#probably not important

[mixedvegetabless]

"Human" version of needles I thought up in my brain

[chaos-le-mieux]

Error Chara Reference: Volume 06

Knives, so many Knives!! Well, not that many... just 7 And one of them isn't really a knife though to be fair, most of them look like Daggers, and one of them is an Ice Pick... Semantics. I guess I should explain the perks now . _.

Knives:

Real Knife:

Colour: Red

Origin: Undertale

Accuracy+: Attacks land 10mm-50mm closer to their target (average 25mm)

Erase: Chance to Delete certain targets (Only works on targets compatible with digital code, success depends on the author, otherwise 25% average)

Killer Knife:

Colour: Orange

Origin: Killer Sans

Speed+: User Moves 10%-50% Faster (25% average)

Accelerate: Force target to move or sustain damage while standing their ground

Epic Knife:

Colour: Yellow

Origin: Epic Chara

Range+: Blade has an increased attack range of 10%-50% (25% average)

Projectile: Fire's energy bolts from tip of knife

Fresh Knife:

Colour: Green

Origin: Fresh Chara

Evasion+: User has 10%-50% (25% average) increased chance to dodge attacks

Heal: Attacks will recover hit points instead of cause loss

Arctic Knife:

Colour: Cyan

Origin: Arctic Chara

Defense+: User takes 10%-50% (25% average) less damage

Freeze: Force target to stay still or sustain damage while moving around

S. Terror Knife: (title pending)

Colour: Blue

Origin: S. Terror Chara (title pending, still need to create them)

Piercing+: 10%-50% (25% average) More likely to bypass shields and armor

Slow: Targets move 10%-50% (25% average) slower

Cross Knife:

Colour: Magenta

Origin: Cross Chara a.k.a. X Chara

Attack+: Increase damage by 10%-50% (25% average)

Lines: Create 7 parallel lines that the user can instantly move or "blip" to back and forth. User is locked to lines, but can move across them freely

Note: I created a range for story purposes. You want long drawn out battles, use the Smaller percentages. You want big Flashy Rule of Cool battles, use the Larger percentages. Or have these abilities use up some of Error Chara's energy.

For story purposes of my series:

I will probably lean towards average in terms of Buff's and Debuff's

There will be a slight energy drain on Error Chara for usage of abilities

Spamming will drain their energy faster

How many uses do they get?... not sure, something I'll have to think about for balancing purposes, especially since ERASE should probably use more energy than everything else. But I don't want it so low that they tire themselves out after 5 minutes... maybe I'll give them 100 uses for now, and tweak the numbers as the series goes on. If Error Chara runs out of Energy, they pass out until they sleep it off, so kinda important for them to keep track in the VOID!!

anyway

Enjoy~

[beedallo]

It's going to change alot

I wonder how important remembering is

[humankk]

So I was taking a driver test yesterday... yesteryesterday, and there's this waiting period that's reaaaaaaally long.

Anyway I got bored and just remember I have a notebook with me.

So have these guys, I haven't drawn anything on actual paper for a really long time I think, uh... text transcription below.

[] is for where it is

-wow I sucks at size on paper [on the side of floating Frisk and Chara] -imagine they're closer I guess [below the previous one] -They're bored. [on Chara pulling Gaster with an arrow pointing at them] -I miss my eraser help. [below and to the left of the previous drawing] -Why did I draw with pen (<- pencil&eraser is not nearby) [below previous text] -Guess I'll just have to draw bigger [below previous text]

[nancyheart11]

oooooo!!!!! okies >:D

-z

i don't like that scheming face, but I'm going to ignore it for now and focus on finishing the current art treat I'm working on (and getting stuff set up for me to move to the new apartment, but priorities)

How have you been Mossie?

[shadesofmauve]

I want to step away from the art-vs-artist side of the Gaiman issue for a bit, and talk about, well, the rest of it. Because those emotions you're feeling would be the same without the art; the art just adds another layer.

Source: I worked with a guy who turned out to be heavily involved in an international, multi-state sex-slavery/trafficking ring.

He was really nice.

Yeah.

It hits like a dumptruck of shit. You don't feel stable in your world anymore. How could someone you interacted with, liked, also be a truly horrible person? How could your judgement be that bad? How can real people, not stylized cartoon bogeymen, be actually doing this shit?

You have to sit with the fact that you couldn't, or probably couldn't, have known. You should have no guilt as part of this horror — but guilt is almost certainly part of that mess you're feeling, because our brains do this associative thing, and somehow "I liked [the version of] the guy [that I knew]", or his creations, becomes "I made a horrible mistake and should feel guilty."

You didn't, loves, you didn't.

We're human, and we can only go by the information we have. And the information we have is only the smallest glimpse into someone else's life.

I didn't work closely with the guy I knew at work, but we chatted. He wasn't just nice; he was one of the only people outside my tiny department who seemed genuinely nice in a workplace that was rapidly becoming incredibly toxic. He loaned me a bike trainer. Occasionally he'd see me at the bus stop and give me a lift home.

Yup. I was a young woman in my twenties and rode in this guy's car. More than once.

When I tell this story that part usually makes people gasp. "You must feel so scared about what could have happened to you!" "You're so lucky nothing happened!"

No, that's not how it worked. I was never in danger. This guy targeted Korean women with little-to-no English who were coerced and powerless. A white, fluent, US citizen coworker wasn't a potential victim. I got to be a person, not prey.

Y'know that little warning bell that goes off, when you're around someone who might be a danger to you? That animal sense that says "Something is off here, watch out"?

Yeah, that doesn't ping if the preferred prey isn't around.

That's what rattled me the most about this. I liked to think of myself as willing to stand up for people with less power than me. I worked with Japanese exchange students in college and put myself bodily between them and creeps, and I sure as hell got that little alarm when some asian-schoolgirl fetishist schmoozed on them. But we were all there.

