#princess mirabel

[disneywishrewrite]

Mirabel and Asha

Looks like my friend also draw something for my EncantoVember 2024 and I'm so happy to see Mirabel and Asha hold hands as butterflies and stars shine bright together

[pussinbootsandbountyhunter]

I want to made Mirabel a princess dress that represents her fifth birthday ceremony, the golden butterfly migration and the kingdom of Rosas

These are the dresses that I could find that are perfect…

1) by jonuel or jonuelsketch mainly in Twitter or instagram

2) by madiguin185 on DeviantArt

3 & 4) I don’t know who arts belong to as they don’t usually show it on Google…

5) the gold dress will show the artist at the bottom corner as I can’t read so small

6) by nootle or athenoot on Twitter

I also think that she might need like some-sort of train/trail/cape looking behind her back as well.

Like Elsa’s, Anna’s or even Queen Amaya’s but that looked like butterfly wings…

What do you think?

[starlightmeadowbloomthesecond]

Ariel meeting up with Mirabel Madrigal by vireak_aqua.merman

[pussinbootsandbountyhunter]

Yes, yes, YES!!! 😳😃🥳

I’ve been dying to see something like that!!! 😭🥹🥰

A little something that I made for while during the week, especially for the new upcoming movie WISH this November. Hope you like it!!!

[systelon]

happy ( late ) 1st anniversary isat

please play this game it has changed my brain chemistry & still kills me emotionally & mentally

[princess-self-shipping]

Because, it never happened to me, did it? IT HAPPENED TO YOU!

[dyleeart]

Hazbin Hotel crew but they dress up as their VAs’ Disney characters

Shoba Narayan: Emily & Princess Jasmine(Aladdin the Musical)

Stephanie Beatriz: Vaggie & Mirabel Madrigal(Encanto)

Keith David: Husk & Dr. Facilier(The Princess and the Frog)

Kimiko Glenn: Niffty & Lena(Ducktales 2017)

Jeremy Jordan: Lucifer & Varian(Tangled the Series)

[synergysilhouette]

Disney hero/villain tropes and personalities I'd like them to revisit or try for the first time.

An optimistic male lead. Pessimistic leads are a dime a dozen, so having someone who's more innocent and sees the world in a positive light would be awesome.

2. A male hero/female villain dynamic. Male villains are more common than female in Disney canon (though the female villains have better odds of being iconic), and usually when we have a female villain, we have a female hero. It'd be neat having a male protagonist and a female antagonist.

3. A villain who's kinda right, or has selfless or selfless-adjacent (ie not "I'm doing this just for me," but "I'm doing this for someone I care about--and maybe me too") intentions and bad methods. I feel like Disney has done this trope before (or at least tried), but I'd love them to do this more; a complex villain who CHALLENGES the protagonist to grow as a person, whether they're doing "I'm selfish but now I understand how it hurts others" or "I thought I was doing everything right but now I see the situation isn't so black and white."

4. A forgotten/fallen hero as the villain. I like the idea of someone who was originally a typical Disney protagonist, only to get to a situation where they gave in to their fear, hope, despair, grief, etc. I remember the 2015 remake of Cinderella doing a really good parallel to how both Cinderella and the Tremaines had suffered grief, but while it embittered the Tremaines, Cinderella held strong, making them resent her further (particularly Lady Tremaine).

5. A shy Disney protagonist. Most Disney protagonists are pretty outgoing and/or social, so having someone who isn't the best at socializing would be a cool Disney lead--plus if it was a musical, the singing could either all be done from the protagonist and co's minds rather than out loud, or the protagonist only sings when they think they're alone. Perhaps they eventually gain the confidence to sing publicly.

6. A hero and villain romance. This may not be something that you wanna have with a film that caters to a younger audience (glamorizing abusive relationships and such), but if done correctly, I like the idea of a villain redemption and subsequent falling in love with the protagonist. As such, they'd probably have to be a secondary villain in order to keep their crime/kill count low. It's a controversial idea, but I do like the enemies to lovers trope (note: ENEMIES to lovers, not two people who pester, annoy or argue with each other then fall in lover over time; not a fan of that).

