#poto asks
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birdstooth · 1 year ago
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Based on this ask sry it took so long lmaoo @lapinlune1910 😭
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night-unfurls-its-splendour · 10 months ago
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For the send a fic idea ask:
What are your thought on a Phantom of the Opera vampire AU? 👀
OMG OMG OMG
I do not have the brain to write one, but I WISH I did and I am SO excited to share why.
About two years ago I got into a minor debate about whether "sexy" vampires are a "modern" invention or if there's any basis for it.
Now my standard for "Modern" as far as vampires go is BD and AD ("Before Dracula" and "After Dracula")
So the answer to that was "Yes and No".
No, because "original," vampires of Slavic folklore are mainly zombie-like.
Bram Stoker's classic Gothic novel is largely considered the birth of the modern vampire in pop-culture, and that's TRUE
BUT
He is NOT the first example of the Vampire as a fantastical erotic stalker in media.
Now most people probably do know that Dracula was predated by John Polidori's The Vampyre and Varney the Vampire or the Feast of Blood by several decades.
But the ORIGIN of the erotic vampire predate THEM by more than a century.
Widely considered the first appearance of a vampire in media is the 1748 poem Der Vampire by Heinrich August Ossenfelder. (Read more about that here)
The poem is notable, not only for being the first recorded appearance of a vampire in fiction, but also for its intense erotic subtext.
So how does all this relate to a PotO Vampire AU? Well because when I rediscovered this poem after getting into PotO I discovered in it a few things that connect it, albeit loosely, that connect it to Phantom, some things I think will probably jump out to you as well, including, what I think, is the ideal title for a PotO Vampire AU.
Here is the text of the poem's English translation, which is, like the first translation of Phantom of the Opera, flawed but iconic:
My dear young maiden clingeth Unbending. fast and firm To all the long-held teaching Of a mother ever true; As in vampires unmortal Folk on the Theyse's portal Heyduck-like do believe. But my Christine thou dost dally, And wilt my loving parry Till I myself avenging To a vampire's health a-drinking Him toast in pale tockay. And as softly thou art sleeping To thee shall I come creeping And thy life's blood drain away. And so shalt thou be trembling For thus shall I be kissing And death's threshold thou' it be crossing With fear, in my cold arms. And last shall I thee question Compared to such instruction What are a mother's charms?
If I ever DID work up enough of an actual story to write a PotO Vampire AU, I would, without restraint entitle it "But My Christine, Thou Dost Dally"
But the other section I highlighted you'll notice is the mention of Tockay.
Now Tockay appearing here is not an astonishing thing. It's a sweet Hungarian wine, and as the poem alludes to the Eastern European origins of vampiric lore, the likening of a maiden's blood to this particular wine is not at all shocking.
What does make me smile to myself a bit is the fact that Tockay is also mentioned in both Dracula and The Phantom of the Opera. Its not really a massive bombshell in either of these places either, because Dracula himself serves Jonathan Harker at his castle in Romania, with his tasty roast chicken dinner; and Gaston Leroux has Erik serve Christine a duvet of Chicken with tockay during her stay in his house by the lake.
(Also not too much of a stretch in the case of PotO because Tockay was very in vogue in the early 20th century and only fell out of favour following the Great War when availability became scarce. But Gaston Leroux was a noted admirer of Dracula, and even mentioned Erik reading vampire serials in the original Gaulois serial.)
Tl;dr I have the perfect title for a PotO Vampire Fic
I just don't have the brain to write it.
Yet.
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willows-escape · 8 months ago
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hi! i was wondering if you'd write for the 1943! phantom? :3
i need to watch it at some point, it is on my to do list but if i like it then 100% will be adding it to my list! :)
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kyannnite · 7 months ago
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murderous tendencies be damned my boy can work a violin
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changbunnies · 30 days ago
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Angel of Music (18+)
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♡ Pairing: Phantom!Minho x Opera Singer Fem!Reader
♡ Genre: phantom of the opera inspired au, horror themes, dark romance, age gap, smut, dead dove? read the warnings carefully and come to ur own conclusion on what you're willing to read before engaging pls :'), the ending is also a lil dark, sorry!
♡ Word Count: 5.8k
♡ Summary: A phantom exists in the opera house– he controls every production from the shadows, lurks around every dark corner, always watching. In your dreams exists an angel– a guardian that sings to you, guides you, and comforts you. When The Phantom appears before you in your dressing room mirror, you begin to realize that he and your angel may be one in the same.
