#preliminary story ideas
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lightningblade1994-blog · 5 months ago
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{SONIC THE HEDGEHOG} "Story/Plot Summary [3rd Rough Draft] (For © KatarinaTheCat)
"THE DEATH EGG SAGA"
Part I: The Prelude Arc
The genesis of the Death Egg saga can be dated back to the start of the South Island incident, when Eggman, frustrated by his constant defeats, learned of the six Chaos Emeralds resting on South Island and carried out a massive invasion of the island to use them to conquer the earth. The doctor kidnapped all of the local Animals to use them as power sources for his robot army of "Badniks", and built his fortress, the Scrap Brain, as a base of operations. However, Sonic heard of the invasion and rushed to South Island to save it. After facing hundreds of Eggman's robots and the doctor himself at various points, the hedgehog made it to the Scrap Brain with the six Chaos Emeralds in his hands and defeated Eggman one final time, bringing peace back to the island. He then released the gems, which filled the areas there with flora before being flying off to West Side Island along with a seventh Emerald.
Part II: Little Planet Arc
In what became known as the Little Planet incident, Dr. Eggman learned of the appearance of Little Planet - a mystical planetoid that appears over the earth's Never Lake region once every year - and the seven Time Stones that were resting there that were said to be capable of controlling time itself. Coveting these stones to conquer the world, he trapped the planetoid inside of a nasty metallic shield that was chained to one of the mountains in Never Lake. Eggman then sent his Badniks to Little Planet to wreak havoc. These events caused the future of the planet to be a desolate wasteland ruined with pollution and machinery.
Upon learning of his nemesis' actions, Sonic traveled to Little Planet, where he learned that he could undo Eggman's operations by going back to the past and destroying a "robot transporter" there. A while after his arrival, he met Amy Rose - a female hedgehog deeply in love with him - who got kidnapped by Metal Sonic, a deadly robot created by the doctor to counter Sonic's abilities. Making his way through Little Planet's regions, Sonic liberated them from his adversary's control, resulting in "good futures" with harmony and peace. Upon arriving at the Stardust Speedway city, the hedgehog encountered Eggman and Metal Sonic, the latter of whom challenged him into a deadly race. When he won, Sonic rescued Amy and then freed Little Planet from the scientist's control when he destroyed the doctor's Metallic Madness base.
Part III: Death Egg Deployment Arc
Following these victories, Sonic boarded his biplane, the Tornado, and left off in search for adventures, eventually finding West Side Island and going to rest there, not knowing that Eggman was following him. Soon after landing on the island, the doctor kidnapped the local Animals for his Badniks to find the seven Chaos Emeralds that were said to be resting there according to legend. The villain's plan was to use the gems as a power source for his newest orbital weapon/space station: the Death Egg. Meanwhile, Sonic met Miles "Tails" Prower, a young fox with two tails and a great passion for machines, and the two quickly became best friends.
A few days later, when Eggman began to terrorize West Side Island's regions to find the Chaos Emeralds, Sonic and Tails set out to stop him. While making their way through the island's various areas, the duo collected the seven Emeralds and had numerous encounters with the doctor. With the gemstones in his hands, Sonic was also able to attain a Super transformation - Super Sonic - for the first time. Eventually, the heroes boarded the Tornado to chase after the scientist in his Wing Fortress battleship. However, an ensuing assault caused the biplane to be heavily damaged and begin to fall off, thus forcing Sonic to continue on his own. After bringing the warship down, the hedgehog saw Eggman escape in a space rocket to outer space. Fortunately, Tails returned with a repaired Tornado and helped Sonic grab ahold of the doctor's rocket. Soon after, the hedgehog found himself boarding the Death Egg, which had been finished and launched with no Chaos Emeralds. Following a showdown between Sonic and Eggman, who was piloting his Death Egg Robot mech, a chain-reaction caused the Death Egg to begin exploding, forcing the hedgehog to go back to the earth as Super Sonic, where he reunited with Tails as the space station was seemingly destroyed.
Part IV: Angel Island Arc
In the "Angel Island incident", it turned out that the Death Egg had actually not been destroyed; following the previous events, it began falling into the earth's atmosphere and collided with a floating landmass known as Angel Island. This crash of catastrophic proportions caused the island to fall into the surface of the ocean, resulting in massive tsunamis around the world. Having survived this calamity, Eggman detected energy fields of the Master Emerald. Wanting to use this powerful gem to relaunch his space station, the scientist began kidnapping Animals for his Badniks yet again. Eventually, he came across Knuckles the Echidna, the guardian of this massive Emerald, and falsely claimed that he was a kind scientist who was researching the Death Egg's crash and that Sonic was coming for the Master Emerald. Falling for Eggman's lies, Knuckles promised to help him drive Sonic off the island upon his arrival.
Days after the Death Egg's crash, Tails caught a strong Chaos Emerald signal on his Emerald Detector, while Sonic found a Ring that gave him an unexplainable desire to go to Angel Island. When the two arrived at the island using the Tornado, however, Knuckles ambushed them with a cheap shot from below, causing them to lose the Chaos Emeralds, which the echidna picked up and ran off with. Soon after, the heroes began making their way through the floating island's various regions, recollecting the Emeralds along the way. Despite facing countless setbacks, they eventually made it to the Launch Base, where the Death Egg was undergoing the last few repairs, and got onboard the station just as it began taking off. There, they faced various of Eggman's most powerful mechs. Despite the odds, the doctor was again defeated, and the Death Egg - due to the battle having taken place during a critical point of its launch - crashed back onto Angel Island's volcano, Lava Reef, while Sonic and Tails landed on Mushroom Hill.
Part V: Sonic & Knuckles Arc
Knowing that the Death Egg would soon be relaunched yet again, Sonic and Tails continued their adventure across Angel Island while resisting various setbacks from Knuckles and Eggman. Eventually, they discovered a "Super Ring" which led them to the Master Emerald's altar at the Hidden Palace that upgraded their Chaos Emeralds into the very powerful Super Emeralds. When the heroes collected these enhanced Emeralds, Sonic became able to attain a Hyper transformation - called Hyper Sonic, an even more powerful version of Super Sonic. After boarding Eggman's Flying Battery, Sonic and Tails landed at Sandopolis, where they made their way to the Lava Reef. At the heart of this area, the doctor activated the Death Egg's laser eyes, causing the volcano to become active. After managing to escape from this place, the duo entered the Hidden Palace, where they had a confrontation with Knuckles. However, their encounter was interrupted when they saw Eggman steal the Master Emerald despite the echidna's best attempts to prevent this. Without the Emerald where it belonged, Angel Island began falling down. Realizing that he had been tricked, Knuckles guided Sonic and Tails to the celestial Sky Sanctuary, where they had several battles against the scientist's Mecha Sonic Mk. II before barely boarding the Master Emerald-powered Death Egg which was leaving the atmosphere.
Along Sonic and Tails' path was a space station full of traps, Badniks, and dangerous areas. After overcoming these hazards, the duo faced Eggman's Giant Eggman Robo, powered by the Master Emerald itself. When this massive mech was destroyed, the doctor tried to escape one last time with the massive Emerald in his Egg Mobile, as the Death Egg itself finally crumbled and got completely destroyed, but his attempts ended in vain. Afterwards, Sonic transformed into Hyper Sonic and gave chase to the mad scientist, who was using his Final Weapon in a last-ditch effort to escape with the massive gem, in outer space. The hedgehog defeated Eggman, retrieved the Master Emerald and, along with Tails, returned it back to Angel Island, which began ascending into the sky again. After this showdown, the Death Egg saga came to a close.
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quietwingsinthesky · 9 months ago
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at some point i am going to have to force even to go back and deal with donna & tentoo & rose & all and everything they ran away from. and that will probably involve them losing tentoo’s chameleon arch watch by giving it back to its rightful owner, whether she chooses to open it or not. and that is. not going to be a very fun or stable time for them.
#this part is v vague and fuzzy because i want to watch the rest of 12 & 13 and finish the doctor/donna specials before i set anything in#stone about it. but i think i need to rearrange some things in the timeline here vis a vis when the doctor is also forced to go back and#deal with his baggage.#i dont think 14 exists in even’s universe for this reason. and for the reason of tentoo kind of taking on his role? the human part of the#doctor who can stay with donna & with rose.#she’s also trans to me because i love trans!tentoo. her name is johanna. i think it’s pretty. i make a singular exception to my rule of#never changing characters names when i trans them.#but i think. what im getting at here is that this cant be a happy ending. not so cleanly. its more bittersweet.#like i think this version of the story. what i have so far. donna does remember. (tentoo doesn’t but that’s because she’s become her own#person. the doctor is who she came from but she isn’t just the doctor anymore.) and rose knows her doctor is out there and loves her but#she has her wife at home.#and even. oh even. you can’t hold onto a heart that’s not yours forever. you have to give it back.#this. i think. is a moment of respite and recovery for the doctor. and a really really low point for even. however this works out.#its not perfect but there’s kindness in it. and there’s a home to go back to. if they can bear it. both of them.#but like i said. this is all preliminary based on what i might play around with here. and how watching more of the show changes my ideas.#but i think. whatever revelations come in 13’s arc. i think in even’s universe they have to come after donna. i’ll find a way to make it#work.#but mostly right now the important thing is forcing even to give up the watch because why would i let them have one single comfort object <3#dw oc
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10hourshift · 24 days ago
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Sometimes I kinda regret the storyline I gave Spring bc it separates him a lot from the other characters he used to hang out with
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b4kuch1n · 1 year ago
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one thing I thought was missing from canon sk8 was the mine being haunted apparently. so we are bringing that into burnished house for absolutely no fucking reason
#sk8 the infinity#burnished house#(I am jokeing there is. in fact. a reason)#(you will not learn this until the divorce comes up)#(well the preliminary reason is I fucking love ghost stories and want to put them in everything)#(and that reki is afraid of scary things which makes him my favourite kind of victim. younger sibling coded for that only)#Im actually having a lot of fun alternating povs between reki and langa bc Ive like. accidentally grounded langa's in#very clear and present bodily sensations. straight up uncomplicated observations about materials in the world around him#while reki's gets all the hyperboles and pretty poetic stuff. I enjoy the idea of him being good at storytelling#ESPECIALLY bc him taking words to heart including scary stories. big deal to me ok?#love to write langa and going from things that clearly are present right there in the scene to the most insane thoughts a man can have#and then write reki and jump wildly between dork ass energetic shounen character speech and romanticizing the fuck out of concrete#weird thing to say after writing three fics of like 20K+ words in total about them granted lmao#but like. listen. I feel like burnished house is me going apeshit so far. this is truly my time to be the worst ever#same approach as I took with [REDACTED]. oh you think this is bad? just wait#I have already added TWO old people ghosts into this one. be in awe of my power#well. be in awe of it when I finish this chapter... I need to sleep rn dksdfhdskj#have a good nite lads. I cant wait to get to that one spot in this chapter where I go yess... YESS!!!! HAHAHA YESSSS#wish u the same for ur art endeavour. if ur art endeavour doesnt have something like that u should add it. my message to da world
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I was going to post a different au idea tonight, but this idea caught me in a death-grip and would not let me go, so enjoy!
