#princess and the pauper was also fun

[goodmorningglory]

kid me had such good childhood cartoon crushes

[welcometogrouchland]

[ID: a digital drawing of Luz and Hunter from the owl house dressed as Erika and Annalise from Barbie: Princess and the Pauper, respectively. The two are clasping hands, looking at each other happily and singing "yes I am a witch like you!". A blue butterfly flies behind hunter, while a pink one flies behind Luz. The background is light purple. End ID] @toh-described

Had this idea all week and finally sat down and did it while watching Princess and the Pauper lmao. Did u guys know it's on netflix now???? Hello?????

Also, bonus: how'd they'd really react getting to sing a duet

[ID: the same image as before, except Hunter had a tired, grumpy expression and Luz has a mischievous one. End ID]

[casiavium]

I'm planning on seeing Barbie this weekend and after everything I've seen about it 1. Still don't really understand the plot and 2. I don't know if I want to see it. It's not a Barbie movie it's a movie with Barbies in it

[lilac-melody]

I think me and Duck were switched at birth or something LMAO

All of my siblings are amazing at art, don’t even need to try. But I can sing and dance. Hell, I made the highest choir that a freshman could get into back in high school choir tryouts, and then in my second year I was in the highest choir + I tried out for a “show choir” (which was singing and dancing, only 10 - 12 girls could get in and only 2nd highest and highest choir girls can try out) and made that as well.

Meanwhile, Duck’s amazing at art and their siblings are good at singing...

[kanerallels]

Nothing really hits like the Narnia score

[cogentranting]

Rating Non-Disney Animated Horse Designs

I’m back by popular demand/well not really but my optimism’s grand

A sequel to my Disney horse Rating post for all the other random non-Disney horses. Dreamworks, Bluesky, random cartoons, anything I could find. Featuring: Altivo, Spirit, some Barbie horses, and a few abominations.

Horse (Sing)

6/10 I don’t hate it and I feel like I should because it’s really hard to anthropomorphize horses that much without making them into the stuff of nightmares.

Shadowfax (The Lord of the Rings) 

5/10 There’s nothing WRONG with him per se, but it’s SHADOWFAX. Lord of all horses. He should wow me, and he doesn’t. Check out Gandalf’s weird sock-boots though. 

Hervé (Barbie as the Princess and the Pauper) 

-6/10 Horses' mouths don’t look like that. Horses’ mouths should not look like that. This thing wants to eat human flesh but can’t because it has two solid curved huge teeth with no physical  relationship with its jaw. Also this horse has the beginnings of male-pattern baldness. 

Princess Brietta (Barbie and the Magic of Pegasus)

1/10 Her eyes are flat like they’ve been painted onto her socketless skull. And there’s something very off-putting about this shade of pink. 

Beauty, Merry Legs, Ginger (Black Beauty) 

4/10 Ginger isn’t ginger. That is not a sorrel horse. There’s ONE requirement. Beauty’s the best of the three which is I guess what counts. 

Hans, Klaus and Greta (Ferdinand) 

2/10 I hate them so much. The core design isn’t that bad but the way they move and pose is. No horse should make that face. The one on the left is stretched putty.

The Grand Chawhee (All Dogs Go to Heaven)

I know what you’re thinking-- “isn’t that a mule or a donkey of some sort?” No. He’s a racehorse. Maybe a thoroughbred. And it’s his birthday so the other horses let him win. 

9/10

Stella (All Dogs Go to Heaven)

1/10 She gets one point for being nice to Chawhee. But she’s clearly some sort of alien giraffe hybrid. 

Odette’s horse (Swan Princess) 

7/10 Just a nice little palomino design.  

That little shaggy pony (The Quest for Camelot)

12/10 Amazing. Look at the determination.

Buck (Barnyard) 

2/10 See this is what that horse from Sing COULD have looked like. 

The Horse in the Back, Not Klaus But I Couldn’t FInd a Better Picture (Klaus)

9/10 He matches his owner and I respect that

Leah (The Star) 

4/10 This is horse is voiced by Kelly Clarkson. That has nothing to do with her rating, I just thought you should know. 

(Starchaser: The Legend of Orin) 

8/10 for both. I have questions but I do not want answers. It’s better this way. 

Fred (Over the Garden Wall)

7/10 don’t love that his head is a different color than his body in a weird way but he looks neurotic and fun. 

The Chariot Horses (Prince of Egypt)

8/10 I’ve just always liked these guys with their square faces and fun hats. 

Altivo (The Road to El Dorado)

7/10 Look at the little curl in his mane. Good personality. A little too much “Dreamworks Face” 

Donkey in Horse Form (Shrek 2? one of the Shreks) 

3/10 Look at his face. I DREAD what he might have to say. 

Esmeralda, Esperanza, Ernestina (Madgascar 3)

2/10 They’re coming for you. Coming to drag you into the Abyss. 

Police Horse (Madagascar)

7/10 I like his face shape. Compare him to the Madgascar 3 horses-- look how much more identifiable as a horse he is. 

Melvin (The Lorax)

10/10 He’s not a horse, but he’s so fluffy I love him. 

Babieca (Puss in Boots)

4/10 This horse has dead eyes. 

Onyx (Rise of the Guardians) 

13/10 She’s the leader of the nightmares and I would fully support her terrorizing the dreams of children. I’m pretty sure she and her mares ate the boogie man. A true Girlboss.

Yi Min (Kung Fu Panda but I think just an online game) 

-20/10 Just from a design perspective there’s far too much going on so it’s hard to even make it all out. Also I would have zero idea that this was a horse if the wiki page didn’t tell me it was. It has split hooves? 

Spirit Jr. (Spirit: Riding Free) 

8/10 Objectively I know the design is good  but my heart rebels against this show’s existence. 

Boomerang Thomas Stone (Spirit: Riding Free) 

8/10 I’m not doing all the horses from this show but I had to throw him in because he’s cute and he has a middle and last name for some reason.

Horse (Centaurworld) 

Why are there two distinctly different designs for her? This one gets a 9/10. The round one is like... a 5. All the other creatures in this show are eldritch abominations that will haunt me in my sleep now. 

Esperanza and all the other horses from this movie (Spirit: Stallion of the Cimarron) 

10/10 No notes. Perfect horses. 

Rain (Spirit: Stallion of the Cimarron) 

15/10 I don’t have a joke here I just really like the way they differentiated her and made her pretty without too much anthropomorphizing. I like that she has a roman nose.  I like her feather. 

Spirit (Spirit: Stallion of the Cimarron)

100/10 He’s everything. He shaped me as a person. No other animated horse can compare. 

[juyeonszn]

BLACK OUT OR BACK OUT

THE TBZ FRAT HOUSE IS HOSTING THE BLACK OUT OR BACK OUT COLLAB BY @juyeonszn AND @itsbeeble!

YOU’RE INVITED!

PAIRING tbz x f!reader

GENRES smut ﹒fluff ﹒minimal angst ﹒crack

WARNINGS 18+ MINORS DO NOT INTERACT! mature language, mentions of alcohol, sexual content, more warnings per individual fic!

SUMMARY have you ever wondered what your favorite frat boyz are up to in their personal lives? if so, then these fics are just for you! join us as we take a glimpse into the tau beta zeta fraternity and see what they get up to in their free time!

MORE LETS GAURRRRR i’m so excited to announce this collab with loml reese both as a cute fun little idea we had and in celebration of her 1 year tumblr anniversary! we also realized it happened to be the same day as tbz day LOL so that’s kinda crazy 😭 my boyz have been here for 6 years wow 💔 anyways i hope all of u love these as much as we do! and always, don’t forget to rb if u enjoyed!! send an ask if u’d like to be tagged in these <3

PERM TAGLIST @winterchimez @maessseongs @itsbeeble @zzoguri @deoboyznet @cloverdaisies

FALL SEMESTER

TRY HARD — LEE JUYEON (12/6)

Need to get rid of some junk? Well these college hunks will haul YOUR junk! Give us a call at xxx-xxx-JUNK and we’ll haul YOUR junk for FREE! (limited time offer)

EXCITEMENT — JI CHANGMIN (12/6)

You know, when you told your girl friends that you’d never finished before, you were expecting it to blow over like no big deal. What you weren’t expecting was for it to spiral into a whole other mess.

SEEING STARS — KIM SUNWOO (12/10)

It’s slightly embarrassing how Sunwoo is naive enough to take Eric Sohn’s “advice” to heart. Luckily, you like idiots. Especially when they kick a ball into your face and agree to do a semester’s worth of school work for you.

CLUMSY — JU HAKNYEON (12/10)

When Haknyeon ran into you at a TBZ party for the first time, he didn’t think he would fall for you so quickly. Or literally. Or both simultaneously. But there’s a first time for everything, he supposes.

“FRIENDLY” COMPETITION — LEE SANGYEON (12/14)

The TBZ frat had always had a rivalry with the KAT sorority. At least, they did when you and Sangyeon became the presidents three years ago. What happens when you mix a little friendly competition into this rivalry of yours?

JE NE SAIS QUOI — JACOB BAE (12/14)

Jacob thought the concept of fraternities was stupid. So stupid that despite every single one of his friends being in one, he still refused to join. However, after meeting you at one of the TBZ parties, he’s starting to think maybe they’re not that horrible.

SPRING SEMESTER

LET LOOSE — KIM YOUNGHOON (12/19)

Younghoon has hated you. He thought you were stuck up with that better-than-you princess attitude of yours. What better than to just…fuck it right out of you?