[the-ink-bean]

Does anyone still play miitopia these days? I Love that game so much, I had it on the 3ds too!!! Very fun game :>

Anyway, here’s some miis I’ve made!! :D I’ve got both the Princess and TLQ from STP, and all the party members from ISAT! (+loop)

The access key is 2FWPMCW :] (please tell me if anything goes wrong with putting it in or anything!!!)

(Some bonus isat miis)

[secondary-colorentimy]

idgaf i love the quirky girl apocalypse like god forbid a girl has some fun !!!!

[disneywishrewrite]

Mirabel as a Miracle

Day 18, Waiting for the Miracle

This song means so much to me and I felt it all the way through the song that Mirabel sang. I also believe that she and her sisters/cousins were feeling the same thing when they wanted to be more than what they were.

[in-a-castle]

A List of Disney Characters I Will Always Defend

Anna: The way a lot of you come after her and nitpick her behavior pisses me off, especially because so many of you refuse to acknowledge she’s traumatized. Because through the perspective that she was traumatized, a lot of her behavior makes a lot of sense.

The Madrigals: All of them. Every single one. Even Abuela. This isn’t to say I will defend all of their behavior, because they all caused each other trauma- that’s the whole point of the movie. However, acknowledging that it was trauma that caused the pain, and that none of them are actually “villains” is something I wished more people did.

Aladdin: Well, against some criticisms. Not all. Again, I am not going to sit here and defend everything he did. The lying and trying to trick a princess into marrying him is fucked up, but alot of critiques of him are just… classist? “I can’t believe Jasmine married a low-life thief!” He was literally stealing to survive, which was explicitly stated in the film, in the same way Jasmine stole an apple to feed starving children.

Cinderella: Well all of the classic princesses, but mostly Cinderella, because the amount of victim blaming I have seen towards her is disgusting. She wasn’t “too weak” to defend herself. She was in an abusive situation, had no money to leave or anywhere to go.

Asha: Asha was right, you guys are just too attracted to Magnifico to realize what he was doing was bad. Every ounce of hatred of this character has completely misrepresented the events of the film or have just been extremely nitpicky.

Ariel: For the last time, she never exchanged her voice for a man, she exchanged her voice to explore land- something she always wanted to do.

[quirkydisneyprincesses]

Not saying all Disney Princesses should have the same personality, but I can’t help but have an itching feeling that a lot of the pushback against “quirky” and “adorkable” princesses is rooted in at least some form of misogyny. I mean, what? Girls can’t be socially awkward? Is that what you’re saying?

[halfsixwakeup]

Okay, so. Slay the Princess/In Stars and Time AU! Get ready for lots of words!!

After the 'There Are No Endings' ending in StP, The Shifting Mound and The Long Quiet emerge from the Construct as fully realised Gods. The Narrator's world, already on the verge of self-destruction, fully collapses. But like Shifty said, a new world is born from its ruins; the world of ISaT.

After Shifty and Quiet have spent however many millions of years dancing and fighting or whatever, life has developed again, and they take an interest.

Shifty doesn't much care for humans individually. They're too small to be worth Her time, not to mention how short their lives are. But they're intelligent enough to perceive things, and as a being that becomes what others perceive Her to be, that's very useful. Sure, a single human's belief doesn't count for much, but hundreds, thousands of them? That's a significant difference. So She cultivates a large following, carefully presenting Herself as an ever-changing God of limitless possibility, guiding Her followers to use their belief to Change themselves and the world around them. Her people develop, and soon enough The House of Change spreads all through the young nation of Vaugarde and beyond.

