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grimesgirll · 6 months ago

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you love forcing your guys to watch tv with you.

snuggled up on the sectional together, there’s nothing you’d rather be doing with your saturdays.

your head is on daryl’s chest and your feet in rick’s lap while the old vhs tape plays an old episode of six feet under.

one of the alexandrians who’d passed long before your group arrived had a considerable hbo collection, along with some of the other most popular television series of your time before the end of the world as you knew it. from dvds of mad men to nip/tuck, there was enough to keep you preoccupied binging the best of the 2000s.

your duties in your new neighborhood kept you to a constant schedule but making time for tv wasn’t hard. slipping away to rock judith asleep in your arms was made easy with an episode of grey’s anatomy. it was nice to feel normal for once - like someone who wasn’t holing up behind ten foot high walls from hordes of the dead.

it’s even nicer getting your busy, go-getters to simply sit and enjoy your company, and the glow of the tv.

having never had a tv aside from the busted flatscreen merle’d once ditched at his place before everything went down, you were shocked when daryl told you he didn’t have a favorite show. it seemed every dvd or vhs you inserted had the man mocking the media.

dexter is dumb. arrested development’s cast consists of assholes. house bored him. psych too. and don’t get him started on desperate housewives.

at least you could count on wrestling rick into the couch for an episode of cops. rick’s rambling on everything the show got right and wrong was worth it if you could get him off his feet, because then it wouldn’t be long before you were teasing a foot along his leg.

still on top of daryl, you’re hoping the two pick up on what you’re putting down without you having to be too obvious. rick ruins your perfectly scripted scene with a single clearance of his throat. that’s all it takes for his attention to be diverted from the screen and for a hand to settle on your foot.

your tongue swipes across your lips. your twinging foot eventually brings rick’s attention from the limb to your lust addled expression. daryl’s probably half asleep. he doesn’t give a fuck about cops.

“they’re all gettin’ caught doin’ some dumb shit merle’d do,” he’d gruffed when you first played the title.

regardless, he’s relaxed beneath you. the hand wrapping your frame into him pulling him close. a lightly planted hand on your breast that lures your gaze back to his. you curl into the warmth of his arms and into a balmy kiss.

rick blisters his own impressions onto your calf. “ah,” you hum off-guard into daryl’s mouth. that only spurs the sheriff further up your thigh until you feel a finger over top the crotch of rick’s your boxers. between two pairs of masterful mouths, you could care less about cops. you have your own pulling down your underwear with his teeth and an outlaw on your lips. the latter is laying a hand on your head, savoring the feeling of your soft hair beneath his rough, calloused hand. you don’t mind it at all when he ushers you crushingly closer.

“were you even watchin’?” rick asks, the breath of his laughter panting onto your thigh.

“a bit,” you admit in a puff of breath. “cops is boring.”

“say that again,” daryl snarks into your neck.

rick shakes his head. those bronzed locks brush against the sensitive skin of your thighs, with rick now situated front and center facing your dripping core. he parts the light bush you’ve been maintaining to spread open your plush pussy. cool air makes you whine just as the roving pucker on your pulse point pulls the same sounds from you. “you want a finger? or my mouth?” rick leaves it to you.

you choose the hybrid option.

rick should know that you live for the way he prods you open with a nice fat finger, then letting his tongue wander up and down your clit.

knowing you inside and out, rick is ready to do just that. so it only makes sense that his tongue and a thick finger is already driving you up the sofa, so far gone already that all you can do is muffle your cries with daryl’s mouth.

the brother of georgia’s most wanted has no problem absorbing your pleasure. in fact, he works in near tandem with rick to get your heartbeat racing on both ends. fingers fall into a deft hold on your breasts, going from groping to taunting the buds popping up through your thin long sleeve. bunched up over your chest or your head seems to be the only fate that typically befalls that shirt. the thin material is always accenting your headlights in a cold room or straining holding back your bust enough that your boys always take note of it.

daryl loves it. loves getting a fistful of the flowy, flexible, blue and white flowered fabric. loves it even more when it’s out of his way. bunched up over your tits, it goes. “you gon’ come, pretty girl?” daryl questions, ducking down to capture your breast in his mouth.

you don’t know what to say. the answer is obvious but your words are mere babbles and all you do is moan and huff and pant yes.

all you can see of rick is that fluffy mop of brown. hands dug into your hips, he’s not relenting even as your clit pulses beneath his tongue. he only takes it as an opportunity to run his skilled appendage along the single pronounced ridge of your pleasure point.

“rick takin’ care of ya’? givin’ you a break from the pig show?”

you feel a snort against you, but it’s not long before you’re bucking your hips against rick’s face and he’s steadying your hips. that damn tongue just has to drag against you and you’re ready to flop off the couch. you can barely manage a smile at daryl’s dig because your mouth is contorting into an open o shape - o for orgasm because that’s the only thing on your mind. not the dead stalking the gates upon hearing a single human breath, not the responsibilities of running the community within those gates, not worrying about who’s on watch, definitely not anything other than the burst of delight coursing through you.

sunlight tumbles through the windows onto the perfect center of the living room. it would be blinding rick had he not still been between your thighs. squeezing your eyes shut, the last thing you see is rick’s sunlit head grooving up and down.

feeling snug on rick’s two fingers is enough for you to feel completely unbound. clenching but not clamping like daryl is now on your tit.

“fuck me,” you groan. the vulgarity comes out wispy as the man flattening his tongue and pancaking a new finger to your soaked clit steals your breath.

the denim hardness beneath you has you guiding daryl’s mouth from your chest to your face for another kiss. your hand is wound in his hair, almost like the kiss could distract you from the overstimulation rick’s so hellbent on.

a stripe of gold beams across your faces - and rick’s - so once you’re parting from the messy mash of tongue and lip you’d shared with daryl, the sight of rick has you squeezing your thighs again. with a finger still inside of you, rick’s slowly massaging your newly drenched cunt, and he’s never looked better. pink glossy lips have you yearning for a taste.

luckily, you and rick are always on the same page, thus, he’s leaning up on forearms to croon, “wanna taste yourself, baby girl?” and with a sure nod, your mouths are connecting so you can sample the fruits of your labor.

a hand on daryl’s dick, a bit of maneuvering on your part, and some sweet sounds from rick are all it takes for the television to be ignored. it feels like you’ve all fast forwarded through a season of cops by the time anyone recognizes the television’s still on but no one gives a damn. not when there are better distractions.

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shadowgast-recs-weekly · 30 days ago

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Older Favorites 8: A Shadowgast Rec List

This week we have the eighth edition of older favourite fics, check under the cut for 19 fics that were uploaded or last updated more than two years ago! Don't forget to comment and kudos if you enjoy them

when will these two wizards kiss already by allmadeofstardust (13590, Explicit) Reccer's Content Notes: No Content Notes

A series of canon divergent episodes, exploring potential first kisses the wizards might've had in the final episodes of C2.

Reccer says: Back when C2 was finishing up, I always looked forward to this series updating XD it was a really fun way to feed the beast that spent every one of those last episodes waiting for a Shadowgast kiss to happen. And the ending of the series is really lovely too.

Like 80/20 on the Kinsey Scale by jakia (2772, Teen) Reccer's Content Notes: None

Caleb sleeps with Essek and panics about his sexuality. A story about friendship and identity.

Reccer says: I liked it!

By the Light by MoonwalkingCrab (31993, Mature) Reccer's Content Notes: Choose Not to Warn, Major Character Death, Temporary Character Death

After not hearing from the Nein for months and assuming he had been forgotten, Essek receives a plea from the Nein to help save Caleb. Canon-Compliant until e88!

Reccer says: I Love love LOVE this fic. I came into the fandom right at the end of C2 and have read many really good pre-97 fics - This one is probably my absolute favorite. AMAZING Essek characterization, really nailed the loneliness at his core, I love the take and the headcanons! Also also, while this is absolutely a Shadowgast fic, this is also very much an Essek & The Nein fic. Every interaction is amazing, love the level of detail, adore the pacing, just a really good and soft and well rounded fic!!

in the times in between by jakia (8098, Teen) Reccer's Content Notes: mention of miscarriage

While refining a spell, Caleb spends a few days accidentally visiting his parents over the course of a decade and a half. Essek helps the final time.

Reccer says: Kind and sweet, plus excellent mom behavior from Una at the end.

infinity in the palm of your hand by mousecookie (5752, Teen) Reccer's Content Notes: Major Character Death, Temporary Character Death, Canon-Typical Violence

Alternate ending to e116 - The Mighty Nein find a rusted iron door in Aeor, as well as the fallen body of one Essek Thelyss.

Reccer says: Really well/solidly written, with an *amazing* twist that I did NOT see coming - Very good emotions, very good characterizations, just an all-round lovely read written during the fandom's 'When will Essek return from the war?' phase X3 Also also I just ADORE the title!

only code it knows is rote survival by Chrome (12637, Mature) Reccer's Content Notes: No Content Notes

In a world where Trent makes it back to Eiselcross before the Nein do, Essek spends a night under the effects of the Feeblemind spell. Caleb undertakes a duty of care, and the Nein learn how Essek feels about them beneath everything.

Reccer says: Wonderful characters and lovely writing!

like coloured indigo inscribed with my name by KmacKatie (30648, Teen) Reccer's Content Notes: No Content Notes

An exploration of tradition, culture, what is worth sacrificing in finding yourself and family.

Reccer says: I think about this fic a lot. The highs, the lows, the sweetness, the angst. It's existed in the back of my mind for so long that it's kind of hard to describe the particulars of why I love it; I just do. I love the snapshots into Essek and the Nein's lives; the moment in Chapter 4 when the wizards kiss stands out to me as an example of that. The heartache of Chapters 6 and 7 is so well done; the strings of unanswered texts (and Essek's deleted replies) at the end of 6 and "I can’t eat soup without thinking of you." in particular (ESPCIALLY the latter) have stuck with me for years. Essek showing up at Caleb's birthday party after everything... there are tears in my eyes as I am typing this. I just love all of it so much, but the angst in particular really left a mark. And I love the ending so much too. All of it is just iconic and wonderful. To end on a lighter note, shout-out to the remark about Deirta and kumquats, which surfaced in my psyche recently after being dormant in there for so long XD

a certain future by wristpockets (26997, Mature) Reccer's Content Notes: No Content Notes

Essek keeps trying to outwit The Mighty Nein, and gets stuck in a time loop trying to do so. He's trying to befriend them now, trying to earn their trust, but that's only because it's his best option... right?

Reccer says: While the Shadowgast is a relatively minor aspect of the story, it's a great character study.

Echoes by MithrilWren (1759, Teen) Reccer's Content Notes: Choose Not to Warn

“Essek finds himself... unsettled by Caleb's new telepathic powers.“

Reccer says: Shadowgast, but with some Somnovem interference! This fic is short, but it packs a punch! I still get a shiver down my spine thinking about the ending.

