#publishing march 5~

[starplanes]

A review of The No-Girlfriend Rule, by Christen Randall.

Was this book made specifically for me? It sure felt like it! Reading it healed part of my inner child. I wish I had a book like this to read when I was a geeky kid in high-school with anxiety. Even as an adult, I felt seen and validated through Hollis' experiences and the support of her new friends.

In The No-Girlfriend Rule, Hollis joins a new S&S (think: D&D) group in order to learn the game that's a big part of her boyfriend's life. Hollis is not allowed in Chris's game because of a house rule barring girlfriends from playing. If she can prove she knows the game, Hollis thinks she might convince Chis and his DM to break the rule. But Hollis gets more than she bargained for in the process as she slowly starts playing for herself instead of a seat at her boyfriend's game… and as her priorities change, Hollis has to reevaluate her goals.

I adored this book. The characters feel real and their struggles feel three dimensional. The contrast between Chris' gaming group and Hollis' gaming group is light and day. My heart broke for how left out Hollis feels at the start of the story -who among us nerds hasn't felt this ourselves- but it's beautiful to witness Hollis finding herself through TTRPG and the growing bonds of friendship. I loved watching this group grow together, and their gaming adventures added a dash of excitement.

The No-Girlfriend Rule is a story about leaving people who treat you like trash in the dumpster where they belong. It's about standing up for yourself, about breaking down the "not like other girls" anthem, and about the magic of found family. Queer Nerdy Women, Fat Anxious Women, Young Socially Awkward Women - you will all be seen in Hollis' story. I can't recommend it enough.

[penguinofspades]

Happy "Today's the day Through the Looking-Glass and What Alice Found There happened" day everybody.

What's your favorite chapter of Through the Looking-Glass and What Alice Found There? Mine's probably Wool and Water.

[mybeautifulchristianjourney]

Tyndale Life Application Daily Devotion

Devotional for March 16th

Good comes to those who lend money generously        and conduct their business fairly. — Psalm 112:5

Insight

Generosity will cure two problems that money can create. The rich man may abuse others in his desire to accumulate wealth. Generosity will eliminate that abuse. Also, the fear of losing money can be a snare.

Challenge

Generosity and respect for God places our trust in him, not our money, for justice and security.

© 2010 by Tyndale House Publishers

[boinin]

Blue Lock: Not Even Once

[probablyasocialecologist]

The Israeli government is behind a large-scale influence campaign primarily aimed at Black lawmakers and young progressives in the United States and Canada. The operation, whose existence was first reported by Haaretz in March, was launched after the start of the war in Gaza and was intended to sway certain segments of public opinion on Israel's conduct. The influence campaign made extensive use of fake websites and social media to promote content that is pro-Israel, anti-Palestinian and anti-Muslim content, as well as disinformation about antisemitism on American campuses, according to an investigation by the Fake Reporter organization, published today. The operation was run by a private Israeli online political campaigning firm called STOIC that was hired for the project. According to sources and information obtained by Haaretz, the operation was commissioned by Israel's Diaspora Affairs Ministry but carried out by a different party, for fear that its exposure could entangle Israel in a crisis. The ministry oversees a number of firms for a number of different purposes and goals. Among the candidates for the job was the organization Voices of Israel, which received half of its original funding from the Israeli government, though it was not tapped for the task in the end.

Links: Haaretz archive.today wayback machine

June 5 2024

[breelandwalker]

2024 Witches' Calendar

For all my witches out there, here's a handy list of the 2024 dates for the solstices, quarter days, full and new moons, and special events. I've listed my sources at the bottom.

Dates and times for all events are calculated for Eastern Standard Time, USA, Northern Hemisphere. Adjust for your location as needed and check the DarkSky Placefinder to see what special events will be visible in your area. Enjoy!

