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#prompt three of one hundred
darkblueboxs · 2 years
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some of yall may not like this one but. those shows netflix keeps cancelling?
Stop trying to save them.
Stop getting hashtags trending, stop spamming twitter accounts, stop crowdfunding billboards outside Netflix HQ, stop putting your TVs on silent and playing episodes on loop to boost ratings, stop creating petitions and binging shows in one night to fit within the “renewal decision timeline”. PLEASE stop.
Maybe one time in a hundred, this will work. But every time you are guaranteed to be giving priceless free marketing, promotion, attention and screen time to a coorporation that may love having you beg on your hands and knees for their scraps of Entertainment (tm) but will never love you back.
If you are angry that Netflix cancelled something you like, cancel your subscription and tell them why. Taking to social media, streaming the show repeatedly and encouraging others to do the same might make them reconsider the cancellation, but it will definitely encourage them to keep following a business model of making controversial (RE: bad) decisions to gain free publicity and a user base increasingly willing to drop time and cash on broken promises.
Engagement and news coverage will never make Netflix reconsider their practices. No such thing as bad press, right? If you want to see real change, go silent, cut them off and take your money elsewhere.
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capricorn-0mnikorn · 1 month
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I have ~Thoughts~ on the Harry Potter Phenomenon that was
(Courtesy of memories prompted by this Tumblr Poll)
Back when I was a senior in college (back in the mid-to-late 1980s), I actually wrote a fantasy novel for kids aged ~8 - ~11 (in a self-designed course for a single credit, under the guidance of my Literature advisor), inspired by a series of dreams and recurring characters that showed up in them.
My advisor encouraged me to try and get it published. And so, I arranged with teachers from my old school to have a class of 30 or so 10 year-olds beta read it, and give me feedback for revisions. The kids also encouraged me to try and publish it.
So I did.
Now, back then, there was no "Self Publishing." The closest thing was "Vanity Publishing," where you would pay 100% of the publishing cost of your book, which would be printed in hard copy, for the benefit of having 500 -1,000 books shipped to your personal address, which you were then responsible for storing and selling out of the trunk of your car in a parking lot, somewhere. And if word got out that you were trying to claim credit for being a "published author" because of a Vanity Press book, actual publishers wouldn't touch you with a 40-foot pole.
If you wanted to get published, you had to buy that year's copy of Writer's Market: a listing of magazine and book publishers, and agents, with a brief description of what material they published, and what they wouldn't touch.
Guess what genre no agent or publisher was interested in handling?
That's right, Gentle Readers: Fantasy for children aged 8 - 11. I would have happily sent out a dozen queries for each story I wrote, if there were publishers and agents willing to look at them. But for three to four years of trying, in directories of two-columns of tiny print, and several [hundred]* pages long, I'd be lucky to find two or three outlets even willing to look at fantasy for kids.
The general consensus, across the publishing business, was that fantasy was a dead and obsolete genre. If it was for kids old enough to read chapter books and novels, it must also be firmly grounded in realism and actual history, because everyone knows the only people buying books for kids that age were teachers, who wanted stories with practical applications in the classroom.
***
After 3 - 4 years of trying, while I was in grad school, I finally got a rejection from the one agent who agreed to read my novel. A few days later, I received news that my mother had died from the breast cancer she'd been fighting, and my heart just went out of the project altogether.
A few years later, the first Harry Potter book was published. And it became a worldwide phenomenon. And it was the kids, themselves, who were driving the sales.
See, I think the real reason the books were such a success, even though they were never really very well written, was because they were in a genre the audience was hungry for -- a genre they'd been denied access to for all of their young lives.
Someone who is starving will think even moldy bread is delicious.
*Gosh, what a word to leave out via typo; the Writers Market rivaled the Manhattan Yellow Pages in length.
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januaryembrs · 4 months
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SWEET AND RIGHT AND MERCIFUL | Spencer Reid x Sunshine!Reader
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request: my DARLING @avis-writeshq says: OMGGGG EM CONGRATS ON 3K !!! soooo deserved and i’m so so happy for you!!! please may i request tea for sunshine!reader 🥹🩷 maybe the moment when she realises just how much she likes him (perhaps she was in heavy denial beforehand)? I LOVE YOU SO MUCH THANK YOUUUUU 🩷🩷🩷
description: The Sunshine rookie Spencer had heard so much about is the first one to make him laugh since he got out of prison.
length: 4.1k
warnings: Lucky Strikes episode, talks of humans eating humans, cm gore, blood, violence etc. UnSub gets creepy with reader. sex jokes, spitting water.
author's note: dedicated to @avis-writeshq because she is my GIRL when it comes to Spencer Reid x Sunshine brain rot, and also because she requested a Drabble for them but I couldn't stop writing and here we are with a full ficlet.
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It had been three weeks, three painfully long weeks since Spencer Reid had returned to the BAU, nearly ten years since she’d seen him lecturing at Pennsylvania. He looked different, but then Emily had said quite literally on her second day that their endgame was getting him out of prison for a crime he didn’t commit, and it seemed only natural that being a fed in a foreign jail would knock someone around. 
She’d been too nervous to speak to him on their first day working together, had stuck to Luke’s side like glue because he was closest in age to her and he didn’t seem to mind the way she could speak a hundred miles per hour. They had only really had any contact when she was chatting with Garcia in the kitchenette at lunch, when she was talking to the tech whizz about the crochet set she’d bought even though she couldn’t seem to wrap her head around the way everything bobbed and weaved and bobbed again, and how the woman on youtube seemed to make the tiny bumblebee seem so achievable while hers looked like a yellow turd. 
He’d come up behind the two of them, his footsteps deadly silent despite the fact he had sneakers on, and she wouldn’t have even known he was there had Penelope not lit up with glee at seeing Reid poking around their office again. 
“Coffee, honey?” Penelope asked, looking over the girl’s shoulder, and it was only when he murmured a ‘mhm’ that the rookie noticed he’d crept up behind her, leaning over to grab his mug from the cupboard, and she hopped to the side immediately. 
“S-sorry, just shove me out the way next time, my mom says I have zero spacial awareness.” She said with a nervous laugh, and he didn’t seem to care as he granted her a small glance, pushing the button on the coffee machine and clunking his mug beneath the tap. 
“Have you met our newbie, Spence?” Penelope asked, friendly as ever even though the women caught the way his jaw seemed to feather with clenched muscle, like he was holding himself back from snapping, and his eyes were tired as he looked over at Garcia, barely flicking his gaze to the new face despite her prompt, “This is Y/N, she’s joined us from cold cases,” 
“Hi,” The woman chirped with a quick wave, despite the fact he was stood only a foot away from her, “It’s nice to meet you after everyone’s spoken so highly about you, Penny said you like invented the term genius,”
Spencer pursed his lips, trying not to make a backhanded comment about how dumb that sounded because of course he didn’t invent it, of course it was coined in the mid seventeenth century from the latin gignere to mean ‘exceptional natural ability’, and the last time he checked he wasn’t even born then. But he stopped himself, because she was just being nice, and it wasn’t her fault that he hadn’t been sleeping or that he couldn’t eat dinner without waiting to hear a buzzer go off to let him know when it was meal time, and it certainly wasn’t her fault that she was just a few decibels too loud with her cheerful tone and smile that he could hear in every syllable. 
So he just gave her an awkward smile, and an acknowledging nod, the whir of effort from the coffee machine slowing down as his drink finished pouring, and he grabbed his mug, not even caring that the ceramic scolded his fingertips because he’d felt so much worse before and gotten through it. 
“I’ll catch up with you later,” He said coldly, not returning the sentiment, and he’d turned before he could see the way her smile dropped, her brows creasing in worry as she watched him head back towards his desk.
“Did I say something wrong?” She asked with a small voice, and Penelope wrapped an arm around her shoulder giving her a kind squeeze and a sad smile. 
“It’s not you, sweetie, he’s just-” Garcia swallowed, her own pout growing over her red painted lips, “He’s not like the Reid we used to know, he’s struggling,” 
And so she nodded, chewing at the inside of her cheek with a frown. It felt silly to have her feelings hurt, except she’d been thinking about the day two agents from the BAU came to give her sociology class a talk on geographical and societal factors compelling crime, how she’d headed straight to her tutor that evening to swap her major to criminology. Because she’d hung on every word Agent Hotchner and Agent Reid had said, which definitely had nothing to do with the fact the younger of the two was so dreamy in his glasses and tweed jacket. 
She’d been excited to meet him again after nearly ten years, maybe even thank him for changing the trajectory of her entire life. He was still handsome, and despite the fact she’d grown up since then, had only thought about him as that hot guy who gave a lecture in her class that one time, she still had felt that silly fluttering feeling in her chest the second she saw him talking with Emily in her office the morning he got back. 
And he’d look at her like she was a girl scout selling cookies; a passing face, a summer temp, no one worth getting to know.
She pretended like she wasn’t the slightest bit disappointed, he’d been to prison for god sake. The guy had bigger problems than a little nobody girl from another department.
Things weren’t much better the day they got the case.
“You might want to cover your eyes for this bit, my little sugar plum,” Penelope said, looking at the rookie with soft eyes, and Emily smiled at her gently, knowing the girl had a bit of an innocent streak, not completely unlike Penny when she’d started the job. 
“Why? I’m sure it’s nothing-” She cut herself off when Penelope clicked onto the next page, and the image of a woman who could only be described as utterly butchered flicked onto the screen in full size, “Oh,” 
“Oh, indeed, rookie,” Rossi said with a wince, looking at the mulch of blood and muscle where her legs had been removed, and her fingers severed clean off as if with a carving knife. 
Luke looked up at the girl, where she’d gone a little peaky, and he patted her back gently, sliding his bottle of water over to her without a word. 
“All the telltale signs are here,” JJ said on a sighed breath, images of the rest of the crime scene flicking up on the screen.
“Pentagram, legs and fingers gone,” Rossi agreed, Luke and Matt looking between the team with a questioning glance, as she downed a sip of the water. 
“There’s even one neat aspect right here,” Emily said, the tip of her finger pointing to one of the pictures of the floor outside the bathroom stall where the body was found, “Her earrings and jewellery are laid out equidistant on the floor,”
“Sure as hell looks like him,” Rossi said, and she cleared her throat, looking to the older man on her left. 
“Like who?” She asked, her eyes snapping to Spencer who opened his mouth to speak, which seemed to be the only time he ever did bother making conversation; when there was a body on their hands.
“Floyd Feylnn Ferrell,” He said, as if the original case had only been wrapped up last week, but then with his memory she wasn’t exactly surprised, “A psychotic cannibal who’d been killing under the radar for years,”
“He killed ten prostitutes and then moved up to low risk victims,” Prentiss added, the rookie’s eyes wide. It wasn’t anything she’d never heard of, but it never made it easier knowing something even worse was coming after the murders. 
“He kept slipping through the cracks and avoiding justice so people referred to him as ‘Lucky’” JJ said, her eyes darting over the crime scene photos that seemed to take her back ten years to when they’d seen almost an identical set of photos, like Hotch was about to call ‘Wheels up in twenty’ any minute now.
Rossi sighed, looking at the younger girl who watched him wide eyed, “Have you eaten today, rookie?”
She shook her head dumbly, “Why?”
“Because the worst of it was he owned a barbeque joint,” Her face dropped even more, if that was even possible, “And he fed one of the victims to the search party,”
Her hand flew to her mouth, blinking at the seasoned agent in terror, because that was something she hadn’t ever thought would enter someone’s mind until she heard it. As simple as it sounded, for someone who had seen cases going back twenty, thirty years, some particularly heinous in nature, there were new lengths she didn’t realise a human could ever go to, let alone would.
Penelope stopped, shutting her laptop lid and glancing at JJ in a plea for help, as the thought of what had happened after the Ferrell case rushed to the front of her mind, when the guy she’d thought wanted to take her out on a date shot her. 
“I have a computer…” The blonde trailed off, heading for the door to the office room with a dazed look in her eyes, and the rookie watched her leave, her neck and palms clammy as she thought about what Rossi had just said. 
“I think I have a computer too-” She rushed, and she bolted from her seat before she could think of anything else, dashing after the technical analyst because she feared she was going to throw up if she didn’t get a breath of fresh air. 
Spencer watched her hair swish as she scurried out the room, and he wondered how long she would last if she couldn’t stomach just a few photos. He had struggled with the gore at first, sure, but he’d never ran. Maybe he was being cruel, but he couldn’t say that a girl like her exactly fit the part of an FBI agent, she seemed… pure, like driven snow, and if anything he’d hate for the bloodied parts of their job to stain a girl so squeaky clean.
Emily nudged his shoulder, nodding towards her retreating figure when he looked up at her questioningly, “You keep an eye on her in this case. She’s still learning,” 
And Spencer grit his teeth, because he hated the idea of babysitting when he had a dozen of his own problems, but he nodded indignantly. 
He just hoped she didn’t make things too hard for him. 
The door swung open behind Ferrell, the UnSub’s sister, the midday Florida heat boring down on her back, Spencer bristling at her right as Luke pocketed his badge. 
And then there he was. The guy from the photo, his thick, wiry glasses exact matches to the ones he’d been wearing the day he got caught, though she supposed a mental facility didn’t exactly have funds for replacements. 
“It’s no problem, Lori, I’ll speak with them,” His voice was a strong southern twang, and almost chillingly calm. His sister looked over her shoulder at him, the woman fretful as she glanced between the four agents, ten years of troubles on her shoulders. She sighed, running a hand over her neck nervously and headed back inside to be with her son, leaving them alone with their suspect on the doorstep, “You’ll have to wait, I’m on my way to church. It’s right around the corner so I’m within the thousand permitted yards from the monitoring station,”
He quickly glanced at where Matt and Luke stood behind her, the former with his arms crossed over his chest as he eyed up the thin, twiggly guy who looked like the type to live in his mother’s basement until he died, not the type to cannibalise and murder. 
His eyes darted over to where Reid towered over him, familiarity flicking in his face as he looked at the agent, and he smiled slowly, like something out of a horror, the uncanny valley of a face so normal when she knew he was so sick somewhat terrifying to her. He fed one of the victims to the search party. She heard it rattling around her skull as she saw the whites of his teeth, and she imagined him ripping into her then and there, her hands shaking.  
“Hey, I remember you. Where’s your friend, Agent Morgan?” Floyd said, and she felt Spencer tense up beside her, which she guessed meant it was a sore subject as she jumped into the conversation, her lips moving before she could think better of it. She’d always had a habit of talking too much when she was nervous, or to fill gaps, or when she could tell someone was uncomfortable, she’d always been told it was one of her more irksome traits. 
“You wouldn’t mind if we took a look around, would you? Just while you’re gone?” She asked politely yet, for once, she regretted ever opening her mouth the second he turned his attention on her.
She felt something cold and dreadful run down her spine as he looked straight at her, his sepia eyes trailing down over her neck, running over her body and down to her hands that fidgeted at her sides.
They waited on baited breath, her stomach flipping with sickness as that manic smile drew even wider, trained solely on her, a thought privy only to himself somewhat amusing to him. She felt herself lean away without even meaning to, incidentally feeling Spencer’s arm bump into hers as she did, and the three men seemed to tense up as they watched Ferrell smell the air, savouring every second of it, his eyes blown wide with something unreadable. Lustful yet starved, like he was on a four day fast standing next to an open roast. 
“You’re awful pretty for an agent,” Floyd said, that drawling accent of his turning her stomach, and his eyes trailed down over her calves, and she cursed herself for wearing a midi skirt. But she hated jeans on her thighs, hated the way Florida air clung humidly to her skin when she didn’t let it breathe, but she thought she might just hate the way his mouth filled with saliva more, “Do you like running, agent?”
“Sometimes,” She whispered, shrinking in on herself even more as he took a step out of the home. 
And Spencer felt his chest drop at the sound of it. She sounded petrified. But then, he would be too if someone his size looked at him like he was a five-course banquet. And he regretted ever thinking of her as babysitting, as defective, because she was clearly trying her best, and this was where it had gotten her. Right on the UnSub’s menu.
“I bet you do a lot of running, chasing after bad guys, huh?” Floyd pushed, leering towards her with another smell of her perfume, and she could have sworn his smile only widened into something cheshire cat-esque. She nodded with a worried gulp, her breath picking up when his hand began moving up to where a rogue stray hair fell out of her bun, running over her collar bone, her heart beating so wild and heavy beneath it. 
And it was enough for Spencer to act, because within the blink of an eye, he’d side stepped in front of the rookie who seemed frozen in her spot, and Floyd’s arm was shoved away where it hit Spencer’s bicep. Ferrell was forced to stop looking over her clammy skin with heavy swallows like he was imagining just how she would cut and marinate, and instead was confronted with a frown that could send any man scarpering, Spencer’s lips pressed into something furious, his shoulders seeming only more broad than they usually did when he purposely blocked Ferrell’s view from her. 
“You’d better get going, Floyd,” Spencer said, his voice a deadly sort of calm, and his arm stuck out behind him to keep her where she was as he spoke, “You’re going to be late for church,” 
And Floyd listened, despite his smarmy smile as he dared a look at her when he passed by, despite the fact his eyes trailed back down to her jugular like he was ready to sever it there and then to string her up and cure. 
Spencer’s hand fished around his pocket, glaring at the back of Floyd’s head as he strolled down the street, tossing the keys to Alvez, “Take her back to the car, don’t let her out of your sight,” 
And the two of them listened while he and Matt swept the house, because anyone would be insane not to when Spencer looked so angry he could have put a hole through Ferrell’s head without blinking an eye.
“Eating people, who eats people, what on earth is that all about,” She muttered, the four of them in the SUV heading back to the station. She sat at the front with Spencer where he drove because Luke and Matt were gentlemen and had offered her the extra leg room, and Spencer had zero qualms because he was under strict instruction to keep an eye on her. 
She did that alot, he realised. Muttered when she was thinking about something. Where he went deadly silent when troubled, too focused on sorting through the mental files that seemed to be so resistant to organise these days, she was his entire opposite, always talking or humming a tune under her breath or playing an invisible set of piano notes on her knee, something to always keep the space filled. 
He’d hated it the first few days, the sound like a blaring alarm coming from over by her desk, cutting through his limited attention span, grating on his nerves and making him have to bite his tongue to stop himself from yelling at her to shut the fuck up. But then, it wasn’t exactly personal to her, even the sound of the coffee machine had been enough to pull at his hair in frustration. At twelve years old, it spluttered and whirred and kicked back at every drink it made, every second of it winding Spencer’s patience up like a jack in the box.
But he found himself listening in on her mumbles, glancing over at how her frown screwed up her doe eyes, her lip pulling between her teeth whenever there was a tiny pause in between her words, before she started again. He’d quickly realised it was the easiest cheat in the book to know when something was bothering her, that she was so much of an open book, not at all cold and guarded like him or so many other profilers he knew, that he wouldn’t need to bother deducing her like she was his next UnSub to know what was wrong. She would just tell him as it was, wear everything vulnerable on her face. 
“Something the matter?” He pressed, Luke also keeping a close watch on her from the back seat as she shook her head to herself, and her head snapped over to the driver’s side, her expression entirely caught even though she’d not exactly been subtle about her turmoil.
“M-me? “ She pointed to herself, and Spencer nodded, trying not to smile because sometimes she could be clueless, not the dumb kind but something sweet, naive, and he found himself somewhat jealous that she didn’t need to be the smartest person in the room to be worth something, she could just be herself, “Yeah, I guess I just,” She huffed, running her hands over her skirt, “I don’t get why anyone would want to eat someone else, it just-” She shivered, not in a theatrical or fake way but like a ghost had walked over her grave just thinking about Floyd smelling at her. 
“Some cultures used to cannibalise other members of their society as funerary practices as early as twenty-four thousand years ago,” Spencer said, and she stopped fidgeting to listen to him, “There’s evidence that the Magdelanians in North Europe used to turn their dead’s skulls into cups they would then drink out of,”
“That I can understand, those guys were probably starving and it’s not like they can just chow down on a damn sabertooth as an easy lunch or something,” She said, and he bit his lip from stopping her to explain that the two of them were about four thousand years apart from one another, “But like, when there’s a burger king or taco bell on every corner, why are you eating women. Who eats women for breakfast lunch and dinner, like raise your hands which one of you would ever eat a woman,” 
Luke sniggered, and Matt smirked at the innuendo of it, the double meaning of her words flying entirely over her head.
