#profit-taking
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kedreeva · 10 months ago
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There's some dude (derogatory) on FB who is PISSED people are pricing their farm fresh eggs at $2 and $3 a dozen instead of $4+, saying it's "disrespectful" and "undignified" and "I'm trying to feed my kids" like Sir, you are on a Facebook group page bitching about your neighbors egg prices because your pet chickens aren't earning you a living wage and you think it's your neighbors' fault, you do not have a leg to stand on here wrt dignity.
Also half the answers are like "I give them to friends and family free" or "I donate them to food banks" or "I'm making them affordable to folks who might not otherwise be able to get them now that they're so expensive in the store" and "if you think you're going to turn a profit keeping backyard chickens you have been wildly misled" and so on, and so forth, and I'm so living for it.
and I can tell you right now, he did NOT like my answer of "if you're trying to feed your kids, I hear eggs are edible."
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ujusttry · 5 months ago
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Shocking 3 Reasons Why Nvidia Lost Its Crown as World's Most Valuable Company
Why Nvidia lost its crown as the world’s most valuable company is a story of rapid stock movement and market volatility. The semiconductor giant’s stock plummeted by 6.7% over two days, resulting in a $200 billion market value loss and positioning Apple and Microsoft ahead in market capitalization. Shocking 3 Reasons Why Nvidia Lost Its Crown1. Nvidia’s Meteoric Rise Made It Vulnerable to…
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rocknews · 8 months ago
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Sensex and Nifty Retreat After Scaling New Heights: A Market Update
In a day marked by historic highs and subsequent profit-taking, the Indian stock market witnessed a slight dip as both the Sensex and Nifty settled lower after hitting record peaks earlier in the session.
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The BSE Sensex, comprising top 30 stocks, edged down by 58.80 points or 0.08 per cent to settle at 74,683.70. Earlier in the day, it had surged to an all-time high of 75,124.28, breaching the significant 75,000-mark for the first time ever. Similarly, the NSE Nifty saw a decline of 23.55 points or 0.10 per cent, closing at 22,642.75 after touching a fresh peak of 22,768.40.
The market saw profit-booking activities particularly in stocks like Titan, Reliance Industries, Asian Paints, and others, which weighed on the indices. Conversely, companies like ICICI Bank, Infosys, and Bajaj Finserv contributed to the gains.
While Asian markets showed mixed trends, with Tokyo, Shanghai, and Hong Kong ending positively and Seoul closing lower, European markets traded mostly in the red. Wall Street had a mixed session the previous day.
The slight retreat in the Indian market was attributed to profit-booking at higher levels, with investors also eyeing the upcoming US inflation data which could impact future rate cuts by the US Federal Reserve. Recent better-than-expected US economic data has raised concerns about a potential change in rate cut expectations for the year.
Foreign Institutional Investors (FIIs) were observed offloading equities worth Rs 684.68 crore on Monday, according to exchange data. Meanwhile, global oil benchmark Brent crude climbed slightly to USD 90.54 a barrel.
Despite today’s minor pullback, the overall sentiment remains positive, with the BSE benchmark settling at a new closing peak of 74,742.50 on Monday and the NSE Nifty also closing higher at 22,666.30.
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basechop · 8 months ago
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Stellar Gains in BOME Pre-Sale: Key Insights and Success Stories
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Unleashing the Power of Solana: BOME Pre-Sale Triumph Cryptocurrency enthusiasts witnessed a remarkable feat as a participant in the BOME pre-sale converted 421 SOL into a staggering $30.6 million in just 3 days. Unveiling the Winning Strategies in BOME Pre-Sale The wallet sundayfunday.sol emerged as a dominant figure in the pre-sale of the new Solana meme coin, Book of Meme. Just 3 days ago, it invested 421 SOL, approximately $72,000, and in return received a whopping 1.43 billion BOME, now valued around $30.6 million. Profiting from Strategic Moves Today, it secured partial profits by selling 190 million BOME for 19,646 SOL, worth about $3.66 million, maintaining ownership of 1.24 billion Book of Meme tokens. Diverse Success Stories in BOME Pre-Sale Another trader sent 102 SOL to the BOME creator's address, receiving 347 million tokens, subsequently selling them for a 340-fold profit of $6.58 million. Varied Outcomes in the Market However, not all market participants had the same fortune. Shatter.sol spent 50 SOL to purchase 170,250 BOME, parting with them after 14 hours, earning approximately $130,000. Presently, the value of the tokens they sold exceeds $3.5 million. Read the full article
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secondbeatsongs · 2 years ago
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for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal
before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"
and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"
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chloesimaginationthings · 5 months ago
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FNAF Michael refuses to be gaslit on “THE BITE OF 83”
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good-advice-ganondorf · 5 months ago
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imperceiveable · 9 months ago
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idk is this anything?
