#propaganda was already effective

[bestanimal]

malacostraca propaganda

How dare

[breezeblock-lemonade]

i really wish more people understood/accepted the concept of Unlearning Behavior.

like yeah, maybe you Do do that thing described in that post that is harmful. what if- instead of beating yourself up about it or publicly doubling down because you feel the need to defend yourself when literally nobody would’ve known you do that behavior otherwise- you looked Deeper into that behavior, Why you do it, Why it’s Bad, and then thought about what you could do to Stop doing it? crazy concept, i know!

literally so much of online discourse could be solved by this.

[gibbearish]

oh boy its my favorite day where nonusamericans condescendingly explain to me that the election effects other countries too and therefore i need to be even more terrified than however terrified i already am

[comradecowplant]

haha so cute, amazon making a little joke about their disgusting multi-industry dominance in the trailer for the new show about how capitalist imperialist hubris exploded the world haha so quirky & definitely not a bad omen about how the show will handle the subject matter!

[queer-book-character-tournament]

it’s the way this blog has me like … what if I reread aftg again 🤔 three times for a trilogy and all that 🤔

[evilkitten3]

we cannot still be on the "do video games cause violence" train lmao

The default question “do video games cause violence” is loaded, but with a bit of rejiggering it becomes clear that the answer is closer to ‘yes’ than ‘no’. & I think a lot of us on here have been dodging this topic for a long time because we like video games and we want to protect their reputation

[sscarletvenus]

i do not pity israel. never have, and never will.

each night that gaza experiences is deadlier than the last, as idf soldiers record propaganda tiktoks, make rave parties and grwms and fit checks, gloat over having food and water, and film themselves deriving sadistic pleasure from torturing their hostages and victims and desecrating the dead.

Palestinians have to display their martyred before the camera for you to believe the atrocities that the zionist entity has subjected them to. they cannot even mourn in private. the apartheid entity murders them in cold blood, and you deliver the killing blow by doubting them.

babies whose families have been killed will never get to know their own name.

i can't reshare a tenth of the videos and photos that cross my timeline. i have seen more dead children in the past month than i have known death my entire life.

israeli settlers burn olive trees, bomb bakeries and fishing boats, shower white phosphorus and earthquake bombs on the captive civilians of gaza. you already know about the disastrous effects of white phosphorus, but earthquake bombs were last used during ww2 to wipe out entire cities.

how holy is the land that seeks to be built over the mass graves of thousands of children? is it holier than the miracle of a child being born in this hypocritical world?

all 11 universities in gaza have been bombed. academics should be agitating right now, especially those who call themselves "decolonial thinkers." destruction of universities is a sinisterly deliberate act to sabotage the Palestinians who will survive this great catastrophe.

the act of cleansing your hands before prayer is extremely important to muslims. no part of us can remotely comprehend the grief of the mother who refused to wash her hands from the blood of her children after losing them in a zionist airstrike over gaza. "I swear I won't wash them, I won't wash my hands, how else am I supposed to sleep near my kids."

it is only both moral and right when one side defends itself. the other side are the price of war, no better than insects and cattle and sheep left to die within the four walls of the slaughterhouse.

this situation should not be up for debate, but let me finish with one final thing : do your research about Palestine. HOWEVER. you do not need a degree in middle east studies to object to an ongoing genocide. if someone outwits you in a debate about historical details and every nuance of a subject, you were and will remain entirely correct in objecting to a genocide.

may those martyred rest in peace and be reunited again with their loved ones in heaven's eternal vastness.

DO NOT STOP TALKING ABOUT PALESTINE.

glory to Palestinian resistance. from the river to the sea, Palestine will be free.

[exhaled-spirals]

« Almost all Americans believed when the full-scale invasion began that Ukraine would immediately collapse under Russian might, and that Zelens'kyi would flee the country. But he did not. His physical courage in remaining in Kyiv, an echo of the physical courage shown by millions of Ukrainians, changed the overall situation. Because Ukrainians resisted, western arms began to flow. The courage of Ukrainians made possible an American and European policy to hold back Russian aggression. That same Zelens'kyi, the man who was brave enough to stay and lead his country when the Russians were approaching the capital and the assassination squads were already there, was yesterday made the subject of a public attempt at humiliation by Americans. No doubt Ukrainians should express their thanks to Americans. As they do. But it is illogical, to say the least, for Americans not to thank Ukrainians, or to treat their courageous president as an object of contempt. The coercive ritual of gratitude hides from Americans the basic reality of what has happened these last three years.

During this war, Ukraine has delivered to the United States strategic gains that the United States could not have achieved on its own. Ukrainian resistance gave hope to people defending democracies around the world. Ukrainian soldiers were defending the basic principle of international law, which is that states are sovereign and that borders should not be changed by aggression. Ukraine in effect fulfilled the entire NATO mission, absorbing a full-scale Russian attack essentially on its own. It has deterred Chinese aggression over Taiwan, by showing how difficult offensive operations can be. It has slowed the spread of nuclear weapons, by proving that a conventional power can resist a nuclear power in a conventional war. Throughout the war, Russia has threatened to use nuclear weapons against Ukraine, and the Ukrainians have resisted the nuclear bluff. Should they be allowed to be defeated, nuclear weapons will spread around the world, both to those who wish to bluff with them, and those who will need them to resist the bluff.

Yesterday Vance and Trump repeated familiar Russian propaganda. One example was Trump's claim that it was the Ukrainians who, by resisting Russia, were risking "World War Three." The truth is exactly the opposite. By abandoning Ukraine, Trump is risking a terrible escalation and, indeed, a world war. Everything that Ukraine has done these last three years can be reversed. Now that the Trump administration has chosen to throw American power to Russia's side, Russia could indeed win the war. (This was always Russia's only chance, as the Russians themselves well knew, and openly said.) In this scenario of an American-backed Russian victory, opened yesterday by American choices in the American capital, the horrible losses extend far beyond Ukraine. Zelens'kyi quite sensibly made the point that the consequences of the war could extend to Americans. This was, in a sense, overly modest: Ukrainian resistance has thus far spared Americans such consequences. He said so very gently, and was yelled at for it -- which is itself quite telling. The Americans have a sense of what they are unleashing upon the world by allying with Russia, and they made noise to disguise that. »

— Timothy Snyder, "The War Trump Chooses"

[darkmatilda]

𝐥𝐨𝐬𝐭 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧 | 𝐬.𝐫𝐞𝐢𝐝

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: your first solo, undercover mission unexpectedly spirals out of control when a real heist begins at the scene.

𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬/𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐭𝐰: spencer reid x newbaumember!femalereader, robbery, the reader becomes a hostage, is beaten by the attacker (quite severely), killing of hostages, shooting, inspired by s1e9 where spencer saves elle on a train (the plot is very similar but set in a different scenery), spencer's pov, the attackers are definitely not the gentle type, reader is wearing a skirt (her whole outfit is described), glasses reid propaganda

𝐚/𝐧: merry christmas guys <3 fasten your seatbealts and get ready for this rollercoaster.

𝐰𝐨𝐫𝐝𝐬: 14.8 k

"Why do I get the feeling that neither of you is even half as stressed as I am? Actually, scratch that—neither of you is even one-tenth as stressed as me?”

The question left your lips accompanied by a kind of sigh, an attempt to expel the air poisoned with anxiety and replace it with something fresh, clean.

"Because we know you’re going to do brilliantly, sweetheart," Penelope replied without hesitation, sparing you only a fleeting glance as she momentarily tore her eyes away from her computer screen. One of many screens.

Her office was filled with an uncountable number of them, all glowing brightly and lighting up the small, dimly lit space, which was also packed with her colorful accessories—pom-pom-topped pencils and flowerless plants in tiny pots, most adorned with smiling faces or hearts.

"Or rather," Reid interjected, spinning in a circle on his swivel chair, "because we both doubt you’ll even be remotely useful out there." A white box of Chinese takeout rested on his lap.

You shot him a grimace.

"Next time you try to undermine my self-confidence, make sure I’m not holding anything sharp," you warned, pointing one of your chopsticks at him. Yes, less than an hour before your first solo assignment, you were all happily indulging in junk food from the closest restaurant to the office, ignoring the looming possibility of digestive regrets. "Or you’ll lose an eye."

"Aren’t you tired of trying to kill me yet? First, you gave me a concussion…"

"You didn’t get a concussion, Reid. Stop exaggerating…"

"And now, you’re openly admitting that you plan to cause me permanent damage by depriving me of my sense of sight—which, as it is," he said, tapping the frame of his glasses, "is already in less-than-stellar condition."

"You two are just adorable when you argue with each other like an old, bitter married couple," Penelope commented with a small smile on her pink-lipsticked lips.

You first looked at each other, then at her, eyebrows raised, and in a synchronized moment, you both let out a huff. Unfazed, she continued.

"But now we really need to get to work. The exhibit starts in an hour, and you should get there with him. Have you ever used that microphone? It’s the latest model we’re testing, gosh, I’m so excited…"

"You’re adorable when you act like a typical nerd," you shot back, mimicking her little smile and tone of voice.

"A nerd I proudly am! Just like this guy here," she nodded toward Reid, who pouted slightly, looking offended. "You’re surrounded by nerds, sweetheart. Soon enough, you’ll become one too."

"Dear God, forgive me my sins and watch over me…" you whispered, staring at the ceiling.

The mysterious he that Garcia mentioned was named Christopher Allen, and he was surprisingly young for a neurotechnology engineer. He worked on issues surrounding the human brain and developed devices designed to have a broad range of effects on it. But why were you supposed to go with him to some exhibit? Equipped with a spy microphone? And why was it stressing you out so much that for the past ten minutes, you had only been picking at your Chinese takeout instead of eating it?

Well, it's hard to decide where to start explaining from.

You were summoned before Hotch yesterday, who informed you that an opportunity had arisen for you to prove yourself in the field. Alone, undercover, for the first time in your—let’s be honest—tragically short career at the FBI. On top of that, this was meant to test all the new equipment your team had received, the kind that Penelope had been so enthusiastic about. You couldn’t shake the feeling that this was the main reason you’d been assigned this task. Someone had to check the effectiveness of the gear, and at the same time, you, the rookie, needed to gain more experience. Allen’s case was like killing two birds with one stone.

This scientist had worked with the FBI multiple times, and that’s why when danger started looming over him, he was quickly assigned protection. The threat came from threatening letters and even a direct attack at his own home, which fortunately didn’t end in tragedy. Allen was descending into paranoia and was afraid to even attend public events, even ones with full protection, like the tech exhibition—taking place in one of the modest local museums—designed to showcase the latest advancements in neurotechnology and more.

He was probably afraid that during the event, someone would simply rush at him with fists and try to murder him in front of dozens of random technology and brain enthusiasts. Or something like that. Your task was to pretend to be his assistant, never leaving his side and carefully observing the surroundings. And that was it. Nothing too demanding was expected of you, unless things started to go south. However, that seemed highly unlikely, as everyone made it clear to you.

Still, you couldn’t shake the fear—whether justified or not—that something would go wrong. And it would be your fault.

“Reid, clip the microphone on her,” Penelope interrupted your train of thought with the order. “You’ve never used one of these before, have you, sweetheart?”

You nodded in confirmation, watching as Reid set aside his box of Chinese takeout to take the tiny device from her.  He stopped a step in front of you, perched on the edge of one of the desks, his gaze shifting uncertainly between the small black microphone in his hand and you.

“Where… where can I…?” he asked, trailing off as he made a vague gesture with his hand, surprisingly loaded with awkwardness.

“Oh,” you let out a confused sigh, beginning to consider where it might be best to place it. The sleeve? Shouldn’t it be closer to your face to capture even your quietest whispers?

“Okay, I’ve got an idea,” you said, starting to unbutton your white shirt, revealing a significant portion of your neckline. “Here?” you asked.

“Yeah… I think so,” he replied hesitantly but didn’t move.

It wasn’t until a moment later that he swallowed and, with a slow, deliberate motion, reached for a section of your shirt near your cleavage. His actions were careful—almost excessively so—like his top priority was ensuring he didn’t accidentally brush against your skin.

The microphone’s clip was quite small, though, and attaching it to your clothing required him to take another step closer and lower his head near your chest.

Even as your breathing slowed, you couldn’t help but smile at the sight of Penelope shaking her head in amused disbelief. 

You preferred to look straight ahead rather than at his fingers, working with such careful focus, though you couldn’t help but let your gaze flicker to them repeatedly. Just for fractions of a second—it was difficult to pull your eyes away once they landed there.

Only when he finished, his hands dropping quickly to his sides as he stepped back, did you realize you’d been holding your breath for quite some time. You became acutely aware of how stifling Penelope’s little office was—how did she even manage in the summer?

"That's not all," the woman on the screen broke the silence, one you hadn't even realized had fallen. "There's also a transmitter you'll need to keep on you somewhere. Securely, so it doesn't fall out. Are you planning to go dressed like that?"

You glanced down at your outfit. A simple black skirt and white shirt—the first thing that came to mind then you learned you'd be posing as an assistant.

"Inappropriate?" you asked, searching for an answer first on Garcia's face, then on Reid's. The latter gave the barest shrug, barely even looking at you.

"You look amazing. Absolutely stunning, darling. I wish I could have an assistant like you," Penelope reassured you. "But in this economy, I can only dream about it. Anyway, my point is, you don't have any pockets. Where are you planning to keep the transmitter and your gun?"

"I was thinking of just tucking it into my skirt. At the back."

"I don’t think that’s the best idea," Reid interjected doubtfully. He hadn’t reclaimed his spot on the swivel chair and stood instead, arms crossed over his chest. The embarrassment you’d managed to put him in (quite adorable, really) was slowly dissipating, leaving only a faint blush on his cheeks. The corner of your mouth twitched when you noticed it. "I mean, it could fall out, or start sticking out, which could lead to questions like why an assistant is walking around with a gun..."

"Okay, I get it," you sighed. You could’ve thought this through a bit better. "Maybe I’ll have time to swing by home and grab, I don’t know, a blazer or something..."

"You won’t," Penelope declared after glancing at the time. "But you can always borrow my jacket."

You looked at the garment draped over the back of her chair—a bright pink leather jacket. You didn’t even bother responding; you simply stared at it, letting the expression on your face do the talking.

"Alright, I admit it, I didn’t think this proposal through. So, it looks like we’ll have to..." She trailed off, her gaze landing on Reid’s figure. Surprised by the attention, he pointed at himself.

You also directed your attention at him. He was wearing a simple brown blazer, which would go well with your unremarkable outfit.

"Take it off," you instructed.

He was silent for a moment, though there was no visible protest on his face—just doubt.

"It’s gonna be too big," he remarked, his hands gently grasping the edges of the jacket as if unsure whether to take it off.

"Apparently, oversized is coming back into fashion."

"Okay, fine," he sighed, removing the jacket. Underneath, he wore a shirt and a black vest, from which a matching tie peeked out. Initially, he seemed hesitant about the idea, but handed it to you with some urgency. "Here you go."

You sent him a brief, grateful smile.

"You’re saving my mission, Reid. I’ll mention you in the report. And I’ll frame your name with a little heart, drawn with one of Penelope’s glitter pens," you declared.

He returned the gesture, the corners of his mouth lifting slightly as he gave a small nod. You noticed his gaze was almost fixed on your face, as if some invisible force were forbidding him to look away, down or sideways.

You didn't think too much about what it meant, you didn't really have time. You put on the blazer, which was indeed a little too long, and hid the transmitter in the inside pocket. You placed the weapon at your hip, concealing it with your clothes. As you were about to leave, you said talk to you later because the two of them were going to communicate with you through the earpiece the entire time. They wished you good luck, and you were just about to leave the desk when Reid, suddenly as if unable to stop himself, said your name one last time.

You looked at him questioningly. Instead of responding, he made an uncertain gesture near his chest. Confused, you looked down.

For the entire time, half of the buttons on your shirt were still undone.