(NO) STRINGS ATTACHED — LEE HYUNJAE (12/19)

Becoming friends with Lee Hyunjae after his valiant attempt to save your life (stopping you from drunk driving) was certainly not on your year’s bingo card. Also not on your bingo card? Waking up in his bed every other night following, but it’s not like you’re really complaining.

NO BITCHES? — ERIC SOHN (12/22)

When you met Eric, you’d thought he was just another frat boy, looking to get into any woman’s pants (particularly yours at that moment). You never would’ve thought that he was just a loser who really liked FNAF and just thought you were pretty.

PARTY O’CLOCK — CHOI CHANHEE (12/22)

In spite of being a frat boy himself, Chanhee could never actually see himself enjoying the luxuries of the title. Besides, how could he with all the responsibilities of being treasurer? Enter you and your carefree spirit and Chanhee’s got a real big problem on his hands.

PRINCESS AND THE PAUPER — KEVIN MOON (PT. 1 1/1, PT. 2 1/3)

It wasn’t like you and Kevin hated each other. In fact, you quite admired him despite his somewhat indifferent attitude toward you. Well, now that you’re paired up for the last dance of the year, you guess it’s the perfect time to find out why.

© juyeonszn & itsbeeble. do not steal, claim, or repost.

[itsbeeble]

BLACK OUT OR BACK OUT

THE TBZ FRAT HOUSE IS HOSTING THE BLACK OUT OR BACK OUT COLLAB BY @juyeonszn AND @itsbeeble!

YOU'RE INVITED!

PAIRINGS: tbz x f!reader

GENRES: smut, fluff, minimal angst, crack

WARNINGS: smut, minor angst, fluff, mentions of injuries, alcohol, swearing, more warnings to be added to the individual fics 18+ MINORS AND BLANK BLOGS DO NOT INTERACT

SUMMARY: Have you ever wondered what your favorite frat boyz are up to in their personal lives? If so, then these fics are just for you! Join us as we take a glimpse into the Tau Beta Zeta fraternity and see what they get up to in their free time!

MORE: The way me and Fawn have been planning this for so long omgggg. Me and Fawn are so excited to announce this collab in celebration of my 1 year on tumblr, 6 year anniversary of The Boyz, AND as just a fun little event!! I hope you guys are as excited for this as I am hehe. And please feel free to send an ask or comment on this post if you'd like to be tagged in each part!!

PERM TAGLIST: @juyeonszn @winterchimez

FALL SEMESTER

TRY HARD — LEE JUYEON (12/6)

Need to get rid of some junk? Well these college hunks will haul YOUR junk! Give us a call at xxx-xxx-JUNK and we’ll haul YOUR junk for FREE! (limited time offer)

EXCITEMENT — JI CHANGMIN (12/6)

You know, when you told your girl friends that you’d never finished before, you were expecting it to blow over like no big deal. What you weren’t expecting was for it to spiral into a whole other mess.

SEEING STARS — KIM SUNWOO (12/10)

It’s slightly embarrassing how Sunwoo is naive enough to take Eric Sohn’s “advice” to heart. Luckily, you like idiots. Especially when they kick a ball into your face and agree to do a semester’s worth of schoolwork for you.

CLUMSY — JU HAKNYEON (12/10)

When Haknyeon ran into you at a TBZ party for the first time, he didn’t think he would fall for you so quickly. Or literally. Or both simultaneously. But there’s a first time for everything, he supposes.

"FRIENDLY" COMPETITION — LEE SANGYEON (12/14)

The TBZ frat had always had a rivalry with the KAT sorority. At least, they did when you and Sangyeon became the presidents three years ago. What happens when you mix a little friendly competition into this rivalry of yours?

JE NE SAIS QUOI — JACOB BAE (12/14)

Jacob thought the concept of fraternities was stupid. So stupid that despite every single one of his friends being in one, he still refused to join. However, after meeting you at one of the TBZ parties, he’s starting to think maybe they’re not that horrible.

SPRING SEMESTER

LET LOOSE — KIM YOUNGHOON (12/19)

Younghoon has hated you since the day he met you. He thought you were stuck up with that better-than-you princess attitude of yours. What better than to just…fuck it right out of you?

(NO) STRINGS ATTACHED — LEE HYUNJAE (12/19)

Becoming friends with Lee Hyunjae after his valiant attempt to save your life (stopping you from drunk driving) was certainly not on your year’s bingo card. Also not on your bingo card? Waking up in his bed every other night following, but it’s not like you’re really complaining.

NO BITCHES? — ERIC SOHN (12/22)

When you met Eric, you’d thought he was just another frat boy, looking to get into any woman’s pants (particularly yours at that moment). You never would’ve thought that he was just a loser who really liked FNAF and just thought you were pretty.

PARTY O'CLOCK — CHOI CHANHEE (12/22)

In spite of being a frat boy himself, Chanhee could never actually see himself enjoying the luxuries of the title. Besides, how could he with all the responsibilities of being treasurer? Enter you and your carefree spirit and Chanhee’s got a real big problem on his hands.

PRINCESS AND THE PAUPER — KEVIN MOON (PT. 1 | PT. 2)

It wasn’t like you and Kevin hated each other. In fact, you quite admired him despite his somewhat indifferent attitude toward you. Well, now that you’re paired up for the last dance of the year, you guess it’s the perfect time to find out why.

© juyeonszn & itsbeeble. do not steal, claim, or repost.

[sweet-evie]

Baby Megumi & Best Sister Tsumiki Headcanons feat. Teen Dad!Gojo because I love this family unit, and my JJK brainrot is worsening the closer we get to 6th of July. 🫠

These are probably done before, but idgaf because we're about to see baby Megumi and high school Gojo again~ 🥹 Also, I'd rather do these instead of write fics because my Death Note X Code Geass crossover still needs my attention.

Megumi has a stuffed animal collection. 🐺 It started with one stuffed wolf that Satoru got him for his 1st birthday with Gojo, and Megumi pretended he didn't like them, but ummm... 8 years later, Megumi has 75 animal plushies. I like to think they're all small and cute.

If Shibuya and the other BS didn't happen, Megumi would have received another stuffed animal or two for his 16th birthday. Because tradition. 🥹

Just like Megumi has a collection of stuffed animals, Tsumiki has a collection of dolls. *cough cough* Barbies... It started with Licca-chan and eventually Satoru caught her eyeing Barbies in toy stores, so he bought her one. And then two. And then whole sets for Christmas or her birthday or whenever she showed Gojo her report card.

In addition to dolls, Tsumiki definitely had one of those big Barbie houses when she was 8.

Tsumiki ropes Megumi into playing dolls with her. He does it to make his sister happy. And they always include Megumi's stuffed animals.

Tsumiki had Barbie Posh Pets. (Totally not projecting... Maybe I am). I had those as a kid and the set includes a pregnant mama cat + 3 kittens. You can open the mama cat's tummy and take out a pink kitten. (That's kind of fucked up when I think about it now 🤦‍♀️). I imagine it's that sort of nightmare-inducing shit that Satoru notices and gets because he thinks it's funny. 🙃

The Barbie Posh Pet in question that Tsumiki definitely owns:

Anyway... Speaking of Barbie... Tsumiki saw her first Barbie movie because Satoru brought home a Barbie as the Princess and the Pauper DVD on one of their movie nights. He was just assuming she would like it...

She liked it, and they always had Barbie movies in the movie night roster ever since. Tsumiki loves them. Megumi thinks they're whatever but is amused, because Barbie movies have talking animals, and Satoru just loves to poke fun at the plot.

Megumi watches wildlife documentaries for fun. He's a National Geographic and Discovery Channel kid. He has a DVD collection that came with the encyclopedia set Satoru bought.

Megumi liked movies with animals. Are we surprised? He's seen all of the Dr. Dolittle movies.

Tsumiki cried watching Bambi. 🦌 Someone else definitely got teary-eyed while watching Bambi too. That 'someone' will also never admit it, even if Satoru totally caught that particular someone rubbing his eyes with his small fists during that scene.

Speaking of getting teary-eyed at watching cartoons. Satoru's damn lucky he can hide behind his blackout sunglasses, because he was totally sad and emotional when they finished watching The Fox and the Hound. 🦊🐶 You look at that Tod and Cooper friendship and tell me it doesn't remind you of SatoSugu a little bit.

The refrigerator in Megumi and Tsumiki's apartment is stocked with 80% sweets. It's Satoru's fault.

Satoru attends Megumi's and Tsumiki's parent-teacher meetings in elementary school, and he's popular with the PTA parents (especially the moms). Megumi hates it, Gojo revels in the attention. Some teachers invited him to be in the PTA, but ultimately, this special-grade sorcerer always has to decline. He's way too busy.

Elementary career days = Satoru telling the kids that he's a very powerful magician. 🎩🪄🐇 The kids believe him and the adults think he's joking. Well technically, he isn't.

Satoru is prone to bribing child tantrums with McDonalds. It doesn't always work.

Satoru, Megumi, and Tsumiki definitely went camping a couple of times. Sometimes Shoko tags along, but she never stays overnight.

Satoru lost Megumi at the mall. Tsumiki always found her little brother. He's honestly not that hard to find. He's either in a bookstore or a pet shop or a toy store that sells things Megumi likes.

Tsumiki is very forgiving of Satoru's tendency to lose Megumi in the mall.

