#primary! sources!

[royalarchivist]

Every time I see someone cite one of my clips when telling people about a particular charater, analyzing a specific interaction, or making lore predictions, it always warms my heart.

[hoarding-stories]

Vox Machina: Grand figures that grew into amassed power

The Might Nein: Folk heroes that have a finger in every pot

Bells Hells: People with near-cosmic knowledge at the crux of things thrust upon them

[theoihalioistuff]

ARES IS NOT THE PROTECTOR OF WOMEN IN GREEK MYTHOLOGY.

He is never presented as such in any source, there is no evidence such a role was ever assigned to him in any account, and as far as I'm aware this popular yet unattested assertion is born from the echo-chambers of tumblr. In fact quite the opposite could be argued. TW for sexual assault.

This baffling claim seems to originate from a sort of shallow examination of the way Ares "behaves in myth", and the following arguments are the most frequently presented:

1. Ares protects his daughter Alkippe from assault, and is therefore morally opposed to rape. (Apollodorus 3.180, Pausanias 1.21.4, Suidas "Areios pagos", attributed to Hellanikos)

Curiously this argument is never applied to, among other examples: Apollo for defending his mother Leto from Tytios, Herakles for defending Hera from Porphyrion (or his wife Deianeira from Nessos), or Zeus for defending his sister Demeter from Iasion (in the versions where he attacks her), etc. The multiple accounts of rape of the previously mentioned figures did not conflict with these stories in greek thought: they're defending family members or women otherwise close to them. This sort of mentality is not uncommon even in contemporary times, e.g. a warrior may have no ethical problem killing men, but would not want his own family or loved ones to be killed. The same goes here for sexual assault.

2. There are no surviving accounts of Ares sexually assaulting anybody.

The idea that the ancient greeks pictured that, among all the gods, Ares was the only one who shied away from committing rape is baseless and borders on ridiculous. In this case absence of evidence is not evidence of absence.

The majority of surviving records regarding Ares' unions are presented in a genealogical manner, and do not go into details on their nature. This is the case for most works of mythography, where specifics of sexual encounters are to be found elsewhere. However, common motifs present in other accounts of rape also appear in stories concerning Ares' relationships, e.g. tropes like shape-shifting/the use of disguises, the victim being a huntress, secrecy, and the disposal of the concieved child, are to be found in the stories of Phylonome and Astyoche respectively:

Φυλονόμη Νυκτίμου καὶ Ἀρκαδίας θυγάτηρ ἐκυνήγει σὺν τῇ Ἀρτέμιδι: Ἄρης δ᾽ ἐν σχήματι ποιμένος ἔγκυον ἐποίησεν. ἡ δὲ τεκοῦσα διδύμους παῖδας καὶ φοβουμένη τὸν πατέρα ἔρριψεν εἰς τὸν Ἐρύμανθο

"Phylonome, the daughter of Nyktimos and Arkadia, was wont to hunt with Artemis; but Ares, in the guise of a shepherd, got her with child. She gave birth to twin children and, fearing her father, cast them into the [River] Erymanthos." (Pseudo-Plutarch, Greek and Roman Parallel Stories, 36)

οἳ δ᾽ Ἀσπληδόνα ναῖον ἰδ᾽ Ὀρχομενὸν Μινύειον, τῶν ἦρχ᾽ Ἀσκάλαφος καὶ Ἰάλμενος υἷες Ἄρηος ��ὓς τέκεν Ἀστυόχη δόμῳ Ἄκτορος Ἀζεΐδαο, παρθένος αἰδοίη ὑπερώϊον εἰσαναβᾶσα Ἄρηϊ κρατερῷ: ὃ δέ οἱ παρελέξατο λάθρῃ: τοῖς δὲ τριήκοντα γλαφυραὶ νέες ἐστιχόωντο.

"And they that dwelt in Aspledon and Orchomenus of the Minyae were led by Ascalaphus and Ialmenus, sons of Ares, whom, in the palace of Actor, son of Azeus, Astyoche, the honoured maiden, conceived of mighty Ares, when she had entered into her upper chamber; for he lay with her in secret" (Homer, Iliad 2. 512 ff)

In neither of these cases is a verb explicitly denoting rape used, though it is heavily implied by the context. The focus of the action is on the conception of sons, the nature of the interaction is secondary.