*

You had never met him in person, but you recognized his face from snippets of interviews that occasionally appeared online, or perhaps he had even been on the news a few times. He was in his thirties, give or take five years, hard to tell. His entire persona seemed to be built around the carefree nature of a young eccentric with a sharp mind and an unrestrained tongue, constantly refining his thoughts and conclusions, often controversial, causing an uproar among the public. Without a doubt, he was one of those people often called a genius. Which, not always, was a compliment.

Allen seemed deeply displeased by your presence. He looked… tired. His red hair contrasted with his very pale complexion, as if made of glass, and dark circles rimmed his eyes. He wasn’t shockingly tall, about your height, but with broad shoulders.

"The FBI was supposed to provide me with protection because some psycho is literally trying to kill me, and they send you?" he asked, bitterly, exchanging a brief handshake with you before getting into the car.

You both sat in the back, the driver at the wheel. You were supposed to arrive at the exhibition together. His reaction caught you off guard, his open anger sparking the same feeling in you.

"What's your problem?" you asked. His insulting tone irritated you the most, especially since he hadn’t even had the chance to get to know you.

For a moment, the man sat staring out the window. His body was tense, almost stiff, as if stressed. His elegant attire, with a shirt half-tucked into his pants and too many buttons undone, suggested that he usually dressed more casually.

He let out a heavy sigh, as if furious, then hastily wiped his face with his hand.

"Just..." he began coolly and cautiously, as if holding back some cruel words. "I get the feeling that everyone is downplaying the seriousness of this situation."

"We're all approaching this with the necessary commitment," you replied, though it wasn't entirely true. Allen had every right to fear for his life, but each of you honestly doubted anything would happen to him during this exhibition. If the threat had been real... Hotch probably wouldn't have sent you. "Believe me, we understand the gravity of the situation..."

"Really? Even the letters I've been getting? The content of them?"

You knew about the threats sent by an unknown sender, but you hadn't delved into what exactly they contained. Seeing you hesitate to answer, Allen scoffed.

"You're fucking great at your job, no doubt. So let me fill you in. They come every day. Every fucking day. And I read every single one of them. You know, I've even started seeing a pattern. First, they beg me. Then they threaten to fucking kill me. Smash my face into the ground, beat me to death with a metal rod, rip out my ribs, douse me in gasoline, and set me on fire..." He paused, dramatically scratching his chin. "Oh, almost forgot. They're going to peel the skin off my back. Then there's a day off. No letter comes. The next day, they apologize. I don’t know if this psycho has some extreme split personality or... or... I have no fucking idea. The cops said, get this, it's normal. 'Cause I’m a public figure."

"They brushed it off?" you asked, slightly shaken.

No matter how famous he was, threats were still threats.

He shrugged. He was trying to speak with a voice full of dismissive irony, but it wasn’t working. He stumbled, taking breaks to swallow. Though he had treated you like a complete jerk earlier, you were starting to understand.

“First off, until someone broke into my house and tried to drag me out of bed and take me…God knows where. Probably if I hadn’t had a dog…” he trailed off, glancing back out the window. You’d arrived at the museum, where the exhibition was to be held, but Allen hesitated to get out of the car. “This guy is nuts, whoever he is. I don’t know what to expect from him. He wants to kill me, kidnap me, torture me? Or maybe he’ll just settle for shooting me from a distance like I’m some goddamn Kennedy?”

“That doesn’t really sound like him,” you said in a calming tone. “He tried to kidnap you from your house, why would he suddenly attack you in a public place…”

“My fiancée is pregnant,” he suddenly blurted out.

You blinked, unsure how to respond to the sudden confession.

“Congratulations?”

“For her safety, I sent her very, very far away, somewhere she shouldn’t be in any danger,” he continued, completely ignoring your words. “And though her and the baby’s well-being is my top priority… I also need to take care of myself. I need to make it to their birth…and longer, of course. But that’s why I’m afraid to even go out to the damn store for milk, and that’s why I was so pissed off when I found out they assigned me a woman who, no offense, looks like she wouldn’t know how to hold a gun.”

You instinctively scoffed at his last comment, though it was hard to stay particularly mad at him, knowing everything he was going through. An awkward silence fell between you, heavy and laden, during which the two of you simply stared at each other. It hit you that you were responsible not only for his safety but also for ensuring that someone’s fiancé and future father would make it home.

“We should get going,” you said, nodding toward the museum. Still, you couldn’t help but feel a certain tension at the thought of leaving the car. You shook your head slightly, trying to dispel it. “And just so we’re clear, I do know how to handle a gun—more than you’d think. But for your sake, you better hope we don’t have to put that to the test.”

Out of the corner of your eye, you noticed the corner of his mouth twitch.

"Well then, onward, assistant. Tell me, how much do you know about neurotechnology?"

Well, by the end of this day, you were definitely going to know a lot more. Together with Allen, you crossed the threshold of the museum. Its decor clashed with the theme of the exhibition, but apparently, they hadn’t managed to secure a better location. 

The interior layout was harmonious—rounded arches were supported by symmetrically arranged marble columns, and the dominant shades were gold and royal red.

Your destination was the exhibition hall, circular in shape, where mahogany tables served as display stations for various prototypes in the fields of medicine, neurobiology, and informatics. In other parts of the building, there were tall, arched windows, but this particular room had none. No natural light entered; all illumination was generated by lamps that, to their credit, mimicked the natural diffusion of sunlight quite effectively.

Among the displays were an interactive brain map and various projects still in development but aimed at assisting people with disabilities.

You observed all of this with interest while simultaneously listening to your companion’s impromptu lecture on the human brain (apparently, talking helped him calm down). At the same time, you were closely monitoring the crowd around you.

True multitasking.

The exhibition was open to everyone; no one was checking who entered the venue. Although you counted three security guards in the room—dressed in simple black suits and mostly tasked with ensuring that no one tried to steal anything—there was a subtle air of unease hanging in the atmosphere. If Allen’s suspicions were correct, the person intent on ending his life could be one of these faces. To your surprise, however, he suddenly seemed far less concerned about it than you were.

“You don’t have to follow me around like a shadow,” he said, leaning toward you to make himself heard over the murmur of surrounding conversations. A familiar face with a loud, bright red tie waved at him and began making their way over. “Just don’t take your eyes off me, no matter what. And keep an eye out for anyone suspicious—whatever that means to you. Hey, man!”

He greeted his acquaintance with a friendly handshake. Following his instructions, you took a small step back, deciding to take a short stroll among the exhibits. But after barely two steps, your finger went to the discreet earpiece hidden under your hair.

“Are you there, my lovely nerds?” you asked with a playful smile, knowing they couldn’t see it but imagining their reactions.

“At your service!” Garcia responded enthusiastically, and you could almost picture her saluting on the other end.

“And what about Mr. Smartass? Did he get bored and wander off to study the reproductive habits of ants?”

“I heard that!” he replied, summoned by his new nickname. “Such gratitude for letting you borrow my jacket.”

“Speaking of the jacket,” you continued, “I found a candy in the pocket. How thoughtful of you to leave me a little sweet treat.” You weren’t joking; there really was a candy inside. You inspected the wrapper and frowned. “Marzipan? Ugh. Do you have the taste buds of my grandma?”

"To what I know, I haven't had a taste bud transplant. Especially not from anyone's grandmother," he replied nonchalantly. "And as for those ants..."

"Sorry to interrupt, my darlings, but I have a few questions about the sound quality of these new microphones..."

True to her word, Garcia began asking you how well you could hear them and instructed you to lower your voice to a whisper and then raise it sharply. Some sort of test or whatever. You did it all patiently while staring at the red-haired mop at the station across from you. Allen seemed pretty relaxed now, probably realizing nothing was going to happen to him.

"Okay, now do the sound like a chicken. I mean the noise."

"What?"

"You know, cluck."

"Pen, is this really necessary?"

"Yes, sweetie. I need to check something else. Last thing, I swear. Scout’s honor."

You sighed, looking around at the people nearby. Few were paying attention to you, you were just one face in the crowd. God, for something like this, you could ask for a raise.

"Exactly, honey. Just louder," Garcia asked.

You rolled your eyes and tried again to make the chicken sound. An older couple glanced at you, their eyes wide with horror.

"Alright, enough," you muttered, embarrassed, into the earpiece, quickly moving to a different spot.

And then you heard the pair on the other side literally choking with laughter.

"I fucking hate you guys," you said. "I hate you. Especially you, Penelope. Give me Reid on the mic, from now on I'm only talking to him."

Another burst of laughter from the woman. You clenched your jaw. And as if that weren’t enough…

 "Did you want to hear me, little chick?" Reid asked politely.

“I should’ve gouged your eye out with a chopstick when I had the chance,” you hissed into the phone, a little too loudly, drawing a few curious glances. You were supposed to be watching for suspicious people, but it turned out you were acting the most suspicious of all…

“Did you catch what she said?” Reid addressed Penelope. “I only heard clucking.”

“Ha-ha,” you rolled your eyes.

For fifteen minutes, you had to endure such jokes. You seriously began to worry that they’d never get tired of it, but finally, after a quarter of an hour of psychological torture, they fell silent. You kept a sharp eye on your surroundings.

“By the way,” you began, still a bit offended by the chicken joke. “You guys should regret not being here to see these inventions. Perfect for you, nerds.”

“Well, actually, we can see them,” Reid’s voice came through the earpiece, sounding very clear, clearly taking the whole mic for himself. “Garcia grabbed footage from the cameras inside the room.”

“So you can see me? This whole time?”

 “Yep. And we saw that terrified couple who ran as far away from you as they could as soon as you started clucking like a chicken. Poor souls.”

You ignored the comment and began scanning the room for the cameras. When you found them, you scratched your forehead with your middle finger.

“Can you see this too?”

“I can see how much fun you’re having,” he scoffed. “Are you going to include that in your report?”

“Exactly. Right under your name, framed with a glittery little heart. Any other requests?” Not waiting for his response, you added, “By the way, how do I look in your jacket? Does it fit me well?”

"I think so. I mean, the blazer is incredibly well-tailored. And of good quality. It’s impossible for it to look bad on anyone." He paused for a moment, and his voice grew more serious. "How’s it going? Have you noticed anything suspicious? Still feeling stressed?"

"Not anymore," you admitted, speaking the truth. Even though the exhibition had just started and was supposed to last about another hour, you felt like you had passed some milestone where nothing could go wrong anymore. "But of course, I’m still keeping an eye out. I had a little chat with Allen…"

"I heard," Reid acknowledged. "Very interesting lecture on the human brain, I must admit."

You let out a small laugh.

"I talked to Allen earlier. Still in the car. After what he told me, I don’t think he's a paranoiac. The guy is just really worried about his safety. And not just his.”

A moment of silence fell on both sides.

"Speaking of Allen, he's heading your way," he informed you, likely watching the feed from the cameras. "I guess I'll hear from you later then. I mean, I’ll be hearing you the whole time, just not the other way around. Unless you want me to constantly broadcast about ant reproduction?"

"Sorry, Reid, but I’ll pass. Maybe some other time," you chuckled, noticing the engineer approaching. As he walked, he bumped into a man in the crowd and exchanged a quick apology. You used that moment to add something else, a bit impulsively. "And what about this? Do you see this?"

You pressed the inside of your hand to your lips before unfolding it, sending a kiss toward one of the cameras. Reid was silent as Allen drew closer.

"I see it," he finally admitted, quieter. You regretted not being able to see his expression, it was unusually hard for you to picture it at that particular moment. Was he smiling? "And I like it a lot more than what you showed me earlier."

You turned your back to the camera so he wouldn’t see you smile. It only hit you afterward that he probably saw it anyway, just from a different angle.

"I see you're enjoying the exhibition," Allen said, standing in front of you with his hands in his pockets. He had stopped pretending to be the classy guy and fully embraced his more laid-back side. "So, uh, sorry, but I think I'd rather head out now."

Worried, you discreetly glanced around.

"Did something happen? Did someone stare at you weirdly, do something...?"

He shook his head, a negative gesture.

"Nothing like that. I just saw what I needed to see. Check it off the list, I’m ready to leave..."

After his words, an absolute darkness fell.

Absolute darkness, in the truest sense of the word. The exhibition hall had no windows. When the lights went out, it felt as if someone had tied a cloth tightly over your eyes. Yet, like a fool, you kept looking around, as if moving your head could somehow tear through the blackness enveloping you, freeing you from the growing panic that was slowly flooding your senses.

“Garcia, what’s up with the cameras?” Reid’s voice sounded in your ear. He was confused, not yet frightened. He didn’t know what was happening yet. None of you did.

The people around you, of course, were also surprised by the sudden blackout. A few muffled gasps echoed, one or two squeals, a smattering of curses. But there were no screams, no one tearing at their throats or blindly bolting forward, trampling others in the process. That came later.

Exactly four seconds after the first gunshot rang out.

Before, the world seemed to freeze in place; everyone’s breaths were trapped in their lungs, unwilling to escape, even out of curiosity. Your body lunged forward as if trying to flee, but it quickly dawned on you that there was nowhere to run. Where had the shot come from? Who had fired it? Was someone hurt?

Something—or rather, someone’s hand—clamped painfully around your wrist. Instinctively, you tried to pull free, letting out a sound somewhere between a growl and a garbled cry.

“It’s me,” Allen choked out, his voice trembling. You couldn’t see his silhouette, but you knew the blood had drained from his face. “What the fuck... what the fuck is happen—”

The second shot rang out, closer and sharper than the first. Chaos erupted in the room. Screams, so hysterical they drowned out the voices coming through your earpiece, filled the air. Something struck you hard, sending you stumbling as pain radiated through your shoulder. It was an empty kind of pain—something you felt and yet didn’t. You realized it must have been one of the panicked people charging blindly through the dark.

“Here,” you commanded, your mind snapping briefly into clarity. In your mind’s eye, you pictured the layout of the room before the lights went out. The corner of the hall, the wooden table behind you, where one of the prototypes had been displayed.

You slipped under the table, dragging Allen with you. He groaned as his head hit the underside of the furniture.

You were so utterly disoriented that it felt as though your own name was echoing on a loop inside your head. It took you a moment to realize it wasn’t just your mind playing tricks—it was someone’s voice, growing more familiar with each passing second.

The third gunshot.

Allen choked on his breath, his hand still gripping your wrist so tightly you feared it might snap—yet you didn’t register it as pain, merely as a sensation. The two of you crouched beneath the table, facing each other, teetering on the edge of succumbing to the abyss of panic.

Reid spoke your name again, faintly, as though he were far too close to the microphone. As though leaning in would somehow make you hear him better—make you respond.

“I’m here,” you managed to stammer, the first thing that came to your mind.

"Thank God, I thought..." he sighed, suddenly stopping, as if realizing it wasn't yet time for relief. "Are you... are you hurt?"

"My arm."

You didn't know why those words escaped your lips. Maybe because, although your mind was too occupied with trying to figure out the situation to focus on something like pain, your body couldn’t ignore the fact that it felt it. Against your will, you let out a hiss and finally pulled your hand out of Allen's grip.

"You've been shot? We... we can't see anything, do you have anything to stop the bleeding, maybe use my jacket..."

"I don't know what's happening, we've completely lost access to the camera feed, someone must have turned them all off, just like the power... Reid, immediately notify Hotch, he needs to know something's wrong..."

On the other side, chaos erupted, comparable to the one surrounding you. Penelope was aggressively pressing the keyboard keys, Reid was rushing between a phone conversation with Hotch and throwing random phrases at you like stay where you are or how's your arm?

But was staying put the right decision? Wasn't it just waiting for the person responsible for starting this... massacre to come for you? On the other hand, how were you supposed to escape? In complete darkness? You had a weapon... but what good was it if you couldn't see anything? A sound of resigned sobbing escaped you.

And then, suddenly, right before your eyes, Allen’s red hair materialized, his fingers pressed into his skull as if he wanted to tear it apart himself. You both looked into each other's eyes. Visibility returned.

