#powe dynamics

[crimsondinnerparty]

Gideon in *Antipasto* is an absolute force, and it’s such a delicious irony that he, the man with no limbs and nowhere to run, has Hannibal completely on edge. Gideon’s presence is the ultimate power move. Every word, every utensil tap is a challenge, a reminder to Hannibal that he’s no longer the puppeteer pulling all the strings.

Hannibal’s reaction when Gideon refuses to be cowed—his fumbling “you still have to eat”—is not just desperate; it’s telling. Hannibal, who thrives on control, is visibly rattled by a man who’s supposed to be powerless. And when Gideon taps those utensils, it’s like a slap in the face, a reminder that Hannibal’s carefully crafted world is slipping through his fingers. Gideon’s sharp “Why do you think I’m allowing this?” slices deeper than any knife, and Hannibal’s empty response shows just how lost he is—because Gideon’s not just sitting there; he’s indulging Hannibal’s pathetic need for an audience, for companionship, in the most twisted way possible.

Hannibal’s arrogance has always been his defining trait, but this scene strips him down. Compare it to *Aperitif*, where Hannibal is reveling in his solitude, dining on his secretary’s offals, radiating superiority. It’s all gone now. After Will Graham shattered his defenses, exposed his weaknesses, and took a sledgehammer to his heart, Hannibal’s left grappling with a stark new reality. He’s reduced to this shadow of himself, sharing joyless, empty meals with a man who’s more interested in psychological warfare than in the food. Gideon hurls truths at him like weapons: that Hannibal’s dining games are nothing but a sad parody, a hollow echo of his former grandeur.

Gideon’s relentless needling cuts through Hannibal’s pretense, exposing a rawness we rarely see in the cannibal. Gideon knows he’s living on borrowed time, and he uses every second to tear into Hannibal’s ego. He’s not just some victim; he’s a mirror to Hannibal’s own emptiness. And let’s not forget the meta-layer here—Gideon’s awareness of Hannibal’s desperate need for an audience mirrors the way Hannibal manipulates others but can’t handle it when the tables are turned.

[yippee-optimistically]

broppy 😿 trolls 3 was sooo good i spent like 5 hours watching all the movies back to back and you should too

bonus bruce ↓

[gabriestat]

exchanged blows (C in the small council, A with her brother doing most of the job for her) and when she could have just left and denied him his useless wish, A stayed and gave him the blessings in front of everyone while larys was also looking and her brother was not so far off courtly romance is so back

[discountsoysauce]

I dont think enough people are talking about how great an Acho and Graecie duo would be and I am here to forcibly bring attention to this

[fuckmeyer]

María is a bad bitch queen supreme with a simple dream of reclaiming her land Volturi-style after her human life was tragically cut short by a Texan who had invaded Mexico to create his own vampire Golden Corral. RESPECT HER OR PERISH

[cyberxsun]

Power 💥 Siblings

[giallogigan]

you cant put siblings in the mating tent but you CAN put the bastard who sacrificed twins at a young age as playthings to their brother and those twins together! let's hear it for toxic age gap yaoi everbaby~

[floraesky-a]

PROMPTS FOR PATCHING UP WOUNDS | @celesticlnstcrs asked: it's not the worst injury i've ever seen, but it's pretty bad. theo & kyung <3

𝐃𝐞𝐬𝐩𝐢𝐭𝐞 𝐭𝐡𝐞 𝐰𝐨𝐫𝐝𝐬 that the other says to him, there's something of a smile that settles onto his face. ❝ Does that mean that maybe you'll worry over me and dote on me, Kyung ? ❞ It's just meant to be a little joking bit teasing to ease the mood but he moves his foot the wrong way and hisses as pain shoots through it, the hissing is followed by a string of colorful swears uttered under his breath.

He faces down any look that Kyung could give him with a grimace settled into his own features. ❝ Guess that was instant karma for my dumb joke there, huh ? ❞ There's a sigh spilling from lips and a hand moving to run through his inky locks of hair. ❝ Alright then Doctor Kyung, what do you suggest I do about my injury ? ❞ He's always valued Kyung's input on things which was why he asked for it now. ❝ Think I can just ignore it and it'll go away ? ❞ They both knew the answer to that already.