Note: You can find the translations for the old English at the end!
EDIT: You can find part two of this au here, and part three here!
In this au, Merlin dies at Camlann instead of Arthur, and his magic was diffused into the king and kingdom he so loved upon his death, making everyone in Camelot immortal. After a few centuries of thriving though, Merlin's magic starts to fade, and everyone falls into an almost comatose state. It keeps them all alive and protected the kingdom from intruders, but it could not keep them awake. However, the people of Camelot did not worry about this. Both the druids and the dragon had proclaimed that Merlin would return to the world of the living again one day. So, they were content to sleep peacefully and await the day of their friend's return. Slowly, the earth rose up to swallow Camelot, and the sleeping kingdom was buried underneath the earth.
Fast forward to modern day, and Merlin's been reincarnated without any of his memories or his magic. He winds up as an archeologist, and eventually is sent out to a promising dig site on the border between England and Wales. There, his team unearths a window into an old fortress. Their sonar equipment has revealed a full castle underneath their feet, and they have everything prepped for a preliminary excavation! They've already found coins and a few blades on the site, dating back to the 6th century!
Now, stories of the "immortal kingdom of Camelot" and its undying and legendary king Arthur were commonplace, and Merlin quite enjoyed those stories as a child. However, historians doubted if Camelot was ever a real kingdom at all, and no one past the age of six believed in an immortal kingdom! Merlin, deep down, was hoping that the dig site was indeed the historical kingdom Camelot itself, as much of the kingdom's history had been lost and buried under ridiculous myths about magic and dragons.
However, the issue is that the window that they discovered is pretty small. Merlin, as the skinniest out of all of them, would probably be the only one who could fit through it. Excitedly, Merlin puts on his safety harness and hard hat and descends through the window and into the castle.
Merlin explores for a bit, constantly telling the team on the surface all about the amazingly preserved artifacts in the castle. There's tapestries, suits of armor, furniture, even clothing still in wardrobes all in perfect condition! The entire team is besides themselves with excitement! They've just made the most important discovery of their careers!
Merlin spends a few more days exploring the castle by himself. Eventually, he comes to a rather impressive and ornately decorated door and decides to find out what's behind it. It must be something pretty important to warrant such an impressive door! Perhaps the throne room?
As he opens the door though, he lets out a loud gasp, shocked by two things in the room. First, the large round table in the middle of the room. He knew that he was near the supposed site of the lost kingdom of Camelot, but this confirmed it! All of the legends spoke about king Arthur's round table, and here it was before him, confirming the legends!
However, Merlin's elation was dashed by the second thing he noticed: bodies. There were bodies occupying the seats around the table, all of them slumped over or slouching in their seats with their eyes closed, but they were not skeletal remains that should have been there, seeing as how no one had set foot in those room for hundreds of years. No, these people looked like they had only been there for a day, with no signs of decay on them.
As Merlin's fear began to rise, he tried to reason with himself. Maybe this kingdom had surprisingly advanced embalming techniques and had unusual burial rituals? What other explanation could there possibly be?
As Merlin reported the bodies to his colleagues on the surface, they warned him to be careful is something didn't feel right, which it certainly didn't. Something about these bodies creeped Merlin out in a way that no other human remains had ever done. However, Merlin's unease lessened somewhat as he described the bodies to his colleagues, his excitement at such a well-preserved find started eclipsing his fear.
There were in total five male bodies and one female body, with four of the male bodies being clad in chainmail, surcoats, trousers, and long bright red capes with an insignia of a golden dragon sown into it. The other male body was similarly clad in chainmail and a cape, but wore a golden crown on his head. Lastly, the lone female body, who was sitting to the left of the crowned male body, was a dark-skinned woman wearing an ornate and richly decorated dress along with a small silver crown on her head.
Merlin's heart stuttered in his chest as he came to the natural conclusion of these observations: he had just found the perfectly-preserved bodies of a king, queen, and four knights. Forget making his career, Merlin was going to be put in the history books for this discovery! Quickly, he called his colleagues (who had finally found a way to safely widen the entrance at the window) to follow the line of his harness and join him in the room he had just found. They needed to see this!
Finally turning away from the bodies, Merlin let his gaze wander around the room. He takes note of the impressively high ceilings for the time period, the repetition of the dragon crest on decorations around the room, and the designs carved into the wood of the round table. However, one of the most intriguing elements of the room, was the lone empty chair sitting next to the king.
The fact that there was only one empty chair was strange enough, but there were a few even stranger elements to the chair. The chair was directly to the right of the king, presumably reserved for the king's right hand, his chief advisor. Why would such an important figure be missing here? Another puzzling feature of the chair was the scrap of red cloth that was tied around one of the arms of the chair.
Stepping closer to examine the little piece of cloth, he could see at first glance that the cloth was old, battered, and made with cheap material, unlike the richer cloth that made up the knights' and kings' capes. What was this random piece of cloth doing tied around the arm of this chair, which presumedly belonged to a powerful figure in the kingdom?
A sudden piercing shriek caused Merlin to jump into the air. He looked up and across the table, relieved to see that it was just four of his colleagues who had just entered the room. They must've been freaked out by the well-preserved bodies too! Merlin certainly couldn't blame them for such a reaction.
Merlin chuckled a bit and spoke to his frightened coworkers. "Well, what did I tell you? This is going to shock the world! We've just made the discovery of a lifetime!"
However, his colleagues were only getting paler by the second, not even looking at him, instead looking... past him? Merlin frowned a bit and turned to look over his left shoulder, at the body of the king, which was where his coworkers were staring. What could possibly...
His eyes were open. His eyes were definitely not open before.
As soon as his brain caught up with what his eyes were seeing, Merlin let out a panicked shriek and flung himself backwards, away from the king who he swore was dead just a second ago what the fuck was happening?!
Unfortunately, Merlin desperate attempt to get away from the maybe-undead king sent him sprawling to the ground, having tripped over the empty chair, and his shriek had jolted his colleagues into action. The four of them ran forwards and grabbed ahold of Merlin, dragging him back towards the entrance to the room while never taking their eyes off of the maybe-undead king.
As they made their way back to the entrance though, something truly horrifying happened. The king moved. He blinked and moved his neck to track their movements.
Oh god, that thing was awake and aware that they were here! They needed to get out of there!
Together, the group turned and ran as quickly as they could back towards the entrance. Horrifyingly, as soon as they were out of sight of the king, they could hear the screeching sound of a chair sliding against the stone floor. Each one of them could feel their hearts pounding with fear as they all realized at once: the king, whatever he was, was going to chase after them.
They nearly all have heart attacks when they hear a voice roaring after them, "Gripan híe! Híe syndon fandian to niman Myrddin!"
After a tense few minutes of running with the terrifying echo of boots chasing after them ringing in their ears, they finally reached the hallway connecting to their window entrance. They could see the light outside! They were almost free!
Fear gripped all of their chests, however, when a group of what should have been corpses blocked their path, cutting them off from the sight of the daylight. For a second, Merlin thought about making a break for it and attempts to run through them, but then the probably-undead knights unsheathed their swords (which were still somehow sharp and pristine after 1500 years, this was getting ridiculous!)
The group quickly turned around, hoping to run back and perhaps find another path towards their freedom, only to have their hopes dashed by the sight of the undead king storming towards them with his sword (why was it golden?) unsheathed and rage in his eyes.
Looking between them, the closest thing that they had to a weapon were a couple hard hats. They were doomed, and they could see their death marching towards them.
Getting closer, the king furiously shouted at them again with unfamiliar words. "Hū darrst þū āsceacan hine from mē! Iċ hæbbe bīdode ofer þūsend geara for þisne tīman, and þū ātēowedest tō nīefre hine from mē stelan! Þū scealt āgildan for þis!"
The group of five archeologists are shaking in their boots at this point, fearing for their lives. Each of them had reached the only logical conclusion about their ludicrous and possibly deadly situation: they must have woken the king and his knights from their eternal rest, and they were now angry at the archeologists for disturbing their final resting place.
As the knights close in on them and grab ahold of each of them, they're all prepared for the worst. As the king barks commands at the knights, all of the archeologists are prepared to be meet with some horrible death.
"Nimðað þa ungewelwieras to ðære cyrcan cwellan, wē magon dēmian mid him æfter. Gwaine, nim Myrddin to his geardas and hafa Gaius locian ofer hine. And be mildheort, he sceal hæbbe geferod eft fram Avalon and mæg swilc bēon in pinunge fram his wundum! Gecyða eft to mē mid Gaius's gemetungum þonne hē geendod hæfð."
At the king's commands, the knights nodded, and while Merlin was led down the hallway to the right, the others were led back down the dark hallway from which they had fled. Merlin tried to call out to his colleagues and to shove his way out of the knight's grip, but the knight responded by picking Merlin up and slinging him over his shoulder in a fireman's carry, eliminating Merlin's ability to fight back.
Merlin tried to calm his mind and to avoid thoughts of what horrible fate would be in store for him at his destination. His treacherous mind spun up terrible theories as to why he had been separated from his group, each one more horrifying than the last.
Finally, the knight seemed to have arrived at his destination. As the knight pushed the door open, Merlin tried to brace himself for what horrible instruments of torture were surely inside.
However, there were no torture instruments at all. There were only sheets of paper strewn about, some herb bundles here and there, lots of little vials and pots scattered around, and an old man slowly walking towards them.
The old man blinked in what looked like surprise, followed by tears seeming to brim in his eyes. What the hell was going on?! The man spoke softly, "Is hit sōþlīce hē? Āh, mīn cniht, þū eart eft tō ūs āgēan cuman! Hēr, Hlāford Gwaine, sete hine dūn on þæt cot and hæbbe hine his scyrte āweg þæt ic mæg gesēon gif his wund is ēac þǣr."
The knight deposited Merlin gently on a nearby small bed and gave him some sort of smirk before speaking to him in a surprisingly gentle, almost teasing, voice, "Þu gehyrde þone wer, Myrddin! Of mid þinum scyrte nu. Ic wat þu maegst beon sceamful be þan, ac þises sio tid is swiðe aðele."
When Merlin could do nothing but stare at the knight, more bewildered than he's ever been in his life, the knight seemed to take offense to his inaction and began tugging at the bottom of Merlin's shirt, trying to pull it over his head. After a brief struggle, the knight emerged victorious, holding Merlin's shirt in his hands and grinning like a loon. Why on earth had the knight wanted his shirt of all things? What was he about to be subjected to?!