“We have light,” you said, though it didn’t loosen the grip on your chest.

“What?” Penelope sputtered, confused. “We still can’t see anything, the cameras are still…”

Allen let out a choked cry. You followed his gaze. Just before your hiding spot, a pair of leather shoes stopped.

“Get out,” commanded a male voice. You lifted your head. Above you stood a man with dark facial hair and a submachine gun, looking like an extension of his broad shoulder. You immediately noticed, besides the weapon, he was also carrying a black sports bag slung over his shoulder. Both of you were too disoriented and terrified to follow the order. “I said, fuckin’ get out and against the wall, I won’t repeat myself.”

Like animals herded into a pen, you followed his instructions to the designated spot. The entire crowd inside gathered against one of the blood-red walls of the room, some pressing their backs against it as if that embrace would ensure their safety...

“What’s going on there now?” Reid asked. “We still don’t have a feed... I can hear you breathing,” he blurted out unexpectedly.

You realized that your breath had indeed become heavy and loud. It dawned on you that you hadn’t gone through any extensive training on how to handle a situation like this; you were useless...

“Just...damn it, I know it’s easier for me to say, but try not to panic, okay? Whatever’s going on... panic will only make it worse. You need to focus, please. Can you do that? Breathe? Slowly, like I’m doing now?”

Your hands clenched around the fabric of his jacket, feeling it under your fingers. Closing your eyes, you could almost imagine him standing right in front of you, in this very building, speaking those words. It helped calm you down, at least enough for your mind to stay somewhat communicative...

“Good. Very...very good. Now, can you describe what’s happening over there?”

You knew that every piece of information you passed on would be worth its weight in gold. You tightened your grip on the fabric of Reid's jacket and began scanning your surroundings.

“One shooter. He’s herding us... all of us, against one of the walls and... stuffing prototypes into the bag, every one he can get his hands on,” you reported, describing everything you’d seen. “It looks like a robbery.”

“Just one?” Reid asked. “What were those shots? Someone... got hurt?”

You were about to deny it when your attention was drawn to a bloodstain spreading across the marble floor at the opposite corner of the room. Allen nudged you, pointing to something else—a body lying motionless.

“Guards. He... he killed all the guards,” you recognized them by their uniforms, the words barely escaping your throat. So, he hadn’t hesitated to kill, not one of those inexperienced types with any moral inhibitions. Trying to make sense of everything happening around you, you pressed your hand to your forehead. “But... but how could he see them in this darkness...”

“Night vision,” Allen interrupted suddenly, his previously hunched figure straightening as he realized it.

You found the man busy with the theft and controlling the area. He was quite solidly built, you could compare him to Derek. And, as the engineer had observed, around his neck hung a device for seeing in the dark.

“The police have arrived outside the museum, but they won’t go inside as long as you’re trapped with him. They don’t want anyone to get hurt,” Penelope informed you, then let out a soft, wheezing breath, as if she was trying to calm herself down. “Sweetheart, the whole team is on their way too. From now on, you’re our informant…”

“Is Christopher Allen among you?” A commanding voice suddenly cut through the sheet of panic blanketing the room, drawing everyone’s attention. It belonged to a truly imposing man with a shaved head and a forehead lined with wrinkles that seemed to stem more from exhaustion than age. But by far, the most significant detail about him was the submachine gun he held in his hands.

Two. There were two shooters.

Your focus shifted to the man standing right in front of you, as if delivering some kind of speech. At first, you didn’t even register what he’d asked. He repeated the question quickly and impatiently, and you froze. Not that you’d been particularly active before, but in that moment, all your bodily functions seemed to shut down completely. You couldn’t bring yourself to look at Allen—not even for a fleeting glance.

“Christopher Allen. Biotech engineer. He should be here,” the man continued, scanning the faces in front of him almost desperately, searching for the one he needed. He sounded almost... distraught? That broken expression, teetering on the edge of tears and madness, starkly contrasted with his militaristic physique.

Suddenly, his accomplice appeared, tugging at his arm.

“Jesus, give it a rest. We need to get out of here. The car’s waiting for us, remember?”

He shoved the smaller man with a force befitting his build, sending him staggering backward.

“I’m not leaving until I talk to him!” he declared with furious determination. “Christopher Allen…”

“You’ve gotta be shitting me…”

“Allen…”

His eyes scanned the surroundings until they landed on the two of you. You felt someone lightly wrap their fingers around your forearm, gripping it almost instinctively. It wasn’t a strong or painful hold, but rather one born of genuine fear, seeking protection. Protection that, from the start, had been your responsibility to provide. Yet now, standing face to face with two armed assailants, with lifeless bodies lying in pools of blood in the same room…you felt the crushing weight of an obligation you were physically incapable of fulfilling, creating a storm of chaos within your mind.

Allen must have been fooling himself into thinking he could blend into the crowd and remain unnoticed. Even as everyone’s gaze began to focus on him, urgently and with some unspoken hope, he stubbornly stood still. Or was he simply paralyzed by fear?

For the first time since he was called out, you looked at him. His eyes conveyed one thing: a simple message. It was him. The man who had been sending him threats, the one who had broken into his house. You furrowed your brows, this whole situation was becoming incomprehensible. He cared so much about kidnapping the engineer that he had organized the heist at the exhibition where he was supposed to be?

 “Come here. I need to talk to you, you… you need to do something for me.”

Once again, in your ears, you heard the description of the tortures that were mentioned in the letter.

"You have to do this," you said very softly, almost a whisper. "We can't let him get angry. Do you hear me?"

 It seemed like your words weren’t reaching him at all. You nervously glanced at the gunmen, hoping that the command you had given hadn’t raised any suspicion or made them think you were trying to outsmart them, deceive them in some way. Slowly, but with deep remorse, you loosened Allen’s grip on your forearm. His chest wasn’t rising, as if he weren’t breathing. But then his gaze shifted, not to you, but to the people around you, to the ones standing in fear, waiting for his reaction. Something in his face shifted, then he took a step forward.

“Slowly,” you instructed.

It seemed like the best solution. Unsub knew that the person he was looking for was among you, he had identified him without any difficulty. Allen couldn’t hide or escape, all that was left for him was to comply with the orders, for his own sake and for everyone else's. It was also important that he stalled for time. You hoped that as soon as your team arrived, they’d be able to come up with something. Maybe they were already there, working to make contact with the shooters and free you all, alive and unharmed.

At the same time, someone called your name.

"Report in."

It was Hotch. At the sound of his stoic voice, a fleeting wave of relief washed over you. You even parted your lips to answer when you realized the second gunman was staring at you. The room fell into absolute silence as Allen slowly approached them. You shouldn’t reveal that you were with the FBI or any other agency—that was a basic rule…

 "Listen to me carefully now," the unsub spat, placing one of his massive hands on Allen's shoulder, causing him to almost buckle under the forceful touch. Someone behind you let out a muffled cry. "You need to remove it from me, do you understand?"

"Shit," his partner muttered, shaking his head in disbelief. He was holding a bag with the stolen equipment, constantly glancing toward the exit. You wondered if he had anything to do with the threats sent to Allen. "Shit, we need to get the hell out of here before the cops completely block our escape. We don't have time for your fucking delusions!"

“Remove…?” the baffled engineer repeated, completely thrown off.

“The chip. The one inside me. Right here, on the back of my neck.” The man jabbed a finger at the spot. “Someone has to cut it out of me. You work with brains—you must know how to do it. He’s controlling me, watching my thoughts… I saw an interview with you once. I know you’re the only one who can do this…”

The man’s words devolved into a stream of incoherent rambling. Allen had no idea how to respond, and silence stretched on the other end of the phone. Meanwhile, the second gunman tried once again to persuade his partner to escape, but this only triggered an explosive burst of rage that made everyone around them shrink in fear.

“Shut up, or I’ll blow your head off too!” the man shouted. “I’ve waited too long for this. I don’t give a damn about all that crap you stole. I don’t care if they catch me. He’s going to cut out that chip!”

“What chip?” Allen finally managed to stammer. “I don’t understand…”

“The chip the government implanted in me to control me! That’s why no hospital will remove it—they’re all under government control! Only you can do it!”

“The unsub is delusional, that much is clear,” Reid’s voice suddenly crackled in your earpiece, catching you by surprise. He must have made it from Penelope’s office to the museum—where he joined Hotch and the rest of the team—at an impressive speed. “The reality he’s constructed is starting to blur with actual reality, which makes him extremely dangerous. Just from the tone of his speech, you can tell he’s emotionally unbalanced and on the brink of a breakdown. Unfortunately, this means his actions could be erratic and violent, with a strong tendency toward escalation.”

"What can I do?" you whispered as quietly as possible, taking advantage of the commotion in the center of the room.

"Are you there? Can you speak safely?" he asked, exhaling a breath of trapped air. "I mean... What you can do, first and foremost, is stay cautious. Don’t say or do anything that could provoke him further," he instructed, his tone turning focused and determined to provide you with as much guidance as possible. You nodded almost imperceptibly as you listened, as if he could see you. At some point, your fingers began nervously clutching the fabric of his blazer again, a small, unconscious tic.

"Don’t confront his delusions—or rather, don’t outright deny them. Try not to introduce any new elements either, to avoid deepening his paranoia, alright? That could put you in even greater danger..."

"Above all, try to redirect his anger away from Allen and the other hostages," Hotch cut in. "We’re working on a way to get inside. You just need to buy us some time."

Buy some time, it was easy for him to say, you thought with sudden frustration. What exactly could you do? It was incredibly hard to make any decisions when you were fully aware that their consequences could result in the death of an innocent person—or people.

Allen was still in front of the unsub, gripped tightly by the gun-wielding man, slightly shaking his head from side to side, clearly overwhelmed by the situation.

"But... but how am I supposed to get the chip out, do you really believe the government..."

"He doesn’t have the right tools," you interrupted, taking a step forward to draw the shooters’ attention to you. You raised your hands in a gesture of surrender as soon as you found yourself in the second man’s line of sight. You were scared of the direction Allen was heading in—after all, Reid had told you not to deny his delusions. Though you weren’t sure it was the right approach, you tried to make eye contact with the unsub. You had a feeling that he might only fully understand what you were trying to convey if you did.

Everyone was looking at you now. Nervously, you swallowed before speaking again.

"If you want him to remove the chip from your body... you’ll need at least a scalpel. Well, and if it was implanted by the government... that might not be enough?"

To your surprise, the second attacker spoke up.

"She's right, Erick, we don't have anything like that. Leave him, we need to get out of here... though fuck, it probably doesn't matter anymore, I wonder if the police have already caught our driver..."

You hoped that the team had heard this and started looking for suspicious vehicles in the area. Erick, or rather the unsub, began to stare intensely at you, analyzing what you'd said.

"Keep it up," Reid said. "It looks like you’ve planted some doubt in his mind about his own plan. You can keep going in that direction, just please, please, be careful..."

"Reid," Hotch admonished him.

You took a deep breath, your mind was working so fast that it was starting to go blank. You had to say something more before it consumed you entirely.

"But... but I'm sure that if you had met under different circumstances, outside the museum, he would have been able to extract the chip..."

"No! I've waited too long, I can't stand having this crap under my skin for another minute! He'll take it out now, or he won't leave here!"

Allen's raised hands trembled at those words.

"How can we communicate with the police? Is there a phone here?" he asked his companion.

"Are you fucking out of your mind..."

"They'll bring us the equipment. A scalpel. They won't have a choice, or I'll shoot them all, one by one."

"We should focus on how to get out of here..."

"I DON'T CARE ABOUT THAT!" the unsub roared at him. Fueled by this outburst, he shoved Allen away so forcefully that the man fell to the floor. The startled man took a step back, unable to hide his fear. It was clear who had the final say in this duo. Erick was not only physically larger, most likely more ruthless, but above all, incredibly unpredictable. Without looking at you, he issued an order.

"Everyone sit against the wall, you too." Allen awkwardly got to his feet and almost ran to the indicated spot.

You didn't want to sit, to put yourself in an even more vulnerable position. But when a man with a submachine gun and a completely deranged gleam in his eyes is standing in front of you, you don't have much of a choice. Slowly, you sat down on the floor, surrounded by all these terrified people.

You studied the faces of everyone around you—scientists and random people who had ended up here simply because they were intrigued by the exhibit's theme. And that innocent curiosity had led them into such a hopeless situation, where each breath, drawn into trembling lungs, could prove to be the final one. What terrified you was the fact that the only thing distinguishing you from them was the tiny microphone pinned to your clothes and the earpiece in your ear.

The woman sitting next to you, so close that your elbows were touching, looked as though she was about to faint. Without hesitation, you offered her your hand, which she took with no resistance. In situations like that, the escape from fear was desperately sought wherever it could be found—even among strangers.

“What’s happening in there now?” Hotch asked.

You explained the situation to him as clearly and logically as possible, correcting anything they might have missed due to their lack of actual insight into what was happening inside the museum. The woman beside you looked at you strangely, smudged mascara around her eyes.

“Please don’t worry,” you whispered, making sure none of the attackers could hear you. Though maybe you shouldn’t have, you felt you needed to reveal yourself to her, to help her survive the nightmare she had found herself in. “I’m... a federal agent. I have contact with the team outside, they’re working on how to get us out of here.”

You didn’t know if those words had particularly soothed her fear—just as you spoke them, Allen practically pressed himself against you, trying to whisper something into your ear.

“Give me your gun,” he practically ordered.

You looked at him with your eyebrows raised in shock. No words were needed. Your face clearly expressed one big what?

He looked like one of those people going on and on about a newly invented device they had been working on for years, staying up every night. In his eyes was a comparable crazy but incredibly self-assured gleam.

“I know you have it, but you won’t use it. Because you're scared. And I don’t blame you!” he quickly added, moving slightly away from you. Still, your faces were tilted toward each other in a conspiratorial whisper.

“But listen to me. He cares about me, right? Or rather, he cares that I get the nonexistent chip from him. He won’t hurt me when I get closer, he’s too desperate, in his eyes, I’m his only chance…”

“You must have lost your mind,” you said through clenched teeth. Was he really willing to take such a risk and play the hero when he and his fiancée were expecting a child? “And what about the other guy, huh? Do you think he’ll just stand there calmly when...?”

“Then I’ll shoot him first. I used to go to the shooting range, I was pretty good at it. The other one will be too scared to hurt me, and then I...”

“Absolutely not,” Reid interjected.

You snorted.

“As if I would even consider it…” you muttered. Looking at Allen, you tapped your forehead. “No way. You’re not risking your life on such a stupid plan where everything could go wrong…”

“Do you think I’m asking for your opinion?” he hissed, clutching his head in desperation. “The answer is no. I’m just saying, give me your gun. Where is it?”

As he said this, he grabbed the fabric of your blazer, searching under it for what he so desperately wanted. You tried to catch his hand, but he trapped it in his grip, digging through the layers of your clothes, under your skirt. You jerked your whole body in an attempt to break free.

“Leave me alone, they’ll notice us soon…”

“What’s he doing?” Reid asked sharply. Although he couldn’t see what was happening, his voice was not only confused, but also clearly worried, maybe even angry.

“Just give it to me, what the hell does it hurt…”

His hand, despite your resistance, finally reached the grip of your gun, slightly sliding it out from beneath your skirt. You shot a quick glance toward the attackers, still engrossed in their conversation—or rather, argument. Terrified by the thought that they might notice what Allen was pulling from under your clothing, you instinctively swung at his face, causing his head to snap back with a muffled cry of pain.

“What language do I need to speak for you to understand? What you’re planning is idiotic,” you said, your words flowing together with a surprisingly calm yet furious ease. You struggled to keep your voice low, feeling as though shouting might make him grasp it faster. But that wasn’t an option. “You’d risk not only your life but everyone else’s,” you said, gesturing toward what you now had no choice but to call the hostages. “And no one wants to die because of some brainless idiot with a hero complex.”