[rewrittn]

* 400 RANDOM DIALOGUE PROMPTS | @celesticlnstcrs asked: "i thought i'd never see you again." Kyung & Theo

It had been quite a while since they'd seen one another, that was true. Had he been expecting to see Kyung here of all places? Perhaps not but also maybe he had as there was always a chance that they could run into one another gain even after all this time apart from one another.

Hands clasp behind his back as amethyst hues meet Kyung's own gaze. There's a grin that settles onto his features as well before lips are parting so that words may roll off his tongue. ❝ Is that so ? I mean, did you want it to stay that way ? I can leave. ❞ There's a playful gleam that settles into his gaze as laughter follows the words.

❝ I'm just kidding. ❞ He waves a hand in a dismissive manner as his smile turns surprisingly gentle. ❝ How've you been ? You look good. ❞ in both health and appearance, he was still as attractive as he remembered him to be.

[david-talks-sw]

hey david! Do you have any George quotes regarding the final Vader vs Obi wan fight? Like did obi wan deliberately throw that fight and let vader kill him or did vader win the duel and obi wan did the Force ghost thing as a last resort?

Here's the quotes I could find that are relevant to the subject:

"A particular case is the confrontation between Obi-Wan and Darth Vader. You know there's something, some relationship they have to each other, 'cause they talk about meeting again ‘and now I'm going to get you’ and all this kind of stuff."

"So there's some kind of old battle going on that we don't know anything about that works amazingly well considering that all it is, is ultimately this one scene between him and Tarkin where he says, “He's here. He's come for me. And it's our destinies to meet up again. And I'm gonna handle this myself. I have to."

"This confrontation with Obi-Wan and Vader— it works just as a confrontation between the good guy and the bad guy. I mean, he’s— Obi-Wan's, at this point, the strongest good guy. He’s the one that has the most knowledge— the father figure that has taken on Luke. Then you have the bad father figure who is the evil father."

"And the subtext of this, which is that this is the culmination of a larger issue… has never really played, I think, for people. It's really just the confrontation between bad and good. Then the surprise at the end of this, is that: Vader doesn't kill him… but that he's able to join the Force, and by being one with the Force, influence things in a more powerful way than he can just being a Jedi." - A New Hope, Commentary Track, Special Edition DVD, 2004

"When he loses Ben, [Luke] freaks out. He’s depressed and all the things that you would be. But Ben has put that idea in him that things happen naturally and there’s also this other thing that’s never explained, which is that he allowed himself to be killed. He didn’t really die. He disappeared. There’s more to this than just a death. Later on in the movie, Luke hears Ben say, “Use the Force!” It mitigates that loss a little bit, because he knows Ben’s somewhere and that something’s going on." - The Star Wars Archives: 1977-1983, 2018

So there you have it.

In a destined confrontation between good and evil, good triumphs not by defeating evil but by ascending and growing beyond it.

So it feels to me that it's a "when in Rome" kind of decision on Obi-Wan's part, wherein he realizes he won't win this fight, and so he decides to make his end meaningful, so that he can show Luke that death is not the end of the journey... he's joining the Force.

Now, if we're talking power-scaling...

... you could argue that Ben might have put up more of a fight, had it been necessary.

George acknowledges that Ben's an old man when explaining the more dynamic fights in the Prequels... but back in the early days, he ranked him as more powerful than Vader/equal to the Emperor.

"Maybe we should set up some kind of levels of achievement. Ben can say that Luke is now a level 2 and Vader is a 4; ‘‘I was a 6 and the Emperor is a 6, and he’s on his way to becoming a 10, which will be a force so powerful in the universe that nothing can stop him. You must stop the Emperor before he achieves the level 10.’’" - Story converence, 1977, as transcribed in The Making of The Empire Strikes Back, 2010

"[Vader] ended up losing his arms and a leg and became partly a robot. So a lot of his ability to use the Force, a lot of his powers, are curbed at this point, because, as a living form, there’s not that much of him left. So his ability to be twice as good as the Emperor disappeared, and now he’s maybe 20 percent less than the Emperor. So that isn’t what the Emperor had in mind." - Vanity Fair, 2005

Now, the first one is an old quote from the development of Empire Strikes Back, when the story was very different; it's take it or leave it, if you ask me. Power-scaling is invented to justify storytelling, so if the story changes, it's not guaranteed the power-scale remains.

But if you're going by "everything Lucas said is canon!" rules then you could make the argument that, in terms of power...

If Ben = Emperor and Emperor > Vader then Ben > Vader.