After a tense few minutes, the old man pottered over to where Merlin was sitting, bringing a small bag along with him. The man then began looking over Merlin's torso, paying particular attention to a certain to a spot underneath Merlin's ribs, prodding it repeatedly.
Merlin was quite uncomfortable being examined like this, but with an undead knight in the room still armed with a sword, there wasn't much Merlin could do to without risking getting stabbed. Well, at least the old man wasn't hurting him, so he supposed that he could look on the bright side and be grateful for that.
Eventually, the old man seemed satisfied with his examination of Merlin and addressed the knight again. "Hwæt, he þinceð tō bēon on sīðfæt hāl! Þū mæġst secgan Ārthūre þæt ic blīðe eom tō secgenne þæt ic ne mihte findan nān tācn his ǣrran lȳtlunge."
The knight nodded at the old man, looking pleased at whatever he had just been told. Then, the old man turned to him and handed him the small bag. "Min cniht, ic eom swiðe blīð tō gesēon þē eft. Þū eart swīðe þearle gewilnod! Hēr, wē hæfdon sume þīnra reafa gehealdene for þē! Ic trowe þæt þū þē beteran gefēlan wille þonne þū sum þing gelīclicre gescēawian."
Merlin gently took the bag from the old man and tentatively opened it and pulled out its contents. Inside the bag were a scratchy red tunic, a pair of old trousers, a brown jacket, a thin leather belt, and a scrap of blue cloth. Merlin looked up at the knight and the old man, unsure of what to make of these clothes.
The knight just rolled his eyes, snatched the tunic out of Merlin's hands, and started pulling the tunic over Merlin's head. Did they... did they want Merlin to put on the clothes? That seemed like the correct answer, as they looked happy when Merlin complied and put on the tunic, and they pushed Merlin towards a small room in the back of the chambers with the clothing still in his hands.
Alright, Merlin thought to himself, he would change clothes in this odd little broom closet if that kept him from being stabbed.
(And he did not acknowledge the part of his mind that swore that he knew this room, that this room was his. That was ridiculous, he had never seen this place before in his life!)
After putting on the trousers, belt, and jacket, all Merlin was left with was the scrap of blue cloth. What the hell was he supposed to do with this? Should he keep it in his pocket or something?
However, it seemed like his hands moved before his mind had a chance to catch up, as his hands, seemingly of their own accord, wrapped the blue cloth around his neck a couple time before typing it in the front. Huh, that was strange. Merlin normally didn't wear scarves, why did he know that this piece of cloth was a scarf?
It was... strange. However, there were more pressing matters at hand, namely not getting killed by undead medieval knights. After taking a deep, calming breath, Merlin opened the door and stepped back out into the main room, where the old man and the knight were waiting for him.
They both smiled at the sight of him, and the knight quickly slung an arm over Merlin's shoulders, said what was presumably a goodbye to the old man, and started leading Merlin back out they way they came.
At this point, Merlin started struggling again. If he could just escape from this knight, he could get back to the surface and gather a rescue team to save the others! But the knight's grip of him was tight, and after a certain amount of Merlin's struggling, the knight just sighed and threw Merlin over his shoulder again. Damn it!
Merlin tried to reference places that he had already seen as the knight dragged him deeper into the castle. An escape route would be essential if he was going to make it out of here alive. However, Merlin's hope was quickly running dry as he was carried further and further away from the only exit to this godforsaken castle and further away from any area that he had explored so far.
What's worse was that, as they went, Merlin could see more and more undead (maybe undead? what else could they be?) people throughout the castle. And it wasn't just knights either: there were guards, servants, and even what looked like noblemen and noblewomen running around the castle. What made all of this truly eerie for Merlin though, is that all of them would stop and stare as soon as they saw him. Even though he was dressed like one of them, they could still somehow tell that he was an outsider, not one of their number.
After what felt like an eternity, the knight finally stopped in front of a large door and put Merlin down. Merlin's dread skyrocketed as the guards opened the doors and the knight dragged him inside.
The room itself was richly decorated, with a dining table, a study, and a plush canopy bed. If looked like a room fit for... a king.
Oh no.
As if summoned by Merlin's thoughts, the king rounded a corner and appeared before them, thankfully looking less angry than before, but still sending Merlin's fear into overdrive. Merlin jumped at the sound of doors slamming shut behind him, leaving him trapped with the king.
Merlin was sure that he was shaking terribly, but he managed force his joint to work and took a step backwards as the king began to approach him. Merlin continued to back away from the king until his back met the cold, unyielding wood of the door. Slowly, the king stepped towards Merlin, his eyes never leaving Merlin's form.
In what was entirely too short of a time period in Merlin's opinion, the king had closed the distance between them and was within an arm's reach of Merlin. Merlin's eyes desperately darted around for a weapon, anything he could possibly use the defend himself with, but there was nothing that he could reach.
As the king took one last step closer to Merlin, Merlin closed his eyes and braced himself for pain, even death. However, to his shock, no pain came. Instead, the felt the king's warm hands on his shoulders, and without warning, he was roughly pulled into a hug. What the actual fuck?!
Through the king's ragged breathing, he could hear more of those unfamiliar words, this time spoken tenderly.
"Oh Myrddin, hwǣr eart þū bēon?"
TRANSLATIONS:
Gripan híe! Híe syndon fandian to niman Myrddin! = Catch them! They're trying to take Merlin!
Hū darrst þū āsceacan hine from mē! Iċ hæbbe bīdode ofer þūsend geara for þisne tīman, and þū ātēowedest tō nīefre hine from mē stelan! Þū scealt āgildan for þis! = How dare you try to take him from me! I have waited over a thousand years for this moment, and you've attempted to steal him from me! You must pay for this!
Nimðað þa ungewelwieras to ðære cyrcan cwellan, wē magon dēmian mid him æfter. Gwaine, nim Myrddin to his geardas and hafa Gaius locian ofer hine. And be mildheort, he sceal hæbbe geferod eft fram Avalon and mæg swilc bēon in pinunge fram his wundum! Gecyða eft to mē mid Gaius's gemetungum þonne hē geendod hæfð. = Take the intruders to the dungeon cells, we can deal with them later. Gwaine, take Merlin to his chambers and have Gaius look over him. And be gentle, he must have just come back from Avalon and could still be in pain from his wounds! Report back to me with Gaius's findings when he's done.
Is hit sōþlīce hē? Āh, mīn cniht, þū eart eft tō ūs āgēan cuman! Hēr, Hlāford Gwaine, sete hine dūn on þæt cot and hæbbe hine his scyrte āweg þæt ic mæg gesēon gif his wund is ēac þǣr. = Is it really him? Oh, my boy, you've returned to us! Here, Sir Gwaine, set him down on the cot and have him take his shirt off so I can see if his wound is still there.
Þu gehyrde þone wer, Myrddin! Of mid þinum scyrte nu. Ic wat þu maegst beon sceamful be þan, ac þises sio tid is swiðe aðele. = You heard the man, Merlin! Off with your shirt now. I know you can be shy about it, but this time it's pretty important.
Hwæt, he þinceð tō bēon on sīðfæt hāl! Þū mæġst secgan Ārthūre þæt ic blīðe eom tō secgenne þæt ic ne mihte findan nān tācn his ǣrran lȳtlunge. = Well, he seems to be in perfect health! You can tell Arthur that I am pleased to report that I could find no sign of his previous injury.
Min cniht, ic eom swiðe blīð tō gesēon þē eft. Þū eart swīðe þearle gewilnod! Hēr, wē hæfdon sume þīnra reafa gehealdene for þē! Ic trowe þæt þū þē beteran gefēlan wille þonne þū sum þing gelīclicre gescēawian. = My boy, I am so deeply glad to see you again. You have been dearly missed! Here, we've saved some of your clothes for you! I'm sure that you'll feel better wearing something familiar again.
Oh Myrddin, hwǣr eart þū bēon = Oh Merlin, where have you been?
Well, I hope you guys liked this au! What I originally planned to be a short little prompt turned into this beast of a post! I probably won't be able to post on Friday (since I'm planning on adding a new chapter to my fic on ao3 on Friday or Saturday), so hopefully this will tide you all over until the weekend!
And, as always, thank you for reading through my ramblings! :D
(And please let me know if you'd like a continuation of this au!)
EDIT: You can find a continuation of this au here!
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gothamhappiness · 2 months ago
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Being in a relationship with Bruce Wayne: a journey - First time (part III)
It's a big series about an afab!reader who doesn't like Bruce Wayne and who still falls in love with him (he fells quicker and harder)
Reader's origin story // Part 1 // Part 2
Warnings: no proof reading, sexual activity (explicit), mentions of reader being attacked by Double Face's goons, wild cat!reader, needy!Bruce
You had told yourself you would only have one more date with Bruce, just one. For investigation purposes and nothing more.
And yet, when it was time to say goodbye to the man, you realised you didn’t ask the questions you had prepared. You had been too caught up in the moment to care about anything else.
So you promised yourself just one other date, and this time you would ask the questions you had. You didn’t really know why Bruce was so eager to have dates with you. You didn’t seem like the kind of woman he usually went out with.
And really, you had no idea how you ended talking to him everyday and seeing him whenever the two of you had time, even for a quick lunch. You were both always finding a way to make time to see each other. It was important. It felt important. You couldn’t even pretend it was because you wanted to know all his secrets anymore. Of course, you wanted to know, but not because you were a journalist, because you really liked to spend time with him.
It seemed Bruce quite enjoyed himself when he was around you as well. For the first time in his life, he did his best to balance a little more his life as Batman and his life as Bruce Wayne. It meant he was trusting his children a little more with the vigilante work. He was now talking a lot about teamwork and solidarity. And so far, the children couldn’t say Batman was lying to them.
A few months passed by, and you were both still spending as much time as before together. It started to be obvious you were finding each other very attractive. 
You couldn’t deny it anymore when you ended up in a very luxurious hotel room with Bruce Wayne. At first, it was because you both wanted to go a little further and the hotel was very close by. That night you just happily kissed each other and slept in the same bed. Bruce left in the middle of the night, and left you a little note to thank you for the evening. 
If it started for kisses, after a few nights, his hands got a little more greedy. He had been careful to not do anything that would make you uncomfortable. When he had moved his hands under your skirt, he softly asked you if it was okay.
You nodded, and started to undress him as well. 
You couldn’t think. 
You just wanted to touch him, you wanted him. You had sex with guys and girls before, but you had never wanted someone that badly. The more heated the kiss was getting, the more desperate for him you were getting as well. You were relieved to feel that it was the same for Bruce.
He needed you.
