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transformers-mosaic · 1 year ago

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Beast Wars: Second Chances - The Covers

Originally posted on February 2nd, 2011

Cover A - Daniel Olsén Covers B & C - Seb Quickstrike - Ed Pirrie Depth Charge - Loke Mei Yin Snarl vs Terrorsaur - James Ferrand Waspinator - Jeremy Tiongson Dinobot sketch - Matt Frank

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wada sez: Okay, this one was as much a surprise to me as it is to you. Prolific Mosaic contributor Mike Priest asked me if I had any plans to archive Beast Wars: Second Chances, a full-length comic he originally pitched in a similar vein to War Journal and Spotlight: Stunticons. As nearly all the writers and artists who worked on this one were also Mosaic contributors, and I’ve always felt like there weren’t enough Beast Wars strips in Mosaic, and because Mike asked nicely, I couldn’t say no! Thanks to Mike’s involvement, I’ve got the original scripts and his original story treatment, titled Beast Wars: Beyond, which you can read below—although the final story ended up wildly different, if you want to read along without any spoilers whatsoever, I’d recommend coming back to this post later! It seems that Matt Frank was originally tapped for the project, as he produced a sketch of Dinobot which you can see below, but no further contributions from him ever surfaced.

Okay, this is my initial rough pitch for the story.

Again, anything and everything here is mutable and subject to tweaking and whatever, or downright ignoring and trashing. I won’t cry.

We start roughly a month or two Earth-time after Primal’s crew left. The first page should explain this and whatever, and then something akin to “BUT SOMETHING STILL STIRS on this planet!” Cut to Depthcharge dragging himself out of the surf.

(I’m trying to work AROUND the Mosaic “Eternal”, making it more retroactively tied-in.)

We establish Waspinator as leader of the proto-human tribe, out on a hunt or something with some other humans. Perhaps some brief proto-human comedy before we hit the nitty-gritty.

We establish Depthcharge wandering around, arguing with himself, totally nuts, screaming at no one in-particular (He’s arguing with Rampage, who only responds through text boxes, so to anyone else, DC looks like a nut).

Waspinator encounters Depthcharge, is initially scared and confused, but decides, what the hey, see what’s up with fishie-bot. Waspinator honestly is curious/wants to help.

Depthcharge, in a confused, blind rage, grabs Waspinator and viciously beats him near to death. And not in a funny, usual-Waspinator way. He’s pleading, BEGGING for Depthcharge to stop. I’m talking the reader needs to actually feel really bad for Waspinator; he is an endearing character and kind of our “hero” for this story.

Only when some of Waspinator’s human tribe start hitting Depthcharge with rocks and spears does he snap out of it, and is literally horrified at what’s he done to poor Waspinator. (Rampage is in ecstasy though; this is exactly what he wants to turn Depthcharge into; a killer like Rampage himself).

Depthcharge retreats, transforms to jet mode and flies off, horrified at what he’s become.

The proto-humans can’t do anything to help the dying, whimpering Waspinator. So they make a stretcher and begin carrying him home.

Only they don’t make it. Something attacks and kills them; Waspinator is too weak to help them. And it takes Waspinator’s remains. (Hints of a giant metal spider, perhaps in this sequence)

We establish Tarantulas. Or rather an AI program that approximates Tarantulas’ personality and goals. It is housed in a sub-level of Tarantulas’ former lair. He “lives” through his Steel Tech proxy body, the (black and grey Transmetal Tarantulas), but he cannot particularly control it too well/or it really is just a poor substitute for a sparked body.

Tarantulas has a blank stasis pod that was affected by the Quantum Surge. He plugs Waspinator’s spark into it. And Transmetal Waspinator is born. Waspinator comes back online strapped to a table, with the Steel Tech drone working on him (And Tarantulas’ face on a computer screen, establishing that he really is housed in his lair’s “hard drive”)

Tarantulas explains that he still has to accomplish the Tripredacus Council’s goals, even after death, and Waspinator is one of his new tools.

Faux-Tarantulas ALSO reveals that he has the bodies of Scorponok and Terrorsaur (both Transmetalized), which he recovered from the lava pit. (TM Terrorsaur’s fine, but a new design for Transmetal Scorponok is essential. NOT the McDonald’s toy design. Make him larger and bulkier and his third mode should have flight capability- this is important for later)

Fitting all three with “neural implants” that ensure obedience, Tarantulas explains he will use them to breach the Ark and carry out its destruction (His Steel Tech drone isn’t dexterous or durable enough to fight through the Ark’s automated defenses).

