not let the boss reach at least 5 stacks by the time the hard-enrage longcast goes out, the party will wipe. . Fervent Denial also slightly increases damage dealt by the boss, so he will gradually hit harder and harder over time, plateauing right before the phase change. . After the boss uses its phase-shift move (what would normally be the yet-unnamed hard-enrage longcast), the stacking buff will disappear and the boss will become untargetable, beginning the DPS check phase.
DPS CHECK: . Unfinished from here on out-- but basically beating up… some kind of add, and while you do that the boss' mask slowly cracks with bright light before shattering into his second form and unleashing his ultimate attack (he becomes more agitated and spiny-looking but I never finished designing any of his forms so just imagine the possibilitiiiiies)
PHASE 2 & 3: . To be continued……. or not! maybe someday :')
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quibbs126 · 3 months ago
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I’m realizing that with the way I interact with the real world, I could very much make the case of being an alien trying to learn about and blend in with the human race
I don’t know if that makes sense, but the way I act sometimes, you’d think I don’t know what a person is
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aroaessidhe · 1 year ago
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2023 reads / storygraph
The Poisons We Drink
YA urban fantasy
a girl who brews powerful potions is coerced into making potions to interfere with D.C.’s most influential politicians in an attempt to stop a dangerous Witcher Registration Act from passing, and will do anything to protect her sister after their mother is killed
bi MC, nonbinary love interest
arc from netgalley
#The Poisons We Drink#aroaessidhe 2023 reads#this is…….a lot of cool ideas but also so many elements and high stakes that i kinda lost track of them#the pacing is weird. the worldbuilding is random?#why is brewing SO overpowered & risky for her but the other powers seem to have pretty normal low-scale risks?#it’s definitely ambitious and has some cool ideas and also some great characters just. didn’t execute as well as I’d like#as much as we’re told the main threat is the government trying to put through a Registration Act#most of the actual antagonism we see is from other Witchers?#like the systemic discrimination got a bit lost in the witcher family drama and murder politics#important things to say about oppression and police violence but like....idk#she has this ‘deviation’- essentially evil sentient magic inside her head (and you KNOW I love that trope)#but it’s barely explained and very underutilised? other than helping her get out of bad situations you could take it out & would barely#change anything#also it’s explained at the start that she’s an empath but other than the very occasional mention I kept forgetting#will also note that I bumped this up my tbr because I saw the author talking/promoting it as the MCs sister being aroace but no mention#maybe it’ll come up in a sequel (there weren’t really any places where it would have made sense to bring it up here) but idk#(just the way the author was asking for advice on how to write an ace character and stuff you’d assume that they’d….put that in the book?)#not really a critique of the book itself but anyway. I really wanted to like this but the way it was put together just did not vibe with me#edit: I saw the author say on twitter that the version used for ARCs was before ace stuff was added and that there's other signif changes?#so perhaps that will be there! i'm not sure if I want to read it again but might skim just to see what that's about
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mercuryislove · 2 years ago
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now that I'm writing daily again and honing my voice I want to dip my toes into a couple other projects that I've been rolling around in my brain for almost a year now
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x-jean · 8 months ago
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I cant believe FFL's kudos/hits like
Wowowow
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fff777 · 2 days ago
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I was going to put my comments in the tags but it got super long so I shall write it under the cut.
I think Exo's Tumblr fandom slowing down is due to a number of reasons.
Exo as a group is not releasing as much music and videos as they used to, and definitely not as much as the rest of the kpop industry, so there's not as many current events to drive discussion. Part of it is due to branching into solo work and part of it is enlistment.
As Exo branches out into solo activities, some fans may only have time to follow their faves (myself included 😔).
People move on. I got into Exo near the beginning of the pandemic and admittedly my interest in them has fizzled a bit. I used to be heavily interested in reading and writing fic, but I've kind of exhausted my thoughts on them, and in relation to #1, there hasn't been anything new (content or discussion) to challenge my thoughts or to get my brain juices flowing. (And I must admit that my attention has recently been taken by more active groups that are constantly bombarding us with content 😔) Nowadays, my participation in Exo fandom is mostly just checking out the music, checking out the update blogs on Tumblr, and sometimes watching their video content. Side note: I do appreciate the update blogs immensely because life gets busy and I don't have time to check out multiple sources...so I really do appreciate the aggregator blogs.
I suspect some other fans might have followed the same timeline as me, where I got into Exo near the beginning of the pandemic and was hit with a whole new world of music to listen to and stuff to watch. Now that it's been a few years, I've kind of caught up with most things so there's only new stuff to catch up on and back to #1, it's not so often now.
The fanbase is older. I think another comment mentioned that this age demographic may have other priorities and admittedly that's why I've slowed down too. I used to do more reaction posts but I've kind of stopped because they do take a bit of time 😅 It is a bit tiresome to constantly pause and screencap/react when watching, when I can just watch their videos once through and not have to pause and break up the pace.
I don't think Tumblr is as popular of a platform as it used to be. A few years ago, many fans left for Twitter, but since the decline of Twitter, I don't think a lot of people are coming back to Tumblr. But even if they are, I think people haven't gotten used to how to communicate with each other on Tumblr (different interface, different communication culture, etc). And I think people are definitely a bit shier now to send asks or DMs to other blogs here.
Unfortunately I'm not the kind of person who normally participates in fan fests so I can't really shed light on whether that would boost life into the fandom. (But it could definitely work! I do know some people who are more active on Twitter who still regularly sign up for events and such.)