Ice cream or parfaits for dinner are normal when you're living with Gojo. 🍨🍦

They've been to Disneyland. 🏰

Megumi likes zoos and aquariums.

Tsumiki is fond of handcrafting appreciation gifts for Satoru. 🎁Friendship bracelets, knitted socks and mittens she made in homeroom once that are way too small for him, multi-colored dreamcatchers (she made one for Megumi too of course), birdseed ornaments, lots of origami, very small bead bowls, flowers made of cupcake liners, etc.

Satoru has all of Tsumiki's DIY handicrafts tucked away in an Air Jordan shoebox. He also has a jar full of origami paper cranes that Tsumiki made when she was in her origami phase.

Satoru always took the kids to fun festivals whenever he could.

Satoru gave Megumi and Tsumiki the childhood they deserved -- gave them the childhood they were almost robbed of when Toji and Tsumiki's mom abandoned them, gave them the childhood Gojo never got to have.

All of that before Megumi lost Tsumiki and his life started spiraling for the worst. 😭

#Save&FreeMegumiPLEASE!

[hererafjastori]

The movie Barbie in Princess and the Pauper is deeply misunderstood. In this essay I will…

No but like, seriously. I have come across too many people making fun of “I’m just like you�� and fundamentally misunderstanding both the meaning of the song, and Annalise as a character, by acting like Annalise is a rich brat who doesn’t know to be grateful for what she has. So we are going to take an in-depth look at the song, Annalise, Erika, their situations and their character, and make a few things clear.

Let’s start with the above mentioned song, and the widespread opinion, that the girls and the movie act like there is no difference between Annelise living in constant luxury, and Erika suffering the life of an indentured servant. But what is happening has a lot more nuance.

First of: Annelise is not the instigator for this compare and contrast. Note how it’s Erika who starts comparing their lives, not Annelise, who reacts very perplexed. Annelise would have been fine with Erika never figuring out she was a princess, and only starts talking about the luxuries that being a princess grants her, after Erika prompts her. This is not Annalise bragging about her life, downplaying the privilege she enjoys or whining about how hard her situation is. This is her replying to Erikas enquire by both, acknowledging the vast difference there is between their lives, but also by underlining the ridiculousness that is such luxury. We can see later, in the movie, when Erika gets her breakfast, that there are no fucking minstrels. And Erika is totally on board with that, she even plays around with her, look at the way she interacts with the ‘omelet’ Analise presents her with. And later in the song, Erika acknowledges that the ‘married to a total stranger’ situation sucks.

But let’s take a look at the ways they recognize that they are the same. What are their similarities?

“I’m just like you, you’re just like me, there’s somewhere else we’d rather be. Somewhere that’s ours, somewhere that dreams come true, yes I am a girl like you. You’d never think, that it was so, but now I’ve met you and I know. […] ”

“I would never tell my mother. I wouldn’t wanna disappoint her.” “I completely understand.”

“[…]We take responsibility. We carry through, do what we need to do, yes I am a girl like you […] It’s something anyone can see. A heart that beats, a voice that speaks the truth”

So, what are their stated similarities:

They are in a situation they desperately want to escape. They see no option of realizing their dreams and fulfilling their desires or even have a perspective of leading a happy life.

Others lean, depend on and draw from their strength, so they have little to no opportunity of sharing that burden

They recognize that there is a reason they have these duties, and their conscience won’t allow them to even try and shirk said duties. They take up this responsibility that they never wanted, fully aware of the sacrifices that they will have to make.

Throughout it all, they make the active choice not to complain, to stay optimistic, to not loose hope and to carry their burden with dignity and integrity

Nobody disputes that they life very different lives. The first minute of their interaction makes that abundantly clear. Erika even sings “You’d never think that it was so”. Them coming from very different places was never up for debate. What they are comparing is the way they deal with it.

This willingness to endure under the pressure and expectations placed upon them without allowing to loose themselves, is the very core of both of these characters!

And we can see all of this throughout the movie, especially in ‘Free’.

[1] I don’t think I have to explain Erika. We see the direness of her situation in the way Mdm. Karp treats her the times she finds her singing, her threatening to use the excuse of interest to keep her prisoner for basically the rest of her life, the way she treats Annelise, thinking she is talking to Erika after she fled, the fact that she locks her seamstresses in often enough, that there is a routine in place to allow at least Wolfie an escape.

But Annalise is just as worked to the bone as Erika, if in a different way. Her day is planned through, down to the literal minute. Just listen to the start of Free. Her greatest wish is to have one day without work, because she hasn’t had that in living memory. And yes, most of it is studies and keeping up appearances, but in “to be a princess” we get an impression of how much thought and energy that takes. (“be charming, but detached and yet amused […] Never be confused”, “Never fall, don’t ever stray from protocol. All through the day, there’s just one way you must behave” “Never crack” “Never show a thing you feel inside. Glide.” “to be a princess is to never get to rest” “Never squirm […] Speak and be clever, never at a loss for words” “Never show dismay and be there when people call, be prepared whatever royal life may bring” “Never ever turn your back. There’s a time and place and way for everything”)

She has to be flawless, confident, and composed throughout the day without the  slightest hint of being imperfect. She has little to no privacy, she is constantly observed, perceived, judged by far more metrics than pretty much anyone else, and is she falls short of them and say, worsens relationships with another kingdom, makes a bad decision in ruling the kingdom, makes the kingdom appear weak in any way, her people will be the ones to pay the prize. And all that is without taking the marriage into consideration. She doesn’t know who Dominic is! We know that he is a great guy, but for all Annelise knows, he could be the kind of person Preminger reveals himself to be. Even if he is a decent guy, it would likely be a loveless marriage. That is a sacrifice (as we can see when her mother is forces into the very same position), especially if it means sacrificing her relationship with Julian, her childhood friend, who shares her interests, helps her through all that nonsense, and understands her better than anyone. On screen, he is the only person she truly opens up with, other than Serafina (who is a cat), and Erika (who she only met that day, and has little emotional investment in the whole thing). Erika and Dominic sing a whole duet about the importance of knowing each other in order to have a functioning relationship, and she has had that with Julian for years. They both (Julian is clearly just as devoted and self-sacrificing as she is) accept to let this unspoken thing between them slip through their fingers, with no hope of ever finding something comparable, and the prospect of drifting apart with time, all for the sake of the kingdom.

And in terms of hope for the future, Annelise is just as bad of, if not worse than Erika. Erika has been working continuously to escape her situation, and never given up hope (“My determination’s strong. People will gather around the world to hear my song! Soon I will forever be free). And in the meantime, she has found small ways to fight back against Mdm. Karp (She can never stop my schemes). How realistic it is to ever pay off Mdm. Karp is a different matter, but she still has a fighting spirit. Annelise meets Erika, while in the process of making peace with the fact, that this was it for her, and there will be no coming back from this (“Now I fear I’ll never be Free” “I’m savoring a first and last taste of freedom”).

[2] In terms of hope and determination, Erika is doing the emotional heavy lifting for both herself, and the other seamstress. And Annelise is putting up a strong façade for even her mother, because in the face of the lack of options, she doesn’t want to burden her mother with the knowledge that she is damning her daughter to an unhappy life.

[3] I already explained Annelise’s situation in detail. Because she was born in royalty, she is tasked with a lot of responsibility, and even though she had no choice in the matter, she still accepts her cross to bear, and does so silently knowing the great personal cost she’ll have to pay. For Erika, they kind of fumbled the ball with the duties she chooses to accept, seeing as pretty much the sole person to suffer from her just, running away and ignorin her 'duties' would be her active abuser. Even if she has yet to pay back all the money her parents borrowed from Mdm. Karp (something she had no say or choice in), she has more than done her time in emotional suffering, and saying that staying in this toxic environment is her duty is not a message I agree with. But in-universe she explicitly states such convictions, so any and all points on the matter of her dutiful behavior still stand. One might be able to twist her duty to be to not leave the other seamstress to suffer alone, but that has no textual evidence. But we see this willingness to sacrifice for the sake of duty and responsibility most strongly, when she agrees to help Julian out and take Annelise’s place. There are two ways this could play out: she get’s away with it, or she doesn’t. We see both, her options are being thrown into the royal dungeon for treason, or being locked away by Mdm. Karp for running away, and knowing those where her prospects, she still chose to do this for the sake of both Annelise and the kingdom.

[4] Just, listen to free, watch the movie. These two girls prove their inner strength and endurance time and time again. They always keep going, searching for solution after solution, no matter what obstacles lie in their way (Being sent away at the palace gates, escaping Mdm. Karp, escaping the mines, escaping the dungeon, etc.). Their drive, determination, endurance and unbendable spirit are admirable.

“I close my eyes, and feel myself fly a thousand miles away. I could take flight, but would it be right, my conscience tells me stay. I’ll remain forever royal. I’ll repay my parents debt. Duty means doing the things your heart may well regret. But I’ll never stop believing/ she can never stop my schemes. There’s more to living than gloves and gowns and thread and seams, in my dreams, I’ll be free”

This is the end of free, the core of them, and the thing they recognize in each other, and I will no longer allow any slander against either them!

[rotomartsblog]

Stories I want to base Ever After High OCs off (an ever growing list)

Hans My Hedgehog (One of my favourite ‘obscure’ fairytales. Already decided her name would be Hannah M. Hedgehog. To fit the design aesthetic of eah she wouldn’t literally have the upper body of a hedgehog and the lower body of a human, she’d be more of a hybrid. She’s a rebel because she rejects her destiny of becoming fully human at the end of the story and embraces her hedgehog side.)