Somewhere Just for Us by bluebirdsongs (12835, Teen) Reccer's Content Notes: No Content Notes

Caleb takes Essek on a date to the version of the dance hall that lives on the Tower's 8th floor.

Reccer says: This is one of my all-time favorite Shadowgast fics, hands down. It is incredibly tender and sweet, with so many layers of emotion. The concept is brilliant and so well executed. I love Caleb introducing Essek to Zemnian cuisine and this fic is 100% the reason for it. And the flirting and the banter and the DANCING. There's a moment when they're dancing that made me yell in delight when I first read it back in 2021 and I still adore it. And the ending!!! Augh, it's all just so heartfelt. It deserves all the love in the world. (Also, it never fails to make me crave a preztel)

russet inconveniences by marleybone (7328, Teen) Reccer's Content Notes: No Content Notes

Essek needs a roommate and finds one in Caleb Widogast.

Reccer says: You know a fic is good when you think you've submitting reccs and then you remember the title and immediately have to go pull it up to recc too XD this one is just so fun!!! Caleb is a menace of a roommate and I love that that never stops, even as Essek realizes he's got feelings. The tag "minor inconveniences to lovers" is fantastic XD

Unspoken Love by marsmystic (4187, Teen) Reccer's Content Notes: No Content Notes

“ Caleb and Essek return to Aeor together. A relationship develops. Or was it already there?”

Reccer says: This fic sparks joy! Wizards being besties!! Essek and Caleb’s relationship is so sweet in this. It really highlights how the romantic aspects of it stem from their friendship, which is one of my favorite flavors of shadowgast.

The Mind and The Malady by SaltCore (38945, Teen) Reccer's Content Notes: Graphic Depictions of Violence

There is a remedy for his illness, of course. There is always a way to unwind magic, but there is always a price. The cost of Essek’s life, now that he’s contracted Hanahaki’s disease, can be paid two ways—one is higher than Essek can bear and the other, well. The other can only be paid by someone else.

Reccer says: Beautifully written and wonderful worldbuilding! Always a fav to reread!

some things time can't fix by Chrome (25930, Mature) Reccer's Content Notes: No Content Notes

Essek is arrested for treason. The Dynasty severs the daemons of prisoners before executing them so they can’t be reborn.

Reccer says: Daemon au! This fic made me feel so many emotions

Like a Steel Trap by kaeda (12519, Explicit) Reccer's Content Notes: No Content Notes

Essek is very much into Caleb's keen mind.

Reccer says: Wizards loving wizards for wizardly reasons!

a mirror to the sky by renquise (7432, Mature) Reccer's Content Notes: No Content Notes

Essek shows up on Caleb's doorstep in the bitter cold of winter and shows him something private

Reccer says: Self bondage fic my beloved! The tension between the two is so good!

To Mourn a Mischief by toneofjoy (81716, Teen) Reccer's Content Notes: No Content Notes

It's an Ever After-inspired AU with magic, where Caleb is trapped with Ikithon but ends up wooing Essek. Follows the plot of Ever After but has some good twists and turns!

Reccer says: The writing gives that fairy-tale feel, and though it follows the plot of Ever After, it's different enough to be exciting. Also love the surprise guests near the end, and the Jester/Essek and Caleb/Beau friendships are so good!

The following two fics each received two recs:t

(your face in my hands is) everything good i need by mllekurtz (TheKnittingJedi) (25884, Mature) Reccer's Content Notes: No Content Notes

The last person Caleb Widogast, Professor of Modern History, expects to find as he walks in a random pub in a foreign city at the end of a long conference is Dr. Essek Thelyss, eminent Latinist and his sort-of intellectual crush.

Reccer 1 says: This is the first fic in my bookmarks and I've long since lost track of how many times I've reread it. So many moments have ingrained themselves in my memory; Caleb's hands on Essek's elbows when they first kiss. Their later spicy makeout getting interrupted by Essek getting a call. Caleb trying to pin Essek to his door the moment they get to his apartment for kisses and Essek having to get him to slowdown for a minute. Essek thinking Caleb looks like a god as they lay in bed together. "I want a clean break". Essek touching Caleb's new beard first thing when they reunite after Caleb's grown it. Their candelit video calls. I have to stop myself before I just list everything that happens because it's all SO GOOD. Essek Week 2021 produced some just magnificent fics and this is easily towards the top of that list. Reccer 2 says: The exquisite writing, the Demi Essek, the literal sleeping together, and the way their relationship evolves over time.

we never do go over (we always gotta go through) by Chrome (17169, Teen) Reccer's Content Notes: No Content Notes

In which Essek uses Convergent Future to save the Nein in Aeor and has to take the journey out of Aeor with five levels of exhaustion.

Reccer 1 says: SUCH a classic, I distinctly remember reading this one on my laptop at the back of the forum room my study hall was in, right when it was posted. The physical toll of powerful magic is something I ALWAYS love to see explored, so this was already a success on that part. Add in 5+1, hurt/comfort, and Shadowgast tenderness and getting together? This fic still lives rent free in my head for a reason. Reccer 2 says: Such tenter feelings!

This is one of our weekly communally-generated shadowgast rec lists. Every week we announce a new theme and allow anyone to submit a fic recommendation.

And hey, anyone includes you!

Next week, we'll be featuring fics that include good/complicated mom Deirta. Any fics coming to mind? Well, then use this form to submit!

#shadowgast #caleb widogast #essek thelyss #critical role #cr fic recs #fan fiction rec list #critical role fan fiction #cr fic #cr fics #older favorites #older favourites

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fanfictionalraven · 8 months ago

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Right Where You Left Me

Title: Right Where You Left Me

Summary: The reader, a waitress at the local diner, has become good friends with Dean. What happens when he disappears without a trace?

Characters: Reader, Dean Winchester, Sam Winchester, Mary Winchester, Castiel

Word Count: 7,309

Warnings: Canon typical violence and peril

Author's Note: This story takes place through the events of the second half of season 12, starting with episode 9 "First Blood". It's also the first story I've actually written and published in nearly 6 years, so grant me a little grace please. Enjoy!!

“Ma’am? Ma’am?” A voice says. You snap from your thoughts and look at the people sitting at the table in front of you. You’d gotten distracted by the bell at the door, a new customer coming in. Not the one you were looking for though. Putting on your best smile, you shake your head slightly.

“I’m so sorry. Where were we?” You ask, glancing at the notepad in your hand.

“We were trying to ask you about the pie of the day,” the woman says. You nod and try not to sigh.

“Cherry,” you tell her. Dean’s favorite. They order two slices which you deliver to them quickly before going into the kitchen. “Stew, I’m taking a 10,” you announce to the cook. He waves a hand at you and glances at the clock.

“Make it 5,” he shouts as you slip out the back door. Leaning against the wall with a sigh, you slip the brace off of your wrist and roll the sore joint slowly, wincing.

“This job,” you mumble before pulling your phone from your apron. Going into your recent calls, you hit the name at the top. Dean. He wasn’t going to answer. He hadn’t in weeks after all, calls or texts. It rings…and rings…and rings. Just as you’re about to give up, the final ring is cut off.

“Hello?” A woman’s voice asks, curiously. Confusion and a million unpleasant thoughts sweep over you in an instant.

“I’m sorry. I was trying to reach Dean,” you say.

“This is his phone. At least, I think it is…who is this?” She asks. You sigh and run a hand over your face.

“My name’s Y/N. I…I work at a diner and Dean’s one of my regulars. I haven’t seen him in a while and…I was worried,” you tell her. You can hear the confusion in her voice when she responds.

“A waitress who has her customer’s numbers and calls to check up on them?” She asks.

“No. Well…yes, but…Dean’s more than just a customer,” you say.

“What exactly is Dean then?” She asks, a slight edge to her voice. What is Dean? That was the very question you’d spent countless nights asking yourself.

When Dean had first wandered into the diner and sat in your section, he was just another tip. Sure, the two of you had flirted but, to be honest, you flirted with most of your customers. You had bills to pay after all. He came back the very next night, claiming the pie had just been too good. On his fifth visit to the diner, he wandered in just as you clocked out and invited you to join him. You sat in that booth across from him for hours, laughing and talking. At the end of his seventh trip, you slipped your phone number to him on the back of his bill. He’d called you before his car was even out of the parking lot.

That was nearly a year ago and the two of you talked and texted regularly ever since. Sure, he’d go silent for a little while but then he’d saunter into the diner, give you a crooked smile, and ask for the pie of the day. Throughout that year, the two of you flirted, laughed, and teased each other. There had been a few occasions when he’d catch you as you were leaving, place a to-go order, and then you’d ride in his car out to some deserted spot to talk and eat. You’d gotten to know each other intimately. In an emotional sense that is. Dean always kept you at arm’s length. He’d never asked you on a real date. Your coworkers insisted he was probably married and just stringing you along. And now some strange woman was answering his phone and…

“Y/N?” The woman on the line says.

“Sorry. A friend. Dean’s…a really good friend,” you tell her. “Can I ask who you are?”

“I’m Mary,” she starts and you immediately let out a heavy sigh.

“His mother. Of course,” you breathe with relief.

“Yes,” she says, slightly surprised.

“He’s talked about you a lot. Where is Dean?” You ask. Now, it was Mary’s turn to sigh.

“We don’t know,” she tells you.

“What?” You ask. “It’s his job, isn’t it?” You didn’t know exactly what Dean did but he’d come into the diner beaten and bruised on a few occasions.

“Well…yes,” she says.

“Have you called the police?”

“Y/N, break’s over,” Stew calls from the back door.

“Give me a minute!!” You yell to him. He grumbles and slams the door shut. “You have called the police, right, Mary?”

“That’s not exactly an option,” she says, slowly.

“Well…what about Sam? Or…or Cas?” You ask. There’s the briefest of pauses.

“I’m…I’m here with Mary,” a second voice says.

“And Sam was with Dean,” Mary adds. Cas was there as well, listening to your conversation. You frown and pinch the bridge of your nose, trying to think.

“I want to help,” you tell them.

“I’m sorry, Y/N but…we don’t even know you,” she says.

“Well, then, come meet me. I get off at 8:00,” you say before giving her the address for the diner. “If you don’t show up, I’ll call the police and report them missing myself.”

“We’ll be there,” Mary says before disconnecting the line. You slip the phone back into your apron pocket and run your hands over your face. Sliding the brace back onto your wrist, you head back into the diner.

The rest of your shift drags on slowly. You don’t make nearly as much as you could have on tips, your normal perky personality absent. At 8:15, you finally manage to clock out, throwing your apron into the dirty linens bag. You rush out the front door and look around, phone in hand. The front doors of an unfamiliar car open at the same time. Mary, you recognize her from the old pictures Dean had shown you, gets out of the driver’s side, and the man you assume to be Cas gets out as well.