I do think that conversations is the best way to boost activity and engagement though. It's way more fun talking to a person about fandom than just reacting to a photo.
I think another comment mentioned the Tumblr Community function. I'm not super familiar with how to use it yet but I think it functions a bit like Livejournal communities where you post directly to a board that is focused on a topic. I think that would be a great way to encourage people to discuss :3
To OP, I appreciate you putting out this message. Even when I started getting into Exo fandom, the Tumblr community wasn't too active (because most people had already moved on to Twitter) and I was often sifting through posts that were years old. But hopefully some ideas will be floated out there and this will encourage people to not be afraid to reach out to other fans.
So I can't be the only one who's noticed the decline in fanmade exo content here on Tumblr. We've gone from a fandom who's new posts could be measured in hours to a fandom who's posts have days....to weeks....to months....to even years for some specific tags.
We have had 6 solo album comebacks this year, 3 fancon tours, 2 solo concert tours, a myriad of festival concert appearances, youtube videos, magazine shoots, instalives, etc. Yet if you go to the exo tag it's mainly populated by archive blogs. And the nude bots, which....that's a whole other problem on its own. I digress. My point being, the tags, at least from what I've seen (I admit I haven't looked into the shipping tags) are being filled by the same handful of blogs yet given the high amount of source material, no one seems to be doing anything with it beyond archiving it.
Again this could just be because I didn't delve too deep or too far back, but it does have me wondering if part of the reason participation this year was down was simply because there's hardly anyone left.
There's been instances in the past where others have attempted to inject new life into the fandom so to speak, with....varying...level of success. The exo revival project being the first and most successful that comes to mind. I'm wondering what everyone else's thoughts are on the matter and if holding new fandom events might be a way to involve more people year round because I really do want to continue holding this event next year but if things keep going the way they have been there won't be anyone signing up.
Let me know what you think, ideas you might have, reblog this and tag your mutuals to get them involved in the discussion. I have a few ideas that I've pilfered from other fandoms, watch alongs. Fic bingo. Theres valentines exchanges. Fandom sleepovers. Heck I'd set up a Tumblr based scavenger hunt if I thought people would play. Like....we dont have to be monoliths in a placid sea of we don't want to. Fandom can be fun. It should be fun.
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beastsovrevelation · 8 months ago
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Ch. 2 of And the Sea became Blood will probably take it's time, I mean, more scenes than not are still pretty much skeletons.
But, we must appreciate a supportive brother. ❤ Especially after she called him Dr. Phil.
Also, I'm seriously thinking about Charlize Theron as Lucifer's faceclaim.
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They'd look great together, no?
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#warrior nun#warrior nun fanfiction#ava silva#sister lilith#lilith villaumbrosia#diary pages#writing journal#warrior nun fic#warrior nun fandom#wn fandom#warrior nun thoughts#warrior nun biblical au#and the sea became blood#lilith x lucifer#when I said I wouldn't tolerate the lucifer and lilith dynamic being torn apart I didn't mean I mind them both being women#seriously charlize just has that vibe#adriel always ends up having a supermodel for a mother#tbh here he has two mothers though lilith is his stepmom#i have no idea who titus or raphael's faceclaims would be or many of the others'#i always end up putting on so many tags because idk filing system also half of them get eaten for some reason#how am I supposed to navigate my own hoard of a blog when I need to find some obscure rant#writers on tumblr#writer problems#seriously this chapter isn't short i already crossed to 11 pages and only two scenes are fully fleshed out#i struggled with that interview for a while then also decided adriel and his followers have to discuss it#tbh showing his cardinals more is important because of what's planned next#most of this chapter is just... Ava and Adriel crossing paths randomly because what else am I supposed to do for buildup#they aren't going to meet in some diplomatic dinner#unless... tbh some serious event scene would be insanely great BUT later in the story when there's more estabilished tension between them#right now a moment of being civil over a drink will do ( why not Ava's just avoiding Heaven time and they're both stalking one another)
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shay-creates · 1 year ago
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Apparently, my decision to be silly and make fanart of someone's writing (because I genuinely enjoy the story the person is writing and I was struck with inspiration upon reading a particular scene) has benevolent and wildly unforeseen consequences.
I apparently gained a bit of control of the canon because said writer really loved the art and decided what I drew/draw is canon.
2. Writer put said artwork into the document of his story right below the scene, so now it's IN the story where people who read the story will see it (with a link to me)
3. He sent the artwork to all his friends and people he knows because he was so excited
Wholesome interaction and I watched him do all that in real time, good stuff. However...there are two more consequences I was notified of today...nearly a full week after I gave the artwork.
Seeing the artwork caused his friends to become interested in reading and hearing about his story, which means more people are reading what he's writing and giving him critique on the story (which he actively asks for).
Apparently, upon seeing the art, his writer friends got a sudden second wind to pick back up writing they'd abandoned for a few months. Because, I quote, "seeing that someone enjoyed {his} writing enough to take the time to make art of it gave them the motivation that maybe THEY can write something that will inspire someone to also create something." I have accidentally caused a writing frenzy among his writer friends and my silly idea to make art for someone has had a butterfly effect for people who I don't even know.
Uhh...I'm pretty sure there's a moral here but I am tired and have a great deal of emotions about this.
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derinwrites · 7 months ago
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The Three Commandments
The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.
Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And
The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.
1: Thou Shalt Have Something To Say
What’s your book about?
I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?
The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).
Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)
Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?