And Waspinator is a test subject. Tarantulas releases him from his bonds and orders him to obey. The neural implant holds, and Tarantulas decides to send Waspinator for a test-drive. Waspinator speeds out of the lair in his new jet mode.

As he travels over the landscape, he is watched by someone new on the ground. We don’t find out who it is YET. Just a close up of a wide, toothy grin and an “Interesting”.

Meanwhile Depthcharge is having a nervous breakdown. Rampage is slowly driving him insane, and Depthcharge starts repeatedly trying to kill himself. It is MESSED UP, including Depthcharge throwing himself on his own sword, tearing bits off, and such. But all the damage heals. Exhausted and pained, Depthcharge suddenly becomes aware of a visitor watching him.

Cue DINOBOT II, standing arrogantly and grinning down on Depthcharge, telling him it won’t work.

Both Depthcharge and Rampage are surprised to see him. Rampage particularly.

Meanwhile, Waspinator’s test-drive includes going back to his proto-human village and is ordered to raze it to the ground by Tarantulas. But Waspy surprises Tarantulas (and the audience) by fighting the neural implant and eventually succeeding in burning it out, overcoming Tarantulas’ will by plumbing that can-do never-give-up Waspinator spirit and his genuine affection for the proto-humans. Tarantulas is surprised by this, but notes he has back-ups anyway, activating Scorponok and Terrorsaur.

Back with Depthcharge and Dinobot, who, of note, acts somewhat uncharacteristically, giving half-answers and grinning a lot. Rampage begins to suspect something is different or wrong with Dinobot.

Meanwhile, Scorponok and Terrorsaur are both activated and forced into line by the neural implants. Terrorsaur is still his arrogant self, but Scorponok is more quiet and almost more professional (It’ll be seen/developed that he’s a bit disillusioned that Megatron never saw fit to recover him from the lava pit). Anyway, as neither of them have any particular strong will to oppose the neural implant, they go to carry out Tarantulas’ orders to attack the Ark.

We establish the VOK, who realize the danger to the time stream is not yet over. The two that “killed” Tarantulas decide to intervene. They go to where Tigerhawk died and begin pulling his shattered pieces together with their powers. (Tigerhawk would be dead, just a zombie shell animated by these Vok and while his body is whole, it is in horrendous shape, missing an optic, generally looking like a terrifying zombie).

Meanwhile Waspinator is speeding along, knowing somehow he has to go back and stop Tarantulas, when he sees Scorponok and Terrorsaur in their new Transmetal vehicle modes, headed in the Ark’s direction, along with Tarantulas‘ Steel Tech proxy body. Waspinator isn’t particularly positive he can take both of them, even with his new body, so he decides to go look for “crazy fishie-bot” and hopes Depthcharge is somewhat more lucid now.

Back with Depthcharge and Dinobot, Rampage suddenly senses a familiarity between his own spark and Dinobot and realizes Dinobot’s shell is now possessed by STARSCREAM!

Guilty as charged, Dino-Scream shrugs. He’s been stuck in this time zone for a while and returned to the planet, but everyone’s left now. So he looked for the Nemesis (Hoping to find something there he can possess without damaging history) and found Dinobot II’s ravaged, sparkless shell. Possessing that and healing its injuries, Starscream set out for the Ark next.

Before anything can be done, Waspinator finds them, telling them (as best as he can) about Tarantulas’ plan to destroy the Ark and what not.

Depthcharge and Starscream don’t want to be erased from history, so they agree to help (Rampage even finds it interesting).

Faux-Tarantulas, Scorponok and Terrorsaur arrive at the Ark, and the latter two fight their way through Teletraan-1’s automated defenses (which come out of “sleep mode”). Faux-Tarantulas hangs back.

But by the time they make it through, Waspinator, Dino-Scream, and Depthcharge/Rampage arrive.