♡ General Warnings: slightly less extreme age gap than the source material that inspires this fic but it's still fairly large (reader is ~mid 20s and minho is ~40), briefly described attempted murder of minor characters, implications of stalking, hypnotism, hallucinations + doubts of reality, so much usage of the words "phantom" and "angel" it's not even funny, this fic is not an accurate representation of how hypnotism works irl but it's fiction so i'm taking liberties!
♡ Smut Warnings: dubcon (due to reader being hypnotized), additionally to not being in their proper state of mind, there are also moments in which reader does not feel to be in full control of their body, light dom/sub dynamics, soft pleasure dom!minho because i want more of him !!, mask kink (does it still count if the mask doesn't cover his whole face?? idk i hope so!), some biting, oral (f rec), overstim, multiple orgasms
♡ Notes: i've known for ages that i wanted to write a phantom!minho fic, and my kinktober series gave me the perfect reason to finally write it! also the fact that both my uploaded minho fics are age gap romances?? that was not intentional i swear lmao
♡ Disclaimer: please read responsibly, and remember that this work is fiction and meant strictly for imaginative fun. the idols used in fics are more accurately faceclaims and personality outlines for imaginary characters, and should not be interpreted as factual representations of existing people.
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All inhabitants of the opera house have been on edge these days– consequence of the new owners of the Opera Populaire, who decided to disregard all of The Phantom's demands.
The Phantom, as the name suggests, is a ghost story of sorts. According to your castmates, he has been here since long before you joined the Opera Populaire's trainees last year, but his activity has begun to increase since your arrival.
He controls all in the opera house, and his demands of the previous owner were always quite simple; perform what shows he instructs you to, follow his casting down to the letter, and keep the seats in Box Five free at all times. Evidentially, Box Five is his favorite place to watch the shows from– and sometimes, his dark silhouette can be spotted in the shadows of the booth, indiscernible but unmistakably there.
No one has ever truly seen The Phantom beyond a shadow, nor have they heard him speak. He communicates with notes, always left within feet of the recipient without anyone having seen him come or go. His notes will even appear in broad daylight, with not a single person having caught a glimpse of him despite all the eyes in the room.
Well, more accurately, no one has seen him apart from the Madame– an older woman who used to be a performer for the Opera Populaire herself, but has taken the role of choreographer since her retirement from the stage. In the 15 years it's been since The Phantom made his presence known to the opera house, she's the only one who's ever seen him, or heard his voice.
A brief encounter, she explained when asked about it– had barely seen him for more than a few passing moments. He spoke little, but the beauty of his voice was striking, completely unlike any other she’d ever heard. And all he asked of her, in that fleeting moment, was to remember that the Opera Populaire is his home– and as long as the inhabitants respect him, he'll respect them in turn.
The previous director, the Madame, and The Phantom all had a mutual understanding of what was to be done. As long as they listened to him, shows would go off without a hitch; but refuse, and there'd be dire consequences. As such, the Madame has been doing her best to express the importance of listening to The Phantom to the new owners.
The Monsieurs view it as no more than silly superstition– every opera house has their own beliefs and customs, things they consider good and bad luck before a show, things they view as omens of a show's future success. The Phantom is simply one of those things– and with a guiding hand, they can dispel such superstitions, show the cast and crew that there is no shadowy phantom to fear.
The first note left for the Monsieurs went disregarded– a barking laugh leaving the elder of the two before he tossed it in the bin. The instructions on the note were clear enough– you were to take the role of Eurydice in the opera house's production of Orpheus and Eurydice, and not Carlotta, as they originally casted.
You were just as baffled as everyone else to learn that The Phantom wanted you to take such an important role– you'd only been here a year, were still so new to your opera training. It's true enough that you have a good voice, and your dancing has improved with all your diligent practice, but you're still young, and the tragic role of Eurydice is not so easily performed.
Natural talent for bringing emotion to performance aside, you lack stage experience– experience that you can easily gain from background roles. To make you such a crucial stand-out role after only a year of training was simply unheard of– no opera house would do it!
This is to be your first production, your first time on stage in front of an audience; and so regardless of what The Phantom wants, Monsieur Reyer opted to keep you strictly in the supporting chorus roles, where you would go from shepherdess, to nymph, to spirit as the acts progressed. Not a glamorous, shining position in the cast by any means, but more than enough to help familiarize you with the reality of performing with hundreds of eyes watching.