“Y/N?” Mary asks, watching you. You nod and rush over to the two of them.

“While I wish it was under different circumstances, it’s nice to finally meet you both,” you tell them, holding a hand out. Mary gives you a quick once over before placing her hand in yours.

“I wish I could say the same but…”

“Dean never mentioned me,” you say. It wasn’t a question but a statement of fact. You’d often wondered and now you knew for sure. You were a secret.

“So, what exactly do you know about their work?” Mary asks. You frown and shrug.

“Not much. I figure…best case, CIA…worst case, I dunno…the mafia,” you say, more than a little embarrassed. Mary smiles a little and looks down at the ground.

“Not exactly. It’s a bit more freelance than that,” she says.

“Like a bounty hunter?” You ask. Mary shakes her head, looking around.

“I’d rather not discuss it here. Would you be willing to go back to the bun…where the boys live and talk there?” She asks.

“Of course,” you agree, immediately.

***

Never get in the car with strangers. The age old advice rang through your ears as you rode in the back seat to wherever Mary and Cas were taking you. Of course, these two weren’t exactly strangers. They were at least Dean’s mother and best friend. You truly felt like you actually knew them with how much he’d talked about them.

Mary continues to drive as you watch the cityscape disappear. It isn’t too long before she’s pulling onto a desolate looking road. The road leads into a dark tunnel, only lit by the headlights of Mary’s car. Your eyes have to readjust when she pulls into a much more brightly lit area. Looking around, you find a room that appears to be a garage holding several very old cars. This much at least screamed Dean, relaxing you a little.

“You said they live here?” You ask, trying to wrap your mind around that statement.

“Yes. It’s an old bunker. Used to be home to a secret society, the Men of Letters,” she tells you. You nod and try to keep your face in check. You can feel her watching you in the rearview mirror.

“Are they in this secret society then? You ask as she parks the car.

“No,” she answers. “It died out in America decades ago. There is still an active branch in London though.”

“Douchebags,” Cas mutters. You both look at him and he glances between the two of you. “That’s what Dean calls them.” You let out a small laugh as the three of you get out of the car. Mary leads the way through the bunker quietly. You follow, looking around and trying to take in as much as you can. She leads the two of you into what you assume is a library given the shelves of books all along the walls.

“You drink?” She asks, holding up a bottle of brown liquid. You nod as you take a seat at the table. Admittedly, you were more of a wine drinker but you felt the impending conversation would require something stronger. Mary pours two glasses and sets one in front of you before walking around to the other side of the table. She takes the seat opposite you and looks at the glass, swirling it slightly. “You sure about this, Y/N? Once you know the truth, leaving it behind can be pretty difficult.”

“Please,” is all you manage to say. She nods and throws her drink back quickly.

“Alright,” she starts. “I come from a long line of hunters. Not the kind you’re thinking of. My family hunted monsters. Ghosts, demons, witches, vampires.” You strive to keep your face in check as you take a slow drink. This was not what you were expecting at all. “When I was 19, dating John, the boys’ father, a demon killed him and my parents. He offered me a deal. He would bring John back and we could live a normal life, as long as I gave him permission to enter my home in 10 years. I was suddenly alone and holding the dead body of the love of my life. I agreed. Ten years later, he entered my home and killed me. John took the boys on the road and they became hunters as well.”

Mary stops as you stand slowly and make your way over to the bottle she had used earlier. With shaking hands, you refill your glass before downing it quickly. This was insane. Mary was insane. There was no way this was real.

“Mary…I…you really expect me to believe all this?” You ask, looking back at her now. She shrugs slightly and looks at Cas. You’d forgotten he was even there. He’d been leaning against a bookshelf behind her, watching you. You look at him as he starts to make his way around the table towards you.

Panic quickly rises in your throat and you have to remind yourself that these are Dean’s people. At least…you’re fairly certain they are. You’d never seen pictures of Cas and the only ones you had seen of Mary were from when Dean was just a child. Now, this strange woman was trying to convince you that monsters were real and your friend hunted them for a living. Cas stops next to you and looks down at your hand.

“Why are you wearing that brace?” He asks. You blink, surprised. You’d half expected him to knock you unconscious.

“I, ummm…” You hold it up and shake your head. “Carpal Tunnel from work.” Cas nods and briefly touches two fingers to your forehead before you can even register the movement.

“You won’t need it anymore,” he says. You stare at him in disbelief before taking the brace off. For the first time in a long time, you don’t feel any pain as you roll your wrist in every direction. You look back up at Cas and then at Mary. She smiles and shrugs.

“Angel,” she says. You know the shock is clear all over your face as Cas helps you back to your seat. The three of you sit in silence for a little while as you process all of this information. You’re grateful for the time they give you.

“You, ummm…” You stop and look at Mary. “You said you died.” She runs a hand across her forehead and looks at you, debating on if you’re prepared for more information. You give her the best reassuring smile you can manage at the moment.

“God’s sister brought me back as a thank you gift to Dean and Sam for helping her reunite with her brother,” she says. You’re absolutely certain your jaw hits the table.

“Well…that was…nice,” you manage. “And they were on a…a hunt when they disappeared?”

“Lucifer had possessed the president of the United States,” Cas starts. “We were going to exorcise him and return him to his cage in hell.”

“Oh my god,” you mumble, immediately beginning to massage your temples. “This is…this is a lot.”

“Now you know why Dean never told you,” Mary says. You nod, still attempting to rub away the migraine threatening to explode behind your eyes.

“I, ummm…can I take a walk?” You ask. Mary nods, smiling a little. You hoped you were handling this better than she expected. You’re still shaking as you rise from your seat again and make your way down one of the hallways. Your mind thinks back over things Dean had mentioned about his work and, frankly, it lined up. He’d never given you a lot of details but now it was starting to make sense.

You stop in the middle of the hallway and glance around. Your curiosity gets the better of you causing you to push open the door in front of you. It was a bedroom, modestly decorated. You make your way into the room and find a familiar picture sitting on the bedside table. It was the photo Dean had shown you of him and his mother. Glancing around the room, you surmise that it must be his room.

You pull open the drawer of the bedside table and gasp. Inside you find several things, another gun, a handful of credit cards, and fake ID’s. But the most surprising thing was sitting right on top. You gingerly pick up the picture and can’t help but smile. It’s of you, sitting in the front seat of Dean’s car, laughing. You remembered when he’d taken it, one of the many nights you’d spent talking. You didn’t realize he’d had it printed and kept it so close. Maybe you were more than just a secret.

“Y/N?” Mary asks from the doorway. You look up at her and she smiles. “I was getting ready to head out when you called, a vampire thing in Missouri. Cas said he’d take you back.”

“Thank you for being honest with me,” you tell her. She nods once and leaves you alone.

The next few days pass relatively uneventfully. You call Stew and make up a story about a death in the family out of state, telling him you’ll need a week or two off. He reluctantly agrees. You stay at the bunker with Cas after that. Your days are spent diving into the lore books in the old bunker, learning anything and everything you can. Cas teaches you how to do “research”, showing you how to tell the difference between normal weird and supernatural weird. He shows you one of the spare bedrooms but you end up sleeping in Dean’s room instead.

The two of you are making your way to the library when you hear Cas’s phone ringing. He rushes ahead to answer it and you go over to a new shelf to find something else to study.

“What?” He answers the phone. “Dean?” The book you’d picked out slips from your hand and you rush to his side. “What, what happened? Wh-where are you?” You stare at him, tears stinging your eyes. He grabs a pen and pad off the table and quickly jots down a note. Rocky Mountain National Park. State Route 34. “Yes. – Wait, where? – Wait, what does that…” Cas sighs and sets the phone down, frowning.

“What did he say?? Are they okay??” You ask. He glances at you and shrugs.

“He sounded rushed. Like they were being chased,” he says. You nod and pick up the notepad, trying to hide the rush of emotions you were feeling.

“We’ve got to call Mary. Meet up with her and get to Colorado,” you tell him. He looks at you quickly and frowns.

“No, Y/N. It’s too dangerous for you to come along,” he says, taking the notepad. You shake your head, tears falling freely as you look up at the angel.

“Cas, please,” you beg. His resolve breaks instantly and he sighs, picking his phone back up.

“Dean would not approve,” he mumbles before calling Mary.

The two of you pull into a parking lot several hours later. Mary’s car is already sitting, waiting. She gets out and clenches her jaw when she sees you rise from the passenger side of Cas’s car.

“You got here quickly,” Cas remarks. Mary nods, eyes fixed on you.

“Yep. What the hell is she doing here??” She asks. Cas sighs and looks over at you.

“Mary, please. I won’t get in the way, I swear,” you tell her. Frowning, she shakes her head, her hands coming to rest on your shoulders.

“Y/N, it’s not about you being in the way. We have no idea what we’re walking into. I’m more worried about you getting hurt and what that would do to Dean,” she says. Swallowing hard, you set your jaw. Mary wasn’t going to see you cry too.

“Please. I have to be there. I need to see him with my own eyes,” you plead. She watches you for a moment, debating internally.

“Dean’s gonna kill us,” she says before turning to Cas. “We may want backup.”

“Crowley and Rowena?” He asks. She scoffs and you glance between them.

“The King of Hell and his mother, the witch?” She asks. You frown and shake your head.

“I don’t like the sound of that,” you comment. Mary smiles a little and looks at Cas.

“I hope we can do better than them.”

“I may have an idea,” he says. Mary nods and makes for the driver’s side of her own car.

“Good. Seat belts on. I drive fast,” she tells the two of you as you load into the car as well.

The British Men of Letters. That was Cas’s idea. Mary almost immediately pulls out, supposing “the demon and his mommy” don’t sound so bad anymore. You hang back, watching the situation unfold. The two Brits, Mick and Ketch from what you gather, offer their services seemingly free of charge. They make a few phone calls, getting access to a satellite of the area Dean had mentioned. Mary and Cas are able to deduce the direction they’re headed and a good spot to meet them.

The two cars move to the new location and you all unload once again. You look up at the night sky and think about the last night you’d spend with Dean. He’d picked you up from the diner at closing time and drove you out of town to a remote location. You’d both laid on the hood of the car, splitting the last of the pie of the day.

“Y/N,” Mary says, pulling you from your thoughts. You turn to face her and immediately launch into pleading again.

“Mary, please. I don’t want to wait here while you two go on…”

“Stop,” she says, holding her hand up. “That’s not what I was going to say. Dean’s already gonna be pissed we brought you. He’d kill us both if we left you with those two. Just stay close to us and if something goes wrong, run back here.” You manage a relieved smile and follow her and Cas further up into the woods.