And yet he took his sweet time to discover your body. You had thought he would be the kind of guy to try and skip the preliminaries, but on the contrary. He was almost scientifically looking for your most sensitive spots. He expertly found them and used them against you. You even forgot about his pleasure when he was playing with you so efficiently. He made you come twice before you asked for him. He wouldn’t have stopped if you hadn’t asked, no matter how hard he was. Hearing your moans, seeing your face screwed up in pleasure, feeling your body against his were heaven to him. He was getting absolutely obsessed with you, even more than he already was.
Once he got inside of you, for a brief instant before the pleasure completely took over, he thought that he would go absolutely insane if you ran away from him after this. He already knew he would forever want more of you. 
You played with each other as if you could feel what the other wanted. You were in sync.
You both climaxed and Bruce gently removed himself from you before bringing you against his chest. He fully leaned against the pillows and closed his eyes in bliss. He felt truly good for once. He knew he needed to let his children know he was going to be so late for patrol, but for the moment he just wanted to enjoy what he had with you.
You snuggled against him, but you thought you needed to go. You wondered if that was not a mistake. You had promised yourself something like that wouldn’t happen.
Why was it feeling so right at the same time then?
“I should come home” you whispered
“Stay a little longer, please” Bruce murmured back
You looked up at him and you didn’t have the strength to leave his embrace. You completely relaxed against him, and the man softly hummed in appreciation. You started to trace all the scars littering his chest. You hadn’t noticed them when you had undressed him. You had felt them when you were making love, but you hadn’t really registered them. Now you could have a closer look at them.
However his own touch was distracting you. He was drawing abstract patterns on your back. You didn’t want to leave his embrace anymore and he clearly didn’t want to move either. The man was fully relaxed for once. 
The comfortable silence around the two of you allowed you to get a hold on your thoughts after a little while. 
You were wondering what the man did to get so hurt. The scars were deep and you had felt that they were present on his whole body. However Bruce Wayne wasn’t known to be a warrior of any kind. He was so muscular too, so strong. His suits were hiding how powerfully built he truly was. He reminded you of someone but you weren’t too sure of whom yet.
Your mind thought once again about all the "toys" produced by Wayne Enterprises.
You also remembered about his adopted kids who all seemed very well trained as well. And funny enough, whenever Bruce got a new child under his roof, now you thought about it a little more, it seemed like Gotham got a new vigilante.
Batman was known for his silence and his secrets. Bruce too.
You also remembered last week, when Batman saved you and your colleagues from Double-Face goons. Your newspaper had written and published quite nasty words about Harvey Dent so he had sent men to destroy you. Batman had been quick to react, quick to save you all. You had never seen him so close before. You had noticed the broad shoulders and the tense jaw. He had helped you back on your feet and checked on you to make sure you were all good. The intensity of his look reminded you of someone, but you didn’t think of Bruce yet. His presence was familiar; you just thought that was because you lived in Gotham for years now and that Batman's presence was familiar to everyone. But obviously, it was something else.
Now you understood. You personally knew Batman, you just didn’t know it then.
“You’re Batman, aren’t you?”
Bruce stopped stroking your back for an instant before resuming the gesture and cuddling you closer to his chest. It was easier now there was no more secret between the two of you. He had been late to quite a few dates and it was getting harder to find excuses. He had noticed you weren’t always believing him when he was talking to you too. Now he could simply focus on seducing you.
“I knew you’d figure it out easily. You see and get stuff rights away.” he hummed onto your hair before kissing the top of your crane. 
You looked up at him, reaching for his shoulder.
“You don’t seem to mind that I know who you are… And I guess your kids are the other vigilantes in town” you hummed
“From the beginning, I knew you would discover our secret identities if I keep seeing you. But for once I wanted to be selfish” he admitted
“Selfish?” you asked
“I really like you. You… make me happy” he whispered and you sat up to face him
“Look, I don’t usually like rich people, even if… well I guess you’re pretty decent. And yeah Batman is doing a good job. Most of the time. But I don’t know if a “us” would be a good idea” you said
“Why not?” he gently brought you closer to him
“I’m not certain I want to start something, even with a normal guy, which you are not” you admitted and he chuckled
“I’m not asking for any commitment. We can just keep having dates, spending time together, having sex if you want this too. You can see other people. I just need you to stay around.” he offered even if you could tell he wanted more than just this.
“I’m surprised you’re not asking me to keep your identity a secret” you said
“I trust you. You are a good person, you only write about bad things” he said
“How do you know Batman isn't a bad thing?”
“I know you’re not my biggest fan. But I believe you will, from now on, tell me directly what you think and not have to write it down somewhere else.” he replied “You didn’t answer about our relationship” he commented
“Alright”
“Alright?”
“I don’t mind keeping going with whatever we have. As long as this isn’t anything official” you didn’t even really know why you agreed but you enjoyed the sincere smile appearing on Bruce’s face and lighting up his eyes.
--
PART 4
--
Taglist for all my work <3
@blublock404
@wind-canoe
@silverklaus
@couldeatthatgirlforlunch
Taglist for Bruce Wayne <3
@alishii
Taglist for this series <3
@Esposadomd
@moraxussy
@resident-cryptid
@legendarypiratecheesecake
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ruinandrue · 6 months ago
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Introducing Inkwarren: A dark fantasy TTRPG of woodland adventures!
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Hi all! I'm Matt, and I am an Atlanta-based indie ttrpg designer currently developing Inkwarren, a dark woodland fantasy TTRPG of swashbuckling tactics and storybook intrigue. Today, I'm going to talk to you about what Inkwarren is, what inspired it, and the design goals I have for the game. Inkwarren is already in preliminary playtests, and I hope to have public playtests sometime in the near future.
What is Inkwarren?
In Inkwarren, players take on the role of woodlanders- animal wanderers of the massive Woodland, who use magick, wits, and weapons to take down foes supernatural and mundane. Your woodlanders' wandering band may be a band of mercenary adventurers, a band of high-spirited rebels, or even a band of scoundrels and ne'er-do-wells just looking for their next score.
One player takes on the role of the Voice in the Dark, a guiding force behind the story that presents challenges, describes consequences, and narrates the actions of the woodlander's foes.
Inkwarren aims to merge modern-style deep narrative rules with exciting, flashy, swashbuckling battles that emphasizes teamwork, movement, and positioning. Character creation is a deep and choice-driven process, that fully contextualizes a woodlander within the world and sets them on a path to a truly memorable story.
Inspirations
Mechanically, Inkwarren borrows from and is inspired by games like Dungeons and Dragons 4th Edition, Modiphius's Dishonored, ICON, Blades in the Dark, and City of Mist, mixing design trends of modern tactical fantasy games with deep narrative based trends found in other systems. Inkwarren's combat also shares inspiration with the Hades series of games, aiming to emulate the fast-paced action where movement and positioning are just as important as the attacks you use.
Narratively, Inkwarren is inspired by The Secret of NIMH, Dishonored, Redwall, Root, and Hollow Knight. When designing Inkwarren's eponymous setting, I want to evoke the gravitas and melancholy somberness of Hallownest from Hollow Knight, with magic as eldritch and strange as the Outsider's gifts in Dishonored. With this, Inkwarren is still a game about hope, and aims to capture the optimism-despite-adversity and little-heroes-against-great-foes vibes of stories like Redwall or The Secret of NIMH. I have to credit Root for originally giving me the idea to shift my game concept to one where the PCs are little woodland creatures.
Choice, Sacrifice, and Hope
Inkwarren's core mechanic emphasizes choice, intent, and narrative weight. The base 2d10 roll is modified by the woodlander's own Virtues (core strengths like Brawn, Nimbleness, or Insight), combined with a Style to define how they're using that Virtue (such as performing an action Cunningly, Quickly, or Sneakily). Difficulty is measured by Risk and Effect, that assign narrative weight to the severity of consequences a woodlander faces, and how effective they will be if they Prevail.
When woodlanders just don't roll high enough, they don't simply fail- they Falter. Faltering grants Hope, a resource that can be used to Persevere and succeed despite consequences on future challenges. With Hope, failure is never the end- it simply closes one door, and opens another.
Swashbuckling Battles
Inkwarren's Battle system emphasizes movement, positioning, and teamwork. Woodlanders interact with the battlefield through exploits, combat disciplines that have a variety of different effects to use on the field. Exploits have an at-will root effect that can be used as a woodlander's bread and butter, but more powerful effects are always within reach. By using root effects, meeting battle objectives (such as defeating enemies or reaching escape points), and continuing the fight (by ending rounds), woodlanders build Momentum, a shared resource pool by the entire band that can be used to power a woodlander's most powerful abilities. Woodlanders can spend Momentum to use an exploit's powerful bloom effect, or power a duo effect that they can use to combine their abilities with those of another ally. Momentum doesn't deplete until the Battle is over-- use it for quick bursts, or build up to unleash more powerful attacks against your foes!
Other rulesets like charging attacks, staggering mechanics for bosses, climbing on top of larger foes, environments, high ground, and ally turns (that don't clog up combat) also add gravitas, pace, and exciting tactical decisions to make Inkwarren's Battles so engaging.
Sweeping Narrative
Inkwarren's narrative mechanics work to ensure that solving problems outside of Battle carry just as much weight as Battle itself. Inkwarren's narrative ruleset includes:
The Doubt system allows woodlanders to call upon the Voice in the Dark for aid, but at a cost: as the woodlanders build Doubt, the Voice can spend it to increase the danger of the surroundings, unlock new abilities for foes, or act as a mastermind behind the antagonistic forces of the narrative.
Narrative abilities called flourishes that woodlanders can use to interact with the world.
A special character-based tour de force that a woodlander may use to do something truly legendary, although infrequently.
Rest Activities woodlanders may use to Cook Meals, Spar, Entertain, or Pray to give themselves bonuses and restorations for use later.
Wounds to carry over how trials in-combat affect a woodlander after the Battle ends.
Rules for Tongues that establish a woodlander's knowledge of a language with several levels of fluency.
Ties, which are narrative bonds with NPCs woodlanders may use to increase their effect against them, or burn them to ask for a favor.
And So Much More!
Deep character customization for woodlanders, including a Coat mechanic that allows you to play as any little animal your heart desires, unique and evocative traditions like the ghostly historian Folklorist or the passionate Warrior-Poet, rules for mysterious and magical artifacts called esoterica, an in-depth crafting system, and more!
If you've gotten this far, thanks for reading! I'm so excited about this game, and I hope to share more with everyone soon!
Tìoraidh!
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book--brackets · 4 months ago
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The Scholomance by Naomi Novik (2020-2022)
A Deadly Education is set at Scholomance, a school for the magically gifted where failure means certain death (for real) — until one girl, El, begins to unlock its many secrets. There are no teachers, no holidays, and no friendships, save strategic ones. Survival is more important than any letter grade, for the school won’t allow its students to leave until they graduate… or die! The rules are deceptively simple: Don’t walk the halls alone. And beware of the monsters who lurk everywhere. El is uniquely prepared for the school’s dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out millions. It would be easy enough for El to defeat the monsters that prowl the school. The problem? Her powerful dark magic might also kill all the other students.