“I dunno, Alvez, do you like eating women?” Simmons asked, a smug grin in his words as the boys cackled childishly, and Spencer rolled his eyes with amusement. 
“Pretty partial to it actually,” Luke chimed in, and she whirled in her seat to look behind her of scepticism, “How about you, Reid?”
“You guys are so weird,” She murmured, and Spencer took a quick glance off the road to see her looking entirely baffled, her feathers ruffled at the fact she was left out of the joke. 
“They’re talking about oral sex,” He explained, because he remembered when that had been him for the longest time, and how it had made him feel like the butt of every punchline to not understand why everyone would smile at him knowingly, yet he found himself doing the exact same to her, his lips twitching at their corners.
Spencer watched her scoff, looking back at the two grown children in the back, “I take it back, you guys aren’t weird, your gross. Why can’t you be mature like Spencer?” She huffed, sitting back in her seat and fixing her skirt, “See if you were grownups like Agent Reid and I, you’d know the term isn’t eating a woman, it’s called focalratio,” 
Matt pulled a face of confusion, flicking his eyes to her, “Isn’t that to do with a camera lens?” 
“Do you mean fellatio?” Spencer asked, trying his hardest not to smirk because he didn’t want to make her feel stupid, except she just waved a hand at him.
“That’s what I said. I see why they call you Doctor Read and not Doctor Listen,” She giggled at her own words, watching the trees go by her passenger window, almost entirely oblivious to the way Spencer’s face cracked into a grin, something easy and charmed in his chest. 
And for a moment, he saw exactly what Penelope had been talking about when she wouldn’t stop talking about how likeable she was and how it was harder to hate her than it was to love her. 
Luke took a sip of his water, the bottle nearing the end as the Florida sun warmed it up, and he figured he might as well finish it before it became stagnant and undrinkable. 
“Actually the term fellatio describes only male genitalia, the female equivalent would be cunnilingus-” Spencer explained, and he knew she was listening because he felt her eyes on the side of his face as he spoke, except he was cut off by the sound of her screaming so loud he nearly slammed on the breaks then and there. 
“LUKE!” She yelled, and when Spencer looked, she had water dripping down the back of her hair, soaking her shirt to her skin, her black bra straps suddenly clear as day as they pressed against her dove white top. Alvez looked mortified, and he found himself apologising between coughs, water dribbling down his chin where he’d been so shocked to hear that word coming from Spencer’s mouth that he’d completely forgone swallowing and simply spat the whole thing out right through the gap between the headrest and the seat. 
And Spencer laughed; it was quiet and foreign and nothing on the roaring cacophony coming from Matt in the back, as her and Luke descended into a squabble, her proclaiming him as a disgusting alpaca man as she tried to dry herself off with his jacket. But she caught it, the small chuckle coming from her left, and she looked at him, the sodden shirt almost forgotten when she saw him laugh. 
She thought then that she wanted to make him laugh like that a million more times. And she knew she had it bad for Spencer Reid all over again.
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confessedlyfannish · 6 months
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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peachesofteal · 10 months
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Light on - single mom/neighbors fic Simon Riley/female reader Prompt: You ask Simon to babysit for you last minute. For @that-fangirl-1106 and three anons
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“Thank you so, so much. I owe you.” 
Simon stops short at your door, brows raising in surprise. He expected to see you in your ‘house clothes’ as you call them, leggings, or an old pair of jeans with a t shirt. Instead, you’re wearing a skirt, a short skirt, swell of your breasts just visible inside the V of your shirt, and his stomach twists, confusion thrumming in his veins. What is this? Where are you going? When you called and asked him to help you watch Emma for a bit, he just assumed it was so you could run some errands or something, take some time for yourself. Not for… whatever this is. 
You’ve got Emmaline on your hip, waist curved to accommodate her, and she’s babbling at you with a happy smile.  
“Are you sure it’s not an inconvenience? My sitter bailed last minute.” The door lock clicks into place behind him, and he holds his tongue, stopping the flow of one hundred questions, biting down on the urge to pull you into his chest and tell you- you’re not actually going anywhere. 
Would you agree? Would you look up at him with that sweet, beautiful face, and tell him that you won’t? That you’ll stay here, with him, instead. Where you belong.
“Simon?” Shit.
“It’s fine. I’m happy to help.” Emma coos, looking up at him, little legs wriggling in her onesie and his heart thumps a little harder, the green poison of jealously cooling just slightly when he realizes it doesn’t matter where you’re going. You’ll be coming home to him, and Emmaline, at the end of your night. 
Still. He has to ask. He has to know. 
“Where are you going?” You hand the baby to him, clucking softly, rubbing your fingers through her wispy crop of curls. 
“Out with this guy I met!” You’re excited, practically beaming, and your fingers find the hem of your shirt, anxiously plucking at it. “It’s been a while since like-“ you stop yourself, embarrassment heating your face, and you clear your throat. “No one’s asked me on a date in a while. Single moms aren’t really… a hot commodity.” His stomach clenches at the idea of another man thinking you’re a hot anything, let alone even looking in your direction. 
“Where are you going? Who is he?” 
“To the little Thai spot on seventh.” You give him an odd look. “And he’s a guy I met at the library.” 
“The library?” 
“Yeah, during story time.” You’re pulling a jacket on, and he clenches his jaw so tight he could chew through concrete. “Alright, baby, love you.” You step into his orbit, dab of perfume still wet on your neck, heat pressing into his side when you bend to kiss Emma on her forehead. Your hand brushes his against her back, something clouding your gaze when you look up into his face, something hopeful and honeyed sweet, with just a glimpse of longing, enough that blood roars in his ears. 
He should ask you to stay, tell you he’ll take you instead. Or take you somewhere better, take you anywhere you want to go. 
But he doesn’t. Instead, he watches you slip out the front door, blowing the baby in his arms one last kiss goodnight with a wave of your palm.
An hour later, a key scrapes against the metal of the lock. He’s got Emmaline and her favorite stuffed giraffe in his arms, walking circles in the kitchen, bouncing her lightly to try to soothe her pre bedtime tears, a normal routine he’s seen you do more than once. 
You slip through the door with a whispered apology, tired eyes rimmed in red. 
“Hey.” You reach for Emma, giving her a big smile and holding her to your chest, little kisses from your lips dotting her head, her cheeks. Your eyes slip closed, tension sagging from your shoulders, and he frowns, 
“What happened?” 
“Nothing. He uh, didn’t show.” Oh, sweetheart. You shrug, brushing it off. “But that’s okay, isn’t it?” you coo at Emma, smoothing a hand up and down her back. “Yeah, that’s okay. Mum doesn’t need anyone but you, huh Emmaline?” You say something about putting her to bed, and he barely hears you, too busy thinking about finding the piece of shit that decided to stand you up and breaking every bone in his body. 
You reappear once you’ve got her down, and he still hasn’t made himself scarce, lingering in your kitchen, hands in his pockets. He feels out of place, heart panging at the dejected look at your face. 
“Fuck that guy.” He grunts, and you crack a smile, tucking your arms around yourself. “He’s an idiot.” 
“Yeah.” You’re sullen, rejected, and it makes his blood boil, rage coursing through him knowing that someone made you feel less than the wonder you are. “Thanks for… I guess hanging out with her for a little while, at least. It was really nice of you.” 
“Anytime.” The kitchen is silent for a moment, reflecting your somber mood, and just as he’s about to tell you how stupid that guy is, how much of fool he is to not see what he missed out on, how much he didn’t deserve a single second of your time, you sigh out a whispered confession. 
“I guess it was pretty stupid.” 
“What was stupid, sweetheart?” 
“Going on a date when I have a baby at home. Thinking someone would even want a single mom with a baby at home.” You roll your eyes. “You know, as soon I got out the door, I was thinking about coming back? Couldn’t stop thinking about her. Wishing I was hanging out with my own daughter, and you… instead of going on a date.” His heart latches onto your words, hoarding them close, trying to memorize them so he can recall every syllable when he closes his eyes tonight. 
“That’s not stupid.” He wants to comfort you, promise you that it’s the farthest thing from stupid. 
“Maybe. Either way doesn’t matter, right? I got stood up.” You wince. 
“Whoever he is, he doesn’t deserve a minute of your time.” Your lips part, a little stunned by the steadfast vow, before splitting into a delicate smile, and your head ducks. 
“Thanks, Simon.” 
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housecatclawmarks · 5 months
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Philadelphia’s (democratic) Mayor has enacted this completely fascist plan to forcibly arrest an entire neighborhood of drug users, sex workers, and unhoused people in our city to make way for gentrification and the financial interests of developers, btw.
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Phase one: force your citizens into unliveable conditions of abuse and poverty that prompt or increase reliance on opiates
Phase two: increase criminalization and stigma, cutting off any kind of safe supply and forcing people dependent on opiates to turn to drugs cut with xylazine and fentanyl, increasing overdoses and health crises
Phase three: use your power as elected officials to bully, threaten, cut funding for, and ultimately try to remove any harm reduction organizations started by affected people in the area you’ve concentrated them into
Phase four: use taxpayer money to send hundreds of armed & violent pigs into that area to kidnap, arrest, and beat people they profile at a glance as drug users, sex workers, ‘undesirables’ etc
Phase five: attempt to distract from the blood on your hands by having cheap luxury apartment buildings put up
Image description coming when im not exhausted unless someone else wants to add one first
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puppetmaster13u · 6 months
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Prompt 266
Back on my Danny & Ras frienemies/rivals/maybe-lovers-nobody-can-tell-their-signals-are-very-mixed train. 
See, Danny has gone through time a lot. Often. It comes with being Clockwork’s charge-son-thing and honestly he finds it fun. And several times he’s used this time travelling to get some training in. Enter Ras, stage left, also a teen at the time and also learning swordsmanship from the same person. 
And they… utterly despise each other. They would kill the other for an apple slice, if the other one would die! But also, only they can kill the other, as it is obviously their right! 
And well, they keep running into each other. It has been a hundred years, surely the other would die by now? But of course their rival would live through utter spite. Probably to spite them specifically. 
The amount of times they have ended up sparring- trying to kill each other or not- the moment they see the other is actually ridiculous. But time is also passing. And… Danny understands, not having another to talk about things people are forgetting, or have already forgotten. 
How they ended up actually talking without a murder attempt was a long story that included a demon, a dragon, a pair of fae, some bandits, and a lot of alcohol, but it happened. And then it happens again. And again, and now it’s just kind of normal to share a drink after their spars, talking about things that no longer exist, and things they miss. 
Sure Danny can go back in time again, but he knows better than to do it willy nilly. He’s matured, he’s been an adult for a hundred years now, he knows there’s consequences for messing with time, even with Clockwork’s blessings. 
The first time they got married was technically for an undercover assassination. Well, Ras was there to assassinate someone, Danny was there to grab an artifact that should Not be in the realm of the living. And they got divorced after, it was fine. 
They just, also got married again when they met a few years later, for another job. And… okay, so maybe they have gotten married over a dozen times now and only divorced like half of those times. Half of those were for the bit or while drunk! 
And even if technically they’re married or shared a bed, it’s not like they're exclusive! As Ras’ daughters’ existences attest to (adopted in one case or not). They don’t exactly have a label for their relationship, despite others asking for one or trying to put a name to it themselves. 
Now Danny knows Ras isn’t exactly a good dude, or at least on the side of ‘good’ as he’s a literal assassin. But he also knows that good? Bad? Rather relative. He had gotten labeled as a villain when he was just trying to help all that time ago after all, and really who was he to tell someone else how to live their life? 
Which brings him to now, where he’s run into his old frienemy-rival and his youngest daughter. Who has a braindead teenager and a small toddler. Which is fine, really- but also, Talia dear, why are you using a brain dead teenager to guard your three year old son? 
Okay, Talia dear, Ras (Derogatory), why are you using your brain dead son and grandson to guard your younger son and grandson? Do you not have the Pits, which you were soo proud about Ras? Yes, he will spar with you, but for Realms’ sake, heal, what’s his name? Ah yes, go heal Jason and he’ll actually stick around for a few years, deal? Good. 
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natalievoncatte · 24 days
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The yawn stretched Lena’s jaw to the point that she felt like a cat, baring her fangs. Naturally, it prompted a Kara Danvers Pout, which was utterly devastating. Kara looked at her over the top of her drink cup, straw still pursed in her delicate pink lips as she frowned slightly.
“How long have you been awake?”
“I had a half hour nap this morning,” Lena sighed.
She’d been in the office for three days, but she didn’t admit that.
“Leeeenaaaaaaa,” Kara said, drawing her name out into a gentle rebuke. “You promised me you’d stop doing that to yourself. I’m taking you home.”
Lena’s heart skipped and Kara abruptly jerked upright, briefly glancing at her. Lena hated when that happened, when her body betrayed her. Kara meant escort her home; Lena’s thoroughly tired mind had supplied another scenario, one where Kara carried her onto the bed, relieved her of her clothes and dove between her legs, but that was never going to happen. Lena let out a long sigh of resignation, trying to be satisfied with best-friendship.
She hoped Kara hadn’t suddenly developed telepathy.
If you took me home I’d never leave. I could make love to you for a hundred years.
Kara smiled back at Lena’s wistful look. “I mean it.”
“Okay. I can come back to it tomorrow. Besides, I’m too full of grease and cheese to stay awake. Should we…”
Lena never finished her sentence. There was a crackle in the air, a sudden wet smell of ozone, and the thunderous boom that made her ears ring.
Kara flashed in front of her at super-speed, yanking off her glasses and tossing them on the couch in a smooth motion.
Hovering in the middle of her office was some ramshackle contraption resembling a mechanical eye about the size of a basketball that scanned Kara with a faint purple energy ray.
“Kara Danvers. Supergirl. I am Zeglos, Regent of the Alotian Republic. I am calling to you from the home of my people, located in what is to you a subatomic realm we call Universe Q. We need your help, you are our only hope. The invaders are slaughtering us and razing our home. There is no time.”
Kara glanced back at Lena. “I’ll help if I can. Let me-“
“There is no time. You must come with me now.”
“Wait, hold on a second-“
The machine flashed, thrumming as it powered up, and blasted here with a wave of light that surrounded them both, and then in a crackling boom they both vanished, leaving behind the ozone smell and a faint impression of Kara’s boot heels in the carpet.
Lena stared into the empty space for a moment, then shot to her feet, snatching the phone off her desk, where it had lain ignored since Kara walked into the room.
She called Alex, shocked at the blubbering panic in her own voice. Within a few minutes, everyone was there, piling into the room. Lena warded them off from the spot where Kara had stood. Alex was cold and calm, her voice clinical, and she immediately began issuing orders. J’onn took Lena aside and gently asked her probing questions in the manner of an old detective, coaxing every meager detail of the event out of her.
Within half an hour, Brainy and Lena had set up all sorts of equipment around the room, scanning, hoping to find some energy signature or other clue that could enable them to bring Kara back from wherever she’d been taken.
It proved fruitless. They tried everything.
Minutes stretched into hours. Lena was exhausted, heavy with fatigue.
“Go home, get some sleep,” said Alex. “We can’t help her if we pass out on the floor.”
“I’ll sleep here.”
She did, throwing a thin blanket over herself on the couch. It was Alex, not Lena, who cleaned up the Big Belly Burger mess. Lena slept fitfully, showered in the en-suite attached to her office, and changed into an old hoodie that she kept there and wore when no one was looking.
It wasn’t hers. Threadbare, a maroon color faded to a soft red, the back still emblazoned with a cracked and fading Midvale Mathletes Club logo, it was Kara’s. Lena had snatched it from Kara’s sofa and put it on one night when she was feeling bold and then, as now, felt surrounded by it, the oversized garment swaddling her.
And it smelled like Kara, just enough. Kara had stared at her intently for a moment when she took it that night but said nothing, a wistful sad look on her face before the moment was broken by Wynn’s bad joke at the table. Wynn was gone now, but the hoodie remained, just as it had remained when they were fighting, when she thought she’d never see Kara again. She’d worn it then and cried herself to sleep in it.
Just like now.
A day became two. Then three. Five. Lena tried everything, pursued every theory. They called in every favor, human and alien. Brainy tried to send messages to the future. Nia dreamed fruitless dreams. Alex paced like a caged animal and Kelly kept the peace, keeping them all fed, making sure everyone slept, talking things out whenever tempers flared.
Nothing worked.
Lena even tried praying, something she hadn’t done since the last time she was in a small church in Ireland. It didn’t work this time, either.
Lena was seated next to Brainy on the couch, going over a design for a new device to try to follow what was by now a thoroughly cold trail. Alex stood at the balcony door, staring out into a slashing summer rain squall that buffeted the glass with distant thunder and gusts of wind.
The ozone smell tickled Lena’s nose and she looked up, just as Kara took a stumbling step out of nowhere, appearing in her office with an utterly bewildered look on her face.
“Kara?”
Alex snapped round, adding her voice to the chorus. “Kara?”
Kara stared at her sister, open-mouthed, tears welling in her eyes.
“Alex?” she said. “Alex, you’re alive? How is that possible?”
“Alive? Why wouldn’t I be?”
“Kara!” Lena cried, her voice ragged in her throat.
At the sound of her voice, Kara snapped around, eyes wide. Her knees buckled and she sagged, almost falling. She stumbled forward as Lena stood and they fell into each other, Lena hurling herself, reckless, into an embrace that revealed too much. She almost climbed Kara, all but throwing her legs around her as well as her arms as she buried her face in the Kryptonian’s neck.
“Oh God. Oh Rao. I thought you would all be gone. I begged them to let me leave but they wouldn’t let me go, I had to…”
“Kara?” Alex asked, cautiously. “Why would we be gone?”
Kara barely seemed to hear her as she gently twined her fingers in Lena’s hair and wrapped her powerful arm around Lena’s waist, encircling and shielding her.
“How long has it been?”
“About a week,” Lena choked out. “I was so scared.”
“A week?” Kara blurted. “It’s only been a week here?”
Alex put a reassuring hand on Kara’s back, standing next to them. “Yeah, you were taken on Tuesday, kiddo. It’s Wednesday, the 17th.”
Kara stared past Lena, resting her chin on the shorter woman’s head, and began to sob with relief.
“Kara?” said Alex.
“Time dilation,” said Brainy.
“They told me time would pass slower up here but I didn’t believe them. I’ve been gone for… for…”
“It’s okay, Kara,” Lena whispered. “You’re okay, you’re back.”
“Eighty seven years, four months, and eighteen days,” Kara sobbed. “It’s been so long, I thought you were all dead.”
Alex stiffened. “Kara. Oh my God.”
Kara buried her face in Lena’s hair and breathed her in, shuddering. “I’d given up. All that kept me going was hoping I could see you again. This is a gift. A gift. I love you all so much.”
Kara still held her, rocking slightly, her big shoulders shaking with powerful sobs.
“Kara,” Lena whispered. “Kara, it’s okay.”
“I love you,” Kara blurted. “I love you. It’s okay if you don’t love me back, I just need to tell you, I have to tell you. All I could think about down there is how stupid I was and how stupid I’ve been and how none of the reasons I never told you made any sense,” she sucked in a breath as if she’d briefly forgotten how, “I love you, I love you, I love you.”
There could be no mistaking her intent. She seethed with it, it radiated from her very bones. Lena hugged her hard, crushing her with all her might as if to crawl inside her.
“God, Kara, I’ve dreamed of hearing you say that. I love you too. Let’s… mmmph!”
Kara was kissing her. Lena’s brain briefly froze, then she realized the full magnitude of what was happening. Kara was kissing her. Kara was kissing her. Then Lena was kissing her back. There was so much in it, need and lust and adoration and an unbelievable desperation, but above all love. Lena felt her heart open as if hadn’t in a long time, like a flower unfolding to receive the nurturing warmth of morning sun.
“I’ve been waiting for this for so long,” Kara whispered when they finally broke and Lena again could breathe.
“Let me take you home,” said Lena.