And thus can argue that Ben might've beaten Vader if this confrontation was/turned into more of a Force-based contest than a physical one.

[arceespinkgun]

One thing I really love about the UK Marvel continuity is how it handled Decepticon leadership. All of the leaders were so unique and well-defined characters! There are so many civil wars among the Decepticons that I actually lost count. I think they each show different aspects of Decepticon culture, too. In this post I wanted to showcase the leaders and discuss why I really enjoyed the way they were portrayed!

Megatron: used to be the equivalent of an Olympic athlete. Started the War by preying on political unrest caused by preexisting tensions between the city-states, an aging Autobot council who wouldn't listen to their one radical voice (Emirate Xaaron), and a lack of resources. He started the War with a plan to equip giant engines to Cybertron to pilot it around the universe to conquer other planets lol Megatron is a dictatorial strongman at heart, and his major trait seems to be his indomitable will. No matter who tries to brainwash him or how embarrassed he ought to be by his defeats and stupid mistakes, he keeps going shamelessly.

Shockwave: used to be the ruler of Tarn, and constantly tries to take leadership from Megatron, probably missing the control he had over his city-state. Has a brains vs. brawn dynamic with Megatron, but tends to get extremely frazzled when things don't go his way and don't follow his twisted, self-serving idea of what logic is. However, that doesn't mean he doesn't emote.

Starscream: used to be a figurehead dictator of Vos. Generally tries to backstab whoever's in power, which is probably informed by the fact that he wasn't #1 in his own city-state back before the War. Also, props to Starscream for killing more people than Unicron (the majority get repaired, but still)! Something I find interesting is that Megatron preyed on the war between Vos and Tarn, but usually Starscream and Shockwave work well together in present-day, which suggests the whole war thing was entirely about power and not personal. They're both also ultimately cowards out for themselves.

Soundwave frames Wild Rider when, of course, Soundwave had been the real traitor the whole time

Soundwave: this continuity has such a good version of Soundwave... unlike Starscream, whose treacherous actions are big and loud, Soundwave's treachery is quiet. He serves under nearly every leader and never faces the consequences of blackmailing and betraying any of them, until eventually he is left as the ultimate leader in at least one future timeline. He is such a snake!

Straxus: initially was the leader of the Decepticons while Megatron was on Earth. Despite only being leader for a short time, he leaves a lasting impression with his absolute brutality in the way he melts POWs down to make ingots, beats his own soldiers, and is obsessed with taking over Megatron's body. He also has lasting impacts on the story overall because the identity of Megatron becomes questionable due to Straxus's attempts to subjugate his mind with his own.

Ratbat: originally kinda like Straxus's Laserbeak, Ratbat takes over and becomes one of the most intelligent leaders! He used to be an auditor and his entire philosophy surrounds being as energy-efficient as possible. He even gives Shockwave a negative performance review LMAO Interestingly, he's positioned almost as more of an enemy to the Witwicky family than to the Autobots at times. He also likes to use his own enemies as test subjects and slaves. Eventually, though, his string of successes leads to him being too arrogant for his own good.

Scorponok: wow, I don't even know where to begin. Introduced as the archenemy of Fortress Maximus, he becomes a Headmaster commander by teaming up with the evil Nebulan politician, Zarak. Scorponok begins as a complete mess, with hilariously idiotic plans like using bubbles against his enemies or humiliating the Autobots by having his soldiers defeat them in wrestling matches... and on Earth, he and his soldiers live in a dump. Literally, they live in a dump. He also has more truces than battles with Optimus Prime as he comes to know him, never having seen him until Earth. But Scorponok's ineffectual villainy and eagerness to team up with the Autobots actually leads up to something, as it becomes clear that he actually wants what's best for all transformers but needed to be inspired by Optimus Prime's compassion and support to become confident enough to risk losing the Decepticons' respect and aim for peace. Scorponok (and Optimus) show the strength that lies in choosing to give up conflict and try for peace. In some ways, Scorponok is more like Optimus Prime than Optimus is in this continuity!