We have a three-on-three battle. Scorponok fights Depthcharge/Rampage (Scorpy’s new Transmetal body is bigger than his old one and almost a match for Depthcharge, even with the new ferocity that Rampage’s presence in his mind gives him). Scorponok angsts over his abandonment by Megatron while they fight. Terrorsaur fights the groundbound Starscream/Dinobot II (Starscream grumbles that this body sucks cuz it can’t fly) and manages to actually hold it off, as Starscream is unaccustomed to fighting like this.

Waspinator faces off against the Steel Tech Drone, and despite some initial trepidation, realizes he’s far more powerful now than any drone and takes the faux-Tarantulas down easily once his confidence is up.

Meanwhile, the zombie Vok-possessed Tigerhawk arrives at Tarantulas’s lair, runs roughshod over the meager defenses, and destroys the Tarantulas’ hard drive/AI for good.

This causes the neural implants in Scorponok and Terrorsaur to fail, and they stop fighting now that they are no longer under Tarantulas’ will.

Confused at what is going on, everyone leaves the Ark. The Vok-possessed zombie Tigerhawk arrives.

First order of business is noticing Dinobot II. The Vok declare (The Transmetal II clone body) an “abomination” and perversion of their technology. (Starscream’s like “Whoa, wait a minute!”)

The Vok incinerate Dinobot II’s shell in a blast of lightning from Tigerhawk. We don’t see what happens to Starscream’s spark.

The Vok explain that the constant interference with the timeline has TO STOP, and tells everyone to get the hell off the planet.

Of course, everyone is like “uh, HOW?”

The Vok tells everyone to go into Earth orbit. They will self-destruct Tigerhawk’s remains, with the release of alien energies ripping a Transwarp wormhole that’ll send everyone back to the right era.

Everyone of course is like “But…how do we get home from the middle of space?”

And the Vok of course are like “We don’t care, you’re going back to your rightful place in history or we’ll just kill you here and dump you there”

So everyone engages flight modes and follows Zombie-Tigerhawk up into space. They stand back and the Vok do as they promised, detonating Tigerhawk’s shell and making a wormhole. Everyone flies through in a flash, the Vok take their leave with some end dialogue about cleaning up some more small glitches or whatever.

Everyone arrives in the middle of space, nowheresville. Depthcharge isn’t hanging with these “Preds” anymore and “Besides, I’ve got enough company as it is”. He flies off into the nothingness of space, deciding to either find a way to deal with living with Rampage…or destroying them both.

Waspinator and Scorponok get into an argument about which direction Cybertron is, which ends in Waspinator engaging his jet mode and flying off alone. Scorponok sighs and goes in the opposite direction, asking if Terrorsaur is coming.

Terrorsaur (who hasn’t said a word since they left Earth) just widely grins and unseen to Scorponok, we see the ghost of Starscream possessing Terrorsaur’s frame. “Sure thing, pal.” He follows Scorponok.

END.

Notes-

*Inferno and Quickstrike…well, seeing as Quickstrike’s head was hollowed out and made into a mask, I think they’re a little harder to swallow as still alive.

*I kinda tried to do the exact opposite of what the Botcon comics did…bring Tigerhawk back (albeit a Vok-possessed zombie) instead of Tigatron and Airazor.

*When the zombie Tigerhawk destroys the Tarantulas AI core, depending on preference, we can have him say “You last bit of Unicron” or some such, depending if everyone agrees on Tarantulas’s origins.

*I have Starscream possessing Dinobot’s shell and later Terrorsaur, trying to avoid the clichéd possessing of Transmetal Waspinator.

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vinylspinning · 4 months ago

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Rumplestiltskin: Rumplestiltskin (1970)

"I'm Rumplestiltskin but I'm not a fairy tale; I'm on Bell Records ..."

So read 55-year-old promotional materials advertising this mysterious U.K. hard rock band named after the old Brothers Grimm fairy tale (correctly spelled Rumpelstiltskin, by the way), but were they truly capable of spinning musical straw into gold?

Well, I'm sure a few overzealous record collectors would want you to think so, but take it from me: the largely forgotten quintet's cunning attempt to mimic the suddenly profitable heavy rock stylings of Led Zeppelin, Black Sabbath, and others was highly suspect.

First you should know that singer Peter Lee Sterling, guitarist Alan Parker, keyboardist Alan Hawkshaw, bassist Herbie Flowers, and drummer Clem Cattini were all seasoned session musicians with prior experience playing pop, soul, rock, you name it, through the 1960s.

