#probably qualifies as actual spoilers this time lmao

[thegreatyin]

so i made it to berlin.

[kafus]

why dot & episode 41 of pokemon horizons means so much to me as a recovering social recluse

when i got into pokemon horizons i had no idea whatsoever that my favorite character would end up being dot, one of the best handled social recluse characters i've ever seen in a piece of media. pokemon places such a large focus on adventure and travel, meeting new people and pokemon, so really the idea of a respectfully handled social recluse character just didn't seem to fit in with the concept. but now that the environment travels with the characters in the form of an airship, dot was able to be created and my god i love her. as someone who's been a recluse most of my life, even as a child, (i would qualify as a hikikomori and/or NEET at different stages of my life!) who is slowly crawling out of that pit, dot means the world to me.

there's a lot of good episodes that have some level of focus on dot but episode 41 in particular really blew me away and for the sake of my autistic ass desperately wanting to tell people about it i'm going to explain that here in trademark rambling fashion. obviously spoilers ahead - though not just for episode 41, i'm also going to be talking about earlier episodes a little bit. you've been warned!! if you don't want spoilers don't read below the cut ty!!

so episode 41. we meet dot's mother as the viewer who is there to pick up dot from her "trial period" on the brave asagi, learn about how dot ended up on the airship in the first place, and then at the end dot gets to have a showdown against her mother's lycanroc essentially to prove that she wants to, and can, stay permanently on the rising volteccers crew instead of going home. this is a huge turning point in dot's development as a character - at first she was a complete unknown only audible through her bedroom door, irritable to anyone who tried to speak to her, then over the course of the show she's managed to make friends with liko and roy, become a pokemon trainer, enjoy food with other people for seemingly the first time, and even caught tinkatink on her own accord pretty recently. and now this episode allows her to say in her own words that she isn't just on the ship experimentally, or because of murdock, or any other reason - she is choosing to be there and is enjoying learning more about other people and experiencing the outside world. again, this is a huge leap for someone who refused to show her face to the main characters for the first half of the show!

this on its own is already a pretty admirable character arc, one i can relate to, but i am really impressed by & feel seen by the way the writing handles her and that's really apparent in this episode. first i'm going to focus on how the writing and characters in the show respect dot's feelings despite her introversion and reclusion here.

dot's mom (blanca) is introduced to us as incredibly overbearing, to the point of freaking out and sending a bunch of angry stickers when murdock and dot don't immediately respond to her messages. dot's first response to seeing her mom is frustration instead of any level of positive response or excitement, which implies they don't have the best history, even before she actually starts talking about her past. i'm not trying to make this a post about dot's family psychology, maybe another time, but similarly to liko her situation is a bit fucked lmao (though for opposite reasons!)

the thing is - the adults around her are ALSO uncomfortable, in particular murdock, blanca's brother, which conveys a lot about the situation. she's not just some stubborn kid, there's legitimacy to her feelings, because if there wasn't the mature figures in this situation probably wouldn't also be reacting negatively, especially not murdock, dot's other relative here. from incredibly personal experience, it is so easy to wave off the feelings of a child, especially one as "difficult" and reclusive as dot, as just being some sort of phase, but already the writers are directly contrasting murdock, an adult dot is comfortable with who treats her with patience and respect, with blanca, who she evidently is not comfortable with - and they're respecting her feelings by making the adults in the show respect her feelings, too. and they're about to do a whole lot more of contrasting her mother with Everyone and Everything Else!

dot is continued to be understood and respected by the people who know her best in the case of liko and roy choosing to approach her to talk first. dot has run off to her room, where she usually is to get away from people, a very clear sign that she's struggling. liko and roy recognize this and cut blanca off from making the situation worse. which, of course they would, they're her friends and they genuinely care about her and understand how she behaves! they even know how to get her to come out her room without banging on her door and continuously yelling or something like that - direct contrast to them struggling with this much earlier in the show, by the way.

dot is happy to see them and much more willing to talk pretty much immediately, because guess what, they're people who respect her space and her feelings!!!

and once again, when blanca tries to force dot to speak before she's ready to (i mean come on you literally jumped her with this massive thing out of nowhere), liko jumps in and cuts blanca off to defend her and once again respect her feelings in a way that blanca definitely is not.

and finally, when they end up having a pokemon battle with each other...

blanca says this, yet another invalidation of dot's feelings and the way she responds to situations. this line actually made me viscerally uncomfortable, i remember the bitterness and upset i felt when i was a young person and my feelings, especially my frustrations with my parents and the way they handled my introversion, were invalidated on account of my age. "oh, it's just a phase" or "it's just because you're a kid" - just so incredibly frustrating.

and you know what that's followed up with?

dot speaking her fucking mind and kicking her mom's ass baby!!!! get her ass!!! let's GOOO. this part of the episode is so fucking rewarding. it's so good to see this character who has grown so much finally stand up for herself. she still needed a little bit of a push but that's OKAY!! the important part is that she's doing it and the narrative recognizes that! having friends and loved ones to help you out is actually a very essential part of happiness and survival!

and before i delve too far into my personal feelings, i also want to talk about a second thing here; i just find dot's characterization really relatable, like i swear to god there's someone on the writing team who must have been a 12 year old autistic NEET or something. it's literally too fucking on point, it's uncanny, i swear there's times in horizons where dot is just a carbon copy of me when i was a preteen. i mean come on:

dot flopping face down into bed after being overwhelmed in an awkward social situation and being confronted with a situation she's been trying to ignore thus far... the amount of times i have done this in my life, holy shit.

the candidness in which dot speaks about being so interested in the outside world, but being unable to have those experiences for herself as simply a voyeur. the shot of her room being such a disaster because she rarely leaves it and stuff piles up in there, including food junk,

the way she spends all this time alone cultivating skills she's passionate about and then shrugs them off as "just something she likes" when an adult compliments her on her abilities, the contrast between her confidence in what she loves but her complete social awkwardness in talking to anyone about it,

her defining herself on the internet by being a homebody, hell even her cute little freakout about the streamer she likes noticing something she said,

waking up late and missing the activities of other people because her sleep schedule basically doesn't exist while she's at home,

even just her general body language of closing in on herself and holding onto something when she's nervous, hell even her clothing choices which are so obviously meant to be as comfortable as possible for her and easy to take on and off - i could go on forever even just with this episode alone but i think you get the point. i feel so seen by how dot is just in general and it's obvious from both the plot/writing and the way dot is portrayed and animated that the people making this show understand people like me, even the type of person i was as a child, too.

all of this means so much to me because like i said in the intro to this post, i was and still very much am a social recluse. i'm a homebody. even now i still rarely leave my room, i don't eat with family often, i struggle to do things in the "real world". growing up, repeated intrusions into my feelings and my life did not help me, they only made me whiplash further into feeling distant and not listened to by the people around me. they made me want to interact with real life less. finally, as an adult, when people started to give me a bit more space, when the ways i communicate began to be respected a little more, that is when i started making genuinely close and good friendships, that is when i began to venture outside of my room and partake in small joys with people, as a direct result of being given the space and time to do so, to have my own autonomy, to make my own decisions, to be myself. i think it's incredibly easy to see someone curling in onto themself and assume they need a fuckton of intrusive pushing, and sometimes they do need a little push, like how dot's quaxly pushes her to move forward in the moment sometimes, or how liko continuously tried to befriend her, but the important part is that by treading too far over her boundaries it is no longer a productive or respectful way of helping her - it's a balance, and a balance horizons always seems to get right, episode 41 included.

it really means so much to me to see dot's journey into coming out of her shell treated with so much respect by the writing and other characters. so often recluse characters are the butt of the joke, are pushed out of their comfort zones unrealistically fast, or never actually receive the support and growth they need - but horizons strikes the balance of being candid about the type of character dot is and giving respect and space to her feelings so she can grow at her own pace, but still giving her support and little pushes when she needs them, and showing that it's possible to grow and enjoy the real world, even as a recluse. it's refreshing, especially with a character who is a child, and a girl, too! i can count the amount of times i have found a young girl character i relate to at all on one hand, and dot is the best one i've ever seen, personally! horizons has been really inspiring to me to continue to cultivate my connections with others and continue to drag myself out of my shell at my own pace with people who love me, during a really chaotic and transitional part of my life and i really love it for that. i'm glad this episode exists for an infinite multitude of reasons but i really just wanted to talk about this specific aspect for a bit and how it relates back to me as a recovering recluse.

thanks for reading if you got this far jesus christ i talk a lot LOOOL. and i might talk more about my feelings on this episode or dot in general later. i have so much to say about likodot and also about the family dynamics in this show i'm practically eating thru drywall thinking about it rn

[coyotejone-s]

i'm insane. rubber rats and such. here's my thoughts on who the reds and blues would main in tf2 vs whose place they would take in a potential au. spoiler: they ARE different. and also i'm not making the au, but if you wanna do it feel free to use this as a guideline.

disclaimer: i'm a walking tf2 encyclopedia... for the lore and comics. i HAVE played it of course, but i'm by no means an expert on strategy and such, so contesting my knowledge on that end is more than welcome.

RED TEAM

Grif

Main: jumps around a bit, but always comes back to heavy because he's got high health and decent damage rates. mostly follows simmons around because no one wants to fuck with the battle medic. that being said, he CAN hold his own (he's actually REALLY good at the game) and watches simmons' back like a hawk. and his other teammates' too i guess (silly).

Place: heavy. big dude, cares for his family, wouldn't be doing this in an ideal world. also he deserves a big gun. RIP the grifshot.

Simmons

Main: as mentioned, he'd be a battle medic, and a fucking TERRIFYING one at that. definitely puts a lot of time into it, and it absolutely pays off. has one of the best k/d ratios purely because he's just fucking going for it. it looks like luck but every second is strategized to an embarrassing degree. this makes him feel powerful. god forbid someone kill grif, because he'll hunt them down for the rest of the match.

Place: medic. he deserves to be unhinged. we've all seen how he is on the warthog turret.

Sarge

Main: soldier. he's got rocket jumping down to a perfect science. he is defying gravity. he has discovered some sort of secret technique to perfectly optimize speed and distance while minimizing damage. he will never tell anyone what it is and he will show it off at any chance for the rest of time. thus, he never fucking plays any other class.

Place: soldier. there is nothing to be said that hasn't been said already.

Donut

Main: this one's tough actually. i think he'd flip between pyro, demo, scout, and soldier. he likes the fast-paced gameplay, and is pretty decent at all of them.

Place: scout! he's got a hell of a throwing arm! i'd be willing to bet he was in little league as a kid. i could have better reasoning but i had to switch him when i switched tucker.

Lopez

Main: engineer. it's familiar, trying to keep things fixed and running while a bunch of idiots run around and fuck things up. can often be seen rancho relaxing next to at least 2 fully-upgraded sentries like 30 seconds into the match.

Place: engineer. same reasons, same play style.

BLUE TEAM

Church

Main: good god, he tries to main sniper, but he's so fucking bad at it. gets backstabbed all the fucking time. he's too stubborn to stop. to his credit, though, he's pretty damn good with the melee and smg.

Place: sniper. again, he's not GOOD at sniping, but he's good enough with the subweapons that he qualifies.

Tucker

Main: probably scout. he likes being fast and annoying. it's not really that deep LMAO. i think he plays like me: running directly into the line of fire and just trying to hit as many people as possible before dying. a tried and true strategy. unfortunately, as such, his k/d ratio is impressively terrible.

Place: demoman. initially i wanted to place him as scout, but then i thought about eyelander and the energy sword and it won me over because i love eyelander. i think he'd try to demoknight and be really bad at it GHSJASKHGSA.