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saturngalore · 10 months ago
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jesus please take away curseforge from simmers i beg
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vampiric-transsexual · 1 year ago
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Okay, serious discussion about s5e7 of wwdits. I have a lot of mixed feelings about it. The creatures fell into the uncanny valley, why did they choose the donut lady as a plot for nadja when it could've been with the guide, etc. HOWEVER, what I do appreciate about this episode is the meta commentary on how Nandor's culture is simultaneously erased in history classes and then mocked by museums. His culture, his writings, his garments.. almost everything about his history is completely misrepresented by the museum and all of his artifacts were stolen. He literally sees a pair of his underwear on display! He is looked at as an object, a relic of the past. The museum portays him as being unintelligent and frowns upon his writings. And that's based on their narrow understanding of him, Al Q, and his culture. The historians do not know Nandor of course, but they view him through a lense that chooses to only see him and his culture as unintelligent, subhuman even- because why else would someone write something like this? Or wear something like this? Or use weapons like this? It reminds me of those TV shows that theorize the pyramids were made by aliens. Because how else could the Egyptians have been capable of creating the pyramids? Surely they can't be intelligent enough! *eye roll*
Idk someone could probably use better words to communicate what I'm trying to say here, but I wanted to bring it to the table anyway. Oh, also Colin becomes the center of attention by acting like the stereotypical white professor who is more focused on feeding their ego than actually educating his pupils. And this ends up in Nandor being pushed out of the conversation. A literal metaphor for how whiteness obscures and diminishes other cultures and immigrant communities. Of course Colin did that just to feed off of the students. Because then he ends up replacing the museum display with a more accurate representation of Nandor (albeit for comedic effect). And then by taking back his horsie necklace. But.. everyone listened to Colin! And ignored Nandor! Lots to think about in terms of erasure, white washing, forced assimilation, how museums profit off of stolen artifacts and skewing history, etc.
Nandor is an immigrant to Staten island and he was forced to assimilate. Imagine how he must feel when he sees all these stolen artifacts in the museum, and plaques that inaccurately portray his culture and history. And people gawking at the clothes and weapons he proudly wore/still wears. This is a reality for many native and immigrant communities here in America and abroad. Being forced to view your culture, your way of life through the lense of the oppressor.
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erinwantstowrite · 3 months ago
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opinions on ai?
This is the perfect time to share something I wrote a few months ago when I was upset about it:
AI is the bane of my existence and I hate it so much. Not only because of the environmental impact that it has, but because of how it gives us absolutely nothing of value in creative spaces and is actually a detriment to our future, rather than being "innovative" like companies want us to believe.
If you're using AI to write notes for you, or to answer questions, to write your essays and your discussion posts, you are hurting yourself. But eventually you will hurt others with your willing ignorance. You are not learning, you are not taking the time to push yourself to new bounds. You are not absorbing the information you need, and for why? Because it's hard? Life is hard. Learning is hard. If learning was easy, you wouldn't be learning anything at all. And one day when you need to use these tools you put down and gave to a program in order to do your job, you are going to get someone hurt in some way. If you're going into teaching and you didn't bother to learn about childhood development because you let an AI take your notes because you couldn't be half-assed to sit through an hour long lecture, you will fail every student that comes your way. If you're an engineer and you had AI do the math for you, something that you make will break and it could kill someone. Because the AI can not even count how many times the letter 'r' is in strawberry, but you're trusting it to make bridges or design buildings?
And in a creative sense, you are not an artist if you use AI. I will scream it from the rooftops if I have to.
You are not an artist if you use AI.