Solstices, Harvests, and Quarter Days

February 1-2 - Imbolc / Candlemas

March 19 - Spring Equinox / Ostara

April 30-May 1 - Beltane / May Day

June 20 - Summer Solstice / Midsummer / Litha

August 1 - Lughnasadh / Lammas / Summer Harvest

September 22 - Autumn Equinox / Mabon / Fall Harvest

October 31 - Samhain / Halloween / Final Harvest

December 21 - Winter Solstice / Yule

Full Moons

January 25 - Wolf Moon ♌

February 24 - Snow Moon ♍

March 25 - Worm Moon ♎

April 23 - Pink Moon ♏

May 23 - Flower Moon ♐

June 21 - Strawberry Moon ♑

July 21 - Thunder Moon (aka Buck Moon) ♑

August 19 - Sturgeon Moon* ♒

September 17 - Harvest Moon* ♓

October 17 - Hunter's Moon (aka Blood Moon)* ♈

November 15 - Frost Moon (or Beaver Moon)* ♉

December 15 - Cold Moon ♊

*- Supermoon

Fun Fact: The title of Harvest Moon is given to either the September or October full moon, whichever falls closest to the autumn equinox. Once again this year, that month will be September.

New Moons

January 11 ♑

February 9 ♒

March 10 ♓

April 8 ♈

May 7 ♉

June 6 ♊

July 5 ♋

August 4 ♌

September 2 ♍

October 2 ♎

November 1 ♏

December 1 ♐

December 30 (black moon) ♑

Special Celestial Events

January 3-4 - Quadrantids meteor shower peak

March 25 - Penumbral Lunar Eclipse

April 8 - Total solar eclipse

April 22-23 - Lyrids meteor shower peak

May 6-7 - Eta Aquarids meteor shower peak

August 11-13 - Perseids meteor shower peak

August 19 - Sturgeon Supermoon / Seasonal Blue Moon

September 17 - Harvest Supermoon / Penumbral Lunar Eclipse

October 2 - "Ring of Fire" solar eclipse

October 17 - Hunter's Supermoon

October 21-22 - Orionids meteor shower peak

November 15 - Frost Supermoon

November 16-17 - Leonids meteor shower peak

December 13-14 - Geminids meteor shower peak

December 30 - Black Moon

(Check the DarkSky Placefinder to see what will be visible in your area!)

Mercury Retrogrades (in case you need them)

April 1 - April 24

August 4 - August 27

November 25 - December 15

Happy Witching!

SOURCES & FURTHER READING:

Bree's Lunar Calendar Series

Bree's Secular Celebrations Series

Moon Info - Full Moon Dates for 2024

Calendar-12 - 2024 Moon Phases

Full Moonology - 2024 Full Moon Calendar

AstroStyle - All the 2024 Full Moons

Your Zodiac Sign - Astrology Calendar 2024

Old Farmer's Almanac - Mercury Retrograde Dates 2023-2024

Lonely Planet - Best Star-gazing Events of 2024

Sea and Sky - Astronomy Calendar of Celestial Events 2024

DarkSky International - Dark Sky Placefinder for Stargazing

Pagan Grimoire - Wheel of the Year: The 8 Festivals in the Wiccan Calendar (2024 Edition)

=

If you're enjoying my content, please feel free to drop a little something in the tip jar or check out my published works on Amazon or in the Willow Wings Witch Shop. 😊

EDIT: Mercury is stationed direct on Jan 1st, 2024. The source I used which stated it was in retrograde until the 18th had a typo.

EDIT: Fixed the zodiac signs for the full moons using a new source.

[stuckinapril]

Reuters published a heartbreaking article yesterday (March 19) about northern Gaza being officially on the verge of famine, with the the Integrated Food Security Phase Classification (IPC) stating that it’s likely to hit anywhere between now and May at the latest. That’s less than two months from now. Israel responds to this by not only failing to acknowledge the starvation they have wrought altogether, but also by going so far as to state that Israel “not refused a single shipment of medical supplies.” Meanwhile, tent cities have become breeding grounds for diseases of all kinds, because there’s no longer any clean water available and people are forced to live in extremely crammed spaces. 90% of children under 5 in Gaza are now suffering various diseases. 90% of children. Let that sink in.