After you hit him, Allen backed away to a distance that no longer invaded your personal space. With your breath quickened, you adjusted the position of the gun, suddenly panicked that it might fall out during his attempt to grab it against your will. Despite yourself, a strange feeling overcame you. Out of everyone—of all the people trapped in the museum—you were the only one with even minimal knowledge of what to do in this situation, the only one with outside communication to the police, and, most importantly... a weapon. And yet, with that arsenal at your disposal, you were doing embarrassingly little to improve the situation.

Your jaw tightened at the thought, your fists clutching the fabric of your blazer so hard that your knuckles turned white. It was astonishing how much that small action helped you regain your composure. Not just the feel of the fabric but also... the scent. You could almost imagine you weren’t entirely alone in this. And though you wouldn’t trade places with Reid or anyone else from the team for anything, you couldn’t shake the feeling they would handle this far better than you were.

And speaking of Reid...

"Are you okay?" he asked again, his tone much softer than before.

"I'm fine," you tried to give your voice a casual, almost dismissive tone, though you doubted you fully succeeded in masking the tension. You let out a helpless scoff in an attempt to lighten it. "I mean, fine as much as one can be fine in this situation..."

You trailed off, and he hesitated before replying.

"Hang in there, okay?" he said, so quietly you thought you might have misheard. It made you wonder if it was because he didn’t want anyone else to overhear what he was saying into the mic. If that were the case, was it because he didn’t want anyone accusing him of chatting with you when he should be doing something more important? Or maybe, he just didn’t want this simple yet anxious message to reach unwelcome ears and lose its sense of privacy. You heard him swallow. "We’ll get you all out of there soon. Garcia got the phone number of one of the attackers, the delusional one—his name’s Erick Larson, by the way. If he has it on him..."

As if on cue, the sound of an incoming call rang out. They stopped talking, and the surprised man reached into his pocket.

"What are you going to do? Negotiate?" you asked.

"Hotch is going to talk to him. The main goal is to get the hostages released."

The word hostage sounded so strange to you; you couldn’t connect it to your situation. A hostage didn’t have a gun tucked under their clothing or communicate with an FBI team through an earpiece. Those people, holding each other's hands in fear and huddled on the floor, were the hostages. Not you.

"Can you stay on the line?" the words slipped out before you could stop them. "Just, I don’t know... tell me how it really is with those ants or something." You squeezed your eyes shut as a wave of embarrassment crashed over you. You were acting like a scared child who needed a bedtime story to forget the monster under the bed. "Forget it, that’s stupid. You’ve probably got your hands full. Focus on helping us, on the negotiations."

"I'm still on the line," he reassured you, even before the echo of your last words faded. "And I’ll stay on it the whole time. And since talking to you might help you not lose your mind in there... well, I guess that counts as helping all of you. The information you’ve given us, everything you’ve told us... you’re playing a crucial role in all of this."

"I don’t think so. I could be doing so much more."

"Like what, something that idiot was planning?" he asked, stressing the word idiot. "Please, don’t even think about it. You’re doing exactly what’s needed. You’re not sticking your neck out, you’re staying in contact with us. You’re calming the others down, like that woman. That... that’s heroism, not blindly rushing at two armed men."

Moved by his words, you weakly smiled. You’d forgotten again that he couldn’t see you, or maybe it was just automatic.

"Stop, I’m going to blush. But... but thank you, Reid."

"You don’t need to thank me. Oh, he picked up..."

And indeed, Erik pressed the phone to his ear, probably realizing that it was the police trying to make contact. You fixed your gaze on him.

A completely new stage of the robbery was beginning, one on which everything depended—negotiations.

*

Spencer had never had a particular obsession with control. 

In the vast majority of crisis situations, all he needed was a deep understanding of the causes and course of events. A thorough analysis of what had happened so far, drawing conclusions based on that, and then coming up with possible solutions, each with its pros and cons, which he also had to consider.

It involved emotionally distancing himself from the situation and relying on advice from his trusty friend—logic. And when he was guided by that cold logic, he didn’t feel the need to actively participate in what was happening around him or take any direct control. But in that particular moment—ever since he had heard the first shot coming from inside the museum, shortly after losing access to the cameras—he was almost losing his mind over how little he could do. Powerlessness was the first blow, the fact that her life, and others', depended on a man with probable schizophrenia, driven by dangerous delusions, the second, much stronger one.

As with every hostage situation, a makeshift operations camp was set up outside the building, where all necessary units gathered. Garcia stayed at her post, but he saw no other option but to go there personally. The rest of the team quickly gathered, and Hotch arrived so fast it seemed like he lived just around the corner. After all, there was a member of his team inside, the one he had sent there, never expecting such a turn of events. The two perpetrators, who were working together, seemed to have two completely different goals. One, apparently, was persuaded to go along with a simple robbery and escape. The second, Erick, however, had a different, more complicated desire from the start. He wanted Allen, who was supposed to extract a non-existent chip from his body, allegedly implanted by the government.

Allen. He spoke that name with an incomprehensible bitterness and disdain. He was disgusted by his thoughtlessness, pure stupidity. Though he was familiar with his achievements in the field of neurotechnology, he couldn't call him a scientist, really not anything other than an idiot. And it was all because he had nearly put her and everyone else in danger, because he pressured her so much that she had to defend herself by striking him in the face. He remembered how once they had slept in the same bed, so small that they almost fell off it and were forced to lie literally on top of each other. By accident, he had jabbed her with his elbow in the ribs, and before he could even whisper an apology, she hit him with such force that he lost his breath. He hoped Allen had taken an even harder blow.

He forced himself back to reality, as everyone gathered around Hotch, who was leaning over the phone. The unsub had answered, and the discussion began.

"We'll deliver what you need. All the equipment. But first, you must release the innocent people inside and promise you won't hurt anyone else. Not Allen, or anyone."

They argued, a lot. Of course, they wanted him to let everyone go, which was, realistically, impossible. Eventually, the number sixteen was agreed upon, a little more than half of the people present.

Through the microphone clipped to her clothes, they could hear him pointing at the people who were to be released. The second perpetrator seemed to have completely given in to his paranoid companion, and stopped trying to convince him to escape. He must have realized it was already too late for that.

“You’re the one who’s leaving,” he said, his words very clear, suggesting he was standing very close to her, pointing at her.

Spencer straightened up, a sudden rush of premature relief washing over him. Premature—that was the key word.

“No,” she protested sharply. “No, let her go instead of me. She’s older and not feeling well. I should stay…”

He pressed the microphone to his mouth, trying to talk her out of it.

“Do what they say, resisting might make him angry…”

“No, Reid, she’s right,” Hotch interrupted him. Spencer looked at his boss in surprise, shaking his head in confusion. Instead of explaining his decision to him, Hotch turned to her.

“You have to do everything you can to stay inside. You’re our only source of information, our access to what’s happening in there.”

“Hotch…”

Someone, JJ, placed a hand on his shoulder, stopping him from protesting further. It dawned on him that they were right, but... it was hard for him to accept. It was true that, as an FBI agent, part of her duty sometimes meant risking her life for the greater good. Still, this decision made his hands ball into fists, and he had to take a deep breath to steady himself. Suddenly, it struck him that if an unfamiliar agent, not a member of the BAU, not his friend, and someone who hadn’t shared a bed with him when his fear of the dark grew stronger, were in the same situation... he would have agreed with Hotch without hesitation.

“I told you to leave, so you leave. There’s gotta be sixteen people, or they won’t bring it to me, goddammit.”

“So let someone else go…” She cut off abruptly, a rustling sound echoing through the air, as if— as if he tugged at her clothes. Spencer almost spoke again but stopped herself. The same thought had crossed Hotch’s face, he saw it. 

“Seriously, this will be better. I... I can help with removing the chip...”

“Allen has to do it.”

“Yes, but…” her voice grew more desperate, trying to come up with something more, an excuse to fulfill her duty.

“Oh, what don’t you understand, you stupid bitch…”

Spencer anticipated the sudden outburst of aggression, he had felt it building for a while. Though the unsub was unpredictable, his anger rose and fell within mere seconds, Spencer knew it was all heading in that direction. So, he squeezed his eyes shut just before the horrible, dull thud rang out, followed by a muffled cry of pain. Then the sound was drowned out by a rush, something like a thud, and he could only guess that she had fallen to the floor.

He didn't open his eyes, but something pricked at his chest. He knew that if he looked at Hotch, he wouldn’t be able to stop himself from giving him a big, i told you so. It wasn’t even about being right—he didn’t care about that, not at that moment. What mattered to him was that nothing happened to her, and that was exactly what had just happened.

No one from the team said a word, though Derek turned his gaze away from the speaker, his expression one of discomfort, like someone averting their eyes from an unpleasant scene. Hotch stared at some fixed point ahead, his face unreadable, before leaning into the microphone just as—

“What the hell is this?!” the unsub suddenly screamed. “A gun? Why the hell does she have a gun on her?!”

Reid’s eyes shot open as he nearly dropped to his knees by the microphone, as if somehow that could help. The weapon must have slipped out when she fell, sliding free from where it had been concealed beneath her clothes…

He noticed Elle nervously biting her thumb, her face pale as a sheet. He read the same grim, terrified realization on her face that had already taken root in everyone’s minds. She was burned. Her cover as the assistant was completely blown.

“He can’t find out she’s FBI,” Gideon declared, leaning heavily against the edge of the table. “He’s a paranoid maniac who thinks the government is after him. If he realizes a federal agent has been in there the entire time…”

“Wait!” the second attacker spoke up. He had long since given up and was now quietly following his partner’s orders. “I heard the hostages talking... something about there being someone from the FBI among them, someone who’s in contact with the cops. I thought they were just talking crap, but...”

“How does he know that?” JJ asked, her lips slightly parted in shock.

“She told one of the women,” Spencer blurted out, though it felt like the words came from someone else. Some part of him—still detached from the full realization of what her exposure meant—clung to the fragments of logic not yet consumed by his nerves. “To calm her down... but that woman must have passed it on to someone else.”

“FBI?” the unsub repeated, almost in a daze. “Fucking FBI?”

The sound of something slamming echoed sharply—an explosion of frustration and shock. Every pained whimper, every labored breath she took, reached Spencer with cruel clarity, amplified by that damned new microphone clipped to her chest, capturing every sound in merciless detail.

He wanted to cover his ears, to block it out, but he couldn’t. His lower lip trembled, caught between screaming or vomiting the moment he opened his mouth. 

Covering his ears would have been a selfish gesture, one that would only bring relief to him. She didn’t have that option; all that was left for her was to endure, as he assumed, the next kicks...

He lowered his head, not looking at the others, not wanting to see their equally helpless expressions. And although he hated himself for even thinking about it, he took two steps to move away. To escape from this place, from these sounds. Because he simply couldn’t bear them.

However, he didn’t get far; he staggered as if drunk and had to grab the table tightly to keep from falling. JJ, in some protective impulse that she probably wasn’t even aware of, reached out her hand, wanting to touch his shoulder, but he pushed her away.

“I’m calling him,” Hotch announced, immediately moving into action. “Maybe that’ll stop him…”

“Check if she has a microphone on her. If she’s with the FBI, she could have been spying on us the whole time,” suggested the second attacker, in a strangely satisfied tone. He was probably some sadistic bastard who enjoyed this turn of events.

This caused Erik to stop his attack. He completely ignored the incoming call. She took a breath, inhaling deeply, though it clearly caused her pain.

“She has…”

The unsub’s voice became very clear, he must have located the microphone and then disconnected it from her clothing, carefully watching him.

“We need to go in, we have to do something,” Elle said desperately, but it didn’t stir anyone else. 

Yes, they needed to do something, but... what? Going in meant putting the hostages at risk, and their survival was the priority.

"I knew the government was spying on me," Erick muttered to himself, the microphone had probably slipped from his hand and fallen to the ground. "Not just with the chip, but they also sent that fucking..." He kicked her. "...agent."

"Give it to me," Spencer requested, exhaling with a resigned hiss. He was, of course, referring to the microphone. She still had the earpiece in; she could hear him. He didn’t yet know what he intended to say. Maybe he’d ask her to stay strong? Assure her that it would all be over soon? Would that even count as a lie if he had no real certainty they could take any action to save her? Or was this one of those morally gray situations where a lie was better than the truth?

Without protest, someone handed the microphone to him, practically shoving it into his hands.

But then they lost the connection.

The unsub must have destroyed it, stomping the microphone underfoot.

And before it happened—before the static filled the line—a gunshot rang out.

Spence found himself sitting on a chair. Not that he’d blacked out in the literal sense, but one moment he was standing upright, and the next he was slumped onto the seat—probably the only chair in their makeshift camp across from the museum. It was one of those folding chairs made of black metal and unbelievably uncomfortable. For some reason, their look always reminded him of golf courses in the blazing sun. Sometimes they’d be there… wait, why the hell was he thinking about chairs?

Disoriented, he lifted his gaze. Derek was pacing back and forth, his hands on his head, while Elle and JJ were nowhere in sight. Hotch stood in front of him, turned slightly to the side, eyes fixed on the ground, a phone pressed to his ear. His rolled-up sleeves exposed tense veins on his forearms, his hands clenched into fists.

“You killed a hostage,” Hotch said the moment the attacker picked up. Hearing the words spoken aloud, the gunshot echoed again in Spencer’s mind. He flinched, though he hadn’t the first time it happened for real.

It really happened. This wasn’t some hysterical thought creeping into your mind when someone you care about is late to a meeting and doesn’t pick up their phone, the kind of thought where your brain starts whispering that something terrible must have happened. It wasn’t a dream either, nor a nightmare blending with reality. And it wasn’t some devastating novel, a climactic moment designed to shatter the reader’s heart into pieces.

This

really

happened.

"I’ll remind you of the terms of our agreement," Hotch continued. His tone was usually sharp, leaving no room for argument. But now, having just lost a member of his team and addressing the person responsible for it, his words didn’t just cut—they sliced. Spencer fixed his gaze on him, unable to comprehend how Hotch could remain so composed in the moment. He himself…

“You don’t harm anyone else, and in return, we provide you with the necessary tools. Shooting that innocent person…”

How did it come to this—that the person who, just that morning, ordered Chinese food with him to calm her nerves; who had teasingly told him to clip the microphone onto her, leaving him flustered; whose sweet scent of hair lingered so strongly in his senses that he had to hold his breath just to focus; who, one moment, could make him laugh until tears blurred his vision, and the next, worry so deeply about her that he felt feverish with concern; who listened, truly listened, even when he had grown tired of his own voice; who helped him discover pieces of himself he hadn’t known were there; who revealed, day after day, some new and enchanting fragment of her soul; and whose laughter made him want to capture its melody, bottle it, and keep it for eternity—was now reduced to the cold, detached phrase an innocent person shot dead?

He realized his mind had become entirely consumed with replaying those moments. Thanks to his eidetic memory, each recollection was painfully vivid, yet at the same time—perhaps due to the awareness of what came next—filled with a paralyzing void. Detached from reality, he wasn’t even listening to the ongoing negotiations, only snapping back when the shadow of someone’s figure fell over him.

“Spencer,” Gideon called his name, alternating between looking at him with concern and averting his gaze, as if unable to bear the shattered expression on his face. “Did you hear what Hotch said?”

He couldn’t bring himself to shake his head, though he doubted it was necessary. Rarely did something fail to interest him, especially something Hotch had said, but whatever it was, it had landed firmly in that narrow category. After all, what could Hotch possibly have said? That he’d reached an agreement with the murderer, who would now release eighteen hostages instead of sixteen? Or perhaps, in an act of twisted mercy, he’d declared that once they brought the requested items, the killer would allow one person to go inside and retrieve her body?

He had seen many bodies with gunshot wounds to the head in his life. A vision of her with similar injuries haunted him, so vivid and detailed that he closed his eyes in an attempt to escape it. But the moment he did, the image only grew stronger, searing itself into his mind with unbearable clarity.