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papaya-twinks · 4 months
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emerald green - l.n
Warnings: None!
Pairing: Lando Norris x rfem!reader
Summary: WOOF WOOF RUFF RUFF (@maxiemclaren THQNKS FOR THE IDEA POOKIE) WOOF WOOF RUFF RUFF AWOO AWOO RUFF BWRK BWRK BARK
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As someone born into money, you truly weren’t a stranger to spoiling your significant other, the joy on Lando’s face when you chose a gift tailored just for him was addictive. And wow, the first time he wore green? You wanted to keel onto the floor and die. He was GORGEOUS. And the next time? The feelings times one hundred. Like a never ending cycle. So what better than to prompt him to wear it more?
“Lan?” you batted your eyelashes, walking into the room, gift clutched behind your back as he watched you suspiciously. “Do you have a bomb?” he slid his phone onto the table, turning to you as you sat beside him. “Not this time, no,” you joked, a sigh of mock relief exiting his lips. “Well, it’s getting cold, no?” you shrugged, fiddling with the gift bag in your lap. “Another present? Y/N, you’re spoiling me,” he cursed, pressing a kiss to your cheek. “It’s just a little thing, baby, don’t worry,” you waved it off, pushing the bag into his hand.
He sighed, digging his hand into the bag before pulling out an emerald green beanie, a Pom Pom on top, just how he liked it. “Y/N,” Lando grinned, placing it on his heads so his curls peeled out through the front. “It’s gorgeous,” he grinned as you laughed, pressing your lips to his, before letting him take it off to admire. It was a good pick if you said so yourself. And the beanie complimented him very well.
Three days later, another gift. “Again? Really, Y/N,” he said, clearly getting a little embarrassed to be receiving so many presents without giving any. “Please, it’s good,” you said, pressing another bag into his hands. “You’re too much,” he laughed, kissing you once more. “Shoes?” he asked, an unusual gift to be getting, what with his already infamously large collection as it stood. “It’s good, no?” you said, admiring the stitching and line work. “It’s beautiful, baby,” he smiled, making you grin.
“Y/N!” your boyfriend groaned as you approached him with the same expression. “Lando, it’s just a thing,” you waved it off, pressing the bag once more into him. “I swear to god…” he trailed off, pulling a green watch out from it, hand in his face. “Why’s everything green?” he asked, realising as you flushed. “It’s cool, I guess,” you shrugged, trying to wave it off, but he grabbed your wrist, pulling you onto his lap. “Someone got an obsession with green? You never even wear green,” Lando frowned.
“An obsession with you wearing green,” you corrected, cheeks red as he rolled his eyes. “You like me in green?” he asked, making you flush and turn away. “Yeah, you’re cute and stuff,” you shrugged, waving it off as he laughed, letting you clip the watch onto his wrist. Lando wore green for the rest of the week. Kept you happy. Very happy.
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Enchanted to Meet You - Colin Bridgerton
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A/N: I am so hype for the new season, and Colin isn't even my favorite Bridgerton sibling. When I was thinking of who should get Enchanted, I knew the story had to happen at a beautiful ball, so really this was one of the only choices. (There may be more Enchanted inspired fics, who's to say!) Hope you enjoy!
TS Prompt #6: Enchanted
Pairing: Colin Bridgerton x Reader Word Count: 3.0k Synopsis: After years of knowing, and not liking each other, Colin and the reader meet again at a ball, and share a magical evening together.
"Isn't that your second glass?" Eloise asks, a glass of champagne in her own gloved hand.
"No. It's my third," you say. She doesn't even try to hide the un-ladylike snort she lets out.
"I thought your mother said one."
"She did," you say, peering about the crowded ballroom for her deep red dress. "But, as this is my third ball of the season, I thought it only fitting."
"I'm sure she'll see it that way, too," Eloise says sarcastically.
It was true, this was your third ball, but the three glasses of champagne didn't really have anything to do with that. The matching numbers did add some kind of magic to the night, but truly, you just needed them to get through the evening.
It was your first year out, and after three balls, you weren't sure you would ever find someone to marry. It wasn't like you hadn't had callers. You had blossomed in the last year. So much so, that people often did a double take when they looked upon you. It wasn't so much that they weren't interested in you, but that you weren't in them.
This evening was looking to be another night of forcing laughter and faking smiles with men you had no interest in. The thought of another glass of champagne was too enthralling.
"I don't believe it," Eloise says, leaving your side. You watch her nearly run across the ballroom, and run into the arms of a man. When they break away, you see it is Colin, returned from his travels around the world.
It is hard to believe, but he has become more handsome, in his travels. You spent years and years at the Bridgerton household, and never found Colin anything other than annoying. He was the brother closest in age to Eloise, and he spent most of his time picking on the two of you.
But walking towards you now is a man. A very handsome man, whose smile seems to make your insides melt. You think you might melt, too, as he walks up to you.
"Have we met?" he says, taking your hand in his.
"Are you joking?" you ask, watching as he places a soft kiss to your gloved hand. "Colin, it's me."
"Y/N?" he asks quietly, his brow furrowed as he studies your face.
"Of course it's Y/N, you idiot," Eloise says, slapping his arm.
"You . . . you look completely different," he says.
"Bad different?"
"No, no, not bad at all," he says. He stares at you for a moment longer, seemingly speechless.
"Oh cut it out, will you?" Eloise says, "Both of you are staring like you've never seen the other before."
"Well, he looks different, too," you say, "A good different," you add, looking to him. He smiles, his mouth turned up to one end in playful amusement.
"Eloise, I hope you do not mind if I ask Miss Y/L/N to dance," he says. Eloise begins to say she does mind, but your mind is only on Colin as you drop your hand into his.
You are trembling as he leads you out onto the dancefloor. You have danced this dance hundreds of times before, and have done so to this exact song at the previous two balls. But now, the man in front of you is Colin, and that makes it completely new.
When he pulls you into his arms, your chests a touch closer than societally acceptable, you aren't breathing.
"Hello," he says softly.
"Hello," you say, as the music begins around you. Your moves are instinctual, as you let him lead you into the dance. He is still studying you, his eyes on every angle of your face. You laugh at his ministrations.
"What?" he asks.
"You act as if you don't know me."
"Well, I don't."
"I've spent nearly every summer at the Bridgerton household."
"No, that was Eloise's annoying childhood friend, that wasn't you," he says, his eyes locking on yours.
"Well, it has been a while since we've seen each other. And I have changed."
"I can tell," he says deeply. Goosebumps appear along your neck, and you watch his eyes track them.
"You've changed, too," you say, "Traveling agrees with you."
"Thank you," he says. He spins you out of his arms and back in. "How are you enjoying your first season?"
"Truthfully, it has been pretty boring so far."
"Boring?" he asks in surprise. "Don't tell me you've been a wallflower."
"Oh, on the contrary, everyone seems to notice how much I've changed," you say with a grin, making him laugh, "It's just, I haven't found their company as agreeable."
"And how about my company?" he asks, his voice quiet again.
"I'm not sure yet," you say thoughtfully, studying his face. "But so far, you are certainly a far better dancer than any of the other men I've danced with."
"Really? I'm honored."
The music comes to an end, and both of your hands linger for a moment longer on the other. The dancefloor starts to shift as couples enter and leave. You are supposed to be dancing with Lord Charmbord for the polka.
"Care to have some more fun?" Colin asks.
"What?"
"If you don't mind leaving Lord . . ." he trails off as he touches your wrist again, glancing at your dance card. "Lord Charmbord in the lurch, I'd be happy to prove that my company is much more enjoyable," he says. There is mischief in his eyes, and you know you will go wherever he wants you to.
"Where to?" you ask.
"Meet me at the fork in the gardens," he whispers in your ear, as he walks past you casually. Again, the goosebumps appear.
You walk off the dancefloor, keeping your head down so that no one, especially Lord Charmbord or your mother, see you slip out onto the terrace.
There are a few couples lingering out on the balcony, but they are too involved in their conversations to notice you move down the steps to the garden. You move silently as you look around for Colin, or anyone else.
Scandal would be sure to follow you if anyone were to catch you out here, but you can't bring yourself to care right now. This is the first time all season that you have felt anything, and you aren't going to let it go.
As you round a bend in the gardens, hands grab your waist and you nearly scream out. Quickly, though, Colin turns you around and reveals himself. You clutch a hand to your pounding heart.
"You frightened me," you say.
"I'm sorry," he says, laughter still in his eyes.
"No, you aren't," you say with a laugh.
"No, I'm not. But I am glad you met me here."
"Well, I was promised good company,” you say. Colin straightens, a smirk on his face, as he extends his arm to you.
“A promise I intend to make good on.” He leads you deeper into the maze like garden, as if he has explored it before. Before you can ask, he says, "You know, I used to play with the lord's son when we were kids. He knew where all of the hiding spots were in here, and challenged me to hunt him down. It took a few years, but I was eventually able to find all of his spots, and a few of my own."
"So if I asked you to hide right now . . ."
"You would not find me."
"You assume so little about my seeking skills?" you joke.
"No, just that my hiding ones are much more polished."
"Ah. Well, I should hate for us to have to split up, anyhow."
"As would I. You know, I still can't truly believe that you're you."
"I really haven't change, Mr. Bridgerton," you say.
"No?" he asks, looking you over thoughtfully. "Well, perhaps I have."
"You have."
"How so?" he asks, a small smile on his face. You look him over for a long moment before smiling back.
"You've gotten taller," you say. Colin lets out a tut of laughter.
"Indeed."
"But, I'm sure it's also your travels that are to blame for the man I met tonight."
"I would agree with that estimate," he says, "I learned a lot during my journeys that I am not sure I would have ever discovered at home."
"I can't help but feel envious," you say, "I've always wanted to travel, too."
"Really? Where to?" he asks.
"Anywhere, truthfully. But I've always been fascinated by Florence."
"It is truly gorgeous," he says with a nod.
"You've been?"
"I have. They have absolutely the best food of any of the places I've been. But what's more is they even have the best dances."
"The best dances?"
"Yes, they've taken our plain old quadrille and changed it into something magical," he says. He seems to notice the excitement in your eyes, because his smile only grows. "I couldn't help but notice that you're an accomplished dancer."
"Oh, please," you say, self-depreciatingly, "I'm passable, but certainly wouldn't call myself accomplished."
"I had no complaints," he says softly. He waits for you to give him a smile before continuing. "And if you spent one day in Florence, I know you would out dance every woman in there."
"They are truly that good?" you ask.
"Would you like me to show you?" he asks. He has come to a stop in the center of the gardens. A large fountain trickles softly behind him, the air moist with the shooting spouts. You study him for a moment, waiting for him to say he was joking, to turn back to the Colin you had known.
"Are you serious?" you ask.
"Of course," he says, holding out his hand.
"There's no music."
"You don't need to hear the music to feel it," he says, taking your hand in his and pulling you in close. "Just follow along. It's got the same steps as the quadrille you know, but with a little more movement."
You nod your head and focus on the moves. Without music playing, it is a little harder to get into the rhythm, but he is correct, after a few steps, you can feel the music echoing inside of you.
His hand on your waist presses slightly, making your hips move more fluidly. You are certain if anyone were to see, it would mean scandal, but you cannot fight the smile growing on your face. Again, he shows you how to add more movement into a step, bringing the two of you closer again.
You have danced through one whole song in your head, and you don't want to stop anytime soon. Never in your life before have you danced like this. You feel so free, so graceful. And it is at this feeling, that you trip on an upturned stone and crash into Colin's arms.
The music has stopped playing in your mind. There is only the soft sound of water, the trill of crickets, and your pounding heart.
You have never been this close to a man. Your chest is flush against his. You can feel his breath, and watch as he looks down, too, at your bodies pressed together.
His eyes catch yours and everything seems to slow. There is only his warm brown eyes, locked onto your own, and the hand on your back that moves softly, comfortingly.
"Colin," you whisper. He smiles widely.
"I like when you say my name."
"I've said it a million times before," you say with a laugh.
"You've never said it like that."
"We should be heading back," you say. The hand on your back grows firmer, like he would do anything to keep you against him.
"No one knows we're out here," he says.
"My mother will come looking soon."
"Y/N," he whispers, his head ducking so that his words dance over your neck. You shiver slightly, and his smile only grows.
"I see what you mean," you say, looking back up at him, "I like the way you say my name, too." The look on his face is purely prideful.
"Don't go back inside," he says.
"We'll both be ruined."
"What if I don't care?" he asks.
"You do care," you say gently, "And so do I."
"Perhaps you're right."
"I am right, Colin," you say, beginning to pull away. He pulls you back in and your lips are a breath from his. His eyes flicker between your own and your lips, that are practically begging to be kissed. Your eyes close, against your better instinct, and you lean in.
Snap!
In an impossibly quick moment, Colin has pushed you out of his arms and ducked into an alcove of the garden. You wait for someone to appear, for your reputation to be ruined, but no one comes. Another minute passes and Colin comes out.
"Perhaps, you should get back inside, Y/N."
"Where did you run off to?" you ask, jumping again at his appearance. Before he can answer, you sigh. "Right," you say with a laugh.
"Let's get you back inside," he says. "That was too close."
Colin does get you back into the ball without scandal falling on you.
When you find your mother again, her face is nearly as red as her dress. Clearly, she has not followed her own rule regarding glasses of champagne. She says that Lord Charmbord had been searching for you, but you can't even begin to pretend to care.
For the rest of the ball, your eyes are always on Colin. Unfortunately, you don't get to spend any more of the evening with him. The closest you get is a moment on the dancefloor where you briefly switch partners.
His hand meets yours at the same time his eyes do, and once again, the world around you is gone. There is only the music and his face, looking at you in a way you can't precisely name, but that you're dying to know.
But just as soon as it happens, it is over, and you are back in the arms of a man you have absolutely no interest in.
As the night comes to a close, you bid Eloise and Lady Bridgerton goodnight. You can't help peering around the both of them for Colin, but just when it appears he is not coming and you have turned towards the exit, he calls your name.
"Miss Y/L/N," he says dashingly, "I would be remiss if I didn't bid you a goodnight."
"Goodnight, Mr. Bridgerton," you say, watching as he bends down to kiss your hand. Quietly, so that only you can hear, he says, "Say it just once more, please."
"Goodnight, Colin," you whisper. When he stands up straight, he is fighting off a smile. He bids your mother goodbye, and then you are getting handed off into your carriage, and ripped away from what feels like the first real night of your life.
The ride home is quiet. You answer your mother's few questions, but when she can see you're in no mood to talk, she sinks into her own thoughts.
The countryside is dark, but as you look out upon it, you can't help but wish. Wish that this was the very first page of your story with Colin, not where your story line will end. That he was as enchanted by you as much as you were by him. And pray that he is not in love with someone else.
At home, when you finally get into bed, you are restless. You toss and turn well into the early hours, questions rolling about your mind, all about Colin.
Too early the next morning, you are awoken by a lady's maid. The day after a ball is always busy. Gentleman callers all morning, and mothers and daughters in the afternoon, to get caught up on the morning callers.
While your handmaidens go about getting you dressed and pinning your hair up, you can't help but relieve the night before. It sparkles in your mind - truly the most perfect night you could have imagined.
You pray that it is not the last, but you know that you have to remain practical. Besides the looks and smiles he gave you, Colin did not lead on that he was interested in marriage anytime soon. You, on the other hand, were very interested in getting wed off this season.
As you walk down the steps to your sitting room, you assure yourself that it will be okay, if Colin does not feel the same.
"It is too early for callers!"
At the foot of the stairs, you hear your doorman arguing in hushed tones. You can hear another voice, but not clearly enough to match the sound to its owner. Before you can open the door and find out, your mother comes bustling down the staircase and passes you.
"Who could it be at this hour!" she says, ripping open the door.
Colin Bridgerton is standing in your doorway, a bouquet of orange tulips in hand. His eyes are wide when they circle to meet yours, but then they soften.
"Y/N," he says gently. The doorman stutters a response at this lack of formality, so Colin corrects himself. "I mean, Miss Y/L/N. Mrs. Y/L/N," he says, turning to look at your mother.
"I apologize for the early arrival, but I wanted to be the first here," he says.
"The first here for what?" your mother asks in shock.
"To call upon Miss Y/L/N, of course. You see, I shared quite an exquisite time with her last night, and hope that I may spend more time in her good company."
"Really?" you and your mother ask in unison. You laugh, and feeling bold, walk towards Colin. Still keeping a respectful distance from him, knowing that your doorman was watching closely, you take the tulips from him.
"Really," he says. "I was enchanted to meet you again, Y/N. Please don't have someone waiting on you."
"Not at all," you say. "Would you like to come in for tea, Colin?"
"I would love to," he says with a grin that nearly takes your breath away.
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jolapeno · 4 months
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fifteen hundred and one
frankie morales x f!reader | frankie masterlist
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summary: he's your best friend. nothing would ever change that. except maybe a goodnight kiss.
warnings: just fluff. best friends who flirt to something. kissing. flirting. she calls frankie nemo. an: this is my submission for @janaispunk’s milestone celebration based on this moodboard and the prompt "goodnight kiss"! hugest and biggest congrats to you jana, my babe. you deserve all of this and more!
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Laughing, hard. It’s all instinctive as one palm stretches out across his stomach, and the other arm hooks around you, tugging you close.
He tenses when your fingers brush over his threadbare tee, your head turning into him as you mirror him, giggling. Burying deep into the fabric, it seeps into his skin.
And all Frankie thinks is—
It’s easy with you.
Has been for years. Since you’d stumbled in as the friend of one of his friends girl-not-girl, sticking around longer than they did.
You'd glued to him, happily. Never minding, or caring. Somehow surprised at how simple it was going from ‘do you want a drink’ to resting your head on his shoulder, while the two of you absently listened to whatever bullshit Benny was saying.
Now, he looks forward to seeing you.
To late-night burger runs and early-morning coffee meets, quiz nights with the others and just the two of you movie trips.
At some point, between his tongue doubling in his head at the sight of you that night to now, he’s been resisting kissing you. Sometimes easy, sometimes it’s harder.
Tonight it’s the latter.
A hand clenched around his heart, squeezing. Beneath the moon's gentle gaze, the world slows, each laugh and comment infused with the spell of the silvery glow. It's intimate, almost sacred.
And it forces him to remind himself of the usual array of things that stop him from kissing the wit-induced smile right from your lips. The list he runs through to ensure he doesn't ruin you, in the same way, he'd almost destroyed his license, his job. Stopping himself from tasting the gloss you’ve smeared there, the one which makes street lamps reflect as the two of you walk back to his truck.
“—so even if I scratched your favourite vinyl, you’d still be friends with me?”
Opening the passenger side door, he smiles, gleams, fucking beams. “Yeah!”
He hears you mutter bullshit when he shuts it, fighting a laugh as he comes around the back before sliding in.
It’s not a far drive to yours. One he���s memorised, etched into him. Not just from tonight’s location, but all over town. From his to work, and your favourite spot to his. Able to drive, mainly on auto-pilot, not needing to concentrate too much, able to answer your wild, and ridiculous, array of “even if” questions. Each ranged from ‘if I burnt all your grass’ to, ‘hypothetically if you had a dog and I kicked it’. Each is smudged with the sound of the radio you've tuned, a station he won't admit he listens to when you're not even with him.
You don’t stop your questioning when he pulls onto your drive, parking side by side next to your car. The one he helped you haggle for three months ago now—if he thinks hard, he can still hear the sound of your squeal in gratitude in the furthest part of his ear.
“—what if I stole your last coffee filter?”
“I’m guessing I’m desperate for it too?”
“Yes,” you say, defiant but playfully. “Of course.”
“You’re telling me that if I stole your last coffee filter, you’d still be my friend?”
Killing the engine, he sighs. Shrugging. “Yeah.”
Unbuckling your belt, you throw a glare. “I don’t believe you. You’re more coffee than blood.”
Shaking his head, he rests against the headrest, the corner of his lips growing into his cheek. “Not a thing you could do that would make me ever want to not be your friend.”
Rolling your eyes, you hover your hand over the doorhandle. A part of him wants to ask you to wait, to not go just yet. A routine he thinks through at least three times a month when he sees you. Each time ending in the same cowardly way.