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

Like this essay? Tip me on Ko-Fi, pledge to my Patreon, or commission an essay on the topic of your choice!

_

Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[komsomolka]

Nearly 60 percent of Israelis believe social media posts showing sympathy for civilians in the Gaza Strip should be restricted, according to a poll published by Haaretz newspaper on 5 September. The poll was conducted in March by the Pew Research Center.

Fifty-nine percent of Israelis “think posts expressing sympathy for civilians in Gaza should be restricted, while 41 percent think posts criticizing the government should be censored,” according to the poll.

The poll also shows that 92 percent of Israelis believe posts inciting violence should be restricted, 87 percent say posts expressing support for Hamas must be censored, and 72 percent want graphic footage from the war removed.

The poll makes clear a significant rift between Jewish and Arab Israelis. Seventy percent of Jewish Israelis support censoring content that shows sympathy for civilians in Gaza, while only 18 percent of Arab Israelis agree.

Additionally, fifty percent of Jewish Israelis support censorship of posts critical of the Israeli government, compared to 31 percent of Arab Israelis.

“Despite widespread social media use in Israel and political polarization, fewer than a quarter of Israelis (22 percent) regularly share or post about political or social issues,” the poll reveals.

[suppermariobroth]

Top: as I previously pointed out in a 2022 post on the Supper Mario Broth twitter.com account, there are extremely few characters with their birthdays explicitly given in official Mario media. One of them is 5-Volt, whose birthday (March 13) was stated once, in a blog post on the 2003 official Japanese website for WarioWare: Mega Microgames. Note that this was before 5-Volt even appeared as a character; the birthday was simply attributed to the then unnamed and unseen "9-Volt's mother" at that point.

Bottom: surprisingly, 20 years later, this obscure snippet of lore was brought back in official capacity on Nintendo's new WarioWare, Inc. portal website, where she mentions that her birthday is March 13. This may be one of the most in-depth pieces of trivia that Nintendo referenced in official material decades after they were first published.

Main Blog | Twitter | Patreon | Source: twitter.com user "BabyDanielBD"

[ave661]

Post about art-theft, AI and tracing of my render:

Unfortunately, one of my renders I made a year ago, was traced, copied, edited by AI by "brothers in arms" store and now sold as a merch aimed towards CoD fandom. They are currently sending this out to various cosplayers asking them to promote it.

As someone who is affected by this, I have to speak up about it.

(post about it on twt & insta)

I found out about it by accident when I saw promoted post on my insta feed. When I started talking about it in my stories, this store sent me a private message saying they had been working on this design for weeks and had never heard of me so they definitely didn't steal anything, and offered me free stuff. When I disagreed with them and sent them files comparing our works, they stopped replying to me, so I continued talking about it again on my insta. Only when my followers started leaving comments under their post saying this is wrong, they decided to continue discussion on the next day.

2. They mentioned that they could have been inspired by some pictures they found on the internet and showed me their "first sketch" of design… which was made by AI.

3. During the conversation, they mentioned that their artist could have based his work on a picture he found on the Internet, but he defended himself by saying that they might not have known it was mine. But even if they didn't know about me, even if they found some fanart on the Internet - it doesn't mean you can copy something detail by detail and sell it as your own. What is most important here, their offer to solve the problem was to give me credits in their design. IF they worked hard on it, why would they want to give me credits? My offer was to remove it.

4. Why do I mention that it could have been done by AI? because many lines are unfinished and a lot of details don't make sense.

5. Below is a comparison of my render that I published on March 18, 2023 with their first sketch they showed me, which apparently they drew themselves:

I am saying this so that the CoD community, which is very large, will be aware of this, because there are many people who have already bought it and after my insta story, they felt bad and said they want return it because they don't want to support art theft.

It's not just about me anymore - it could have happened to anyone who creates fanart and share it on the Internet just for fun. One day someone may use it for their own profit without us being aware of it. It doesn't matter if it's a 3D render or a drawing. All artists in this (or any other) fandom do not deserve to experience such thing, and we need to speak out about it to prevent it from happening in the future.

