#probably not important

[mixedvegetabless]

"Human" version of needles I thought up in my brain

[chaos-le-mieux]

Error Chara Reference: Volume 06

Knives, so many Knives!! Well, not that many... just 7 And one of them isn't really a knife though to be fair, most of them look like Daggers, and one of them is an Ice Pick... Semantics. I guess I should explain the perks now . _.

Knives:

Real Knife:

Colour: Red

Origin: Undertale

Accuracy+: Attacks land 10mm-50mm closer to their target (average 25mm)

Erase: Chance to Delete certain targets (Only works on targets compatible with digital code, success depends on the author, otherwise 25% average)

Killer Knife:

Colour: Orange

Origin: Killer Sans

Speed+: User Moves 10%-50% Faster (25% average)

Accelerate: Force target to move or sustain damage while standing their ground

Epic Knife:

Colour: Yellow

Origin: Epic Chara

Range+: Blade has an increased attack range of 10%-50% (25% average)

Projectile: Fire's energy bolts from tip of knife

Fresh Knife:

Colour: Green

Origin: Fresh Chara

Evasion+: User has 10%-50% (25% average) increased chance to dodge attacks

Heal: Attacks will recover hit points instead of cause loss

Arctic Knife:

Colour: Cyan

Origin: Arctic Chara

Defense+: User takes 10%-50% (25% average) less damage

Freeze: Force target to stay still or sustain damage while moving around

S. Terror Knife: (title pending)

Colour: Blue

Origin: S. Terror Chara (title pending, still need to create them)

Piercing+: 10%-50% (25% average) More likely to bypass shields and armor

Slow: Targets move 10%-50% (25% average) slower

Cross Knife:

Colour: Magenta

Origin: Cross Chara a.k.a. X Chara

Attack+: Increase damage by 10%-50% (25% average)

Lines: Create 7 parallel lines that the user can instantly move or "blip" to back and forth. User is locked to lines, but can move across them freely

Note: I created a range for story purposes. You want long drawn out battles, use the Smaller percentages. You want big Flashy Rule of Cool battles, use the Larger percentages. Or have these abilities use up some of Error Chara's energy.

For story purposes of my series:

I will probably lean towards average in terms of Buff's and Debuff's

There will be a slight energy drain on Error Chara for usage of abilities

Spamming will drain their energy faster

How many uses do they get?... not sure, something I'll have to think about for balancing purposes, especially since ERASE should probably use more energy than everything else. But I don't want it so low that they tire themselves out after 5 minutes... maybe I'll give them 100 uses for now, and tweak the numbers as the series goes on. If Error Chara runs out of Energy, they pass out until they sleep it off, so kinda important for them to keep track in the VOID!!

anyway

Enjoy~

[beedallo]

It's going to change alot

I wonder how important remembering is

[nancyheart11]

oooooo!!!!! okies >:D

-z

i don't like that scheming face, but I'm going to ignore it for now and focus on finishing the current art treat I'm working on (and getting stuff set up for me to move to the new apartment, but priorities)

How have you been Mossie?

[wormy-business]

I saw this question posed on tiktok, but I think Tumblr would really enjoy it too.

If a fae creature offered to give one million dollars for a bone FROM YOUR BODY chosen at random, how many bones would you allow them to take?

Light clarifications; The fae is not the one choosing the bones. The bone is taken at random. Each bone, no matter the size or importance, is worth a full million dollars. You must also declare the exact number first, you can't go bone-by-bone. You either say 2 or you say 10, you can't work your way up to a higher number. The bones are removed instantaneously, and the money is given immediately as well. You will not get in government trouble for acquiring the money.

Tell me in the tags/replies how many bones you'd let the fae take. And as always, reblog for bigger sample size.

[kottkrig]

People liking your personal OCs is still such a crazy feeling, I've been doing this for years and ppl asking about them still fills my entire heart with warmth and idk how to handle it

You enjoy this fictional guy I made up for fun?? Whose only content is random artwork or writing made by me and a handful of other artists at most? They have no show/book/game with a large fandom, it's just one person with an art blog?? I love u

[socks-wizard-money-gang]

What was that

[tanoraqui]

I just love love love that there’s a guy wandering about Dungeon Meshi going, ‘but what are the socioeconomic and geopolitical consequences of this fantasy quest adventure, both while it’s ongoing and after its inevitable completion?! The skillset required to find and kill a Mad Mage is different than that required to responsibly, benevolently and effectively rule a kingdom. I personally must either find a good candidate, somehow make one, or, most likely, take on the whole Mageslayer/King role myself.” Except he doesn’t have the first skillset, and his whole party keeps dying while these highly competent chucklefucks wander past, kill and eat the monster, and save their bodies for the nth time. Kabru would demand to know if Aragorn is familiar with Gondorin tax law. His isekai energy is off the charts, because this is all exactly what I would do if dropped into a fantasy quest adventure, right down to repeatedly dying due to not actually being suited to the genre conventions.