Caboose

Main: listen to me. you can put him in any class and he'll kick fucking ass. he has every perfect strategy mapped to muscle memory or something. he's a fucking enigma. no one can beat him. if caboose is on your team, you are almost guaranteed a win.

Place: pyro. it's the whimsy.

Kai

Main: i think she'd main spy purely so she can cloak and watch everyone else run around like idiots. occasionally she gets a kill in, but that's mostly when they stumble close enough to her. she can be very efficient when she wants to be, but mostly she's here for the drama. she has a screenshot folder of grif and simmons doing gay shit. it's... massive.

Place: spy. she gets to serve cunt, be bisexual, and kill people. what more could a girl want???

MISC

Disclaimer: Locus and Felix do not have a place to take due to a lack of main-enough characters. Sorry!

Wash

Main: look at me. i think wash is exceptionally bad at most of the classes. he does his best, but they just escape him. he's pretty good with pyro, but he sees pyro as overly easy with little challenge (no offense to caboose). against all odds, i think he's best at engineer, and surprisingly good at it! usually he follows lopez around (because lopez knows what he's doing), but about half the time he'll be on his own and tentatively killing it.

Place: ms pauling. in season 10, he mostly follows carolina around, dragging the reds and blues with him and following the majority of her orders. remind you of someone?

Carolina

Main: also tends to jump around, but prefers support classes. she'll join whichever team she thinks needs the most support at the time. half the time she'll be on the sidelines, cloaked and watching her idiots fuck around.

Place: the administrator! she's the most properly take-charge of all of them. i'd imagine she inherited the position from the director.

Doc

Main: medic, what did you expect? he's surprisingly good at offense, but prefers to stick to healing. in the event of an o'malley switch, he battle medics. he's not good at it.

Place: merasmus. he deserves wizard powers.

Locus

Main: spy. suits his style PERFECTLY. will occasionally play sniper if needed. absolutely cracked at both even though he says he doesn't play video games (this is a lie).

Felix

Main: he doesn't play tf2 because he thinks the people who play it are annoying nerds. this being said: probably either scout or sniper. scout when he feels like being an asshole, sniper when he feels like actually being efficient. either way he gets to show off.

[ivoryratdoggerythethird]

spoiler for bsd ch-114.5

so little predictions? i guess? for up coming chapters; really just random musings more than actual theories

so since nikolai is nowhere to be seen and skk have both taken their eyes off sigma for a while now, coupled with the fact that sigma Knows Too Much and is currently incapacitated and also fyodor is clearly somehow still acting within his plans here

what if nikolai is taking the chance to pull a sky casino part 2: electric boogaloo and steal sigma again so the besties can get the band back together (except my baby bram; fuck you pretty boy rat bastard)

fyodor gets bait over dazai for technically letting sigma fall into his hands again after sigma firmly took his side, and this leads to guilt and drama because of course. maybe dazai's gotta sacrifice himself fr this time without any safety net or plan

(and maybe sigma helping defeat fyodor from the inside (again, kinda) can qualify as his ADA entrance exam bc it doesn't get a ton more heroic than stopping a global terrorist, but what do i know)

i can't explain it and this isn't even super likely to happen but if this scenario does i get the feeling chuuya would have to be involved in saving sigma, or have some kind of conflict or parrallel with nikolai - or maybe it's my mersault gang bias showing lmao.

(but how cool would it be if sigma joined the ADA and nikolai joined the PM, unlikely as it is. i think he's probably gonna become a solo wandering figure who occasionally pops into the story like fitzgerald in the future, but i digress)

maybe sigma tries to appeal to nikolai's will to kill fyodor but that's really conflicting for him now because he just experienced losing him and Did Not Like That

would also love if bram somehow had a classic regaining of control moment if fyodor tried to hurt aya. would it make sense? not really? is it cliche? kinda. would it make me sob tears of blood? highly likely.

maybe he even stabs himself/fyodor and that ends the loop or like. screws with the ability somehow. i'm getting super carried away here but whatever it's within the realm of possibilities, this is bsd, asagiri doesn't know what sanity means, anything can happen. like chapter 114.5 happened what other proof do we need that this is a lawless world

[crescencestudio]

Intertwine Post-Mortem

i lied. i don’t know if this qualifies as a post mortem. i don’t even know what a post mortem is LMFAOkxkak

but this is my post intertwine release “devlog” chock full of dev experiences, behind the scenes looks, and more for those who want to know more about the process of creating intertwine and thoughts i’ve had in reflection of release/experiencing otojam!

it’s long bc in usual crescence fashion, a bitch loves to talk. so buckle in gamers!

my thank u offering for all the downloads and reviews

Committing to OtoJam

for those who didn’t know, i entered otojam on a sort of Whim. because i am deep in the alaris trenches, i didn’t want to distract myself for too long from my main game, especially when there are people who have paid to support development. after talking to some friends, i thought otojam would actually be good for me. i’d been struggling with burnout and was in a creative rut. on top of that, i’d been doing this dev thing for almost 2 years with no full game to show for it (cries). even if otojam would take time away from alaris, perhaps it would give me what i needed—a kick of Motivation, a dash of Creativity, and some GD Fun.

so i decided about two days into otojam to officially enter it! And thus Intertwine made its appearance

the graphic that started it all

Oh, we are Otojamming

the intertwine editing team assembled and we got to work. because i already had a pretty solid idea of the game (it had been an idea i was sitting on for a while), there was less time spent on brainstorming and more time spent on writing and editing the script. for playtesters, i already have a group for alaris, and a couple of them kindly offered to playtest intertwine for otojam. i spontaneously decided to cast a va after some discussions with the editing team, and max joined. then, with One Week left of otojam, faefield productions entered the scene!

regarding development, the first month was largely dedicated to the script. weeks 1-2 were writing and fleshing out. weeks 3-4 were dedicated to editing and fine tuning. when my editors were reviewing the script, i was creating all the art assets. after the first month, i would say we had most of the gui, one cg, and the base sprite done!

at that time i felt pretty good. we were making good progress! i even was productive on alaris and irl work!

then the Second Month happened lmao.

i always forget the Horrors of fine tuning a build. i’m projecting right now, but i’d argue a lot of developers forget or underestimate the fine tuning/ quality testing stage. during the 4th-6th weeks of otojam, i wrapped up all the assets needed for the beta build. i finished the remaining cgs, all sprite expressions, and the rest of the gui. then i coded all the features into a beta version: learning how to create a messaging system for the first time, nailing the multiple iteration mechanic, cutting and editing the voice acting audio, and other Horrors that i’m sure i’ve since blacked out from my memory all happened during the sixth week of otojam. i was truly in the Coding Trenches.

BUT i got the build done and was able to send it out to playtesters for a week of quality testing. spoiler alert: the build wasn’t perfect and there were many bugs that needed fixing. the seventh week—the second to last week of otojam—was dedicated to this as well as my own tinkering so that the build felt completely Perfect (making sure expressions r exactly how i want them, transitions and audio fade perfectly, animations are perfect, that godforsaken clickable string to get to the next iterations that No One was clicking. all of the tiny aspects that make a game feel really polished). I am Not good with grinding. Suffice to say this was probably the most miserable week.

me every hour: DID U CLICK THE STRING

But once again WE MADE IT! Near the end of the seventh week, orpheo of faefield productions reached out to me and after gushing to each other about how big of a fan we are of one another, we spontaneously collaborated for a custom OST. Enter the eighth week, and we were ALL grinding. playtesters trying out a second build within only two days. editing team making fine tuning edits for the best script. coding. voiced lines that needed the slightest bit of tinkering.

Come 3PM on june 30th (otojam ends 6pm june 30th) and i’m coding the new music room, adding and double checking the new ost, and more. Two hours pass and it’s 5PM. We have less than an hour to submit. 5:30something comes by and with shaky hands, i release the game page and submit to otojam.

flashbacks to college 11:59 deadlines fr

On top of last week crunching, i was also dealing with extreme prerelease stress. i’ve never released a full game before. a demo, i can change. i can still tinker. this isn’t the final product. But a Full Game? My god. what if ppl hate it? or worse, what if ppl are so apathetic, they don’t even look at it and it gets sent to the void? after all, this year’s entries are stunning. they are Bold and Creative and Fun and intertwine is so….

Boring?

Some Lessons—Take Them or Leave Them

lesson 1. don’t listen to prerelease anxiety. that is the devil talking to you. if u have friends at least they will play and be nice to u. if u don’t have friends and no one plays, well it’s not the end of the world!!!! there’s always the next game. and u fckn know what? at least u Made that shit. keep ur head high, icon.

lesson 2. have fun and take care of yourself. the reception to intertwine has been amazing. i couldn’t be happier with it. but at the end of the day, the reason i look back on otojam fondly is because of the very dear friends i had to support me and have fun with me thru it all. life is meant to be enjoyed. it’s meant to be about memories, not metrics! never forget what’s truly important in life (cheesy, everyone boos me, but i’m right idgaf)

where would i be without them

lesson 3. plan. there is room for spontaneity and flexibility. after all, u can’t guarantee everything will go to plan. but with otojam being a crunch, plan as much as you can beforehand to not stress urself out during it. with intertwine, i had a somewhat outline and at least a pretty good idea of the concept, game mechanics, narrative design, mood board, etc. i had character concept art of van. if i had to do all of this during otojam we wouldn’t have made it i’m so srs. i also think when u plan as much as u can before, u have more room and time to have fun during! more polished build and more loving memories it’s a win win.

early concept art tbh i never thought it’d see the light of day

Typical Brand of Crescence Cheesiness

if you’ve made it this far ur a real one. all i have left to say is thank you for the support. while i was proud of intertwine (until the last week of otojam lol), i didn’t know what the response would be. to receive so many kind words has been unbelievably heartwarming.

as i said before, i’ve been in this game dev thing for 2 years with nothing to rly show for it. but during otojam, i could really feel the skills and experiences i’ve gained shine thru. i had a better handle on narrative design, coding things, integrating gui, and even more dev friends to talk to (thank u to all my friends who have played and messaged me U DONT KNOW HOW MUCH I LUV U). it was rewarding in a different sense compared to releasing a game, and i really am glad i did otojam to give me that perspective <3

a lot of things seemed to cockblock otojam this year (or so i’ve heard) between the sheer amount of entries (go us tho), the release of a lot of aaa otome games, and then twitter literally breaking less than 24 hours after otojam ended. even with all that, i’ve been so humbled and honored to see ppl enjoy intertwine. the comments i’ve gotten have honestly made me emotional, with many of you comparing it to games that i heavily admire and or expressing emotions i never would’ve dreamed to have been able to instill.

the otojam experience has been incredible, from the memories to the game to the reception. and i’m very grateful for all the people who made it that way! thank you for enjoying our silly little game made with our grubby little fingies. i hope you all continue to enjoy intertwine (and the other otojam entries from this year) and van!

i luv u all!