Other examples are found among the daughters of the river Asopos, who where (and here there's no confusion) ravished and kidnapped by different gods to different parts of the greek world, where they found local lines through children borne to their abductors and serve as eponyms. Surviving fragments from Corinna of Tanagra tell us:

"Asopos went to his haunts . . from you halls . . into woe . . Of these [nine] daughters Zeus, giver of good things, took his [Asopos'] child Aigina . . from her father's [house] . . while Korkyra and Salamis and lovely Euboia were stolen by father Poseidon, and Leto's son is in possession of Sinope and Thespia . . [and Tanagra was seized by Hermes] . . But to Asopos no one was able to make the matter clear, until . . [the seer Akraiphen reveals to him] 'And of your daughters father Zeus, king of all, has three; and Poseidon, ruler of the sea, married three; and Phoibos [Apollon] is master of the beds of two of them, and of one Hermes, good son of Maia. For so did the pair Eros and the Kypris persuade them, that they should go in secret to your house and take your nine daughters." (heavily fragmented papyrus. Corinna fr. 654)

"For your [Tanagra's] sake Hermes boxed against Ares." (Corinna fr. 666)

It seems that, similar to the myths of Beroe or Marpessa, the abducted maiden is fought over by two competing "suitors", and though we can infer that the outcome of the story is that Hermes gets to keep Tanagra, apparently by beating Ares in a boxing match, we don't actually know what happened or how it happened. In any case, Ares does mate with another daughter of Asopos, Harpina, who bears him Oinomaos according to some versions (Paus. 5.22.6; Stephanus Byzantium. Ethnica. A125.3; Diodorus Siculus 4. 73. 1). There is little reason to suppose that this encounter wasn't pictured as an abduction like the rest of her sisters.

The blatant statement that each of his affairs was envisioned as consensual is simply not true.

3. He was worshipped under the epithet Gynaikothoinas "feasted by women"

This was a local cult that existed in Tegea, the following reason is given:

"There is also an image of Ares in the marketplace of Tegea. Carved in relief on a slab it is called Gynaecothoenas. At the time of the Laconian war, when Charillus king of Lacedaemon made the first invasion, the women armed themselves and lay in ambush under the hill they call today Phylactris. When the armies met and the men on either side were performing many remarkable exploits, the women, they say, came on the scene and put the Lacedaemonians to flight. Marpessa, surnamed Choera, surpassed, they say, the other women in daring, while Charillus himself was one of the Spartan prisoners. The story goes on to say that he was set free without ransom, swore to the Tegeans that the Lacedaemonians would never again attack Tegea, and then broke his oath; that the women offered to Ares a sacrifice of victory on their own account without the men, and gave to the men no share in the meat of the victim. For this reason Ares got his surname." (Paus. 8.48.4-5)

As emphasised by Georgoudi in To Act, Not Submit: Women’s Attitudes in Situations of War in Ancient Greece (part of the highly recommendable collection of essays Women and War in Antiquity), "it is not necessary to see the operation of an invitation in the bestowal of the epithet Γυναικοθοίνας on Ares". The epithet is ambiguous, and can be translated both as "Host of the banquet of women" or "[He who is] invited to the banquet of women". In any case no act of divine intervention occurs, and the main reason for the women's act of devotion lies principally in recognising their decisive role in the routing of the Lakedaimonians. It's they who preside/participate in the feast of war, the men are excluded.

Also this a local epithet that isn't found anywhere else in Greece. As such it would be worth reminding that not every Ares is Gynaikothoinas, in the same way not every Zeus is Aithiopian, not every Demeter Erinys, and not every Artemis of Ephesos.

4. He was the patron god of the Amazons

He was considered progenitor of the Amazons because of their proverbial warlike nature and love of battle, the same reason he was associated with other "barbaric" tribes, like the Thracians or the Scythians. In this capacity he was also appointed as a suitable father/ancestor for other violent and savage characters who generally function as antagonists (e.g. Kyknos, Diomedes of Thrace, Tereos of Thrace, Oinomaos, Agrios and Oreios, Phlegyas, Lykos etc.). Also he was by no means the only god connected with the Amazons (they were in fact especially linked to Artemis, see Religious Cults Associated With the Amazons by Florence Mary Bennett, if only for the bibliography).

Similarly, Poseidon was considered patron and ancestor of the Phaiakians mainly because of their mastery over the art of seafaring (and was curiously also credited in genealogies as father to monsters and other disreputable figures).