It wouldn't take long for The Phantom to make his displeasure with the decision known. And what started off as just small accidents and stage mishaps quickly turned violent and dangerous as each week passed with you still not given the role that The Phantom felt you deserved to have.
The first violent turn came during rehearsals for Act 3, right in the middle of Eurydice's climactic aria, when the chandelier above the stage came crashing down. Carlotta was standing directly beneath it just before it fell, and it narrowly missed her– purely because she happened to take a few steps forward whilst singing.
“An unfortunate accident,” the Monsieurs said, “it had nothing to do with The Phantom!” But the veterans of the opera house knew better– and the conductor swore he saw a dark shadow on the scaffolds just before the chandelier fell; a shadow that could belong to none other than The Phantom.
Carlotta screamed as it crashed just mere inches away from her, right where she's just been standing, and cried as everyone rushed to her side to ensure that she was unharmed. Again, the Madame tried to persuade them to heed The Phantom before another such “accident” occurred.
"Good God in Heaven, you're all obsessed! These things just happen sometimes– there is no phantom!" Reyer cried in exasperation over everyone's insistence, still unwilling to give in to the idea that the opera house's ghost was real.
And tonight, just after rehearsals came to a close, another terrible stage accident occurred– this time happening to Monsieur Reyer himself. He was up on the scaffolding when it happened, making sure all the stagehands properly rigged the lights in preparation for tomorrow night's premiere of Orpheus and Eurydice.
He was bent down, inspecting the bulbs and wires, when a dark figure appeared behind him. The shadow wrapped a noose around his neck faster than anyone could even react, pushed him off the scaffolding before swiftly retreating back to the shadows.
Reyer almost didn't survive– he was lucky that the nearby stagehands were quick on their feet and in their wits, managing to grab his arms and pull him up while another cut the rope that served to hang the poor man. And as if the message from the accidents alone weren't clear enough, another note was left behind right in the middle of the stage.
It was astounding, really, that not a single person saw The Phantom leave the note behind– and while some could argue that it was because all eyes were on Reyer, or because the stage became chaos as they worked to save him, the Monsieurs realized that maybe they should start to believe that there really is a ghost inhabiting the Opera Populaire.
The moment the note was noticed, the Madame picked it up, and read it aloud for all to hear. "Again, I remind you that Y/N will play the role of Eurydice. As I instruct, Box Five shall remain open for my use. These seats will not be used by another. This is my final warning– disregard at your own risk."
Realizing they had no choice, lest they wish to continue putting themselves and other cast and crew in danger, the Monsieurs begrudgingly declared you the new Eurydice, right then and there.
Given that you're at every rehearsal, you know Eurydice's lines by heart, and are confident that you can sing them well– but still, you're nervous. It's your first production, the premiere is sold out, is set for tomorrow night, and suddenly you're in one of the most pivotal roles in the entire opera.
You don't even understand why The Phantom is so adamant about giving the role to you; what is it about you that he likes, what is it that he sees in you? You wish you could ask the Madame, but she met him so fleetingly, and so many years ago– she has no way of knowing The Phantom's heart beyond an educated guess.
Sitting before your dressing room mirror, you sigh, utterly exhausted– now that you're Eurydice, it was vital that you do a last minute costume fitting and makeup test. As such, you've been in the opera house hours past the time you'd normally be here. The moon hangs high in the sky now, you're sure; you wonder if you should just spend the night here, sleep in the dressing room instead of making a late trek home.
Regardless, you hope your angel comes to you tonight. You know no one would believe you if you told them, but you really do have a guardian angel; and in your dreams, he comes to you– always when you are most lost and in need of guidance. He's a gentle, calming presence; always comforts you, talks to you sweetly when you're filled with self doubt, sings to you in the most beautiful of voices.
You've never actually seen your angel clearly– only heard his voice calling your name and whispering, singing, in a way that could only be described as angelic in its serenity. In your dreams, he's nothing but a vague, blurry image– even at his most clear, you can't define any of his features.
Still, you think of him fondly– and you suspect that as an angel, you aren't meant to be able to fully perceive him. And your angel always, always, knows when you need him– you suspect that even now, he's waiting; waiting for the moment you fall asleep, so that he can come to your side.
You look at yourself, still dressed as Eurydice. A beautiful, off shoulder bateau gown in the prettiest, purest ivory. There's lace appliques throughout the gown, has a beautiful cinched bodice before the tulle skirt fluffs out. It's elegant, makes you feel like a bride waiting to walk down the aisle.