Boy Who Cried Wolf (See my last reblog. Lies a lot but because of their destiny no one tends to believe them anyways. Also accidentally right a lot. Not lying maliciously just doing it for shits and giggles)

The Frog Princess (Because I think it’d be funny for there to be two royals who turn into frogs but are completely unrelated to each other. Also there’s so many variants of this story from region to region that it’d be fun to write this girl)

Speaking of, The Frog Prince (Specifically the daughter of the princess from the tale and the son of the prince’s gayass servant. Princess Girl does not want to be Hopper’s princess but is slightly willing to enact the version where she gets to throw Frog Hopper at a wall instead of kissing him. Dislikes frogs a bit but plays it up as a seething hatred to scare Hopper. Kind of a bitch if you couldn’t tell. Sporty girl. The servant boy is 100% in love with Hopper, like father-like son, and has the iron bands around his heart. Maybe he could be Hopper’s real true love :x)

Pinocchio (Daughters of The Coachman and Mangiafuoco, and niece of Lampwick. The Coachman’s daughter has a pet donkey that everyone thinks is a turned boy, but nope it’s just a regular donkey. She’s a rebel because she doesn’t want to go down the route of her father. Mangiafuoco’s daughter is scary and off-putting, but actually a genuinely nice girl. Would love to perform onstage but she has stage fright and is just so shy in general, so she resorts to puppet theatre instead. Always uses a hand puppet to talk through. Lampwick’s niece is a rebel because she’d rather not turn into a donkey thank you very much. Low-key resented Cedar up until Legacy Day because she believed if Cedar didn���t exist she wouldn’t need to turn into a donkey. Now they’re on better terms since Cedar decided she’d become human in her own way)

The Wolf and the Seven Young Goats (Youngest son of the youngest goat. Really I just like people with goat features. He’d feel tense around Ramona, even though he’s pretty sure she’s probably not the wolf from his story)

Puss In Boats (Daughter of Puss In Boots. Would probably be able to transform between an animal and human form like Bunny Blanc. Doesn’t really align herself with Royal or Rebel, but has slipped into thoughts like ‘if I can make someone else royalty, why can’t I make myself royalty?’)

The Prince and The Pauper (It’s not a fairytale but the books included King Lear’s daughter so I feel like I’m free to do this. I just think designing two boys that look identical would be fun)

Mwindo (One of my favourite tales because of how entertainingly OP Mwindo is. I imagine that his son would be equally as OP and like half of the student population is scared of him. But that fear often gets subsided because he’s not that keen on using his powers like his dad was)

Commedia dell’arte (Not a story but kids based on the stock characters could be fun. They probably wouldn’t attend Ever After High since they wouldn’t have actual destinies, they’d attend another high school. I had the idea of Cedar doubling as the Burattino stock character, and it developed into all the stock characters being based on different dolls/toys, ie Pierrot being a rag doll, Pulcinella being a wind-up toy, etc. Really I just want Cedar to have people who could understand her whole ‘Am I even real’ situation better, is that too much to ask?!)

Two miscellaneous additions that don’t actually align to specific stories; a Warrior Girl and a Forest Witch. (The Warrior Girl is the daughter of a warrior tribe leader. My idea for her story is that it’s an ancient epic that is so old it has lost its exact name, having been repeated so many times. Also, her reason for following her destiny is less ‘we have to or we all disappear’ and more ‘I have to so I can prove myself worthy’. Her warrior kingdom’s society is very different from Ever After’s society, which she learnt the hard way. She feels awkward hanging out with the other girls because of cultural differences, and she doesn’t like hanging out with boys because they tend to underestimate her. She was only supposed to attend for Legacy year so that she could sign the Book of Legends because Milton Grimm would not stop bugging her father about it, but she decided to stay after the shit show that happened on Legacy day. I didn’t base the Forest Witch of a specific fairy tale because goddamn it there are too many witches living in the forests in these tales for me to choose just one. In universe she probably has a specific destiny, or a few, I just haven’t chosen it yet. Very closed off from others. Actually lives in the Enchanted Forest with her mother. She also likes archery but how much of her skill is genuine and is magic is up to debate)

The Devil (He appears in a lot of fairytales. The OC is a girl who is clearly the daughter of the devil, but it’s never said so no one actually knows it. Every time someone asks about her destiny she’s like ‘it’s nothing important don’t worry about it :)’)

[dragonfly0808]

So I just rewatched Barbie The Princess and the Pauper and HOLY SHIT that movie has no right to still be that fucking good, I need to rant.

As a musical lover, this was perfection. Like, every single song was a Bop?!

Free is the perfect beginning to the movie, we see the POV’s from Anneliese and Erika and how, while they both long for their respective version of freedom, they understand their responsabilities and why they just can’t be as free as they’d like to be.

Then… How Could I Refuse? May be my new fave villain song holy shit, no wonder it got a reprise. I love the villain, he’s the perfect amount of ridiculous but also low-key competent.

I Am A Girl Like You. This is lit the only real interaction between Erika and Anneliese but it was just so wholesome and so perfect and just *squeals* I love it. They just click as besties.

To Be a Princess. Julian and Erika are the real besties of this movie, no I will not be taking criticism. Also, Julian’s voice cracking in the middle of admiring and simping for Anneliese was comedy gold. They’re just the best together.

The Cat’s Meow. This had no right to be this fucking good. THIS IS A SONG ABOUT A CAT THAT BARKS WHY THE FUCK WAS I ON THE VERGE OF TEARS?! Also, Dominick is just… the best King he’s just… ugh I love him. And Barky is just… I love him so much.

If You Love Me For Me. I can’t believe Erika and Dominick invented romance. Like, I ship Julian and Anneliese, they’re cute, but Erika and Dominick stole the show, I’ll explain more later.

Now:

Anneliese, I love Anneliese… that’s kinda it. I feel like she didn’t get enough time to shine for me. Don’t get me wrong, I love her scenes, especially watching her be a science girlie and outsmart everyone were great, but I don’t feel that strongly about her. I like her, she’s awesome, that’s it.

Erika, I fucking love Erika. She’s just so… fun? Like, she has a good backstory and motivations, she has big dreams that she refuses to let go of but she’s also just so selfless, like, she knows she could get in huge trouble for pretending to be Anneliese but still does it cause she thinks it’s the right thing to do. Idk, I just adore her.

Julian and Dominick, I love Julian, he’s just a goofy, hopeless romantic. I love his bond with Anneliese and that he’s also pretty smart, if a bit more impulsive than Anneliese. And Dominick, DOMINICK, I know that he has very few scenes but Idk how to explain just how much he just steals the show for me. He’s just best boy.

Julian and Anneliese are so cute, they just make sense. I love that they both just kinda… already knew that they were in love but just didn’t say anything due to her status. But they’d do anything for each other and I am here for it.

Erika and Dominick… they have my heart. They’re more of, almost love at first sight, they have an instant connection and it’s just adorable. But what I love the most about them is that when everything is over and Erika’s debt is paid, she knows that she can’t just marry Dominick, she wants to finally live her dream. And Dominick understand this and just asks her to think about coming back some day.

Gives her an engagement ring, “No promises?” “I’ll take my chances.” SOMEBODY SEDATE ME

And AFTER living her dream, Erika does come back to him and it’s just… AAAAAAHHHHHHH

But yeah anyways… I loved it just as much (if not more) than when I was a kid.

Also, the animated bloopers continue to be iconic. Erika’s phone ringing int he middle of a romantic scene? Amazing. Julian randomly dance breaking in the middle of To Be a Princess? Defined my childhood

[blueberry-bubbles130]

*Slams hand down on table* Fuck it! New au!

After Miracle Queen, being denounced by her classmates and parents, Chloe runs away. Somehow she gets isekai’d to Barbie Princess and the Pauper. It’s also a crossover with Barbie 12 dancing princesses.

From there, Chloe uses her skills and becomes a fencer and jouster. She becomes somewhat well known for it. Then at some point she gets to meet the characters from the two aforementioned Barbie movies. Don’t where it goes from there, but it’s mostly a slice of life au. She might get adopted. Preminger most likely won’t have any huge role, maybe a cameo. Same with Rowena.

I doing this for fun, since I love those two Barbie movies and Chloe Bourgeois. Plus drawing Chloe in armour is fun. Also I get to have Queen Genevieve and King Randolph interact. And I get to make jokes about Julian and Derek being great detectives.

Also for future, if I say I’m going to make a piece of art after another artwork. Don’t believe me, my focus switches so quickly so I won’t. I’ll try not to do that for future.

[agent-calivide]

So- normally this blog is exclusively for IEYTD content- but I think I'm gonna shift to just be my interests, because there is one thing that I'm absolutely feral about and desperately need to scream into the void over.

Discussion surrounding the 2004 film Barbie Princess and the Pauper makes me irrationally angry.

Barbie’s Princess and the Pauper is a surprisingly decent film for being made purely to shill doll, with music that's absolutely gorgeous and a story that's a bit less dark than the original novel it's parodying.

A brief summary for those who don’t know- though if my YouTube recommended’s anything to go by Barbie is taking over the collective hivemind of nostalgia at the moment- Barbie Princess and the Pauper is the story of two young women, Anneliese and Erica, living two completely separate lives, one being a princess and one being a pauper. The twist, however, is that they were completely identical, save for their hair and a shockingly relevant birthmark for only being mentioned twice.