On another note I have found no sources that claim he taught his amazon daughters how to fight, as I've seen often mentioned (though I admit I'd love to be proven wrong on that point).

5. Finally, the last reason Ares could never be portrayed as a protector of women is because of his divine assignation itself

The uncountable references to his love of bloodshed and man-slaying don't just stop short of the battlefield, but continue on to the conclusion and intended purpose of most waged wars in antiquity: the sacking of the city. The title Sacker of Cities as an epithet of Ares (though it is by no means exclusive to him) is encountered numerous times and in different variations (eg. τειχεσιπλήτης or πτολίπορθος), and the meaning behind the epithet is plain. Though it is hard to summarise without being reductionist, the sacking of a city entails the plundering of all its goods, the slaughtering of its men, and the sistematic raping and enslavement of the surviving women (to name only a small few of the literary references see The Iliad, The Trojan Women or The Women of Trachis). There is little need to emphasise that war as concieved of in ancient greece, especifically the brutal aspects of war Ares is most often associated with, directly entailed sexual violence against women as one of it's main concerns. The multiple references to Ares being an unloved or disliked deity are because of this, because war is horrifying (not because his daddy is a big old meany who hates him for no reason, Zeus makes very clear the motive for his contempt in the Iliad (5. 889-891): "Do not sit beside me and whine, you double-faced liar. To me you are most hateful of all gods who hold Olympos. Forever quarreling is dear to your heart, wars and battles.")

Ares was only the protector of women inasmuch as he could be averted or repelled (e.g. surviving apotropaic chants):

"There is no clash of brazen shields but our fight is with the war god, a war god ringed with the cries of men, a savage god who burns us; grant that he turn in racing course backward out of our country’s bounds, to the great palace of Amphitrite or where the waves of the thracian sea deny the stranger safe anchorage. Whatsoever escapes the night at last the light of day revisits; so smite him, Father Zeus, beneath your thunderbolt, for you are the lord of the lightning, the lightning that carries fire." (Shophocles, Oedipus Tyrannos, 190-202)

"And let no murderous havoc come upon the realm to ravage it, by arming Ares—foe to the dance and lute, parent of tears—and the shout of civil strife." (Aeschylus, Suppliant Women 678)

~~~~~

All that being said, this is a post about Ares as conceptualized and attested in ancient sources, made specifically in response to condescending statements about how "uhmmm, actually, in greek mythology Ares was a super-feminist himbo who was worshipped as the protector of women and was hated by his family for no reason, you idiot". It is factually incorrect. HOWEVER, far be it from me to tell anyone how they have to interact with this deity. Be it your retellings, your headcannons or your own personal religious attachments and beliefs towards Ares, those are your own provinces and prerogatives, and not what was being discussed here at all (I personally love art where Ares and Aphrodite goof around, or retellings where he plays with his daughters, or headcannons that showcase his more noble sides, etc.)

~~~~~

I've seen that other people on tumblr have made similar posts, the ones I've seen were by @deathlessathanasia and @en-theos . I have no idea how to link their posts, but they're really good so go check them out on their pages!

[m3dieval]

Cennino D' Andrea Cennini's Il Libro dell' Arte (The Craftsman's Handbook, translated by Daniel V. Thompson) is available for free online in what appears to be the full text. The Il Libro dell' Arte was written in the 15th century and is basically a late Medieval art how-to book.

I'm hoarding it for the helm crest making part, but it also has:

Making Glue out of Lime and Cheese

How to Paint a Dead Man

Actually quite a lot on making coloured pigments

[cheesenchalk]

thinking about that time somewhere in the early 70's George found an old letter of his from like '61 or something and pattie told him he should save it so he 'recreated' it and just for funsies threw in a line or two that wasn't in the original about how paul sucked at bass and john wanted to kick him out of the band. unparalleled haterism. you have to respect it

[usnatarchives]

Happy #NationalComicBookDay! Did you know the National Archives carries a wide array of comic books such as this No.90 "Batman" comic once used as evidence in an investigation by the Judiciary Committee of the United States on juvenile delinquency?

In April 27, 1953, the Judiciary Committee of the United States Senate created a Special Subcommittee on Juvenile Delinquency to investigate the causes of juvenile delinquency and to propose measures in response. The subcommittee examined several factors influencing young people, but it drew the most attention when it investigated the allegation that comic books contributed to the rise in juvenile crime. The subcommittee looked at comics like this one as evidence.