Fablehaven by Brandon Mull (2006-2010)
For centuries, mystical creatures of all description were gathered to a hidden refuge called Fablehaven to prevent their extinction. The sanctuary is one of the last strongholds of true magic. Enchanting? Absolutely. Exciting? You bet. Safe? Well, actually, quite the opposite...
 Kendra and her brother, Seth, have no idea their grandfather is the current caretaker of Fablehaven. Inside the gated woods, ancient laws keep order among greedy trolls, mischievous satyrs, plotting witches, spiteful imps, and jealous fairies. However, when the rules get broken, powerful forces of evil are unleashed, forcing Kendra and Seth to face the greatest challenge of their lives, to save their family, Fablehaven, and perhaps even the world.
Ranger's Apprentice by John Flanagan (2004-2011)
They have always scared him in the past--the Rangers, with their dark cloaksand shadowy ways. The villagers believe the Rangers practice magic that makes them invisible to ordinary people. And now 15-year-old Will, always small for his age, has been chosen as a Ranger's apprentice. What he doesn't yet realize is that the Rangers are the protectors of the kingdom. Highly trained in the skills of battle and surveillance, they fight the battles before the battles reach the people. And as Will is about to learn, there is a large battle brewing. The exiled Morgarath, Lord of the Mountains of Rain and Night, is gathering his forces for an attack on the kingdom. This time, he will not be denied. . . . 
Ruby Red Trilogy by Kerstin Geir (2009-2010)
Sixteen-year-old Gwen lives with her extended - and rather eccentric - family in an exclusive London neighborhood. In spite of her ancestors' peculiar history, she's had a relatively normal life so far. The time-traveling gene that runs like a secret thread through the female half of the family is supposed to have skipped over Gwen, so she hasn't been introduced to "the mysteries," and can spend her time hanging out with her best friend, Lesley. It comes as an unwelcome surprise when she starts taking sudden, uncontrolled leaps into the past.
She's totally unprepared for time travel, not to mention all that comes with it: fancy clothes, archaic manners, a mysterious secret society, and Gideon, her time-traveling counterpart. He's obnoxious, a know-it-all, and possibly the best-looking guy she's seen in any century...
The Books of Bayern by Shannon Hale (2003-2009)
She was born with her eyes closed and a word on her tongue, a word she could not taste.
Her name was Anidori-Kiladra Talianna Isilee, Crown Princess of Kildenree, and she spent the first years of her life listening to her aunt’s stories and learning the language of the birds, especially the swans. And when she was older, she watched as a colt was born, and she heard the first word on his tongue, his name, Falada.
Hex Hall by Rachel Hawkins (2010-2013)
Three years ago, Sophie Mercer discovered that she was a witch. It's gotten her into a few scrapes. Her non-gifted mother has been as supportive as possible, consulting Sophie's estranged father—an elusive European warlock—only when necessary. But when Sophie attracts too much human attention for a prom-night spell gone horribly wrong, it's her dad who decides her punishment: exile to Hex Hall, an isolated reform school for wayward Prodigium, a.k.a. witches, faeries, and shapeshifters. 
By the end of her first day among fellow freak-teens, Sophie has quite a scorecard: three powerful enemies who look like supermodels, a futile crush on a gorgeous warlock, a creepy tag-along ghost, and a new roommate who happens to be the most hated person and only vampire student on campus. Worse, Sophie soon learns that a mysterious predator has been attacking students, and her only friend is the number-one suspect. 
As a series of blood-curdling mysteries starts to converge, Sophie prepares for the biggest threat of all: an ancient secret society determined to destroy all Prodigium, especially her.
Fables by Bill Willingham (2002-2015)
When a savage creature known only as the Adversary conquered the fabled lands of legends and fairy tales, all of the infamous inhabitants of folklore were forced into exile. Disguised among the ""mundys,"" their name for normal citizens of modern-day New York, these magical characters created their own secret society that they call Fabletown.
From their exclusive luxury apartment buildings on Manhattan's Upper West Side, these creatures of legend must fight for their survival in the new world.
Dragonriders of Pern by Anne McCaffrey (1968-2018)
On a beautiful world called Pern, an ancient way of life is about to come under attack from a myth that is all too real. Lessa is an outcast survivor--her parents murdered, her birthright stolen--a strong young woman who has never stopped dreaming of revenge. But when an ancient threat to Pern reemerges, Lessa will rise--upon the back of a great dragon with whom she shares a telepathic bond more intimate than any human connection. Together, dragon and rider will fly . . . and Pern will be changed forever.
Thursday Next by Jasper Fforde (2001-present)
England is a virtual police state where an aunt can get lost (literally) in a Wordsworth poem and forging Byronic verse is a punishable offense. All this is business as usual for Thursday Next, renowned Special Operative in literary detection. But when someone begins kidnapping characters from works of literature and plucks Jane Eyre from the pages of Bront 's novel, Thursday is faced with the challenge of her career.
The Locked Tomb by Tamsyn Muir (2019-present)
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service.
Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die.
Of course, some things are better left dead.
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sleepyowlwrites · 2 years ago
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Oh hey this story idea has been stewing for a while now, it's probably ready for preliminary tasting
*opens soup pot to find only water that isn't even boiling*
Oh hey I forgot to add any ingredients or turn the stove on
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fickleminder · 2 days ago
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the matchmaker
Happy birthday Barney woooooo 💜
- You’re a matchmaker who works mostly with nobles, seeing as they’re the ones still rooted in traditions and such. Personally you believe in marrying for love, but this pays the bills so…
- You’re damn good at your job too. You know how to read your clients; you can suss out what kind of demons they really are underneath whatever front they put on for you. You can tell which personality traits are likely to work well together, and if you’ve had a hand in helping lesser demons from bad families escape to safer and more comfortable lives, they would never tell.
- One day this little demon no more than several centuries old walks into your office asking for a marriage partner.
- “Not for me, for my big brother!” He clarifies while you’re mentally cursing the noble families who still follow child bride practices.
- Said big brother barges in not two seconds later apologizing for his rudeness and trying unsuccessfully to stop his sibling from spilling his entire life story.
- You recognize Mephistopheles immediately. Not only is his family well-known in your network, but you’ve done business with many of his associates and one of his underlings had interviewed you for an article before.
- Apparently he’s under pressure from his family to marry, despite not being open to the idea at this time. You know how messy noble politics can be, so you don’t pry and instead get him started on the process. At the very least, you can match him with someone he won’t completely detest. Best case scenario, he finds an accomplice to fake a relationship with.
- (After a preliminary screening, it seems like Mephisto’s ideal partner is Lord Diavolo himself, but rumor has it he’s already infatuated with one of his students, so he’s off the table. Not that you’d go anywhere near the prince, especially with that butler of his constantly by his side.)
- You soon discover that Mephisto is one tough customer. He finds fault in every single match you send his way, even when you suggest that he pick someone just for show. He insists that even a fake partner has to check all his boxes, but you suspect he’s being overly selective on purpose to delay any potential marriages.
- But he’s never rude about it either. His matches tell you about how he’s always the perfect gentlemen on their dates, how he’s polite even when turning them down at the end of the day. He’s essentially wasting everybody’s time, going through the process for the sake of it while trying to change his family’s mind, but he’s still paying you for your efforts despite everything, so you continue to do your job.
- You tweak Mephisto’s matches with every feedback he gives you, and you start to wonder if there’s anyone he’d be willing take a chance on, even if it’s to play pretend and get his family off his back.
- His little brother tries to help out. The little demon often visits you behind Mephisto’s back, telling you stories and sharing every tidbit of information he can think of to better help you help his brother find happiness. He doesn’t quite understand why Mephisto doesn’t want a partner (he’s used to fairytales with happily ever afters), but he’s determined to make sure his older brother gets his happy ending too.
- One day one of your old clients visits you out of the blue, looking much healthier than when you first found her taking shelter in your office building. She warns you that there’s been unsavory characters loitering in the area recently. She recognizes some of them from her old circles and warns you to be careful.
- You’re no stranger to this. There’s a reason nobles have entourages of bodyguards with them wherever they go, and working so closely with them has put more than one target on your back over the centuries. You always make sure to keep magical wards in the area to warn you when demons with malicious intent have entered the premises, and stash a few teleportation talismans for a quick getaway if needed.
- It’s during one of the days Mephisto’s brother drops by to chat with you that your wards go off. You don’t hesitate to grab the little demon before activating your talismans, teleporting both of you to safety. You don’t reappear in front of your house, no; you don’t know if your own home has been compromised, so you told the frightened demon in your arms to picture the safest place he could think of—
- You land in a puddle of mud in the middle of a nondescript field, barely managing to catch him before he gets all dirtied as well. There’s a stable nearby, and the guards stationed there immediately notice your arrival and surround the two of you.
- Things happen quickly after that. Mephisto’s brother vouches for you even as he’s crying for his sibling, and after verifying your identity and giving a brief rundown of what happened, the two of you are escorted to the family manor.
- Mephisto finds you within the hour, throwing decorum out the window and bursting through the main doors to rush to you and his brother. Poor kid wouldn’t let go of him for the longest time, while you stand quietly in one corner to let them have their moment, not wanting to track mud over the pristine marble floor more than you already have.
- “You kept him safe…” Mephisto acknowledges you with an indescribable look in his eyes and, to your surprise, grabs you in a hug as well, muddied clothes be damned. “Thank you.”
- He promises to personally fund and oversee the repairs, your office having been thoroughly thrashed by the attempted kidnappers when they had trespassed in search of his brother. They’d been stalking him for weeks and knew he often snuck away from his bodyguards to see you, and they thought it’d be a golden opportunity to ransom him for a hefty amount of Grimm.
- Mephisto also prepares a security detail for you, despite you insisting you’re not high profile enough to warrant one. He decides that so long as you’ll be working closely with his family, he’ll make sure you’re protected too.
- Business goes on as usual after that. Mephisto still meets with you to go through his matches, still turns everyone down at the end of the day, but somehow you get the feeling he’s already made up his mind. Sometimes he doesn’t even look at the documents you give him before rejecting the candidate, which kind of annoys you given how much work you’d put in—
- And then his brother tells you that their parents already backed off the marriage idea weeks ago. Whatever phase they were in had passed, and now they were focused on the next big thing in noble society.
- …Oh. Well then.
- The next time Mephisto meets you in your office, you bring up the subject of payment for your services. He confirms that your fee is scheduled to be deposited into your account at the end of the month as usual, but you suggest he takes you out for dinner instead.
- Mephisto pulls at his tie and looks away, only mumbling something about picking you up at 6 before marching out of your office with steam coming out of his ears.