Erica is a poor seamstress who’s worked like a dog by her wicked boss, Madame Carp, trying to pay off her parent’s debts so she can pursue life as a singer. Truly, the best rep for anyone who’s suffered through retail with a shitty boss. Annelise meanwhile, is a princess who spends her days being lavishly spoiled as a princess typically would, but she doesn’t want to be spoiled. On the contrary, she would rather spend her day studying than getting her feet massaged and faffing about. At least- that’s what the song “I am a girl like you” and most of the fandom would have you believe.

In the song “I am a girl like you", we start with Annelise and Erica meeting, Annelise saying that she’s not looking forward to marrying this king and Erica responding with “At least you’re not an indentured servant”. Annelise asks for elaboration, and the song starts. Erica talks about how her mornings start with paying her boss money for a hot breakfast, then having to get up, walk a mile through cold, wet roads just to get the eggs for breakfast and then come back when all she wants to do is sleep in. Once again, relatable. She then looks at Annelise and asks her how her morning starts. Annelise pauses, and is visibly bashful, clearly hesitant to share, but Erica asks her to go on. Then, Annelise tells Erica that if she wants eggs she rings a bell and her maid runs in with breakfast and cookies, and while she eats she gets a foot rub and has live music being played for her, but she doesn’t want to be spoiled and doted on, she wants to be in the library!

If this was the beginning and ending of Annelise’s characterization? I’d get it. If Erica thought Annelise was spoiled, I’d get it. But she doesn’t. On the contrary, Erica hears this rich girl complaining about how she doesn’t like her life but is aware of how good she has it, and chooses to reach out. To say “hey, I can relate to that." “There’s somewhere else we’d rather be, somewhere that’s our, somewhere that dreams come true” If anything, this is a testament to Erica’s empathy, her kindness, and her ability to put herself in someone else’s shoes even when they objectively have it better. Throughout this song Erica will talk about work and Annelise will talk about the lighthearted fun parts of being a princess, but will casually mention how she’s in a position that she doesn’t want. Erica has to walk through the mud every morning for breakfast, Annelise gets it served literally on a silver platter, Erica has to make dresses, Annelise gets to dance around in frilly dresses. But Annelise also mentions that she’d rather be in the library and get to marry who she chooses, not be betrothed for the sake of her kingdom, more on that in a minute.

And time and time again, I see people talk about how Annelise is tone deaf, how she’s complaining about what is, objectively, a better situation. But honestly, I find this stance to be major character assassination, and is one that I’m seeing more and more frequently in regards to Annelise and most other “rich” characters quite frankly. Now, normally I don’t mind opinions like “this character is spoiled and should have more development than just crappy parents” or “it’s bad that they rushed this antagonistic character’s ark so they can have them for the series finale” I think that argument works just fine on the spoiled rich girl archetype, like Pacifica Northwest and Sasha Waybright, but I see a lot of people slapping that sticker onto any character that grew up wealthy regardless if they were an antagonist or not.

I get not liking a character if they’re antagonistic, or relating better to a character who had to work for everything they had. Most of us didn’t grow up as princesses in fancy castles and have been stuck with horrible bosses. I understand why people relate to Erica more, especially as someone who worked at a fabric shop with a crappy manager. But on more than one occasion I’ve seen people take the stance that Annelise’s part in the song “just like you” is insensitive and Erica should’ve shouted at Annelise, reminded her of her privilege, “laid the verbal smackdown on her and show her how hard it was being a peasant” before quickly following it up with a “I was just kidding!” when anyone calls out that Annelise isn’t a one dimensional privileged white girl. And if that was the only context we got of Annelise, I’d understand where it came from.

But if we look at Annelise throughout the course of the whole movie, that’s not true at all, quite the opposite. Our first scene we get of Annelise is her, getting fitted for a wedding gown to marry a man she doesn’t want to be with while a servant is fretting over her schedule for the day. That doesn’t sound like the typical Disney princess who gets to spend her days doing whatever she wants post-coronation. This is an actual princess, with real responsibilities. She has to give speeches, attend meetings, speak with upper class societies, and all she wants, the first thing she says in the introduction song “Free”, is “all my life I’ve always wanted to have one day just for me, nothing to do and for once nowhere I need to be”.

While she is bemoaning to herself, she’s not exactly fighting her scheduler on this either. She doesn’t complain, she doesn’t fight back, no quips or whining or witty banter, she simply accepts that she has to do what is told and dreams of a world where she doesn’t have to do all that. And that’s the big point that I see a lot of people ignoring. She is absolutely busting her ass every day, in and out, doing as told and not getting a second to breathe.

Let’s look at the one day we see that is truly just Annelise in her environment. She is getting a fitting for a wedding dress to marry some king while the royal scheduler tells her she has to give a speech at the Historical Society, then has to rush over to a Horticultural Society Tea, then has Math lessons, Geography lessons, and presumably much more after if we’re basing it off the massive to-do list of parchment we see. As someone who survived the public education system, the thought of giving a speech, going to a high pressure lunch that’s basically a work meeting, then having to do a full day of school after that makes me want to simply wither away and cry. She’s not sitting around, looking pretty and riding horses all day. She has responsibilities, duties, commitments to her mother and her kingdom.

We then cut to Erica, who shares much of the same sentiment. “All my life I’ve always wanted to have one day for myself, not waking up with a pile of work on every shelf” before singing about all the work she has to do as a low-class seamstress. This is what we’d expect from the pauper side of things. Erica works hard to earn a living at a small seamstress shop and wishes she could be doing something more with her life. This is when Madame Carp walks in and we see a glint of Erica’s personality. She’s spunky, she talks back, she calls Madame Carp’s dress shop a debtor’s prison to her face and argues about her parent’s debts. While she is committed to paying back her parent’s debts, she’s not taking it lying down, and that is a fundamental difference between Annelise and Erica.

While Erica will see a problem and call out that it really sucks, Annelise will look at a problem and simply accept that she has to fix it with little more than a comment to herself. Both of these girls are dreaming about freedom, but Erica is fighting for her freedom while to Annelise, it’s little more than a fantasy.

And that includes the freedom to marry whom she chooses. And this is when we see just how far Annelise will go to please her mother, as she looks out and sees the love of her life, her tutor, Julian. Julian is implied to be a good friend who’s been her teacher for a long while, and he feeds her passions. He teaches her, he encourages her to learn, he is one of the few people in her life who feels joy in Annelise’s happiness. Because, truly, when we see the way she interacts with the other servants and maids, she doesn’t have many friends. She doesn’t have anyone to talk to about her grievances, her lack of freedom, any of it. All she has is Julian, and she likely will lose him in the marriage to King Dominick. He's already calling her "your highness" like an authority figure rather and Annelise, his friend, and she hasn't even met the king yet.

She can’t even have her fantasy to marry Julian, as it’s quickly interrupted by her mother cutting her off and saying “I’m so sorry my darling, but as you know, it is vital you marry king Dominick. It is the only way to take care of our people”. And Annelise just accepts this. She just goes “yeah, I know, I have to do this for the kingdom” and pushes her fantasies away. And the very next line is Annelise talking about how she knows she’s lucky, she knows she’s privileged to have all of this nice stuff, this nice life, but is quickly realizing that every present comes with strings. While she may get to have a lavish life, it’s not all it’s cracked up to be.

We then see Erica, who’s talking about how while she doesn’t have nice things, she has spirit, determination, and she will achieve her dreams no matter what. This song truly establishes just how different the girls are, specifically in regards to their challenges and the obstacles they encounter. Erica, though currently trapped by her parents' debts at Madam Carp’s, has a fire, a will, a determination. She, though in debt as a pauper, isn’t willing to give up on her goal and aspirations of being a professional singer.

Annelise meanwhile, could have resources. She could reach out and get help, or run away with Julian, or do something to get out of her situation, but she refuses to. She can’t get past this mental barrier of duty and responsibility, and even while downright miserable, she won’t complain and won’t voice her needs. But the kicker is truly in the bridge of Free. Erica says “Soon I will forever be free” while Annelise says “Now I fear I’ll never be free” Erica is damn near counting the days, she’s looking at freedom as an inevitability, something that she will be getting soon. Annelise knows and accepts that freedom simply isn’t in the cards for her. In the end, both girls dream of leaving their situations, but they both decide to stay in their respective positions for the good of those around them. They both are committed to their duties, but Erica’s duty will hopefully finish in the near future, while Annelise’s duty is her entire life.

Later in the film, Erica takes Annelise’s place at the castle as Annelise has been kidnapped by Priminger and Julian needs someone to pretend to be the princess so the king doesn’t leave. In “To be a princess” he proceeds to educate Erica on a lot of aspects of being a princess. This pertains but is not limited to: be charming but detached and yet amused, do keep a grip and never crack, always look your best, never get to rest, never show dismay, be there when people call, and never show a thing you feel inside. With lessons like that, it’s no wonder that Annelise feels an absolute commitment to being a princess and never has a day to herself. Everything and everyone around her, including her best friend, says that she’s not allowed to feel, to breathe, to relax. She always has to be alert, aware, she has to have a thought and a response for every single possible comment and retort. And when Erica’s taught all this, it’s painted as overwhelming to learn, but imagine that being every day of your life for every week of every month of every year. That sounds absolutely crushing. Erica at least gets to let off some steam. She snaps at Madame Carp, she jokes with Bertie, she sneaks out to town square and sings. She has outlets away from work that Annelise simply does not have.