I had to learn that the alarm won't go off when the hunter isn't hunting. That it's not the solid indicator I might've thought it was. That sometimes this is what the privilege of not being prey does; it completely masks your ability to detect the horrors that are going on.

A lot of people point out that 'people like that' have amazing charisma and ability to lie and manipulate, and that's true. Anyone who's gotten away with this shit for decades is going to be way smoother than the pathetic little hangers-on I dealt with in university. But it's not just that. I seriously, deeply believe that he saw me as a person, and he did not extend personhood to his victims. We didn't have a fake coworker relationship. We had a real one. And just like I don't know the ins-and-outs of most of my coworkers lives, I had no idea that what he did on his down time was perpetrate horrors.

I know this is getting off the topic, but it's so very important. Especially as a message to cis guys: please understand that you won't recognize a creep the way you might think you will. If you're not the preferred prey, the hind-brain alarm won't go off. You have to listen to victims, not your gut feeling that the person seems perfectly nice and normal. It doesn't mean there's never a false accusation, but face the fact that it's usually real, and you don't have enough information to say otherwise.

So, yeah. It fucking sucks. Writing about this twists my insides into tense knots, and it was almost a decade ago. I was never in danger. No one I knew was hurt!

Just countless, powerless women, horrifically abused by someone who was nice to me.

You don't trust your own judgement quite the same way, after. And as utterly shitty as it is, as twisted up and unstead-in-the-world as I felt the day I found out — I don't actually think that's a bad thing.

I think we all need to question our own judgement. It makes us better people.

I don't see villains around every corner just because I knew one, once. But I do own the fact that I can't know, really know, about anyone except those closest to me. They have their own full lives. They'll go from the pinnacles of kindness to the depths of depravity — and I won't know.

It's not a failing. It's just being human. Something to remember before you slap labels on people, before you condemn them or idolize them. Think about how much you can't know, and how flawed our judgement always is.

Grieve for victims, and the feeling of betrayal. But maybe let yourself off the hook, and be a bit slower to skewer others on it.

[wormy-business]

I saw this question posed on tiktok, but I think Tumblr would really enjoy it too.

If a fae creature offered to give one million dollars for a bone FROM YOUR BODY chosen at random, how many bones would you allow them to take?

Light clarifications; The fae is not the one choosing the bones. The bone is taken at random. Each bone, no matter the size or importance, is worth a full million dollars. You must also declare the exact number first, you can't go bone-by-bone. You either say 2 or you say 10, you can't work your way up to a higher number. The bones are removed instantaneously, and the money is given immediately as well. You will not get in government trouble for acquiring the money.

Tell me in the tags/replies how many bones you'd let the fae take. And as always, reblog for bigger sample size.

[kottkrig]

People liking your personal OCs is still such a crazy feeling, I've been doing this for years and ppl asking about them still fills my entire heart with warmth and idk how to handle it

You enjoy this fictional guy I made up for fun?? Whose only content is random artwork or writing made by me and a handful of other artists at most? They have no show/book/game with a large fandom, it's just one person with an art blog?? I love u

[chloesimaginationthings]

Y’all think TikTok exists in the FNAF universe

[tanoraqui]

I just love love love that there’s a guy wandering about Dungeon Meshi going, ‘but what are the socioeconomic and geopolitical consequences of this fantasy quest adventure, both while it’s ongoing and after its inevitable completion?! The skillset required to find and kill a Mad Mage is different than that required to responsibly, benevolently and effectively rule a kingdom. I personally must either find a good candidate, somehow make one, or, most likely, take on the whole Mageslayer/King role myself.” Except he doesn’t have the first skillset, and his whole party keeps dying while these highly competent chucklefucks wander past, kill and eat the monster, and save their bodies for the nth time. Kabru would demand to know if Aragorn is familiar with Gondorin tax law. His isekai energy is off the charts, because this is all exactly what I would do if dropped into a fantasy quest adventure, right down to repeatedly dying due to not actually being suited to the genre conventions.

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[emberglowfox]

birds of a feather

[hinamie]

I'm always pushing you away from me / but you come back with gravity / and when I call, you come home

[floworence]

God importance of food in HUNGER Games is such amazing aspect of the books and shows the mentality of both Katniss AND Snow.

Coriolanus learns that food is power. He sees Nero Prize cutting off maid's leg to eat it. He sees what tributes will do for food. He knows what Lucy Gray did for food. He knows what he would do for food.

In his eyes food is a luxury and ultimate means of manipulation. That's why there is a tessare system, that's why there are monthly packages for the winning districts, that's why Games are a yearly public spectacle in the Capitol. He keeps districts hungry for food and Capitol hungry for entertainment.

Katniss learns that food is love. It starts with Peeta throwing her the burned loaf of bread. Then goes further into her love for Prim, which is the main cause of her hunting. Then with Gale as her hunting partner. Then with Madge who is her best friend and loves strawberries. Then with Mr. Mellark who loves squirrels. Then with Rue and bread from District 11. Then with Peeta again, with the berries.

Katniss doesn't use the power of food over people. She shares it. That's how she builds connections, forms friendships, wins over people's hearts, starts and wins revolutions.

For Snow food it a tool with which you can sew starvation and chaos.

For Katniss food is a tool with which you can form bonds and find peace.

[ambrosiagourmet]

I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.

This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.

But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.

Or this little bit from one of the flashbacks:

This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.

And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.

Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.

Like him needing to leave. And leaving her behind.

He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.

She was 9 when he left for school, and he was 11.

Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.

Both of these kids deserved so much better from the world.

[bunnieswithknives]

As much as I love angst I think it would be funny if he just didnt give af