“Goodnight, Frank,” you say, in that same tone—one hard to read, forged in sadness but dressed up in joy—as you press your lips to his cheek.
He resists touching it like he always does. Mumbling the same scripted, “Night” he always does.
Not jolting when the door meets the frame, eyes pinned on you as you walk down your path—waiting for you to step on your porch, turn back and wave, fidget for your keys before unlocking the door and giving him another wave. Another pattern, another repetition.
Except tonight you stop.
You don’t even make it halfway down your path.
Blood pounds in his ears, something knotting inside of him. An urge, a fire lighting in his stomach. One he listens to. His hand shoves the door open, as the other undoes his belt, forcing himself to exit.
Frankie spots the glance in surprise at finding him coming around the front to join you. As though the idea he would is a shock, a surprise as he calls your name.
It’s slow, the way you spin on your heels. You pause, eyes narrowing, before widening, fighting a smile. A thing he can tell, can read. Even if you try to hide it in the night, shield it from the almost full moon and the stars which twinkle above.
“You think you’d be able to be my friend if I kissed you, Nemo?”
Leaning against the brick of your house, watching your eyes flick from his shoes back to his face.
“Finally ran out of cat names?”
“I’m branching out. I could go back to calling you Salem.”
Smirking, rolling his lips. “Still not a fish.”
Sighing, shifting your weight. “Didn’t answer my question.”
Wiping his hand with his face, hurrying his brain to think of something, anything, because he’s not sure if this is a joke. If you’re pushing him.
But the longer the silence thickens, the more time you stare at him, eyes growing wider and wider, he thinks that it might not be his heart that is the only one pounding. The only one beating in his ears, the pulse throbbing in his neck.
“Fran—”
“No,” he stammers, clearing his throat. “I–I’d be too busy.”
Lips sliding into your cheek, nervousness fading, fingers scratching the tip of your nose as he swears a shooting star soars in your eyes. “Doing what?”
“Kissing you fifteen hundred times.”
“Just fifteen hundred?”
Shrugging, chewing his tongue, he exhales—loud, nostrils flaring. “To start.”
Taking a step closer, a timid one. Enough to make a point, but not enough to close the gap entirely. Your knuckles brush his stomach, a blend between a stroke and a nudge.
“You’ve thought about this.”
A small part—one wrapped in vines of doubt, encased in pretending—warns him to clamp his mouth shut. To swallow the syllables and forms letters that make the sentence buzz in his mouth, along his teeth, and jaw.
Flicking his eyes from the floor to your face. “All the time, baby.”
He hears it, but he enjoys watching it more, the way you gasp. Low, airy, trying to bury it.
“Give me a goodnight kiss, Morales.”
He doesn’t think twice.
Brushing his lips against yours, soft, cautious, and tender, before it deepens. It makes his heart throb, double; it almost somersaults in his chest as your palm presses to his cheek, fingers sliding into his hair as one of his hands finds a home on your waist.
Then you’re smiling, almost laughing, right up against his mouth as he tastes the sugar on your lips. He feels the joy brushing against his mouth as your fingers knot into his hair.
And it unlocks him, allows you to consume him, to find himself free falling knowing he'll never land, fall or be hurt—just floating, as you tug him flush to you, a feeling so heavenly he almost wishes to pinch himself—
“Of course, you’re a good kisser,” you whisper, ghosting the words over his lips.
“Been thinking about it, have you?”
Snorting, nose nudging his, you press your mouth back to his, more searing, open-mouthed. “When I drive. At work. In the morning. At night.”
Each is punctuated with a kiss. The latter flows around his head, swirling in different shades and fonts as he groans, fingers sliding around the back of your neck, deepening the kiss. Making it a little rougher, more committed, feeling you cling to him, tugging him closer as he manoeuvres the two of you—flushing your back to the brick, his chest to yours.
A moan escapes you, tickling his lower lip as your thumb brushes along the back of his neck. Mouths parting, for a moment breathing the other, simply staring, gazing, ogling.
“Fourteen hundred and ninety-nine to go?”
Shaking his head, nose brushing yours, thumb stroking against your cheek. “This is a goodnight kiss—a necessity to begin the counter.”
“Oh,” you whisper, elongating it, adding a smirk to the end. “So, we have another fifteen hundred and then, we stop?”
Taking a deep breath, the scent of your perfume weaving into his soul. The sound of a car streets away travelling in the quiet of the night.
“Depends.” Tilting your head, waiting, confusion there. “You might unlock the next stage.”
Grinning against him, able to feel it as he runs his knuckles along your jaw.
“Or my lips fall off?”
Laughing, just like he did earlier. He smiles. “Or your lips fall off.”
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familyvideostevie · 7 months
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it's your turn for choosing
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this was born out of a prompt request from my dear, dear, @softlyspector. this is for you, becca!
getting asked out via a smudgy scribble on a coffee cup | valentine's day prompts
joel miller x reader
summary/warnings: joel stops by your coffee shack every day. it's not your fault you're a little in love with him because of it. | modern au, fluff, flirting, jesse and cat and ellie cameos, game!joel in my head. i have not been a barista so sorry to all baristas if this reads wildly off-base. | 5.6k
a/n: it's giving rom-com! happy valentine's day. a bit different from my usual fare but hopefully it makes your heart warm. love u. thank u always to @macfrog and @bageldaddy for your eyes.
___
7:32 am. It’s helpful in this line of work to know exactly when you’re fucked. 
The espresso machine has been on the fritz all week and despite how much you want your current method of fixing it to work – banging a fist on the top until it stops wheezing – all signs point to today being a very bad day indeed. 
You’ve only been open for two hours. 
Here for three, awake for four. God, you’re tired.
Anyway – you’re fucked. And there’s nothing you can do about it. 
You call the time of death on the machine and search for something you can write on.
The Zone – a stupid name, but you can’t be bothered to change the sign that came with the place – is a coffee shop that sits between towns. 
Your coffee shop. 
It's more shack than shop, not really a zone of anything, just an order window and a five-drink menu. It's the kind of place that appears like a mirage for tourists right before they get on the highway at an ungodly hour and serves as a quick stop for everyone else. You open earlier than any other place around to get the truckers and the farmers and close when you stop being able to keep your eyes open.
The faded brown clapboard building is no bigger than an RV. The paint is chipped and the roof is a too-bright shade of green and you serve your drinks and the occasional sweet treat when you can get a good deal off of the baker two towns over through a window. It’s not a fancy chain, it’s not a drive-thru. You’ve got a bathroom and a few rickety cafe tables and chairs and no fucking common sense since you like it. 
You even love it, some days.
And the craziest part is that it works. Even on mornings like this one, when your espresso machine breaks during the lull between rushes and your part-time help calls in sick and you’ve spilled coffee all over your apron twice – it works. 
You tear off the lip of a cardboard box and write in big block letters: NO ESPRESSO TODAY. Maybe Tess, the baker, knows someone who can fix it. She knows everyone.
“Fuck you, you piece of junk,” you say. You give the machine another smack for good measure. 
Someone clears their throat and you whirl around, makeshift sign in hand. 
You’ve been doing this long enough that a handsome customer doesn’t phase you, but the man standing at your order window makes your stomach swoop for just a second.
“Morning,” you say, summoning your smile. “Hold on a sec, let me just –”
You lean out the window and wedge the piece of cardboard against the napkin holder on the ledge.
The man’s gaze drops to read. You take the opportunity to look at him. 
He’s tall and broad – if you had to guess, you’d say he works on one of the farms around here. He’s tan, dark hair threaded through with grey. His arms are crossed and you wish he wasn’t wearing a jacket so you could see his forearms. His denim shirt is undone at the top and you fixate on the chorded column of his throat, on the teasing glimpse of chest hair underneath.
The guy looks tired. 
Bone-tired, the kind of exhaustion you see when you look in the mirror. It comes from hundreds of early mornings and late nights, from hours on your feet and plenty of worry. He’s got lines at the corners of his eyes and a few around his mouth and you find yourself hoping they’re from laughter. 
“No espresso,” he reads, slow and unhurried. His drawl fits in with most of the folks around here, but you’re sure you haven’t seen him before. You’d remember. 
“Hope that doesn't scare you off,” you say. “Still got everything else.”
“Everything else being…” He glances at the chalkboard that serves as your menu.
DRIP COFFEE. LATTE. CAPPUCCINO. TEA. HOT CHOCOLATE. All written in your blocky hand in white paint. 
“Three options.”
Trial and error have taught you that simple works best. You’ll make anything people ask for, so long as you know how and have the supplies, and if they’re nice about it you won’t charge too much extra.
“Can I get you one of those three options?”
You’re not trying to rush him, but the next wave of people is bound to show up any minute.
“Black coffee will do,” he says. His mouth tugs up at the corner into a smirk that makes your face feel hot. “If you have that.”
“Thank you for taking pity on me,” you say, going for teasing and missing the mark by a mile. You just sound tired and genuine. “You just made my morning.”
He looks amused and you turn from him, unable to hide your grin. You pour a steaming cup and snap the lid on.
“Pretty shit morning if this is makin’ it,” he drawls.
You hand him the cup and your fingers brush. 
“You have no idea.”
He eyes the sign again and then your stained apron. “I got some notion.” He tugs his wallet from his back pocket and pulls out a $5 bill. “Keep the change,” he says.
You want to refuse, to thank him, but a few more cars pull up and Mr. Black Coffee just raises his cup to you and heads back to his truck.
Well, shit. You hope he comes back. A tipper like that, and hot? You sure wouldn’t mind if he became a regular customer. __
You call Tess that afternoon and she does know a guy, so the espresso machine gets fixed and things go back to normal. Your part-time help returns in the morning and nothing else breaks. 
Today is uncharacteristically warm for the season. The inside of The Zone is almost stifling, always at least 15 degrees warmer than outside, and you keep wiping your sweaty hands on your apron as you make espresso after espresso for the lunch crowd.
Cat, a spunky girl who likes to practice her latte art when it’s slow, takes orders at the register. You keep half of your attention on her and half on the four drinks you’re working on. 
“Black coffee, please,” someone says to her. Someone whose voice you recognize. 
“Can I get a name for that?” Cat asks. It’s busy enough that calling names is easier than calling orders, no matter how small your menu is.
“Joel,” he says. You let the milk steam on its own and pour the black coffee before Cat can do it.
“I’ve got it,” you tell her. “Can you finish up those drinks?”
She shrugs and you swap places. You know you’re sweaty and coffee-stained but you smile at him and hand over his coffee.
“Hot coffee on a day like this?” you tease. He – Joel – is sweaty, too. The collar of his work shirt is dark with sweat and his hair is a mess. He must be here on his lunch break. He takes the cup from you and slurps a long sip as a reply to your question. 
You laugh. Joel looks pleased. 
“Operatin’ a full menu, I see,” he says, pulling out another $5. “Glad you got it fixed.”
“It’s still a piece of junk,” you shrug. “Just don’t tell anyone I said that.”
He waves off your offer of change and raises his cup at you, taking a few steps backward towards his truck.
“Thank you,” he says. He eyes the tag on your chest and tacks your name on at the end. It sounds good from his mouth.
“Bye, Joel,” you say. His lips twitch but you barely have time to think about it before you have to take the next few orders. 
The line dies down and you step away from the register to help Cat with some cappuccinos – your least favorite drink by far due to all the damn foam they require – and she eyes you.
“Dude,” Cat says. “What the hell was that?”
If it wasn’t already a billion degrees in here you know your face would feel hot. 
“What the hell was what?”
She can’t reply for a few seconds while you grind beans for some espresso.
“I didn’t even know you knew how to flirt,” she muses, tapping a frother full of milk a few times. “That was pretty bad flirting if you ask me –”
You turn the grinder on again to drown her out.
“I have no idea what you’re talking about,” you yell. She rolls her eyes at you until you turn off the machine.
You tamp down the grounds and slot them into the machine.
“I mean, not my type at all, for like, so many reasons,” she says, wrinkling her nose. “Way too old for me, for one. Man, for another. But I see the appeal, I guess. Seems like he likes you. And was that a five-dollar bill? Black coffee is two bucks, last time I checked –”
“Can we get back to steaming milk, please?” you snap, more embarrassed than mad. “I am not taking flirting advice from a teenager.”
“I’m twenty!” she sputters. “Wait, so you admit that you like him?”
“Milk.”
Cat is right, though, and you know it. You just don’t see any harm in having a crush on some guy who comes to your coffee shop. Running this place means you see hundreds of people every day. You know their names, you ask them about their kids and their pets and their jobs, and you smile at them even on your bad days. It’s just part of the job. The daily interactions keep you afloat, make you feel more solid in your own life. People see you, they recognize you, they know you – even if it’s just because you make them coffee. 
Maybe Joel will keep coming back. Maybe he’ll become one of the regulars you know things about.
And if you have a crush on him? 
No harm done. He’s nice to look at.
And he tips well.
__
Joel stops by again. 
And again. 
And again.
He comes in every morning – sometimes at lunch – and orders the same thing. You learn the rumble of his truck by ear alone, the crunch of his boots on the gravel. Sometimes people in line say hi to him and a smile works its way onto your face on instinct when his voice reaches your ear. It’s never slow enough to have a proper conversation but he smiles at you, tells you he likes the flowers, your new apron. 
All of it is flirting but maybe not flirting. 
Maybe he’s just being polite.
Also, he keeps overpaying. 
One day, almost a month since you first saw him, he doesn’t come in the morning.  When you don’t see him in line at lunch, either, you’re a little disappointed. The weather is perfect – not too hot, not too cold, the sun shining – and you want to see him in the sunlight.
The day crowd is long gone and you’re only an hour or two from closing when his truck pulls up.
“I was getting worried,” you call as he walks over. Usually, he’s got some kind of dust or paint or something on them – Joel is a contractor, you’ve learned through your brief encounters, not a farmer – but today his clothes are clean and un-ripped. 
“I’m honored,” he says. 
You have his cup ready by the time he reaches the window. 
“I’m just surprised you can get through the day without a cup of coffee.”
He snorts and hands you his cash. 
“I can’t,” he says. “Had shitty home brew this morning.”
He takes a sip of your coffee and sighs. Your heart picks up and you don’t hide your grin.
“What’s with the schedule change?” you ask. 
He smirks. “Miss me?” 
You scoff and cross your arms. Heat rises in your chest and you feel almost giddy. 
“Just curious,” you say. “Don’t let it go to your head, but you’re my favorite customer.”
Joel laughs and scratches the back of his neck. 
“Reckon that’s the tip.”
“Actually, ordering a cup of black coffee is the way to any barista’s heart.”
Joel’s eyebrows climb up his forehead. 
“Ah,” he says. He takes another sip, his eyes dancing with mirth. “‘Course.”
“Nah,” you say with a teasing smile. “I’d never be so shallow.”
There’s no line behind him but you expect him to go back to his truck, anyway. But here he is. Talking to you.
You grab a rag and wipe down the counter to keep your hands busy. 
“I’m, uh. Meetin’ one of my kids here,” Joel says. The sudden shyness that accompanies his admission is a surprise. 
Your eyes dart to his hand but you see no ring, nor the pale shadow of one. 
“Both of ‘em moved to the city recently. Ellie – she’s comin’ up for the night.”
“I’ll bet you miss them,” you offer. You’re not sure why he’d want to bring his daughter to your coffee shack, but you’re not complaining.
Joel smiles at you. It’s a sad smile but still a good one. The affection in his eyes is raw. 
“Sure do,” he says. He tucks one hand in his pocket and takes another sip of his coffee. “But it’s good for them. Sarah – she’s a little older – is in school and Ellie is workin’ on her music and whatever else she’s into these days.” The pride in his voice is clear. 
“Well, I’m honored you want to bring her here.” You gesture to your slightly sad sitting area and the empty lot behind him. 
Joel looks ready to argue with you when a faded, older version of his truck pulls up. Music leaks from the open windows and the driver bops her head to the beat a few times before shutting it off and hoping out, thumbs flying on the screen of her phone. 
“That’ll be her,” he says drily. “Hey, kiddo.”
Ellie looks up from her hands, tucks her phone in her back pocket, and grins at Joel.
She doesn’t look a thing like him, but the connection is obvious. She moves like him, her shoulders set like she’s ready for a challenge at any moment. Joel sets his coffee down at the window and meets her halfway for a hug.
You look away and busy yourself with restocking whatever you can get your hands on.
“Dude, you come here every day?” Ellie asks. “Joel, this is so far from –”
Joel talks over her.
“Drive go okay? Sarah said they’re doin’ shit on the 35 –”
Ellie huffs.
“Yeah, yeah, some traffic getting out of the city ‘cause of the fucking lane closure, but otherwise fine.”
“Good.”
You turn to face them, a genuine smile firmly in place. 
“Hi,” you say. Joel picks up his coffee again, which Ellie eyes with a scowl. You introduce yourself to her. “You’re Ellie, right? I’ve heard a lot about you.” 
Ellie frowns. Behind her, Joel’s mouth twitches but he says nothing. It’s a lie, obviously, but something tells you he doesn’t mind and she believes it.
“Really?” She throws him a glare and then rolls her eyes. “You gotta stop telling strangers about me, man.”
“Someone’s gotta warn ‘em,” he says. 
She laughs. “Hey, fuck you!”
“Only good stuff,” you say. You like her. “Joel says you’re working on your music?”
Ellie’s eyes light up. “Oh, yeah,” she says. “I’ve got an audition next week.” She turns to Joel. “I brought my guitar ‘cause I have a fuck ton of songs to play for you.”
He puts a hand on her shoulder and she settles a little.
“I bet they’re real good.”
Ellie flushes and rolls her eyes. “Yeah, well. You have to hear them first.”
You feel a little off-balance again, like you’re on the fringes of something you shouldn’t be seeing. The love on Joel’s face is clear as day. 
“Do you want some coffee?” you ask her.
Joel winces. Ellie gags. 
“No offense,” she starts, eyes darting between you and Joel. “I know Joel is fifty percent coffee on a good day, but it’s not my thing.” She looks at the menu and narrows her eyes. “I had a mocha the other day and didn’t hate it. Do you make those?”
“Look at that,” Joel says. “You’re convertin’.”
“Am not,” Ellie says. “It’s got chocolate in it, dude. No shit, I like it.”
“Yeah, give me a few minutes,” you laugh. “I’ll put lots of chocolate in it.”
They sit at one of your tables and you hear their laughter in the background as you make her drink.
It’s strange to see Joel like this – to build up on the man you’ve imagined him to be in your mind. Father never occurred to you. It makes sense, though, like a missing piece of him slotted into place. But it also makes the crush feel a little more real. Now that he’s more than your favorite regular customer. Now that you know a piece of him, of who he really is. 
It makes you want to know more.
You finish her drink and call Ellie’s name. They both stand and Joel digs in his wallet again.
“Don’t you dare pay me, Joel,” you say. You direct your next words at Ellie. “Really. I’m just honored you stopped by.”
She eyes Joel and he eyes her right back with the same look. She must have learned it from him.
“Yeah,” she says. “Me too.” She grins at you with all of her teeth. “Joel loves this place. Talks about it all the time.”
She takes a sip of her mocha and her eyes go wide.
“Wait, this is fucking good. Man, I see why you drive –”
Joel clears his throat.
“We’re off,” he says. “Thank you, as always.” He sounds softer than usual as if being nice to his daughter is the best thing you could do for him.
You suppose it is.
“You’re welcome, as always.” 
Ellie knocks her shoulder with Joel’s as they head back to their trucks. She must be whispering something to him because he swats her away with a groan and she cackles. 
They both wave at you as they drive away. 
__
Joel keeps coming in the mornings, and your conversations return to their fleeting cadence. Even so, it’s hard to deny that your crush on him has kicked into high gear.
You try not to let your gaze linger on his lips, on his throat. On his hands when he takes the cup from you, how your skin brushes and it makes you warm all over. You think about how he laughed, how relaxed he was around Ellie. You want to know what he’s like outside of your small daily interaction. You want to know what he eats for dinner, how he spends his weekends, what he listens to on the radio.
You want him.