Thunderwing: really fascinating. At first he kinda comes across like a generic distillation of what a Decepticon leader is, with all the traits you'd expect of one, and he even takes a test to become one... not the norm given that it's usually backstabbing and civil war that decides who comes out on top. He also thinks he fails the test because he gets distracted by revenge, but then he passes because that proves he's a true Decepticon!!! It's Thunderwing's relationship with the Matrix that is especially interesting. He's obsessed with it, but it's the Matrix's own desire to have new experiences that's corrupting his mind and eventually possesses him. Thunderwing is actually honorable and it's his goodness that allows him to temporarily fight back against it. By current TF standards, Thunderwing would actually be a Prime, since he opened the Matrix, but the Matrix isn't benevolent here. It's more like a little kid that wants to learn by acting out, and Thunderwing is a casualty of that.

Decepticon leaders don't look like this anymore!

Megadeath: the reason Thunderwing is like That™️, and the reason five specific prominent Autobots are the way they are. I mention him because he only appears in a single story in one of the annuals, yet his actions were so unspeakably horrible (the Autobots he traumatized certainly thought so) that he's one of the most sadistic Decepticon leaders ever.

Galvatron: such a multi-faceted and cool villain, that I already made a whole post about him! Notable for his cunning, his fears, and the fact that he was made from at the very least both Megatron and Straxus.

Bludgeon: introduced as part of the Mayhem Attack Squad, which is the Decepticon equivalent of the Wreckers. Specifically, he's introduced hunting down former Mayhems for fraternizing with Wreckers! Bludgeon hates the possibility of peace and loves war, to a religious degree. He thinks he believes in honor, but to be honest, he really doesn't. He's also incredibly fake in that he will pretend to be all for peace just long enough for the Autobots to let their guards down. I'm impressed by how much I love to hate this character given how short Bludgeon's time on-panel was.

There are a few other minor ones that appear as well, so there are even more! I'd like to say that while it probably shouldn't be given that this was like... the first continuity ever, as a fan who became introduced to TF during the Aligned continuity, the way the Marvel UK stories approach Decepticon leadership is so refreshing.

One reason is that Megatron is not portrayed as special just by nature of being Megatron. Yes, he started the War and founded the Decepticons, but he's not given more respect from his troops or his enemies automatically, and he gets his shit rocked constantly. Shockwave's intro was to immediately beat him up and take over, and Megatron embarrasses himself constantly. That's not to say that Megatron isn't worthy of being a Decepticon leader, no—but it means he's often shown clawing his way back up and constantly battling legitimate threats to his position. As a fan, it made me respect him a lot more.

Another thing I appreciate is the way the Decepticons are humanized. There are a lot of blatantly evil ones, but there also many of them who have a sense of honor and goodness, and it's clear that both many Decepticons and Autobots feel stuck and don't even remember why the War started at this point. And even the Decepticons who lack compassion or honor have very understandable struggles, such as facing trauma and trying to overcome it.

Along with the above point is the way the story of Scorponok is handled. I love that Scorponok is a Decepticon leader who always secretly held values that align with Autobot values, but then he ended up stuck in this bloodthirsty culture and endless conflict where he felt like he couldn't do anything, and I love how this is slowly foreshadowed throughout the comic. His friendship with Optimus is also excellent. I really enjoyed how they didn't meet until Earth and slowly became friends as they continually teamed up against greater threats. I appreciate that the Decepticon leader who's best friends with Optimus isn't like... Megatron, who started the War. I feel like a lot of newer continuities make the War center on the falling-out of two friends, which I think is a ridiculous way to handle the conflict.

Speaking of Megatron and Optimus, I appreciate how this continuity just doesn't have a lot of the dynamics that are typically present regarding these Decepticons. Megatron and Optimus are definitely each other's oldest enemy, but their conflict is de-centered in the narrative and they never had a falling-out. Instead, they always disliked each other from before the War. It's actually Shockwave who becomes the nemesis of both Optimus and Megatron for many issues! A lot of Optimus's deepest trauma was inflicted by Shockwave. Also, Megatron and Starscream still have a conflict, but that conflict is rarely present. Starscream causes problems for everyone and is mainly linked to Shockwave for a long time. And as I said before, it's Optimus and Scorponok who become friends.

I think a lot of the approaches this continuity took with the Decepticons should be used in the future!

[jynmelshian]

i absolutely love this bit of trivia. duncan pow so nice and chill that they just had to write melshi into the most epic storyline thus creating one of the most interesting dynamics of the show so that tony gilroy could have his rogue one blorbo back. incredible

[doodlegraveyard]

I just think this guy is SO much fun so I wanted to make him even more fun and cartoon-y. Also, CMYK colored so he really POPS.