The early 1950s were a time of great anxiety about the nation’s youth. In 1955, Newsweek magazine reported that the national crime rate had increased by 33.4 percent since 1940, largely due to increased criminal acts by teenagers. Comic books were a new form of media and among the first consumer products specifically marketed to teenage buyers. Civic and religious leaders linked comic book reading to antisocial and criminal behavior, and several major newspapers launched anti–comic book editorial campaigns.

During April and June, 1954, the Subcommittee on Juvenile Delinquency held televised public hearings in New York, the center of the comic book publishing industry. They were especially concerned about comic books’ vivid, detailed illustrations of violent acts. In the end, the subcommittee found that reading comic books did not cause teenagers to commit crimes. They ruled against censoring or banning comics and instead called on the comic book industry to regulate itself by adopting a ratings code and imposing a voluntary ban on depictions of extreme violence. The committee concluded that, ultimately, it was a parent’s role to screen material their children read.

[poorly-drawn-mdzs]

you are so whimsical i qant to check out this mdzs (..??) because of your whimsical nature thank you sorry im very high and your art moved me emotionally

This is simultaneously the sweetest and funniest thing someone has sent me, thank you.

[ghostshipglamour]

The best thing about the terror amc season one is that you will never run out of guys.

You’d think with it being two ships not moving and everyone dying we’d run out but nooo every rewatch means an exponentially growing number of sad men to care about

[muffinlance]

That moment when you have to completely stop using Google docs for your writing because the AI spellchecker is actively, insistently wrong, when it catches things at all

Anyway here's me crawling back to LibreOffice and Scrivener like the disloyal hussy I am

[sierrabravoecho]

I never stop thinking about the two Loras/Jaime White Sword Tower conversations… first recorded incidences of himbo-on-himbo crime

[incorrect-tmnt2012-quotes]

Leo & April: Wait, who are fighting? Raph: Anyone who's not a primary color. Donnie, Mikey & Casey: >:(

[marzipanandminutiae]

let's play "spot the undervalued historical sub-field!"

source, source, source, source, COMPLETELY UNSOURCED STORY TREATED AS A SOURCE IN ITSELF DESPITE BEING- AGAIN- NOT A SOURCE AT ALL, source, source, source...

being a clothing history specialist is fucking exhausting, guys

(also enjoy those history myths, or at least mischaracterizations. "they were SO GROSS that their hair was FULL OF VERMIN ALWAYS and they only cared enough to MAKE SPECIAL HEAD-SCRATCHERS, not DO ANYTHING ABOUT IT!!! EWWWW!!!")

[may-we-rest-well]

I wish more people saw Toshinori as a dandelion instead of a sunflower. There's so much more depth and meaning to that flower comparatively.

[markscherz]

I clicked on that wikipedia link you posted for H. fleischmanni and was surprised to see that the section talking about the frog’s natural predators was titled “enemies” instead of “predators.” The word “enemies,” at least to me, seems strange in this context because it seems to anthropomorphize the frogs, which as far as I’m aware is something zoologists try to avoid doing with animals. Is there a scientific reason for “enemies” to be used here, as opposed to “predators”?

Regrettably, a huge number of problems of this kind have been built into Wikipedia by the Wikipedia Education Foundation-supported courses. Students carry out an 'assignment' that involves a dramatic expansion to a given wikipedia page based on any literature they can find. That revised page is then subjected to 'peer review' by their classmates. But because they are unfamiliar with (1) the literature, (2) the contents of other wikipedia pages, and (3) how wikipedia actually works, the resulting pages are often full of misinformation, redundancies, and weird formulations.

You have accurately identified one such idiosyncrasy. 'Enemies' was a very common formulation for 'predators' in the 1800s and early 1900s, but we have largely left it behind, for precisely the reason you say, and hence it sounds jarring to our ears. In this case it is a minor problem (you should have seen how the Paroedura masobe page looked before I cleaned it up), but irksome nonetheless.

[authorindistress]

I know they aren't together anymore, but it would have been so cute if it was revealed Nigel had kept a diary that detailed everything Isaac did and they used that for the source.

[representative-democracy]

What?!?! Thats so crazy! They put tragedy in my boat media!

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