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jamethinks · 1 month ago
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Preliminary thoughts on 106
I've only read it once so i may have missed a few details so bare with me sexy
Donovan is such a well designed character. A menacing presence every time he's on a panel. I had to hold my phone at a healthy distance to get through this chapter. Beyond his signature bulging eyes, he has such a zombie like appearance to him that just leaves a horrible taste in your mouth
Damian's dynamic with his family is interesting. He's oddly optimistic, determined to have a bond with them despite their distance and coldness. He doesn't seem that interested in Melinda and I will give Endo the benefit of the doubt and say it's because they're already close (ignoring that she wanted him to die)
Demetrius is wonderful as always. Nonchalant king. He had not a concern about anything but his food and his work. Autism wants his number
Melinda was the stand out character. She was oddly quiet and timid in this chapter. Damian had no direct interaction her and she had few lines. Still there was something so unusual about her demeanor. She is normally very cheerful and bright, the only time we saw her this dull(?) was when Damian brought up his dad at the end the bus hijacking arc. At first I thought she was mad but looking at screencaps she seemed sad and uneasy but still a bit irritated.
Love how this chapter expanded on fucking nothing btw. A filler indeed. But a good kind, shows that when he's ready but the man cook.
Anya's absence in the chapter resulted in little to no thought bubbles. This further added to the tense environment. A lot of the tension in the story is subdued by Anya's (and to an extent Twilight's) perception. You're never fully lost or confused. This chapter however, you feel their absence as you're forced to watch these characters silently interact and only rely on what the author is willing to share.
Anya and Donovan have never interacted and his brief interaction with Twilight showed he has an intense amount of self control, hiding his intentions and responses cleverly. I will omit my tangent on the parallels between the two patriarchs for now but it's obvious they're good liars and manipulators. The same way Anya is Twilight's kryptonite (a person who cannot be lied to or manipulated) it's obvious she has the same dynamic with Donovan hence why the two of them have been kept apart for so long
Donovan's final comment about the dinner being worthwhile (man can someone compare the orig japanese version please) is the most captivating line. Two possible interpretations are: a, he genuinely didn't pick up on the terrible vibes in the room (touch of the tism, consequences of the lobotomy, who knows) or b. He did that shit on purpose
I like the second one more. The idea of him coming home and having dinner with his family fully aware of how awful they will feel the entire time is just peak villain shit. Choosing a random week in December to just make everyone miserable is the kind of evil I need.
I think of it as his way of reaffirming his dominance in the family. A cruel reminder of everyone's position in the family. As he sits at the head of the table gazing off coldly at his family while they all desperately avoid his gaze. The scene where he scans the room but his eyes barely move, oh what a wicked man.
Damian seems to still be learning his place in the family. He is again still trying to have a normal family life but he will soon fall in line I suppose much like his brother and learn how to stay quiet and work.
Donovan is clearly aware of his son's adoration of him and is using that to help "train" him. The moment where Damian was talking and he just sighs (vol 6) or his parting comment to slow down (indicating that he had been fully aware of his son the entire time, including his attempts to start a conversation).
tldr i love Donovan Desmond. They'll make me hate you, you ugly decrypted zombie man. 100000+ aura indeed. terrible terrible man
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hot-take-tournament · 9 months ago
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HOT TAKE TOURNAMENT!
PRELIMINARY #261
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Submission 493
Sophie Foster from Keeper of the Lost Cities is a terrible protagonist.
I cannot think of any likeable qualities that Sophie has. She also has little to no flaws, and the ‘flaws’ that she DOES have don’t impact the story in any way, and they’re only played off for laughs and are, essentially, meaningless. Additionally, all the fucking characters are either in love with her, like her, or are evil. I hate it.
Spoiler territory after this.
At this point in the series, Sophie has FIVE FUCKINF ABILITIES (where most characters only have one, or maybe two if they’re lucky). She is honestly…so fucking stupid. Like, it’s not even funny at this point. Not only has she burnt down a storehouse with enough evidence to basically convict all of the bad guys, but she also tries to JUSTIFY her actions, saying that she was burning all their supplies (while also burning the things her organization needed). She’s also said to be clumsy throughout the series, but the SECOND she needs to use a knife, bam; she’s amazing at it, and has perfect fucking aim. Also, all of the guys are in love with her.
All of them.
I also find it annoying how she always goes on and on about how she has a different view on the world, since she was raised by humans or whatever (she lives in a world with elves), but she actively avoids and/or tries to sympathize with elves that have no ability, making them feel worse in the process. She has no idea what it’s like to feel powerless in a world where you’re surrounded by power, and I fucking hate that about her.
Finally, she decided that even though her friend was fucking going to die/being tortured/black swan secrets were going to be leaked/being forced to betray all of his friends, it was more important to get a hot date instead.
My hate for Sophie Elizabeth Foster is a burning, inferno of passion. Hate does not even describe it.
Propaganda is always encouraged!
And remember to reblog your favourite polls for exposure!
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violenteconomics · 5 months ago
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First year gang but it’s an au where they’re ghostbusters
anything 4 u, baby. (gonna be real with you, though, i have never seen a single ghostbusters movie, so some of this is just based off of preliminary research, lol)
okay, so it's a TWST event based on that one old mickey mouse short "the haunted house" and the actual "the haunted mansion" ride at disneyland. there's this old, decrepit house on school property that used to be its own dorm -- we're just gonna call it "skaladare". however, after an undisclosed accident nearly a century ago where all the dorm members died simultaneously, it shut down and is now the most dangerous place to be on all of campus. for this reason, demolition companies don't want to go anywhere NEAR this thing, so it's just been chilling in its pocket dimension for a while.
you can see where this is going.
the first-years originally think they're just going into skaladare to get the cinders cloak that used to belong to the old housewarden, which has great magical properties -- which is partially true, if nothing else. that idea degrades over time, though, as crowley gives them ghostbusting outfits, magestone equipment (proton packs, containment units, etc.), and even gives grim a funny pair of ecto goggles. ("you probably won't get in any real danger, but i'll give you all this stuff anyway because i'm just so darn kind---")
(the housewarden of skaladare, named gale roths (a pun on the term "gale rots"), is twisted from the grim reaper from the mickey mouse short, btw.)
as soon as they get there, the door closes in on them and they're locked inside. luckily, they're met with the ghost of a former skaladare first-year named gabriel hauntings (for... obvious reasons), twisted from the ghost host from the haunted mansion ride. he's pretty friendly as far as most undead go, though (if extremely sassy and sarcastic, but i guess being stuck with nothing to do but crossword puzzles will do that to you).
gabriel can't remember how he died, but everyone else does. and he can tell you that everyone has been extremely aggressive after they woke up as ghosts, so the first-years better watch their backs. after a bit of threatening by epel and manhandling by sebek (which everyone is deeply confused by, because he's supposed to incorporeal, sebek is there something you want to tell us--), gabriel agrees to guide them through the mansion to the housewarden's bedroom, where the cinders cloak is.
they fight through a bunch of skeletons and ghosts, and as they continue through the halls, talking to old paintings on the walls and random scraps of memories gabriel regains, they slowly piece together the story behind skaladare's mass extinction.
as it turns out, skaladare used to be the worst-ranked dorm in the whole school -- in grades, definitely, but also in the fact that the dorm was literally falling apart, and no matter how much housewarden roths begged for repairs, the headmage at the time (who i'm just going to assume isn't crowley) refused to spend money on what the entire school saw as a lost cause.
skaladare lost every spelldrive match they were ever apart of, they were cut out of school-wide field trips, the teachers looked down on skaladare first-years the moment they stepped into the classroom, and getting sorted into skaladare was basically a death sentence (*hint hint*, *wink wink*)
being the housewarden of this awful place was already bad. combine that with the housewarden's already ongoing issues (we're just going to assume they're similar to riddle's), and he overblotted in no time at all. except this time, there was nobody who could stop him -- and he wound up killing every single person in skaladare. the reason gabriel doesn't remember any of this is because he was sleeping when this happened, which is why he describes the process of becoming a ghost as "waking up".
blah blah blah, the first-years have to deal with another overblot, can you believe it? except this time, gabriel is going to battle with us after hanging back this whole time (yes, he can get a card, too). and at the end, gabriel and gale and everybody else can move on to the afterlife. gale gives the first-years the cinders cloak, the freshmen and gabriel have a tearful goodbye, and they leave up into the great unknown after one last twistune.
even if this is a twst event and those are usually pretty goofy, let's say that this ending has our freshmen thinking about how this school and their own dorms might actually kill them one day.
as for cards, i'm gonna give jack and sebek the ssr cards ('cause let's be real, they deserve it at this point), deuce and epel can get the sr cards, and (i'm so sorry) ace and ortho get the r cards. and since gabriel is our event guest, he also gets an ssr card.
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tobiasdrake · 6 months ago
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Fun Fact: Goku is not the main protagonist of the 21st Tenkaichi Budokai. My favorite thing about this arc is its perspective flip on who Goku is and what he means to the story.
The Muten-Roshi first introduces the idea of the Tenkaichi Budokai at the start of Goku and Krillin's training.
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In typical Goku fashion, Goku doesn't understand what they're talking about and yet is probably gonna win 'cause. Y'know. Goku. The arc leading into this made a pretty compelling argument that Goku's all but invincible and unstoppable. He's a strange little monkey boy who breaks everyone that goes against him.
Fitting his role as an adaptation of Sun Wukong.
Going into this, the Muten-Roshi lays out what he wants the boys to learn:
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Roshi doesn't want this to be about vanity or self-indulgence. The tournament on the horizon is simply a motivator. The philosophy he wants to instill in these boys is Dragon Ball's core theme: The yearning for self-improvement.
Having something you're improving yourself for can be useful in keeping you on track but the focus is on the journey to get there, not the destination. Goku and Krillin aren't supposed to win the tournament. They're supposed to sharpen themselves into the kinds of people who could win the tournament.
...but it quickly becomes apparent that Roshi's methods will need some adapting to work with Goku's... Goku-ness.
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Goku is a beast. Teaching him is going to be an ordeal.
This sets up a significant conflict to come. Not a conflict for the characters, but for the story: How do you even have a tournament arc for a character like this? Goku was created to be a funny little guy who eats challenges for breakfast.
So the day of the tournament comes to pass, and we're introduced to the "enigmatic" Jackie Chun.
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It's not hard for the audience to tell who this man is, but the kids are fooled and that's what counts. At this time, we're still primarily in Goku and Krillin's perspective. Hoo-wee, this here tournament sure is gonna be a humdinger!
(That's Goku. That's what Goku sounds like. He's a backwoods hick who speaks informally and irreverently with a rural accent. I genuinely wonder what Goku's reception would have been like if his dub acting had faithfully reproduced his dialect.)
We stay with Goku through Krillin's first match.
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While Jackie's first match seems poised to set him up as the archrival to be beaten.