[Image description: costume redesign for Manga Fukidashi aka Comicman from BNHA. He wears a hot pink bodysuit patterned with Ben-Day dots to evoke old printed comics. His boots and gloves are now bright cyan trimmed in yellow, with black splotches like spilled ink. He retains his manga page template mask. He is leaning back dynamically, one hand brought up to his face and the other thrown back dramatically, as he yells, "KA POW" in a graphic font. End description.]

some of my sketches. a big thing for him was just exaggerating the shape language, since he already has a speech bubble for a head why not go wild?

[aspoonofsugar]

Do you think Adam will come back as a demon, having to redeem himself? It kind of feels like that's where the few hints at smth deeper going on with him are going.

Hi!

I mean, there is this:

As Charlie and Emily sing about amoral angels staying in the sky, the focus is on Adam and he looks very triggered. I also personally hope he comes back because I think his character offers great opportunities to explore others. Like Lucifer, Lute, Sera, Lilith and Charlie herself. That said, I am also okay if he is meant as a one-season villain tbh. In this case, I trust it is because the story has other plot-lines to follow. Also, it would be an hilarious call-back to his line:

A man only lives once, we'll see you in one month Gotta say, I can't wait to Come down and exterminate you

Adam, you're either right in how THE man only lives once, or you are so wrong and Charlie is so right, that you yourself get a second chance :P

That said, I think there is clearly more about Adam, Eve, Lilith and Lucifer's dynamic that needs to be addressed (either through Adam coming back or in other ways):

The series starts with the retelling of the myth of Eden in the form of a fairy tale. Still, it is clear that we are given only partial information.

Lucifer: Well, your first wife didn't seem to hate what I had to offer…or the second! Bowchicka pow pow!

Sera: He was the first human soul in heaven…

It is very unclear what happened with Eve and Adam himself is judged a "virtuous soul", after his human death. Not only that, but he affirms what brought him into Heaven is:

Vaggie: reading list "Act selfless, don't steal, stick it to the man." Are you fucking serious?

Except that Adam never once acts selflessly throughout the whole season. So, I wonder if an eternity spent being spoilt in Heaven made him worse.

In short, the things I am interested in when it comes to Adam are:

If and how Heaven has changed him

His relationship with Lucifer and Lilith (Eden + his pact with Lilith)

Let's now try to analyze Adam, starting with what we have in the series.

ADAM THE ANGEL

Adam: Call me, Dickmaster.

Adam is introduced as a powerful angel and a jerkass mysoginist. Both things are important, as they tie to different conflicts:

Adam is a genocidal maniac, who mistreats everyone. Still, he is considered a virtuous soul and holds some authority in Heaven.

Adam is "the man" and is shown discriminating and dismissive towards women. According to Charlie's recount in Overture, his mysoginy might be at the very root of the conflict behind the forbidden fruit and the birth of Hell.

These two sides of Adam come together in his interactions with Charlie, who is both a demon and a woman.

1- He dismisses Charlie's ideas of redemption in his song Hell is Forever, which is full of Christian references:

'Cause it's cut and dry Fair is fair, an eye for an eye And, when all's said and done (said and done) There's the question of fun And for those of us with divine ordainment Extermination is entertainment! Guitar solo, fuck yeah!

In general, he sees himself as superior to demons because he was judged worthy of Heaven. In his mind, this makes him automatically the "good guy", while people who exhibits virtues like Charlie or Angel are still beneath him, as they are demons. In short, he has a black and white mentality:

'Cause the rules are black and white There's no use in tryin' to fight it

2- He flirts with Charlie and calls her with sexist names:

Adam: I got you again, bitch! *laughs* Fuckin' hilarious!

Not only that, but his overall characterization highligths his sexism to hilarious degrees. Some examples:

His favourite food is ribs because Eve was born from one. So, it is as if he likes "eating women up"

He leads an army of hot and lethal women, who follow his orders in battle (classical male fantasy)

He gives Vaggie the name "Vagina" and calls it "the best thing ever"

So, Adam is a combination between a zealous religious fanatic and the patriarchy. All neatly tied up with jock imagery (his tunic resembles a letterman jacket). As a result, his interactions with Charlie explore two different power dynamics:

Heaven vs Hell or to better say Hell is Forever vs A Happy Day In Hell. Is Hell a place of eternal damnation or is it a chance of redemption?