Quiet, as is His nature, does not actively seek out humans. They're interesting enough to watch, but He's happy to leave them be. Instead, a small group of humans, an island just North of Her followers, call out to Him. Or they nearly do, at least. They call out to the Universe, to the World As It Is, to the infinite dark expanse of the night sky. They ask, they beg, they Wish for help; help with their struggles and challenges. He feels pity for them. He'd never truly been mortal, but when He was first created He'd certainly thought He was. He can relate to them in some ways. So He responds, and the Country of ✦ prospers with his help.

Shifty and Quiet aren't the only ones to have left the Construct though. The Voices, eleven fragments of Quiet's mind, eventually become tired of the empty ruins of The Narrator's little bubble, and make their way to the world of humans. Instead of returning to Quiet, though, they follow He and Shifty's example, picking a group of humans to guide. They settle in a country far to the east of Vaugarde, where they advise people as and when they're each needed. They become known as the 11 Expressions of Ka Bue, and the people around them grow.

Everything's going fine until one of Quiet's followers Wishes for the color yellow to disappear. He'd been so used to the endless black-and-white of the Construct, He hadn't consciously noticed these new 'colors'. And as soon as He does notice, they all disappear, replaced with what his subconscious says is Meant To Be There. And try as He might, He can't bring them back. So instead he limits Wishes. Only those who know the correct rituals can Wish for things from Him. They're overly-complicated, but they're a protection.

Meanwhile, The House of Change is developing further. Worshipers now use idols, small statues of Shifty's infinite forms. They're diverse and intricate, each one unique to what each follower Perceives Her to look like. The only common features are a vaguely feminine appearance and some form of crown. Copying Her example, the people of Vaugarde learn to Change themselves, in mind and body, and to be accepting of that Change.

In Ka Bue, the Voices have multiplied. Originally they had each chosen a host, a single person for each of them to help. But as they did so, new Voices appeared, splintering from the original eleven in the same way they had from Quiet. Their numbers grew until it was decided that they wouldn't be 'with' someone all the time. Instead, a human would request the company and help of a specific voice they needed the help of.

Eventually, Quiet's 'ritual' idea stops working. Wishes are still harder to make, but the knowledge of them keeps spreading, and soon enough they're just as common as before. So He takes more drastic action. The world forgets the island of ✦. It's still there, carrying on as normal. But its location, language and culture are lost to the rest of the world, and the memories of Wishing and rituals quickly fade.

In Dormont, a small town in Vaugarde, Shifty finds something special. There is a House there, like most Vaugardian towns, filled with Housemaidens Changing themselves and the world around them. But there is one who does not want to Change. She adores Change as much as any other Housemaiden, both watching it and bringing it about personally. But she feels no desire to Change herself. She also loves the stillness of knowing just who she is, and knowing that she will stay the same. Something about it feels right to Shifty. It reminds her of what They once were, that beautiful Whole that She and Quiet had been before the Narrator split them apart. This Housemaiden, 'Mirabelle', is by far Her favourite follower.

One day, Quiet hears a Wish from beyond the island of ✦. It rings out, carrying an intense desperation. A man from ✦, now in Vaugarde, has lost who he is. He cannot remember his old home, and he is terrified that his new one, Vaugarde, will suffer the same fate. Quiet feels guilt over the man's fate, and grants his Wish. He gives him a power that reflects His nature as a God of Stillness; the power to pause time itself, so that he can preserve a moment for longer before it inevitably changes. But the man takes this power and pushes it further. He sets about using it to freeze all of Vaugarde.

From there it's pretty much just the events of ISaT, any actual AU story I write would be post-game stuff with the Gods talking to Siffrin and the Party.

Also! Odile brought several Voices with her to Vaugarde!

The Voice of the Curious

The Voice of the Determined

The Voice of the Skeptic (The Original!!)

That's all I've got for now, but I'm planning on adding some original story that's not just using StP to explain ISaT's timeline, so I'll post that when I figure it out! Hope you enjoy the silly crossover!

[sketchysketchiness]

Mirabel as a ballerina!