Reposting fanart is, as this example shows, dangerous and hurtful, so please respect artists and don’t do this. Especially on pinterest.

Their only proposal and offer to give me credits for the work they traced is something I will never agree to.

[walks-the-ages]

Gaia Thomas G0fundme Scam Update - 3/05/2024 (March 5th, 2024) !

As of 8 hours previously of the creation of this post on March 5th, 2024, Gaia Thomas posted updates on three of the G0fundmes that she had organized, announcing her bank had caught a scam, which is (supposedly) , why she had halted donations on various g0fundmes, and withdrawn thousands and thousands of dollars from the g0fundmes in question:

Dear donors, I was the victim of an online scam. My credit union caught the scam. In the interests of donor safety, I blocked donations at that time. The evidence is in the hands of the Alameda Police Department. Please be aware that this could happen to you. All funds have been repaid in the form of donations to the original fundraiser as requested by the GoFundMe team. I have asked G0FundMe to return the funds to the hands of the original donors. Sincerely, Gaia Thomas

Attatched to the 3/5/2024 update was the following screenshot:

[ID begins: A screenshot from an email, from G0FundMe Trust and Safety team that reads: Hello Helen, Thank you for letting us know. We want to make this process as easy as possible, due to the circumstance, so we can refund donors and close the fundraisers. Can you let me know when you will be able to return the withdrawn amounts? Before we issue refunds, we can help you post an update to donors so they are aware of why they are being refunded. You can donate the withdrawn amounts so we can refund all donors for all three fundraisers: Donate $17,978 to return to the withdrawn amount to this fundraiser using this link [ https://www.gofundme.com/f/hope-in-the-crisis-aid-for-mai-and-her-family/donate ] Donate $5,108 to return the withdrawn amount to this fundraiser using this link [ https://www.gofundme.com/f/save-the-life-of-kareem/donate ] Donate $96.50 to return the withdrawn amount to this fundraiser using this link: [ https://www.gofundme.com/f/help-a-family-rebuild-fundraiser-for-noor-eleyan/donate ] Please let me know once those funds have been returned so we can begin refunding donors I'll keep an eye out for your reply Mateo Gofundme trust & safety team End ID]

So, from the screenshot of an email she provided, it looks like the fundraisers for Maia, Kareem, and Noor are going to be closed, and all donations are going to be refunded to the original donors??

Gaia Thomas was also forced to return the amounts she had withdrawn from each fundraiser:

[ID: Three images, each showing the Gofundme fundraisers for Mai, Kareem, and Noor, in that order. Mai's fundraiser is at $38,301 out of the $35,000 goal, with Gaia Thompson having donated back $17,968 seven hours ago. Kareem's fundraiser is at $10,848 out of the $15,000 goal, with Gaia Thomas having donated back $5,108 seven hours ago. Noor's fundraiser is at $197 out of the $25,000 goal, with Gaia Thomas having donated back $97 eight hours ago. End ID]

so It looks like the publish backlash has at least worked a little bit, Gaia Thomas is not getting away with thousands of dollars in fraud, BUT, Mai, Kareem, and Noor's fundraisers are all being shutdown by Gofundme, assumedly because Gaia claimed she'd been ~scammed~ as her excuse for withdrawing thousands of dollars in donations.

Is *anyone* in any kind of direct contact with Mai, Kareem, or Noor, so someone who is actually trustworthy can set up new fundraisers so we can immediately get the word out, once the g0fundmes close and people start getting their refunds??

Until we know more, here's the direct links to the existing fundraisers organized by Gaia, so we can keep track of what her 'explanation' of a 'scam' is.