"He wants you to go inside pretending to be a surgeon. That’s what the unsub is asking for in exchange for the hostages. Your task would be to fake removing a chip from his body, pulling off one of your magic tricks," Gideon explained matter-of-factly, though his expression betrayed a certain doubt about the plan. He suddenly fell silent, hesitation creeping into his voice. "If you can’t do it… this isn’t an order, kid. No one will blame you if you say no."

“We didn’t know it would be such a terrible mistake,” Gideon said quietly.

“Well, that’s the thing about mistakes,” he scoffed bitterly. “You don’t usually realize you’re making them. But you should be able to predict them, especially when someone’s…” His voice broke, and he looked away, his anger momentarily crumbling into something rawer.

Even though he had lashed out at Gideon, the older man didn’t react with anger. Instead, he stared at Spencer with a calm, almost sorrowful expression. When Spencer stood, he felt the weight of Gideon’s hand resting on his numb shoulder.

“I’ll do it,” he declared after a moment.

There was no fear in his voice, no visible sign of stress. Under different circumstances, he’d likely have been unraveling, nerves fraying at the thought of entering the building with the task of saving her. But now…now all he wanted was to stand face-to-face with the man inside. More specifically, next to his neck. With a scalpel in hand.

There was no time to waste. He practiced his sleight of hand trick—making the chip suddenly appear in his palm—a few times. It had been a while since he’d done it, but even so, it came off flawlessly every time. He clenched the small device tightly in his hand and, before he knew it, found himself standing at the foot of the museum steps.

The doors opened, and the first hostages began to emerge. Their reactions followed the same pattern. First came the shock—the struggle to process that they were truly stepping outside again, alive. Then, as they began to accept it, their terrified, hesitant steps turned into a relieved jog, and their eyes brimmed with tears of gratitude.

Spencer stopped, his gaze fixed on the faces of random strangers as they rushed past. Somewhere, deep down, he held onto a foolish, fleeting hope that she might appear in those doors as well. She didn’t, of course.

But if she had… he thought, his chest tightening at the mere idea. If she had, he wasn’t sure he’d ever stop being thankful. Not necessarily to God, but to everything—every twist of fate—that had brought her back.

He had seen the interior of the building on the camera footage and had managed to memorize it. He knew exactly where to head to meet the unsub. The unsub was standing right in the center of the room. Spencer knew there had to be a second shooter somewhere, but he was afraid to look around. If his gaze happened to land on her, not only would his chip trick fail, but he was also certain he’d never be able to shake the image from his mind. It would embed itself in every cell of his brain, one after the other.

He focused all his attention on him, on Erik. He turned to him trustingly, showing the spot on his neck where he believed the chip was located. Everything about his posture radiated the peak of madness. His voice and expression oscillated between hope, desperation, paranoia, and much more that could be listed.

Spencer tried to concentrate on the chip in his hand, not on the scalpel in his other hand. He knew it would be incredibly foolish, but as he was so close to this man's throat, he couldn’t stop thinking about it. He realized that the only thing holding him back was the awareness that the second shooter was likely keeping him in their sights. It was almost certain; he didn’t need to look around to know that. But as soon as the blade touched the man’s skin at the back of his neck, his gaze, against his will, began searching. He looked at the wall where the remaining hostages were gathered, the ones who hadn’t made it into the lucky sixteen. He didn’t find the shooter.

But he found her. If he weren’t wearing his glasses, he might have assumed he’d mistaken her for some other woman. He could only blame his brain and possible hallucinations... but before he could entertain those thoughts, one simple sentence took over his mind.

She was there. Blood dripping from her nose, clothes torn, curled up on the ground among the rest of the hostages, but she was there. She was there, alive.

*

When you stood up for that woman, a brief struggle broke out between you and the unsub. He ordered you to go outside, but the voice in your ear told you to stay inside at all costs. Unsure of what to do, you started mumbling excuses and explanations, leading to an argument... during which he swung his weapon at you, aiming for your face.

As you fell, your weapon—clumsily shoved into your clothing after an argument with Allen—slipped out. And then things escalated rapidly.

Upon learning you were with the FBI, the unsub went into his usual paranoid frenzy. He dropped the microphone he had taken from you, and the heavy kicks of his leather boots landed on your body, on your ribs, on your back. You could barely keep up with protecting yourself, as the blows kept coming faster and faster.

And in that moment, something happened that probably saved your life. But at the same time, it cost another man and his family everything.

Allen sprang at the second attacker, who was almost hypnotized by the injuries being inflicted on you. He seized the moment of distraction, yanking the weapon from his hand and turning it against its owner. You remembered the fleeting look of triumph on his face as he aimed it at Erik. And then, the look of confusion when he was overtaken and the bullets tore through his body.

Somewhere in that moment, your microphone must have been destroyed, leaving you without contact with the team. And without it... you were just like any other hostage. Beaten, forced to stem the blood running from your nose with your blazer. You remembered glancing at it, running your finger over the fabric soaked in crimson, and thinking you'd have to wash it before returning it to Reid. Then, the hopeless realization hit you that maybe you wouldn’t get the chance to do that, and helpless tears filled your eyes for the first time.

It was strange that the unsub decided to spare you. Was it the incoming phone call that distracted him? Or perhaps the death of Allen? Was he the reason for this whole attack? You weren’t sure, maybe both at once. But you managed to return to your spot against the wall, where the other hostages had moved as far away as they could from the two lifeless bodies lying in a pool of blood.

Behind your back, the unsub was arguing with the police, probably Hotch. You weren’t paying attention to their negotiations, instead kneeling beside Allen. Completely staining your clothes, you reached for his hand. His eyes were wide open, his chest... maybe rising slightly, or maybe it was just your perception. In any case, you didn’t grab him to check his pulse, to see if there was anything that could be done to save him. You knew there wasn’t. You took his hand in a gesture of gratitude for everything, filled with sincere and deep compassion, despite everything that had happened between you. Maybe he turned out to be a jerk in that one, crisis situation where it’s normal for people to lose their minds. But what mattered was what kind of man he was in everyday, calm conditions. What kind of friend, fiancé, father he was.

You froze in place, staring at his face, his messy red hair. You snapped back to reality only when you realized the unsub was releasing the hostages. You weren’t part of that group. He didn’t look at you, or Allen, or his dead accomplice, as if you didn’t exist. The people were let out of the building, and then…

You nearly jumped to your feet at the sight of Reid, but the sharp pain in your ribs stopped you. Instead, you stared at him, confused as to why he’d gotten himself into such a messed-up situation alone. No one was with him, and you couldn’t even tell if he was carrying a weapon. Why was he taking such a risk? Couldn’t they have sent someone else?

Although your gaze bored into him, asking without words, he stubbornly avoided looking at you. It took a while, but then it hit you—he’d probably been told to hide the fact that you knew each other. He was pretending to be a surgeon, you realized.

You watched in shock as the unsub dropped his weapon and turned his back to Reid, begging him quietly to remove the chip from his body.

Before Reid touched the scalpel to his neck, he looked straight at you. You couldn’t read the expression on his face, but you knew there was a lot going on. It was a long moment of eye contact, which he broke to get to work. Focused, brow furrowed.

You shook your head in disbelief when he really pulled the tiny device from his body. Wait, so what? It had really been there all along? The unsub wasn’t a paranoid delusional?

At the sight of the chip, Erik staggered with a mix of hysterical joy and relief, and after a moment, he literally collapsed to his knees, burying his face in his hands. His body was shaken by sobs as he muttered his thanks. He was... absolutely harmless. The hostages took advantage of his vulnerability, using the opportunity to silently leave the museum. You found yourself among them, even helping those who, due to shock, struggled to move. How? With your injuries? You had no idea.

You pointed one woman toward the ambulance waiting outside the building, ready to take any injured hostages. Around you, sounds echoed, people were running in all directions. A sense of disconnection and disbelief washed over you, as if you couldn’t quite grasp that it was all over.

You turned around, sensing someone's presence behind you.

The first thing you noticed was that Spencer was still wearing his blue rubber gloves. Strange, but the first thing that came to your mind was to focus on that detail. You even opened your mouth to speak, but stopped when he gently cupped your face in both of his hands. As if you were a fragile relic, he tilted his head slightly from side to side, almost as though he was trying to deny the fact that you were standing before him.

"As if you saw a ghost," you whispered, a faint smile appearing on your face.

Taking advantage of the fact that he was leaning toward you, you pressed your forehead against his. With your eyes still open, you saw his eyelids tremble. When he closed them, you caught sight of that single tear beginning to form beneath them.

*

"Reid," you said, as he and the rest of the team were heading towards the exit. All heads turned in your direction, but you only cared about that one. "Can we talk?"

He opened his mouth, seemingly surprised by the request, but then swallowed and nodded.

"Sure. If... just, sure."

You couldn't help but let out a small laugh. Since your rib injuries were numerous, you had to be taken to the hospital for an X-ray. Your face wasn’t looking too good either. Only a few hours had passed since everything happened, and all your wounds were fresh and painful. After taking a decent amount of painkillers, you felt a bit like you were floating. You were sitting on the hospital bed, your legs resting on the floor as if on a bench. You made space beside you, and although he hesitated for a moment, he sat right next to you, so close your shoulders almost touched.

What you wanted to say, everything you felt, was hard to put into words. So you spent a few minutes in silence, during which you concluded that the simpler, the better.

"Thank you, Reid."

His dark eyes narrowed slightly, and he shook his head dismissively.

"Thank you? For what? I should be thanking you."

You knew this would happen. That he would downplay what he did, and it would be incredibly hard for you to express all the gratitude you felt towards him.

"For what? For everything," you stated briefly. He was preparing a response, but you beat him to it. You even raised a finger decisively, signaling for a moment of silence. You had a lot to say. "Not just for pretending to be a surgeon and getting into that museum. And don't shrug it off like it was a small thing! You saved those people."

"Maybe a little, but…"

"But that's not all. You were… you were with me the whole time. You kept talking to me the entire time…"

"Just like everyone else…"

"Everyone else gave me orders. Told me what to do to survive and what not to do. And of course, I'm incredibly grateful to them—if it weren't for them, I would have probably pissed off that unsub after less than fifteen minutes and we'd all be dead by now."

Reid flinched when you said that. Maybe you should hold off on such words, while the whole situation was still so fresh.

"You... you kept asking how I was feeling, talking to me, just... your voice, the fact that I had you on the other end, it helped me not panic. When, at the very beginning, you asked me to breathe with you..."

You shook your head, holding back the involuntary recollection of that moment, that memory when you were still trapped in that building with two armed men. Helpless and lost, clutching his jacket with all your strength. 

You realized with growing difficulty that you were holding back tears.

Reid had been listening to you quietly the whole time, but suddenly, he lowered his gaze. His hand found yours, hesitated for a moment, then gently grasped it. You immediately squeezed it tightly. Something came to your mind.

"And what did you want to thank me for?" you asked, referring to when he interrupted you the first time.

"It's not... I don't have as much to say as you do," he confessed, circling the topic more than addressing it directly. He still hadn't let go of your hand, and as he thought, his thumb seemed to absentmindedly stroke its surface.

"Wow," you murmured. "I never expected Spencer Reid to say something like that in my presence, but here we are. So?"

He smiled for a moment at your comment. However, that expression quickly gave way to a more serious one, carrying with it the unburied remnants of the horror you had both endured just a few hours ago.

"Just for you being alive," he said. Your brows furrowed slightly when you heard that. It wasn't what you expected. "For a while... when you were still inside, and your mic was destroyed..." With a sigh, he tilted his head back, holding back from returning to that moment. It couldn't have been easy for him, referring to exactly the moment that caused him pain. "We heard a gunshot. Everyone thought it was you.  That's why... that's why I just wanted to thank you for that."

Given that you had absolutely no control over it, those were the strangest thanks anyone had ever given you. But still, they squeezed your heart like no others ever had.

You leaned in to place a kiss on his cheek.

taglist: @she-wont-miss @mggslover @nyeddleblog @dylanobrienswife0420 @wmoony

@heddgie @khxna @marauder-exe-old @yujyujj @charleyreid @kitty-kai @sp3ncelle @pleasantwitchgarden @beesin03 @misserabella @re1dsb1xch

[finchandthebard]

The "tiktok ban" should scare you and here's why.

Rant made by an autistic, history-loving, chronically online American tiktok cosplayer. Please let me know if I've gotten anything wrong and I will edit the post.

Reblog to spread awareness!

This is not just about Tiktok, and it's not about national security. The Tiktok ban is wrapped up in the "Protecting Americans from Foreign Adversary Controlled Applications Act" which has the ability to ban any foreign website or app that the United States government sees as a threat to their "democracy." Not only that, but if the gov't didn't want China to gather data, then they would ban things like Shein and Temu (the latter which they advertised during the Super Bowl), which collect similar data that Tiktok does. If they wanted to prevent our data being stolen in general, they would ban companies like Meta, which monetarily supports the Tiktok ban and had to change their name because "Facebook" was associated with the largest data leak in history.

The documentations of the Tiktok court interrogations prove how incompetent our government is. Repeatedly asking the TikTok CEO Mr. Chew if he's Chinese while he repeatedly assures them he's Singaporean. The officials being concerned that they can't find Singapore on a map. The officials then being confused why the app would be able to have access to their wifi because it needs wifi to load.

The possibility of the US buying Tiktok exposes a greater issue in America: monopolies. The Sherman Antitrust Act was passed in 1890 that restricted the activities of large companies known as monopolies, which started out as small companies and would either buy other companies or buy the factories which produced all their materials. This eliminated competition in the market and gave the monopolies almost full control of quality and prices of items, and it was considered very anti-American at the time. Since the US already has multiple major social medias, including Facebook (Meta), Instagram (Meta), Threads (Meta), X (formerly Twitter), Snapchat, and Reddit, adding Tiktok would mean that nobody could compete with the US in the social media market. This makes them a monopoly, and it's incredibly dangerous.

Banning Tiktok breaks several American trademarks. A) the Republicans banning Tiktok are very concerned about their second amendment right to own guns, but they seem to not care about the first amendment right to freedom of speech and press, which Tiktok delivers. Of course there are app guidelines, but for the most part you have fairly uncensored political and ethical commentary like no other social media. B) the only other countries that have banned Tiktok are either heavily demonized by America or are direct targets for American propaganda (ex. China), which really doesn't make the ban look good. C) banning a social media for the purpose of censorship is a trademark of communism, which Americans are INCREDIBLY wary of.

Your country may follow in suit. Because of America's influence as a global superpower and an ally to many other major powers, America banning Tiktok would likely lead to a domino effect in other countries.

The rich get richer. There is a concept called social darwinism, in which it is the rich's beliefs that the poor must fend for themselves without the help of the government in order to make a living - "survival of the fittest." Tiktok contributed around $14.7 billion USD in 2023 and $24.2 billion in 2024, and it supports around 224,000 jobs [source]. The actual Tiktok website says in 2023, they contributed $15 billion USD in revenue and supported 7 million US businesses [source]. Without these jobs, there could be in increase in homelessness, debt, and sickness due to withdrawals (if you're incredibly addicted to Tiktok) and lack of quick dopamine hits (due to the rapidfire nature of the algorithm).

Remember that the president is not your friend !! Many of the political figures rallying to support Tiktok right now, such as President Biden, initially voted for the ban. President Biden is likely supporting now so that Trump won't get credit for it, and future President Trump is likely doing it for brownie points among younger generations.

The Xiaohongshu migration exposed the American government and its lies. The stories from American 'Tiktok refugees' about the questions from native Chinese on the Xiaohongshu / Rednote / Redbook app (considered the Chinese mixed of Pinterest, Instagram, and Facebook) posed a lot of conspiracies and realizations about the American government. The Chinese actually own their homes, they have lower food prices than we do, and they have a slim homelessness rate. Whether this is true or not, it has greatly influenced how we see ourselves in the grand scheme of the American oligarchy, and that is not something that can be suppressed with an app being banned.