Okay, so Annelise is completely committed to her job as a princess, big whoop. She still is filthy stinking rich and royals were married to people they didn’t like all the time, she still is incredibly privileged. Maybe so, however, there’s more to this marriage than just some sort of uniting of kingdoms or prior arrangement. The reason that she’s getting married to Dominick is the kingdom has fallen bankrupt. Why has it gone bankrupt? Has the queen spent an egregious amount of money on castles? Was the king a warmonger who put all their funds into their armies? Does princess Annelise have a penchant for expensive travel and one of a kind crowns?

No.

The kingdom is bankrupt because the queen’s advisor has mined their mines dry of gold in hopes of taking over the kingdom. With no gold coming in, there was nothing to exchange, and the queen had to fix the problem before it started to hurt her people more than it already has. Her solution? The only one. Marry Annelise off to the nearest wealthy suitor and hope that it injects money into their economy.

The royals of this kingdom did nothing wrong, other than letting an evil man have so much access to power, which I don’t think any of us have the right to judge. If anything, the only one who’s privileged and trying to take advantage of it is the royal advisor Preminger. He talks about how he’s scraped by for years to climb the ranks and deserves to be a king, but in that same vein he doesn’t care about the kingdom, the people who are affected by his decisions. He’s so hellbent on becoming king, he doesn’t think about the fact that for all intents and purposes, he’s made it. He’s wealthy, absurdly so unlike Erica, but he’s also not a royal and thus has no duties to do any work he doesn’t feel like it, able to disappear for weeks on end and not have anyone on his back unlike Annelise. He has everything the girls want, but it’s not enough for him. He wants more.

Annelise meanwhile, is very aware of her privilege as a princess and tries to relate to those around her, even if she’s a bit unsuccessful at it. Before Annelise meets King Dominick, Julian decides that, as her friend, he thinks she needs some air. To get out of this stuffy castle and go see the kingdom as a normal girl before she loses it all. So, he gets her a cloak and takes her down to the nearby village, and here we can really see that she’s aware of her privileges when she’s outside of the castle.

As she and Julien walk around the town she asks him which house is his and he says “more of a room really, we couldn’t afford a house.” and immediately Annelise feels guilty, backtracking and starting to apologize for assuming he had a house. She doesn’t look at him in confusion or make fun of him for not having a house to himself, she instantly realizes that she was “in the wrong” to assume and tries to apologize for being presumptuous or assuming he was wealthier than he was. But Julien doesn’t laugh at her, doesn’t scoff, doesn’t tell her to “check her privilege”. He simply gives her a small smile and says “I know”. He assures her that, as his friend, she didn’t cause offense, he’s aware that she simply didn’t know he was in that bad of a financial situation growing up. He simply laughs it off then carries on with the conversation.

And this entire next section is Julien just being the absolute best. He engages with her interests, he gets Annelise her favorite flower, he calls the flower by its (fake) scientific name as he hands it off to her and he knows that it’s her favorite and that she'd appreciate him talking about science with her. He’s simply engaging with her as a mutual, a friend, and shows interest in her- well- interests. She gets to happily indulge in fantasy for a moment, but it’s quickly ripped away as she looks around the market and notices that the kingdom’s bankruptcy is already setting in. Shops are getting boarded up, families are being forced to leave, and she’s reminded that she has to get married to King Dominick for their sake. And she is visibly saddened by this. Not that she has to marry Dominick, but that her people are suffering over something that she and her mother couldn’t have possibly prevented.

Her train of thought gets interrupted by Erica singing in town square, Erica having snuck out from work to sing in the town square for coin, and she is doing a damn good job. We see she earns a decent amount of money for just singing on the road. People gather around Erica and listen to her song, she gives a sense of hope, she is pursuing her own freedom and people are enjoying it. Erica once again gets a reminder that her dream of freedom is not only soon, but achievable. It’s in reach, it’s not a completely absurd notion like Annelise's freedom. This is quickly interrupted by Madame Carp stepping in and yelling at Erica for leaving work, stealing her hard earned money and telling her to get back to work- which on one hand, bitch. On the other, Erica leaving work in the middle of the day to sing in town square is… a choice.

But, regardless, Erica’s left with nothing and is alone on the street, and who steps in to put coins in her cup after Madame Carp’s left? Annelise! She comes over, gives Erica money, and the two talk for a bit. Erica finds out Annelise is the princess and asks why she’s outside the castle, and Annelise says “I’m savoring my first and last taste of freedom before getting married next week… to a total stranger.”

Note that she didn’t say “I’m getting a breather” or “I'm taking a break”. She said “I’m getting my first and last taste of freedom before getting married NEXT. WEEK. She has never, ever, ever gotten a day off, taken a break, gotten to truly rest and get a breather. Us viewers? We get weekends, holidays, a day off on occasion, but Annelise doesn’t. She doesn’t get a moment’s rest because her life is her job. She’s never even been outside the castle walls until this day! Her whole life has been work and has been dedicated to her kingdom, to her mother’s expectations. While yes she is definitely more privileged than Erica, it’s not fun and games. If anything, it’s a 24/7, 365 job, every day of the year. And then this happens. “At least you’re not an indentured servant”

This. This one line. Drives. Me. Insane. And I think this line primes people to take the stance that Annelise is simply spoiled. Just because your arm is broken, doesn’t mean my sprained ankle doesn’t hurt.

This is when “Girl like you” starts, and this is also what most people use as reference to say Annelise is spoiled and tone deaf. Because here’s the thing, Annelise never says she has it bad, she never claims that her life sucks. And when Erica tells her her morning routine, Annelise is visibly apprehensive to share her morning routine, because she is aware that it’s rather tone deaf to say that her life sucks because she’s marrying some guy she doesn’t know after hearing how Erica’s morning starts every. Single. Day. She clearly knows how absurd it is to complain, most likely because she’s friends with Julian, who seems to have also been a pauper before getting hired to tutor Annelise. But Erica presses so she folds and shares her morning routine and actively chooses to complain about something little, almost diminishing her misery in a way. Like “Oh, haha, yeah my morning’s pretty good, but I just want to do what I want to do for once rather than follow my mother’s schedule- but it’s fine! I’m fine!” And that is why it’s so important for Erica to reach out first and say “I’m just like you, you’re just like me”

Because it’s not just about reading science books. It’s Annelise wanting to rest, to pursue her interests, not the interests of her mother or her kingdom. Erica sees right through Annalise’s act and finds solidarity in it. She opens up about how miserable it is working at Madame Carp’s and Annalise, excited that she can actually carry this conversation, happily talks about how she loves Madame Carp’s dresses.

This is the other point I see a lot of people reference, as Erica talks about how abusive Madame Carp is and Annelise cuts in to say she loves the dresses that wicked woman sells. This, honestly, is just a mood to me. I couldn’t tell you how many times I’ve been excited to carry on a conversation, only to immediately put my foot in my mouth as I realize I misread the tone. But once again, rather than Erica getting snobby, going “Did you not hear me? I just called it a penitentiary.” She simply smiles at the naïve princess and tells her she made the dress the princess was wearing.

Annelise proceeds to compliment her work, praise it for its detailing, and the two continue to talk, Erica talking bout how she has little issue with making dresses while Annelise has fun wearing them, and the two actually talk about her getting to “imagine life without the strife of an unfamiliar groom”.

Erica recognizes that Annelise’s situation, though much more comfortable than hers, absolutely sucks. That all of those privileges come at a cost and honestly questions if they’re worth it. And then Annelise proceeds to say “but I’d never let my mother know, I wouldn’t want to disappoint her!”

Once again, Annelise is not only diminishing her needs and putting her happiness aside for her mother’s happiness, but she shows that all of her issues are mental blocks. Social pressures that have been put on her from her life being raised as a princess. She’s not singing on a corner for pennies, but she also isn’t allowed to pursue her own happiness. She’s a tool, not a person.

And after these two talk and bond and get to know each other, what happens? Annelise uses her privilege to help Erica. She tells Erica “hey, I love your singing, I want you to perform at the castle, I’ll send someone to bring you up to the castle and perform”

This offer would be life changing for Erica. Having Erica come up to the castle, perform, and probably get paid quite a handsome sum for it? To a seamstress and street singer like Erica, that could literally get her out of debt and onto stage that much sooner. Annelise, rather than going “oh, she’s poor, I don’t want to be seen with her” like a stereotypical rich girl archetype says “Come, sing for us, you’re talented and I want to share your gift with others”. And Erica is rightfully ecstatic at that offer, and is over the moon when Annelise says she’ll send someone to get her.

Later, due to plot purposes, Annelise and Erica get mixed up, Anneilse stuck in the streets and Erica up in the castle. Annelise, in a moment of desperation, goes to Madame Carp’s dress emporium for shelter. The problem? Madame Carp thinks Annelise is Erica, and locks her in the back of the shop with the other seamstress, Bertie. While Bertie does think it’s Erica at first, Annelise tells Bertie the whole story (presumably) and proceeds to do exactly as instructed. She doesn’t throw a fit or refuse to help, she sits down, grabs a needle, and gets to work. Sloppy work, but work nonetheless. Even when Bertie tells Annelise that she doesn’t have to work on the dresses, she insists on helping. She doesn’t once say “I’m a princess, I shouldn’t be doing this” she simply accepts that this is her work now and adds it onto her plate. Even when she’s not in the castle, she thinks it’s her job to take on work that she’s assigned, and while it’s painted as a moment of empathy and kindness, Annelise is shown to put her desires as the very last thing to prioritize.