But here, they concealed their identities behind Groucho Marx mustaches and pseudonyms -- Peter Charles Greene (*), Andrew Balmain, Jeremy Eagles, Jackson Primrose, and Rupert Baer, respectively -- to throw first-generation metal-heads off their scent.

And masterminding all of this subterfuge was producer Shel Talmy (The Who, The Kinks, etc.), who probably hustled Bell Records' old fart A&R staff about this manufactured group and then was too lazy to even flesh out a convincing backstory story in the liner notes.

Heck, even the comic strip covering the album jacket deals in conniving impresarios taking people for a ride, but enough about these shenanigans -- let's talk about Rumplestiltskin's songs, which tend to be both creatively and structurally flawed ...

For starters, guitarist Parker sounds like he was just discovering fuzz distortion on the nasty riffs of "Make Me Make You," but he's zooming up and down the neck like Jimmy Page within a few minutes, before the group breaks down into a subtle and sultry blues.

Clearly cobbled together at very short notice: this first cut sets the tone for a lot of unfocused songcraft and disorderly arrangements (see "Mr. Joe (Witness for the Defence)" and "Squadron Leader Johnson"), often salvaged by undoubtedly capable musicianship.

At their best, Rumplestiltskin get in and get out before they can get themselves into trouble, just like their deceitful namesake: locking into a catchy groove on "Knock On My Door" and noodling efficiently on their eponymous instrumental.

But the tired old psychedelic formula of first single "Pate de Fois Gras" and sleepy, workmanlike, space-filling blues and soul clichés of "Poor Billy Brown" and "No One to Turn To" showed minimal effort and commitment.

And how could it be otherwise, when these same musicians were also plying their covert trade under similarly shady monikers like Hungry Wolf and Ugly Custard, while simultaneously performing on albums by Olivia Newton-John, Gerry Rafferty, and Serge Gainsbourg?

Maybe if they'd committed to Rumplestiltskin, more music fans would have tried to guess the band's name (sorry, couldn't resist), but instead even fewer took notice of their second LP, Black Magician, when it was released in '72 by German label Bellaphon.

p.s. -- Also in 1972, singer Stirling -- now calling himself Daniel Boone (?) -- enjoyed a cheesy M.O.R. hit with "Beautiful Sunday."

More Obscure Early '70s Heavy Rock: A.K.A.’s Do What You Like, Alamo’s Alamo, Asterix’s Asterix, Atlee’s Flying a Head, Bang’s Mother/Bow to the King, Birtha’s Birtha, Blackwater Park’s Dirt Box, Bloodrock’s Bloodrock 2, Blues Creation’s Demon & Eleven Children, Bolder Damn’s Mourning, Boomerang’s Boomerang, Buffalo’s Volcanic Rock, Bull Angus’ Bull Angus, Cactus’ Cactus, Captain Beyond’s Captain Beyond, Charlee’s Charlee, Copperhead’s Copperhead, Cradle’s The History, Crushed Butler’s Uncrushed, Curly Curve’s Curly Curve, Fanny Adams’ Fanny Adams, Flied Egg’s Dr. Siegel’s Fried Egg Shooting Machine, Flower Travellin’ Band’s Satori, A Foot in Coldwater’s A Foot in Coldwater, Fuse’s Fuse, Gift’s Gift, Hard Stuff’s Bulletproof, Haystacks Balboa's Haystacks Balboa, Head Over Heels’ Head Over Heels, Heavy Cruiser’s Heavy Cruiser…

Even More Obscure Early '70s Heavy Rock: Highway Robbery’s For Love or Money, Incredible Hog’s Volume 1, Jericho’s Jericho, Jerusalem’s Jerusalem, Jody Grind’s Far Canal, Kahvas Jute’s Wide Open, Leaf Hound’s Growers of Mushroom, Lucifer’s Friend’s Lucifer’s Friend, May Blitz’s May Blitz, Night Sun’s Mournin’, Nitzinger’s Nitzinger, Orang-Utan’s Orang-Utan, Pink Fairies’ Never Neverland, Pluto’s Pluto, Poobah’s Let Me In, Power of Zeus’ The Gospel According to Zeus, Road’s Road, Sky’s Don’t Hold Back, Sir Lord Baltimore’s Kingdom Come, Steel’s Steel, Stray’s Stray, Stray Dog’s Stray Dog, Tapiman’s Tapiman, Tempest’s Tempest, Thundermug’s Thundermug Strikes, Tiger B. Smith’s Tiger Rock, Tin House’s Tin House, Titanic’s Sea Wolf, Toad’s Toad, Trapeze’s Medusa, Truk’s Truk Tracks, Tucky Buzzard’s Tucky Buzzard, Ursa Major’s Ursa Major, Warhorse’s Warhorse, Warpig’s Warpig, Weed’s Weed, White Witch’s A Spiritual Greeting.