Tiktok is not totally Chinese! The CEO is Singaporean, as I've already stated, and there are multiple headquarters in the US, with the main one being in Los Angeles.

In conclusion...

Whether Tiktok is banned or not, whether permanently or not, no matter who saves it or rallies against it, remember that it is harder to scare and control someone when they are in a group. And if you think this was interesting, I'd love it if you could reblog to show some support and inform your friends as well. <3

THIS IS NOT RIGHT VS LEFT❗️IT'S UP VS DOWN❗️

[wndaswife]

trying your hardest | wanda maximoff & gn!reader

After moving to America to join the Avengers, Wanda wants to finally make a friend to ease her loneliness. She hopes to become friends with you, and frankly, Wanda idolizes you, but her social skills are... subpar at best.

Word count: 5020

Tags: fluff, humour, some angst, emo wanda being a baby, a little thing, a small very tiny little thing, wanda has a very big crush on you :3 (she doesn't know it yet tho cuz she baby)

A/N: for plot purposes, imagine the avengers didn’t have a catfight after aou

gif credit to (i tried really hard and i CANNOT find who made this gif im sorry)

Wanda Maximoff never really had an education as a child. What education was available in Sokovia was expensive, and despite her father’s late working hours, the twins’ parents could only ever afford their apartment’s rent. The twins were homeschooled as well as their parents could teach them, but after the bombing, they were on their own. 

Government-funded schooling helped them for only so long. The schools they were sent to were decaying, and always under dwindling government watch from ongoing airstrikes. The ground shook with explosive tremors as they commuted to school on foot. Wanda and Pietro stayed at an orphanage with hundreds of other children whose parents had passed due to the war — and the Avengers. 

Even the government’s debt caught up with what was left of Sokovia. Billions of foreign debt not paid, volume of imports that had increased exponentially since Sokovia worked on rebuilding their country weren’t making enough revenue to pay exporters back. Hundreds of children were booted from government care and onto the streets. The twins attempted to learn on their own, to become informed educated people if they were to ever make a difference in the world, but in Sokovia, even resilience could only get one so far.

Then, Doctor Strucker came along, promising them the extermination of the Avengers, the Western terrorists who had made the already politically-unstable and war-torn country their battleground. 

In hopes to cure the world from their terrorist reign, both Wanda and Pietro agreed to Strucker’s experiments, but the education they were given intended for them to become weapons. They knew little of real geography and world history — only HYDRA’s propaganda meant to poison their minds with blind hatred and little else.

When it seemed like you couldn’t be any more different from Wanda as it was, you were also the team’s brain. Stark and Banner specialised in physics and mechanics, but you were the team’s hub for everything else. From computer science to philosophy, you knew everything. No one exceeded you in developing team strategy, setting the stages for mission locations, profiling adversaries, and a dozen of other things Wanda couldn’t have even fathomed when she first met the Avengers in person.

It took Wanda only several moments to realise you weren’t a frontline fighter from your muffled voice in the Avengers’ earpieces to their callouts of your name as frequent, and perhaps even moreso, than their teammates that fought alongside them on the field despite your physical absence. 

Y/N — that was your name. 

When she had fought the Avengers in Novi Grad, creeping behind the Western superpowers like a heavy looming shadow, Wanda had looked for you. Strategically, it was a rational move. You were the centre of their battle, the heart of their teamwork.

And yet, you were nowhere to be found.

It was only until she had crept up behind Clint Barton when your voice grew clearer than ever before. From the tiny earpiece, you were controlling the field. Perhaps you were just outside, or maybe you were in another country. No matter the distance, Wanda supposed your hold on the battle would be no less effective. 

It was the distraction of thinking about you, perhaps — Y/N, the invisible hand — or Barton’s sole intuition, Wanda did not know, nor did she have very much time to think it over, that had made it possible for him to counter her magic. 

Then there was pain — immeasurable pain that Wanda hadn’t felt since Strucker’s experiments. It shot through her forehead like a dozen bullets had permeated through her skull. Pietro grounded her, and soon after, the twins targeted Banner.

Despite the rumours about him, the insatiable angry force he was told to be, his mind was the easiest to corrupt. Mental instability and insecurity racked his mind, and he quickly shifted into the green beast the Maximoffs had heard so much about. 

Carrying his younger sister, Pietro took the two of them back to Ultron’s base. 

They had won that day.

You were all Wanda could think about even while she and Pietro were off missions. You weren’t the Avengers’ frontline defence like Steve Rogers, nor were you the brute strength of the team like Bruce Banner. You held your team in your hands rather than tugging them along by their leashes although you likely could if you wanted to.

Y/N. 

Who were you?

On the television after the fight on Novi Grad, Iron Man and Hulk’s brawl in Johannesburg was on the news. The city was in shambles. Pietro said something about the deaths of innocents and the success of his sister’s magic in having the Avengers turn against themselves. But Wanda could only think of what you had thought when Stark and Banner came back to their compound, beaten and sore from none other than their own fists. Wanda assumed the Avengers’ compound — wherever that was — was where you were too. 

Wanda wondered how you were dealing with the fight at Johannesburg. What were you saying about her and Pietro?

Later that day, Ultron approached the twins in their bedroom and turned on the television. Despite having been offered separate bedrooms, they insisted on sharing one. Sitting atop their respective beds on the opposite sides of the room, there was someone speaking on the television about Johannesburg across from the interviewer. Their expression was stern but their eyes were solemn. Eyebrows were furrowed together, masking concern and worry; if Wanda knew anything, it was how to read someone.

“Y/N,” the interviewer began, and Wanda’s eyes widened, her head lifting from being held up by her hands, elbows on her pillow as it laid flat atop her crossed legs. “As the Avengers’ strategist, as many put it, how are you planning on handling the devastation that came upon Johannesburg, and the inevitable contact that the Avengers will continue to have with innocent uninvolved civilians?”

The question was packed, and the news station quite clearly had their own sentiments about the Avengers; they were setting you up.

So that was how you looked. Wanda swallowed and felt her chest flutter.

With your upper lip stiff and your posture unbelievably straight, you answered without equivocation. “A common misinformed perspective of any conflict follows the belief that there is any one party entirely responsible for the consequences of violent confrontation, such as the one we witnessed in Johannesburg,” you were saying. With the way her wide eyes were pinned on the television screen, Wanda didn’t notice the way her brother eyed her obviously piqued interest.

“I don’t believe the Avengers are the world’s most honourable superheroes,” you continued. Ultron shifted and Wanda’s head tipped to the side, her interest in you ever growing. “I don’t think anyone is, no matter whose side you’ve taken since the conflict recently — and perhaps even after the invasion of New York’s in 2012.”

That was The Incident, Wanda recalled, when the Avengers terrorised New York. That’s what HYDRA had always told her and Pietro.

“Despite whose side you may be on, as differing as our collective opinions may be, one thing is undeniable — we are all trying to reach a goal of peace for the world, fighting for what we believe is just. There is nothing more powerful than that. Perhaps, it is idealism that serves to be the strength of humanity.”

Ultron laughed morosely. He ridiculed your words, but Wanda wasn’t listening. Whatever you were talking about wasn’t only about Johannesburg. What were you referencing? Who were your words meant for?

Suddenly, your head turned to the camera and Wanda met your eyes. Everything in her froze, her eyes undeviating from your face.

“Wanda and Pietro Maximoff,” you spoke. Pietro looked over at Wanda, shock written on every inch of his face, and Ultron’s eyes darted between the twins, almost accusationally as he undoubtedly suspected coercion. Wanda almost expected you to step through the television screen and into her bedroom. “I know what you want.”

The screen was shut off suddenly, the black mirror of the television reflecting Wanda’s astonished expression. She looked away, shutting her eyes as she felt the burning gaze of Ultron on her. But your words reverberated in Wanda’s mind until your every feature and movement of your lips was memorised. Like a promise, like an ode, your words were immortalised within her.

Pietro wasn’t there when you took Wanda in your arms and saved her from a falling Sokovia. He wasn’t there when you laid her down onto the Helicarrier, nor when you took her hand and told her she’d be taken care of. Wanda cried into your chest at the sight of her brother’s body.

What would he have said if he saw the way your arm refused to leave from around Wanda’s shoulders as the two of them trailed behind his body while he was carried into the compound?

Pietro liked you, and would’ve loved to meet you. He referenced your broadcasted interview several times during their fight in Sokovia. He was proud to work with the Avengers, and proud to finally work towards their goal to help people just like them. He wanted to meet you.

Your voice was different from what Wanda remembered from the broadcast, and not because her memory had failed her, but because you were just… different. You were real, and not a picture on a wall or an untouchable reality forever separated from her by a television screen. As she watched you talk and laugh with the other Avengers, you were real.

But if Wanda was honest, she was much too shy to even start a conversation with you. Perhaps it might’ve been easier to approach you if you were an admired character on one of her favourite television shows, but it was exactly what made her admire you so much that also made her feel so shy around you. 

Granted, there was much to adjust to now that she lived in America and was now a part of the Avengers, and she did believe herself to be a generally introverted person, but she was especially nervous around you.

Wanda had gotten enough confidence to speak with some team members. Natasha was welcoming and kind. Thor was easy not to feel nervous around, but his energy was far too much for Wanda to handle just yet. Bruce was much more comfortable to chat with, and Wanda found that he was able to be rather nice once he forgave her for her associations with Ultron. Steve was always very kind to Wanda and she felt very safe around him, with Steve always trying to make her feel like part of the team, but she found that they didn’t have very much in common.

And there was Vision, who seemed to have taken a liking to her since even before the final battle against Ultron. He was nice company, but she found her mind preoccupied thinking of you while in his company, wishing that it was you who gave her as much attention as Vision did.

However, she’d been wanting to start a conversation with you since the day she arrived at the compound. Initially, she needed time to herself, and along with Steve, you also made the effort to check in on her and give her your support.

Once she was finally able to gain some footing in adjusting to things while shouldering the weight of her losses, Wanda started becoming more active within the team by joining training sessions. During them, she found herself unable to stop looking at you, watching what you were doing, seeing how you interacted with everyone.

Even as the Avengers’ primary strategist that was almost never in the field, you still made efforts to train and stay connected and involved with the team — and Wanda quickly learned that training was a major part of team building.

You were everything Wanda wished she could be more like; you were the kind of person she had never thought existed in a world she believed was only full of cruelty and injustice until recently.

There was an upcoming party at the Avengers Tower in celebration of the assigned team’s return from a successful mission tracking down a recently-located HYDRA base still hiding out. It was almost any ordinary mission, but it was the first step towards steadily eradicating all of HYDRA’s bases, even after Strucker’s primary base was taken down in Sokovia. Though Steve did also tell Wanda that he felt that Tony also primarily wanted to find any reason to celebrate since it’d been some time.

Wanda hadn’t been to any of the parties yet, and she thought that she’d be able to use this one as a chance to start a conversation with you. 

Wasn’t that what people did at parties? Talk?

Truthfully, she didn’t quite know for sure — she’d only ever heard about them through the sitcoms she watched as a child. She knew only of dramatised American portrayals of teenage parties through television.

Whatever it was people actually did at parties, Wanda was certain she would be able to make some effort to talk to you. At least in a social setting, it wouldn’t be strange for her to start a conversation with you.

Wanda made herself look nice and presentable, but not too formal since she didn’t want to overdress or bring too much attention to herself. She wasn’t sure what might happen if her plan to talk with you didn’t end up working, and if she was somehow left with nothing to do, she wanted to be able to slip away without anyone noticing, as if she had never made any attempt to come at all.

While deliberating whether it was better to arrive on time or a bit later once the party had been going on for some time, Wanda realised that at some point too much time had passed and her only option now was to join the party a bit later. 

It was only once she arrived at the penthouse floor where the party was being held that Wanda finally realised how terribly  thought-out her plan was.

What would happen if she didn’t get to talk with you? What would happen if she did, and she only made a fool of herself? Would it be better, then, to stay as two people who’d never conversed so that she might retain what impression you had of her now? Even if that meant she would never get to talk with you the way she wanted?

It was far too late now to change her mind if she wanted to, as she soon found herself walking further from the elevators and into the party. 

The party was rather filled; mostly, they were familiar faces, but it looked like many brought guests, and some guests had brought some of their own. It seemed that Steve was right — atop of celebrating the taking down of the HYDRA base, this was also a social get-together. 

She was still relatively at the edges of the room, so she was still going unnoticed. As she walked over to the bar, fidgeting with her fingers as she did, she took the time to look around and try to spot you. She reached the bar, crossing her forearms on top of its counter, and tried to draw the least attention to herself while avoiding eye contact with anyone as her eyes raked through the crowd. 

Eventually she caught sight of you also at the bar, but at the very edge with your own drink, your back facing the party. Wanda’s chest fluttered and she felt she nearly stumbled moving one foot in front of the other when she turned to walk towards you. 

She worried what would happen if someone suddenly approached you from behind, which would force her to then stop wherever she was standing and pretend she hadn’t just failed at her attempt to come up to you. 

The pressing concern aided her greatly, and she was well on her way to coming up to you without hesitation. But once she actually made her way to your side and once you raised your head from your glass and looked at her, Wanda damned herself for being so distracted, now without a plan or even a terribly-planned script to follow in making conversation with you. She didn’t even get to look at what you were wearing. 

It would be too strange of her to look you up and down before greeting you, right?

“Hi,” she said, hoping that the small smile she felt on her face was actually there lest she look like an absolute fool.

You turned around in your seat in order to face her, and now having your complete, undivided attention made Wanda’s legs feel like mush. “Hi,” you replied with a friendly smile. “Are you enjoying yourself? I don’t think I’ve seen you at a party yet.”

Wanda swallowed and nervously drew shapes against the bar counter with her fingernails, also trying her best to maintain a steady, friendly smile. “No — this is the first I’ve gone to. I haven’t been here for very long. I decided only a moment ago to come.”

“I’m glad you chose to come,” you told her and suggested for her to take the barstool beside you. Wanda lifted herself onto the seat and sat, facing you.

While you were talking, Wanda took the chance to look at what you were wearing. You looked nice, and Wanda thought you always dressed in a way that put-together, respected people did. She saw you in some likeness to the well-dressed characters on the sitcoms she liked — but, of course, modern. 

Maybe she had been taking too long to respond, for you spoke again: “How have you been doing? I know that the move must have been rather hard to go through.”

When she took a moment to respond and found that a response wasn’t immediately escaping her, Wanda felt panic settle in her chest. She knew she should have planned out what to say. She looked like an idiot in front of you. She didn’t know the first thing about socialising or making friends. 

“It was hard,” she said finally. “It is hard. Not so bad now. I mean, I’m trying to adjust.”

You nodded in understanding and Wanda felt herself losing your interest; she was sure that your responses’ intentions were now only to remain polite, to keep conversing with her because you knew she didn’t make very much effort to go out. 

Then you asked, “Did you want me to order you a drink?”

“Oh, I’m okay — I don’t drink,” Wanda answered, fidgeting with her fingers between her knees. Truthfully, she’s never tried alcohol before. Maybe she should have taken you up on your offer. 

“How have you been getting along with the team?”

“I think well. I like everyone. They’ve been very kind to me,” Wanda said. She could hear herself as she spoke to you; she sounded robotic and uninteresting. She thought she might try her hand at being honest about what she was thinking then and there. “But Pietro was always the most social of us both. It is hard to get along with others without him leading the conversation.”

Wanda must have not noticed how solemn she became after she mentioned Pietro, for you reached out and brushed her shoulder with your hand supportively, your fingers squeezing gently around her and lingering for a moment before letting your arm drop.

“I understand,” you sympathised. “You don’t need to pressure yourself into anything — really. I think you fit in here well, and I think you’ve been doing a wonderful job.”