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[emberglowfox]

birds of a feather

[hinamie]

I'm always pushing you away from me / but you come back with gravity / and when I call, you come home

[floworence]

God importance of food in HUNGER Games is such amazing aspect of the books and shows the mentality of both Katniss AND Snow.

Coriolanus learns that food is power. He sees Nero Prize cutting off maid's leg to eat it. He sees what tributes will do for food. He knows what Lucy Gray did for food. He knows what he would do for food.

In his eyes food is a luxury and ultimate means of manipulation. That's why there is a tessare system, that's why there are monthly packages for the winning districts, that's why Games are a yearly public spectacle in the Capitol. He keeps districts hungry for food and Capitol hungry for entertainment.

Katniss learns that food is love. It starts with Peeta throwing her the burned loaf of bread. Then goes further into her love for Prim, which is the main cause of her hunting. Then with Gale as her hunting partner. Then with Madge who is her best friend and loves strawberries. Then with Mr. Mellark who loves squirrels. Then with Rue and bread from District 11. Then with Peeta again, with the berries.

Katniss doesn't use the power of food over people. She shares it. That's how she builds connections, forms friendships, wins over people's hearts, starts and wins revolutions.

For Snow food it a tool with which you can sew starvation and chaos.

For Katniss food is a tool with which you can form bonds and find peace.

[ambrosiagourmet]

I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.

This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.

But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.

Or this little bit from one of the flashbacks:

This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.

And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.

Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.

Like him needing to leave. And leaving her behind.

He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.

She was 9 when he left for school, and he was 11.

Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.

Both of these kids deserved so much better from the world.

[bunnieswithknives]

As much as I love angst I think it would be funny if he just didnt give af

[reyenii]

a) charles and edwin’s safe place is their office:

b) this scene was so domestic. charles is wearing his white tank top. edwin is wearing a shirt with the sleeves rolled up and the buttons on his top collar unbuttoned. he’s sitting on the couch in a comfortable pose.

c) but we don’t see anything like this when the boys are in port townsend. they "hide" behind their clothes almost all the time cause this is a new “place” for them which is not safe to be in

[inkskinned]

in internet posts it is easy to cut them out of your life. they are hurting you! they aren't listening to you!

they held your hair back. they lent you lipstick. they held your hand at the train station and got you home safe. they rounded on your bully, got loud, said get fucked, spitting-mad in your defense.

they also cut the hair off again. told you that you should really think twice before wearing something like that. took you for granted. took your insecurities and threw them in your face again.

you know logically it should be easy. all the internet advice comments always read it will feel better. like an equation - if a person is rotten, you just remove them. you pull the tooth that's hurting.

but it was never a big flare-up moment. you don't live in a sitcom. they never tried to take your boyfriend or steal from your apartment. they showed up to birthdays and they wrote songs about you and bring you water without you asking. once you found out they carry an emergency inhaler for you, even though you haven't had an asthma attack in years - just in case.

where is the line? people fuck up. sometimes they fuck up badly. sometimes people have raw personalities, like a powerline, and being around them is dangerous. addicting. sometimes they can't help themselves, but you know they're trying. sometimes they are just rough-around-the-edges. sometimes they don't even realize how they sounded when they said that. sometimes it's just - you've both loved each other for so long now, the way this thing hurts goes back to the root.

and that's the fucked up part. you have pushed your fingers against the sweetheart of memory. things these days are electric, tense, harrowing. they didn't used to be. there were a lot of good days in there. sometimes you want to just close your eyes and say can this be over yet? do we still need to be fighting?

doing that would give up any chance you get of getting an apology, but you don't always know that you need an apology, you love them. once they flaked on your birthday party. once they told you to get over it, people are always dying. they also let you crash on their couch for a week after the breakup, handfeeding you when you were so sad you couldn't eat. they are also judgmental about everything, occasionally react to banal statements with an attitude that is weird and fiery. they also love you like a lighthouse sometimes, so strong they cut the storm like lightning.

but the problem is that you might be storm. you might be the thing that needs breaking. what if you are two forces who are desperately, horribly drawn to each other, shaped by the other person's passions, and both good for each other and bad in equal measure.

what if you're both just people, and you're no saint neither.

just cut them off! swallowing the saltwater, you catch yourself in the mirror. you've been shaking more than usual. there's an ache in you that is oblique, loud, impossible to soothe. is this what it looks like? when life is "easier"?

your mouth will always have a hole, is the thing, if you remove the tooth.