The three of you come into a small clearing and it isn’t long before there’s a rustling in the brush. Cas and Mary both move into a defensive stance in front of you. You wring your hands as you wait. Cas takes a few steps closer to the noise just as Dean and Sam fall through the bushes. Your heart jumps into your throat at the sight of Dean and you almost break down crying right then.

“Sam, Dean,” Cas says, relieved. You can see the tension immediately leave Mary’s shoulders as she takes in the sight of her boys. Sam rises first and pulls Cas into a tight hug. His eyes land on Mary and he smiles.

“Mom,” he says, letting Cas go. He starts to make his way across the clearing towards her when you register the confusion on his face. Dean finally stands and hugs Cas as well. Sam pulls Mary into a tight embrace that she immediately returns. “Who’s this?” He asks.

“Y/N??” Dean’s voice rings across the clearing. You smile, swallowing back tears, and wave slightly. “The hell is she doing here??” His voice is thick with anger as he makes his way over to Mary. The venom in his words takes you by surprise. Mary raises her hands slightly.

“She was worried about you. Called your phone. I answered and she wanted to help,” she explains. You and Dean stand there, staring at each other. Dean’s eyes are full of a rage you can’t even begin to comprehend.

“How much do you know?” He asks.

“A lot more than I did a week ago,” you tell him. He shakes his head and looks to the sky before looking at his mother.

“Hey, Mom,” he mumbles, pulling her into a hug. She lets out a gasp of surprise and returns the embrace. Dean’s eyes never leave your face. “Let’s get out of here,” he says before walking straight past you.

You take a shaky breath and run your hands over your face. You had anticipated he’d be angry, of course. But you had hoped the joy of being together again would cancel that anger out at some point. Mary pats your shoulder before she starts to follow Dean. You debate on staying right there in the woods for a moment before falling in step behind them. Sam clears his throat slightly as you all walk.

“Mom, how did yall even find us?” He asks, attempting to break the tension.

“They helped,” she says, pointing to Mick and Ketch as they come into view.

“Dammit!! They know about her now too??” He groans, running a hand through his hair. “Y/N, get in the car.” You stare at him in disbelief for a moment. “Car. Now,” he demands. You wipe at your eyes furiously as you storm back to Mary’s car. Sliding into the middle of the back seat, you realize for the first time that the Dean you knew and this Dean, the real Dean, may not be the same person.

The five of them talk for only a moment before coming to the car. Cas takes the passenger seat quickly and Dean doesn’t hide the dirty look he gives him. You shake your head, unable to believe that having to sit by you in the car was that unsettling. Had you misinterpreted your entire relationship? Sam gets in on your other side and smiles at you, awkwardly.

“Y/N, wasn’t it?” He asks. You look at him and smile bitterly.

“Yes. It’s nice to finally meet you Sam. I’ve heard so much about you. And don’t worry. I know the feeling can’t be mutual. You’ve never heard of me before, have you?” You ask, letting your anger burst out for a moment. Dean’s hand tightens into a fist on his leg as he stares out the window. Sam’s awkward smile becomes apologetic before Mary changes the subject, filling them in on everything they’d missed.

Mary continues to drive on into the night. You catch Sam and Dean both nervously glancing at the clock at the front of the car. They seem to only be getting more anxious as the minutes tick by.

“So wait, you're hunting?” Dean asks his mother. She glances back at him in the mirror and shrugs.

“A little bit,” she says. Sam smiles and shakes his head.

“Yea, I knew you couldn’t stay away,” he teases.

The exact second the clock switches over to 12:00, midnight, the car dies. Mary eases it onto a bridge as she tries the key again.

“It’s time,” Sam says, getting out of the car. You look at him then over at Dean.

“Stay in the car,” Dean tells you. Rolling your eyes, you slide out right behind him, tired of being ordered around tonight. The others all get out as well and look around, taking in their surroundings.

“What’s happening?” Mary asks.

“Yea, Dean. Sup?” A new voice says. You all look over to find a woman standing in the middle of the bridge. You look around, trying to figure out where she could have possibly come from. Dean takes an immediate step in front of you, shielding your entire body. Instinctively, you step closer to him, your hand coming to rest on his back, assuring him you were there and okay.

“Billie?” Mary asks, recognition and confusion mixed on her face.

“The reaper?” Cas asks. You close your eyes, trying to think back over your studies. It wasn’t one of things you’d become familiar with but gauging everyone’s reactions, this wasn’t a good thing.

“I don’t understand,” Mary says, shaking her head. Dean sighs and hangs his head.

“Mom, that place…there was only one way we were getting out of there, and that wasn’t breathing,” he starts to explain. You glance around at everyone and notice the horrified look on Cas’s face. “So I made a call.”

“Dean talked to her and then Billie came to talk to me,” Sam continues the story. “And we made a deal. We’d get to die and come back one more time, but in exchange…”

“Come midnight, a Winchester goes bye-bye. Like, permanently,” Billie says, smiling. “And that is something I’ve been looking forward to for a long time.”

“No,” you whisper from behind Dean.

“Why would you –,” Mary starts.

“We were already dead,” Dean tells her. “Being locked in that cell with nothing…I’ve been to Hell. This was worse.”

“At least this way, one of us gets to keep fighting,” Sam finishes. You shake your head, taking a step away from Dean.

“No,” you say again. He looks over his shoulder at you and his anger has completely dissolved. “Dean, no.”

“Hi, Y/N,” Billie says, waving. You look at her in utter shock but Dean steps between the two of you again.

“Leave her out of this,” he growls.

“You don’t have to do this,” Cas says, shaking his head.

“Yea, they do,” Billie says. “We made a pact bound in blood, You break that, there’s consequences on a cosmic scale. So, who’s it gonna be?” She asks, looking between the brothers. Sam looks at Dean, then at you, and back to Dean who shakes his head.

“Me,” Mary says before either of them can answer. She turns to face Billie, pulling her handgun from her waistband. Sam and Dean both immediately object, stepping forward to stop her. Billie flings both of them away with a wave of her hand. You rush to Dean’s side and fall next to him, immediately checking him for injuries. He shakes his head and fights to rise to his feet again.

“You said come midnight, a Winchester dies?” Mary asks. “I’m a Winchester.”

“Works for me,” Billie says with a smile. Mary cocks the gun and raises it toward her head. Sam and Dean both object loudly again, fighting to get to her.

“I love you,” Mary sniffs. Just as she’s about to pull the trigger, a sharp pointed blade pierces through Billie’s chest from behind and she immediately falls dead. You stare in shock at the dead body lying before you. Cas stands over her, the blade in his hand dripping blood. Mary lowers her gun as Dean and Sam are finally able to get to their feet. Dean takes your hand, pulling you up as well. You begin to pale as you stare at the body.

“Cas, what have you done?” Dean asks, looking at his best friend in shock.

“What had to be done,” he says. “You know this world – this sad, doomed little world – it needs you…” Your ears begin to ring and you take a shaky step closer to Dean. His arm comes around your waist, eyes never leaving Cas as he continues to talk. Something about keeping all the Winchesters alive.

“Dean,” Mary says, pointing to you. “First dead body.” Dean looks down at you just as you go completely limp in his arms.

Dean runs his hands over his face before taking a long swig off his beer. A lot had happened in the last day; dying, coming back again, running, fighting for their lives, getting back to their family, you, Billie, you, Cas killing a reaper…you. That was really the only thing on his mind…you. He had so carefully built a relationship with you. A relationship based on half truths and secrets but a relationship nevertheless. Now, you knew the whole nasty truth. It was going to be Lisa all over again…

“Dean?” Mary asks, sticking her head into the kitchen. He glances over his shoulder and smiles a little. “Can I join you?” Nodding, he points to the empty seat across from him. She walks over, taking the seat quietly. He stares at the bottle in his hands. “Dean…”

“You shouldn’t have told her,” he tells her firmly. “It wasn’t your place. I didn’t want her to know. She was safer not knowing. Now…I’ll never see her again.”

“What? Why?” Mary asks, confused. Dean stands and throws his empty bottle into the trash.

“To keep her safe!!” He snaps, spinning on her angrily. “People around me don’t hang around too long. They either run or they die. It’s as simple as that. Especially the ones who mean the most to me. And she means…” He stops abruptly, emotion closing up his throat. Mary frowns as she stands and walks over to him.

“It only seems that way, Dean. Y/N, she’s…she’s strong. She took everything I told her in stride and she stayed. She stayed here with Cas and she’s been learning how to do the job,” she tells him.

“That’s even worse!! I don’t want her anywhere near this,” he says, fighting back tears. “If it was just normal hunter stuff then maybe but the stuff we deal with…Lucifer and Amara and God…I want her as far away from all of this as possible.”

“Don’t you think she should get a say in this?” Mary asks. He shakes his head, stubbornly.

“No. Soon as she wakes up, I’m taking her back home. I’ll never go back to that diner.. She’ll never see or hear from me again,” he says.

“What?” You whisper to yourself, standing just outside the kitchen door. You turn on your heels and rush down the hall towards the garage. Your car was there and you’d spent enough time at the bunker to know how to get out. You hadn’t heard much but you heard enough. Dean didn’t want to see you anymore, plain and simple.

***

Three months, five days.

That’s how long it had been since you last saw Dean. You’d left the bunker, rejected and heartbroken, and Dean had kept his word. He hadn’t called. He hadn’t come in for any pie. Life was back to normal. Boring, regular, normal. You found yourself reading into everything you saw on the news, wondering if it was a case Dean could be working at that very moment.

You’d volunteered to close down the diner for yet another night. Floors were mopped. Counters and tables wiped down. All you had left to do was lock up. Flipping off the lights, you step outside into the cool night air. You turn to lock the door when you hear footsteps coming up behind you. Damn it. You’d been so lost in thoughts about what you had believed was a werewolf in Michigan you hadn’t checked the parking lot first.

“Hello, love,” a heavy British accent says. There’s nothing familiar and certainly nothing friendly about the greeting. You stand frozen for a moment, weighing your options. You didn’t have many.

“We’re closed,” you say, not turning to face him yet.

“Not here for the pie,” he jokes. He’s closer than he had been.

“Look. My manager has already taken the deposit to the bank. I’ve got a few bucks in my purse and that’s it. I haven’t seen your face yet. You can turn around and leave, no consequences,” you tell him.

“Afraid not. Got a job to do. A message for your little hunter boyfriend,” he says. You let out a short laugh.

“You’re definitely barking up the wrong tree,” you say. His reflection is in the glass of the door now, standing right behind you. You take a deep breath and turn to face him finally. “Dean Winchester doesn’t care about me. Hurting me, won’t hurt him in any way.”

“We’ll see about that,” he says, brandishing a knife. You bring your knee up, hitting him in the groin. He grunts and doubles over, giving you enough time to run towards your car. Unfortunately, the blow doesn’t slow him down enough. Before you can make it to the car, he’s grabbed you by your waist, knife at your throat. “Any last words I can pass on to the Winchesters?” He breathes in your ear.