That was the first time anyone truly supported Wanda like that; she was supported by the team as she was grieving the loss of her brother, always being told that she had a shoulder to cry on or a helping hand if she ever wanted someone to talk to. 

There was something frustrating about the way the team approached her grief. They had to have anticipated that she would feel a bit better at some point — or at least well enough to get back to team member material. 

In the way she was spoken to, Pietro and her struggles with his death were always approached as something she would get over at some point or another — like Pietro was something she was going to get over. She didn’t expect anyone to understand how she felt nor to share in her grievances, but it seemed to her that what she was going through was seen only as a temporary distraction to the rest of the team. 

They were kind in giving her their support, but her grief never seemed quite real enough to them. 

Granted, she was rather new to the team, so she understood, to some degree, their inability to understand her pain. But it was frustrating, nevertheless. 

But with you, it was different. 

You didn’t talk about Pietro or her struggles and pain like it was something to get over. You valued her as she was now, and saw her efforts as they were now. 

Wanda felt slightly pathetic for how worked up she was getting over your response, be it as brief as it was, but what you said meant quite a lot to her. She felt, for the first time, that she was being spoken to as a real person rather than a ball of temporary grief and pain. 

“Thank you… I really appreciate–”

She was cut off when you were called to meet one of Tony’s friends, an expert in software development who had even helped program some of the software you used for communication with the team while they were working on the field. Naturally, they wanted the two of you to meet. 

For a moment, Wanda forgot how popular you were amongst your colleagues. Why wouldn’t you be? It was only that you had a certain kindness and authenticity about you that seemed signature to you. But if Wanda admired that about you, and if she idolised you, why wouldn’t anyone else?

You looked at Tony calling you over then at Wanda, who was awkwardly staring at the floor in some pitiful stance of defeat. It made your chest tighten.

This was Wanda’s first time joining in at one of the parties, and you were the first she spoke to. Moreover, there was a kind of sensitivity to her that you knew lay beyond her typical timidity.

Through the conversation with her, you could vaguely see Wanda’s eyes flickering behind your shoulder occasionally, where the floor’s balcony was. From there, one would have a view of the spacious training fields and the expansive forests beyond that separated the base from the main roads.

Tonight, there were clear skies and a rather prominent moon. 

Gently, you tapped the back of Wanda’s hand that was resting on the edge of the bar to get her attention, and she raised her head and met your eyes. 

“Would you like to step out onto the balcony with me?” you asked. “I’m not quite in the mood to talk with them right now.”

Wanda seemed to perk up and she straightened in her seat. She nodded, and when you stepped off from your barstool, she followed and trailed behind you as you headed for the balcony. 

She watched from behind as you led her forward. She played idly with the tips of her fingers as she watched your hair brush against your back, watching the back of your head attentively as if it could tell her anything about you. 

Frankly, she felt a bit starstruck.

A certain panic settled within her as you opened the balcony door and ushered Wanda outside and into the warm evening air; she didn’t know what to say now. 

She wasn’t certain if she was interesting enough at all to have such intimate conversation with. 

What could she say that could possibly be of interest to you?

In spite of the disappointed chatter and lighthearted jabs from the rest of the team in response to your very-obvious aversion to socialising, you closed the balcony door behind you until it clicked shut softly until it was only you and Wanda outside. 

“Is it okay that you’re out here with me?” Wanda asked, looking at you as she stepped beside you. 

“Of course,” you answered and walked forward until you could stand against the rails of the balcony. “Why not?”

Wanda appreciated how easy it was to talk with you, and how your relationship with the team wasn’t all that you were. “I thought that maybe you might prefer being out there.”

“No — I want to be here.”

Wanda flushed and she looked away, using the excuse of looking out past the training fields as an excuse to hide her face from you. 

Making a bold move, Wanda thought that she might be honest with you; she had the real opportunity to make a friend, granted she pulled it off. “Y/N, I really appreciate you being so kind to me.” She garnered some confidence and turned her body and looked at you.

“You don’t have to thank me for that,” you replied bashfully, and Wanda noticed that you also seemed a bit timid. She thought you were sensitive, and she liked that.

“But also,” Wanda added, taking in a small breath, “I really appreciate your effort in being sympathetic towards Pietro and I, even when we did not deserve it — especially after Johannesburg. Before your interview broadcast, I had never known of such kindness. It seemed you knew more about what Pietro and I wanted before even we did.”

Without a thought behind it, Wanda’s eyes left yours and she added, “I wish he was able to meet you. I am sure he would have felt equally as stunned by you.”

You asked, “I stun you now, do I?”

Surprised by the realisation of what she said aloud, Wanda looked at you and at the sight of your slight smile, also realised that you were teasing her. She flushed and rubbed her warm cheek with the back of her knuckle and distracted herself with two of the party guests walking through the field.

Wanda reminded herself that she came to make a friend — to be friends with you. So she spoke again. “To be honest, yes,” she replied. “I think you are admirable; everyone seems to like you very much, and the kind of bravery and kindness you have is of a kind I did not previously know could ever be sincere.”

She finally said it, and now, Wanda felt anxious about what you might say next.

You shifted and repositioned yourself as you pondered for a moment in consideration. “Well, I have to confess that most if not all of my bravery is rather insincere — I’m truly not as brave as you might think. In fact, I would argue that you’re more brave than I; you’ve experienced so much, undergone so much change, and yet you seem to have more drive than anyone to try your hardest at adjusting and getting back on your feet.” 

You thought she was braver than you? Wanda could collapse. She felt her chest flutter.

“But… the kindness,” you said, “is very sincere. I’m glad you see it that way.”

Wanda found herself stepping closer to you, feeling more comfortable in your company and feeling that she wanted to be closer to you physically, to hear your words within a closer vicinity and to see your face free of the soft shadows that the moonlight casted along the curve of your nose and the angle of your cheekbone. 

“I think you’re really special,” you told her. “I’m happy that you’re a part of the team. I’m glad you’re here.”

In all her life, there was only one place Wanda ever felt she belonged — with her family. Over some time, what this meant was redefined with the bombing of her home when she was ten and, recently, with the loss of her brother. There was a feeling of loss, an empty pit that burrowed itself within the deepest depths of Wanda’s identity where Pietro and her family and some sort of identity should have been.

It was not only others and her country that she lost, but a part of herself, when all the landmarks she had ever belonged to were stolen from her. But if she could learn anything from still being able to stand where she was and try her best and be brave — like you said — in spite of all her loss and grief, it was that she was not all that she identified herself with.

She still existed, and was still worth something, even without all that was lost.

It would be difficult to even begin finding who she was, exactly, without Pietro and Sokovia and her parents and the truths of herself and the world that HYDRA had always taught her. But she hoped that you might be at least the first step to her self-discovery — you were her first friend.

“Are you alright?” you asked, tipping your head down slightly to try getting a better look at Wanda’s face. 

Wanda had lost herself in her thoughts and forgot to reply to you. She must have been silent for a bit of time. “Yes, I’m okay.” She subtly swiped at her cheeks when she realised she was crying — perhaps it was from thinking of her family or of Sokovia, though she couldn’t pinpoint exactly when the moment was that she started crying — as she looked over at the field for a distraction again.

Without another word, you stepped forward and wrapped an arm around Wanda’s shoulders, bringing her against your body in a soft hug. It was wordless and quiet and casual — support and comfort without any conditions.

Every time Wanda believed that she’d fully grasped the world’s capacity for kindness, believed that there couldn't possibly be something more gentle than what you have thus far shown her, you prove her wrong. 

She hoped she would never be right.

[mariacallous]

Just after Trump’s re-election in November 2024, I wrote a column headlined ‘How to Survive the Broligarchy’ (reproduced below) and in the three months since, pretty much everything it predicted how now come to pass. This is technoauthoritarianism. It’s tyranny + surveillance tools. It’s the merger of Silicon Valley companies with state power. It’s the ‘broligarchy’, a concept I coined in July last year though I’ve been contemplating it for a lot longer. Since 2016, I’ve followed a thread that led from Brexit to Trump via a shady data company called Cambridge Analytica to expose the profound threat technology poses to democracy. In doing so, I became the target: a weaponized lawsuit and an overwhelming campaign of online abuse silenced and paralysed me for a long time. This - and worse - is what so many others now face. I’m here to tell you that if it comes for you, you can and will survive it.

This week represents a hinge of history. Everything has changed. America and Russia are now allies. Ukraine has been thrown to the dogs. Europe’s security hangs in the balance. On the one hand, there’s nothing any of us can do. On the other, we have to do something. So, here’s what I’m doing. I’m starting a conversation. I’ve recorded the first one - a scrappy pilot - a podcast I’ve called How to Survive the Broligarchy and I’ve re-named the newsletter too. This first conversation (details below) is about how we need a new media built from the ground up to deal with the dangerous new world we’re in. That can only happen, in partnership with you, the reader. The days of top-down command and control are over. Please let’s try and do this together.

1 When someone tells you who they are, believe them. Last week Donald Trump appointed a director of intelligence who spouts Russian propaganda, a Christian nationalist crusader as secretary of defence, and a secretary of health who is a vaccine sceptic. If Trump was seeking to destroy American democracy, the American state and American values, this is how he’d do it.

2 Journalists are first, but everyone else is next. Trump has announced multibillion-dollar lawsuits against “the enemy camp”: newspapers and publishers. His proposed FBI director is on record as wanting to prosecute certain journalists. Journalists, publishers, writers, academics are always in the first wave. Doctors, teachers, accountants will be next. Authoritarianism is as predictable as a Swiss train. It’s already later than you think.

3 To name is to understand. This is McMuskism: it’s McCarthyism on steroids, political persecution + Trump + Musk + Silicon Valley surveillance tools. It’s the dawn of a new age of political witch-hunts, where burning at the stake meets data harvesting and online mobs.

4 If that sounds scary, it’s because that’s the plan. Trump’s administration will be incompetent and reckless but individuals will be targeted, institutions will cower, organisations will crumble. Fast. The chilling will be real and immediate.

5 You have more power than you think. We’re supposed to feel powerless. That’s the strategy. But we’re not. If you’re a US institution or organisation, form an emergency committee. Bring in experts. Learn from people who have lived under authoritarianism. Ask advice.

6 Do not kiss the ring. Do not bend to power. Power will come to you, anyway. Don’t make it easy. Not everyone can stand and fight. But nobody needs to bend the knee until there’s an actual memo to that effect. WAIT FOR THE MEMO.

7 Know who you are. This list is a homage to Yale historian, Timothy Snyder. His On Tyranny, published in 2017, is the essential guide to the age of authoritarianism. His first command, “Do not obey in advance”, is what has been ringing, like tinnitus, in my ears ever since the Washington Post refused to endorse Kamala Harris. In some weird celestial stroke of luck, he calls me as I’m writing this and I ask for his updated advice: “Know what you stand for and what you think is good.”

8 Protect your private life. The broligarchy doesn’t want you to have one. Read Shoshana Zuboff’s The Age of Surveillance Capitalism: they need to know exactly who you are to sell you more shit. We’re now beyond that. Surveillance Authoritarianism is next. Watch The Lives of Others, the beautifully told film about surveillance in 80s east Berlin. Act as if you are now living in East Germany and Meta/Facebook/Instagram/WhatsApp is the Stasi. It is.

9 Throw up the Kool-Aid. You drank it. That’s OK. We all did. But now is the time to stick your fingers down your throat and get that sick tech bro poison out of your system. Phones were – still are – a magic portal into a psychedelic fun house of possibility. They’re also tracking and surveilling you even as you sleep while a Silicon Valley edgelord plots ways to tear up the federal government.

10 Listen to women of colour. Everything bad that happened on the internet happened to them first. The history of technology is that it is only when it affects white men that it’s considered a problem. Look at how technology is already being used to profile and target immigrants. Know that you’re next.

11 Think of your personal data as nude selfies. A veteran technology journalist told me this in 2017 and it’s never left me. My experience of “discovery” – handing over 40,000 emails, messages, documents to the legal team of the Brexit donor I’d investigated – left me paralysed and terrified. Think what a hostile legal team would make of your message history. This can and will happen.

12 Don’t buy the bullshit. A Securities and Exchange judgment found Facebook had lied to two journalists – one of them was me – and Facebook agreed to pay a $100m penalty. If you are a journalist, refuse off the record briefings. Don’t chat on the phone; email. Refuse access interviews. Bullshit exclusives from Goebbels 2.0 will be a stain on your publication for ever.

13 Even dickheads love their dogs. Find a way to connect to those you disagree with. “The obvious mistakes of those who find themselves in opposition are to break off relations with those who disagree with you,” texts Vera Krichevskaya, the co-founder of TV Rain, Russia’s last independent TV station. “You cannot allow anger and narrow your circle.”

14 Pay in cash. Ask yourself what an international drug trafficker would do, and do that. They’re not going to the dead drop by Uber or putting 20kg of crack cocaine on a credit card. In the broligarchy, every data point is a weapon. Download Signal, the encrypted messaging app. Turn on disappearing messages.

15 Remember. Writer Rebecca Solnit, an essential US liberal voice, emails: “If they try to normalize, let us try to denormalize. Let us hold on to facts, truths, values, norms, arrangements that are going to be under siege. Let us not forget what happened and why.”

16 Find allies in unlikely places. One of my most surprising sources of support during my trial(s) was hard-right Brexiter David Davis. Find threads of connection and work from there.

17 There is such a thing as truth. There are facts and we can know them. From Tamsin Shaw, professor in philosophy at New York University: “‘Can the sceptic resist the tyrant?’ is one of the oldest questions in political philosophy. We can’t even fully recognise what tyranny is if we let the ruling powers get away with lying to us all.”

18 Plan. Silicon Valley doesn’t think in four-year election cycles. Elon Musk isn’t worrying about the midterms. He’s thinking about flying a SpaceX rocket to Mars and raping and pillaging its rare earth minerals before anyone else can get there. We need a 30-year road map out of this.

19 Take the piss. Humour is a weapon. Any man who feels the need to build a rocket is not overconfident about his masculinity. Work with that.

20 They are not gods. Tech billionaires are over-entitled nerds with the extraordinary historical luck of being born at the exact right moment in history. Treat them accordingly.

There is much much more to say on all of the above and that’s my plan. But please do share this with anyone who needs to hear it.

How to Survive the Broligarchy: a new podcast

A month ago, I was feeling floored: at the moment in which everything I’ve been warning about for the last eight years suddenly became overwhelmingly real, I was also being dislodged from my journalistic home. The Guardian, my seat of operations for the last 20 years, the last nearly ten of which have been focussed squarely on this subject, has done a deal, in the face of fierce opposition from its journalists, to give away a core part of the organisation. More than 100+ journalists will leave the organisation, including me.

This week, the Guardian confirmed that the last edition of the Observer would be April 20 and my 20-year employment with the organisation would be terminated then. The same day, Tortoise Media, the new home of the Observer, wrote to tell me that they would not be offering me a contract. But now, instead of feeling floored, I feel energised. You’ll hear some of that energy, I hope, in this first episode of the new podcast that I made a pilot for this week. It’s embedded at the top of this newsletter and - when I figure out the backend - will be available on Apple and Spotify and everywhere else too. I have an idea that I explore in this first episode with two people much smarter than me that this might be the start of a journey to a creating a independent, open, collaborative transparent form of ‘live’ journalism.

My investigation of big tech, power, politics, the weaponisation of data, foreign interference, Russian oligarchs and social media has always traversed subjects and specialisms. I’ve drawn on the expertise of so many people along the way and in trying to understand this moment, I realised they are not only the people I want to speak to now, they are also the expert voices that everyone needs to hear. My idea is to make these conversations public and to build a community - a feedback loop - contributing ideas and suggestions and, hopefully, networks of action.

I’ve been doing some of this work with the Citizens, the non-profit, I founded back in 2020 (sign up to their newsletter here), but there is a small ray of hope, in the midst of the current crisis, independent media is in a huge moment of growth and the green shoots of a non-corporate, non-oligarch owned media system are springing up everywhere. I’m hugely grateful to the 55,000 people who’ve signed up to this newsletter so far but there’s so much more we can do.