Remember, do not donate to these links until we know more, the fundraisers might be closed completely with full refunds, or she might try something else to keep the funds to herself:

https://www.gofundme.com/f/hope-in-the-crisis-aid-for-mai-and-her-family

https://www.gofundme.com/f/save-the-life-of-kareem

https://www.gofundme.com/f/help-a-family-rebuild-fundraiser-for-noor-eleyan

[marauderswithpalestineproject]

How it works: Writers, artists and video editors of the Marauders fandom will create non-profit drabbles, sketches and edits in return for donations to the Palestine Children’s Relief Fund. Once proof of donation is sent, your prompt will then be assigned to a writer/artist/editor to fulfill at random. The fics will be posted to the Ao3 collection Marauders With Palestine Project, while the sketches and edits will be posted to the creator’s own accounts.

Schedule:

Writer/artist volunteer sign up: March 11th - March 31st

Donation proof and prompt submissions: April 1st - April 22nd

Prompt assignment: April 23rd - April 31st

Writing and drawing: May 1st - july 1st

Answered prompts and posting will happen starting June 1st

For more information, see below:

General Rules:

Each contributor can donate more than once, but they’ll only be allowed to submit a maximum of three prompts, no matter their donation size.

Proof of donation is required for the prompts to be accepted and added to the list. 5 USD is the required minimum for SFW prompts, and 8 USD for NSFW prompts.

NSFW prompts can only be submitted by 18+ contributors and will be assigned to 18+ volunteers only.

Prompts need to be worded clearly to avoid confusion, and they can’t include more than four Marauders era characters. Contributors can specify if they prefer a fic or a drawing, but the final product will depend on availability and may change. Prompts will be assigned randomly.

The prompts may not contain: religious material, gore, explicit violence, incest, or non-con. Dead dove prompts are not allowed and hateful or politically inclined prompts will be automatically deleted. 

*This project is entirely non-profit and all money contributed by those who submit prompts is sent directly to the Palestine Children’s Relief Fund.

For volunteers: Everyone is welcome! 

For writers: fics are advised to be a minimum of 1.5k words and you must have an Ao3 account to post them to the Marauders For Palestine Project collection. The works must be completely independent from any other works, and while they can be multichapter fics, they have to be published all in one go.

For artists; your contribution may be a drawing or doodle. Sketches are welcome, but there’s no need for background.

For video editors: your video may be longer than 15 seconds.

[artfight]

End-of-Fight Reminder

Hey Art Fighters, here are some reminders as we near the end of the event (in 5 days)!

Extension

We have officially extended the event to run until August 3rd at 12:00 PM Mountain Time to compensate for unexpected site downtime during the start. Enjoy it!

Point Correction

The point totals at the end of the fight will not be accurate and will be hidden from view shortly. Site moderators will take a currently undisclosed period of time to go through misrated attack reports and correct them. The newspost which announces the winner will be published shortly after this time. Please be patient, this correction period may take up to a week or more!

Additional Opportunities

Want more opportunities to draw for others and receive art? We offer a variety of avenues during the off-season to stretch your creative muscles on our Discord server! The #art-trades channel and Minigames will be opening up sometime after the winner's newspost has been released.

We also offer seasonal prompts every October, December, and March! You can gain an on-site achievement and be featured in a showcase if you submit artwork. Keep an eye out on our socials!

And As Always...

...Have fun!

[reasonsforhope]

Article

"2023 was a banner year for the Galapagos Islands: that wondrous archipelago so famous for its giant tortoises and other endemic species.

The long-serving conservation organization the Galapagos Conservancy, also endemic to the islands, recently published its annual report featuring standout figures like over 500 giant tortoises of 5 different species reintroduced to their natural habitat.

Additionally, a critically endangered species of albatross was identified to use giant tortoise feeding sites as take-off and landing areas. This key insight into co-dependency has given the Conservancy confidence that they can restore the populations of both animals to stable, flourishing numbers.

It underscores how far a donation to these endemic wildlife organizations really does go, and these two highlights of a successful year were only possible by the over $6 million in charitable contributions from supporters.

30 Chelonoidis chatamensis tortoises endemic to the smaller island of San Cristobal were repatriated to their natural habitat from the stock of a captive breeding program, while 97 native tortoises were returned to the second-largest island of Santa Cruz.