“Go to hell,” you spit at him. You feel the knife press harder against your skin as angry tears slide down your cheeks. What a way to go. Dying for a man who couldn’t care less.

Before the Brit can finish you off, a car whips into the dark parking lot, lights shining bright on the two of you. It takes your attacker by surprise and you feel his grip relax just enough. A sharp elbow to his abdomen has him letting you go. You fall to your knees as you attempt to run away. The car skids to a stop and you hear the voice you’d only dreamt of hearing again.

“Y/N!!” Dean yells as he runs at your attacker. He tackles him, knocking the knife from his hand as the two men hit the ground. Mary runs to your side as Sam runs to help Dean. You weren’t sure why. Dean had the upper hand, sitting atop the man, punching him in the face. Repeatedly. That’s when you realize, Sam wasn’t helping Dean. He was pulling him off.

“Dean, it’s over,” he tells his brother. “He’s dead.” Mary helps you to your feet, examining you as Dean makes his way over, wiping his bloodied hand off on his shirt.

“Are you okay? Did he hurt you?” Dean asks, taking your face in his hands. He looks you over and frowns at the knick on your neck. Running his thumb over it gently, he wipes the blood away.

“I’m fine,” you mutter, taken aback by his gentleness and concern. Before you can say anything else, he pulls you into a crushing hug. You gasp and freeze before slowly returning the embrace. Mary touches Sam’s shoulder and nods back towards the dead body. They slip away to deal with that and give you two some privacy. “Dean…”

“I’m so sorry, Y/N. I put you in so much danger,” he says, letting you go. “I didn’t know we were being watched. I didn’t know.”

“Dean, what’s going on?” You ask.

“The British Men of Letters. Turns out it was a join or die type of situation. They’ve been watching all of us for a while now. They knew about you before you ever knew anything,” he explains. “They had brainwashed Mom but we just got her back. Sam and Jody led a raid of the Brits’ headquarters. Saw the pictures of you, of us here. We got here as quick as we could.” He winces now and you finally register how badly beaten he looks.

“What happened to you?” You ask, knowing your attacker hadn’t even gotten one good swing in. He limps over to his car and leans back against the hood.

“Grenade launcher,” he says, pointing to his leg. “Bad fight with Ketch.” He points to the rest of himself.

“Gre...huh??”

“They locked us in the bunker. Shut off the air supply. It was our only way out. And it was freaking awesome,” he says, smirking now. You roll your eyes at him and try not to smile, fighting back that familiar feeling he always gave you.

“Well, thank you. I’ll be more careful. Try not to close up by myself anymore,” you tell him, crossing your arms. He nods slightly, watching you.

“Or you could come with me,” he says. You scoff a laugh and shake your head.

“You don’t have to babysit me, Dean. I’ll be fine,” you say.

“What?” He asks. You shrug, trying to give him a confident smile.

“I’m officially relieving you of the burden of my safety. Whatever happens to me, happens. Don’t let it get to your conscious,” you tell him, looking around for your purse.

“Y/N,” Dean says. He watches you walk over and pick up the discarded item. You throw it over your shoulder and look back at him. “Come here,” he says gently, holding a hand out.

“You don’t want me. I know that. Please stop this,” you say, looking down at the gravel under your feet. You hear him sigh and look up as he starts to limp towards you. “No. Stop. You’re hurt.” He rolls his eyes now before taking your face in his hands for the second time tonight. This time his eyes aren’t searching for injuries. They’re searching for answers.

“Why would you think I don’t want you?” He asks, his voice softer than you’d ever heard it before. You get lost in the green of his eyes for a moment before the memory of that night comes back.

“I heard you with Mary. You said I wouldn’t see or hear from you again. And I haven’t since I left the bunker that day,” you tell him, hating to relive those harsh words. He nods, his hands leaving your face. They don’t go far though, immediately coming to rest on your hips.

“Is that all you heard?” He asks. You nod, wishing he’d just let you go home instead of dragging this out. “I didn’t leave you alone because I didn’t want you. I left you alone because I needed to keep you safe, because I want you too much, because I care about you too much.” Your eyes fill with tears as you stare up at him. You had to have died and gone to heaven for him to be saying these things, the things you wanted him to say so desperately.

“You were so mad when you saw me…”

“Because I didn’t want you anywhere near this life. Hunting, especially the things we end up hunting, it’s dangerous,” he pauses and closes his eyes. “I had just made a deal with a reaper to die. Again. I’d already resolved myself to the fact I wasn’t going to get to say a proper goodbye to you, tell you how I felt, how happy you’ve made me over the past year…and then you were there, right smack in the middle of everything. I was furious, yea, but not at you. I was mad at myself. I never shoulda came back here to begin with.”

“I don’t understand,” you say, shaking your head. Nothing was making sense. Nothing but the feel of his hands on your waist. That was good. That was right.

“I fell for you so hard that first night I came in for dinner. I was just supposed to come in, pick up something for me and Sam, and head back to the bunker. But when I walked in and saw you…I had to know you,” he recalls. “I thought a couple of visits couldn’t hurt. I could just be a customer, see you, talk to you. Maybe you’d eventually learn my name. That third time I came in and saw you getting ready to leave I was devastated. So I asked you to join me, thinking there wasn’t a chance in hell. You’d just gotten off work. Surely you wanted to get out of there and get home. But you stayed and you sat with me and…I knew I was in trouble.” You’re crying now. You don’t know exactly when the tears started but they were falling quickly. Dean brings one hand up and wipes at each of your cheeks gently. “And then you gave me your number…man, I almost called you from the booth,” he laughs. You do as well, reaching up and taking his hand. You press a kiss into his palm.

“I never knew what we were. I was so confused,” you tell him.

“I’m sorry. I kept going back and forth. I told myself it was too dangerous, you were safer as my friend. But then I’d get you alone, in my car and…” His hand tightens slightly on your hip and he pulls you impossibly closer. “I wanted you so desperately.” His voice dropped lower and his eyes bore into your own.

“I wanted you too,” you just manage to whisper. His forehead is touching yours now. Your eyes flutter close as his breath washes over your face.

“No more secrets,” he says before finally bringing his lips in to meet yours. This isn’t a gentle, chaste first kiss. Your lips move desperately against his as your arms wrap around his neck. It was everything you’d imagined and nothing like you could have dreamed all at the same time. His lips were chapped but gentle. He tasted of mint and whiskey. The way his hands moved over your back, one sliding just beneath your shirt to caress the skin at the small of your back, was intoxicating. You force yourself to pull away, remembering that his family was in the near vicinity.

“I have one secret,” you admit. He looks down at you expectantly. “I freaking hate this job.” He laughs and shakes his head, kissing you once more quickly.

“Sweetheart, I got bad news. That ain’t a secret,” he teases. You laugh too as Dean looks over your shoulder at the diner. “This place is gonna go under without your pie. It’s the only reason anyone comes back.”

“Including you?” You ask. His smile turns into a smirk as he looks back down at you.

“Why do you think I’m keeping you at the bunker?” He asks. Laughing again, you try to step out of his arms but they only tighten around you. His face is suddenly serious again as he watches you. “But only if you’re absolutely sure. I can’t stress enough how dangerous this life is.” You smile as you take his face in your hands.

“Dean,” you start. “I’ve never been more sure of anything in my life.”

With that, Dean kisses you once again.

You leave your diner key in the door and a note taped to the glass.

I quit. -Y/N

****

Tags: @roseblue373

#fanfic #fanfiction #supernatural #spn #dean winchester #reader insert #dean x y/n #dean x you #dean x reader #sam winchester #mary winchester #supernatural fanfiction #supernatural fanfic #cas #castiel #right where you left me #dean x waitress

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autismprotocol · 7 months ago

Text

TMAG Theory Board Update (EP 11-12)

Hi guys sorry about the late posting I've just started a new quarter of college and its been pretty hectic. also got into my school design BFA program so pretty stoked about that! Anyways lets get into the Episode Breakdowns because even though not a lot of lore related things happened I still have a lot to talk about

For the breakdown I'll separate each by episode in sequential order

What Happened in Episode 11: Marked

Celias Rude Awakening- we jump right into the weirdness straight away with Celia waking up on the side of the interstate. she indicates that this is not a weird occurrence and ends the scene by telling someone named Jack that she's "on her way." If you remember episode 8 after Celia and Sam talk to Gerry and Gertrude, she mentions stuff about wanting help with her own mystery. When Sam asks about it she says she's looking into Time travel, other dimentions and teleportation. Many people have theorized that maybe Celia is just a super heavy sleepwalker, but I think the she teleports random places out of nowhere. This could be a side effect of her reality hopping if this Celia is originally from The archives universe.

As for the identity of Jack I'm not quite sure about that yet. I cross referenced the name Jack with past episodes of TMA. The only thing that came up was Jack Barnabas from the statement about dating Agnes Montague (aka an avatar of the desolation and Jesus-like figure for the cult of the lightless flame) So Unless Celia is secretly Agnes of Agnes reincarnated , I can't find any way to link Barnabas to Celia. (if anyone has a theory feel free to send it my way.)

Sam Lore- this one is pretty minor story-wise but I thought it was interesting. Before the statement for the episode is presented we get some classic Sam and Alice Banter ™ most of it is pretty lighthearted but I noticed Sam mention something that could indicate he might be an amputee.

These could not mean anything and I find it weird that it hasn't been mentioned until now but thought it was kind of cool and I will probably be drawing sam with a prothetic leg in the future cause I really like this head-canon. It also begs to question if he is missing a leg. it might have anything to do with his past as a Magnus institute test subject but then again could just be a fun character detail added by Jonny and/or Alex .

The Statement- Getting into the statement we get another Ink5oul appearance. Also possible Ink5oul identifying as she/they. (and lets be honest being a fear avatar is pretty non binary core). I found this Episode gave me a feeling of a hybrid between the Vast, Buried and the Flesh some people are theorizing that is might be a new entity called the Deep but I think that the fear of the ocean could easily apply to the vast or buried. Not much to say about this story though pretty standard Magnus horror that also gave us a hint to what Ink5oul's goal could be/which entity they serve.

Post Bonzo- Gwen has a debrief with Lena after her first Externals Liason assignment and her meeting with Mr. Bonzo. Undoubtedly Gwen is still pretty shaken from her encounter, even arriving late to work due to sleeplessness. Gwen is able to ask Lena a few questions mainly she wanted to know who's name was written on the letter given to Bonzo

Lena is largely unhelpful but tells Gwen she should have worked it out by now and if not to pay close attention to the case load for the next couple of days. before the latest episode my guess was Klaus because that is the only person mentioned so far that the OIAR intends to kill. but more on that later

Marked- Now were getting to my favorite thing about this episode. This episode title can have two meanings. The first is the more literal interpretation. Tattoos are marking of the body and the case this episode was all about tattoos so easily a good name would be marked. But I believe this is a red herring meant to misguide listeners who have not consumed all 200 episodes of TMA because if you know the world of Magnus Archives the term Marked takes on a entirely different meaning.