Your makeup shimmers– extra glitter applied on your eyelids to make sure the stage lights catch it. Your jewelry too, is extravagant– made to sparkle and shine every time a light shines on you, to twinkle with each subtle move you make. It's a shame you have to take it all off just to put it all back on tomorrow– but the effort to make sure everything fits you was necessary.
You reach your hands up to one of your ears, prepare to remove one of your dangling earrings when you hear a voice you know all too well call your name– your angel's voice.
You look around the room, bewildered, but see nothing and no one. And surely you were mistaken– you're still awake! Your angel only comes to you in dreams, and you haven't fallen asleep... right? You are still awake, aren't you?
Again, you hear his voice, another whisper of your name. You rise from your chair, look around the room once more– no one. You turn back to the dressing room mirror, and jump in surprise, realizing that the view reflected in it has changed. You no longer see yourself, or the reflection of the dressing room around you– instead, you see a man.
He looks just as the Madame described her memory of The Phantom– dark hair, and even darker eyes, with a white mask that covers the right half of his face. Not completely– just from his hairline, down to his pretty, plump lips. Every inch of his skin is covered, head to toe, all of his clothes pure black apart from the ornate red vest.
Sleek boots and dark trousers, a tall collar that obscures most of his neck, long sleeves that cover his arms, even gloves covering his hands. He wears a cape, long and as dark as the rest of his clothes, and it blows behind him as if there’s a breeze rolling through.
You’re confused, a little frightened, but you can’t tear your eyes away or will yourself to flee– and as the figure speaks your name, you gasp; he truly has the voice of your angel. But he’s The Phantom, isn’t he? 
The blurry, vague scenery behind him begins to sharpen, coming more distinctly visible to your uncertain eyes. A dark corridor full of candelabra, glowing in dull yellows and shades of orange, held by incorporeal hands with no discernable origin.
What little of your dressing room you see in your peripheral shifts and warps as you stare at him, blur together into dark shadows as the table holding your hairbrush and makeup begin to fade and disappear, leaving the view through the mirror as the only thing you can see.
The figure– your angel, The Phantom?– holds his hand out to you through the mirror, as if the glass that should separate you no longer exists; perhaps it doesn't. Smoke– or maybe fog, mist? you can't be certain– pours into the room as you approach the mirror.
As if under a spell, you reach out to take his hand, thinking not of logic as you follow the beckoning call of your name. Your angel; you trust your angel. He smiles as you place your hand in his, and carefully, you step through the mirror, into the corridor.
Entranced, you stare at him; even with half a mask covering his face, he's utterly beautiful. He appears to be older than you, hints of fine lines beholden around his mouth and eyes, and even that adds to his mysterious charm. He holds your gaze as he takes a step back, a candelabra in his hand now, beckoning you to follow him down the corridor.
You squeeze his hand as you follow, and finally he turns around, walks with purpose as he guides you, glancing behind every so often to look at you in what you think to be adoration. You too, glance behind– and where the mirror once stood is now a desolate, barren wall.
You do not see any hint of your dressing room, or of the mirror you stepped through. And as you continue further down the corridor, the candelabra that were once behind you slowly begin to blink out and vanish from sight, leaving only pitch black darkness behind. A spiral staircase made of stone manifests, and you descend it, hand in hand with your angel.
You're so enchanted and bewildered, you can't seem to find your voice– all you can do is follow, let him guide you along to where it is he wants you to be. Even the staircase dissipates when you've finished descending, and for just a moment, you wonder– is any of this truly real?
Finally, you stand in the middle of a beautiful room, lit candles both resting in more candelabra and strewn about the floor, with dark, intricately woven tapestries hanging from the stone walls. There’s a grand piano, sleek black with gold accents, with even more candles resting atop it, as well as a sheet of music sitting pristine on the music desk, black ink seemingly freshly dried, just waiting to be played. 
There are several mirrors, though only one remains uncovered– the rest are obscured by cloth, for reasons you do not know. There is a bed, in what you suppose would be called a “corner” in this otherwise circular space, inviting and plush in its appearance, with blankets colored a rich red. Naturally, candles surround the bed as well, covering it in a beautifully soft, yellow-orange glow. 
“Where are we?” you finally find your voice to ask, and the man smiles as he beckons you to follow him towards his bed. “We are home,” he replies, and though it’s a strange answer, you feel you understand– yes, you are home. This is home. 