[godsiero]

hello. i have just finished all of nightmare time. buckle up, i have thoughts and spoilers ahead.

just a general statement before opinions are shared: obviously some situations take place in different timelines (like the ape-man vs time bastard), but what do you think happens in the *same* timelines? obviously forever and always and time bastard are the same timeline, but do you think each episode is a different time line? do you think it depends? as i’m typing this, i think each episode of nightmare time is a different reality, let me know your thoughts!

okay, starting from the very beginning with ape-man:

i thought ape-man was a good intro to what should be expected of nightmare time. i thought the “ape-man” being a set-up between ted and hidges was funny. i loved that lucy ended up actually meeting the real ape-man in the end. i didn’t really care for the ape-man *song*, and after finishing the rest of the episodes, it was a forgettable episode as a whole, but again, great intro to the idea of what nightmare time is.

watcherworld:

i love alice and bill, so i enjoyed this. watching nightmare time *after* nerdy prudes must die helped me be more excited about the introduction of the rest of the lords in black (because i somehow avoided spoilers for THAT long). that father-daughter relationship was so well put together. i love the blinky song, didn’t care for snoozle town (however, it did sound like black friday, the song, which might not have been intentional, but i’m gonna pretend it was to appreciate jeff blim lmao), as i’m typing this i don’t really remember one thousand eyes, so…i guess it wasn’t memorable? overall, i liked the generally positive ending and bill and alice establishing they will change their ways to help their relationship. love love love.

forever & always:

loved this episode. paulkins till i die fr. i was damn near fucking crying during the opening scene, i shit you not. (side note: i have recently developed the biggest soft spot for paulkins after reading the most incredible fan fiction, probably ever, forelsket by gooddaysunshine on ao3, which i qualify as canon now.) the song forever & always is definitely in my top five nightmare time songs, i just love it. i was totally shocked when paul killed the real emma, up until he revealed he was also a clone/not the real paul, so respect ig. top tier nightmare time episode.

time bastard:

the song time bastard is also in my top five nightmare time songs. kim whalen plz sing me to sleep. the song really set my expectations high because of how good forever & always was, but i was really let down. the revelation of tinky wasn’t as direct or nuanced as blinky and i thought the plot was really slow UNTIL the last ten minutes when everything looped (i love a fuckin loop). making ted the homeless man was truly an incredible plot twist, which makes me sad that wasn’t reflected during the rest of the episode. also peanuts is hilarious.

jane’s a car:

i love tim and sue me for being a barneston shipper. did NOT like jane, did NOT like the plot of tom fucking a car, that got a little too unhinged for even me. the song jane’s a car has been stuck in my head since before i even saw the fucking episode, i could not tell you how many times i have just yelled “GOT MY FOOT ON THE GAS” in the middle of conversations. that being said, the rest of the song was forgettable which upset me! i didn’t enjoy this episode, aside from the mention of the black book on the radio and the twist at the end where it’s revealed jane did take over becky.

the witch in the web:

first of fucking all, kendall nicole is a gift to this earth. that child is incredible beyond compare. protect her forever. second of all, i can’t really remember the plot of this episode, but i do know that i liked the story? not enough to remember it though? this is definitely a middle ground episode for me. i didn’t particularly enjoy either song, but i didn’t hate them. i liked the plot of miss holloway taking hannah into the black and white and travelling through time (kinda), and i liked the overall theme of webs to introduce webby.

honey queen:

the song honey queen didn’t do much for me, neither did latte hatte, or nibbly ditty. if this was any other circumstance i would’ve also added queen b to the list, but i saw it in the jangle ball before this and that made me enjoy it, but if i hadn’t seen jangle ball, just know, i would not have liked queen b. that being said, i did like this episode. i am not a linda monroe stan (sorry), but i do think she’s funny. i thought the kids were funny, i wanted to punch zoey in the face, sam gave me the ick, gerald is a fucking freak, i have never wanted to throttle jon matteson until i watched this (i forgot his character’s name), so all in all, none of these characters are likable at all except for river, but that’s the monroe’s for you. the episode was slow, but in the way a slow burn in slow. once again, liked the introduction of nibbly, and i think having the first episode *be* the honey queen festival was super important to the rest of the season because they never shut the fuck up about it after this (this is another reason why i think each episode is it’s own universe but i disgress). if that confused you, i *did* enjoy the episode, but it was another middle-grounder for me.

perky’s buds:

liked that emma got to start her pot farm. overall have nothing of value to say about this one. joey as the bird was really fucking funny. i like jae. love emma forever, that freak. this episode was really slow and not at all in a good way. i did not like the song perky’s buds. just wanted the episode to end. sad face.

abstinence camp:

this is probably my favorite nightmare time story. the song axe-man is definitely number one on my list (we’ll talk more later). the plot of this one was SO good and funny and creepy and everything hatchetfield is about. my main love for this episode stems from the introduction of our three lead nerdy prudes must die characters. i love those three freaks. steph and peter almost getting in the same shower went fuckin crazy and i was kinda glad they got caught lmao. the plot of girl jeri and boy jerry was too fuckin good, and i will say, i was a little confused why the axe-man never showed up to kill them when they were very obviously horny, BUT IT’S ALMOST LIKE THAT WAS THE PLOT HAHAHAHAH. also, love the return of plot and lore about the woods, seriously, needed that. also also, jon matteson and kim whalen should be paired up more because they’re both so fucking funny and have the capability of being charming yet ever so slightly off-putting and i fucking love it. virginity rocks is a fuckin banger (heh), but the real star of the show is axe-man. let me tell you why axe-man is the best nightmare time song: not only does it introduce the axe-man (who we have been seeing and hearing THE ENTIRE SEASON, mind you), but bryce charles is singing?? i literally don’t know what else you need to hear from me?? corey dorris in a flannel will forever change my brain chemistry and they both sound so good together, truly, and corey dorris is a baritone legend (i’m looking at *you*, corey singing the hidden baseline in high school is killing me). “his blade is made of hate” sounds damn near EXACT to “you better hope you’re outta sight” (literal monster). “oh the pain” sounds damn near EXACT to “it ain’t great” (hatchet town). MOTHERFUCKERS. WHEN THE BRIDGE STARTS “these woods belong to him…” THE FUCKING HATCHET TOWN MOTIF IS LITERALLY FUCKING PLAYING LIKE ARE YOU KIDDING ME????? also, just the fucking end that proves ur dead?? please. jeff blim. here, have some flowers. i will do anything for you. anyway. great episode. love it. 10/10.

daddy:

i liked that we gave frank some backstory and gave him a little more humanity because i really did not like that motherfucker (heh) in black friday. the plot with sherman was VERY funny and him turning into a child is kinda cute tbh. sheila u bitch, u let barry swift out of there!! i will forever be a man in a hurry fan, even after death 😭. yes take this psycho’s money and make your family’s toy store better and pay your one employee a living wage!! we love to see it. i don’t even remember the song young at heart, so that should tell you enough about how much i didn’t like it lmao. i had been waiting to see those care bears because i fucking knew they were going to be the lords in black plushies after i saw what colors they were. nick lang, you sneaky bastard.

killer track:

finally learned the tea about miss holloway and yes it was worth it. yes, i do realize why everybody loves duke and miss holloway now, hell, i love em now. miss holloway’s plot is crazy and if there’s another nightmare time season i hope she gets another episode, honestly. i like run away with me as a song in general, but for the genre of artist miss holloway is painted to be, the song is lackluster. I DO LIKE IT THOUGH BUT I WAS EXPECTING IT TO BE MORE ROCK AND ROLL. i do realize it is a ballad, but even rock and roll ballads go harder than that did. killer track is a fucking rager???? jeff blim what are you doing writing musical theatre songs???? go write some fucking grunge shit???? killer track goes so fucking hard i really can’t explain it, jesus christ, also the video was sick as shit, do more!! (this really just proves jeff can write anything lmao) i thought the nightmare time remix was really funny and fun and just a good time, no notes, joey slayed the house down boots honey mama.

yellow jacket:

i liked the vibe of the song yellow jacket, very avril lavigne. loved the plot. loved the reprise of lex opening the wiggly box x opening the pokey box. i love the idea that there are multiple kids like hannah in hatchetfield and that would be a GREAT plot to expand upon more, however, i like that hannah and lex got out of there, but i felt so bad for ethan :( i wonder if he had proposed to lex that morning if she had said yes and not left or if she had taken them with him ugh i hate not knowing. my favorite thing about the hatchetfield universe is that they just keep pumping out these stories and plot lines that confirm these things are canon in at least one universe. i love knowing as much as possible and that’s what nightmare time has given me, ily girl. sorry went on a tagent and didn’t finish: didn’t like use it or lose it, i didn’t like next time, but i thought it was sweet 🥺 they’re all such cuties. ALSO!! the general john mcnamara cameo in this episodes them song KILLED ME i SCREAMED!! he’s literally my favorite. if they continue with a season 3 i hope to fucking god they give my man his episode god dammit. bonus, hey melissa: that shit was fucking weird and i hated that paul sided with her in the end that creep. anyway, thank you for coming on this journey with me, i hope you liked my notes, i love a discussion if you would like to comment. <3

[vynegar]

vyn top-up card liveblog thread (updated as a read). spoilers!

ok so i think this means vyn was an exchange student for a year during undergrad at a university that was (presumably) in or near stellis, since it doesn’t mention anything about travel? don’t quote me on it tho

kinda revisiting youth vibes since they’re in another school event, almost reliving school days. also definitely a possibility of some vyn backstory

oh no not another story of love at first sight ending in tragedy that will seem like an omen for vyn

WE’RE LESS THAN TEN MINUTES INTO THE STORY WHY IS THE FIRST ILLUSTRATION ALREADY HERE

ohthe writing team is putting their ENTIRE ***** into this story in a story oh my god. like i know i’m not skilled enough to tell what good writing is but like. this is good writing

ok. u kno what. if vyn licked my fingers i would lose my ability to speak too. that’s fair.

he’s blushing!!! that’s the blushing sprite!!!!

sometimes it’s just like. entertaining. watching mhy try to up the ante with the suggestiveness in cards but stay within the 16+ rating. i look forward to how creative they can get.

ok PAUSE bc the luke card got uploaded and the video is an hour long 🙏 WE’RE EATING TONIGHT

aaaand i’m back!

one day. ONE DAY we will see this expression and Not when vyn is acting

ok damn honestly. props to the AI for this part

ok so that’s like. THREE recent vyn cards with an acting/roleplaying segment where vyn gets quite emotional/uncontrolled and he’s. remarkable good at it. is this the new motif?? are we headed toward a complete collapse and blurring of the line between acting and reality? 

also wondering if this is major for my theory on vyn (and fairy tales and stories) because getting really into the role probably qualifies as immersion and right now rosa is saying she needs to be the “rational onlooker”

i would love for an actual therapist to review some of vyn’s cards. like, i’m Pretty sure some of this is not best practice but i don’t know enough about therapy to talk about it

this card is a big win for people who want to see a more twisted rosa

HUH????????????? CAN YOU -- IS THIS --- 16+??????? MIHOYO?????? (AND YEAH THAT’S HIS TIE)

Vyn: MC... What are you trying to do?

vyn’s and rosa’s expresisons when she suddenly ties him up.... both of them just taking it in without batting an eye.....

ok i think people who enjoyed the ending scene in vyn’s 2nd anniv card will like this a LOT lmao xDDD but vyn’s not really trying to hold back this time

i think i like the way that the vynrosa cards show a progression of their desire for each other. maybe it’s because Control has always been such a theme of vyn’s route, but idk, the way that their desire grows in his cards just hits properly

i really liked the ending lines

this is probably the top-up card i’ve been most tempted by. i liked how the story flips the script a little by making rosa worry that she’s too much like the cautionary tale, but in the end shows that it’s more of a mutual feeling of greed that she doesn’t need to worry over. and (maybe it’s because i paused in the middle of reading for a long time) but i feel like the writers did a good job of quickly setting up the premise for the card but not letting it bog down the actual crux of the story. i’d honestly be interested to hear if other people also felt that way about the card, bc i’m not sure if i’m just in a positive mood toward tot right now; like, maybe that point could also be applied to the anniv 2 top-up card.

okay but speaking of that, why was it another vyn top-up so soon?? i get that the first round just finished (artem with desert, marius with gufeng, vyn with anniv2, luke with bakerlon) but at least do marius!!