2: Thou Shalt Respect Thy Reader’s Investment
Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.
Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.
Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.
The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.
But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.
If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.
3: Thou Shalt Not Make Thy World Less Interesting
This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.
“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?
Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?
If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.
Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?
Hopefully these can help you, too.
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chuluoyi · 11 months ago
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MARRIED ON PURPOSE
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- gojo satoru x reader
"for one, i can show you incredible things!" jujutsu, madness, heaven, sin. the strongest sorcerer is sure to show you all of that during the whole duration of your six-month marriage contract.
genre/warnings: marriage of convenience, enemies to lovers, crack, fluff, slight satosugu angst/comfort, kamo!reader, very suggestive. gojo clan is portrayed as very traditional, meanwhile kamo clan is rather unpleasant here
note: the unholy amount of times i've edited this story *sigh* but okay i must drop it here or else i'm going to keep editing it and losing my mind. despite my misgivings and all, i really had fun writing this and i hope you enjoy it! wc. 5k !
a part of 1K MILESTONE EVENT
general masterlist
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Some would say... marrying Gojo Satoru would be living the dream.
“Don't look that sour now, wife.”
“…sigh.”
A playful nudge at your side, a lighthearted voice— “You're going to make them question our veeery happy marriage, you know… We don't want that now, do we?”
But to you, it was more like nightmare dressed in a daydream.
It was peak comedy because why would you put marrying Gojo Satoru in your life plans? He was incorrigible, a child trapped in a man's body, and there was also the very fact that you hate him. His only redeeming trait was being born in the esteemed Gojo clan, and now held the title of the strongest.
You know you must have accumulated karma, but out of everything else, why must you end up in this predicament?
Hailing from the great clans of jujutsu society, both of you know well that marriage is the essence to make the clan greater. And when it involves the big three clans, its importance amplifies even further.
It was just that you two were too rebellious to follow it through, for one reason or another. Everyone knows Gojo Satoru was faithless to any woman, and you were not exactly thrilled with the idea of marriage as a whole.
He was the one who came to you, proposing this insane idea of a temporary marriage.
"Look at it this way," Satoru said with a wry grin, contrasting your puzzled frown on that fateful afternoon. "It's either me or Zen'in Naoya for you, isn't it? It's so clear which is the better man."
That was what grated you the most. You would be damned if you married the misogynist.
"What do you get from this arrangement, really?" you questioned begrudgingly.
His name would give you security, stop the harassment from your clan, and maybe even a better life, but you didn't quite get what he'd get from the offer he willingly extended to you.
Satoru flippantly shrugged. "Nah, you are not exactly my type, but you're still far better than the boring puppet my family have considered to be my wife."
"Who?"
"Don't remember her name. All she goes on about is that she'll be the good wife and mother of my child. Ew."
Seven hells. You scowled. Gojo Satoru and his penchant for chasing the thrill. Boring women would kill him before an actual curse would.
"And hey, for one," he shot you a smirk, visibly smug. "I can show you incredible things!"
"That's not the point! Gojo, do you even realize—" your voice rose, pulsating with righteous fury, "—how serious all of this is? My life, your life! We're going to be stuck—together!"
"Six months," he blurted, tilting his head slightly. His sunglasses slipped down just enough for you to catch a glimpse of his sparkling eyes. "It's enough time to work through our shits, and by then if you have enough, we're through."
At that time, it seemed feasible. Both of you tolerating each other to avoid a much worse match.
. . .
BACK TO PRESENT—barely a week ever since you were paraded around as his wife, now you and Satoru were stiffly poised in the studio in your formal garbs, capturing your official wedding photos.
At that time, it seemed feasible, but now, it felt like a chore, as you realized that conversing with him either spiked your blood pressure so much that you wouldn't even be surprised if you ended up with hypertension or completely sapped your energy that you were left exhausted.
"Come on, show a smiiile," Satoru said in a sing-song voice, gesturing toward the camera as it flashed for the pictures. You were beyond appalled, shooting a glare in his direction.
"I am smiling, Gojo."
"Liar. You're pouting, wifey~"
Sigh… this really is going to be one hella of a ride, huh?
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MONTH ONE, and you found out that Gojo Satoru is apparently as mad as people made him out to be.
"You've got to be kidding me!" you fumed, right after he hauled you into one of the rooms in his grand, traditional estate. Your glare pierced through him, a blood vessel ready to burst. "We never agreed on ‘consummating’ the marriage!"
You wrote him a goddamn contract. And the three conditions of this chaotic marriage are: one, it would only last six months; two, no personal feelings involved; and three, nothing borderline disturbing.
And this, you concluded, was the height of what could be called as disturbing.
"We will not," Satoru replied with a hint of disdain, grimacing, as if the notion didn't sit well with him either. The audacity! "We're just going to make it as if we are—"
"And why?! Why should I do that?!"
"Why else? Because my old fart believes that we indeed haven't done so."
"Then it's your fault? For failing to convince him? Why turn it into my problem!"
"Because, dear wife," he drawled, his tone taunting on the final note. "Now we're on the same page, in case you have forgotten."
Great clans and their hollow expectations spare no one, not even Gojo Satoru. They place importance in the most banal things, such as the continuity of sacred bloodlines and such.
The only alternative wasn't appealing either. Should you be found out that you married only to divorce... sigh, you didn't even want to know how big of a scandal it would be. One thing was certain: your clan would chop you to shreds.
You really had no choice, huh?