You gaze at him curiously after you sit on the bed, just as comfortable as you expected it to be, and he mimics the way you’ve tilted your head at him. “You’re.. My angel, aren’t you? Or are you The Phantom?” you ask, and the man laughs ever so softly, melodious and beautiful. 
“I am Minho,” he responds, as if that alone is a sufficient enough answer– in a way, you suppose it is. What else is there to know? He is Minho. That is enough.
“I have longed to touch you, to bring you here,” Minho whispers as he reaches one of his gloved hands to your face, strokes your cheek slowly, gently. The sensation, though simple, feels so tender– it sparks something inside you, fills you with a warmth you’ve never felt before. You close your eyes, bask in the comfort his touch provides you. 
You feel his hand move, travel down until his fingers are under your chin. He tilts your head up, and you open your eyes to see him gazing down at you warmly. “You are so beautiful,” he whispers, speaking to you as gently as he always does. He’s said it before, in your dreams– that you are beautiful, talented, deserving of all you wish to have.
He never lets you linger on self-doubt, never allows you to think you are lesser than someone else, or undeserving of the opportunities you’ve been granted. Your angel knows you– you think he’s appearing to you now, like this, because he knows you are uncertain of playing Eurydice; he must think that he needs to remind you of just how special you are. 
All of your doubts about tomorrow’s premiere– he will dispel them from your mind, as he always does. He kneels before you, gazing at you carefully as he inches closer to you, his hands softly rubbing over your shoulders and down your arms. His attentive stare as he caresses you makes you breathing quicken, your heart starting to pick up speed.
“Do you trust me?” Minho asks suddenly, and with not an ounce of hesitation, you nod. You’ve no reason not to trust him– in the year it's been since your angel first appeared to you, you’ve always trusted him. There is no one else that makes you feel so secure, so at peace, so.. Loved, cared for. Yes, your angel, Minho, loves you, cares for you like no other. You trust him. 
“I wish to clear your mind of worry and doubt– to make you think only of me, and the music we can make together. I wish to touch you, to kiss you, to hold you," he says, and oh, he knows he shouldn’t be pouring his heart out like this, for it’s too soon, much too soon. But he’s been enamored with you since the first moment you stepped into the Opera Populaire, has been infatuated with you since first hearing the passion in your voice.
He can’t help it, it seems– now that he has you here, in his lair, his defenses falter, all of his desires pouring out of him. To have you here, and to touch you like this, even so simply– it’s everything he’s wanted. And instantly, unconsciously, you reach out to him. Your angel sees you, knows you– you wish to know him too, to understand him the way he does you.
Your mind is somehow as clear as it is hazy– clear, because you know what it is that you want. Regardless of who he is, what he is, you want Minho to have you. Anything he wants, you feel compelled to give, as if it’s all you know; and in this moment, perhaps it is. In the very back reaches of your addled mind, a reminder blares– The Phantom always gets what he wants. 
And what he wants now, most of all, is you; and despite what logic may tell you to feel, you trust him to have you. He sees all that you feel in your expression alone, knows all that you think as if he’s seen into the depths of your mind. Even now, perhaps more than ever before, he sees you. 
Sees all that you are, and all that you want– and a charming smile plays on his lips as you gaze at him with wanton desire to let him take you. To let him have, to give yourself over– you wish to offer yourself wholly to your angel’s desires.
Your eyes flutter closed as he kisses you, a soft press that you could almost call chaste, his hands slowly moving over your body, each soft touch lingering. You don’t feel his gloves anymore, you realize– did he take them off without you noticing? You suppose it doesn’t matter– his hands are warm, a bit rough and calloused against the soft skin of your arms, and you like it.
Even as his kisses become less chaste, deepen as his hands travel to your hips, they remain slow and purposeful. His hands eventually find the bottom of your dress, begin to lift it ever so slowly up your thighs– not to expose you, but so that he can slot himself between your legs. Somehow, innately, you understand this– and easily, you spread your legs for him, allowing him to find his place between them.
His arms wrap around you after, pulling you closer, pressing your body to his. Your chest is rising and falling rapidly by the time he pulls away, breathless as you look to him with eager, impassioned eyes– a gaze that heats his otherwise cold heart. You reach up, bring your hands to his face; he nearly flinches when you touch his mask, though he knows you mean no harm. 