Man vs Woman - Adam is far more childish and less intelligent than Charlie, but she has to kiss his butt because he is in a role of power. As it often happens in human society.

The question is: "How can such a person be worthy of Heaven?"

SERA THE MOTHER

Sera: I thought, since I'm older It's my load to shoulder

Sera is Adam's authority figure, as she is the only one Adam shows respect for. He asks for her validation and is ashamed after disappointing her. Considering Adam was created by the angels, it is easy to infer Sera is probably the closest thing he has to a mother. This also ties with Sera's overall role in the narrative, where she is framed as a parental figure to Emily and to the other angels and souls:

Not only that, but her parenting style seems rooted in the determination to protect those in her care, no matter what:

Sera: It is my position as the head Seraphim to protect our people at all costs.

Even if she has to lie to them:

I wanted to save you, the anguish it takes to Do what was required

Or if others end up hurt in the process:

Sera: Heaven needs us, Emily. Everyone looks to us… and we can't doubt ourselves or worry about the fates of demons when we have our own souls to protect.

She keeps Emily and the rest of Heaven in a Gilded Cage and chooses to exterminate the Sinners. In a sense, she too sees the world in black and white, just like Adam. Her loved ones. All the others. This attitude is present in her relationship with Adam too, as she enables him. Some examples:

She gives Adam permission to lead the exterminations. Even if Sera thinks killing Sinners is necessary, there is no reason to entrust it to Adam, who has a very obvious grudge against Lucifer.

He lets Adam boss around the exorcists and mistreat them. Like he did with Vaggie. In general, Sera gives him no rules, if not a generic "do not embarass me" one. And even then, Adam faces no consequence after he reveals the secret.

Sera is angry at Adam's cruelty towards Charlie and reproaches him for targeting the Hazbin Hotel. Still, this is all she does. She could have stopped Adam from attacking the hotel. And yet, she only makes a single remark.

In general, Sera gives Adam free reign and even fulfills all his cruellest requests. This is made clear during Charlie and Adam's questioning.

Since the beginning, Charlie is set up to lose and the seating arrangement shows it. Sera and Emily are at the very top, as they are the judges. Below them there is the jury and then there are the two sides. Still, Charlie and Adam are not at the same level. Adam is higher, while Charlie is at the very bottom.

Sera sustains Adam's petty objection:

Adam: Objection, lame and unoriginal. Sera: Sustained. No further dictionary references please.

But she is about to refuse Charlie's request and only agrees to it because of Emily:

Charlie: Angel will make good decisions, come on! We have to keep watching! Please? Sera: sighs Yeah, I don't know. Emily: Yeah, let's give him a chance. Sera: Very well, the court will allow it.

Finally, when Adam reveals Vaggie's secret (which is irrelevant to the matter at hand), Sera allows it to happen:

She is the one projecting Vaggie's angelic shadow on the wall. Once again she enables Adam's cruelty, instead of stopping it.

in short, Adam is a person who ascends to Heaven, but once there he spends millenias without anyone questioning or disagreeing with him. All his self-serving fantasies are fulfilled and he is never punished nor called out. As a result, he clearly becomes complacent and grows worse:

Lucifer: So, this is what you been up to since Eden? Gotta say, you've really let yourself go, buddy.

Lucifer's taunt mostly references Adam's physique. Still, this is metaphorically true for Adam's soul, as well. In the end, Adam regresses in Heaven, instead of evolving. Moreover, he never addresses nor solves the key event, which defined his life.

LUCIFER AND LILITH

Adam: You judging me? You're the most hated being in all of creation!

Adam's sense of self is clearly warped by what(ever) happened in Eden. Specifically, he is hurt that both his relationships with Lilith and Eve ended up badly (apparently). This is why:

He overcompensates by being overly masculine. He insists he is THE MAN and keeps blubbering about his love adventures. And yet, he has still no wife, that we know of.

He projects his own feelings on Lilith and Lucifer, to the point that thousands of years later, he chooses "messing their home", as his hobby. Specifically, he tries to steal Lilith away (through their deal) and to make Lucifer as miserable as possible ( which is why the King of Hell sends Charlie to meet Adam at the very beginning - he doesn't want to deal with the Exorcist).

This behavior is mirrored in how he treats the Princess of Hell too.

On the one hand Adam associates what he considers Charlie's positive traits with Lilith:

Adam: To think someone as worthless as you landed Lilith's little hottie. 'Grats on that I guess.