[cloudyevaa]

— warning!!! spoilers for the 2.1 genshin impact archon quest, and a lot of disappointment up ahead. also disclaimer: i am not by any means qualified to give this criticism lol this is just my take and my opinion on the quest's execution, and i need a place to rant.

I can't be the only one who feels very conflicted about the 2.1 archon quest, right??

I think one of the appeals of inazuma's main story was the fact that there was a war, an ongoing conflict between a nation and its deity - the fact that the archons' moralities are not so black and white as we'd thought is hammered home by the dictating reign of the raiden shogun, in contrast to both rex lapis and barbatos, who have directly aided the traveller in their previous endeavours.

the 2.1 archon quest, though?? it feels as if ei is played off to just be a lonely and misunderstood deity, and she so easily changes after... what? yae miko visits her in her realm of euthymia? the shogun knew of the repercussions of the vision hunt decree, the tenryou commission's involvement with the fatui, and even the civil war.

so why was the plot building up to the reveal that the raiden shogun may have just been mislead by false commission reports? what difference does it make that both the tenryou and kanjirou commissions have betrayed the shogun if she already knew they colluded with the fatui?

I hold nothing against ei's character — in fact, I love the way her ideals seem perfect on paper, but works in detriment to the very people she wants to protect. I love that she struggles to understand how eternity is not stagnation, and that growth is the only thing that will stay forever unchanging, because all moments are fleeting, and all life ends.

but mihoyo makes it extremely hard for me to enjoy her story completely when all we do is fight her and rely on the power of friendship vision bearers' ambitions to change her mind about the vision hunt decree. like, ,, what gives?? everything happened so quickly, how could she so easily throw away the ideals she's been so adamantly holding onto for decades?

I haven't done her story quest, but it looks like she's not even being taken accountable for being the spearhead in a literal civil war. all those vision bearers who lost their lives ( including kazuha's friend ), all the common people she has harmed because of her tunnel vision - she lifts the vision hunt decree and she is suddenly absolved? of course, I don't want a perfect morally good character, but at the very least mihoyo can show us that she is not so perfect so as to suddenly change her mind about the vision hunt decree and sporadically feel compassion for the very people she knows she has harmed.

I'm sure people are also really shocked about signora's death - I am too. I was never a fan of signora but her presence was always filled with mystery, intrigue, and an impending sense of doom. she was that antagonist - beautiful, hauntingly cruel, and jam-packed with unknown backstory ( as seen with the crimson witch and pale flame artifact set lore ) that I thought was going to be further explored on future quests. but?? she??? just???? dies???? and for what?

I don't mind if she dies ( in fact, I would like for an opportunity to use traveller to execute her myself ), but the fact that her death brings no substance to the overarching story, especially since scaramouche just. got the gnosis from yae miko. like, mihoyo can do signora MUCH better than this. she deserves a glorious death as a fleshed-out antagonist, yet I felt nothing for her, not even the slightest bit of satisfaction, when she disappeared into ashes.

and scaramouche. I like the guy, he's funny-looking, and kind of sadistic. the fact that he was appearing in inazuma was a welcome surprise. it made sense, considering he was confirmed to be from inazuma, and there were theories about he and the shogun's similar appearamces which I eagerly consumed. but he appears for like, 3 minutes, and then we're KNOCKED OUT???? seriously???????

when yae miko suddenly appeared I actually thought she'd betrayed us and was working with the fatui. but then she wakes us up, tells us nothing about the SINGLE MOST important exchange in the whole quest until AFTER the main conflict is resolved, and just dumps scaramouche's identity on us as a SIDE COMMENT. what is this tomfoolery??? we weren't even there to see it? at least give us a cutscene explaining what went down, because this was LITERALLY one of the most important parts of the entire archon quest, and one of the recurring goals of the traveller.

also, can we talk about the resistance? oh wait a minute, we can't, because they literally did nothing. absolutely nothing. they contributed a total of 0 times the whole quest. only teppei was a memorable figure, and he had more lore than the upcoming 5-star master strategist of the whole army; kokomi.

as a person who loves kokomi, i am devastated by the lack of actual role she holds within the plot. she is a famed strategist and the only reason the resistance has been holding out for so long, as kujou sara said herself. but she's not given so much as a 30-second fight scene, and we never see her cunning wits on the battlefield - we probably never will. why, you may ask? well, because the freaking war is OVER. because baal just decided to stop the vision hunt decree.

i sincerely hope there will be more substantial kokomi content during her banner where we get to see her shine, seeing as it seems that mihoyo is already nerfing her abilities and focusing their efforts into promoting ei instead.

however, seeing as the main inazuma conflict ( the vision hunt decree ) is already over and dealt with... what the frick is kokomi supposed to bring to the table??? 😃 the one character i feel that shone throughout the quest was kujou sara, who had actually had a set-up for potential character development from the previous patch. but even then she's rendered unconscious by signora in front of the archon she is the loyal right-hand of??? like y'all pls tell me I'm not dreaming.

I loved the graphics, the concept, the lore - but the execution fell flat and felt terribly rushed. I wonder if it's because mihoyo is very insistent on hyper-fixating upon the raiden shogun this update.

anyway, that was a long tangent lmao. if you enjoyed the quest, good for you!! I enjoyed it, too; but my enjoyment is far overshadowed by the glaring issues that i had with it. i'd love to hear other people's thoughts about the quest.

[doctorofmagic]

Hello!! Hope you're doing good and hope I'm not bothering you. First of all I'm a fan of yours so I know your feelings towards the MCU so please feel free to not answer to this ask if you don't want to. I swear it's not a problem at all ❤️ but I'm a bit lost rn. I'm trying to understand how wandavision/Loki will effect DSIMOM but it's complicated :( I understand that probably you don't feel like explaining all that (don't even know if you actually watched it tbh 🤔) but idk... maybe you have a friend/mutal here on Tumblr or Twitter that explained all that crap??? Sorry again but I'm a bit desperate lmao

Greetings, anon!

Oh, don't worry! You don't bother me at all! I appreciate your trust in me to answer your question, and even though I'm not entirely invested, I'm still watching everything. I'm not sure I'm the most qualified person but I can try? Let's go.

Disclaimer: WandaVision (MCU), Loki (MCU) and Secret Wars (comics) spoilers

Okay, so, first things first. The Marvel universe in comics is called 616, but there are endless other alternate realities/universes. The total of these universes is called a multiverse. Have you ever watched Spider-Man Into the Spider-Verse? It's almost the same. On Earth-616, Gwen died. But in an alternate reality where she was bitten by the spider (not Peter), she became the Spider-Gwen/Spider-Ghost.

The problem is, the multiverse demands some balance in order to preserve the space-time continuum. If you mess with time, space OR reality (WandaVision), it's very likely that this delicate fabric will crumble. I found it odd that WandaVision never brought this to the table, but yeah. In comics, time travels are very dangerous because they can alter the whole timeline (as also seen in Loki). This is why Doctor Doom, despite mastering the time travel, doesn't interfere anymore with the timeline. And save this name because he's directly related to Kang. More on that later.

In the MCU, the multiverse already exists, as Kang explained during the war of Kangs. Let's say, mmm, have you ever watched Rick and Morty? There's a council of Ricks, a group of 5 Ricks from alternate realities who tried to regulate the other Ricks in the multiverse. In comics, and apparently in the MCU, there was also a council of Kangs (and a council of Reeds, and a council of Dooms). Each one of those have different goals, but I assure you, they're up to no good.

But who is Kang and why do I keep talking about Reed and Victor von Doom? Because no one truly knows who Kang is, but both Victor and Kang suspect they're the same person, only Kang is from the future and Victor hasn't become him yet. There's also the possibility that Kang is also related to Reed (and his father Nathaniel Richards). Thing is, we don't know haha. It's a cool mystery we have around the FF lore.

In Loki, the One Who Remains explained that he won the war of Kangs and isolated his own timeline in order to prevent opening the multiverse again so the other Kangs won't spread war across the multiverse. When Sylvie kills him and his actions to preserve the timeline are no more, the timelines open all at once, which is problematic to the fabric of space-time.

There's nothing wrong with alternate realities, but since everything happened at once, some timelines are colliding.

Do you see some of the lines intersecting? THIS IS WHERE THE PROBLEM LIES.

When two alternate realities intersect, two different worlds may collapse. This is what happened in Secret Wars (2015) by Jonathan Hickman. It's called Incursion, when an alternate Earth suddenly appears in the 616 universe and if one of them is not destroyed, they collid and everything dies.

Now, I don't think we're getting a Secret Wars adaption for the MCU (yet). What I think it's happening is, these worlds are intersecting and mixing it up. This is why No Way Home will feature characters from different Spidey movies (perhaps even the Peters themselves). Because some of these timelines are touching the MCU universe.

And this is problematic why? Again, because the space-time continuum is delicate and reality may crumble. Everything will die. The existence itself.

See, I'm not sure how deep the MCU will exploit that but it's quite dangerous. And this is where our poor good doctor comes in. He's not responsible for protecting the whole multiverse, not even the TVA was doing that (they're merely protecting the MCU timeline, isolating it from the multiverse). But he sworn to protect HIS reality. And HIS reality is in jeopardy because the worlds are colliding. So he will probably take Wanda because she can fix reality (hopefully, she won't ruin it any further because of her children lmao). I think she will the bandage, sealing the rifts in the space-time continuum (another good example for this plot is Gravity Falls. This is what Ford was trying to do in order to protect their reality from Bill Cipher, and there's also the concept of multiverse). Stephen probably knew what she did and thought of taking her to fix these intersecting points with her chaos magic.

In the meantime, they can travel across the Multiverse thanks to America Chavez's powers. She can create portals to travel through realities. This is probably how things are related and connected.

Yes, it's a very complicated concept. But I sure love it. I may be wrong, tho. I never know how the MCU will adapt these stories and this is why I don't speculate anymore. I'm tired of wasting my energy on something that will never happen /rip

Lastly, a few concepts that may help you:

- Dimension = different places that coexist in the same universe, but are located in different planes. I.e., the Dark Dimension, the several versions of Hell, Earth, Asgard and the other realms. They are all part of the same universe/reality, which means there are alternate Asgards, Earths and so on. This is why we see so many variant Lokis. They're from alternate universes.

- Universe = a set of different dimensions in a given time-space point. Example: the MCU universe, the 616 universe, the ultimate universe and so on.

- Multiverse = a set of all universes.

- Timeline = a point in space-time where said universe is located.

Ooooof, I hope this post didn't make you more confused instead of enlighten you haha. If you're still confused, I can recommend a friend of mine who's also a hardcore Stephen stan, but we were also having the same talk about this and we came to this same conclusion so...

[semperama]

DTS Season 4, Ep 1

My live-blogging under the cut! Full of spoilers, obviously.

This show is so pretty to look at, but some of the production looks like it was done by a college kid just learning how to do cool transitions on a power point.

I would literally pay Netflix to never put a shot of Christian Horner jogging on my screen again.

I do love seeing all these pretty people in 4K. And the landscapes too. And the cars. But mostly the pretty people.

Watching these Team Principles get coached into modeling for the camera is T H E most cringe thing ever. Their egos are big enough, okay. Enough already.

Toto is...a large man. Very large.