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Roshi's first match here seems set up to demonstrate how tough he's going to be to beat. He's the final boss of this tournament. Goku's going to need to take him out in order to overcome.
But Goku's first match, on the other hand, reminds us that Goku's been nerfed ever since the end of the previous arc. Losing his tail messed up his balance and he's been off ever since.
Everything we've seen from him during their training and the preliminaries was Goku fighting at a handicap. As of this moment, the gloves are off. The Monkey King is back in full form.
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This is all good tournament stuff. We have a powerful rival, the strongest opponent around that Goku could possibly take on, but we've been given more than enough reason to believe Goku's up to the challenge.
We're inclined to root for Goku because he is our main protagonist. We're experiencing this world through his eyes. He wants to win the tournament. So we want him to win the tournament. We like it when characters we like succeed.
The semifinals are... interesting, through that lens. Four contestants are left: Goku and Krillin, as well as Jackie Chun and Namu. But Jackie's match with Krillin doesn't go by so easily as his fight with Yamcha.
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Against Krillin, the Muten-Roshi has to work for it. Krillin's underhanded style brings him a hair's breadth away from victory. To win, "Jackie's" forced not only to reveal his ability to perform the Kamehameha, but also to introduce the Zanzoken/Afterimage technique for the very first time.
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Though Goku pierces the illusion instantly. This fight shows us that the Muten-Roshi has his limits. Krillin didn't tax those limits too hard but this was still a harder fight than you might expect. Further, nothing he did here is shown to be truly threatening or ominous for Goku's chances.
Quite the opposite, even for the Zanzoken that clinched the match, we see Goku follow along just fine. He's gonna be alright in the finals.
By contrast, Goku's match with Namu sees him effortlessly dominate. He's invincible, he's unstoppable, and the closest he ever comes to defeat is when he accidentally dizzies himself from spinning around too much.
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Goku eats Namu alive. He takes the best Namu has to offer and gets right back up without a care in the world.
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It's the end of this match that lays out who the underdog in this upcoming match actually is.
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Roshi watches Goku eat Namu for breakfast and he comes away shaken. Rather than wondering if Goku has a chance at winning this, we're left with the impression that he can't possibly lose. Goku is too strong, he's too invincible, to ever possibly lose this.
And it's here, in the wake of Goku's unbelievable shitstomp of a semifinal round, that the switch occurs. Because now that we've laid out that Goku is invulnerable, that Goku is almighty, that Goku's triumph is inevitable... suddenly, Roshi lays out the stakes of this arc.
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If Goku wins this tournament, Roshi fears that victory will go to his head. He'll become proud and complacent. An arrogant brat with more power than he knows what to do with and no will to learn. Looking ahead to characters like Tenshinhan or Piccolo or Vegeta, characters who only began to work on themselves once Goku humbled them and gave them mountains to climb, it's easy to understand what he's talking about.
Though Roshi later questions whether this was really necessary, right here in this moment, we feel it. Just like that, the entire perspective of this arc has flipped. We move into the finals not wondering if Goku will win, but staring down the barrel of the invincible and unbeatable protagonist we've known from chapter 1.
The Monkey King Son Goku breaks every opponent that comes before him. He can't be beaten. He can't be stopped. He is all-powerful and invincible and an instant master of any technique you come at him with. He's absolutely favored to win this thing after that semifinal.
And for the sake of his development as a person and as a martial artist, the greatest master that our world has to offer, the man who would seek to educate the impossible, must. Take. Him. Down.
Jackie Chun is not the final boss of this tournament. The final boss is Son Goku.
The final match of the tournament is a Sisyphean ordeal, as Roshi breaks out every tool in his toolbelt only to be stymied at every turn by the sheer impossibility of Son Goku.
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You can feel Roshi's growing frustration as Goku matches and overcomes everything in his path, devouring Jackie Chun as he devoured Namu in the preceding match. Whether that means matching his, the old master's Kamehameha:
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Or one-upping his Double Zanzoken with a Triple Zanzoken:
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With each passing chapter, we are experiencing Goku through the lens of an adversary. Rather than being privy to Goku's private monologue, it's Roshi whose thoughts we sit with as he tries again and again to find an answer to this impossible foe.
Every chapter (but one) ending the same way: Roshi tries. Roshi fails. Goku learns and analyzes and internalizes Roshi's abilities, making himself stronger. And Roshi's back gets closer and closer to that wall.
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A fun playtime for Goku and the fight of his master's life.
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And when Goku finally, finally goes down, we feel, viscerally, how hard this battle was fought. Roshi pulls this off only by the skin of his teeth; A victory that is, in its own way, as desperate and nail-biting as the battles with Vegeta or Piccolo or Majin Buu, despite the smaller scope.
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You can feel Roshi's spirit dying inside as Goku asks that. But the job's done. The lesson has been implanted. The shape of Goku's future has been forged.
And the things he learned here today are values he will carry with him for the rest of his natural life (and beyond). That is the triumph of the 21st Tenkaichi Budokai.
...whether or not it was actually necessary to go this far, on the other hand, is left up in the air.
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We can't ever truly know the results of the choices we didn't make. But the choices Roshi did make on this fateful day would become the first step in shaping the greatest martial arts master in the universe.
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peachdues · 11 months ago
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*taps mic* ahem
GENERAL ANNOUNCEMENTS / CONTENT WARNINGS FOR PART III OF IN THE NETHERWOOD
As a preliminary matter, I want to stress I have not decided whether to split part 3 into two parts. I will be sharing the full draft with Sam and a couple of mutuals to get their thoughts, but I will let you all know before it’s posted what my decision is.
First and foremost, I want to explain a few of the content warnings.
The primary theme of Part III is dead dove, do not eat.
Violence. Part III contains explicit violence/blood/gore. I don’t think it’s overly detailed, and in some instances, there are a few cut to black scenes, but know that as a whole, there is quite a bit of violence ahead. There is a scene describing a dismembered body, but again, not in too much detail.
Non-con. There are several references to non-con in Part III against other characters but there are no actual depictions of it. The non-con is accompanied by some rather disturbing revelations of additional violence, so just be aware. Again, nothing is depicted.
Self-mutilation/injury. This is a cut to black scene, and the injury inflicted is done for survival purposes. It is not explicit.
Douma. He’s his own content warning.
Explicit sexual content. When I say part III is smutty I mean it is smutty in the most explicit way imaginable. Reader gets fucked literally by her Wolf, if that’s not telling enough, idk what is.
Finally, I want to stress that there is a Part IV — so please, whatever you think you have to fear in reading Part III, give it a chance. I promise you, I will never leave a story unresolved.
With that, happy reading! I will post the full CW/TW list below. See you soon 🤍
TW: dead dove do not eat • explicit violence/gore • references to non-con against several characters (not depicted) • mutilation • self-mutilation/injury (broken bones) • references to torture (not depicted) • brief description of dismembered body • Douma is a sadist • references/mentions of characters being eaten alive • death • angst
CW: explicit sexual content • MDNI • monster-fucking • werewolf fucking • Giant wolf cock • mates/mating marks • heat cycles • breeding • cum so much fucking cum • belly bulging • dick imprint • cum swelling • oral sex (F! And M! Receiving) • scent kink • breeding kink • creative use of the mating bond • vaginal fisting (?) (idk Sanemi has his whole hand in her at one point) • vaginal fingering • possessive/protective mates • discussions of pregnancy
Lastly, we are doing a trial run posting with Part 3. This installment is massive, and I’ve had issues in the past with tumblr not letting me post or not letting people reblog. If this happens again, I will delete the original posting and reupload it as two separate parts — Part 3 and Part 4. In that event, the final installment of In the Netherwood will be Part 5.
I ask that if I have to split Part 3 up, that you please, please reblog and comment — not only so it gets visibility but also because I hate the idea of losing any interactions that I might get on the original post.
Part 3 will be posted before the New Year.
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bluedalahorse · 6 months ago
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on flaws as opportunities and organizing the beef
I’m in the place now where I have enough distance from Young Royals season 3 to think about what felt flawed about it for me, and it led me to some interesting revelations about how I understand the characters and the story.
And to be clear: this does not mean I didn’t love season 3 with every fiber of my being, or that I think it sucks forever. Even a great production has flaws. The wonderful thing about being in fandom is that we love our shows deeply but also like to pick them apart, and in picking them apart we come up with ideas for future fics and fix its and character studies. Writing flaws are always an opportunity.
Anyway…
Thesis statement: Wilhelm and Simon don’t actually have the same beef with August, and the show should recognize that.
Or, to put it more formally, August causes them different problems that need to be addressed differently. I think that by acknowledging that more directly, and leaning into the discomfort that creates between Wille and Simon as a couple, the writers could have cleaned up some of the Wilmon-related messiness I saw in season 3 and have been mulling over for a while.
Caveat: I still need to do a full, formal rewatch of the third season. But I’ve rewatched here and there these are my preliminary thoughts.
To start, let’s recap Wille and Simon’s conflicts with August in season 1. For Simon, August is a bully and a gatekeeper when it comes to the world of Hillerska. He makes fun of Simon for being “socialist” and puts Simon in a position where he’s bringing in alcohol and then drugs for richer students’ recreation. August doesn’t pay Simon back for the alcohol the first time, which also shows a profound lack of awareness of Simon’s financial situation. Despite bullying Simon, there are times in August’s mind that he probably thinks he’s done Simon a favor. I do think, as flawed as he is about it and as much as he’s making weird speeches and doing aggressive forehead kisses, August assumes he’s really helped Simon out by getting him on the rowing team. But from Simon’s point of view this is all just more gatekeeping. Simon sees Hillerska as his ticket out of Bjärstad, and he wants to succeed in his merits as a student and a musician. But the way August treats him reminds him that his talent matters less than how many favors he can do rich boys. It also reminds him that he’s expendable to Hillerska students—August is absolutely ready to let Simon take the fall for the drugs when he feels it threatens his position.
Wille, meanwhile, is not excluded or gatekept by August but rather included more than he wants to be. Prior to the release of the video, Wille mostly finds August’s “come here and let me play your surrogate big brother” antics annoying. The debate over whether to let Simon or Alexander take the fall for the drugs is something that increases Wille’s ire toward August and makes it more serious, enough that we see Wille out August for his money troubles. But Wille also entrenches himself further in the system as a result of their argument—he still uses Alexander as a scapegoat, and he offers to pay August’s boarding fees afterward as an attempt to restore the peace between them. Their relationship isn’t seriously fractured until August releases the video. This harms Wille in the sense that it sets Wille up to deny his authentic self and makes it hard for him to engage in intimacy without trauma getting in the way. In essence, it puts Wille in a similar position of trauma that August was put in when the Erik and the third years initiated him. (Much much much more publicly, yes, but let’s note that transfer of trauma, because YR is about cycles.) 