Business is busy, which helps. A kid from a few towns over – Jesse, he’s called – signs on to work part-time, mostly for the second half of the day. He’s been a barista before so the training is minimal, but it still changes the flow of things. He’s a charming guy and the regulars take to him easy enough.
It’s you who is distracted. 
One morning, Joel comes in as expected. Jesse is working, too, trying to clock some extra hours this week.
Joel is on the phone in line, his attention somewhere else. He’s frowning, a deep crease between his brows as he waits in line. All it would take to smooth it away is the press of your thumb. 
You try not to stare and probably fail, but manage to take and make the orders ahead of him without making any mistakes, though your whole body feels alight.
He hangs up right as he gets to the window and sighs, giving you a tired smile.
“Howdy,” he says. You set his coffee down in front of him and he pulls out a ten-dollar bill instead of a five.
“Joel –” you say, but he interrupts you.
“My brother called and said he needs breakfast,” Joel grumbles. “Y’got any of Tess’s bear claws?”
Right, they work together, you remember. He’s mentioned Tommy in passing. 
“I think so, just hold on a sec.”
“Take your time,” Joel says. It sounds like he means it, even though there’s a line behind him and he probably needs to get to work. 
You do find a few bear claws in the box Tess gave you early this morning when you stopped by the bakery.
“You’re in luck,” you say, putting it in a paper bag. “Well, Tommy is.”
“Savin’ my ass,” he tells you when you hand it to him. “Thanks, sweetheart.”
The word sends a jolt of lightning through your whole body. He doesn’t even seem to realize he’s said it but your world shifts slightly on its axis. Sweetheart.
He turns on his heel before you can give him change for his cash, his phone ringing.
“Jesus, Tommy, I said I’d –”
You let him fade into the distance and smile at your next customer.
“How can I help you?”
A few orders later you end up next to Jesse making some lattes.
“Was that Joel Miller?” Jesse asks. “Before. The guy with the black coffee and bear claw?”
You startle. “Um. It was. How do you –”
“I didn’t know he was a customer here,” Jesse says. “Does he come in a lot?”
You unpack a few more cinnamon buns that Tess gave you this morning. “Yeah, every day.”
“Damn,” he says. “He must really like your coffee.”
“Are you trying to say it’s bad coffee, Jesse?”
He huffs a laugh. “No, boss, ‘course not.” He grinds beans for a few seconds but continues once he’s done, steady hands tamping down the results. “I just know he lives like, a half-hour away. And that there are plenty of coffee shops there, too.”
You narrow your eyes. “How do you know him, Jesse?”
“His daughter, Ellie, is a friend of mine,” he shrugs. “Went over to their house plenty of times in high school.”
“Well. He’s a contractor, right? I bet he has a job out here.”
Jesse clips the espresso into the machine and starts on some milk. 
“I’m not saying he doesn’t,” he muses. “I am saying that it takes at least 30 minutes to get here from where he lives.”
It’s silly. You’re half-flattered, half-confused. Yeah, you like Joel, and yeah, you’re pretty sure you’ve been flirting every day for over a month. But you figure it’s convenient for him. Coffee and an ego boost all in one. 
But if he’s going out of his way to come to The Zone? Well, maybe it’s not just for the coffee.
“Your coffee is good,” Jesse stresses, seeing the gears in your mind turning. It looks like he’s trying to hide a grin. You need to stop hiring young people who have keen eyes and big mouths.
“I think the ice needs a refill,” you say, snapping back into focus. 
“He might be here for something else, too -”
“Go refill the ice.”
He throws up his hands with a smirk. “I’m going!”
__
7:24 am. You’re on your own again and you’re fucked. 
The espresso machine is working perfectly and the early rush has ended. The weather is beyond shitty. Rain falls in sheets and the sky is so dark it feels like the sun didn’t bother to rise. It pounds on the roof and blows in the window every time you open it. The awning does nothing to shield customers as they shout their orders over the wind at you. Your fingers are going numb and your front is damp enough to set your teeth chattering. 
Joel’s truck pulls up and – well. You’re fucked. And he’s why.
You’re fucked because you can’t stop thinking about him. You can’t stop thinking about what Jesse said. What Joel said. Sweetheart.
A harmless crush turned into something more intense, something heavy in your stomach. You want him earnestly, fully, with every piece of you. 
And you still barely know him. But you want to. 
Maybe it’s the weather, maybe it’s the fact that you’re damp and cold and frustrated with your own heart and brain. But you see his truck and you decide to do something about this stupid crush.
You write your phone number on a cup with steady hands and set it aside for Joel. You scrawl on it as neatly as you can: Want to get a drink somewhere else sometime? 
It’s a bit of a coward’s way out. You should just ask him, say how you feel to his face. He’d probably like that better, anyway. But, well, this just feels safer. He could ignore it, he could throw it out, he could see it and decide to never come back. 
Sweetheart.
Somehow you don’t think he’ll do any of those.
The rain lashes against the window so hard you don’t open it until you see the lonely figure approach. The morning rush has been a morning trickle, a few brave souls venturing out for something from you.
Joel, it seems, is one.
You open the window and are greeted with a spray of mist.
“Gimme a sec,” you tell him. It’s so windy he leans in close to hear you. He’s wearing a jacket that’s ill-suited for the rain, his hair plastered to his forehead. Your fingers twitch with the need to brush it back. 
You quickly fill the cup you’ve set aside and pass it to him with two hands so it doesn’t blow over.
“Brave of you,” you say. He’s in the rain and you’re both getting soaked but you want to talk to him desperately. It’s a buzzing need at the front of your brain. “Thought the weather would get you, too.”
“Told you,” he all but yells over the wind with a flash of white teeth. “Shitty coffee at home.”
“Drive safe, Joel,” you tell him. He nods at you and jogs back to the truck, cup in hand. You won’t be able to see if he reads it from here, but you hope so. All you have to do is wait.
And wait.
And wait.
The rain stops.
You’re still waiting, phone silent.
Sunshine peeks through the clouds with a slightly surreal post-storm glow. A few more folks have made their way to The Zone but today has been slow. The clock ticks slowly towards 3 pm and your phone does not ring.
“Don’t be stupid,” you mutter. “He’s working.” 
You step out of the shack and into the slightly humid air, the gravel under your feet shifting wetly. The tables you’d set out this morning are, mercifully, still there, though they’re spattered with rain. You might as well close up now.
You’re bent over the last of the chairs, wiping them down with an old rag. You’re focused, so much so that you don’t pay much attention to the hum of an engine and the crunch of tires behind you.
A door slams but you don’t turn around.
“Sorry,” you call over your shoulder. “We just closed.”
“Shame,” he says. 
You whip around and find Joel, hands in his pockets. He’s in a different shirt than this morning and his jeans don’t look soaked. You’re still damp, water stains on your pants and shirt.
“Oh,” you breathe. “Hi, Joel.”
He smirks. “Don’t think I’ve ever seen you outside of that window,” he says, before jutting his chin towards the tables. “Can I help?”
You’re very aware of your whole body all at once. He’s looking at you, drinking you in like you’re his morning cup of coffee.
“Uh, sure,” you say. You want to ask why he’s here but the words won’t come. “They go in there, in the little closet on the right.” You point to the open door to the shack.
He dips his chin low just once and then crosses the distance between you in three big strides. He grabs the chair closest to you. The t-shirt he’s wearing shows his arms and you feel what he’s just said – it’s weird to be in the same space like this. You’re outside but he feels so big.
Joel’s arms flex and you swallow, following him with another chair. He stacks his in the right place and holds a hand out for yours.
“What did you write on it?” he asks, casually. 
The words don’t totally register. “What?”
He doesn’t answer. His arms are crossed, brow furrowed. Your mouth goes dry.
“On my cup. This mornin’.” He keeps his gaze on yours and for some reason, you can’t look away.
“Oh – you, you didn’t see?” 
He shakes his head. “Was rainin’, remember? Got smudged before I got in my truck.”
“Right.” 
You tear yourself away and leave him standing there. Maybe you should just lie.
But then you think about the way his eyes crinkle at the corners when you make him laugh, and how he asks you how you are and how he brought his daughter here and how he tips and how he drives all this way for your – for you.
Joel waits, his footsteps the only indication he’s followed you.
You turn around.
“I wrote my phone number,” you say. “And I asked you on a date.”
The corner of his mouth pulls up and you think he’s…blushing?
He rubs a hand over his beard and you hope he’s hiding a smile. Your heart is in your throat, beating so loud you worry that he can hear it. All of your bravado sinks into the damp ground at your feet. Maybe you’ve read this totally wrong. Maybe he’s just a nice guy, maybe your coffee is just really good and your employees are fucking with you. He’s here to let you down easy, to tell you he’s not even available, not interested, not –
“Alright,” Joel says. He walks towards you and tugs his phone from his back pocket. “I’ll take that number.”
Oh.
He hands it over and you type it in, heart jackhammering in your chest. But you watch his face, see the quirk of his mouth and his blush and it makes you brave.
“And the date?” you ask, giving it back. Your fingers brush and your heart keeps pounding but your nerves take a sharp turn away from doubt and towards excitement.
“Well, you gonna ask again?”
You both seem to have found your footing with whatever this is. The flirt in him is back full force, and he’s looking at you in that way of his. You want to know all of his expressions. There is so much to learn.
“Are you going to say yes?”
“S’why I came back,” he admits. “Figured you’d be closin’. Hoped you’d be free.”
“So you could read the cup?”
Joel takes the other two chairs and heads for the door again. You trail him. God, his arms are distracting. 
“Most of it,” he says. “Couldn’t make out the last few numbers, though.”
“Well, once we’re done here, I’m free. If you wanted to go on a date with me.”
Joel turns and you’re in the small space at the same time, your chests almost pressed together. You must smell like sweat and stale coffee but you watch as Joel inhales, eyes on yours.
“I do,” he says. 
It would be so easy to kiss him, a quick, chaste press of your lips to see what he tastes like.
His pupils dilate and you sway into him for a breath before you realize what you’re doing and step back outside.
You take a deep breath of fresh air. “Great.”
He rubs the back of his neck with one hand and you head for the tables. 
“Y’know,” he says. “Ellie’s been on my ass about this.”
You laugh, high and bright. “Has she?”
“That girl ain’t capable of missin’ an opportunity to stick her nose in,” he grumbles, but it’s affectionate. 
“Well, I think she’s smart,” you goad. 
“Yeah,” he agrees. “Reckon she is.”
Joel’s brows furrow and he takes a few quick steps into your space, so close the tips of your shoes almost touch.
“Oh,” you breathe. “Hi.”
“Hold still,” he says. He reaches for your face slowly, slow enough that you could pull away but you don’t. He brushes something from your cheek with the pad of his thumb.
“Grounds.” His voice is a little hoarse.
“Thanks,” you breathe. 
He smirks but the flush creeping up his neck tells you he’s not wholly unaffected. It makes you feel…it just makes you feel. 
Joel Miller likes you.
“Well, don’t just stand there,” you say.
His eyes widen slightly and he leans in just a little but you slide out of his space with a grin.
“The sooner we finish up the sooner I can buy you a drink.”
Joel laughs, loud and full. “Oh, how generous of you.”
“You’re very lucky,” you say.
“I agree,” he drawls. He taps your chin with one knuckle.
His eyes sparkle and he smiles, looking luminous in the post-storm sunshine. You see a flash of a future – watching him drink coffee in a kitchen instead of through the window of The Zone. Your hands meeting over a shared table, fingers tangling, that smile directed at you in the morning light. 
Giddiness rises in your throat and spills out of you in a delighted laugh of your own. Joel just grins.
“So,” he says. “Where’re you takin’ me?”
thank you for reading <3 reblog, send feedback, general masterlist here!
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art · 11 months
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Creator Spotlight: GDBee Art (@prinnay)
Geneva Bowers is inspired by the wonders of the natural world around us, and enjoys manipulating colors to create art full of mood and feelings.
Check out our interview with Geneva below!
How did you get started with art? Did you originally have a background in art?
I’m going to say yes because that’s all I’ve known how to do. It started because I wanted to draw better horses than my sister, and it just spiraled from there. People started asking me to draw things because they saw me drawing horses. I was like, well, I can draw things that aren’t horses, and then it was just kind of all I did. 
Have you ever had an art block? If so, how did you overcome it?
I have one right now! Honestly, with time, and I also collect art books; I think I have a couple hundred. If I really want to draw something, then I just flip through those and try to steal some ideas.
Which three famous artists (dead or alive) would you invite to your dinner party?
I mean, of course Van Gogh…I’m really inspired by Impressionism and Post-Impressionism, so I would invite Van Gogh, Monet, and Julie Dillon to a dinner party.
Have you ever wanted to dive into another medium before?
Yeah, actually, I currently am! I’m trying to do more traditional painting. I used to do a lot of acrylics, but I haven’t done it in years, and now I’m kind of bad at it. I’m trying to get into actual impressionistic art with oils and oil pastels. I’m like failing, but you know, you get there. Just fail until it looks presentable. 
If there is one thing you want your audience to remember about your work, what would it be?
I guess it’s more of a feeling. I create art because I’m inspired by things around me, like certain video games. For example, I have been inspired by a Japanese RPG called Chrono Cross on PlayStation 1. They make me feel a certain type of inspiration to create something, so that’s kind of like what I’m hoping to leave behind. 
Have any of your projects surprised you with their outcome?
Yeah! I did this Weapon Faerie series where I took three prompts: a weapon, a winged insect, and an herb, which I combined to make different characters. So, a faerie with a spiked club or a butterfly faerie with a katana. I made 13 of those, and they kind of took off! I wasn’t expecting that at all.
What is the hardest part of your process?
My whole art style is coloring, like the way it’s colored… but I hate the coloring process, haha. I like doing the color combos, but I don’t like the blending and shading. That takes like one-trillion years. It’s the part where I’m most likely to give up. You know how art kind of looks ugly before it looks good? I’m trying to trust that process.��
What do you wish you knew when you started creating art that you know now?
I guess one big thing would be knowing how to use lights and darks. When I do color, it is definitely colorful, but when you switch it to black and white, you see that everything’s the same tone of gray. I’ve learned that if you just use some brighter colors and some darker shades, you create a bigger impact in the end. So, now, when I paint something digital, I make it black and white for a moment to see where all the hues are, and if something is weirdly dark or not dark enough, I can change it.
Who on Tumblr inspires you and why?
Oh, @feefal definitely inspires me. She does a lot of spooky art.
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ilguna · 10 months
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Hey! Can I get the number 89 (in honour of 1989 tv) with finnick ?
☼ lovestruck, lovesick, lovelorn pt1 (Finnick Odair) ☼
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warnings; swearing, death mention, death, gore for sure, blood, weapon usage, mention of prostitution.
wc; 8.6k
prompt; 86. "Do you trust her?" // "No, but I trust her anger."
notes; i already did 89 for Peeta (castaway) and i'm trying not to do any repeats, so we're going with 86 :)
part two, part three.
--
The golden Cornucopia sits abandoned in the middle of this black sand island, whereas normally it’s occupied by the Careers to ensure that no intruders steal from them. There must not be anything worth protecting in here, then, besides the weapons that are displayed.
This allows the group to spread out, picking places to rest in the shade. Peeta lowers Beetee to the ground, propping him up against a box. He backs off, going to stand next to Katniss.
Beetee calls out to Wiress, making her go over to him. She crouches down, hands on her knees, waiting. In her limited state of mind, you’re fairly surprised that she’s still comprehending people, much less requests. He holds up his coil of wire, she takes it. “Clean it, will you?” 
Wiress nods, wordlessly getting to her feet and going to sit on the edge of the island to clean the spool of blood. She dunks it in the water, occasionally using her fingers to rub a particularly hard spot. While she does this, she begins to sing, no longer repeating the words ‘tick tock’.
It must be some sort of nursery rhyme from District Three, because you don’t recognize it. It’s about a mouse running up and down a clock, which is fairly appropriate, given the recent discovery, thanks to her.
“Oh, not the song again.” Johanna says, rolling her brown eyes. “That went on for hours before she started tick-tocking.”
Wiress stops suddenly, getting to her feet, posture rigid as she points to the jungle and says, “Two.”
The rest of you watch as a white wave of fog begins to seep onto the beach. From here, it doesn't seem so threatening. You probably wouldn’t think twice about it, if you hadn’t run for your life from it early this morning. While it melted your jumpsuit and poisoned your skin, causing you to strip to your under clothes and for your body to be covered in scabs from where it touched you.
You’d rather fight the orange monkey muttations a hundred times than risk doing that again.
“Yes, look, Wiress is right. It’s two o’clock and the fog has started.” Katniss says.
“LIke clockwork.” Peeta agrees. “You were very smart to figure that out, Wiress.”
Wiress smiles, and then kneels in the sand to continue singing and dunking the coil in water. “Oh, she’s more than smart.” Beetee says from beside you. Your eyes slide over to him. “She’s intuitive. She can sense things before anyone else. Like a canary in one of your coal mines.”
“What’s that?” Finnick asks Katniss.
“It’s a bird that we take down into the mines to warn us if there’s bad air.” She says.
“What’s it do, die?” Johanna scoffs.
“It stops singing first. That’s when you should get out. But if the air’s too bad, it dies, yes. And so do you.” Katniss ends that line of conversation, turning to go inside of the Cornucopia.
Johanna goes in after her to poke around in the weapons, since she’s been empty handed the entire time. Funny how Beetee was able to make it to the Cornucopia before she did, even if it ended up getting him hurt because of it.
You briefly glance at Finnick from where you were watching Johanna, and you have to do a double-take when you realize that he’s staring at you. He looks you over, up and down, which would be flattering, if you didn’t know that he was assessing your demeanor, deciding if you were a threat.
You squint at him, face twisting. “What?”
“Nothing.” He tells you.
“It’s not nothing if you’re looking at me like that.” You snap. “Leave me alone.”
He shakes his head, but doesn’t say anything back. You’re getting tired of him thinking that you’re going to betray the alliance. You’re in this as much as he is, you volunteered to be here. If anything, he should be a little grateful that he got a district partner that’s invested and capable.
He doesn’t see it that way, though. He thinks that you’re just as bad as Enobaria and Brutus—that you’re itching to get back into an arena to kill for some spotlight. And you know this, because he told you himself on the train. Once you were out of sight of the cameras, he tried to lay you out in front of Mags and the escort, and you shut him down.
You know he disagrees with the way you choose to handle situations, but to think that you would get in the way of a rebellion was a slap to the face. You made sure he knew that later on, when you were out of earshot of the Peacekeepers. If he wanted to think of you so lowly, fine. The line is drawn when he begins to implant those ideas in other people’s heads, too. Especially since you’ve done nothing to deserve it.
It didn’t matter to him. In fact, he tried to block you from being invited into the alliance by telling Haymitch that you could fuck the whole plan if your mood changes. He said all it would take is one disagreement, one thing not going the way you wanted, one wrong look, and you’d make sure that everyone else would be brought down by it.
Thankfully, Haymitch knows better than to just take Finnick’s word for it. He might be a drunk, but that doesn’t mean he wasn’t paying attention for the past ten years. He knows that you and Finnick have a history of not getting along. If anything, you’ll sabotage Finnick more than you will the alliance as a whole.
Which is why he told you that you have a place in it, if you want. And while everyone else places stepping stones to make sure that the plan to get rescued is in place. You were told that you have two jobs; the first one being protecting Katniss and Peeta, a task that you were already prepared to risk your life for. As for the second one—if anything were to go wrong, if someone unexpected were to get killed, you’ll replace their shoes, and get Katniss and Peeta to the end of the day at all costs.
This is why you’ve been on edge. If Finnick would see past his hatred for you, and thought about it, he’d realize that you’re trying to make sure that Katniss and Peeta are in good positions. You are not the threat here.
Johanna lets out a grunt, you turn your head in time to watch as she throws an axe through the air, straight at the Cornucopia. It hits the sun-softened gold with a gentle thud, and it sticks. She crosses the area, pulling it out by the handle, making a face at the blade.
Katniss is digging through the weapons, probably looking for more arrows to add to her collection, because two sheaths aren’t enough. When she finds one, she swings it over her back and comes out to stand over Peeta, who’s drawing a map of the arena onto a large leaf that he brought from the jungle. He slices the circle, creating twelve equal wedges.