Minho feels himself ugly under his mask– too scarred and disfigured to be appealing to you in any regard; at least like this, with only the good parts of his face on display, you may find him handsome. Your touch is as soft as your gaze, and though perhaps you should, you make no move to remove his mask; you simply rub your thumb over the cold porcelain.
It’s a vulnerable thing, really– how softly you touch his ugliest spots. It doesn’t matter that you can’t see them from beneath his mask– the tender regard you seem to feel for him, even without having seen the scars that mar him, is more than enough. It’s ironic, in a way, that you seem to think he’s an angel; in reality, the only angel in this room is you. 
“I want to please you, if you'll let me,” he breathes as his fingertips ghost over your thighs. It makes your breath hitch, blinking at him slowly as you process his intent. There is much your angel wants– but chasing the pleasure of his own flesh isn’t one of those things. He doesn’t need it to feel satisfied; your pleasure will more than suffice him.
His dark eyes bore into yours as he awaits your answer, can tell from his wanting gaze how serious he is about pleasing you, and it makes your cheeks slowly bloom with heat. And it’s not just what he wants– it’s what he needs, really; when you surrender yourself to him, he wants it to be for your pleasure, not his own. 
“Oh, please– touch me,” you answer, plead– because something from deep inside you screams for it, wanting it beyond all comprehension. Your darkest, most innate desires manifest for him; desires that you didn’t even fully realize you had. They possess you, drive you to kiss him again, urgent and passionate. 
Minho returns your kiss with equal fervor, lets his tongue slip past his lips to meet yours. They share a dance, swirl around each other until you’re breathless again; and then he’s guiding you back, urging you to lay down as he hovers over you. He pulls the skirt of your dress further up your body, until your thighs are entirely exposed and he can see your dampening panties. 
He lowers himself to you, but doesn’t go immediately where you expect him too– he takes his time trailing wet, lingering kisses over your thighs instead. Your inner thighs are sensitive, ticklish, and you can’t help but squirm from each kiss he grants you.
You also can’t help but jolt each time the cool porcelain of his mask presses against the hot skin of your thigh, and again when he carefully sinks his teeth into your pliant flesh. He doesn't do it hard enough to hurt, or even fully leave indents of his teeth behind– just enough to leave you panting and squirmy; and he lets out a soft, airy laugh every time he succeeds in the endeavor. 
Your bunched up skirt is so full that you can hardly even watch him work you up; but there are times, while kissing and biting over your trembling thighs, that he lifts his head just enough to let you catch his gaze. It makes your heart skip a beat, butterflies dancing in your stomach every time he locks eyes with you while kissing around where you need him most.
You reach a point where you’re no longer squirming because his attention tickles, but because you’re becoming desperate, impatient; and the way he stares at you as he does it all doesn't help in the slightest. “Minho, please,” you whine, shameless; and you can feel him smile against your skin before he lifts himself up from his place between your legs. 
“Needy are we, angel?” he asks, grinning as you pout and nod. “Need you,” you mumble, but he hears you loud and clear; he’s attuned to you, your angel is. He lowers himself between your thighs once more, kisses your pussy over your panties– and it’s not quite what you need, but it’s enough to have you gasping and quivering. 
Again, he takes his time, as if not a single ounce of urgency resides within him. And make no mistake, it does– but Minho knows how to restrain himself. He’s a stubborn man, that is certainly true, but he’s also perfectly in control of himself; for now, anyways. 
And he likes the way you whine for him when you feel his tongue lick you up over the fabric of your panties. It’s not a full enough feeling for you, or a full enough taste of your pussy for him, but the desperate, whiny sounds it draws out of you are delicious enough to satisfy him.  
Still, while he’s enjoying the way his soft kisses and kitten licks over your panties is making you writhe and cry for him, he also can’t deny how badly he wants to finally taste you directly on his tongue. He’s been patient enough, he thinks, and so have you– why not indulge just a little sooner than planned?
In contrast to how sweetly he’s treated you up to this point, he’s quick to tear your panties away from your body. The sound of the fabric ripping makes you gasp, and maybe later he’ll apologize– but for now, lapping his tongue between your folds is of more importance. You moan when his tongue finally meets your bare pussy, as does Minho– and despite the hunger that he feels, he continues to lick you over slowly. 