The video also throws Wilhelm into a space where he starts to doubt his connection with Erik, because Erik told Wilhelm he could trust August. At the end of 3.4, Wille tells August that Erik would hate what he did, but I suspect he’s been wrestling with the uncertainty over whether Erik would really accept him and Simon for a long time. I don’t know if Wille really trusts Erik even though he says he does. In my opinion, it’s August’s release of the video that first brings this sense of doubt about Erik into Wille’s mind, and for three seasons we’re watching him slow burn toward actually voicing that doubt and grappling with it.
I think it’s tempting to believe that the trauma of the video release unites Wilhelm and Simon against August, and makes them feel the same sense of pain and loss, but ultimately I don’t know if that’s true. I’m not sure I see Wille and Simon as two boys in love against the world, at least not in a way that isn’t complicated. For Wille, the video affects his ability to express himself authentically and makes him doubt his relationships with his family. For Simon, the scandal of the video will now forever follow him when he wants to break free of Bjärstad and become recognized for his own merits. These are different harms from the same event that need to be dealt with differently.
One of Wille’s flaws is that he doesn’t fully realize that. I think he tends to center himself without realizing it, and sees the harm that happens to Simon as an extension of harm to himself. I actually think this is pretty interesting, and pretty in line with how Wille would have been raised as a prince. We see Kristina telling him that everything he does reflects on her and the family, so it’s natural that Wille might see a threat against Simon as a threat to himself without really thinking through how they’re going to be impacted differently. And the “prince” as a literary archetype has always been somewhat rooted in the “rescue” of others.
I explained this to @heliza24 and she said something really smart, which is, “the thing that necessarily gets lost when you muddy that is how much Wilhelm’s violations of Simon resemble August’s violations of Wilhelm.” And she’s right. I’d been trying to find a way to say that some of Wille’s actions in s3 remind me of August’s more toxic traits, and that part of Wille’s hamartia in s3 is he can’t see the ways he’s behaving similarly to August even as he shuts August out. When August releases the video, it puts Wille in a position where the royal court and Kristina are forcing him to conform more-more-more, and to hide his authentic voice from the world. Wille in turn inflicts that on Simon, acting as the royal court’s mouthpiece when they want Simon’s songs or May Day pictures deleted. We see Simon worn down to the point where he’s almost fading away. It’s actually pretty upsetting.
To that end: I also can’t help draw parallels between Wilhelm’s insistence on public gestures of affection with Simon and the way August and Felice walk arm in arm after they get together, the way he clearly wants to be seen with her. I also look at the way Wille craves Simon’s constant emotional support—especially on the night of his birthday—and see August reaching out to Sara as his emotional support lifeline.
Now, for what it’s worth, I still don’t see Wille as this awful, irredeemable person. (I don’t see August as this irredeemable person either, for that matter, and this is part of why I see Wille and August’s healing as intertwined and interdependent.) But I do think one place that season 3 fell flat for me was in the way Wille never got to recognize that his own issues with August and Simon’s issues with August weren’t exactly alike. And for Wille to recognize that some of the things he’s trying to do to heal aren’t equally healing for Simon. (Seriously, I almost tore my hair out when Wille joined the choir. It wasn’t a romantic gesture to me—I found it creepy! Let Simon have one space to himself!) 
It probably would have helped to have one scene where Simon articulates that to Wille, and really point it out. I get it if we don’t have time for Simon and August to resolve their shit in one season, and since Wille is the protagonist, he and August resolving their shit is going to take precedence. But when Wille and August are still at odds in the first part of the season, I do feel this vibe where like, Wille assumes he’s the avenger for wrong done to both him and Simon. And I kind of wanted to see that reckless avenger vibe get addressed.
@heliza24 probably describes this better than I do, but season three does have a habit of obscuring Simon’s agency from the audience, mostly so the writers can manipulate the audience’s reactions to Wilhelm and Simon, and especially so they can keep us in the dark about the fate of the Wilmon relationship during the breakup cliffhanger between episodes 5 and 6. I don’t know if this was the greatest choice, to dangle the cliffhanger over our heads, because it ends up moving a lot of Wille’s development into the last 10-15 minutes of the season and creates an issue in pacing and character arc. I wonder if they could have spaced his character arc out a little more and infused the tension into other moments and ideas. I think that could have been more satisfying.
Incidentally, this is a season 3 writing problem that’s foreshadowed in season 2 with the way Felice and Wille’s friendship is written. Felice essentially becomes Wille’s confidant as Wille attempts revenge on August. This makes sense, as Felice has her own beef with August based on how awfully he treated her in their relationship, and she’s friends with Wille, so it’s a natural alliance. But once again, it’s different beef, impacted by Felice moving through the world as a Black girl with a rich white mom, and not a white boy prince, and Felice never gets a chance to say so. Maybe it shouldn’t matter, but it does matter because season 2 episode 3 ends with… Wille kissing Felice just to feel something!!! And at the beginning of episode 4 everyone’s talking about what happened and what might be a new relationship between Wille and Felice!!! Gosh does that remind anyone of Felice’s predicament in the middle of season 1? It sure does remind the random girl in the choir, who says Felice only dates bluebloods!
The thing is, I wish Felice had been able to make that comparison more explicitly in her conversations with Wilhelm. Things obviously don’t get as bad with Wilhelm as they do with August, and Wille and Felice talk things out. But Felice doesn’t get to express herself about that as much as I wanted her to, and we don’t get much of a sense as to whether or not this changes Felice’s views of Wille’s revenge plot. She forgives him pretty quickly, and I don’t know if she should have. Just a little more careful planning on the writers’ parts could have given Felice the agency she needed in season 2.
Anyway! Let’s talk about stakes. The stakes for Wilhelm in season 3 are that he’ll become August—or more accurately, that he’ll construct an armored facade like August has constructed to get through life, and that he’ll hurt other people in the process. (This is true for Wille even with him being queer, I think. Wille may be queer, but his whiteness and wealth and power and literal hired staff of PR-minded humans are going to frame how the rest of the world responds to that queerness.) Whereas for Simon, Sara, and Felice the danger is that, in order to maintain their place in the upper class system, they’ll become dependent on someone like future August or future Wilhelm, who has a lot of power and spends most of their life in armored facade mode. 
Wilhelm and August reconciling is still important, because when they recognize one another’s humanity, they can actually be vulnerable with one another the way they need to be, and take that armor off. And I think by forging that relationship with one another, they have a space to really question the values they are raised with and act better to loved ones in the future. But we’re really just witnessing the first step. And there’s a lot more steps they need to take with one another, and with the other people in their lives.
What can I learn from this as a fan and writer?
Thinking about this actually helped me understand a point of view in fandom that I’ve always disagreed with. I still disagree with it, but I think I understand it better now. Periodically I’ll encounter points of view where August is seen as the worst kind of evil, the sort of person where you unite with each other to take him down once and for all. You know… Avengers Assemble! Or something. In some fan’s minds, he’s the kind of guy everyone at Hillerska should turn against at once and ultimately reject for the sake of narrative catharsis. A symbol of the corrupt system and nothing more.
And I never really saw August that way. He can be awful and annoying at times, and extremely harmful at other times. He often makes things much worse for our other main characters a lot of the time. Often times he is the most direct representative of the system that’s causing them problems. On the other hand, he’s also capable of really, truly caring about people and community, as much as he gets in his own way about it. We also know a greater extent of his trauma now and how it affects him. All in all he seems as human and as in need of liberation as all the other characters of Young Royals. It makes sense that he’s the one of five who hasn’t left behind the system yet, but I feel like one day he can maybe get there. I feel like those are the writers’ intentions, and the show’s intentions overall. Certainly this is also the version of August that Malte’s acting reflects.
I think I also understand now why I don’t always see eye to eye with others about Wille. I adore Wille, but I think sometimes the assertion others make that “Wille has one brain cell and it’s being in love with Simon” feels threatening to me rather than adorable. Wille is really really fascinating to me in that falling in love nudges him to question things about his position, but it doesn’t erase his relationship to his privilege entirely, and he can be pretty flawed in how he understands his power and how it plays out in a relationship. I think for others, they might see Wille as protective and caring toward Simon. Whereas I see him (and prefer to see him portrayed) as intending to be protective but definitely at times overstepping and putting Simon in a more negative place than before. I think part of this is caused by a writing problem in seasons 2 and 3. We see the negative impact the relationship can have on Simon—look it absolutely breaks my heart when Ayub mentions how Simon deleting his social media will make him sad—but I don’t know if Simon gets as much of a chance to articulate that to Wille or even to the audience as I want him to. And I also see Simon and Wille’s very different conflicts with August as part of that.
Moving forward… these flaws in seasons 2 and 3 don’t ruin my love of the show. They aren’t me saying the show is bad. They’re disappointing, because Young Royals is so good in so many ways that it sucks when it does let us down. But basically everything I like has a flaw one way or another, because literally no work is perfect. And right now I’d rather look at the flaws in YR and say, this is something I can learn from and play with in fanfic.
(And sometimes there are times when tumblr wants to explain all the flaws of a show away and idealize it and I wonder… can we not do that? Because sometimes claiming a show is perfect and flawless limits discussion and creativity. I get just as frustrated with people idealizing the Wilmon pairing and putting it on a moral pedestal, which has ultimately led to me blocking the tag from my dash. I like them a lot more when I think about them as complex teenage humans who fuck up a lot and not a godlike ideal of romance. I love them, your honor! But I think I need to love them independent of the tag.)
As for where this goes in fanfic, I think this once again leaves things open for fans to explore. Once again, I think there’s a whole interesting story to be explored in terms of how August and Simon work through their shit, and how that really has to happen in a space that’s in part independent of Wille. A shared relationship with Wilhelm might be the catalyst for why they’re working through their shit, but some of what’s going to happen has to happen without him there. (For what it’s worth, I think we see flashes of Simon and August beginning to understand one another throughout the series—Simon is running some really interesting mental calculus when he realizes August has an eating disorder, shout out to Omar’s acting there—but those threads always get dropped or interrupted. It’s infinitely frustrating to me as someone who likes both characters and wanted to see them talk honestly for once but didn’t quite get that.)
I also think this gives me interesting questions about where Wille and Simon’s relationship could go next in fanfic. Independent of the monarchy, I think Wille is still going to have to work through his instinct to be an angry avenger or reckless rescuer at times, and the part where he assumes he and Simon are harmed in the same way by the same things. Even in a world where Wille doesn’t have a title, he’ll still have wealth and white privilege that Simon doesn’t. And I don’t think that has to get in the way of their future happiness, but watching them navigate through that is something that draws me into a story idea.
So, you know. This has been an update on my fannish desires. At least, my fannish desires that do not involve the rest of the YR characters, various ships on Heartbreak High, and Interview with the Vampire season 2 finally airing today. There’s a lot going on in this brain and none of it is the work I need to get done.
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