Eventually she’s released from Madam Carp’s by Preminger and he immediately locks her in a mine shaft and tries to murder her and Julian. Yes, he’s gone full blown Disney villain and locks the two away in a mineshaft then causes a cave in. Annelise and Julian are locked in a shaft in a caved in mine. Can I say this one more time: Annelise and Julian are buried alive in a m i n e. Most people in this situation would be panicking, crying, generally reacting distressed, we can see Julian sure as hell is, as he grabs a pick and immediately tries to dig himself and Annelise out. What is Annelise doing during all of this? Staying calm, comforting Julian, and finding her kingdom’s solution to bankruptcy.

Say what you will about how “it’s just a movie” but I know that were I trapped in a caved in mine, my mind would not be on how to fix a problem that looked like it wasn’t gonna be my issue very, very soon. But not only does Annelise use the rock as a touching analogy to make Julian feel better about himself, she keeps the crystals in mind and when they escape the mine collapse- due to cat shenaniganry- and informs her mother of them to solve the kingdom’s gold issues.

Here, Annelise once again is solving a problem that she didn’t even cause to get her happily ever after. She is truly doing all of the work on this school project, and people are digging at how she was raised in a fancy castle rather than acknowledging that Annelise did a lot of hard work. One video I saw was someone talking about how if they were Erika they would’ve stayed in Annelise’s position to “earn that bag” and make some actual changes to improve the kingdom, but Annelise does make changes to help the kingdom!

She finds a new export, saves her kingdom’s market from completely crashing, helps revitalize the economy, and because of all of that people can move back home and re-open their shops! We don’t know much about how this kingdom is run, but we do know that the royalty feel a duty to help their people, to do what is best for the masses regardless of how much they don’t want to do it. This isn’t like the modern day one percent where people tear down historical sites to make room for their mega yachts. The reason Annelise and the Queen are rich is they are the government. They are a monarchy. We don’t see any massive balls or galas like we do in Island Princess or Cinderella, they’re not just throwing money around for the amusement of it.

They’re bankrupt because their mines ran dry, and they managed to save their kingdom by finding a new export. “Why don’t they use their own money to help people if they’re so fabulously wealthy?” While that idea could be a good bandaid, eventually that money would also run out and then not only would the kingdom be bankrupt, but there’d be no incentive for any nearby kingdoms to marry Annelise because she’d be a poor princess to a broke kingdom that would offer effectively no benefits to any allyship. The best, and most to the point plan that the queen comes up with is to marry her daughter off so her kingdom would get an injection of money as soon as possible, because they effectively had no other solutions. They didn’t know about the crystal mines, and they didn’t know Preminger was fabulously wealthy. The only solution was to make themselves look good, like a viable, healthy(ish) kingdom and hope that Dominick would accept the proposal and save their kingdom.

And that leads me to Dominick. Dominick, unlike Annelise, doesn’t use his privilege to help anyone other than himself and Erica. And even then, that privilege mostly amounts to him getting to do what he wants. While Annelise simply accepts that she has to marry this king, Dominick goes out of his way to disguise himself as a page boy so he could get to know Annelise before agreeing to anything. Dominick preemptively gives himself an out and chooses to test Annelise, while Annelise has to take the hand she’s given and not complain. In all of this, Annelise isn’t the one with a choice, ever. Her mother chooses to marry her off, her mother chooses king Dominick, Dominick chooses to disguise himself, and then Preminger chooses to kidnap her so she can’t marry Dominick. She has no agency in her life.

The only reason Dominick reveals himself to Erica (who is pretending to be Annelise at the moment so the marriage to save the kingdom doesn’t get called off) is because he thinks Annelise ran away because she didn’t want to marry a stranger. But he still is the one with the agency, and he only reveals his true self when he thinks that Annelise acted on her own behalf.

So Annelies isn’t allowed to have her own agency, but is spoiled because she’s rich, meanwhile Dominick is a king who practices his own agency regularly throughout the movie and he is rarely if ever criticized for it. He gets to meet Erica, fall in love with her, he gets to choose her, and when Erica is revealed to be a pauper and thrown in the dungeon he gets to use a suit of armor to sneak in and get her out of the prison safely. While I don’t think he got permission to break her out, he still was allowed to use his resources to go back to Annelise’s castle and get a suit of armor to sneak into the dungeon and break Erica out.

No one else in this film would’ve had access to resources like that other than maybe Annelise, and yet I don’t see anyone saying that Erica should check King Dominick’s privilege and lecture him on how he was lucky that he was allowed to get have the money to be a king and access to a suit of armor to sneak into the dungeons and save her from probably a death sentence. In this situation, Dominick is purely using his privileges for himself. Yes, he saves Erica, but at this point he’s also in love with her, and he’s saving her not just because she’s a good person, but because he’s fallen in love with her and doesn’t want to lose her.

When she’s accused of killing Annelise, he is distraught. He doesn’t believe it, he can’t fathom that this sweet young lady that he’s spent the week with would do something so horrid. That is why he saves her. Not because of some sense of justice, it’s because he’s smitten with her. Yes, he uses his privilege to help someone in a worse position than him, but according to people who are criticizing Annelise, that’s not enough. Especially when it’s a decision made out of self interest.

At the end of the film, Annelise and Dominick both help Erica with her situation. The royal family, having found out that Madame Carp’s business is corrupt at best, stops purchasing from her and she goes out of business. I can already hear people saying “The family shouldn’t have been buying dresses from Madame Carp in the first place! She’s vindictive and cruel to her workers!” and to that I raise you: How many beauty influencers and brands these days do something sketchy, and it’s later revealed that they were a horrible person or a bad corporation?

My first thought, as someone who wears alternative fashion, is DollsKill. I can admit that I’ve purchased things off of their website before I found out how unethical they are. Should I have done more research? Yes. And I don’t shop with them any more because of it. But if I, and many other people, were able to make that mistake in the year of 2023 with access to infinite information on the internet, then it’s easy to see how someone in the 1700’s could’ve made the same folly.

Especially since Madame Carp doesn’t exactly go around bragging that she abuses her seamstresses. We know that Annelise never met Madame Carp before the film, as Madame Carp claims she’s the princess’s “close personal friend” while actively calling Annelise "Erica" and refusing to believe it’s actually the princess in her boutique. Realistically, Annelise and the queen likely don’t even go shopping, they probably have a servant go into the market, buy a few gowns for upcoming events, and only know the gowns by their brands.

I do wonder what happened to Bertie after all of this, but she seems pretty happy that Madame Carp has to leave, so perhaps she has a backup plan or some sort of safety net. Maybe she was also in debt to Madame Carp and was just looking forward to paying off her debts before starting her own dress emporium, we don’t really know. Either way, the dress shop closing gives Erica the freedom to pursue her music career that she was being held back from and she does so. But that still leaves our boy Dominick. He talks to Erica, tries to convince her to stay with him, but she tells him that her dream is to travel and sing. He does eventually acquiesce and gives her an engagement ring, telling her that it was for her anyways, and that it wasn’t a promise nor pressure, simply a gift. In the end, after performing for a long while, Erica decides that she wants to be with Dominick and travels to his kingdom to marry him.

I think that Annelise and Dominick are both good people for being Monarchs that put the interest of those around them before themselves. But for some reason, Annelise is held to a much higher standard than Dominick, even when she makes very human mistakes. They both are raised as royalty, King Dominick likely even more so as he’s king of a wealthy kingdom, but he is never put under the same scrutiny as Annelise. Sure, he never claims to relate to Julian, but Annelise never claimed to relate to Erica until she suggested it.

And Annelise’s privileges aren’t always a good thing. I feel like people neglect the whole section of the story where she was kidnapped and held prisoner because of her mother’s advisor. Not figuratively, literally. Taken from her home and locked in a random cabin because Preminger wanted to be king and figured that kidnapping her was the wisest choice rather than just advising the queen to not marry her off. Annelise is actively put in danger and harm’s way because of her status.

Honestly, Annelise really gets the shaft, full pun intended, in the second half of the film, a lot of time being spent on Erica and King Dominick’s relationship. Despite being The Princess and the Pauper, Annelise’s story is really the B plot to Erica’s love story. This makes sense, after all, she spends a lot of time just kidnapped and locked in various rooms, but in a weird way this just shows yet again that she has no autonomy even in her own story. And yet, she’s the one who’s scorned for being spoiled.

“Well, she is spoiled. She had a roof over her head and warm food and we see how Erika is baffled at the spoils when she’s a princess” But I'm gonna say something that's likely gonna get the pitchforks out: Money doesn't buy happiness. Before anyone hits me with a “I’d rather cry in a bugatti than a gutter”, let me explain.

The phrase “money can’t buy happiness” has two very different interpretations, and I find that both sides refuse to listen to the other even though both have valid arguments. There’s the stance that it can buy happiness, as money provides all sorts of things. On the surface, it’s shallow things, jewelry, gaming consoles, toys, fashion, knick knacks and trinkets that provide short term serotonin by buying something that you really want. But dig a bit deeper, and it gives more than that. Money is stability, shelter, food, water. It’s hard to be happy if you can’t have those things. To further elaborate, if you’re in a bad enough position that you can’t afford to heat your home, or buy a meal, or get clean drinking water, being able to afford that, either by your own means or by having someone else get it for you, is something that can’t be put into a monetary value- even if it literally is given a price. Getting to have access to water, shelter, knowing that you’ll have food in the morning, that’s something that you likely won’t understand the value of if you’ve always had it. Money may not buy literal happiness, but it provides security, and that security can lead to happiness.