The languid pace makes you crazy– you want more, so much more, but your angel has been waiting for this; he needs to take his time with you, needs to embed the taste of your dripping sex on his tongue, needs to make sure it’s something he’ll never be able to forget. And he isn’t trying to tease you by keeping the slow pace– well, maybe he is a little; he does enjoy it, after all– but he’s sincerely craved this for too long to let the moment quickly pass him by. 
He brings his hands to your thighs, squeezing them in his hands and preventing you from closing them around his head. You’re sure it’s partly so he can keep you spread out for him, to keep enjoying the easy access to your pussy, but it’s also so that your trembling thighs don’t cause his mask to shift, and fall from his face. 
You gasp when the cool, smooth and rigid porcelain covering the right side of his nose bumps your clit as he shoves his tongue into your hole. And while he isn’t purposely trying to get you to cum just yet, his slow but diligent ministrations are getting you there regardless– with his tongue dipping in and out of your heat, always pushing in as deep as he can make it go, and his mask-covered nose nudging your clit. 
You let your head fall back against the bed, your every high pitched whimper and moan echoing off the stone walls surrounding you. You try to tell him you’re going to cum, but you fail miserably– all that leaves you is a quick succession of whines before your eyes are rolling, back bowing off the bed as release on his tongue. Minho moans with you, hums happily as he licks the mess from your pussy like the cat that got the cream. 
He laves over your clit when he’s done licking up your cum– and it's sensitive, swollen from your orgasm; but that doesn’t stop him from swirling his tongue around it, and positively knocking the air from your lungs. The sensation is overwhelming, he knows it is even without you telling him, but it’s still so good that you don’t want to squirm away, or ask him to stop– or perhaps you can’t. 
You get the distinct feeling that even if you tried, your limbs would resist, would fight to keep you in place– despite your best efforts, you would remain just as you are now. Spread open and trembling, exactly how Minho wants you. “You make the prettiest music, angel,” he separates from you long enough to speak, “want you to keep singing for me.”
And sing for him you do when he dives back in, flicks your clit with his tongue a few times before wrapping his lips around it, sucking it like a piece of hard candy. Your moans, the smacking sounds of his lips, the way he hums when he returns to your hole to collect the cream– it’s an orchestra, just for the two of you.
You cum again in record time, of course you do. Minho finds it cute, the way you incoherently babble away as you let go for him again. And he isn’t done just because you came again– no, he’s far from finished with your pussy. He doesn’t tire in the slightest, ceaseless in the way he lavishes with you his tongue and suckles with his pretty, perfect lips. 
When you cum for the third time, you don’t even know if you truly ever stop cumming at all– the pleasure just keeps coming in waves, never fully receding before it builds again, washing over you like a tsunami before it all repeats. You writhe and twist, back repeatedly bowing off his bed before falling back, but your thighs stay spread for him, even when his hands stop holding them down. 
His hands have found their way beneath you, cupping and squeezing your ass as he eats away. Your hips wriggle, and he helps grind you up against his face, moaning and humming all the while. It’s too much and not enough all at once; your body screams that it can’t take it, and yet your mind screams that it needs more, and God, you can’t think straight– but is there any point in this night that you were?
You’re hot and heaving, sweat dripping from your brow as you tremble and bend. Minho is hot too, of course– his hair sticking to his forehead with sweat, his face red from his cheeks to his ears, and even down his neck. And were you not so far gone, you’d have noticed that his mask has shifted and fallen from his face. 
It was because of you, too– when another high took you and tugged on his hair hard, crying as your hips jolted and bucked against his face. He should’ve swiftly put it back on, lest you see his scars, but he didn’t– he just shoved it aside, against his better judgment, so he could keep licking you up without interruption. 
You feel positively delirious by the time he’s finished, eyes heavy and bleary, body utterly limp and boneless. He crawls his way up to you, and your gaze is unfocused, blurry; you can hardly distinguish his features anymore– similar to the way he always appeared in your dreams before now.
Regardless, you smile at him before you close your eyes; a weak, but content one that Minho finds oh so endearing. You’re beyond fatigued, but also feel an unmatched sense of elation as your angel strokes your head and whispers sweet nothings for you to fall asleep to. “You belong to me now,” you hear him say, just before you drift off– and you know it’s true. 
You think, perhaps, you’ve always belonged to him. From the very first moment Minho saw you, he knew he was never going to let you go. And just as Orpheus had done for Eurydice, he’d gladly walk into the depths of Hades itself if that’s what it took to keep you by his side. 