"Five minutes," you warned, glaring at him. "Make it loud. Make it so that no one wouldn't question this anymore."
Oh and sure he would. As Satoru pulled that shit-eating grin, you were in for another ride. You waited out until several maids were nearby, left the wooden door ajar, and began the show—
His hands wrapped around your waist—the feeling was peculiar, but you ignored it—and you let him pull you near that open door. He snuggled his face on your neck—his hair tickling you in the process, but you ignored that peculiarity again—as he started making suggestive noises. "Mm, you're so pretty, darling."
You could hear those maids gasp in surprise. And to add the flavor, you faked a moan.
This is... kinda fun? A twisted part of you suddenly found satisfaction in fooling the maids. A smile tugged at your lips as you shoved him away, and Satoru eyed you in surprise and irritation.
"Husband, you're... insatiable," you worded languidly, and he immediately caught on your act, grinning. "Anyone can walk by, you know."
"Oh? But that's the point." Satoru's bright blue eyes twinkled with utter mischief, and even you couldn't deny the exhilarating rush. "I want them to know."
And suddenly you got this very brilliant idea. You swiftly moved past him and sent the books and trinkets on his desk flying to the floor, causing questionable noises.
"Oh my!" a girlish voice exclaimed.
"The master! And the lady!"
Satoru shook his head, thoroughly entertained. And you rolled your eyes. Those nosy maids would finally have enough now, and this charade would end—
"What's happening here?"
The old fart. Both you and Satoru grunted in unison. You really thought you would leave it up to the maids to spread the word, but then you were taken by surprise when he wrapped his hands around you and flung the door open, slamming you against it—and damn it hurt!—offering everyone a front-row seat to your charade.
The maids squealed. His grandfather raised a righteous, demanding eyebrow. You wanted to scream.
"Hey, gramps," he greeted jovially, breathless, his grip on you tightening and you felt heat radiating from his palm. "Ah, sorry, opened it by accident—the wife here is feisty, you see."
Your veins felt ready to burst. Was this a part of his plan all along? How would you show your face before your grandfather-in-law now that he had seen this... atrocity?!
"So, yeah, we'll resume our business!" Satoru, the idiot, said it as if it was the most normal thing in the world. "See ya!"
With that the door slammed shut, but oh no, it was not the end.
"Mmmph!?" you protested, unintentionally loud and eyes widening in alarm when Satoru muffled your mouth with his hand.
The rotten bastard! You found it nearly impossible to breathe, shooting daggers at him. "Mmmrgh! Mmmrrgh!"
"Oh... so that boy really does it huh," you heard the elder mutter in thoughtful manner from outside—and you were in disbelief at how trusting he was—before rounding the stunned maids and barked, "What are all you doing here? Go!"
You nearly sagged with relief when Satoru loosened his grip slightly, allowing you to breathe, as his meddlesome grandpa finally stalked away. Done. This horrible act was over! But wait, why did he still had his hand on your mouth?
"That went splendidly!" he snickered, appearing rather pleased with what had unfolded. "Now, if only we work together like this more often—"
This is… my life now, you lamented the reality. The feeling of his calloused hand on you made you feel things, honestly speaking, but another emotion—and impulse—currently overpowered that.
Seething with resentment, you fiercely chomped down on his hand hard, causing him to swear and pull his hand out of you.
"You—you devil! You bit me!"
"Serves you right!"
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Okay, he was bad. He was insufferable. But to be frank, sometimes it wasn't all chaos.
And what's more, by MONTH TWO, you realized that being married to Gojo Satoru also comes with several perks.
"Miss, please, you're trespassing—"
You looked at the police with the haughtiest look you could muster, unamused. "Don't you know who I am?"
"No, but it shouldn't—"
"I'm that man's wife," you declared regally, motioning towards a certain tall shuttlecock a few meters away. "Is that not clear enough for you?"
For one, no one can look down on you anymore, because should they try, you have the power to raise your chin high and declare yourself as the wife of the infamous sorcerer. The very moment you did, that nosy police stopped yapping, and let you through.
The cursed boy, Yuta and his classmate had just been trapped inside a barrier a curse user pulled down, and you were assigned to look into this case by the headquarters. As much as it boggled you—because certainly, the strongest sorcerer was enough to investigate this—you still had to do your job.
“What is this?” you asked Satoru, who was observing something far beyond what your measly ordinary eyes could see. “What happened here?”
He turned to you, all with bandaged eyes. “Hmm? Oh, you’re here too?”
“Don't act surprised. Answer my question, Gojo.”
"You’re too uptight, wifey," Satoru's lips curved upwards playfully. He had taken to addressing you with pet names as of late, if anything, only to get a rise out of you. "Isn't it the time for you to start calling me by my given name?"
You let out a weary exhale, exasperated. "I'm serious, did you find anything? Who is behind this?"
"Nah, nothing for you to worry about," Satoru waved his hand dismissively, grinning. "More importantly! Let's head back and have dinner! My treat!"
You weren't that oblivious. You noticed things too.
"What do you want tonight? Sukiyaki? Sushi?" he hummed nonchalantly. "Or shabu-shabu?"
You gave him the stink eye. "Is that all you think about? Food?"
"As a responsible husband, it's my duty to feed my wife, no?"
"News flash: temporary wife."
"But still my wife, regardless. I overheard you earlier. Being Mrs. Gojo is convenient, yeah?"
You ignored how a part of your jolted at the emphasis he placed on that word, grunting. "Nah, it's meh."