Then there’s the argument that it can’t buy happiness, and people who have this opinion usually aren’t wondering where their next meal will be coming from or if they can pay rent this month. This stance is usually painted as privileged and spoiled because “well, you can say that because you’ve never had to worry about paying to survive”, but in my experience it’s quite the contrary. Most people I’ve met who say “money can’t buy happiness” usually include a caveat that if someone is in a position where they can’t afford food or shelter then of course money buys happiness. Stability is the foundation of comfort and comfort leads to happiness. No one is saying that someone’s ridiculous for being happy they can afford to live. And if you have seen that stance, then I'm sorry humans just suck.

Rather, “money can’t buy happiness” means that material objects cannot replace emotional intimacy or support. Surface level items have short-term pleasure that cannot be sustainable as the happiness lasts less and less with each material object. And this feeling of dissatisfaction only increases the more things you get. This is especially true when it comes to gifts. While gift giving is a valid love language, the whole point of it is giving or receiving items that have sentimental value more than monetary value. A pebble that’s their favorite color means way more than a PS5 when they exclusively use Nintendo products.

But when you don’t have a support system, healthy relationships, and the people you do have around you try to replace emotional intimacy with shallow gifts that don’t amount to anything, you find yourself downright miserable. Most people that I’ve met that have the stance that money can’t buy happiness tend to reach that conclusion after a guardian figure causes intense emotional distress or neglect then tries to purchase love with a shallow but expensive gift. It’s not that money can’t provide you with things that make you happy, it’s that money can’t provide emotional intimacy or a genuine support system.

If anything, Princess and the Pauper is the perfect allegory for this phrase, as Erica, though poor and struggling to get by, has emotional support in Bertie, her singing, her dreams. But, she doesn’t have access to security, stability, physical comforts, and is blocked from pursuing her goals because of external factors. Annelise meanwhile, is in a position of comfort and stability, but doesn’t have any emotional support nor outlets, her only friend being her teacher and her mother having a strict regime for her to follow regardless of her desires while being surrounded by luxurious gifts from other royalty that are ultimately empty gestures.

All of this to say, while Annelise is a princess who lives with the privileges of being a rich, upper class girl with access to many things that Erica could only dream of, her life isn’t one of luxury and spoils. She doesn’t get to indulge in her pleasures and can only appreciate things on a surface level because that is all she has time for. I don’t think most of the people who criticize Annelise could actually handle her schedule every day of every month of every year. She’s not some Disney princess who’s only job is to be pretty and interesting for the male love interest, she has duty. Responsibility. A full time job that dictates her sleep schedule.

She’s not unaware of her privileges and if anything is always using them to help everyone else, and at the end of the film she still doesn’t get that freedom that she’s searching for. She invites a pauper to sing at the castle, she tries to find solutions to the kingdom’s bankruptcy for her people, she goes out of her way to help when she can, and she’s not completely insensitive to the struggles of her friends. Even when she’s supposed to be taking a break, or is in a dire situation, she’s still constantly thinking of how to help others first.

Yes, she gets to marry Julian, but she’s still a princess and still likely follows her royal schedule to a T. While Erica got to learn what it’s like to be a princess, got to pursue her music, and got to marry King Dominick, becoming a princess herself, Annelise’s conclusion is ultimately that she managed to solve the kingdom’s bankruptcy so she could marry whom she chooses and then proceeds to fall back into the same routine of fixing everything for everyone else. She only gets freedom in one aspect, and we never see her actually get a day to herself, a day to relax. The only “relaxation” we see happening is with Erica while she spends time with Dominick, and that week likely was going to be Annelise’s only break before the marriage. So even after saving the day, Annelise still doesn’t get what she wants, and yet supposedly she’s spoiled rotten.

Truly, she does do what she says in the first song Free. “I’ll remain forever royal… Duty means doing the things your heart may well regret.” Erica never actually repays her parent’s debts, Madame Carp goes out of business and Erica gets let off the hook probably because she has two very powerful royals on her side. And this once again is Annelise using her privileges to help those who don't have the same as her by choosing to not support a business that is bad for its workers.

Erica gets released from her servitude early and then gets to chase after her dreams, but Annelise only gets to marry Julian after putting in the work to solve the bankruptcy so she doesn’t have to marry some other rich king that isn’t the one who fell for her best friend.

[pinkacademic]

Consider- Barbieland, but its a proper Disneyland

Full-on simulacra, you go right into the fantasy BUT its designed to be educational too with different Lands that are full of fun and learning:

A science land where you can meet Analiese from Princess and the Pauper and the sci-fi characters (eg Starlight, Video Game Hero) and about real women in science through

The Fashion Boulevard features all the shops but also you can meet Erika, the fashion fairies from Fairy Secret, and you can learn about fashion history

There’s an animal kingdom (a proper one, no Sea World scandals in Barbieland) with Rosella and Isla the mermaid where you can learn about animals

Beyond the animal kingdom, there’s the Mermaid Kingdom which features mermaid performers dressed as Lumina etc, and also extends the animal education

There’s a rockstar row too, and a princess pavillion

And a whole ballet theatre

And an artist’s alley where Rapunzel guides you through different artists and art history, and the process of animating the movies… and also where you can buy merch.

There’s also the Dreamhouse which is the princess castle in this place’s centre, and you can meet Barbie’s sisters, but also that’s where the lecture theatre hosts talks every month from people in a tonne of different fields.

Rides Include

A dumbo-style flying dragon ride for Rapunzel

bumper cars but they’re carriages

a pegasus flight rollercoaster

A log flume that’s designed after Barbie’s pool

This section needs the most work… but you get the idea. There’s also themed restaurants and cafes, and of course lots of shops, and the hotels all have pink beds. There’s also rooms you can book in the actual Dreamhouse like in Cinderella’s castle.

Idk, its just something I think about.

[raven-at-the-writing-desk]

Question: if Miss Raven (your OC) was put under Malleus' sleep spell like everyone else, what would she be dreaming about?

Miss Raven would dream of the idyllic fairy tale world of a Disney animated film or musical production (including spontaneous song-and-dance sequences and dramatic soliloquies). Think like Enchanted!😂 She'd be the main character (freed of her curse, of course), able to spend her days singing in meadows, picking flowers, eating fresh bread (she shares with the local priest named Rollo), and sharing stories with the local townspeople. Oh, but what's this? An invitation to a grand ball has arrived for her! Miss Raven had better dress nicely for her big debut. Her friends are there to help--patient Silver with his animal friends (the mice can sew, and the birds make perfect bows!), compassionate Kalim with his endless smiles and budget, clever Ortho searching up the latest fashion trends to formulate the best look for her, and... Deuce who's there for moral support~ When the night of the ball comes, her Uncle Crowley can lead her in by the arm, warning her to have fun, but remember to be ready to go home by midnight or her father will worry. Her father, her creator, her mentor, the Storyteller--he's still alive in the dream, and she lives happily with him and her Uncle. Miss Raven makes the promise and skips off to enjoy herself, not knowing that she just may find not just fun, but also the prince of her dreams. (Who that is exactly, I'll leave that up to your imagination 🤡 Maybe it's an eel butler, maybe it's a huntsman maybe it's a lion)

(Malleus is off in some secluded corner of the ball, carefully observing her from a distance. Miss Raven was often the one weaving these stories--but now the roles have been reversed, with Malleus as the weaver and Raven as the character in the tale that has been woven. "Sweet dreams, young Crowley. Dream on, forever and ever.")

Basically, it's the kind of nice, peaceful life she expected she'd have when she first turned into a human.) The Miss Raven we know of now has become a little jaded and pessimistic from her life experiences like constantly being around the troublesome students of NRC. Despite this, she’s still a kid at heart and wants to believe in, and hope for, the best in others (though she tries desperately to cover these parts of herself up so she can appear as mature and strong to her peers). That's why her version of a “happy ending" reflects the more girlishly innocent, naive side to her, just like the stories she likes to write.

She's wished for her own happiness for so long, I think she'd easily fall into the trap and not realize it's all fake. As one wise and hopelessly optimistic Disney princess put it: "Everybody wants to live happily ever after." It would take some outside interference or dream world anomalies for her to realize that something is 'off' and snap out of it.

Bonus: I’ve been thinking about m!Raven lately (from an April Fools Day blog event), so I’ll talk a little about him too!

(Male) Raven’s idea of a happy ending is like an amalgamate of OG!Raven’s wishes and Vil’s desire to play the hero. Like the original Raven, m!Raven would be free of his curse in the dream. His ideal life has more adventure than OG!Raven’s 😂 and he gets to be a local pretty boy or something— indulge in his own markedly selfish desires whenever he wishes to.

Instead of being a pauper turned princess attending a ball, m!Raven wants to be the heroic prince the kingdom is throwing the ball to celebrate. He loves having the freedom to galavant and flirt among his subjects—but hey, who’s to say he won’t find a meaningful connection amongst all those in attendance? A partner to soothe the wild, wayward soul of the raven prince?