In TMA the term marked is used to indicate that somebody has been influenced by one or more or the fears and are one their way to becoming an Avatar. I think this could be a coded way to tell the audience someone in the OIAR has been marked. I have two potential candidates

Alice Dyer- Alice has been having dreams about the Institute after her and Sam's adventure into the ruins. also she mentions feeling like someone's watching her (common to people influenced or fed upon by the Ceaseless Watcher/The Eye) My guess if she is marked it would be by the Eye.

Gwendolyn Bouchard: Probably the most likely culprit. The main way an entitly tends to mark people is through encounters with other avatars. Gwen has just had an encounter with Mr Bonzo last episode who I strongly believe must be an avatar of some sort.

What Happened in Episode 12: Getting Off

Aww Sam!!- Sam asked Celia out and it was adorably awkward. not much to say I just loved this interaction and I'm longing for a new Magnus brand office romance hopefully is wont be an agonizing slowburn that ends tragically like a certain pair of morons from Archives (I love you Jon and Martin but Jesus christ)

It's Bonzo time bitches!!- Probably one of the most gruesome Magnus statement I've ever listened to (good work Alex) Mr Bonzo completely annihilated some poor dude at his bachelor party. Based on the date of the Incident the I can confidently say that whoever Baz (the groom) was he was our mystery person the OIAR sent Mr Bonzo to get rid of. Along with some of the bloodiest imagery we learned a few things about Bonzo. The most interesting detail is that Bonzo has to be summoned by playing his theme song I think the CD of his theme song acts somewhat like the tapes did in TMA by materialising out of nowhere. Also fun fact you know that torn seam that is right down Bonzo's middle? that is actually is his mouth lined with rows sharp teeth so I guess I know that now (so fun) Moral of the story dont f*ck with Mr. Bonzo

Alice knows something: Theres been this recurring audio glitch throughout TMAGP thatnks to a few extremly observent fans we have started to relize that these glitches are not at all random and are actually letting the audience know when a character is lying (i actually reposted somones deepdive into all the istances of this glitch so far if you guys are intrested in knowing more) why i bring this up now is becuase since we know when any charater is lying we also know when they are being truthful if there is no glitch when they say somthing and at the end of this episode this interaction occurs

Alice goes ahead and makes a joke about this to annoy Gwen but the fact theres no audio glitch when she says "I know" means she does actually know who is behind the OIAR and is activly refusing to share it with Gwen or the others. What do you know Alice!?

and that's about it im already loving these next batch of episodes and am so excited to learn more (ERROR has to show up somtime )

thanks to everyone who resonded the poll on the last update I will continue to include drawings into the breakdown even if it takes me a little bit of time to post. anyways I wrote this all in one sitting and I'm about ready to pass out so thanks again and the ask box and comments are always open for discussion and theory crafting.

-Echo

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renewedmotionforjudgment · 4 months ago

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Huan Zhu Ge Ge (还珠格格), explained

Vox, don’t sue me for using this title.

Background: the other night, I suddenly had the OST stuck in my head. And I amaze my self by able to somehow sing the entire soundtrack?

Anyways, for those who either grew up in mainland China in the 90s or part the Chinese diaspora, Huan Zhu Ge Ge, princess returning pearl, was probably the OG idol historical. It’s adapted from a Qiong Yao novel. Huge hit across Asia. Influenced a whole generation.

Background plot — Xiao Yan Zi is a street orphan who met a girl named Zi Wei. Zi Wei turned out to be the daughter of Qian Long. Xiao Yan Zi accidentally gets mistaken as Zi Wei, takes on the title of princess, and hijinks ensues.

Tagging @huanzhuyulu for additions.

Anyways, this is Xiao Yan Zi

Perky, spunky, not super smart academically, and with a heart of gold. You know that female lead in idol cdramas these days? Xiao Yan Zi was the prototype. But also, she’s hilarious about Chinese proverbs.

This is Zi Wei

The prototype Ruby Lin character. I found Zi Wei rather corny when I was 7, TBH. Angsty back story involving being the unknown illegitimate daughter of the emperor, and then later getting whumped/tortured repeatedly by the empress.

This is the 5th Prince, Yong Qi

The emperor’s favorite son. The guy you thought would be the next emperor until you read anything about history. Smart and earnest. Xiao Yan Zi’s love interest.

(My first ever OTP!)

This is Fu Er Kang

Qian Long’s bodyguard. Zi Wei’s love interest. Done with Xiao Yan Zi and Yong Qi’s nonsense since episode 3 of season 1. He and Zi Wei had a lot of angsty moments that 7 years old me definitely was not into.

This is Jin Suo (on the right)

Zi Wei’s maid and BFF. Doubter of Xiao Yan Zi’s antics. Honestly not sure what personality she has other than “Fan Bing Bing is really pretty!”

This is Qian Long

Huang Ah Ma! The drama is Qian Long’s best publicist. Somehow manage to perv on women and threaten to off his kids, and is jovial enough that you spend your childhood going “what a loving father!”

This is Ling Fei

Yes, the same Ling Fei as Wei Yingluo from Yanxi. Super nice and motherly. The reason why my brain could not compute Ruyi for the longest time.

IN SUMMARY:

(Sorry, Er Tai — I don’t have enough GIF space to introduce you. Ditto, Qing Er. )

#huan zhu ge ge

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darksvster · 10 months ago

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Announcing...

House of the Dragon Season 1 Script Excerpts

I got my hands on the scripts for episodes 2-10 and was able to grab quotes/scenes to share. I will be posting them once a day under the tag #HOTDS1Script here and on Twitter.

More Info ↓

FAQ

Q: How did you get these scripts?

A: They are available to read at the WGA Library in LA. You must go in physically to the library and you can not copy or photograph scripts.

Q: Why are there huge watermarks?

A: This took a LOT of time. I had to go into the library on my day off, handwrite these scenes while reading them, put them into the proper script formatting, then style them. It took a lot of work, and people often take content without crediting in fandom.

Q: Can you find ___ scene for me?

A: I’m open to questions but I did not have a lot of time so I scanned through the scripts for scenes I was interested in. If I go back in the future, I am open to taking requests.

Q: Has the script been edited by you?

A: The only edits I made were for brevity. I cut out whenever a character had their entire name listed or all of their titles, and I summarized scenes we’ve already seen on screen in parentheses.

Q: This scene doesn't make sense...

A: The scripts are not always consistent with the final episode. Some of these are early script drafts. If something doesn’t make sense, the creative team obviously decided to go in a different direction for the scene.

Q: Why do some episodes have more quotes than others?

A: I ran out of time reading these scripts. The library isn’t open for a long time and I was on a limited schedule. Whatever feels lacking is probably due to my time constraints.

Due to the word limit on Twitter, details on the date the script was written, who wrote it, and which revision it is will not be on the Twitter posts but they will be included on each Tumblr post.

Finally, even with watermarks, I know people will repost my work without crediting me. If you do decide to repost the specific edit, please do not remove my watermark. If you decide to share the content with others, please credit my account directly. If you have more questions about specific ships, I did a more specific FAQ for ships.

Answered Questions

Is there any description of the dragons?

Do Alicent and Criston have a sexual relationship?

Do you have scenes from Driftmark re: Larys/Alicent/Criston, or the "spoiled cunt" Criston scene?

Where are the other Rhaewin/Harwin scenes?

Will we get Helaena dragon dreams scenes? Or any scenes between her and Aegon or her and Alicent?

Are there any Daemyra missing scenes?

Do you have the Daemyra choking scene from Episode 10?

Do you have anything on Rhaenys?

Do you have anything on Aegon?

When are you posting these excerpts? What order are you posting them in?

Anything on Cristonyra? Or Lucemond?

What are your favorite episodes?

How many excerpts do you have in total?

#HOTDS1Script #house of the dragon #hotd #game of thrones #asoiaf #mine

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massarcadia · 2 months ago

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today's random heart-related post is about this japanese show i stumbled upon on youtube. granted, i found it from a clip compilation that's literally titled "japanese girl fast heartbeat after exercise" (link), but the show itself is so odd that i FEEL like i have to talk about it somewhere.

youtube

the show's called Zenryokusaka, or "Full Power Hill" in machine-translated English. each episode is just 2 to 3 minutes of random actresses running up steep hills in Tokyo. and, that's literally it. it's been on the air non-stop since 2005, airing at every one in the morning on TV. no one really knows why it's a thing.

i don't know why i'm so bewildered by it but knowing Japanese television, i really shouldn't be surprised.

...wait, i'm supposed to talk about heart stuff? oh yeah right. sometimes the runners' mics pick up their really hasty heartbeats by the end of the runs. that one i linked has the most prominent one that i've heard of and i think it's my favorite one right now. you do probably have to bump up your headphones to hear it though.

#cardiophilia #cardiophile #zenryokuzaka #fast heartbeat #massa yaps about things

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irislunace · 2 months ago

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Siciria Analyzes The Most Complex Stick Figures Known To Man (part 3)

ooki, so here's part 1 and part 2 (Blue and Red)

This one is for Yellow :D

Also, I am thinking of ending this after 5 parts (after this we'll have part 4 Green and part 5 TSC)

...depending on factors I might keep going after part 5? Like maybe Purple or something? But uhh anyways...

SPOILERS AHEAD

Okay, so Yellow is essentially the resident "nerd" of the group. He likes redstone, command blocks, strategy games, and coding. He canonically has glasses as well (when his face is visible), and he is quick to implement his ideas, especially during battle.

Examples:

He was quick to throw his staff at the minimize button because he understood where Greenscreen was getting his power from.

He was quick to begin making a plan to escape the piglins (whereas Blue froze instead - check part 1).

Yellow is someone that can understand what needs to be done and do it efficiently.

But, er, sometimes...

...he can get carried away. His inventions and mind can get away from him sometimes and cause consequences for him and his friends. Prime examples of this are the lucky block episode - (he literally got POSSESSED because he took apart a lucky block and used the glowing magic orb thingy to make gifts for his friends) and the Actual Short: Upgrade, where his invention essentially destroyed their house.

But now I kind of want to talk about more recent occurences with Yellow. As most of us know, there was a comment on one of Green's vids that said that Yellow had lackluster acting, and another one saying he was useless in the skit, both hearted by Green. In my opinion, the "useless" portion is fine (the comment was probably talking about Yellow's role in the skit), but Green could have responded better to the one about lackluster acting.

And this got me thinking - Yellow's probably really insecure about this kind of stuff. He is already the least popular out of the Color Gang (and Purple, Chosen, Dark, King, and Corn Dog Guy) - I'll explain my theory as to why in a second (hehe).