Call it a feeling or hypothesis. It was similar to how he treated his students. He always said the dumbest things, but it actually served to make them feel at ease.
Then it occurred to you, could this be actually his attempt to change the subject?
"You can't cheat your way out of this." You shot him a pointed look. "You know something. Tell me."
"Hmmm? And what would I get in return?"
"Don't make this difficult. I'm on this assignment too!"
"Nah, if you call me by my name, I might consider it."
Hah. You should really read a parenting book one of these days. Taking on your husband was more or less the same as facing a kid.
"Satoru," you tested, the name rolling out of your lips far easier than you thought. Somehow, using his given name felt like some sort of a leap of faith.
He stopped right in his tracks, turning to you. His glossy lips quirked into a meaningful smile, and you felt funny.
"Wasn't that difficult, was it?" he winked, and you covered the strange heat creeping onto your face by rolling your eyes and huffed.
Needless to say, he still didn't tell you even a clue. You finally gave up, thinking that if he insisted on not disclosing it, then so be it. You trusted him on this, even as he turned your help away, and you hated admitting it, because, well…
You’d trust him with your life. He knows how to handle this better than anyone.
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Being a a woman in Kamo clan is, in fact, not any better than in Zen'in—you're regarded more as a commodity than a human being.
"When will you bear the child of the bearer of Six Eyes?" in your father's eyes, you were but a tool to tie the Gojo at his hip, and your worth probably wasn't even twice of Noritoshi's. You had known he would ask this when he summoned you to Kamo ancestral home, and you weren't that naive—you had asked Satoru to join you too. But your father had insisted him to stay at the foyer, while he dragged you into his chamber.
Just because you had seen it coming didn’t mean you liked it. "Is that all? Do you really make me come here just to ask me that?"
And what came next was like a crack of thunder.
"How insolent!"
You shuddered, hating how his voice still had control over you. You wanted to stay deviant, but you couldn't keep yourself from shaking. You thought you would have to endure this shit just like you did before, until—
"Now, now... That's my wife you're talking to. I'd watch your words, if I were you."
You had never whipped your head so fast.
There stood Gojo Satoru, your husband, in all his glory. He was smiling but it was clear that he was displeased, evident from his cutting remark, and most notably, how he had unveiled his striking cerulean eyes for all to see. Truth to be told, you didn't expect him to barge in here at all.
"Gojo-sama," your father bowed his head, displaying utter respect towards him, contrasting the blatant disrespect he showed towards you just now. Satoru paid him no heed, as took big strides towards you and seized your arm, prompting you to rise to your feet.
"What is this? Why are you yelling at her?" His voice lacked its usual hint of amusement or teasing, sending a chill down your spine.
"Gojo-sama, I apologize for my tone towards my daughter earlier. I was just trying to educate—"
“My wife. She is my wife now, and it would do you better to remember that,” Satoru asserted firmly, putting emphasis in the way he addressed you, his gaze hardening. "She is an adult. There's nothing left for you to educate her." Pausing, he added, "And the way I saw it, you were just unnecessarily rude."
"Gojo-sama, there were just certain things in our clan that—"
"Please, don't call on us again," Satoru interjected decisively with a light yet firm voice. You could swear your heart was somersaulting at the sight of him staring down your natural enemy. "I'm sure you're aware, but your daughter bears my name now, and she will get the respect she is due. I will have a word with anyone who fails to treat her accordingly."
Somehow or another, Satoru whisked you away from that hellhole, your hand tightly clasped in his. Your relieved sigh didn't go unnoticed by him, as he looked back to you.
"Have you gone soft?" he teased, eyeing you with a playful snort. "Did you forget who your husband is? You've got nothing to fear. Not even him."
"Thank you," you murmured. Your heart was still pounding and your mind blanked, rendering you unable to engage in your usual banters.
His clear blue eyes widened a touch, blinking at your display of vulnerability, Then, he wore the most innocent expression, even sporting a silly smirk—the hardness from earlier gone. "I was really cool, huh? Totally made you swoon I bet."
And in MONTH THREE, you realized, as he laced his fingers with yours, as his laughter filled the air, as calmness swelled on your chest, and as you loudly snorted at his remark, that—
You felt warm, so warm, in fact, and maybe—
"Pfft, you wish."
—maybe... being with him isn't so bad after all.
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MONTH FOUR, and you finally found out that it was Geto Suguru.
Everyone knew that your husband and the criminal used to be the best of friends. You saw them during your high school days, and heck, you used to think that Geto was the better man.
You could only imagine what he must feel.
. . .
When he got back to your shared house after the whole ordeal—after he ended his best friend with his own hands, Satoru honestly didn't expect that you would be waiting for him.
"You okay?" you asked him, brows furrowed in concern. It was probably one of the very few times you had displayed emotions other than contempt towards him.
It felt strange because he was used to your jabs, and he was not sure what sort of expression he should pull now, because truthfully, now he felt empty. Blank. All he comprehended was that he had killed Suguru, that he was gone, and that was something he must do.
It would be just like any other day if hadn't just committed a murder. On someone he held dear.
"Of course, who do you think I am?" Satoru swiftly replied, sounding smug—or at least tried to. "I'm the strongest. I’m unscat—"
"No, not that." You frowned, meeting his gaze squarely. "After everything."
Satoru struggled to choose how he should react, partly because most of his energy had gone after walking Yuta back and reassuring him earlier, and by default, the two of you should be hellbent on hating each other and wishing for this contract to end soon.