On the other hand Adam links what he believes to be Charlie's negative traits with Lucifer:

Adam: Risking your immortal life for sinners? That's some crazy shit, even for Lucifer's brat!

So, it is implied he still wants Lilith and despises Lucifer. These emotions are mirrored in his design, specifically his horned mask:

The horns ironically show that Adam was cheated on by (both?) his wife(s)

The horns give him a demonic-like appearance, which may be just another way Adam tries to appear more badass than what he is. All while trying to look more like a demon (Lucifer) to begin with

In other words, Adam is nothing, but a man scorned. Even moreso he is a person, who deep down could never really like himself. Hence why he chooses to wear a mask 24h/24h. Adam wants to be either a Demon or a God, but deep down he is just the Man. Ironically, this is what he could never truly accept about himself.

ADAM- A MAN

In the final fight, Adam is unmasked and we get a glimpse of his real self. What is he like? His design is far more average and human-like than other angels and demons. It is even inspired by his real voice actor, apparently. Why is that so? Because deep down Adam is no-one special. He is just a dude. He is the man. Not even that. He is a man. A person.

Sadly, though, he refuses this truth and tries to be more:

Adam: I started everything on Earth! All of mankind came from these fucking nuts! You all should be worshipping me, you ungrateful, disgusting, fucking losers-

He tries to be God and in this way he becomes worse than a Demon. He dies pathetically, after refusing mercy:

Adam: No… you don't get to end this! I'm fucking Adam! I'm the fucking man, and you're just some fucking clown or something!

He sees Lucifer as his enemy, but the King of Hell barely registers his presence and only considers him in relation to Charlie. His true opponent turns out to be a small woman of low status. And even she barely considers him as someone worthy of her attention.

And yet, Adam is still a man and he shows humanity in death:

Lute: NOOOO! Sir! Sir! Stay with me sir! ADAM!

Lute is his one genuine bond and probably the only person who earnestly makes him happy.

If only he could have pursued his humanity, he might have not turned into a monster. He might have developed a healthier sense of self and could have become happier. Instead, he could never love himself for being just a man and has spent eternity trying to be someone different.

HEAVEN ISN'T MEANT TO SUCK A LOT

Adam embodies the anti-theme.

Charlie thinks that everyone can redeem themselves:

Charlie: If I can show them the dream I've dreamed That any soul can change! Then they will know everyone can be redeemed From the evil to the strange!

Adam thinks nobody truly can:

'Cause Hell is forever Whether you like it or not Had their chance to behave better Now they boil in the pot

Charlie tries to grow into her own person:

Gotta come into my own Gotta come into my throne Gotta take charge and defend my only home

Adam turns himself into an idol:

The golden exorcists bring to mind the golden calf from the Bible.

Charlie thinks happiness and beauty can be found even in Hell:

I can hear all their stories The lost and displaced And I know that they're more of an acquired taste But if I open the door and I give them a place At my Hazbin Hotel It'll be a happy day in Hell!

Adam can't find happiness and beauty in Heaven and his only source of joy is knowing others suffer more than him:

Fuckin' Hell is forever And it's meant to suck a lot!

And yet, Hell might be meant to suck a lot, but Heaven shouldn't:

St. Peter and Emily: 'Cause every single day in Heaven is a happy day Welcome to Heaven

Still, Heaven could not make Adam happy. And if Heaven can't make its own people happy, then what is the point of such a Kingdom?

Sera: It's your position to keep them happy and joyful. Emily: How can I bring joy when I now know we are bringing misery to thousands of innocent people?

Adam is a character that embodies Heaven's problems, not only because he is an evil monster, but even moreso because he is an unhappy and unsatisfied man.

Here are my two cents on him :D We'll see if he comes back and manages to get some development!

Thank you for the ask!

[jheselbraum]

It's 2024 and some of y'all are still whining about Katara being "mean" to Zuko after he joined the party like he didn't directly betray her trust and almost caused her to waste the spirit water on him instead of saving it for Aang which-- while definitely not intentional on Zuko's part since 1) Zuko didn't know that Azula was going to shoot Aang with lightning and 2) He didn't offer or expect the spirit water to be able to heal his scar-- from Katara's perspective the last time she trusted Zuko the Avatar cycle almost fucking ended. Of fucking course it's going to take her the longest to trust him again, she's right! She was the first person to trust him, and he burned that bridge!