“Look how the Cornucopia is positioned.” He says, looking up at her.
Her eyebrows draw in, and she turns around to take a look at the building she just came out of. “The tail points to twelve o’clock.”
“Right, so this is the top of our clock.” He says, numbering the wedges one through twelve. “Twelve to one is the lightning zone.” He proceeds to write lightning in the wedge, and then goes clockwise, adding blood, fog, and monkeys in the next sections.
“And ten to eleven is the wave.” She says, he writes it down. 
Finnick comes over with Johanna, the two of them have upped the weapon count on their bodies. And he thinks you’re the dangerous one, as if you don’t have a sword and a couple knives on you. Does he really need two tridents and half a dozen knives? It makes him look…
Hot, a voice whispers from the depth of your mind, It makes him look hot.
He’s standing in a patch of sun, where the Cornucopia doesn’t quite reach. The sunbeams baking his already tanned skin. His eyes are a brighter shade of sea green, with the light being in his eyes. He looks like he belongs at the bottom of the ocean, commanding the creatures that dwell in it.
He must feel your eyes on him, because he flickers over to yours. You stare for a second longer, before blinking and looking away, back at the map that’s being drawn. 
It’s a shame that Finnick decided years back that he would rather keep you at a distance instead of making a friend out of you. The two of you are so similar that it hurts at times, but all he can see are the differences, which hurts more.
The both of you won at young ages, with him setting the record, while you won at fifteen. He had an advantage in his Games, though, because the sponsors were drawn in by his good looks for being someone so young. This meant that he had everything he could have ever asked for gifted to him in the arena.
On the other hand, you didn’t make much of an impression during your reaping or the Tribute Parade, forcing you to change the strategy that you’d been given by Finnick and Mags. They wanted you to keep your head down, but if you wanted even a sliver of a chance, you needed to make your name big.
So, that’s exactly what you did. And that’s where the resentment he has for you, started. You showed off absolutely all your skills in the Training Center, making sure the Gamemakers knew you had potential, getting you a score of nine. During your interviews, you told Caesar that there wasn’t a single hurdle you wouldn’t jump to get home.
That statement was put to the test in the arena, when you killed several tributes, including your own district partner, because you knew it put you one step closer to getting out. You didn’t care what bridges you had to burn, how many sponsors you had to lose, or if you lost the support of your mentors. Nothing could stop you, and it didn’t.
Finnick hates that you had no remorse when you got out of the arena. Or now, because you told him that this is the hill you’ve chosen to die on, because between life and death, you choose life. He can’t wrap his head around the fact you’re so cold. How could the two of you be from the same district?
The similarities came back into play when you turned sixteen, when the Capitol realized that they do care about you. Which changed your title from victor to Capitol darling. You were told to join Finnick and be a prostitute, or President Snow would kill your family. 
This is where you screwed up, believing him to be bluffing. You didn’t think he would actually do it, but he’s a man of his word. When you were done listening to the screams and pleas of your parents to spare your siblings, Snow told you that if you didn’t agree, Finnick’s family would be next.
You had no choice, you had to agree. And when Finnick found out that you landed right where he was, there wasn’t a single shred of empathy he had toward you. Not even after you returned to District Four, and he learned that your family had been murdered in your home. The one you’d be forced to stay in for an additional two weeks while they got your victor house ready.
If you weren’t indifferent to his existence before, you sure as hell were then.
“Did you notice anything unusual in the others?” Katniss asks Johanna and Beetee, referring to the wedges. 
“Only blood.” Johanna says, Beetee nods.
“I guess they could hold anything.” Katniss looks down at Peeta.
“I’m going to mark the ones where we know the Gamemakers’ weapon follows us out past the jungle, so we’ll stay clear of those.” Peeta says, drawing diagonal lines on the fog and wave beaches. He then sits back. “Well, it’s a lot more than we knew this morning, anyway.”
You look up, going to check on Wiress, since she’s gone quiet. Your eyes find Gloss, water dripping from his bare skin, knife sliding across the skin on her throat. It’s too late to save her, you know this when the blood begins to come down her neck like a waterfall.
The knife on your belt is in your hand and flying through the air in the matter of seconds. It’s headed right for Gloss, and when the blade lodges in the center of his forehead, it throws him back. This kills him instantly.
A movement out of the corner of your eye makes you turn your head, hand reaching for the knife that’s lined up next, but Johanna’s on it. She buries her axe in the center of Cashmere’s chest, eliminating her.
Three cannons blast, back to back.
Finnick swings his trident upward, deflecting a spear that had been aiming for Peeta, thrown by Brutus. Finnick goes to twist his body to take the knife that Enobaria throws at Beetee, but he misses by an inch. It’s too late for you to save Beetee, as the knife shatters the lens on the right side, and the blade buries itself in his eye socket.
Fuck.
Another cannon blasts.
You shove Finnick out of the way to chase after Enobaria and Brutus, who are making their escape around the backside of the Cornucopia. They’ve successfully killed two of your most important allies, and they don’t even realize it.
The two Careers are running down one of the sand strips to the beach. You manage to throw one more knife at Brutus before he’s out of range. It slams into his right calf, taking him down. He lands on his hands and knees, which is exactly what you were hoping for.
Right as you’re about to step onto the strip, the ground beneath you jerks, throwing you down. The center island of the Cornucopia begins to spin, fast. You press your sword between your body and the ground, digging your fingers into the grooves to hold on. 
It’s only thirty seconds later when it slams to a stop without warning. 
You squeeze your eyes shut, taking measured breaths to calm the growing annoyance in your chest. The Gamemakers knew you would kill Brutus, and later Enobaria, if you caught up with her. That’s why they had to intervene, otherwise the fun of the Games would be gone.
You slam your fist against the rock, pushing yourself to your knees. You lean back on your heels slightly, face to the sun while you collect yourself. With Wiress and Beetee being gone, this is a very large hiccup that you’re going to have to smooth out. You jinxed yourself, didn’t you?
A sigh leaves you as you get to your feet, swinging the sword into your hand. As you round the corner, you can see that everyone else is upright. Finnick looks over at you, eyebrows raised, waiting for good news, because you were the closest to the Two tributes.
“Brutus is injured. I would’ve had him if the fuckin’ Gamemakers had minded their own business.” You stab the tip of the sword into a patch of sand.
“Where’s Volts?” Johanna asks, looking around the group.
“He’s dead.” You tell her.
She meets your eyes, “What happened?”
“I—” Finnick starts.
“I didn’t block the knife in time.” You talk over him. “Enobaria’s got a strong arm, it went right through his glasses.”
You can see Finnick staring at you from the corner of your eye. You lick your lips, tasting the salt of the water, before pressing them together. When you look at him, the two of you stare for a long second.
You, Johanna and Finnick know what this means. If just one of the Three tributes had been killed, you could’ve used the other. With both of them being gone, it means that someone needs to pick up their job, and you were the one that was elected to do just that.
“What now?” Finnick asks you.
You tilt your head, eyes going out to the water, finding two of the four bodies. It’s got to be Wiress and Gloss, because they’d been right next to each other when they died. You lean your sword up against the Cornucopia before wandering forward, to the edge of the island.
Wiress is floating on her back, on her stomach sits the spool of wire, golden and shining in the sunlight. You begin to head down the sand strip closest to her body. “I want the wire.”
“What for?” Johanna asks, “That was his weapon, not yours.”
You look over your shoulder. “It has to be now, doesn’t it?”
Johanna makes a face, but it’s not one of doubt. She knows that you’re right, that’s why she won’t bother to argue. Not that she would, anyway. You and Johanna get along, basically two peas in the same pod. She just likes Finnick more, because he puts up with her bullshit.
You jog as close as you can get to Wiress’s body, before diving in the warm water. It’s a nice break from the sun, even if it is for a minute. It doesn’t take long to get to her body, prying the coil from her fingers. You’re about to swim away, when you hesitate, closing her eyes.
Finnick is waiting for you on the strip when you get back to it. You place the wire on the rock, and he reaches down to help you up. Your face twists, but you take his hand, letting him help. The moment you’re on both feet, he pulls you close, a rough hand on your shoulder as he pulls you close to speak in your ear.
“If you can’t do this, you need to tell me. I’ll figure something else out.” Finnick harshly whispers.
You jerk back, squinting at him. “Worry about yourself.” 
As you stoop to grab the wire, Finnick shakes his head. “I mean it, (Y/n).”
“And so do I.” You tell him, lowering your voice. “There’s a reason why Haymitch trusted me with this, and not you.”
He raises his eyebrows, “We’re back to this, huh?”
You scoff loudly. “You’re the one that’s upset by it, Finnick. So, here’s a fucking suggestion: deal with it.” You shake your head. “You’re so worried that I’m going to betray the alliance, that’s you’re forgetting that this is what I do.” You motion to the jungle with your free hand. “Enobaria and Brutus can run all they want, but we both know they’re going to have to come out eventually if they plan on finishing us off. And when they do, they’re going to get it.
“Not from you, not from Johanna, from me.” You seethe, moving around Finnick to head back up to the Cornucopia. You throw your hands up, one of them still holding the wire. “Face it, Finnick, I’ve got this handled.”
You turn around, finding that your three other allies have their eyes on you. You ignore them, watching where you place your feet. On the island, you retrieve your sword, dropping the wire onto a box. Finnick is a few feet behind you, wearing a hard expression.
You hate it when you have to talk to him like that, but you can’t do it any other way if you want him to listen to you. It’s like he doesn’t care unless you’re being hostile, except that tone of voice has him on edge, afraid that you’re going to flip a switch.
There is no happy medium. It’s like he’s dead-set on thinking that you’re an unlikable person. You wouldn’t have minded having an actual conversation between you, Finnick and Johanna to figure out a plan together. It’s his fault that he decided to take the situation into his own hands by assuming that you wouldn’t have the ability to fill Beetee’s shoes.
It makes you mad, so now you’re going to take care of it by yourself. As much as he wants you to ask for help, you’ll do everything in your power to make sure you don’t need him. Or the others, for that matter.
“Let’s get off this stinking island.” Johanna says once Finnick has joined the group.
You dig through the weapons in the Cornucopia, looking for a pair of knives that aren’t too short. The only ones that are available are displayed on the wall in the very back. They’re slightly curved, not too heavy. They’ll work just fine.
You watch as Peeta, Finnick and Johanna start in three different directions.
You stand next to Katniss, watching this. When they realize that no one is following them, they stop.
“Twelve o’clock, right?” Peeta asks. “The tail points at twelve.”
“Before they spun us.” Finnick says. “I was judging by the sun.”
“The sun only tells you it’s going on four, Finnick.” Katniss tells him. “Any one of these paths could lead to twelve o’clock.”
You tuck the knives in your belt, as you circle the Cornucopia with them to try and find the path that’ll lead to the twelve beach. Only, the jungle is perfectly replicated in every section, down to the last tree. Johanna suggests following Enobaria and Brutus’s path, but it’s been washed away.
Katniss stops. “I should have never mentioned the clock. Now they’ve taken that advantage away as well.”
“For now.” You murmur. “We still have the wave at ten to tell us, we’ll be back on track after that.”
“Yes, they can’t redesign the whole arena.” Peeta says.
“It doesn’t matter.” Johanna’s growing impatient, wanting to move. “You had to tell us or we never would have moved our camp in the first place, brainless. Come on, I need water. Anyone have a good gut feeling?”
You let them decide which strip to take to the beach. Katniss and Peeta begin to lead the way. You grab the wire, motioning for Johanna and Finnick to go next, but they don’t budge. You roll your eyes and duck your head, putting a good distance between you and Peeta before you walk.
“What’s the plan?” Johanna’s voice sounds far, and she’s trying to be quiet, but there’s not enough going on for it to conceal her.
“She says she’ll handle it.” Finnick murmurs, you can’t tell if he’s mad or not.
“That’s it?” She asks, “It looked like she was yelling at you.”
“She did.” He says. “She told me to worry about myself, and she’ll handle Enobaria and Brutus.”
Johanna doesn’t speak right away. “Do you trust her?”
“No, but I trust her anger.” He tells her. “She’s right, this is what she does best.”
“So, you want to follow behind her?”
“Do you have any other ideas?” Finnick shoots back.
“No.” Johanna sighs.
When you get to the jungle, they look inside of it, trying to figure out if there’s anything waiting inside or not. When you can’t see any immediate threats, they relax.
“Well, it must be monkey hour. And I don’t see any of them in there.” Peeta says. “I’m going to try to tap a tree.”
“No, it’s my turn.” Finnick objects. “I’ll at least watch your back.”
“Katniss can do that.” Johanna says. “We need you to make another map. The other washed away.” She reaches up, yanking off a large leaf to hand to him. “(Y/n) can stay with us, while she figures out what to do with the wire.”
You drop it in the sand, along with your sword, as you sit down. Peeta crouches beside you, beginning to make his map, again. As you watch him draw the slices, your mind begins to wander. 
Katniss and Peeta are the Careers’ focus. They want to target the ones with the highest scores first, and then work their way down. If they take out a few of you in the process, then that’s great, but they’re afraid of what the Twelve tributes could’ve possibly done in order to get a perfect score.
It was a little odd for Gloss to go for Wiress, if this is the case. And Cashmere wasn’t able to kill anybody before she died. You guess she might have been going for Katniss, but Johanna was in between them, she wasn’t going to make it that far. That’s why Brutus tried to get Peeta with the spear, and maybe the knife was originally aimed for Peeta, not Beetee?
You just can’t wrap your head around their strategy of getting rid of the Three tributes. Were Enobaria and Brutus that worried about you guys coming up with a plan to use the explosives on the tribute platforms? It wouldn’t be the first time it happened in the Games, it’s just a stupid idea to do it in the water, when you have nothing to steady yourself on.
Either way, you need to figure out a way to draw them in. If there’s anything you know for sure, it’s that they’ll wait until dark to attack again, because they’ll have cover. It’s only the two of them now, which means they won’t attack the five of you all together, they’ll get overpowered in seconds. They’ll wait until you split up.
You play with the wire, twisting it between your fingers while you think.
If they send another twenty-four rolls from District Three tonight, you’ll have no choice but to go into the jungle for the lightning section, because that’s where they’ll be rescuing you out of the arena. You would just say that you should go up to the lightning tree and wait, except you won’t know what time it is until ten, like you said.
When the wave does it, you’ll have two hours to get to the tree. After that, Katniss and Peeta will have to get split up long enough to get the tracker out of their arms. That’ll be the perfect time to kill Enobaria and Brutus, too.
You just need a reason for them to split up. Johanna’s already agreed to getting it out of Katniss’s arm, which left Peeta for Finnick. You need some sort of placebo plan in the meantime, something for them to focus on to keep their minds off of the fact that the situation is going to be very, very suspicious.
“That’s it.” Peeta says, sitting back. “I don’t—”
A scream cuts through the still air, silencing him. You whip around to look back at the jungle, unsure of whether or not it belongs to Katniss. As you get to your feet, sword in your hand, you can hear another voice, shouting back. That one sounds like Katniss.
“What’s happening?” Peeta asks.
You get to your feet before he does, pulling the sword into your hand as you break through the jungle, swinging at any leaves in your way. “I think we chose the wrong section.”
“It’s supposed to be the monkey mutts right now, how can it be anything else?” Peeta asks.
Your face twists as you look over your shoulder, finding that Johanna’s eyes have rolled back as far as she can get them. “Because it’s the next hour?” She snarks.
Peeta doesn’t respond. For a moment, you’re genuinely concerned that the forcefield on the first day might have fried his brain a lot more than you thought. When you begin to think of all the decisions he’s made over these past couple of days, you relax. It’s not really out of his nature to say something stupid once in a while.
You’re about twenty yards into the jungle when you stop suddenly, sword at your side, eyes scanning the trees above. When Johanna and Peeta finally pause, you realize just how quiet it is out here.
Johanna takes a step or two forward, coming to stand next to you, looking up at the tree branches. She covers her eyes with one hand, squinting. “There’s no birds.”
“Exactly what I was thinking.” You tell her, your normal voice feels too loud. “There’s not even insects.”
“What are you thinking?” She asks, looking at you.
“I feel like it’s too early to be the beast, because the sun was down further yesterday.” 
She nods. “A new hour.”
“That doesn’t explain why it’s so quiet.” Peeta says.
“Could be something in the trees.” You tell him, turning your body to face him. “That’s why I don’t want to go further in.”
“But Katniss and Finnick are in there.” Peeta shakes his head. “We have to.”
“Don’t you think they would’ve called for help by now?” You ask, “We heard Katniss say something, but then she stopped.”
“And they can’t be dead because there’s no cannon.” Johanna says after. “What if they’re hurt?”
You look further into the jungle. “It’s a bad idea.”
“We have to try.” Peeta says, starting toward the two of you.
You move in time to let him pass without running into your shoulder. He makes it an additional five yards before he walks smack into a wall, head bouncing off. A little smile fights its way onto your face, and then it vanishes when you realize that this is exactly what happened when he hit the forcefield.
He reaches out, going to touch it. You stride forward, grabbing the back of the neck of his undershirt, yanking him back. “Are you stupid?”
“Wait.” He swats your hand free. “Watch.”
You grab his wrist when he holds his hand out again, causing him to look at you with wide eyes. “I’m not taking any chances with you.”
“Then do it yourself.” Peeta motions, you let go. “It would’ve blown me back if it was a forcefield. Besides, it’s too far down.”
You look at space in front of you, seemingly fine. The wall that he’d run into isn’t even visible. You take in a breath, holding it, before sticking your hand out in the direction of it.
The palm of your hand vibrates against it, you apply pressure, wondering if it’ll budge if you lean into it, but it doesn’t move. You look down at your sword, pressing your lips together. If this is a forcefield, this will most definitely kill you. Still, you swing the sword into the invisible wall, and you’re pleasantly surprised when it doesn’t explode into sparks upon contact.
“Well…” You trail off, beginning to walk around the wall, keeping one hand on it. No matter where you touch, or how far along you walk, the wall doesn’t stop. You make it into the next section of the jungle, and around the corner, and still feel it there. When you make it back to Johanna and Peeta, you shake your head. “Sealed.”
“They’re inside?” Peeta asks. “Do you think they can hear us?”
“I’m going to say no.” Johanna grunts, swinging her axe into the wall repeatedly. “If we can’t hear the birds,” Her voice is strained, “Then we can’t hear them.” She stops, tossing the axe aside, it lands next to a bush. She sighs, “I guess we’re going to wait out here.”
Peeta doesn’t like this idea, you can tell by the way his face screws up, but he knows you don’t have any other choice. 
“I’m going to grab the wire, then.” You tell her.
“Speaking of it, come up with anything yet?” She asks, eyebrows raised.
“Almost.” You say, walking away from her.
When you get to the beach and find the wire, you don’t go back into the jungle right away. You stand beneath a patch of shade, staring at the Cornucopia, and the trees beyond it, squinting.
From what you can tell, Enobaria and Brutus aren’t on the beach or in the treeline, which means that they’re in those trees, somewhere. They must be fairly far in, where they’re resting. They likely won’t come out again until they’ve been sponsored and their wounds are healing. And even then, they’ll make sure you’re not on the beach, first.
Or maybe they are able to see you, and you just can’t see them.
If you were in their shoes, you’d be watching your every move right now to figure out what you’re doing. And if that’s the case, it doesn’t matter what you do with this wire, they’ll already know the plan. Really, it would just be an excuse to split Katniss and Peeta.
So, that’s what it’ll be.
The wire could be used for a number of things, you could probably make a trap out of it. There’s enough of it for you to bring it to the tree and back down to the beach, twice. The question is what Beetee would have used it for.
You close your eyes, listening to the waves on the beach, trying to remember how Beetee won his Games. You were talking to Mags about it the other day, she was telling you that it’s been thirty years since he won. Back then, he wasn’t the strongest tribute either, he had to make something to electrocute the last remaining tributes.
He wouldn’t really be able to do that now. He had the sources—the lightning at midnight and the water at the center. In the condition he was in before he got killed, he wouldn’t have been able to make the trip up to the tree, back down to the water, and up again to be out of the way of the electricity. And the chances of the wire being cut by the Careers isn’t that low, even in your situation now.