"Aww, are you worried about me?" he quipped with a touch of sarcasm just because he had to, to show you that it wasn't enough to ruffle him.
Because he is still the strongest, even when alone. Especially when he is alone.
You let out a sigh, looking away. "Can't I?"
"Whoa, that's sweet of—"
"Don't fool yourself," you stated in straight-laced manner, meeting his gaze with a composed expression. "You're not okay. You might be Gojo Satoru, but no one will be after doing what you just did."
You might be Gojo Satoru, but no one will be after doing what you just did.
Despite himself, his smile fell, and his chest burns. What is this? Were you sympathizing with him?
Does that mean that you don't see him as the entity... that was the strongest?
Before now, Satoru remembered you as the most uncooperative Kyoto girl he had ever met. Your first meeting in high school sealed your fate as the two of you could hardly get along. You didn't mince words, you didn't take shit from anyone else—heck, sometimes when he thought of you, what came up to mind was an impenetrable diamond.
Which was why he chose you. You were someone he could trust. You were pretty in the eyes and certainly wouldn't bore him either. His reasons were purely based on logic. And after four months with you, Satoru came to a conclusion that you indeed fulfilled all his expectations, if not more.
And he felt comfortable, or dare he say, secure even. He felt like he had gained a friend, who could see past his bravado and wouldn't judge him for it.
"You're..." you sighed, casting a sympathetic glance at him, your forehead slightly creased. At that moment, Satoru couldn't help but think you were incredibly endearing, fretting over him. "...an idiot."
"Heh." I really am, aren't I?
"I never knew him well..." you chose your words carefully, hesitant. "Did you try to convince him, before this?"
He barked a bitter laugh. "I did, we even made a scene in front of freaking KFC," he remarked with a scoff. "He didn't listen to me, until the very end."
You wanted to tell him “You have done everything you could” but the words faltered on your tongue. You couldn't bring yourself to say it when you saw the faint quiver of his lips, the slump of his shoulders—the very sight of a boy grieving the loss of his friend.
Your heart pricked too, somehow, seeing that expression on him. And you once again realized that your silly, exalted husband was just as human as anyone else who made him think he wasn’t.
"And you know what he said in the end?" Satoru's tone was flippant, as if asking the most normal thing around, but carried a trace of grief, evident in the slight drop in his tone if you squinted. "He said he didn't regret it, not even a bit."
"I'm sorry," was all you could manage.
Satoru's smile was lopsided. Now that he had finally accepted it, something inside him finally bleeds, and it freaking hurts. The pain gripped his chest like a swirling inferno.
But then, you boldly clasped his hand in yours, gently tracing soothing circles on its back.
"What?" he peered at you, feeling a ghost of a smile forming.
"Consider this emotional support."
And he chuckled softly. Despite the lingering ache, despite the gloom he was sure he would carry for the rest of his life, he felt the pain was more bearable with you by his side, somewhat.
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How?
You blamed it on the alcohol, because it was MONTH FIVE and you were kissing Gojo Satoru, daringly.
"We shouldn't be doing this," you rasped between kisses, breathless, as your own sinful hands plucked the buttons off his shirt. The intoxication might have played a part, but the intense heat coursing through you made it hard to think straight.
Satoru crashed his lips against yours again, consumed by blind lust. "Yeah, we shouldn't," he replied in a rush. His breath was hot as he trailed his lips down your jaw and neck next, savoring the softness of your skin.
You two had attended a banquet for the elite, and you were unbelievably beautiful. Standing by his side as his wife, you drew admiring glances, with everyone marveling at what a remarkable couple you made. The Gojo heir who was born with the legendary Limitless and the Kamo heiress, as lovely as her clan's name was powerful.
His deft hands roamed the curves of your body, exploring every inch of you. The warmth of his hands tickled something inside you as you closed your eyes to sink into this very moment. Next you knew, his bare body was against yours and you were stripped out of your evening dress.
Lust flickered in his honored eyes, as he took in the sight of you in your undergarments.
"You're really pretty, you know," he whispered. The intensity with which his eyes scanned your form made you nearly squirm. "Shame we don't always get along."
"You're one to talk," you retorted, a hint of exasperation in your tone, as you willed all other thoughts away. Thoughts like what comes after this. Thoughts like—
Is it heaven or sin, if you feel both at once?
His thumb tenderly caressed your plush lips, a hint of a smirk on his beautiful face.
He has long been thinking about your body. He was but a man, after all. He just didn't expect that you wanted this too.
There was always this tension, only this time, neither of you could hold it back anymore. Perhaps it was impulse—hell, most certainly it is, but there was another thing, something more that even Gojo Satoru still didn't dare to say out loud.
"Eager, are we?" he taunted when you leaned in, yearning for the touch of his lips on yours again.
You huffed. “Shut up and kiss me.”
A rush of heat flooded your cheeks at the slip of those words. You were about to rectify it, taken aback by your own boldness, but then he drew you close, silencing any further protest with a gentle hush—
"Too late, sweetheart," his husky voice entered your ears, lips curling into the most wicked smile, and you were in a trance. And Satoru was once again convinced, that choosing you as his wife was the rightest thing there was.
If the two of you went with this, then there would be consequences. Things would become more complicated, harder to sort out.
But, he decided, as he captured your lips in another heated kiss, everything else can wait.
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MONTH SIX, and you were dreading the day of your divorce.
You brought this upon yourself. Whenever you reminisced about that night, you wanted to smack yourself in the face and bang your head against the nearest wall.