Everyone's field trips with Zuko make the most sense for both how they happen and when they happen. Toph trusts Zuko the quickest because she can literally tell when people are lying and is also good friends with Iroh, who's like, the number one "Zuko's not evil he's just in turmoil" guy. Aang trusts Zuko next because he's a fucking air nomad pacifist who is culturally predisposed to the virtue of forgiveness. Sokka trusts Zuko after an intense and prolonged mission to rescue some POWs because Sokka is a warrior at heart and while he like Toph sees the strategic value in Aang having a firebending teacher (eventually), he needs to know how Zuko behaves while on their side before he can trust him. Like-- the change in dynamic between the air temple, when Sokka and Zuko aren't on mission and Zuko is kind of the one "in charge," he has the information Sokka wants but Zuko is the one who hesitates to give it freely and Zuko is the one who dictates how Sokka leaves the temple for the boiling rock, to when they actually get there and Zuko follows Sokka's lead and Sokka is the one calling the shots and coming up with the plans really emphasizes how Zuko works in team setting when it counts.

And Katara's field trip with Zuko has to be her revenge quest, and how Zuko acts during that quest really tells us a lot about what Zuko wants personally from that field trip which is the same thing that he wanted from the others-- jack shit.

Zuko asks Sokka about his mother's death because he wants to better understand where Katara's coming from, and from where I'm standing it's pretty obvious that he only realizes "hey hang on my years at the Fire Nation School For Little Princes might come in handy actually" and tells Katara what he now knows about the raid and who did it.

And throughout the entire episode Zuko is 110% on board with whatever Katara wants to do with that information. If she'd said at the tent "Thanks but the only revenge I want is helping Aang defeat the firelord and ending the war" then he would've just been like "ok"

Zuko makes no judgement call on Katara's use of bloodbending and he makes no judgement call on Katara's decision to spare Yon Ra and every move he makes in that episode is Zuko saying "You're right, I fucked up, and I understand where you're coming from" every move he makes is in support of Katara, she is the one in control in the situation and I think that's why Zuko brushes off Aang's call to pacifism earlier in the episode, because pacifism isn't what Katara wants in that moment.

Like that whole sequence comes from such a genuine place of caring and support from Zuko for Katara and I think the interpretation that Katara is just being Mean to Zuko for No Good Reason really cheapens one of the best episodes in the series as well as the episodes leading up to it.

[avonne-writes]

I really really can't picture bucky as an omega, he's way too big and in your face for that imo. Typical alpha behaviour and ahem *dimensions* (all-over! not just down there, stop thinking of That Gifset 😂). Buck on the other hand... could be alpha for sure, but between that angelic face and the unassuming manners, I really read him as a more obvious omega. Also some choices were made by the production to present him as other, ethereal (eg the white horse scene), unattainable, and that feels omega coded. Also your writing of him as a sub made total sense to me, and again that's omega adjacent *shrugs* what do you think?

I think that with a/b/o, one has to be careful not to overwrite the characters' personalities to fit their designations. I hate stereotypical abo where the omega might as well be a female OC. But, aside from this, you can sell almost any dynamic to me. So, I can get on board with omega Bucky as long as his personality is the same. But I do have my own headcanons. I see them as either of the below two:

Alpha x Alpha

"unquestioned leaders of our entire group"

Matches their personalities in the show

Gentle, calm alpha + large, loud alpha ❤️

Switching‼️

Even more reason for a playful, teasing relationship - constant dominance challenge

Courting and possessive tendencies both ways

Humorous confusion at times because they've never dated a fellow alpha before

My alpha nesting headcanon

Perhaps the military only allows alphas to join

If A x A relationships are taboo, that might create the same obstacles as a gay relationship in canon era

Alpha Bucky × Omega Buck

This only works with non-stereotypical omega behaviour because Gale is not warm, not social and not generally submissive

Non-traditional omega who’s scared of giving up control finds an alpha he finally feels safe enough with to submit

Gale's looks are indeed omega-coded

Protective alpha Bucky

Possibility of being openly mated

Omega Gale doesn’t have normal heats due to childhood trauma (doesn’t want anyone near him), but Bucky eventually helps him with that

Cue: heat sex 🔥

POW angst

Mpreg option

These are my headcanons at the moment, but as I said, as long as it's in character, I think all dynamics are awesome. 😊