I’d been kicking around this idea for a new podcast for the last few weeks and then a call with my friend, Claire Wardle, spurred me into action. Claire is a professor at Cornell, an Ivy League university in upstate New York, where she studies as as she puts it “our crazy information environment”. I first met Claire when giving evidence to a parliamentary committee back in 2017 and then we re-met at the TED conference in Vancouver in 2019 where we were both due to give talks and hung out in between paralysing bouts of fear and imposter syndrome.

That TED talk led to a years-long lawsuit for me. And Claire, who founded a non-profit called First Draft that co-ordinated newsrooms and researchers to fight mis- and disinformation, has also found herself under attack. She and more than 100 other researchers in the field have been subpoenaed by a congressional committee who accused them of being part of the ‘censorship industrial complex’.

It’s these sorts of attacks that are now coming for so many other people. My ‘How to Survive the Broligarchy’ column, above, was intended as both a handbook - how do we protect ourselves? - and a manifesto, how do we fightback against these companies? And that’s the ethos of this podcast too, bringing together a network of people who have the knowledge we need for this next stage.

Claire and I decided this first conversation should be about how the media is covering this moment and its inability to shake off the “business as normal” framing of the authoritarian takeover of the US government.

I include a voice note from Roger McNamee in the first episode, a tech investor - he introduced Mark Zuckberg to Sheryl Sandberg - who’s now one of the most trenchant critics of both Silicon Valley and the media. And Mark Little, an Irish foreign correspondent turned tech entrepreneur (one of his claims to fame is being aquired by Rupert Murdoch), who’s pioneered new media models joined us to talk about solutions.

The best and most enjoyable journalism I’ve done in recent times is two investigative, narrative podcasts. Sergei & the Westminster Spy Ring debuted in December at number one in the Apple podcast chart and the BBC’s Stalked is currently sitting at the top of the true crime and series charts.

And what Mark pointed out, which I hadn’t thought about before, is that it’s the “process” of these real-time investigative podcasts that young listeners like. And it’s true that what we’re doing in Stalked is really punchy: this week, we name the suspect who we believe to be Hannah, my ex-stepdaughter’s, cyberstalker, something the police abjectly failed to do. In Sergei, we uncovered a UK government cover-up of foreign interference. We’re doing both of these live, transparently, and showing our workings.

As Mark teases it out, this is the impulse behind this podcast pilot too. It’s also a “true crime” story: democracy has been murdered and there’s a serial killer on the loose. It’s a race against time to prevent the perpetrator devastating the US beyond repair and racking up a bodycount in Europe. (If you can’t or don’t want to listen to it, there’s a transcript here.)

If that all sounds a bit weird and experimental but also ambitious and unlikely, I’d have to agree. But the whole point is that we have entered a wholly dangerous new era and we need new ways of communicating, of doing journalism, of storytelling, of reaching new audiences. It may very well not work in which case I’ll try something else but I’d love your feedback in the comments below. If you have ideas for collaborations or building this network, you can email me at survivingbroligarchy@proton.me.

[txttletale]

sorry if you have answered a question like this before, but what do you think of critiques from liberals/other leftists whether they be calling themselves socialist, communist, or anarchist, on the "disastrous/genocidal" effect of a "glorious revolution" on populations like children, the elderly, and the disabled? would any revolutionary action necessitate destruction of infrastructure? what kind of conversations are being had among communists about protecting these vulnerable populations? i see a lot of stuff about not wanting to watch kids die in hospitals just for a power vacuum that could go the wrong way and stuff like that and i agree with wanting to protect these populations especially, but something about the conversation in general seems off to me, since kids are already dying all over the world because of the lack of access to healthcare because of things like usimperialism or the insane costs even for people living in the us and the supply chain is already showing many cracks because of climate change and capitalism, with no global "violent revolution" to speak of. am i missing something crucial here? what can i say to my fellow disabled friends who have these concerns, partially born from dealing with ableism in leftist spaces? -- thank you, a baby communist

i mean first of all yes, it is disingenuous to pretend that the most vulnerable people are not dying constantly under capitalism. secondly, revolutions do not usually involve blowing up hospitals and care homes for no reason.

but most crucially of all this entire argument relies on a childish view of revolution inspired by the most tedious reactionary propaganda--an understanding gained from shen yun and anastasia. communist revolutions (like any revolution!) don't happen in times of unremarkable peace and prosperity--they necessarily happen in times of mass discontent and instability, because that's when large segments of the population become radicalised!

genuinely, the best antidote to all these silly liberal ideas about revolution is to read about the history of real revolutions, socialist or otherwise. actual historical knowledge trumps mind palace hystericizing every time. i recommend walter rodney's the russian revolution: a view from the third world.

[goodolreliablejake]

Fantasy races are an uncomfortable concept, because they present a world that literally works the way racists think that it works. The attempts to mitigate this problem often fail to address the core concern, merely making the idea more palatable.

A big example is trying to correct by changing the language from "races" to "species." This attempt fails for two reasons:

1) Exactly! Racists think that people of other races are a different species. That's the foundation of "race science," phrenology, all of it.

2) Are demihumans different species, though? Like, the interactions between elves and dwarves don't resemble the interactions between different species in our world. They don't act like snakes and lemurs, or whales and krill, or even cats and dogs. More often we've got different groups of people, who may speak different languages and have different cultural practices, engaging in diplomacy or war and struggling to coexist. In practice, they are treated as nations: ethnicities. Except they're ethnicities who are biologically distinct enough to have objective differences in ability.

This is something that puts me on edge in Mass Effect, otherwise one of my favorite games. True, the game ultimately lands on condemning the genophage, and it's not subtle about that. I mean just look at the name... But it's still considered debatable, morally grey, and Mordin Solus remains one of the most charming and enduring heroes of the series. The setting has bent over backwards to make every racist stereotype and talking point as legitimate as possible. In this setting, it is objectively true, scientifically proven that it is in the DNA of Krogans to naturally be violent, warmongering killing machines whose explosively rapid breeding poses an existential threat to the galaxy. That in turn is meant to make us think that maybe forced sterilization is something worth considering. It's hard to ignore the parallels to real life racist propaganda. I don't think it's malicious, just ungrounded and thoughtless; the result of creators to whom these ideals are abstract thought experiments, rather than reflections of real history.

Another big example is Dark Elves. They try to make it okay, to mitigate the message by fleshing them out as characters, by scapegoating an abusive deity rather than an ingrained nature, by erasing the monster manual description that reads "Always Chaotic Evil," by trending skin tone away from black and towards purple, or gray, even pale white. But none of it really changes the core issue, does it? The idea of drow is to equate dark skin with evil, to fetishize that idea, and to tell a story about a subsect of people cast into darkness as a result of sin in a direct parallel to racist Christian beliefs about dark skin being a curse or punishment from God.

So, do I think we need to cancel Mass Effect and stop playing D&D or telling stories about drow? No, not really. I mean... I do all these things. Truth is, I don't have an actionable solution, for myself or anyone. But the dynamic is clearly present and worth describing. And the attempts to challenge it are often insufficient, more about making ourselves feel better about what we're already doing than enacting real change.

[the-90s-music-colosseum]

Quarterfinals, Match 2

expand to see all propaganda received! (wall of text warning oh my god this is a severe cautionary message)

Lauryn Hill:

"she paved the way and was hot as fuck the whole time"

"Girl c'mon. Look at her. You're gonna try and tell me that isn't the most beautiful and attractive person alive? Okay. You're lying but okay."

"if u freaks don't give ms. lauryn hill the respect she deserves..."

"actually one of the prettiest women ever I'm such a lesbian for her. like irl I'm already a lesbian but she is helping"

Damon Albarn:

"Don’t think Damon should be here? Why don’t you get your head checked by a jumbo jet? Maybe you’ll feel heavy metal and calm down."

"If Damon is in the “some guy” category, he’s the heavenly and heartbreaking version. Damon is the sort of significant stranger I’d see on the train out of Colchester but could never speak to, just a face seen in passing yet too radiant to be real. I’d fall in love for an hour and carry the ache for a month."

"Damon sets the standard for me. I think he’s the most fascinating man alive. What I find attractive in Damon is not just his gorgeous bone structure and boyish charm, but how wholly he’s committed himself to music. Damon is an artist who walked the walk: in one of his roughest years with some of his rawest songwriting, he said he was no longer excited by anything except the creative process. He was disillusioned with the celebrity of it all, with his relationships suffering for it, and only wanted to make art: nothing more, nothing less. He would go on to compose film scores, write operas and stage musicals, produce other artists’ records, form collectives to fulfill his passion for world music, and create some of the most globally successful music of his career in a completely innovative format that placed him as the phantom behind the characters. Whenever one band takes a break, he makes a solo record or puts together a supergroup to stay busy. He’s uniquely collaborative and still writes personal letters inviting artists to record with him, and yet can function as a one-man show, acting as a multi-instrumentalist, a singer-songwriter and a producer. He’s been a constant voice of bringing British music to the world *and* bringing world music into Britain. Sure, he’s won Brit Awards and a Grammy among others, but he also has a Guinness World Record and was named an Officer of the British Empire for his services to music; his long work with Africa Express earned him respect even from peers who’d previously dismissed him, and his commitment to support his Malian collaborators in the face of violence earned him the title of Local King in Mali. There is so much talent in the world, but there is truly no one else with a career that looks like Damon Albarn’s. Damon is far more than just a prettyboy to look nice on a magazine cover, but looks are the ultimate point of this tournament, so make no mistake: he was terribly, terribly pretty. You watch him performing in the 90s, you sift through photoshoots and interviews and documentaries, and it feels *cruel* how beautiful he was. If his talent was god-given, so was his face. To put a bow on this thesis: I don’t know if Gorillaz and Damon’s musical universe would be the experimental, globe-trotting, boundary-pushing community affair it is if Blur hadn’t become such a central figure in Britpop and if Damon had not been made such a media spectacle, and I don’t know if Damon would have been that spectacle if he wasn’t so ungodly pretty. The domino effect is that Damon’s cherubic face launched a thousand multimedia art school projects for decades to come."

"I wish I was basically any bloke in the 90s so I could tongue Damon Albarn down. Damon will see a man and ask “is anyone gonna kiss that?” and not wait for a response."

"I have a pillow with his face on it. I sleep with it every night 😊"

"“I’m more homosexual than Brett Anderson, always have been. As far as bisexuality goes, I’ve had a taste of that particular fruit, or have been tasted you might say…” is just the rawest most Shakespearean statement ever"

"he is the ultimate Pretty Boy ™. his glorious golden locks, his electric blue eyes. he is if Princess Diana was a Britpop Dude. he is the Regina George of Britpop. he is if Aphrodite took male form. Zeus would come down to earth to fuck him if he knew. he is a caffeinated orange cat let loose. he is deranged. he is unhinged. you never know what will come out of his mouth. he had sexual tension with every single man who knew him. he pulled justine fucking frischmann. his aura knows no bounds. he is a siren. he is a weird guy. but being so gorgeous stunning ethereal didn't stop him from also being one of the most prolific songwriters of his generation"

"THE MAIN BLUR"

"literally where do i even begin. i could write entire essays on this man. a good place to start would be the beetlebum music video, i suppose. i'll never forget the first time i watched that music video. something in me changed, my brain chemistry was altered, my life was never the same, i view the world a lot differently now. and a lot of the viewing i'm doing is of pictures of damon albarn's face because of boy do i have a lot of those saved. every time i try to look for a photo of something on my phone i can't find it because there's so much damon. okay that's maybe an exaggeration but this man has the most unfathomable beauty ever. his eyes? HIS EYES. god dammit i love his eyes i want to stare at them until the end of time like nothing else exists. i'm so normal about this man (lying) and while i'm usually very shameless about my interests i'm actually incredibly glad this propaganda is anonymous because otherwise. yeah. but the world deserves to see damon albarn's beauty and also hear his fantastic voice because what the fuck. his voice is literally the most gorgeous sound ever produced like bro sounds like that and expects me not to fall in love? i want this man to sing his silly songs and talk absolute nonsense to me until the sun eventually blows out and the world ends. cmon damon girlies let's demolish this tournament i know there are a lot of you."

"He’s beautiful. He’s a little rat. He’s a sweetheart. He’s a dickhead. He’s a musical genius. He’s a dumb bitch. He’s a jock. He’s a weirdo. He’s real. He’s an illusion. He’s everything. He’s just Damon."

"DAMON DAMON DAMON where do I begin oh jeez I've hyperfixated on this man for a solid 4 years and still going strong. Damon makes me wish that British people are real. That says A LOT. This man created a whole ass ANIMATED BAND WITH A SHIT TON OF LORE as a SIDE HUSTLE??? Not to mention, what other man has collaborated with Stevie Nicks, MF DOOM, Del the Funky Homosapien, Snoop Dogg, AND Beck?! People, we're literally in the presence of a god. And he's STILL GOING. Anyways, TL;DR, damon is so so so neat and cool and he should definitely win this competition. Thank you."

"Okay 90s Damon is The Perfect Boy yes yes, but the people who parrot the Daily Mail and say "he's ugly now" will never understand. I would still suck every drop from him on his deathbed."

"Vote for whoever you want to. But Damon is so pretty."

"i did not spend hours admiring this beautiful man's face on pinterest just to see him lose."

"Damon Albarn just brings me joy. When I'm watching him perform, following along as the camera lingers on and adores his pretty face, I get butterflies like I'm 15 again. It's nice to still feel that totally unguarded giddiness sometimes."

"God let the intrusive thoughts win making Damon. What if he's a beautiful blond twink with eyes like saucers and dick to his knees, he reads Herman Hesse and plays footie and is insufferable about both, he'll be the most prolific musician of his generation and write operas and seminal albums in 5 different genres and also he's gonna be the dumbest bitch alive? He'll also be kinda bi, but only kinda. And send."

"when i found out about his existence, my life was changed forever. i wish i could use him like the hannah montana boot milk pillow and chuck him at the wall so he makes a loud thud"

"Think of the drama and anon fights it'll cause if Damon wins it all! And think of how quiet it'll get after Damon's out. You'll miss him when he's gone, like memories of a noisy house years after it's grown silent. Choose Damon, and keep the messy train chugging."

"Even the Gallagher brothers have the hots for him."

"Kiss kiss I love him also you can't vote for any of the Seattle men they're literally copy and paste it's not fair. We need Brit representation"

"I want to take care of him, I want to provide for him. I need to gauge his baby blue puppy dog orbs out to I can clean them with wood varnish, paint shades of Pantone 320 C in his eyes, spray eau de parfume by dior in them and sew it back into his eyes like that scene in Toy Story 2."

"Seeing as simply filling the page with ‘Damon’ written 10000000 times isn’t going to cut it 😅 may I admit/submit: I DO have him tattooed on my being (no descriptive, is this anon?); he’s inspired somewhat unhinged late night/early morning fandom conversations in which I’ve served as ‘parish’ priest hearing confessions from all manner of folk about what they’d like to do to him/receive from him; sadly I lost an essay where I detailed why the letters that make up his name suit him so well, and described him as the hot caramel sauce to Graham’s cool vanilla ice cream. He’s a faerie princess with a nose that makes people weep and a voice that feels like the warmest home and he gives amazing hugs. He loves trains and chickens and his tuxedo cat. He’s annoying and sweet and somewhat unhinged and his music saves people and all this is on top of that fantastic dick. He’s a dream yet very real and we’re fucking blessed to be on earth at the same time as him, amen"

"Damon Albarn was a beautiful, beautiful boy. The world saw that, regardless of if every individual reading this has the same taste in men; it felt like a truth of the universe at the time. They don't make celebrities that angelic in face and erratic in personality anymore."

"I need to touch his eyebrows, nose and prostate just one time JUST ONE TIME COME ON"