AND...I've also been seeing a few comments and fanfictions saying Yellow is the "worst fighter" or "least athletic" of the group??? These mostly stem from his kind of unconfident fighting stance in this scene...leading to him getting clapped (even tho everybody got clapped without the weapons).

And now my theory as to why Yellow is liked the least.

In my humble opinion, all four of the fighting quad had roughly around the same in the beginning. Of course, Second is the main character, and he lives up to that title, so he'd obviously have way more fans. But each of RGYB have different personalities that appeal to different segments of the audience.

But we obviously don't like it if our favorite character isn't having screen time or any contribution...and we also don't like it if another character that isn't our favorite is getting more screen time. Like Yellow in Animator vs Animation.

He's the one who hacked into Dark's computer and brought Alan's cursor to the Outernet, and kept a level head while everyone else was freezing.

And he's the one being wanted by Rocket Corp, while the other three were cast aside. He has a larger role in AvA than Red or Green or Blue, and I think many of us kind of dislike him for that. Heck, when I first watched the Showdown, I disliked it slightly as well.

I know this one was less of a character analysis than the other two, but I really wanted to talk about this with Yellow. Feedback and additions are appreciated!

#ava yellow #avm yellow #animator vs animation #animation vs minecraft #animator vs minecraft #irislunace #siciria analyzes #ava color gang #color gang #ava fan theory #fan theory #fan analysis #influencer arc

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sunshine-jesse · 11 months ago

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In defense of Andrew Graves: Facing Yourself

Alt title: Andrew Graves: The Will to Plow Her

I think my analysis of Andrew is one of the best essays I've written so far. But since then, I think I've expanded my understanding of his character in a way that urges me to add on to my prior essay. What I intend on doing is further fleshing out my reading of Burial, and going deeper in detail on why I think Decay ends up panning out the way it does. This essay will end up sharing a lot of text with my prior one, but will add enough scattered throughout that I think it merits a complete reread instead of just scrolling down and seeing what's new.

I've focused a lot on Ashley in my past writings. She's my favorite character in the story (and depending on how episode 3 pans out, maybe ever) and I'm pretty mortified by how some parts of the fandom have reacted towards her, so I pretty much made it my life's mission to push back against that. From highlighting the ways Andrew mistreats her, to coming up with justifications for her behavior that aren't just being a manipulative bitch, I really wanted to prove that a more favorable picture of her could be painted than most were willing to.

But in doing so, I've left Andrew in the dust.

In highlighting his flaws and the ways he mistreats Ashley, I think I've implied a level of intentionality to his actions that I don't believe he has. When I say that Ashley did nothing wrong, it's in direct response to the idea that she holds the most responsibility and agency in how their dynamic plays out, when in reality, I believe she has very little. Most of her actions in-story are in reaction to a variety of stimuli that come directly from Andrew, that he has control over and are aware of how Ashley feels about. His refusal to use clear and direct language to deny her most toxic tendencies causes her more and more stress as time goes on, and instead of giving her clear answers he opts to be catty, passive-aggressive, or, at his worst, threatening. Never direct and never clear, except when establishing boundaries over his name after the choking scene. Andrew fails to help Ashley be better in some frankly depressing ways throughout the whole story, especially in their childhoods, so we never get to see where she'd fall short if given a better influence.

...

Kind of. More on that later!

In mentioning his thing about preferring to be called Andrew instead of Andy, I also implicitly mention one of the places where Ashley falls short in their dynamic and could stand to do better: recognition.

This scene says a lot. It's the most heartbreaking scene in the game, if you ask me, and probably the single most profound and well-written moment in the entire story. I could write a whole 2000 word essay on it alone, but I've already said most of what I have to say about it through what I've said in other essays, so I'll spare you all that. Instead, I'll use it to highlight something:

"I had fun."

Their dysfunction is fun to her. She's so used to abuse and alienation that even the most awful, stressful (as far as we know) route of the game is still fun to her. And that's not a sign of her being a secret evil sociopath or whatever; that's actually not abnormal behavior to develop for a lifelong victim of abuse. Those highs and lows, those strong emotional highs and lows are -addicting-. They're -fun.- Part of why abuse victims get into so many abusive relationships is because it's easy to pick up on those patterns of thought and take advantage of them, and the cycle of abuse is often furthered when a victim of abuse tries to draw out mutually abusive behaviors in someone with no interest in having that kind of dynamic.

This is where I'm willing to acknowledge Ashley's manipulative tendencies. Not just as a matter of controlling Andrew for its own sake, purely out of jealousy or possessiveness, but as a matter of trying to further the only dynamic she's ever known in her life. Better the devil you know, right?

That push and pull- that emotional rollercoaster- is all many of us know. And it's all Ashley knows. This dynamic is something she's so used to that she reacts incredibly harshly to any attempt to change it, because she doesn't know that things can be better. Because of this, she refuses to engage with who Andrew really is, and tells herself- and him- that she *hates* Andrew:

This scene is almost as heartbreaking as the above one in a lot of ways.

Andrew putting his foot down about the Andy/Andrew name dichotomy wasn't arbitrary and it wasn't just about his comfort. It was about Andrew giving a clear indication about what needs to happen for their relationship to improve. He's recognizing the cycle between them and wants to put a stop to it, because he's confident that things between them CAN get better and evolve into something healthier. Ashley, not understanding that their dynamic can get better, because their "fun" little push and pull of abuse is all she knows, rejects that. She rejects the unknown, and says- in Andrew's mind at least- that she'll never accept that new dynamic, nor will she accept who he really is.

Ouch. No wonder he looks so sad in that screenshot.

They have a conflict of understanding here, and I think it's fair to pin most of the responsibility on Ashley. Andrew was clear in what he wanted, and Ashley just... Didn't. She didn't see the importance of it ("...whatever that means in practice") and didn't really ask. This gap in communication, perfectly displayed in this scene, is likely what causes the Decay ending. He wants things to be better, and wants to treat Ashley better, and whether or not he understands the ways in which she communicates with him is in part what determines what he sees her as.

But there's a lot of evidence that he always wanted things to be better, that he always wanted to treat her better. But external factors have made it very, very difficult, and I think there are two key points in which he started to shed the importance of those external factors and seek that better relationship, both of which happening in the apartment: The killing of the warden and the 302 lady. In the first case, he was forced to do it to protect Ashley in a way he hadn't done before, or depending on how you look at it, since the death of Nina. But the intentionality was the key point here. After this point, he calls Ashley Leyley, which may or may not seem important at this point, but it's something I'll draw attention to later, so keep that in mind.

Next is the killing of the 302 lady, which is the much, much bigger point. We don't learn much about it until later on- as at first he just gives an excuse about the nail gun that doesn't line up with what we see on the map- but during the dream, it's revealed it was a calculated, intentional killing that he did to make sure there was no evidence left behind, and because Ashley (supposedly) would've wanted him to do it anyway. I say supposedly because Ashley herself doesn't seem to ever want Andrew to kill for her past Nina's death, because he only ever kills for her to defend one or both of them. If you want more evidence that violence for violence's sake isn't something she wants, look at this part in the final dream:

A knife isn't what opens the door, despite it being placed on the ground in that very map. While it seems obvious that the knife (violence) would be the key to solving the puzzle, it's put there explicitly to show you that it isn't. It's not what she wants; what she wants is a flower.

So, why is this important? Why am I centering Ashley- again- when this essay is supposed to be about Andrew?

It's because these two killings are when Andrew's self-delusion over who he really is starts to break down. It's still there, mind, as he still relies upon Ashley as an excuse to justify it, but, as well as what I've said before, the name ultimatum is an implicit confession that the normalcy he finds comfort in is starting to lose its grasp on him. There's a lot that's been said about Andy being something close to a "moral impulse" for Andrew, given his child self's reaction to Nina's death being the only thing he does that approximates a normal moral response to his and Ashley's actions, but if you do think that- which I think is a reasonable thing to think even if I don't necessarily agree- there's something you must also keep in mind:

-He- is the one who doesn't want to be called that anymore. -He- is the one who wants to let that moral impulse go, and Ashley is the one making it difficult.

That reading is assuming that Andy is a moral impulse, which I think is... either wrong or too simplistic. Every time I see that reading, it's from someone who's trying to paint him too sympathetically and absolve him of most moral responsibility. I also find it infantilizing to equate morality with childhood in such a way? But that's another tangent that I didn't sign up to talk about. What I do think, however, is that it's a useful framing device to display his own relationship with morality; the allegory to his child self doesn't have to be there for the general pattern to exist.

When Ashley starts to grill Andrew over the killing of the 302 lady, he gets mad. Very mad. Ashley sees it as pointless, as him covering his own ass, but he genuinely did it for her sake, because he thought that's what she wanted, and that it'd make her happy. But what makes her happy isn't violence- or any similarly extreme action for that matter- it's attention and validation. Something he's always reluctant to give her, despite the fact that he always chose her over the alternatives. But despite making that choice, it's always empty and meaningless, because in Ashley's mind, he never did it for her sake.

And hoo boy, does he not like it being framed like this.

He is perfectly willing to do whatever it takes to keep them happy and safe... but only for her sake. It has to be for her sake. He still needs that traditional role, and he still needs to have a narrative in which he's the good guy- a protector. Because it can't be for his sake. It can't be because that's what he wants. He has to uphold that romantic (in the literary tradition sense) ideal. His darkly romantic idealistic streak colors many of his actions and beliefs. This is most plainly visible in his quip about a double suicide being romantic, but it's also visible within the symbolism present within his dream, such as how he can only pave his own path in blood unless Ashley lights the way. It's visible within his appreciation for poetry, and it's visible with how the cultist within the dream speaks in Shakespearean English.

But the transient nature of this ideal is also revealed within this dream, because there's never a cohesive, guided path, even with Ashley there to light it up. Contrary to Ashley's dream, where you literally have maps showing you where to go, Andrew's dream has many more dead ends and no map to guide him. The symbolic role he acts out gives him no clarity, and there's no overarching narrative; merely a bunch of disconnected symbols.

This is contrasted with Ashley's dream, which has narratives so clear that the story literally gives the dream an episode title.

In a sense, he wants to view himself as an actor acting out a role in a story. He wants his life to be poetic, to represent something greater, and to have a cohesive narrative. This is why he's so disconnected from his true desires: He's more concerned with acting as a representative of an ideal than a person with agency. But every time the mask drops, every time he stops acting, his true self becomes visible. He naturally settles into being comfortable around Ashley, in treating her with warmth and kindness, and their banter becomes much less toxic. As intent as he is on acting out his role, it does nothing for him, and as his dream sequence shows, it doesn't even form a cohesive narrative, because he can't act one out. It's too contrary to who he really is, and what he really wants. But that idealization doesn't just apply to himself, it also applies to Ashley. Specifically, who Ashley is, vs who he wants her to be.