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cilil · 5 months ago

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The honest to Eru reason why I've currently shelved my Angbang/Melkor/Mairon related projects in particular (and arguably Ainur in general, unless you count the 25% in Dior lolol) is that I'm... not quite content yet. Like, make no mistake, I don't hate my old works or anything; it's just that for the big future projects I never got around to thus far I'm missing a few final sparks, if you will. Some fine tuning. Some "back to the drawing board", reworking, refining. Also nobody take this as shade (somehow?), this is just me and a me problem and my issues with perfectionism that keep me from writing.

So I'm currently thinking about Ainur designs during the Almaren era, Melkor and Mairon in particular (this is not a serious headcanon post, btw, this is a brain dump that I feel like sharing with the besties on here). Anyway, I would like to try out some "weirder" designs, reason being that at this point Ainur haven't seen humanoids and are going with what they remember from the music and copy from one another. Adding various supernatural and/or animal features is a good start, but what I'm playing with right now in my head is also this angle of them looking kind of... proto-humanoid? Like basically "humanoid according to Eru's description, artist's rendition".

In Mairon's case, I've always liked the idea that his first forms while studying under Aulë looked like a statue of sorts. He made his first fána because he had need of it for work reasons, and while some of his peers may have kept it simple and others added their own flair (see above), he went about it like a craftsman would. Again: Artist's rendition of a humanoid body. And since Mairon is an ambitious artist and craftsman, he carefully crafted and sculpted a lovely shape for himself. The Ainurin version of Michelangelo's David, if you will. I also imagine Mairon's forms (all of them) as androgynously beautiful, the kind that's just absolutely gorgeous and stunning and inspires gender envy in all genders (nobody is safe).

Other ideas I had include making his skin either golden or marble with golden patterns and his hair being kind of... heavy? Like he shaped it into artistic curls and waves, but they would barely move in the wind, if at all; reason being that, at this point, he's a fire spirit working with rocks and metal, so flammable organic material is not his forte (to the chagrin of Yavanna. I like to think that, ironically, Melkor taught him about such material in depth later. But those are stories for another time).

As for Melkor, I want him to look the most human out of all the Ainur, funnily enough. I know this might sound odd considering he was barely even listening to the third theme, but he did have the greatest insight into the vision and it's a big theme that he's the most human out of all the Valar. Nevertheless, his fána would still have its "odd" and "unique" properties, just due to the fact that a) he's Melkor and b) he's weird and extra. Since he's still in a state where he can match all the other Valar and their Maiar on his own, his skin is pretty much impervious to any and all harm, to name just one example.

The main design elements I've been rotating in my head for his earlier forms revolve around his hair. I like to imagine it being pitch black at the roots, like the darkness of outer space, but becoming luminous at the tips. He's rocking the anglerfish ombré. Also depending on the angle and lighting and his mood the lights are constantly shifting in wavelength, and you see all colors of the electromagnetic spectrum flickering in and out of existence. Another thing I've been picturing for Melkor's hair in general is that it's constantly in motion, similar to Manwë who always has his wind around him. The difference is that there is no wind around Melkor. His hair just does that. If there's no wind at all, it's moving, and if there is wind, it's still moving, but not as it should. It's not super noticeable, rather subtle, but if you were to look at it for a long time, you would wonder if his hair is alive and has its own chaotic agenda. Also I'm fond of the idea that he likes to use it as additional arms, think Midna from Twilight Princess (either one big hand or smaller tendril hands, depending on what he uses it for).