This marriage has a time limit. And you were doing it out of convenience in the first place.
You weren't supposed to… goddammit—fall in love with him.
But what's done is done, there is no going back in time. Awkward exchanges and lingering stares had been gnawing at your insides these days, and you were sure Satoru too must have noticed them too. You two used to be more relaxed with each other, and he'd even flirt with you, but weeks ever since that night of drunken passion, you almost reverted back to your high school personas—ignoring each other.
This was tough. You didn't like this. And more than that, you were faced with a more pressuring matter...
Gojo Satoru, with everything he possessed, could have had any woman he wanted. This arrangement with you was temporary in the first place, soon he would forget you and flit to the next woman.
The thought made your heart ache, because you had involuntarily gave your heart away to him. Siiigh… What a predicament you put yourself into, huh?
With just a month left together, maybe you should just make the best of it.
. . .
If you thought that things were any better with Satoru, then you were sorely wrong because he too, was debating with himself often nowadays.
Days spent with you were fun and fulfilling. You irked expression somehow had made its mark in his heart. You were pretty, fit to be by his side publicly and preferably, behind the closed doors. With you, he didn't feel the need to carry this facade of being strong—he could be a clown tripping over his own trap and you would amuse him with your deadpan expression.
And ever since that night, he was constantly reminded by how soft your skin was against his. It almost drove him crazy now that he was deprived of it.
How was it the last month already? He wasn't ready to let you go yet.
When he got back home later after his class ended and found you in the dinner table setting the food, all he could muster was, "Hey. Haven't eaten?"
You whirled around to face him in surprise. "Oh... you're back. Just about to. Want to join me?"
Of course he would. And yet as the two of you sat down, it was so painfully awkward Satoru felt like he was dying inside.
Why couldn't he pull off a smart line or two? Where did his suaveness go? He was smoother than this, surely, with his colorful history. One night of passion was supposed to enhance the relationship, not to derail it. What happened to you both?
The salt was near his side when you reached to grab it and bumped into his hand. "Uh-oh."
Turning towards you, he found your spooked expression and your adorable eyes widening in surprise. "S-sorry..."
It was just freaking salt! Salt! Why on earth were you apologizing?!
Enough, he thought. This utter madness of being jumpy with each other. He'd start from his side.
Does he want you to keep being his wife even after all this ends? Yes.
Why? All reasons already listed above.
Does this mean he likes you? Apparently and supposedly, yes. Because if it isn't then he doesn't know what this funny feeling driving him mad is.
With that sorted out, then he only had one more thing to confirm. He put down his spoon and crossed his arms together. "Tell me the truth. Do you like living with me?"
His question obviously took you by surprise. "Huh? What brought this on?"
"Just give me an answer."
"You're so pushy," you grumbled, lips pursed, and he felt like you were finally back to your usual dynamics somewhat. Good.
"Sooo, the verdict? Do you enjoy being with me or not?"
Because to him, it was a resounding yes and more.
Ignoring the warmth that surged to your cheeks, you rolled your eyes. "Surprisingly, not bad, yeah," you admitted, mustering the courage to meet his gaze. "You're annoying, an idiot, a bit crazy—"
"Hey!"
"—but eventually you're still... manageable," you added, feeling your face truly start to sizzle. But covered it up by looking down and playing with your fingers as you still had more to go on. "What I want to say is... I'm glad that I agreed to this—with you—because I can’t imagine it with anyone else."
An unfamiliar tingling emotion rushed to his chest as his face too started to heat up, letting your words sink in. Is he blushing? Oh God. He sure is. And so did he feel hella giddy.
Then it’s sealed.
Suddenly he procured a piece of paper from his work uniform and showed it to you. You first saw his lazily scrawled signature before it dawned on you.
The contract. You almost forgot that you made him sign that looming piece of paper. You were almost dismayed, thinking that he would end this right then and there, but then—
“Well, then… I suppose we no longer need this.”
Riiip~
Your eyes nearly popped out of their sockets when Gojo Satoru tore out your contract right in front of your face, the most brilliant of his devilish grin adorned his handsome face, as he took off his blindfold to see you far clearly than ever. Heavens, you are cute, he thought.
“Soooo~ seems like you’re stuck with me from now on!”
You gaped, awestruck at the blatant meaning of it all, feeling how your heartbeat started to pick up the pace, when he pulled the rag out of your feet once more by tilting his head to the side, looking at you with a winning smile.
“Let’s start over! What did they say again? Ah, yeah. Here’s to the first day of our lives!”
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yamujiburo · 3 months ago
Text
Here's an arc I thought about doing but won't do because, it'd be a bit too sad and also it's too similar to the Turing Point Arc I already did and also it would be long. But I'll write it here for you angst enjoyers. This ended up being longer than I thought.
Despite getting the "okay" from Ash to date Jessie, Delia still worries that she's not doing the right thing or being a bad mom. Up until now she'd convinced herself that she had the right to be selfish for once after knowing only sacrifice and putting herself last.
Jessie and Ash, while not as antagonistic towards each other, still go at it. A Pikachu zap here, an angry "twerp" being uttered there. The guilt settles in for Delia and figures that it's best to just cut things off before things potentially get worse or before she gets too attached to Jessie. Her son comes first after all. That's what she signed up for when becoming a parent.