Because to be an artist is to put your very soul into what you create. And an AI has no soul. To be an artist is to lay yourself bare for people to witness and interpret, and it's scary but it's freeing. To be an artist is to make a message with your art, to have people a thousand years from now sit in a museum and feel connected to who you were so far in the past. To think that humanity may be different but we are also inherently the same. To be an artist is to despair over the process of creating your art because it's difficult, and time consuming, and damn does it drive you crazy. But then you get that end result and you realize you learned something about yourself, you got better at something that brings you joy, you created and now you see what you are capable of, and what you will be capable of in the future. To be an artist is to connect with someone because of what you made, and that someone includes yourself.
We keep telling young artists that they need to be better now, they need to quit if they aren't good at it on the first try. We keep acting like we didn't start from somewhere ourselves, like we were born with the fine motor skills and the talent needed to create. It's because our attention spans can't handle over 20 seconds and we need multiple videos playing to drown out our own thoughts. We have to look at comment sections to see the court of public opinion before we make a judgement ourselves. If anything is out of the ordinary or doesn't look the way we expect or want, it must be shamed. And this existence is exhausting because at the end of the day, we have done nothing of value. When coming across a video of a young artist who took the time out of their day to create, we need to encourage them to continue going, tell them that their work is worthy. Because it is. It is worthy because they made it. If we shoot them down before they can go anywhere, we've just killed an artist that could have painted the next Starry Night, or created a sculpture that millions of people would try to visit. We've shot down someone who could teach others how to create one day in their future. We shot them down and killed their inspiration and motivation, and they might turn to someone else to do it for them because they will believe they are not worthy enough or talented enough to make it.
When I was still in school, my favorite part of the year was seeing the projects put up on the wall. The silly displays our teachers put up to show a holiday with slightly wonky paper snowflakes, the posters that the art students made with "too many lightning bolts around the guitar", the signs for school dances, the yearbooks that students spent all year making, the English class posters that depicted scenes from what they were reading and they were made with stick figures or they had someone draw out butterflies. I loved seeing the decorations for Homecoming Week, loved looking ta the booths that everyone made for our career and science fairs. I liked when we put on talent shows still, when we did pep rallies and fashion shows and we saw everyone get together to have fun and not care if it was "perfect." No one there was a professional artist, not yet, but that didn't make it any less entertaining or creative.
We dance because we want to feel how our bodies move and express ourselves in ways words cannot. We paint and we draw and make pottery and quilts and pictures because at one point, all we had were cave paintings of our hands, and we still look at them with reverence for where we started. We sing and we drum and we laugh because music is a universal language that anyone can understand, and isn't that breathtaking? We write so that people in the future can pour themselves over our words and learn from us, so that kids can hide their books underneath their covers with a little flashlight when their parents put them to bed hours ago but they just can't put our story down they have to know what comes next! We cook for our loved ones and have family recipes that mean we've been tasting the same food that our family we never got to meet were eating too.
We create because humans are meant to create. We put our love into the process, we put our dreams and our hopes and our hard earned lessons into these creations.
AI will never have that. AI has none of the process, and therefore, it is not art. We can gripe about how art has different meanings all we want, we can shout that art is only art if it invokes an opinion or a thought, but that is not what makes art. Because there is still effort put into placing a shoe on a pedestal, or painting a yellow square, or painting a mural on a wall, or writing poetry in a tiny notebook at school, or melting crayons together, or anything that requires you putting it together. If AI is doing all the work for you, then you've accomplished nothing. And you stole from the people that actually did accomplish something. You stole not only their effort, but you stole their process, their feelings, their hope and their dreams and their ideas of the future.
AI is nothing and will ultimately become obsolete. Because humans will not stop creating just because companies are pushing for us to stop and hand it over to them. They want us to stop creating, they want us to pay them for it, they want us to put blind trust into what they're doing, they want us to forget that they are stealing from us. I will not forget. I will never forget. Because I was born to sing and dance and write and draw and cook, and when I die, my body will go right back to the Earth and perhaps flowers will grow around my grave. I will still be creating even then. And even if AI is still around and still trying to steal from us, I will die knowing that it could never do the same.
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blueskittlesart · 3 months ago
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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genericpuff · 5 months ago
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hey webtoon artists, did you hear that
your work is cheap to produce
everything you make is cheap and your labor is cheap and that makes it very profitable for companies like webtoons
it's as easy and cheap as just owning a tablet
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hehether · 4 months ago
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The way Heartless get jumped that night
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kirby-the-gorb · 6 months ago
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riseandfallofsecunit · 1 month ago
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I had never had a human touch me, or almost touch me, like this before and it was deeply, deeply weird.
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