You’d need someone at the base of the tree, and someone unspooling the wire down to the water…
Your eyes pop open, it takes them a second to adjust to the sudden light. You stare at the water. This is what Beetee was going to do, wasn’t it? The wire acts as a conductor. If you hook it up to the tree at the right time when it strikes, it’ll fry everything in the water.
But what you want is to kill the Careers, in a way. The sand would have to be wet too, or at least damp. Which… Which will be the exact case when the wave hits at ten, and it’ll be cooler out, so the water won’t evaporate as quickly. If you bury the spool in the sand, it should have the entire beach covered and the water.
“Bingo.” You say, grabbing the coil.
You join the others back inside of the jungle, finding Peeta on the floor, forehead pressed to the invisible wall. Johanna’s pacing back and forth, arms crossed over her chest. When you get closer, you’re able to see that Katniss and Finnick are on the other side, both of them with their hands over their ears.
When a twig snaps beneath your weight, Johanna looks over. She lets out a sigh, shoulders slumping. “What took you so long?”
“Came up with a plan.” You tell her, dropping the wire and your sword next to one of her axes. 
“What plan?” Peeta asks, unmoving.
“On how to kill the remaining Careers.” You wink at Johanna, but it’s not flirtatious.
You know she understands when the crease appears between her eyebrows, giving you a slight nod. “Care to enlighten us?”
“When they’re out, I will. I don’t want to have to repeat myself.” You nod at the other two. “What’s going on in there?”
“I think it’s jabberjays.” Johanna says, pointing up at the trees behind the wall. “They’re fifty of them in the trees. Katniss tried killing them, of course it didn’t work.”
Your eyes land on Finnick, finding his muscles rigid. You crouch to get a better look at his face, there’s a streak of red from his nose, down his lips, and off his chin. “What happened to Finnick?”
“He ran face-first into the wall.” Peeta says. “It was a bloody nose.”
You hum, lowering yourself to the ground. “Hopefully it won’t be much longer.”
The wall suddenly breaks, Peeta falling forward. He catches himself on his hands, getting to his feet. He doesn’t even say anything, just scoops Katniss into his arms, and walks straight out of the jungle with her, leaving the arrows behind.
You sit up, looking over at Johanna to see that she’s staring at you. She tilts her head, “Do you want to try?”
You take in a breath, “I’ll let you know if it works.”
She nods, following after Katniss and Peeta, because someone needs to be watching over them. You get up, walking a few feet over to Finnick, before crouching down beside him. 
You lift a hand, hovering it over his back for a minute, and then change your mind, placing your elbows on your thighs to lean on them. He’s got his eyes closed, head down. He probably can’t even hear you. You don’t even know how he’ll react to being touched, much less by you.
You press your lips together, heart hurting at the sight of him. It’d be better if Johanna were here, she can talk to him. All you’ll do is upset him more. You grind your teeth, once again wishing that this wasn’t your relationship. As you go to stand up, the hands over his ears loosen, head beginning to lift.
He looks around in the jungle first, making sure the threat is gone. That’s when he notices you beside him, waiting. His eyes are watery, he swallows.
“Hey,” You murmur, “Are you okay?”
He stares at you, eyebrows drawing in.
You nod, “I’ll go get Johanna.”
Once again, you try to get to your feet, when he speaks, “Why?”
“Why… what?” You ask, pausing.
“Why would you get Johanna?” He asks.
You turn your head in the direction of the beach. Is he really going to make you say it? Does he want to see the pain it’ll cause you? Or does he think it’ll come out venomous?
When you look at him, you sigh, “Because I’m not really a comforting person to you, am I?”
He doesn’t answer your question, “Where are they?”
“They’re on the beach.” You tell him. “I figured out a plan that’ll work. I’ll tell you guys when you’re ready.”
“Do Johanna and Peeta know?” He asks.
You shake your head, “No.”
Neither of you move, staring at each other. And while you could stay here forever, you don’t allow yourself. You push on your knees, standing up. You offer your hand to him, but he moves it away, just like you figured he would.
He doesn’t say anything, walking past you to leave. You stare at the scene of dead birds in front of you, before you turn around, collecting yours and Johanna’s belongings, and going to join them on the beach. 
Katniss seems better, she’s talking to Peeta. Johanna is standing over them, she glances at Finnick when he passes by. She has to twist her body to see you standing in the treeline. You hand her the axe.
“It was a trick, Katniss. A horrible one. But we’re the only ones who can be hurt by it. We’re the ones in the Games. Not them.” Peeta says.
“You really believe that?” Katniss asks.
“I really do.” 
“Do you believe it, Finnick?” 
“It could be true. I don’t know.” He says, looking up at Johanna, ignoring you entirely. “Could they do that? Take someone’s regular voice and make it…”
Johanna makes a face, looking at you for help. You play with the piece of wire you’d unraveled, “I’m sure Beetee would know.”
“Peeta’s right.” Johanna then says. “The whole country adores Katniss’s little sister. If they really killed her like this, they’d probably have an uprising on her hands.” She deadpans. “Don’t want that, do they?” She scoffs, throwing her head back to shout, “Whole country in rebellion? Wouldn’t want anything like that!”
She shakes her head, wandering around the beach to pick up shells. When she finds a good few, she stops next to Finnick, holding her hand out. “I’m getting water.” Finnick drops the spile into her hand, and she begins toward the jungle.
Katniss grabs her hand. “Don’t go in there. The birds—”
“They can’t hurt me. I’m not like the rest of you. There’s no one left I love.” She says, shaking her hand free. You don’t miss the look she gives Finnick, and then you, as she disappears into the jungle. 
She comes back a couple minutes later with a shell of water, handing it over to Katniss first. She makes trips back and forth, letting each of you have some. She comes out one trip with a pile of arrows that she gives back to Katniss.
Finnick shakes his head, walking to the water. He stops a few feet in, and sits. You let the wire drop to the sand, tired of bringing it wherever you go. You don’t move from where you are, eyes fixated on his back.
“Who did they use against Finnick?” Peeta asks, curious.
Katniss is quiet. You’re expecting her to say Annie, because it makes the most sense, but when you look over, she’s eyeing you, and so is Peeta. 
“What?” You ask. “Was it Annie?”
“No, it wasn’t.” Katniss murmurs. “We thought we heard you.”
A loud laugh comes from you, unwarranted. The thought of Finnick caring about you enough for the Gamemakers to use you against him is funny. Really funny, actually. It must’ve been a walk in the park for him, listening to your pleas. A little gratifying, because he could pretend that you were getting what was coming for you.
But Katniss isn’t laughing, she’s serious. 
The humor leaves your smile, “It must’ve been his mother, that he was mistaken for me.”
“No, because we heard his mom, too. That first scream was yours.” She insists, “And he dropped everything to find you.”
“Finnick would never do that.” You tell her, voice cold. 
She doesn’t press it further, but the look in her eye is enough. She’s not lying to you, she’s telling the truth. She doesn’t gain anything from making something like that up.
You won’t believe it though. This is the same Finnick that told Johanna that he didn’t trust you, an hour and a half ago. There’s nothing that could’ve made him change his feelings in that time span.
Unless it didn’t.
Your eyes narrow at the back of Finnick’s head, hand tightening around your sword. 
A cannon blast keeps you from thinking about the subject any further, but the bubbling in your stomach is only getting hotter. Finnick gets up, coming to join you three, as well as Johanna, materializing out of the jungle. You stand together, watching a hovercraft appear over the next section, claw dipping in several times to retrieve all the pieces of one body. 
The beast.
This sparks Peeta to create another map, this time he’s able to fill in more than half of it. It starts with lightning, rain, and fog. It moves on to monkeys and jabberjays. He has to skip a section, and then writes beast. And the next one you have after six to seven is the wave at ten. This means you’re missing five of the other hours. 
The others begin to come back to life. Finnick begins to weave a water basket and a net to fish for dinner. While Katniss takes a swim and applies more ointment. By the time she’s done, Finnick has worked up a pile, so she sits on the edge of the water, cleaning them for him. 
It doesn’t take long for Katniss’s words to creep back into your mind, refusing to leave it be. Finnick cares about you, a thought that should have you excited, but it makes you uncomfortable. He has spent the last eight years making sure that you know that he hates you and couldn’t care less about what happens to you.
Yet here he is, supposedly dropping everything to save you. Possibly even leaving Katniss behind to do it. The Gamemakers must know something that you don’t, if they knew to use your voice. You want to assume that they thought Finnick was worried solely because you’re his district partner. Except, that doesn’t make sense either, because the two of you are notorious in the Capitol for being a pair of mentors that get into fights about how to handle things.
He has a lot of nerve.
The sun falls below the horizon, the moon rising to replace it in the sky. When they finish cleaning the fish, they bring it over, setting it in the middle of the circle for you to enjoy. The four of them begin to settle in the sand, you don’t move from where you stand.
The anthem begins to play, stopping them from digging in. The Capitol seal lights up the sky, and then it’s replaced by the faces. Cashmere, Gloss, Wiress, Beetee. The woman from Five, the morphling from Six, Blight, and the man from Ten. 
Eight tributes dead.
Strangely, this makes you think of your own Hunger Games. Where you managed to kill four people in the span of two hours, one of those being Rio, who was your district partner. By the end of the Games, you had eight kills under your belt. A third of the competition was taken out by you, a little fifteen year-old.
Once again, a factor that used to make Finnick sick. And now it doesn’t.
“They’re really burning through us.” Johanna says.
“Who’s left? Besides us five and District Two?” Finnick asks.
“Chaff.” Peeta says without missing a beat.
The sound of clinking fills the air, you look up to find a parachute coming down, teetering from side to side. It lands perfectly in the middle of the group, unfolding itself to reveal the steaming rolls.
“Do these look like District Three to you?” Finnick looks at Johanna.
“Yeah, look at the imprint.” She says, running her finger over the top of one. “How many are there?”
Finnick counts them, being sure to be thorough. “Twenty-four. How should we divide them?”
“Let’s each have three, and whoever is still alive at breakfast can take a vote on the rest.” Johanna says, causing Katniss to laugh.
You pull your sword out of the sand, swinging it up to rest the flat part of the blade on your shoulder. Finnick looks up at you, eyeing your stance. You step away from them, shaking your head.
“Sit down, (Y/n).” Finnick tells you.
“Why, so you can keep an eye on me?” You snap, crossing the treeline. “Come and get me, Finnick.”
You make it a few feet in, before you hear the snapping of branches behind you. You sigh, turning with raised eyebrows to see that Finnick took it as a challenge. You didn’t mean it that way. You didn’t want him to chase you.
“Get out here.” He tells you.
You walk backward, tilting your head at him. “I’m just making sure Enobaria and Brutus aren’t out here.”
“I don’t care.” He’s still walking toward you. “We’ll worry about that when we make camp.”
You stop, letting your sword down from your shoulder. When you look past him, you can see that there’s enough distance between him and the beach. There’s privacy to talk and sort out what you heard.
Your eyes land on him, “Katniss told me something,” You start, watching his eyebrows twitch, “About how you thought I was the one screaming for help.”
Finnick shakes his head, “I thought it was my mom.”
“Yeah, that’s what I said too.” You tell him, “But you said my name, and you dropped everything to go and get me.”
He sets his jaw, “So?”
“So,” The word is bitter, “What changed?”
He laughs, “Nothing, (Y/n). I went—”
“They used loved ones and family.” You cut him off. “You care about me, admit it.”
“I don’t.” He tells you. “I never have, and I never will.”
“You chased after the jabberjays thinking it was me, and you followed me in here because you’re worried that I’ll get caught by the Careers, admit it.”
“I don’t know what you think is happening, but whatever it is, it’s not true.” His voice wavers.
This is all the confirmation you need. “You want to know what I’m thinking right now?” You press your pointer finger to the middle of his chest. “That you’re not bothered by me anymore, and you haven’t been for a while. You’ve done a damn good job of hiding it up until now, but the jabberjays got you good.”
Finnick grabs your wrist, “That’s not true.”
“What changed, Finnick?” You insist.
“Nothing, because I don’t have feelings for you.” He snaps. “The reason why I came in here is because we want to move camp to the ten sector once the wave happens, I just didn’t want you to get lost out here and think we abandoned you, making you think it’s a free-for-all.”
He lets go of your wrist, face screwed tightly, as he leaves you here. You watch him go back to the beach, while you take several breaths, feeling the pit in your stomach grow.
What have you done?
---
this is part of my 3k celebration!!
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saleeba · 11 months
Text
fool ; jude bellingham
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summary ♡ betting on the phenomenon of unrequited feelings, you and jude have never dared to make the first move with the other until a reunion forces new questions to be answered.
pairing ♡ jude bellingham x fem!reader
content ♡ 18+, smut, friends to lovers, alcohol consumption, cursing, kissing, both jude & reader are pining idiots, fingering, p in v sex, marking, missionary, unprotected sex (jude pulls out but still pls practise safe sex!!)
a/n ♡ she's baaaack :D but first☝🏽alexa play fool by nct 127 !!!! the lyric "you’re a goddess but i’m a fool, what should i do?" was written for this fic in particular i just know it was :] anyway hehe this fic is based off this request so tysmm to anon for sending such an exciting prompt !! i hope yous enjoy 🫶🏽💗 WAIT P.S this isn’t proofread bc i lowkey am not rocking with it so i didn’t wanna put myself thru having to read it again & again … im sorry for any mistakes :’)
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you had just gotten off work to a stream of relentless texts from your best friends’ groupchat — phone pinging off the rails whilst you were on shift, muffled buzzes from your bag making you wonder what on earth was worth blowing up in that whatsapp group on a random friday afternoon.
on the train back home, you tap open the green app, anticipating yourself easily spending the entire journey catching up on the three hundred-plus texts from your closest mates. you decide to start right from the beginning of the influx, thumb scrolling nonstop and eyes blurring from the rapid movement until they focus back on the screen where you stop, finally having reached the destination of the first text that set it all off. 
it was from none other than jude bellingham, and you were nearly embarrassed by the way your face instantly lit up upon reading his message. the groupchat’s golden boy had popped up after weeks of minimal contact, asking if he could take everyone for a night out tomorrow to make up for it, stating that he finally has some small gaps of free time between hectic pre-season schedules to allow him to do so.
it honestly warmed your heart that the first thing he wants away from football is to see you all. you’d been a band of good friends since the first year of secondary school, contact not necessarily strained as you all had a lot of love for each other but rather unspokenly reduced after leaving school two years ago and falling into busy university or career ventures.
instead of scrolling through to read and react to the plethora of follow-up texts after his, you ignore them and jump straight to typing your reply to his invitation, casting aside that nagging voice asking you: doesn’t that seem too desperate?
no, right? i’m just accepting his invitation, getting straight to the point, the convo ended half an hour ago anyway. you’re arguing with yourself now, feeling the need to give unnecessary excuses to nonexistent accusations. if you were to be honest with yourself, you were always self-conscious of the way you behaved around jude, even now debating on whether to add your signature heart emoji or if it’d come across as you trying too hard given your feelings for him; albeit them being feelings that no one knows about, not even him. you made sure for it to be that way.
with a mental note to get over yourself, you send an affirmative ‘i’m up for it!’, signature heart included, and quickly shut off your phone. heart beating so rapidly, you scolded yourself for getting so worked up over a mere reply and for definitely not getting over yourself. god knows how you’re going to handle seeing him in person. 
a sudden double buzz from your device does nothing to calm you down, instead dampening your hands with sweat when you grab it and see a pair of messages from him.
jude 🌟: heyy i’m so glad you can make it tomorrow :)
jude 🌟: can’t wait to see you!! ❤❤
he had messaged you separately for some reason and he had included two hearts… the overthinking starts for you again, without even beginning to think about what to reply this time, and you question why he couldn’t have just replied to you in the groupchat or why he couldn’t have just left the end of the messages with a ‘x’ like he usually does or why he would even say what he said in the last message. mind frantic and unable to clear itself, you thank yourself for having your read receipts turned off so you can have your mini meltdown without worrying about jude knowing you’d seen his messages multiple minutes ago. god, you were down so bad. 
you force yourself to open the messages app and send the most casual reply you can type.
you: can’t wait to see you too! ❤
you try to keep it short, sweet and nonchalant even if your fingers are itching to type more – more about how much you had missed him, more about what he was planning to wear tomorrow night so that maybe you could match your own outfit with him, more about your true, unfiltered feelings for him. it’s pathetic really; you hadn’t seen him in two years and the first thing you wanted to do was throw yourself at him, spilling all the secrets you’d been holding close for so many years. you leave it at that, put your phone on do not disturb mode and head on home, waiting for the long hours of friday evening to pass and saturday night to arrive.
***
and so saturday night rolls around and you just about finish touching up your makeup and smoothing out your dark blue dress before the doorbell rings, and you’re whisked away to the club by a couple of your girlfriends. 
as soon as you step your high heels into the building, you’re met with the sight of flowing booze and the noise of noughties r&b beats bouncing around the brightly lit walls. dragged by the hands of your friends, you find yourself standing next to a booth at the back of the club, the rest of the group now welcoming you latecomers with a loud cheer.
“finally, girls. you took your time!” one of your male friends remarks, ushering you all to sit down.
“oh god, what have we missed?” you beam, trying to scan the group amongst the strobing lights to catch a glimpse of the person you were really there for. 
“nah, you’re just in time because… first round’s on mister madrid!”
the callout breaks your friend group into a raucous holler as your gaze fixes onto the six foot-one footballer who stands up with an amused grin and a sigh of feigned defeat. your heart quickens and your smile turns into a state of near disbelief over how good jude looks right now – graphic white t-shirt hugging his biceps in all the right places and hanging over a pair of smart-casual black trousers.
“yeah, yeah, anything for my groupies,” he winks at no one in particular but your brain almost convinces you that he was looking at you while doing it. you send a shy smile his way just in case but what he says next has your mouth running dry. “help us out, will ya, y/n?”
you hesitate for a second too long for your liking, stumbling over your words while your friends peer at you. “uh… uh-huh, yeah, of course.” you answer as quick as you can, standing up on your feet slowly as to not trip over your now-shaking legs and send yourself flying into jude, and to avoid embarrassing yourself more than you think you already have.
he responds with a grateful smile and you follow him to the bar where he places an order for a round of drinks and some shots to be delivered to the group by the two of you. there’s an odd unfamiliarity to the silence between you both and you realise that you aren’t normally this quiet around jude, and neither is he around you; you would always joke that he’d be eligible to talk for england if he wasn’t already playing football for them. he’d retort with a comment about how his ears could almost fall off with the amount of chatting you do, and you’d dryly reply with a ‘well, they’re too big for your head anyway. look at the size of them!’ the pair of you were always as thick as thieves in the eyes of everyone else. which is why you didn’t expect it to be like this, especially after two years of not seeing each other – there was so much you wanted to catch up on from his world and so much you wanted to share from yours. you decidedly gain some courage and take the initiative to spark some conversation, get something going at least.
“soo, how have you been, then?” you’re both facing the bar, your head barely tilting in jude’s direction to indicate that yes, it is him that you’re talking to and not some random like he assumes you are with the way you’re positioned away from him, eyes just about turning to steal a glance of his figure but not to hold eye contact. “how’s la vida española?”
jude finds amusement in your sudden flaunt of the spanish language, a smile breaking out on his face, unseen to you since he’s still facing the same direction that you are, preoccupying his eyes with the myriad of bottles on the shelves while his mind searches for an apt reply.
“yeah, it’s been great, i think i wanna stay there forever,” jude laughs, his fingers tapping on the black surface of the bar. you can’t help the selfish feeling of your heart dropping at his confession. “i miss you, though, y’know… a lot.” 
this one confession forces your whole body to turn itself towards him, eyes now chasing after his to seek some form of sincerity, to see if he was just messing about or if he really meant what he just said. he shifts his head to face you now, a bashful look painted onto his features. the expectant silence says it all really; of course i mean it. 
you gulp and decide to break the quietness with a sarcastic, jesting “ugh…”, jude’s face dropping at what he thinks is genuine disgust from you. you realise your attempt to denounce the awkwardness has backfired.