In his unique dream sequence, he sees two versions of Ashley; the child version of her- Leyley- and the adult version of her- Ashley. And the differences in the ways he interacts with the two of them are stunning. Leyley is an obstinate, annoying child. She's the one he NEEDS to take care of, and he hates that. He hates Leyley for what she did for his childhood. He hates that he needs to provide for her. He has the option of trying to kill her, even, over something as small as a candle!

But in the room with all the murders, the gilded cage, he sees Ashley as an adult. This version of Ashley is stuck in a closet that he himself has to open- and to choose to see. Their interactions are calm and friendly. She teases him a bit, sure, but she's still helpful, and they have fun together. He doesn't need her, and she doesn't need him. He needed Leyley- needed the candle- but here, there are other limbs strewn about for him to take. And, crucially, he doesn't even have the option to kill this Ashley for one of the limbs.

And during the choking scene, he lets her go the moment she acknowledges that he doesn't need her anymore. This is the first time we know of that he seems comfortable enough to set a clear boundary, which is acknowledging that their prior dynamic is dead and that they're now Andrew and Ashley, not Andy and Leyley. It's a bit late to express a clear boundary -after- literally acting like he was going to kill someone, but it's the first time we know of that he sets a clear standard for what, in his mind, would improve his relationship with Ashley.

After all, what he wants is to want her, not need her. He wants Ashley for Ashley's sake. Not for what she can provide him. He doesn't even need her for sleep, he just wants her. But Ashley has trouble acknowledging this, because he's never before shown that WANT. Only a NEED. She keeps trying to find ways to make him need her, because she's never seen what his desire for her is really like. She's only ever seen him desiring someone else, someone other than her.

She's only ever seen him as Andy, because she's never truly seen Andrew, only the violence he can inflict on others. But Andrew can see both:

He can see Leyley, the needy, bratty child who always needs his attention, that he needs to provide for. The one he hates and wants to get rid of. The one he kills for to protect.

And he can see Ashley, the one who engages in friendly and cute banter with him. Who comforts and shows him physical affection. The one he loves. The one he kills for to make happy.

He just can't choose which one he wants to see. Every outside influence- from his parents, to Julia, to Nina- makes him see her as Leyley. Ashley herself makes him see her as Leyley too, whenever she brings up all the things he did for her, and calls him Andy, his child self, instead of Andrew, his current self. And as long as he sees that child, he feels like one too, and can never give Ashley anything that comes from the heart.

But he really, really wants to see Ashley as an adult. He wants to take pride in her, how much she's grown, and how driven and competent she really is.

But god damn, does that bitch ever make it hard, because there IS no real difference between Ashley and Leyley. She's grown and changed over time, taking more adult (and stereotypically feminine) responsibility upon herself, but the fact that her temperament and personality hasn't changed much obfuscates that growth. When you talk to Ashley in the closet during the dream after getting the limb, Andrew asks Ashley to come out of the closet, but she refuses to come out because he won't invite Leyley over to play, which is a pretty strong metaphor for how he interfaces with different aspects of Ashley's personality and refuses to accept others. But the reality is that he needs to accept both, or rather, see her whole self as Ashley, rather than just the parts he likes.

In the end, it's him who has to make the choice how to see her. Ashley can only see what she's been shown, but Andrew can choose.

And in the basement scene, he makes that choice.

If Ashley refuses to leave him alone with their parents, that's it. In one of the most critical and important moments of his life, she couldn't give him the space needed to make up his own mind. She couldn't treat him as an adult. She couldn't see him as Andrew. If she does give him that choice, she chooses to acknowledge that Andrew is an adult who can be trusted to make his own decisions, even though she (perhaps foolishly) believes that this choice lines up with her own interests. And frankly it does either way, but in accepting their mom's offer, her chooses to see her as Leyley once and for all. He chooses not to reciprocate what Ashley showed him. He does it because he needs to, not because he wants to. Because it's his duty, not his desire.

This is what results in the Decay ending. Through his inability to see Ashley as an adult, he surrenders his agency and views all of his actions as an extension of his responsibilities, his role, which he no longer wishes to uphold. He dissociates fully from who he really is, acting in accordance with that disconnected, barely-cohesive narrative that exists only within his mind. The game starts to resemble the heartwrenching tragedy that many seem to take for granted that it is, as their dynamic fully doubles down on its painful toxicity. And, in an example of a poetic book end, Ashley's dream shows a double suicide, closing the book on their tragic tale.

It's tragic. It's heartwrenching. It's poetic. It's beautiful.

...Except it's not. Not at all.

It's actually fucking stupid, pointless, and brutal, and Burial shows us that. When we view their spiral as beautiful, we project the same darkly romantic ideal that Andrew possesses onto the story.

But the actual reality is horrifying.

Ashley spends most of Decay terrified of Andrew, the one person she found comfort in. He acts cold, distant, and aggressive towards her, showing pointless cruelty instead of any warmth. All she wants is comfort; all she wants is to not die. She doesn't want to engage in this death spiral at all, and, in her dream sequence, shows none of the same willingness to die alongside Andrew that Andrew does with her. The moment we stop focusing on the end of the Decay dream sequence, which has very striking imagery, and if you choose not to shoot, one of the most beautiful scenes in the game, we can see it for what it really is:

A scared animal running away from a predator.

The moment you see Decay through Ashley's eyes, and not the perspective of some romantic ideal, Decay becomes terrifying, tense, and painful. There is no catharsis to be had in this tragedy. It's easily avoidable as long as Andrew chooses to engage with reality, and not the empty promises of his mother and incoherent narrative of his ideal.

Finding beauty and meaning in tragedy is how we cope with the harshness of reality. But there is no coherent narrative to the tragedies we experience, just like there's no coherent narrative to the ideal Andrew wishes to uphold. It's something we create- that he creates- but it's not something that actually exists.

And when Andrew casts aside his desire for that ideal, and the responsibilities it shackles him to, it grants him clarity that he never had before. He sees the world for how it really is, and acknowledges that nobody- the least of which their mother- is as different from Ashley as they pretend to be.

They're no better than her, and he's tired of people pretending that they are. People are all the same, no matter what ideals they try to uphold and represent. They still sacrifice others in the name of advancing themselves, still punch down whenever they can, and still lay blame on those beneath them rather than try to take control of their lives. They just use those ideals to justify themselves, but Ashley, and now Andrew, reject even the need for that justification.

This is why I believe the story is nihilistic. Not in that it asserts the inherent meaninglessness of life, but in that it grapples with the ideals we uphold and how they obfuscate the reality of the world we live in. The story, intentionally or not, highlights how ideals are often but a pretense we use to justify what we were likely going to do regardless, and how holding to them too strongly can lead to our ruin- and how monstrous they make us look to those who do not share them.

Consequently, this is how I view the part of the fanbase who thinks Decay is a good ending.

(the characters themselves represent existentialism rather than nihilism but i couldn't really fit that analysis in here without it feeling forced so i might cover that another time)

From that point on, their relationship becomes a lot more friendly, lighthearted, and playful. They ironically start acting more like children, but to quote CS Lewis:

"Critics who treat adult as a term of approval, instead of as a merely descriptive term, cannot be adult themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence."

He's not ashamed of being playful with Ashley, or showing affection towards her. He's grown up. He finally sees her, and himself, as an adult- although he still doesn't show that in full until much later on (more or that later). But in Decay, he still sees her as a child, and to an extent, probably himself. Let's compare the ways in which he reacts to being called Andy. In Decay, he lashes out at Ashley and gets angry, even threatening her. But in Questionable Burial, he calmly says that Andy is dead and doesn't need Ashley's comfort, but still tries to reassure her that she's still needed. He's not ashamed of or hostile towards their prior dynamic, because he's grown past it. He still acknowledges Ashley's need to feel needed, but here, he recognizes its importance to her, whereas he was hostile towards it before.

It's a display of respect towards her feelings.

This interaction doesn't happen in the Sane ending, however. He doesn't play games with her and is just a lot less fun to be around all together. Why is that? Because he still hasn't yet shaken viewing Ashley as Leyley there. He still views her as a burden, as someone who needs taking care of. He's calmly accepted that, too, mind you, but he lacks respect for her because she's still a child, in his mind. But in Questionable?

The vision did more than just make him extremely embarrassed and lay his deepest desires bare. It forced him to recognize Ashley as an adult. When choosing between "Never" and "Never say never," if Never is chosen, the burden of thought is lifted off of him. But if Ashley chooses "Never say never!", he has to reckon with the fact that Ashley is an adult, someone who can consent to those kinds of things. Someone who MIGHT. Someone who has agency, and can make her own decisions. And more importantly… someone who can trust him to make his own.

Whether he desires sex or not is secondary; he's always had those feelings and has always been ashamed of them. But now that the part of him where that shame came from is dead and buried, there's no childish impulse to grow up. There's no attachment to the hate and bitterness he had before. Look at what he worries about when he picks up that she's uncertain or confused about who he is now:

It's her feelings.

He wants to be fun to be around. He wants to make Ashley happy. He loves her, and not as a romantic interest or even as a sibling. He loves her independent of all that baggage.

He loves her as a person.

Their relationship runs contrary to societal ideals in some pretty huge ways. So contrary, in fact, that it's hard for some to accept it as anything good, that it can ever be best for the people involved. It's incestuous. It involves them killing and eating their parents. It involves them distancing themselves so much from society that it's hard to believe they'll ever fit in it again. It's chaotic, it's messy, it's codependent, and maybe even toxic. And yet, here they are. They're coexisting. They're happy. They're healing. They're navigating the world in the only way they can: together.

Meanwhile, in Decay, Andrew refuses to allow himself to get closer to Ashley. He surrenders all agency to her, buys into his own narrative, drinks his own Kool-Aid, and may or may not condemn one or both of them to death in the process. Like it or not, the only path where Andrew takes ownership of his life is the one where he's closest to his sister. It's the one where he decides where they will go next, the one where he decides his own feelings matter, and acts in accordance with what he wants instead of how he thinks he should act.

His agency, his freedom, and his growth don't happen in spite of his codependency; they're happen because of it. They can't grow alone. They can't heal alone.

In reading the story, one must interrogate how important those societal ideals are in the face of the realities of what makes people happy. Are those ideals worth upholding in spite of this? Can we really allow people to fall through the cracks in the name of social norms? Can we blame people for taking rash actions when the social contract has failed them?

Or are we so blinded by those ideals that we can't see that people can be happy while blatantly disregarding them?

All I know is that in Burial, Andrew, having cast aside normalcy, now appears to be truly happy for the first time in his life.

Who are we to take that from him?

#the coffin of andy and leyley #andrew graves #ashley graves #tcoaal #gaming #gravecest #tcoaal essay

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