...alright, I think that's all I got for now. Thank you for coming to my brain dump, I'll file this one away for future reference aka the inevitable return of acute brainrot

#melkor #mairon #ainur #almaren #silmarillion #for future reference #fic notes

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savage-kult-of-gorthaur · 2 months ago

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PORTALS TO THE DEPTHS OF HADES WERE OPENED -- APOCALYPSE METAL IN THE FRONT ROW.

PIC(S) INFO: Mega spotlight on assorted color shots of English first wave black metal/speed/thrash metal band, VENOM, performing live in their very first gig in the U.S., at The Paramount Theater in Staten Island, New York, USA, c. April 1983.

Sources: https://oldbridgemilitia.org/gallery.html, Facebook, various, etc...

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bonebrokebuddy · 1 year ago

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I’ve been seeing a few folks complain about people writing hcs of DC characters with ooc song preferences, which it’s not that serious. But it gives me an excuse to show off my DC character playlists.

I initially created them as I saw a lot of playlists for Bruce & Jason with just a lot of dad rock.

Which, fair. Not everyone’s into metal.

But since I know it’s not an easy genre to get into, if you want inspiration, feel free to check out these playlists!

My one main rule for making playlists is that a majority, if not all, of the songs need to be in a genre I think the character would listen to based on their canon music taste. This is regardless whether or not it’s a genre I like. I try my best to find fun songs regardless of my personal preference.

The Playlists:

Batman: various genres of metal. I tried to go for more Doom Metal(slow & repetitive vs thrash’s blast beats and fast guitar) but there’s more than one genre of metal that’s characterized by slower instrumentals & I can’t keep up with all the names so it varies. Dad metal. Made sure that there was a sprinkle of Black Metal too (mainly bc I think it’s funny. If you’ve never listened to black metal, it sounds like you chucked the vocalist in a grinder at high speeds then proceeded to mix your instruments & your vocals the worst you could possibly make it. It’s nearly incomprehensible and it’s Perfect for Bruce.)

Bruce Wayne: a touch of old school doom metal, a sprinkle of black metal as you can write a Batman story without Bruce Wayne but not a Bruce Wayne story without Batman. A more chill version of the Batman playlist that I think Bruce would jam out to as not everyone’s into metal and I wanted to give people another option that didn’t have as heavy stuff in it.

Tim Drake: Mostly time accurate with 90s-2010’s punk rock & alt rock influences all the way through with a touch of metal to show his connection to Bruce & a few other off genre songs that represent his YJ98 pals. I tried my best to include as many bands as I could find that he canonically enjoyed as well.

Jason Todd: Jason was introduced in the 80s & is a canonical metalhead, so I think he’d listen to a combination of 80s dad metal, death metal (come on, it’s just too perfect of a genre name to pass up), thrash, & a little black metal (the genre I assigned to Batman).

Clark Kent: Dad metal. He canonically listens to Metallica post-crisis so I just gave him my dad’s taste in music lmao. Made sure to add a few satire ones because Clark is an little shit and would very much enjoy satire songs. Unfortunately, I genuinely could not get my Spotify recs to give me decent country music. I tried. It only gave me modern mainstream artists and after a month of trying to find good pre 2000’s country, I just gave up. So it’s mainly metal:(

If any of y’all want to send me 80s-2000’s country recs, that would be very kind of y’all. (the type of country music ma & pa kent would listen to that Clark would have grown up with)

Kon-El: is full of songs that are, well, time accurate to his original run. Ranging from 1969-2002 [the year his solo run was canceled], this playlist not only has songs he could have theoretically picked up in a record shop or blasted on a boom box during the day but is also full of bands he canonically listens to! This playlist is chalk full of Kon’s canonical alt rock & metal music taste as well as rock and proto-metal hits of the time!

Bart Allen: to be clear, Bart wouldn’t listen to any of these as music is just too slow for him. These are songs that relate to Bart or songs that represent his connections to his friends with no specific genre as I didn’t just want to have playlists full of nothing but metal. (Although I think he’d really like metal concerts as he’d probably enjoy the feeling of the heavy base resonate in his chest.)

#dc #batman #bruce wayne #clark kent #superman #jason todd #tim drake #red robin #bart allen #impulse dc #kon el #red hood #bones playlists #bones speaks #my only rule with sharing these is that they needed to be over an hour long. almost all my other ones were like- 34 minutes long #so I skipped those bc I have sooo many m

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