On the largest island of Isabella, 350 tortoises (214 C. guntheri and 136 C. vicina) were successfully reintroduced to their natural habitat after a survey found their numbers were not rising substantially on their own.

In March, the repatriation of 86 juvenile Chelonoidis hoodensis tortoises significantly contributed to enhancing the species’ distribution across their native habitat. They currently number 3,000 today on Española or Hood Island, a miraculous recovery from the 14 found there in the 1960s.

Also on Española, the endemic waved albatross was found to be taking off and landing on 50 additional parts of the island. These large birds, boasting an 8-foot wingspan, need ample space to get a running start before taking off, and this same principle applies when applying the brakes coming down from the sky.

In the survey, the biologists observed that concentrations of giant tortoises were linked with the usage of areas as runways for the albatross. Because the tortoises are the largest herbivores in the ecosystem, they perform the same acts as bison do in North America and Europe, and elephants in Africa—clear space.

With their herbivorous diet and large bulk, the tortoise’s feeding habits produce cleared areas ideal for albatross use.

“This discovery underscores the interconnectedness of the Galápagos ecosystem,” the authors of the report write. “This newly acquired knowledge allows us to strengthen the synergies between our conservation strategies.”

Of the $6.1 million received from donations and through other activities, the Conservancy was able to spend 77% of that on conservation programs, and that included some ambitious plans for this year—now already half done—which included drafting plans for restoration of the Pinta tortoise to the island of the same name, preparing tortoises for imminent reintroduction to the smaller Floreana island, and completely restoring the habitat for the Galapagos petrels on Santa Cruz.

Operating since 1985, the Galapagos Conservancy has a long track record of restoring these islands to their pre-Colombian glory. Let’s hope 2024 is as successful."

-via Good News Network, July 19, 2024

[multifandomgirl08]

Mini Verstappen Series Masterlist

Paring: Single Dad!Max Verstappen x Fem!Reader

At the end of 2020, Max Verstappen gets the surprise of his life when he finds out that his ex-girlfriend had given birth to a son, his son. A year and a half later Max's longtime girlfriend of 8 months finds out about his son Nico.

This is an ongoing series. I'm always adding to it. The masterlist changes often.

I do take requests for this. If there is anything that you want to see happen in this series just message me in my ask box. All of my normal request rules apply.

Reader Face Claim: Hande Erçel

Total Published Word Count: 62,997 Words

Disclaimer: This work below is fictionalized ideas and stories involving real people but does not directly reflect their thoughts, feelings, or behaviors. Please keep in mind that this is a work of fiction, so enjoy it as such.

𝑅𝑒𝑎𝑑𝑖𝑛𝑔 𝑂𝑟𝑑𝑒𝑟

0.0. Prologue - [December 10, 2020]

Max finds out that he has a son. And it changes his world.

0.1. Be Something You'll Love and Understand [December 11, 2020] Outtakes

He knew that he should have called his mom yesterday but he was still wrapping his head around the idea of being a father.

0.5. The Moment You Smiled At Me - [December 27, 2021]

The evening that started it all for Max and Reader.

1. Mini Verstappen - [August 15, 2022]

You get a small surprise the first time you visit Max’s apartment.

1.5. Girlfriend? - [November 1, 2022] Request

You meet Nico.

1.8. Caught - [June 4, 2023] 18+ Outtakes

Lando swears he knocked before walking into Max's hotel room, maybe he should have yelled before opening the door.

2. Change - [November 26, 2023 + January 2, 2024]

It’s the end of the F1 season. Some things are changing for the Verstappen's.

SMAU #1. The Secrets Out - [December 31, 2023 - January 1, 2024]

It’s the start of a new year. You and Max decide to tell the world about Nico.

3. A Lioness Protects Her Cub - [May 5 - 9, 16, 23, 2024] Request

Reporters are vultures and Max picks out a ring.

4. Day At The Karting Track - [June 14, 2024]

Nico starts karting. It opens a small can of worms.