It's funny watching this after having seen the season. Like, the drama of Mercedes' car not doing great in testing is not really drama when you know what happened over the course of the season. It really puts into perspective how DTS tries to build an internal narrative that's separate from reality.

Christian is such an asshole, lmao. I just want to punch his stupid face.

Now Christian and Geri riding horses? Give me a breaaakkk.

They really do pay Will Buxton to state the obvious, don't they? "You want to qualify first, because then the other 19 drivers will be behind you." Oh really? Thanks.

Literally every time Daniel speaks my heart sinks, because I know what's coming in episode 2 already.

I do kind of wish the races themselves all had the production value of DTS. If you could switch between the drivers' cameras and radios and footage from overhead and footage of their faces, that would be amazing. Although they'd probably never allow that.

Lewis fighting with the pit wall about when to box should definitely be a spot on every Grand Prix bingo card.

Yuki. <33

I did actually forget about Max having to give Lewis the place back in Bahrain. The season is so long I'm sure I'm going to be reminded of all kinds of stuff I forgot while watching this.

"Still got it, Bono." "Yeah, not bad for an old man." Wholesome. <3

I'm so glad the next episode is about Mclaren so hopefully I get a break from Horner, jfc.

[annoyed-galaxy]

I've just finished episode 6, I'm here to yell :)

First off, Heimerdinger would be pro-circle, you can't change my mind. Like lil fuzzy old man has magic-related trauma for sure, and no doubt he's got every right to be worried about what the lads are up to, but he lives in this ivory tower and is too scared to peer over the edge. So much horrible shit has happened on his watch, and he still would rather figure that Jayce's ambitions for Hextech are the cause of his ousting, and not the fact that he's let the city stagnate and is apparently Very Okay with letting Viktor die??? Like holy shit, you could have offered to help the boys find a better/safer/different way to save Viktor's life instead of pulling an Elrond 'DESTROY IT' like buddy you set yourself up for the ousting the moment you threatened the one thing they have that could save Viktor.

Like. Yes you're probably right sir, but you also represent a lot of failure of leadership and stagnation and you can't physically comprehend the fact that humans have so little time compared to you.

SECOND. Silco sir. You are still a total nightmare with that shimmer shit, but he's such a dad with Jinx. The way she's all 'ugh dad you've told this story a million times!!!!!!' is just so telling, like he's actually been parenting her all these years. Has he done it well? Well... *looks at Jinx* nobody's perfect. Like she has so many issues, her hallucinations and general instability, but the only time he really seems mad at her was when she went off on her own initiative and created a problem. Which he's apparently no longer mad about when she reveals what she achieved. It wasn't a random bit of chaos for fun or smth, she was making up for the job gone wrong and nope he can't be mad at her for that.

And the fact that he kept Marcus' daughter all calm and playful and happy until Marcus showed up. The man knows how to act around children, like srsly did he actually pick up a parenting book or smth when he adopted Jinx or does playing games with small children come naturally to him? (I know it was an intimidation tactic but I don't care, that lil girl was none the wiser until her dad came home, this man with his scary eye was her new best friend for all she cared.)

Speaking of Marcus... like okay. He's kinda shit but he wants to be good, but he can't be good like Shala'raan/Grayson was (I can only ever think of her when I hear that voice it's engrained in me lmao). He's in too deep, he's got something to lose, he's another man who lost his convictions to his daughter like Vander did. And like Silco will because lmao I've seen the spoilers already, no biggie, I just love that the theme with the dad characters is the dads all putting their kids first, even if it means giving up on what they believe in. Well... except for Singed, but I'm not clear on how much time Viktor actually spent with him, so I dunno if he qualifies.

Now. Cait and Vi. I diagnose them with Gay. You can't say shit like 'you're hot' and give her the name Cupcake and not expect the Gay to blossom, Vi. You did this to yourself. And Cait omg, you're a baby. You know Nothing. I can't wait to see her develop further with Vi, because now she's been confronted with the reality of the Undercity and what the Enforcers are responsible for, the reality of everything that Piltover has allowed to happen to these people because they don't want to see it or acknowledge it exists. Yet she gets the chance to see their humanity. She begins to see past the things she's been taught and she realises that everyone in the Undercity, even the Shimmer-addicts, are just people. She gives up her rifle for Vi, not just because 'I need this person to keep me from getting killed down here' but because she sees that Vi has a good heart.

And! Vi and Jinx's reunion! The flare! Fighting together when the Firelights attack and Vi is horrified by how her sweet little sister has come to embrace violence and fighting despite 'not being a fighter'. And then the Firelights taking Vi, leaving Jinx all alone again! The sheer horror of realising that her sister is gone /again/!!!! Like, have fun dealing with /that/ when she gets back Silco. And uh, have fun cleaning out the crayon Sevika ._.

I'm determined to finish the show tomorrow, so look forward to me screaming in your inbox when my heart inevitably shatters as everyone's issues drive them to do more horrible things lmao

You went super analysis mode on this and I can't help but agree with literally everything. You tore Heimerdinger apart in a way I hadn't yet seen and you couldn't be more right.

And now you see why Silco is one of my favorite characters.

[laurelnose]

Hello! I'm your Witcher Secret Santa (and very excited about it) here to ask if you have any particular tropes/likes/genres you'd like to see for your Geraskel fic!

hello!! thrilled to have you here!! 💛

i’m just gonna...kinda follow the wishlist outline the secret santa blog laid out here. cutting for a lot of talking about my personal geralt/eskel likes & dislikes lmao. hopefully this helps give you some ideas & if you need clarification on anything just let me know!

my eskeralt tag is #like two drops of water (this link doesn’t work on mobile but i will put it in the tags of this ask). what appeals to me about eskeralt is…aside from vesemir, there’s nobody either of them has known as long as they’ve known each other, and like, there’s nothing really that could ever make them reject each other. whatever happens short of death, there will always be eskel for geralt and geralt for eskel. also i just love both of them individually & it makes me happy to see them in the same place :’D

that said, i have never shipped a fully emotionally functional relationship in my life and eskeralt is not an exception—some of the most interesting points of conflict between geralt and eskel for me include:

their relationship is difficult to maintain; enough contract work for two witchers together is difficult to come by & two witchers are seen as intimidating by townsfolk! also, they’re both men, but ymmv on how much homophobia you want to feature in your version of the Continent. one of the few times they can be freely together is back at Kaer Morhen, and three or four months out of the year is…not a lot.

there’s a significant asymmetry between them where geralt has a much wider social network (both platonically and romantically) than eskel does. while geralt can always go to dandelion or yennefer for what he needs, eskel doesn’t have the same freedom… and eskel is clearly unhappy about yennefer when he and geralt speak to each other in the forktail cave. is there some bitterness there about geralt chasing the attention of sorceresses and whoever else all over the continent when eskel, the ugly, unfamous one, has always been right there for him? methinks the answer may be yes.

geralt is…not a functional emotional support network. like, he barely qualifies as a single emotional support pillar. he’s definitely 100% there for his friends but he’s not fantastic at divining when they need support without them actually out-loud asking, and tbh eskel isn’t necessarily great at this either. both of these boys were seriously failed as children when it came to identifying and communicating their own emotional needs. i love geralt and eskel knowing each other without speaking, the familiarity of presence and body language, but that kind of wordless communication breaks down when it comes to more complicated things like “hey i feel like you don’t value me as much as your many other more attractive friends”!

re: yennefer—yenralt and eskeralt are both OTP and as far as I’m concerned, yen & geralt are in an open relationship that is sometimes on-and-off but never completely finished. you do not need to mention or include her but if you do she and geralt should not be permanently broken up.  

genres—as may be obvious already, i like the complicated messy horrible feelings people have about each other and themselves and the difficulties inherent to making space for another person! angst is my favorite. i...basically never read pure fluff. i crave conflict and feelings. it doesn’t have to be conflict between them but there’s gotta be something in there makin’ life complicated.

i’m also a fan of whump. i’m pretty hard to squick when it comes to gore and various traumatic possibilities. if you are not so inclined, you do not need to include a happy ending. of course, if you are so inclined happy endings are also excellent!

tropes—in no particular order: casefic, confessions/first times, hurt/comfort (or hurt no comfort), miscommunication, mutual pining, relationship negotiation.

canon/pairing-specific tropes, still in no particular order: baby witchers, geralt & eskel being kaer morhen’s partners-in-crime, monster nerds (especially eskel; you may find #kaer morhen biology of monsters 101 useful. in the tags of this ask for mobile), eskel’s self-esteem issues, self-loathing for both of them, eskel calling geralt “wolf” (canon!!!), geralt kissing that notch in eskel’s lip.

i like a lot of different versions of the eskeralt first time; usually people have them figure it out as kids/teenagers, which i like very much, but i also like ‘back at kaer morhen for the first time as an adult witcher and oh shit he grew up hot’ and ‘it’s been decades and we are just now working thru all the emotional garbage that kept us from admitting to each other that we are not just friends’

& if it happens to be relevant, i’m not married to a trans headcanon for either of them but if only one of them is trans, i strongly prefer it to be eskel.

AUs—i usually go for canon or mostly-canon settings, but i’ll give almost any AU a try & i’m a big fan of canon divergence! when it comes to mermaid AUs, college/modern AUs, soulmate AUs, & daemon AUs, i am so incredibly picky that it’s probably not worth it though. i like roleswap AUs like sorcerer!boys a lot, and royalty/royalty-adjacent AUs are definitely my jam but please no warlord!geralt. 

...very much here for warlord!eskel though. 👀

on NSFW—it’s cool! the things that really press my buttons are specific and niche, but i’m also almost impossible to squick, so feel free to include as much or as little sex as you want! i just want there to be emotions. my favorite is sub geralt and bottom eskel (yes at the same time) but i am not picky at all in that regard.

DNW—i immediately hit the back button at any mention of kaer morhen’s library. suicide-related angst not preferred. 

also, no worries about spoilers, i have read or played everything relevant to the above ships! 

[laufire]

Black Sails s3

This one took me longer because RL got in the way LOL. I’ve loved it as much as the other two (even if I am IN PAIN over you-know-who’s death DD:). I don’t know when I’ll have the time to finish the last season, but I wanted to post about this one before starting it; otherwise it’d accumulate with the 10+ and counting metas I want to write about this show once I have the full picture LMAO.

Max

As always, I have to start with her because she’s THE FUCKING BEST. This woman is currently competing for the number one spot among fictional characters in my heart LOL (I mean. I have loved Caroline Forbes --who I actually think Max has a lot in common with lmao. Everything I love is the same, as I always say-- for too many years for her to ever be truly dethroned; unless something goes really wrong with Legacies I guess. However, it’s still remarkable that a character could make me doubt).

I’ve absolutely adored her plot this season; watching her growing sphere of influence, the way she affects and upends others’ lives. That’s very much being present since season one, especially with her and Silver in tandem (I have a lot of Thoughts(TM) about those too as a driving/disruptive force in the show --they’ll go to one of those metas--; I’m put off by the fact that I didn’t get to enjoy them conspiring together this season lol. Though her reaction to the fake Long John Silver letter was kind of hilarious xDD. Still. I kind of wish we’d seen the scene where Silver tells her he renounces to his part of the price. It could’ve been very interesting --I guess he could’ve told Jack but that wouldn’t’ve been as good, so this is my headcanon).