“oh my god, you dickhead, i’m joking,” how is it that mere moments ago you were shaking at the sheer real-life presence of him but now you’d transformed into having this confident playfulness? and all of it without a drop of alcohol in your system as well – you’re quietly proud of yourself. “i missed you too, jude… a lot.” you coyly repeat his words. 
upon your turn of the confession, the bartender sets down your drink orders and the two of you wordlessly carry the trays over to where your friends are situated, the silence way more comfortable now that you’re both basking in assurance, unbeknown to the other that your hearts were racing at a hundred miles per hour.
***
not even two hours and an innumerable amount of shots later, you’re all a drunken mess; definitely not a surprise to a single one of you. what is a surprise is the way you’re strewn across jude, right leg wrapped around his left, head on his chest, swirling and sipping from what’s clearly an empty glass to any sober, sane person. you grumble and mutter a complaint about the lack of liquor in the booth, taking it upon yourself to head to the bar and order another round for everyone.
“i’ll come with you,” jude announces over the pounding of the music, standing up so quickly that his next five steps are staggered and he has to cling onto your arm to steady himself. “i’m fine, i’m okay.” he assures nobody that asked.
the two of you stumble your way into the path of the bar, determined to drink until the sun comes up and forget every strand of stress until the hangovers come knocking. jude’s soft grip on your arm has you being led in the opposite direction all of a sudden, though. 
“uhm, where are we going?” you question, head still turned to where the bar is located, about to ask him if he was so hammered he couldn’t walk in a simple straight line to get to where you’d planned to go. “jude?”
he’s silent, save for humming his way to his desired destination, and you question if he even knows where he’s leading you. before you make the choice of going along with him or leaving his clearly confused self to go cop your next cocktail, you find yourself in the disabled toilets, pushed up against the sink with the door not even shut properly, gasping at how rough jude is handling your body compared to his soft touches from before, and how close his face is to yours, warm breath fanning the skin of your lips. you weren’t strictly against it all but how the hell have you ended up like this? The alcohol and the questions come at you fast, dizzying your brain but you can’t help but feel so keenly anticipative.
“i’m sorry, i just…” he pulls away from you, eyes fluttering closed so he can re-evaluate his actions, exhaling through his nose as if he was letting go of all doubts before continuing. “am i okay to do this?” he places his hands on your waist, pushing himself back into your space, his full lips more or less about to take yours. you have to refrain from letting the effects of alcohol take over your tongue and uttering back with a breathy ‘you can do whatever you want to me’.
instead, you answer with an earnest, eager nod, inviting his lips to finally do that one thing you had been dreaming of for so long, to kiss yours so silly that they’re left with the imprint of him. and jude does just that.
his mouth takes in yours so determinedly, shyness and hesitation now long-dissolved feelings for you both as your hands find home around the back of his neck, pushing his head further onto you, feeling the need to taste him more and more until you’re both consumed by each other. 
it’s a messy makeout, noses bumping and teeth clashing, but it’s oh so hot, the way he gasps into your mouth from breathlessness and pleasure, running and gripping his large hands over the material adorning your waist and hips as the need to rip it off you nearly overtakes him. to you, he’s so utterly intoxicating that a gallon of alcohol would pale in comparison to how dizzy his skin on yours makes you feel. 
you release a moan at the meagre thought of jude all over your body, and he takes the opportunity to slip his tongue over yours, filthy noises of wetness and carnality from the both of you reaching high pitch as jude somehow simultaneously pushes you against the sink and pulls you against his chest, his manhandling of you getting you even more hot and bothered before you’re both interrupted by the hub of people passing by and huddling right outside the bathroom, their self-occupied shouts and cheers dragging you out of the bubble that the two of you had wrapped yourselves in, almost sobering you up on the spot.
you push jude out of your way, gentle but abrupt, and give him a look of apologetic regret. “i-i’m sorry,” you say, jitterily walking past him and exiting the room without a second glance or word, heading straight to the booth where your friends are hollering and hurraying, occupied with shot-drinking contests. 
your girlfriends offer to go home with you when you lie and tell them you’re not feeling very well, but you decline them, instead telling them to have fun on your behalf and letting them know that you’ll try to text them once you get home safely. you can tell they’re confused by your shaken state and the absence of jude but you grab your bag and make your exit before the interrogation can even begin to brew.
you manage to grab a taxi back home, surprised by how competent you are despite the alcohol in your bloodstream and confusion in your brain. on the way there, you can’t stop the bouncing of your knee nor the racing of your psyche, asking yourself how and why whatever went down with jude went down like that. you curse at yourself for being so impulsive in starting and finishing the whole ordeal with him in the way that you did – you don’t know if it’s the empty, depressive drunk thoughts or just clarity from the whole jude thing that makes you feel like there’s no coming back from this at all. you feel like crawling into your bed and never coming out from it ever again. 
the taxi driver has to call for your attention multiple times until you reach earth again and pay him the journey’s fee. you go skulking all the way up to your front door, only letting out a breath that you feel like you’ve been holding since the beginning of the night once the door shuts behind you.
the rest of the night is quiet and orderly for you, telling yourself to not invite any more chaos into your brain and to simply drink some water and to go to sleep. waking up tomorrow morning is going to be painful in more ways than one.
***
you spend the rest of the weekend nursing a ferocious hangover and a frazzled heart, only contacting your friends to tell them that you got home fine and to joke that you probably need a century or two for this hangover to be gone. you thank the high heavens that they don't bring up the topic of you and jude 
you try not to think too much about jude, you really do, but sunday night has a couple of taps landing you on the instagram app and you learn that he’s already back in spain, pictures of him in training sliding across your phone screen on his story along with selfies with his teammates. usually, you tap that small red heart at the bottom and hope that he sees it amongst his millions and millions of notifications, a tiny ritual of yours that now has you feeling so pathetic that you don’t dare to do it anymore.
running a hand over your weary face, you set your phone down and opt to nap the night away, finding comfort in the non-intrusion from your friends and the no contact from jude, hoping to keep yourself busy and distracted with whatever the work week brings.
a ring from the doorbell rips through your flat just as you’re organising your pillows, forcing you to stop what you’re doing and ponder who could be at the door on a sunday while the clock ticks some minutes past one o’clock. you don’t recollect ordering any food nor are you expecting a delivery, especially not this late. 
trudging your way to the front door, you open it to find jude bellingham standing there and you feel an instant pang of regret, wishing you had peeked through the window to see who it could be, wishing you had pretended to not be in, wishing the ground would open up right now and swallow you whole  – anything to escape the confrontation that you’re now having to face. your face heats up with embarrassment and nerves but you manage to rupture the silence before your mouth can turn dry. 
“j-jude, hi,” you try and keep your greeting as polite and cordial as you can, even when all you really want to do is to chase him off your doorstep. “what are you doing here?”
your query has jude visibly gulping, hands fiddling with each other as he attempts to hold eye contact with you, his vision a bit blurry from exhaustion. “y/n… sorry, can i come in?”
you oblige, holding the door open wide before you guide him to the living room and invite him to sit down on the plushness of your sofa, settling yourself on the opposite end of it. you silently prompt him to say what he came here to say with a nod of your head. 
“uhm, i’m sorry for turning up unannounced, and so late…” ever the courteous. “i had to sneak away from the lads and catch the last flight to here so it was all a bit down to the wire.” he lets out a small, uneasy laugh.
you cut off his rambling with a curt “what do you want, jude?” you don’t mean for it to sound so rude but you still hold the attitude of wanting to get this over and done with, already feeling annoyance at yourself for even letting him into your home. 
“right, yeah, i actually wanted to talk about what happened on saturday,” he goes back to fiddling with this thumbs, eyebrows furrowed but he avoids looking at you this time. not that you can blame him because your own vision shifts to anywhere but his direction. “i’m so sorry for making you uncomfortable a-and please tell me if this is inappropriate, but i haven’t stopped thinking about last night, i haven't stopped thinking about you, i-i’m sorry, i know this is all so silly and you probably don’t even feel the same bu-”
you stop him right there, this time with good reason as you can’t bear holding back your real emotions, not when he’s practically given you the green light to spill the contents of your heart.
“no, jude, i didn’t feel uncomfortable at all,” you assure him, gaze now on the footballer in front of you and you almost can’t believe the words leaving your mouth right now. “i wanted it to happen, i’m glad it happened, you know, i think i’ve had dreams about it happening,” you try and offset any tension with a timid chuckle before turning quite pensive. “i really like you, jude, i have for a long time… god, sorry, this is so embarrassing.” you return to making light of the situation you’ve put yourself in, the timidness sinking back in as quick as the relief lifts you up. 
jude moves closer to your now-cowering body, knees touching as your heartbeat surges with worry and self-consciousness all wrapped up into a tight, miserable ball. he puts his sweat-dampened hands into yours and squeezes in silent assurance before raising them up to his lips and laying a chaste kiss on the heated skin.
he can’t help but break out into a sweet smile, eyes threatening to crinkle at the edges. your face is still sketched with tension and now confusion has joined the mix.
“i can’t tell you how long i’ve waited to hear that from you, how much i needed to hear it,” your eyes meet his, widening in surprise a little. “i’m a fool for not telling you sooner… i like you, y/n, i really like you.” he repeats your own words back at you, leaning in with a smattering of amusement dancing in his vision. 
“can i kiss you?” the question leaves your lips faster than you can even process it in your brain.
jude wastes no time in replying with a firm pressing of his mouth on yours, deepening it within seconds, the need to cement his feelings for you being told through the way he cradles your head in his hand, leaning you back onto the arm of the sofa to further intensify the kiss. your lips move along with his, the soft weight of his body pressed against yours making you whine into his mouth in ecstasy.
he lifts off of you with a puckering of his swollen lips, the both of you taking the chance to draw in some air and attempt to regulate your breathing pattern.
“please take me to the bedroom,” you beg, breathless from the sheer sight of his dark eyes and pretty pout. there’s no fight nor denial from jude as he picks you up and prompts you to wrap your legs around his waist, quickening his pace once you point in the direction of your room.
he lays you down on the bed so gently, lips latching onto yours once again before they travel down your jaw and over the warm skin of your neck. the light touch of his fluttering eyelashes married with the pressure of his soft lips has your head spinning, hands tentatively laid on top of your sheets since you don’t trust yourself to not grab his head and bring it back to your lips. his fingers tinker with the waistband of your pyjama trousers, stretching it off your skin before he asks permission to peel them down your legs. 
once they’re cast away in some corner of your bedroom, jude divides your legs by the underside of your knees, tucking himself into the now available space between them, turning onto his side and resting on his left forearm. he leaves a small kiss over your covered cunt and you try your best to not just clamp his head in between your thighs and smother him with your growing wetness here and now. 
“need to get you ready, baby,” the sudden mention of the petname has you throbbing, squirming even more when he traces a line from your clit down to where there’s a small damp spot forming on the dark material of your underwear.
“jude, please,” you whine out, lifting your hips in a desperate bid to get the boy to strip your lower half completely. 
he shushes you in his own charming way, making sure to comply with your demand by getting up onto his knees and discarding your soaked panties in a matter of seconds, the cold air generated by his large hands whipping them off you hits your exposed pussy, making you hiss through gritted teeth.
jude returns to the gap between your spread legs, sitting back but still on his knees, his higher position causing you to shift onto resting your body weight on the palms of your hands in order to peer at his actions – which start with him re-tracing that same teasing line from your aching clit to your hole with his thumb, the feeling now so intense on your unclothed skin. he hums in what sounds to be satisfaction when you throw your head back in pleasure, taking it in his favour to slip his index finger into the tightness of your pussy. 
you release a guttural groan at the feeling of finally having some part of him inside you; you of course don’t want this to be the only part but you’re still so very grateful, so fucking grateful he’s now rubbing at your clit in delicious rounds, thumb tracing circle after circle while his fingers form a pair, pistoning in and out of you so easily due to the way your cunt douses itself with every move of jude’s. 
“fuck, baby,” jude moans at the sight of his soaked digits every time they barely pull out of that pretty pussy, his thumb torturing your sensitive bud increasingly so, the cries and whimpers spilling from your lips an incentive for him. “feel so good and tight around my fingers, can’t imagine how you’ll feel around my dick.” 
his words have you absolutely reeling, writhing against his hand to try and chase that moment of release. 
“please, jude, i’m so close,” you’re warning and demanding at the same time, almost begging him to not stop or even think about moving his fingers out of you. “god, please, i need it,” 
jude suddenly retracts both of his hands, leaving you bare and empty. “no way, baby, need to have you cumming on my cock or not cumming at all,” he comments with a shake of his head, denying you the opportunity of leaking your cum over his hand. upon seeing your bewildered face, he makes up for it by putting on a show of licking your juices clean off his fingers, the digits popped inside his mouth and dragged right back out with a low moan, him praising the way you taste. 
“move up the bed for me, angel,” he orders, watching you while he stands up and unclothes himself as quick as he can. you scoot backwards, legs still spread open like they’ve been locked in that position, before pulling your oversized t-shirt off of you, chest void of a restricting bra . “good girl,” he praises, crawling up to hover his body over your laying one, cock in hand as your legs come to wrap around him. “are you still okay with this? we can stop at any point, okay?”
the sincerity of his voice has you melting. some would remark that the bar is in hell for you but the truth is that you hadn’t been with anyone like this for more months than you could count on your hands. you've been touch-starved and lacking words of affirmation for so long, and you needed something to be only about you for once. 
“i’m more than okay with this,” you smile up at him, nodding to make your approval fully known. “and yes, i know i can stop you if i need to.”
jude reciprocates the same smile before leaning in and smothering your lips with his, pushing his cock into your tight wetness, so tight that your pussy almost pushes him back out, not used to being penetrated by something so thick.
“oh my god!” the feeling of tightness/fullness has you both gasping out the same thing at the same time, erupting into quiet giggles when the two of you realise your matching reactions. 
jude’s mouth finds its way back home in the embrace of your lips and you swear this is heaven, the way his cock slides in and out of your sopping cunt, set at such a perfect pace, the slight friction causing you to grow even wetter – the filth of it all contrasts so well with the sweetness of his muffled moans and tender kisses on your neck, moving down onto your collarbones and tits.
a particularly harsh thrust of his cock has your back arching, chest pushed up to his heated face, and he takes this golden opportunity to wrap his lips around your erect nipple, spending a good while sucking and tugging on the skin around it. you’re amazed at how his cock doesn’t relent inside you, the speed still so quick and consistent even when he’s so occupied in painting splotches on your tits with his mouth.
“there,” he pants out, pulling his head back and marvelling at his own creation. “now, there’s no doubt that you’re really mine.” the smile he gives you is a killer.
you whine at his declaration of you belonging to him, scratching at his shoulders and calling out his name to indicate that it’s all too much for you, that you’re so, so close to cumming on his cock and really giving him what he wants rather than pleasing yourself. you figure that’s you gone now; you’re more willing to put the boy above your own needs because you’re down that fucking bad for him.
“fuck, jude, i’m gonna cum!” you sob, your moans becoming more frequent and higher pitched, legs starting to shake from the intoxicating mix of exhaustion and delight. you’re frantically chanting “please, please, please” into his mouth which parts to swallow your whimpering, wet lips kissing your trembling ones. 
“go on, baby, cum for me, cum all over this cock,” he groans out, eyes squeezing shut when the feeling of your pussy clamping down tightly on his thickness proves too much to handle, face finding refuge in the crook of your neck. he knows you don’t need his permission, he would’ve let you orgasm as many times as you wanted to, would’ve let you use him like your own personal sex toy, but the words were only there to keep you going when his hips felt like faltering – he needed you cumming on his cock like he promised before, and he wasn’t about to fuck it up himself.
a final scream rips from your throat as you cum hard around jude, pussy clenching and pulsating around his cock so sporadically you thought you were having two orgasms at once. jude can’t handle it anymore, pulling out with a myriad of moans as he pumps his shaft with a hand, decorating the expanse of your lower abdomen with warm, white liquid. you’re still squirming, slowly trying to wheeze out the remaining whimpers from your lungs which you’re finding hard to do with the way jude pants and moans above you, the boy so spent he can’t help but breathe like he hasn’t had access to air for the past hour.  
he flops down by your side, arms and legs sprawled like a starfish, chest rising and falling as he attempts to recuperate from the mindblowing sex you two just had. the image is so unserious that you can’t stifle your giggles but you decide to take another step of courage to lay on your side resting your head on his shoulder, fingers stroking his abs and playing with the curly hairs of his happy trail. 
the room is quiet now with the scent of sex wafting through your nostrils on occasion but it’s the most comfortable silence you’ve experienced with jude, the feeling of his hot skin on yours so soothing to you.
after a period of panting, jude clears his throat and your ears prick up at the presence of sound. he turns his head towards you and you lift yourself up and off him out of instinct – you want full attention on him.
“i don’t want this to be a one-time kinda thing, y’know,” he proclaims, biting his lip from saying too much in one go.
“what, is this your way of saying you want round two already?” you joke, nose crinkling at the way he rolls his eyes playfully.
“shut up,” he delivers a poke to your side. “i mean, well, i don’t want either one of us to see this as a spur-of-the-moment thing, i just…” you look at him expectantly, silently telling him to continue. “i want you to be my girlfriend, y/n.” 
you’re nearly knocked back by his words, wondering if they’re real or if you’re simply just hearing things. you thought dialogue like that, coming from him, was only reserved for your imagination, kept secret and only spoken to you in late-night mental scenarios that would comfort you on your way to slumberland.
you let out a laugh that’s an odd mix of relief and disbelief, quickly replying “yes, yes, of course” to his awaiting face, which releases a look of relief itself before jude captures your lips with such passion you’re both knocked back onto the plush pillows, giggling into each other’s mouths until your hands find themselves running down the defined muscles of his abdomen and over his hardening cock.
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lyesander · 1 year
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Not crazy about people writing off the Titan submersible incident as some schadenfreudic buzzstory they can rag on for a handful of internet funny points. I get the frustration, I really do. At least three of the passengers had to shell out $250,000 a ticket for a glorified deep sea Disney ride. The CEO of OceanGate is a capitalist wackjob who has been complaining about and bypassing safety regulations for years, despite multiple warnings, and now the retrieval is taking up time and resources from multiple countries that could have been put to better use. But one of the crew members on board was also the nineteen year old son of another passenger. I doubt his involvement extended much beyond “I’m going on a fun trip with my dad.” Another was an unaffiliated researcher who joined the expedition to collect environmental samples for DNA analysis. Not everyone on board was a high-rolling corporate yuppie. (And even if they were, it’s still a pretty objectively horrific way to die.) Instead of memes, I’d rather see this prompt a discussion on the ethics and potential regulation of scientific tourism.
The above also doesn’t change the fact that this is dragging media attention away from more pressing issues, such as the sinking of the Andriana. I guess “THE TITANIC CLAIMS ANOTHER FIVE VICTIMS” is a more colorful headline than “the EU’s xenophobic migration policies have led to the deaths of hundreds of migrants seeking asylum in Italy, and an active cover up is now taking place, headed by Greek authorities.” Seeing all this energy be funneled towards dragging this tiny capsule out of the Atlantic when up to five hundred refugees - mostly women and children - were locked in the hull of a ship and left to suffer the exact same fate, while Coast Guard vessels looked on and did nothing (or even had an active role in the capsize after a botched attempt to tow it, according to some testimonies), illustrates the sway money and race have in what we pay attention to. It’s a gruesome example of inequity in action.
I had compared what happened to the Titan to the Kursk incident, but the Andriana doesn’t have the luxury of being a freak accident. Over 25,000 migrants have disappeared or drowned trying to cross the Mediterranean since 2014, with over 2,000 deaths taking place in 2022 alone. Those are staggering numbers. Protests have broken out across Greece over the past week in the wake of the tragedy, advocating for migration reform.
While these sorts of mass casualty events tend to leave us feeling disheartened and helpless, there are ways to help. Below is a link to SOS Humanity’s donation page. Reputable search and rescue organizations such as SOS Humanity or SOS Mediterranée built their mission statements around helping migrants like the ones on board the Andriana. Donate if you can, spread the word if you can’t.
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