She sits Jessie down, eyes watery (it's the first time Jessie's ever seen Delia come close to crying). Delia says she thinks they should end things. Jessie is stunned but accepts it quickly. She sucks it up in the moment, puts a resigned smile on her face and tells Delia she'll leave immediately and not to worry about her. Delia's also broken up about it but promised herself she'd never cry over a goodbye and she wasn't gonna start now.
Jessie goes to James and Meowth's place greeted similarly to this, lightly teasing her about blowing it with Delia, and she breaks down sobbing. Oops it's real this time. James and Meowth do everything in their power to make her feel better. They let her know that things like this happen and they're ready to go wherever she wants to go (knowing that it'd likely be to painful for her to stay in Pallet). As much as she wants to leave, she doesn't want James and Meowth to lose the good thing they have going. She's not in the right headspace to make any decisions so she'll get to it later.
Ash returns home after doing a little training at Oak's lab. He notices Jessie's not around and asks his mom where she is. Delia is about to tell him but can't quite bring herself to say the truth out loud yet. She simply says "I don't know". Ash looks disappointed. "Aw man, I wanted to see if she wanted to battle. She makes a good battle buddy for all of my newer, baby Pokémon." Delia perks up that this. As quickly as he came, he leaves again to go train his Pokémon.
Later, Delia approaches Ash, asking him if he really meant that what he said about Jessie being a good battle partner. He gives her an enthusiastic "yeah!" and tells her that it's been nice having another battle ready trainer around since there's not many in Pallet. Delia starts to pry a little more. "I thought you and Jessie didn't get along?" Ash is confused, and tells Delia they get along great! "Jessie doesn't steal anymore! And she's getting better at battling which is cool." Delia brings up that she's head them argue before. "Oh... well I guess that's just how we are. I'd be weirded out if she was suddenly too nice to me all the time. Jessie's actually a lot like Misty. But taller!" This gives Delia a lot to think about but what's done is done and it's no use pressing on. It's easier this way.
The next morning Delia's getting ready for work. She must not have noticed that she was acting weird but Ash picks up on it. "What's wrong mom?" Delia's shocked he noticed (he's not usually this perceptive). She tells him it's nothing and that she just slept bad. "Hm. But Jessie says that when you're upset you get really quiet and intense." Delia notices that she was pretty intensely mixing the pancake batter. "Jessie told you that?" Ash nods. "Hey speaking of, where is Jessie? Haven't seen her since yesterday." Delia stops mixing and tells Ash that she and Jessie aren't together anymore. Ash is confused and upset at the idea of Jessie doing something that would hurt his mom enough for them to break up. Delia lets him know that Jessie didn't do anything like that and that them breaking up was just for the best. But Ash questions this, pointing out that he's never seen Delia as happy as she was when Jessie was there and also how Delia looks really sad now. Delia can't argue with that but then tells him that it's complicated. Ash, to Delia's surprise, looks a bit disappointed. He's bummed he wasn't able to say goodbye first and asks if she thinks Jessie would still be willing to come by and train with him sometimes. Delia asks him once more if he was really okay with her and Jessie dating. "Yeah I thought I said that already? Jessie's pretty cool when she's not being evil. And she really likes Pokémon which is a plus!" Such simple criteria. Delia's now worried that she might've made a mistake. She finishes making breakfast and heads to work.
At the restaurant she's met by James. She can feel an awkwardness hanging in the air. She knows that James knows. Before she can say anything James tells Delia thank you for employing him and helping him, Meowth and Jessie get back on their feet but that he's going to quit working at the restaurant and that they'll likely be leaving Pallet soon. Delia's heart sinks. There's now a ticking clock and she has to decide what she wants to do SOON. She asks James where Jessie is. James hesitantly tells her that she's at his and Meowth's place. Delia pleads with James to work the restaurant for one more day at least and to cover this shift. She has to go talk to Jessie. He agrees, hoping that this is a good thing.
Delia runs to James and Meowth's place. She knocks on the door upon arrival and waits. It takes a moment but she hears the door unlock. Jessie opens the door, disheveled, tears and snot all over her face, draped in a blanket. Jessie notices it's Delia and, frightened, slams the door. Delia's stunned for a moment and goes to knock on the door again but before she can the door opens. This time Jessie's tears are gone, her hair's fixed and she ditched the blanket. "Oh hey, Delia! What brings you here?" Delia can't help but be charmed. But this is serious. She shakes it off and asks if they could talk. Jessie invites her in. They get to the couch and Jessie starts frantically cleaning up all the crumpled tissues and dirty dishes off the ground. "Heh I caught a cold yesterday. A one day cold. I'm fine now." Delia doesn't call out the obvious lie and gets straight to the point.
She tells Jessie that she's worried she made a mistake. She made a panicked decision that she was hoping would protect Ash and her future self. But now realizes that she was afraid of the idea that she'd made a selfish decision by dating her. It was a selfish decision but that didn't mean it was a bad one. She was the happiest she'd been, Jessie and Ash were learning to get along and were getting along much better than she'd though. She acknowledges that Jessie has been there for Ash in a way that she can't quite be and is also grateful to her for managing to keep Ash home a little longer. She asks if Jessie would be willing to take her back (despite the distress she caused). Jessie starts sobbing with happy tears. She tearfully says she'll try even harder to get along with Ash and be a better person. Delia reassures her that she's doing just fine.
They kiss passionately but then realize it's weird that they're making out in James in Meowth's place and say they'll continue later. Delia tells Jessie to head back home and that Ash is looking forward to battling with her (and she also needs to let James and Meowth not to quit their jobs).
The end~
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