The most obvious storyline where this manifest is in her relationship with Anne and Jack. I love everything about it, but well. I have to admit, the ~betrayal/different sides element appeals to me xD. I like that Max prioritices herself and her safety. That she sees the writing on the wall with the English invasion or with Vane’s execution and acts accordingly, the way she calculates her decisions and forms alliances without letting past grievances get in the way --with Eleanor, Rogers, Mrs. Mapleton...--, the choices she makes because she doesn’t want to be “on the outside looking in” ever again and how they always end reverting in her benefit, ultimately (I’m getting ahead because I am spoiled of quite a few things about s4, but I LOVE that eventually she mends her relationship with Anne and Jack. Because it fits into this: how even the possible mistakes and emotional compromises she makes are within a very specific frame that works out for her in the end).

Her relationship with Anne gets even better this season. I think my favourite scene is where Max tells Anne that she nows Anne “cannot fathom leaving me”. Can I get this woman’s confidence LMFAO. But seriously. I luff them. I love how Max convinces Jack of going along her plan to replace the gold with good easier to transport (and how THAT ends up being Flint’s treasure asdñlfkasfj. MY GIRL DIRECTLY CAUSED THE EVENTS IN TREASURE ISLAND OKAY) by appealing to their mutual love for Anne. That she trusts Anne with the story about her father. That she knows just as well as Jack that Anne wouldn’t give up the treasure so easily and she’ll try to save him (and that Anne won’t stomach the thought of Jack being tortured because she couldn’t bear MAX’S torture. My heart).

Another highlight of the season for me was her relationship with Eleanor, which keeps being a huge surprise no matter what xDD (even if, again, never in a shippy way. I’m very glad the season doesn’t go there). I love the reversal of expectation in a general fandom landscape: how ultimately, Eleanor doesn’t have an emotional hold over Max (and that she lost it as early as 1x02, IMO. I’m not saying “Max doesn’t feel anything about Eleanor”, but the truth of the matter is, narratively Eleanor serves Max, not the other way around. And I’m happy and relieved about it, ngl), and that the same isn’t true the other way around. I thought two very telling scenes where a.) Max hosting parody trials of Eleanor that paint her under a completely undignified light, but clearly deriving no pleasure from it: it simply was yet another thing she does for practically, level-headed political reasons; and b.) that Eleanor orders Rogers’ men not to hurt Anne in the exchange because Max’s love for Anne.

Continuing down with Max’s relationships, I’ve grown to really like hers with Idelle. I think Max find Idelle fun, likeable, uncomplicated (the scene where Featherstone tells Idelle he hopes his pardon doesn’t diminish her attraction to her was hilarious and clearly the moment Max was enjoying herself the most in the whole season lmfao. BTW, I kinda liked Idelle/Featherstone since the moment he told Jack he wasn’t concerned because “he was in love with a good woman” and Jack was like “Idelle??”. Yes, it’s fun because client-falling-for-sex-worker is a pitiful cliché, but here’s the thing: he’s right xD. He didn’t say “I’m in love with a woman who loves me”. He said he was in love with someone GOOD and Idelle IS a good woman, dammit xDD).

Max doesn’t concern herself much with the idea of Idelle going behind her back because Idelle loves her, respects her, and is a loyal friend (and yet clearly sees Max exactly as she is and doesn’t have any delusions about it. Luckily for her Max is probably the type to feel angry but not vengeful about this lol, if only because it could reflect on her). And Max is right about that. But I love that Idelle still has it in her to take a different path by allying herself with the pirates. I’m curious about the reasoning being after Max makes Mrs. Mapleton madam again; it’s clear the girls aren’t happy about her and she didn’t seem like she took good care of them in s1, to put it mildly, so there’s some of that, but I like to think part of it was Idelle going, “seriously Max? I’m right here! I could be the Madam!” xDD.

Her dynamic with Mrs. Mapleton was really interesting too; I like how she too puts aside any old grudge and decides to put her bets with Max over Eleanor or Rogers, because she has confidence that Max and her methods (“I choose to let the players reveal themselves to me, least I make an enemy out of someone I might wish to call a friend one day”) will outlast them (btw, that line/her approach in general --as well as Silver’s “liked is a good as feared” MO--, kind of reminded me to Sansa Stark’s “If I am ever queen, I will make them love me.” line. Food for thought). Yet I think Mrs. Mapleton instructed Georgia to  attempt to ~seduce Max to get information out of her, which is very much in line with her. I loled at Max’s reaction basically being “gurl, who do you think you’re talking to. I practically invented this. GTFO” xDD

Basically, her entire storyline this season was pure gold. I love how all of those dynamics come from her maneuvers to keep herself safe, in power, and with influence (because those go hand in hand). I love her pride and her confidence, the way she refuses the scraps Eleanor and Rogers intend to give her at first (and how she firmly says to Eleanor “people do not speak to me that way anymore”, how she establishes a new normal between them), and how she pays her way out of trouble/into power with the gold she stole from Flint & co xDD.

My favourite moment of hers is devided between “in another time, in another place, they would call me a queen”, and “I AM Nassau” (that made me decide that if I ever write fic where Max needs a last name for any reason, it’s going to be Nassau. It is law), and how meta they’ll turn out to be :DD. I also have Thoughts about the evolution of her styles (beyond the obvious “omg she’s soooooo beautifuuuuul” lmao) but I’ll leave that for another show-encompassing meta too :P

Madi

She catapulted herself to Forever Fave status pretty quickly (I may have too many of those in this show.  W h a t e v e r  xDD). I love how self-assured she is (“when I speak my men listen, and they do as I say”), and how she always thinks of the big picture (like when she fought her impulse to order her men to fight against the pirates after one of them beat one of hers). And I have a lot of Feels about how this is explicitly linked to her heritage, her mother and father, their ~legacies.

Speaking of: one of the few major spoilers I seem to have avoided was that Mr. Scott was Madi’s father LOL. I was DELIGHTED by that reveal, and how it makes you reconsider his story. His relationship with Eleanor could’ve been a frankly off-putting cliché, but this completely circumvents that; it’s true that he’d shown more independence from her than I would’ve expected in another show, by leaving her side to do his own thing and further contributing to her vulnerability. But giving him a real* family, one that he prioritises over Eleanor and HID FROM HER, using her position to their benefit... That’s on a whole other level.

*I know some people are going to object to this qualifier. Fandom gets like that about found families, adopted families, etc. And I get it, but this is NOT like those situations. Mr. Scott was Eleanor’s SLAVE, FFS. That is incompatible with being her family, her father figure, no matter what she thought. And I love that the show made it explicit, when Madi tried to talk about his “two daughters” and he said “NO. ONLY YOU” in his deathbed (I might or might not have cried, okay. It may be one of my favourite scenes in the whole series). Especially when there’s a very obvious trend of characters of color COINCIDENTALLY being written as prioritizing white characters over their biological families, at the cost of their health and even their lives (I am still not over Monty being forced to kill his own mother to protect Octavia in The 100. Fuck that shit, seriously). Black Sails deciding to do the oposite here is FUCKING REVOLUTIONARY and I love it to pieces.

Another thing I loved is that they picked an actress that looks more like Mr. Scott than like her mother or Max (darker skin etc.): aka how the few black female characters that usually get what Madi will from Silver --that ~eternal devotion, willing to go against anything and anyone for her etc.-- tend to look.

Unsurprisingly, I like Madi/Silver VERY MUCH lol. I like that he is immediately ~drawn to her, in a subtle way, and viceversa (like in the scene where he’s still in the cage watching how she has trouble breathing after seeing her wounded father, or when they hug after his death). All their talks about power, responsibility, succession etc. are really good. And her concern for him is as palpable as probably inconvenient for her xD. I love the scene where she holds her hand as his leg is treated, or her worry one Silver calls himself a “one legged creature”. Though my favourite might be when he smiles when she shows concern for his state after killing Dufresne, and she’s like “well duh, if you fall apart the alliance between my people and yours is screwed” xDD

And though there hasn’t been much development yet on that side, I’m already so onboard with Flint/Madi/Silver lmfao. I love that nod of ~acknowledgment between Flint and Madi with the Maroon Queen’s voiceover about how Madi will have as much authority as Flint in his own ship xD. Her concern about Silver’s relationship with him is kind of ironic knowing that they’ll eventually find themselves more aligned between them than with Silver, by virtue of their many commonalities LOL. And there’s already traces of that ot3 feels, like when Madi tells Silver that the mistake of those “other people close to Flint” that he’s so scared of following to the grave was trying to deal with Flint alone (Madi’s seduction technique: kindness, understanding, and offers of partnership. I dig it).

I want more scenes of and with her mother, too. And between her mother and Silver, since apparently the Maroon Queen trusts him among all the pirates NOT to betray them for money (Jack saying the irony wasn’t lost on him and Flitn was hilarious xD) and that has to be thanks to Madi’s opinion of him. I’m kind of bitter we never got a Mr. Scott & Silver scene, too, especially after Silver and Madi become romantically involved. I love that stuff.

Miranda

I could just upload a bunch of gifs of various crying/in pain/etc. states here because WORDS CANNOT EXPRESS THE PAINNN. I was ~feeling Flint’s grief the entire time, I swear (though... did it have to express itself by shaving his head... asking for a friend). The violence he kept inflicting in her name (her word will be the last word); how he convinced his crew, Silver included, to go into the storm rather than surrendering, for her (and narratively speaking Silver is right, he did conjure it xDD). How fucking tired he is of it all (“you can talk your way part it”, “I don’t know that I have any more lies left in me”).

As far as I’m concerned he could be hallucinating her the rest of the show (I’m going to miss seeing her so much... especially in light of the ending), as painful as I find those scenes. At this point “But when I lost you... I am ruined over you” is an instant tear-jerker, ugh. So is Flint wantint to let go and “be with her”, and ghost!Miranda saying she’d resent him for giving up. Though my favourite is when Miranda basically describes herself as his “maker”, about how she ~shaped him *clenches fist*. I love those kinds of ships.

BTW: I think the moment Rogers mentioned Thomas, Miranda’s ghost, Flint, and I, yelled “HOW DARE YOU SAY HIS NAME” on the inside xD

Flint & Silver

Sometimes fandom gets it right because the relationship between these two is... A Lot. A LOT. I anticipate a lot of suffering on my part in the near future xD

I loved the evolution in the first half of the season, from Flint telling Silver that “in my head, you’re not welcome”, or Silver resenting that Flint’s words convinced HIM (HE’S the convincer!! It’s not supposed to happen to ME!! xDD) and rambling about how Flint is “able to ~conjure the reality he desires”, to Silver finally confessing about his part on the Urca gold robbery (which I’m at least 60% sure Flint suspected already tbh. That was not one of Silver’s best lies lbr) in order to force Flint to “account for ME” --but ofc still grabbing the nearest weapon as he confeses, just in case xDD. I am also incredibly delighted by the fact that the fandom calls that episode “shark date” asdñflkasjdf (*Flint and Silver barely manage to kill one shark*; Flint, challenging: again? *Silver grins*. Shark hunting = foreplay now, apparently).