4.5 The Engagement - [August 15 - 16, 2024]

He moved his hand over yours, moving the engagement ring that he placed on your finger, side to side.

SMAU #2. Through Max's Eyes - [March 8, July 30 - August 15, 2024]

Max’s Instagram posts about Y/N, and a small life update from the couple.

5. Something Bad, Something Good - [August 17 - 19, 2024] Request

Reader deals with the haters on Twitter, Nico calls Reader Mama. Max claps back at the haters on Instagram like the malewife that he strives to be.

5.5 Time to Move? - [August 25, September 15, 2024]

When Max had brought up moving, it was because the lease on his apartment was going to be up at the end of the year. Maybe it was time to find a new place for all of you.

6. Race Day - [October 20, 2024] Request

Nico tags along with Max during a race day in Monza, well as much as he can.

6.1 Wedding Headcanon - [February 2, 2025]

Headcanons from Max and the Reader's wedding. Social Media posts from their honeymoon.

6.5. Give and Take (Kind of Love We Make) - [February 28, 2025] 18+ Request (The Morning After)

Max had a plan in his head for the evening. He had mapped out the track before, and intended to keep to his strategy until they got home.

6.7. To Constantly Be Away - [March 9 & 10, 2025]

Second race of the season and Max is already having a tough time with the car. Missing his family only makes it worse.

7. From Three to Four - [April 4, 2025]

Reader tells Max that your expecting, he doesn't have the best reaction at first.

8. Stones To Throw At My Creator - [July 19, 2025]

He wasn't his father. He would never raise Nico like that.

SMAU #3. The Verstappens - [January 8, February 2, May 26, December 3, 2025]

Big things happen to Max and the reader in 2025. Moving, getting married, and a little surprise that neither of them were expecting.

8.7 Give Me Eyes To See - [December 8, 2025]

Nikita's first few days at home. Flashbacks to moments from the reader's pregnancy.

8.8 Nikita's First Christmas - [December 24-25, 2025]

Nico's first Christmas with his baby brother.

8.9 Ghost of Bittersweet Memories - [January 25, 2026]

A few of the drivers visit you and Max for the day, and you end up talking with Charles about a woman that he meets at an FIA event. (This is the conversation I referenced in Part 2 of Bittersweet.)

9. Glass Houses - [February 17, 22, 23, 2026]

When Raymond had called you about going and getting lunch, you should have known that something was going on.

9.5. All That I Can Give - [May 10, 2026]

Another Mother's Day and one of Nikita's firsts.

9.7. On Sleepless Roads, The Sleepless Go - [December 2-3, 2026]

It's the early hours of Nikita's first birthday, and you can't help but look back at the day you brought your son into the world.

SMAU #4. A Year in Moments - [February 10, May 28, August 2 & 27, October 22 & 31, 2026]

10. Redline - [May 25, 2027]

"I'm sorry, mijn leeuwin. I know you were excited to announce it to everyone."

10.5. Mommy and Me - [May 31 - June 6, 2027] Request

Late one evening after dinner Y/N brought up the idea to Max for her to take Nico out for the day.

11. X3 - [July 8-9, 2027]

“Hallo, kleine welp,” Max said.

11.5. She's Not Acid Nor Alkaline - [December 8, 2027]

Max and Reader have a night away from the kids in Santorini for the 2027 FIA Prize Giving Gala.

SMAU #5. Welcoming Another Verstappen - [2027]

12. Hey, Little Sister - [March 27 - November 20, 2028]

SMAU #6. - [2028]

13. The End of An Era - [November 2030]

The days leading up to Max retiring from Formula 1. The Article announcing his retirement. And the last race of his F1 career.

14. Right On Track - [2036]

Checking in with the Verstsppens in 2036.

15. Letters From The Past - [November 17, 2038]

Max and Reader sit down to read the letters that Amelia (Nico's birth mom) wrote.

𝐸 𝒳 𝒯 𝑅 𝒜 𝒮

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