He gently caresses your cheek as you fall into a deeper sleep, presses a soft kiss to your lips and whispers a final soft utterance of love before he covers you with a blanket, and your mind goes completely dark for the night. 
You wake the next day with a struggle– at least, you think it’s the next day; it’s too dark in the room you’re in to tell for certain. You reach out for Minho, but don’t feel him anywhere– and as you sit up, and your eyes adjust to the darkness, you realize that you are alone. Your brows furrow as you look around; you’re still in his room, but it doesn’t look quite the same. 
There are no candles, not on the floor or in the candelabra that now lie empty. The tapestries adorning the walls are torn and dulled in color, the piano dusty and the gold decorating it chipped. The sheet of music that sits on the piano’s music desk, that last night looked so fresh and pristine, now appears weathered and yellowed.
As you grab the blanket to pull it off you, you realize it isn't a blanket at all that is covering you, but a cape– Minho’s cape. And on the bed, just an arm’s reach away from you lies a note– the same kind that The Phantom always leaves behind inside the Opera Populaire.
Your hand trembles as you pick it up, eyes straining to read it in the darkness. The message he leaves behind, when your eyes focus on the words well enough to read them, is quite simple. “To my beloved and beautiful Eurydice; welcome home.”
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nipuni · 2 years ago
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Once again I bring you some Eriks 😊
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aanthonyvb · 1 year ago
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More poto Italy inspired stuff
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lowlowmaoo · 5 months ago
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Two lovebirds 😙
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felicitykings · 1 month ago
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Take her - forget me - forget all of this!
THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL (2011)
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xphanlocked · 4 days ago
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𝕤𝕞𝕚𝕝𝕚𝕟𝕘 𝕥𝕙𝕣𝕠𝕦𝕘𝕙 𝕥𝕙𝕖 𝕜𝕚𝕤𝕤....𝕚𝕥❜𝕤 𝕤𝕠>>
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pillowbugs · 2 months ago
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month of ingo, day 23: alternate universe
"why, you ask, was i bound and chained in this cold and dismal place? not for any mortal sin, but the wickedness of my abhorrent face!"
fellas, if your man lives in manhattan, is associated with chandeliers and candles, wears mostly black (or red), has a facial issue that causes others to fear them, spends most of their time underground and is notorious for their voice... that's not your man, that's subway boss ingo from the video game pokémon black & white!
this one's just self-indulgent teehee (some alternate backgrounds under cut)
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birdstooth · 1 year ago
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Christine finds Erik in her closet dedicatedly hemming and mending her dresses/clothes. She likes the idea, but ... what about her undergarments?!!
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Big ty to Executive Producer @night-unfurls-its-splendour who helped me w the historical undergarments situation 🙏
Edit: comic completed! Other parts can be found here
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opera-ghost · 11 months ago
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Could we get a compilation of times Jeremy Stolle heard “slut” when the director called “cut”? 👀
(ask is referencing this post) yes! in my research i found myself only able to focus on this one specific show towards the end of the broadway run, amazingly captured by @angelofmusicishere. and you can see why
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like. come on. the flourish when he grabs the hat? the unwavering eye contact? the cape flip????????
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slutcullis sprawl. (also him lingering after,,,,,,,)
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dude is getting his shit ROCKED
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and then he's just annoying! (slut)
and as a bonus, i have to include that time he went feral when half the set pieces stopped working during the first lair
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nerdywriter36 · 11 months ago
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Assignment: sluttiest phantoms and explain why 😊
In no particular order:
Hugh Panaro - The man is feral and so pelvis-forward. His permanent smirk only adds to it.
Franc D’Ambrosio - The way he moves, look at that man. See also his PONR for the noises he makes.
Greg Mills - He is so soft in real life, but gosh, he is slutty on stage. We don’t call him Greg Finger Lickin’ Mills for nothing.
Ben Crawford - I’m just going to put this fantastic video by @opera-ghost here as my explanation.
Jeremy Stolle - That man PROWLS when he moves.
Adam Robert Lewis - I’ve never even seen video of him, but his VOICE. That tells me all I need to know.
Howard McGillin - Look at all that leg, come on now
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kyannnite · 10 months ago
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the draft that started me down a rabbit hole…. phantom of the fanzine….
aka: a friend making a comment about how notes/prima donna could be some very dysfunctional zine activities created a brainworm in my mind that will never leave
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nipuni · 2 years ago
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Some requests were for modern AU so I played dress up with Erik in some modern outfits 😊
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