I want it known that I end up ENRAGED every time they talk about their ~partnership lmfao. It comes off very intimate and gives me too many feelings xD. “When you and I talk with one voice, we can convince them of anything”; “your words opened that door [Flint convincing the Maroon Queen to spare their lives and join their fight]”; “you didn’t tell me the journey into the dark feels good”; “he doesn’t know how to say no to the both of us at the same time”; “I’m afraid I will be the end of you”. JUST STOP YOU ASSHOLES XDD

One of my favourite moments is when Silver convinces Flint to live. To go on, to talk to the Maroon Queen without a safeguard (that knife would’ve been his doom) and get her on their side (which Flint does with a super passionate speech about fighting England’s empire. ILH). Another is when Silver tells him he enjoyed killing Dufresne WITH HIS PROSTHETIC LEG OMFG (I personally think killing Dufresne was very valid of him lmfao), or Flint says Silver enjoyed punishing Dobbs (which in Silver fashion, worked perfectly for him because it made Dobbs MORE susceptible to him). Though obviously everything pales when compared to the scene where CAPTAIN FLINT COMES OUT TO LONG JOHN SILVER OVER A BONFIRE LMFAO. I loved that scene; it was so gentle. And then Silver made it about him and their relationship xDD (this show is not subtle). Flint’s apparent lack of concern about Silver replacing him is stressing me out though. I dread the series finale xD

Outside of Flint/Silver, Silver’s journey remains awe-inspiring. I just... love him. I love that he gave up his share of the Urca gold because he had to hold onto the crew, but that he is terrified of their bow to take care of him. His concern for his image in front of them was heartbreaking and hit waaaaay too close to home, too. And I wonder how he’s going to react to Billy’s King Long John Silver stratagem xD

BTW, I lowkey shipped him with Muldoon LOL. They should’ve had ~tender sex~~ (on screen, I headcanon it did happen off-screen, whatever) at some point (if only so there was one measly mlm sex scene in the show amidst all the rest. It’s troubling, to say the least, that there’s not a single one when it has a queer male lead tbh. And I get why they didn’t go that route with Flint outside of Thomas and can even see why they didn’t do it with Flint/Thomas even if I judge the hell out of them for it, but given how they go out of their way for the other options... yeah, I side eye them).

Jack

I LOVE HIM SO MUCH AND I WISH HE HAD MORE SCREENTIME, OKAY. Every time he opens his mouth the show gets just a little bit better, if you ask me xD. “If you’re going to behave like children, I will be your daddy” WHO SAYS THAT JACK XDD.

I loved him even more when he decided to deny Rogers & co the cache, Spanish invasion or not, to not give up and assure “his legacy”. And OF COURSE he could write his intentions in a way that only Anne would understand (Max reaaaally understimated him there). Their relationship remains the sweetest (weird adjective, maybe, but it’s true) part of the show, btw. I love that how Jack describes how hurt Anne would feel after knowing she might’ve unwittingly betrayed him. Or when he knew Anne giving up to easily meant she had a plan and he cheerfully told Rogers Anne would find a way to save him xD (the scene where he absolutely drags Rogers about his privilege --“but did I make up a lot of ground to catch you!”-- is perfect. And their reunion kiss was so, so cute.

Other highlights were when he threw away the key of the cache in front of Flint to secure it, or made his pitch to be his fellow captain in the fight. I also take a petty pleasure in the fact that Vane sacrificed himself when he went to his rescue LOL. 

I like that he convinced Blackbeard to fight alongside them, but sweetie, you have NOTHING to prove to that asshole. His opinion is worthless (between his “strife is good” and Vane’s “comfort is for women” takes... ugh. They remind me of the exact discourse among leftism I hate okay xDD. In Vane’s case I at least get where he’s coming from and I even agree in part, but Blackbeard is even more boring).

Misc

-I love Billy’s more and more insidious antagonism towards Flint lmfao (yes, Flint is also one of my Forever Faves. This is compatible AND the kind of thing that would make me appreciate Billy more. I love irreverence, period). It starts with subtle ways of trying to poison Flint and Silver’s relationship (telling Silver Flint doesn’t see him as an equal, sending Silver to deliver Flint’s message instead of Flint himself, etc.). I laughed at him saying he’s all for Flint sacrificing himself for the crew since it’d be the “first selfless thing I’ve seen him do!” lol. Or that he “wants a good view when things catch up with Flint and the world makes sense again”. And ofc, creating the legend of Long John Silver. You just know he remembered Flint’s out of left field “I AM YOUR KING” and said “not on my fucking watch” xDD. And I love the irony of him being the one delivering black spots LOL.

-Did it really took that long for Anne and Flint to share some freaking words smh. Barely, but I’ll take it. I liked the moment where Jack references Max as “Anne’s lost love” and Flint does that Closeted Queer Observing A Queer Couple Look lol (he did the same when he was witness to Max and Eleanor’s fight. You need more queer friends, Flint :P).

-I liked Mrs. Hudson from the moment that she told Eleanor that the only difference she saw between her and other ladies is that their families have better lawyer --which meant Eleanor was the first one she could be rude towards xD--, and accused her of living of her father’s nepotism LOL. I hope she ends up in a good place and safe back with her kids.

-I can’t say I care much about Vane or his relationship with Eleanor, but his death and her hand on it were very well written IMO.

-I find Rogers so inherently unlikeable in every way LMFAO. And as hypocritical as it might sound, part of it is the extramarital affair ngl. I hate storylines where a man married to a more “conventional” woman is ~attracted to one he perceives as “stronger”, “fiercer”, and more worthy of himself (as if his opinion on the matter is worth shit) --only to eventually try and make the new woman more conventional once he “has” her. This one hasn’t gone all the way there but it has traces of that trope and I loathe it with all my heart.

-The only moment I managed to pay attention to Blackbeard was when he mentioned he had shrapnel advancing towards his heart, and for anyone who knows me a little, you know it’s because my brain linked that to Tony Stark lmfao. *Sighs* I just never like any version of Blackbeard, period. I find them so boring. He’s the opposite of Long John Silver that way, because I’ve loved every single version I’ve encountered so far.

-The way Spain is portrayed in this show is so... unusual. Especially for USA content in my experience. One day I’m going to have to do some more research and write about how Spain (and in particular Spanish violence -inter and intranational) is portrayed across the ocean.

[kyufiber-moved]

do you have a facourite scene or part chief?

i finally remembered to answer this ask omfg. skfd anyways: DO I EVER. this’ll include spoilers for the untamed so imma put a read more !!

my FAV SCENES/MOMENTS include;;;

- “wei ying - come back” “lan zhan - let go” IT HURTS. IT HURTS. but those lines hit so fucking hard bro i couldnt NOT include them

- that moment in the very last episode where wwx walks up next to huaisang in the cloud recesses and says “do not befriend the devil :)” and then u find out huaisang basically orchestrated everything in the present day timeline

- “you even fooled hanguang jun” “...you’re right” “NOT right. i already knew he was wei ying” CATCH ME VIOLENTLY SOBBING

- when lan zhan is drunk (one of many times LOL) and wwx asks “do you like rabbits??” and he goes in the SOFTEST voice “i like...” like omg babie

- in the p early part of the timeline when wwx and the jiang clan are still learning shit at the cloud recesses and they release those lanterns ?? but specifically the moment i loved was when lan zhan sees the rabbit painted on the lantern by wwx and smiles for the first time in the show . i knew immediately i would die for him

- when everyone is getting indoctrinated by the wen clan and wwx’s little shit self start’s reciting the gusu lan clan’s disciplines and wen chao loses his mind LOL. fucking BEST.

- when lan zhan says “you’re not qualified to talk to me” to su she (i think it was su she??) 

- when sizhui regains his memories and realizes wwx basically raised him and the hug that follows . fuck . i cried so hard

- when wwx has just reappeared after being in the burial mounds for 3 months and basically makes lingjiao to commit suicide with his flute :))) i lost my mind like . the BADDEST BITCH WEI WUXIAN . 

- literally any scene with wen ning being wuxian’s loyal noodle . esp after he (wen ning) gets all powerful

- that moment when everyone is at the jin clan’s territory doing the night hunt and wwx says “i once considered you my lifelong soulmate” and lan zhan says “i still am” CHILLS. SOULMATES AF

- when zewu jun goes “master wei. don’t take it to heart” and reveals he knows wwx’s true identity (after he’s reincarnated) god that was so cool idk

- ok this is a moment that was so heartbreaking that it deserves to be mentioned:: after the massacre of lotus pier by lingjiao n company, when they show jiang fengmian and madam yu dead, holding hands on the floor on sword’s hall. on god i choked on my own tears 

- same thing for this one,, it broke my heart and i cried but it was rly powerful and deserves to be mentioned:: when song lan goes to find xiao xingchen in coffin town and xue yang’s cut his tongue off and xingchen’s stabbed song lan unknowingly and song lan reaches out to xingchen with his sword so xc will recognize him and he JUST misses. and xc and xue yang walk away from his dead body. fuck. my chest PHYSICALLY hurt with how WRONG that was. this show did not spare the emotional trauma

- kinda sad (no actually, 100% is sad) but the bloodbath of nightless city where wwx ends up dying?? when he finally kinda just . snaps after nearly everyone he loves has been killed and all the clans have turned against him and everyone he trusted has basically abandoned him (except for lwj) and he’s just like . laughing humorlessly and crying . god . the pain. it was so well done

- that moment during that jin clan night hunt again but when wwx goes beast mode and simultaneously hits 4 bullseyes blindfolded . nut. holy shit 

- that moment after wwx returns from his 3 month burial mounds adventure and he and lwj are kinda not talking and he FINALLY runs after him and lwj goes petty asf and whips out his sword and lowkey fights him for 5 seconds skjfksd god i loved that LMAO

- when jingyi fucking DECIMATES su she with roasts in the demon subdue palace. i love my son

- the morning after lwj got rly drunk w wwx and wwx is like “you just said... you like...” and lwj’s head WHIPS AROUND in a gay PANIC liek Oh FUCK OH FUCK DID I EXPOSEMYSELF??? and then wwx is like “... RABBITS.” and u can visibly see lwj’s whole body relax LOL

- wwx being a little shit right after he’s been reincarnated and also panicking when hanguang jun is mentioned SDFJKD

- when jiang cheng and lan zhan see wuxian step into view when they’re tracking down wen chao and the core melting hand guy and they realize it’s been him killing all these wen clan members with BRUTAL ways sjfkjd fuck i screamed so loud

- when yanli and jiang cheng meet with wuxian after he’s a fugitive to show him yanli’s wedding outfit. i cried a little it was just a beatiful moment

and i have more probably but i realize im rambling so im gonna stop here KJSDLFKJSDFJDSLKj 

[jlf23tumble]

I’d love to hear more about your thoughts on different ways they interact with fans in light of their personalities and teams and so on, if you’d like to!

God, I’m so sorry that this has taken me so long to answer! I *do* talk some shit in interviews have some thoughts about their current management teams and how they *do* seem to reflect each artist’s myriad goals and constraints, how they aren’t sabotaging things (given what we know is going on), how they have to walk such a fine line with fan involvement, but lordt, that is not a popular opinion. 

Probably because 1Dhq actually *did* know what they were doing: they wanted to exploit five young guys for immediate fame and short-term gain, and they did it primarily through constant fan access and overly publicized private lives (real and fake). Turning that spigot off or trying to change its course isn’t exactly easy because a lot of fans struggle to a) absorb the post-1D landscape in general and their role in it in particular, let alone b) understand how much the music industry has changed from even one year ago (spoiler: it requires following other artists closely, and I just don’t see that here). Add to that the fact that these men themselves (yes, they’re all in their mid-20s now, they’re men) seem to encourage intense fan engagement when it serves a specific purpose (looking at you in anger, recent tweet from Niall), and the waters just get muddier, le sigh.

I keep writing and rewriting my thoughts, and they keep spiraling out of control because this is a topic that fires me UP, especially because it mixes in some things that I could spend hours venting about:

the amateur marketing experts and business analysts who feel qualified to make sweeping statements in spite of having no clue about the goals, budgets, constraints, personal life issues, conflicting schedules, or anything else happening bts

the baffling assumption that any of these guys is a struggling indie artist aged 19 who desperately requires any of our unpaid labor and angst, 24/7 (OR TO CALL UP RADIO STATIONS, NIALL)…they are male millionaires at this very moment in time

the policing of anyone enjoying anything because they just don’t get how terrible it is that a magazine with the characters from “Frozen” on the cover “leaked” an album title

the underlying misogyny in so much of allll of this (and this one ALONE I could go on about for days)

the use of words like, “I’m so confused about why xx is or isn’t happening”…because, yeah, makes sense, YOU DON’T WORK THERE, IT ISN’T YOUR JOB TO BE UNCONFUSED ABOUT IT

Deep breath, yes, I know, “not all fans”: lots of people like me focus on loving them, supporting them, buying songs, buying an album, going to a show, buying some merch, screaming about bullshit on tumblr. But a small but extremely vocal minority screams about how I’m not doing “enough,” and newsflash, I’m not paid to stream songs all night or call radio stations or make presents or absorb the levels of anxiety I see in some inboxes, and more to the point, I’m not paid to feel guilty about it from a fellow fan or deal with a bunch of misguided anonymous bullshit. I get tired just thinking about it, tbqh. Teams of people literally DO get paid to handle the majority of that, in fact.

That’s my hot take on the fan side, anyway (I wrote up a full breakdown per man in the D—how each team is actually honoring each man’s various goals, how fans are involved in that process because it’s literally part of the promo process, you are a commodity, etc.—but it’s winter, and I’m tired, so I’ll save that for some other time). The bigger issue is what these teams actually manage, and why I feel some sympathy for them (NOTE THAT I’M NOT A DUMBASS, THE FOLLOWING IS GIVEN: the music industry is fucking awful, mgmt teams get paid handsomely, most of them are monsters, artists get screwed no matter what, I don’t lose sleep over a mgmt team’s pain, deep breath, calm down). 

As Kim said waaaay more eloquently than I ever could when I was in full vent mode with her yesterday (??? feels like years ago, lmao), people don’t give their teams enough credit for the impossibly complicated situations they’re managing. This was her overall point, and I completely agree: these guys are all closeted, but it’s so much more complicated than “some fans cling to their het fantasies so their teams (have to) keep up the closet and cater to them but end up alienating fans who think they aren’t straight”, because what about the contracts (not just Simon’s, but the ones with Sony, Capital, Columbia, the Azoffs, any other powerful person who’s treated them like shit and/or handcrafted their image for at least six years)? 

Their teams don’t just have to deal with a fandom that’s split into different factions that are basically at war over opposing images of who these guys are and what their lives look like, they ALSO have to deal with it in a way that doesn’t breach ANY of these old contracts or tells any subsection of fans that they’ve been lied to by their idol for a decade or plays into any of the (pretty arbitrary) things that either fans or the guys themselves have come to hate being associated with over the years, while ALSO crafting an image that’s distinct and individual enough to distance them from 1D enough to have a solo career, while ALSO being recognizable enough for existing fans to still stan. All that, PLUS they have to listen to their client’s wishes and help them navigate whatever it is they’re trying to accomplish as artists. It’s not an easy task even for the best team, so mistakes will be made, miscalculations will happen, big news will pop up in a throwaway article in a magazine that’s promoting the vocal talents of the “Frozen” cast. And it doesn’t mean that the team is BAD, let alone sabotaging anyone on purpose: it most likely just means that they’re trying to handle a very difficult situation and are doing it in real time. They’re building a plane as they’re flying it. On top of that, they know information we simply don’t–much of it highly personal and volatile.

Ugh, I”m getting fired up again, so I’ll sign off. Those are my thoughts, I really should shut down my inbox…enjoy!!! 

[borisbubbles]

Eurovision 2010s: 85 - 81

85. Norma John - “Blackbird” Finland 2017

[2017 Review here]

What a beautiful gothic swansong. ❤ Man, I don’t even need to tell you how robbed “Blackbird” really was. The song is (Edgar Allan) Poetry come to life. Leena delivers a gorgeous, haunting, ethereal voice that sends leaves me stunned in silence. It’s not my type of Eurovision song, at all, but it’s one of the best in its genre.

Of course, what bloats Norma John’s ranking even further is that they are also ROBBED NQ ANGELS. I have already liberally spoken about the baffling decisions made by the 2017 SF1 juries, but Jesus-fucking-Christ on a bike:  Tamara = musical torture + a *FAILED* a cape throw: 62 points!!! Martina = endless jazz tedium + hideous yellow & purple lights: 81 points!!! Norma John = a time-transcending loss ballad + perfect vocal delivery: ...41 points??? . . . The ubiquitous bullying of Finland in the Eurovision Song Contest DISGUSTS ME and I’ll continue opposing it by giving their entries the spotlight they DESERVE! 🤗

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84. Molly Sterling - “Playing with numbers” Ireland 2015

Yet another robbed NQ angel. 😭 The one time I love an Irish entry and it gets christerigged out of the finales. LeSigh. “Playing with numbers” holds a special place in my heart because it’s the 1 ~great~ Irish entry we’re getting every decade. Seriously, I... should totally keep my anti-Ireland rants for the addendum since this update is Ireland’s funeral, but honestly, is “THEY FUCKING SUCK!!!” really that much of a spoiler? Seven victories my ass. 🙄 

Anyway, back to Molly. It’s a similar deal to Joan Franka and Norma John to me: “Playing with numbers” feels like a genuine song by an earnest singer, telling a real story, and I’m INVESTED in their life, happiness and success.

However, two more things set “Playing with numbers” apart for me. One, Molly is an INTROVERTED INDIE GIRL 😍, which is one of my favourite Eurovision tropes (e.g.: Ieva, Blanche, Michela, Tinkara, Francesca, all of whom are still alive in this ranking). Two, Molly takes the pleasant-sounding but otherwise insipid sentimentality often found in Irish entries and turns it into a fresh, root-worthy experience. Which is impressive considering how generally indifferent I am to the Irish sound. And now for the seamless transition into this:

Was this Ireland’s worst decade? I am not sure, actually. Ireland is one of my least favourite eurovision countries in general, but the worst Irish decade between the 2000s and this one. The 2000s had a higher high (”ET CETERA”  😍), but also three of the worst entries of ALL TIME (Millennium of Love, Dervish and D*st*n th* T*rk*y), so they were probably worse. Regardless, with 80% of the entries being bad or boring, Ireland is EASILY my least favourite country in this decade (though in my ranking they mathematically outrank Croatia, proving once and for all that maths is a total waste of time [in rankings]). With their tendency to qualify in mostly weak years (2013 excepted), Europe tends to agree. Hopefully they can capitalize on the KEiiNO craze by sending an ethnobanger in 2020, but watch them try to flimsily copy “Proud” and flop. 🙄

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83. Luca Hänni - “She got me” Switzerland 2019

After Eleni had set the world ~en fuego~ last year, the least one could expect was a slew of trashy reggaetons that paid tribute at her altar to slayage. Of the many pretenders, Luca was by far the most faithful adaptation. “She got me” is literally (literally literally) genderswapped “Fuego”. 😍

However, because there already was a precendent for me to like here, I found it generally easier to get into Luca than Eleni. Fortunately, I also managed to appreciate Luca for Luca. I expected him to be a meatheaded oaf and was ready to roll my eyes at his fukboi’esque stupidity. Thank fuck I was wrong, because, a of all the dumb jock of the year was in fact Chingiz (again, this man celebrates via flexing) and b of all Luca proved himself a hyperactive bromosexual spazz with NO attention span whatsoever. 😍 OBSERVE his hilariously clunky ~DiRtYdAnCinN~

Luca also provided the #1 Interview Moment of 2019 (not featuring Godper Santl), which was this hilariously awkward exchange with an Icelandic reporter on Hatari’s payroll who asks him whether his song is about the oppression of women (0:76), after which Luca SUDDENLY has to “go to the toilet” (aka ask permission)

Later, the same reporter then calls his song a Hegelian dialectic (02:24) and Luca’s  reaction can only be described as ‘experiencing a human bluescreen of death’, after which he’s swiftly whisked away by a handler. 😍 

and the Swiss HoD has to step in (Actual quote: “It’s the accent, he cannot understand you right” 😍) and take over and it turns into deepest discussion about feminism. 😍 while Luca obliviously spazzes out in the background as his memory chip is updated <3

All of this was more than enough to endear me to Luca AND pull “She got me” into the Love zone, exactly like Eleni did a year ago. However, when you have to rate a great entry that borrows everything from another great entry...

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82. Eleni Foureira - “Fuego” Cyprus 2018

[2018 Review here]

...it is important to remember that the original is always better. And yes, Eleni and Luca are just two sides of the same genderflipped coin and you won’t convince me otherwise:

Both are infectuous reggaetons with a playfully flirtatious undertone, Both are trashfests with hilarious lyrics (”When she go low / She go solo” is the new “You got my pelican fly-fly-flying”)  Both feature even more hilarious attempts at “singing” Both were the poulains of Sacha Jean-Baptiste, carried into top five because they’re ~worth it~ [/l’oréal] Both convinced jurors of their worth, despite being (g)utter trash.😍🤭

However, I prefer Eleni for several reasons. Firstly, yes she is the original ~mediterrenean trashpop diva~ entry and none of the copycats improved on her formula (well, Michela did but “Chameleon” has outgrown its “Fuego Clone” label, more on that when I get to her in a few updates). 

Secondly, um, Eleni is a f’cking goddess?

What a hair-flippingly gracious force of FIERCE. 😍 I’m glad she got to return this year for the epic Song Switch interval act: Spamming gifs here since I am currently out of embedding credit: 

What a star. I am BALD and STRAIGHT!! Her rank is limited by the fact that I still am not ~Fully In Love~ with her song, but more than anything Eleni proved herself as an indisputed performance queen and I cannot wait to see her cameos in the future editions yet to come.

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81. The Common Linnets - “Calm after the storm” The Netherlands 2014

Lmao I forgot it took like 46 seconds to get to the song because of Basim’s giant banner <3

Anyway, Common Linnets, Common Linnets :snaps fingers: 🤔 what is there to write that hasn’t been said or written many times, by people more passionate about them than I am? Well, I love that Ilse and Waylon rolled with an authentic country song instead of the baseborn country pop the Netherlands is famous for. (Check this Walzing Matilda sound-a-like out, courtesy of ms. DeLange). The Linnets have stellar chemistry, especially for two people who can’t stand each other irl:

The act is a cinematic masterpiece, framed beautifully by Hans Pancake’s critically acclaimed motion-picture-like style. It transforms “Calm after the storm” into an oasis of tranquility, which still holds up to this very day. 

So, overall, I would say “Calm after the storm” is a pretty great entry. It’s a well-composed song, lacking in campness, avoiding incompetence, not requiring mind-blowing artistry or loud-as-fuck circus gimmicks to reach it’s full potential. It is competent and well-produced. The perfect entry for anyone who watches Eurovision for the music. 

However, um... I am not one those people. I love trashy pseudo-ethnic schlager bangers.I love underappreciated indie darling. I love the staging circus of Eurovision. I love personality quirks and unprofessionalism. I LOVE shit like Gasper Santl calling out bad journalism in front of the assembled press or Al Bano walking on the 76 stage and INSTANTLY forgetting his lyrics. Eurovision is made perfect by its imperfections.

So for ~me personally~ "Calm after the storm” doesn’t offer me enough, and we’re close to entering the endgame of this ranking. You need to step up your game, because at this point, having a great song will no longer be good enough to avoid the cut.