#posts round up

[liquidstar]

ok ill say one thing rn

completely wild that ivan tells sua off for consistently sacrificing herself for mizi- saying that she's not being noble by doing this and will only become a source of trauma for her by the end (WHICH WAS TRUE BC SHE THREW THE CONTEST TO DIE IN MIZI'S PLACE)

but then the SECOND hes put into that same situation...

HE DOES THE SAME THING!!! HE KNOWS HIS SCORE IS WELL ABOVE TILL'S SO HE KISSES HIM TO BRING HIS SCORE DOWN AND CHOKES HIM TO MAKE SURE HES THE ONE KILLED (THE SAME WAY MIZI WAS TARGETED FOR BEATING THE CRAP OUT OF LUKA). IVAN YOU PIECE OF SHIT HYPOCRITE. "SOURCE OF TRAUMA" HUH? YOURS WAS WORSE. I CANT BELIEVE YOUVE DONE THIS.

Anyway more in depth thoughts in the reblogs as I gathered myself

[kitocrystal]

just posting it like this bc Im way too lazy to copy it all down on here

[lnmei]

Palestinian Fundraiser Donation Match! 🕊️🇵🇸

I decided to use a recent payment I received for an illustration to donate to every Palestinian who reached out to me this past week. Please share this list, and if you are able, pick at least one donation to match me! Many small donations can go a long way which is why I took the time to put together this post. (date: August 11)

@esraayyad14 | vetted here | match my €5 donation

@mohiy-gaza | vetted here | match my $5 donation

@azaxa | vetted here | match my €5 donation

@abedallhferwanagaza | unvetted but likely legitimate as reverse image search of gfm pictures turns up 0 results (post) | match my €5 donation

@mahmoud0hilles | vetted here (#198) | match my €5 donation

@noorabd1992 | vetted here | match my $5 donation

@ayaalanqarsblog | vetted here | match my €5 donation

@ahmedalnabeeh11 | vetted here (#218) | match my €5 donation

@ehabayyad23 | not yet vetted (created after all tumblr users vetting campaigns have stopped) but very likely legitimate as reverse image search yields no results (post) | match my €5 donation

@emanfamily81 | vetted here | match my €5 donation

@samarsh97 | vetted here | match my €5 donation

@mayadayyad81 | vetted here twice (#144) | match my $5 donation

@bisanalbalawi18 | vetted here | match my €5 donation

@malakabed | vetted here | match my €5 donation

@abdelmutei | vetted here | match my €5 donation

@lailashaqoura | vetted here (#152) | match my €5 donation

@fedao | vetted here | match my $5 donation

@motaz225 | vetted here | match my $5 (~$53 SEK) donation

@free-gaza2 | vetted here | match my $5 donation

@ahmadresh | vetted here | match my $5 donation

@falestine-yousef | vetted here and clarified here | match my $5 donation

[kinnbig]

✨ Simple Gif Colouring for Beginners ✨

I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.

when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!

a couple of things to begin with:

I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!

I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.

as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).

I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.

this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.

okay, full walkthrough beneath the cut!

contents:

1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!

1. intro

the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.

if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!

* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)

✨ natural gif colouring goals

part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!

in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:

brighten dark scenes

remove muddy, yellowish lighting or filters

saturate colours

correct any skin lightening filters or overexposure

make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos

this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!

✨ very very basic colour theory

[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]

the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).

so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.

in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.

it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.

looking at the colour balance sliders on photoshop can make it easier to visualise:

so making a gif more red also means making it less cyan.

removing green from a gif means adding magenta.

taking yellow out of a gif will make it more blue.

tl;dr:

neutralise yellows by adding blue (and vice versa)

neutralise reds by adding cyan (and vice versa)

neutralise green by adding magenta (and vice versa)

2. super simple colouring (the essentials)

starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)

some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.

I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.

so here is my base gif!

it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.

colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:

there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.

I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.

✨ curves layer

the first thing I always do is a curves layer. when you first open one it will look like this:

first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.

if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.

the next step is selecting the white and black points with the little eyedropper tools.

the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.

here's what that did to the gif:

then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.

here's what the gif looks like after picking the white and black points:

this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.

and this is what the curves graph looks like now:

you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.

next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.

‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.

✨ selective colour (and skin tone correction)

skin tones are made up of a mixture of yellow and red.

removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.

adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.

selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.

I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.

in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.

the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.

here's the result. Kim's skin is a lot less pink toned and much more natural looking:

✨ hue/saturation

this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.

I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.

clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.

I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)

then I increased the 'master' saturation of all the colours to +5:

I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.

‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.

done!

✨ saving and reusing colouring

you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.

each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.

I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.

✨ another one! (speedrun!)

HI KEN!

the white point for the curves layer was in the window behind them.

the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.

3. other adjustment layers

imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.

✨ brightness/contrast

pretty self explanatory!

I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 

the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.

✨ levels

levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.

use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.

levels is a good place to start if your curves layer isn't working.

(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)

on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!

✨ vibrance

vibrance... makes the colours more vibrant. it's more subtle than saturation.

it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.

vibrance is much more subtle!

✨ colour balance

colour balance affects the overall balance of colours within a gif.

it's good for scenes with heavy tints.

I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.

✨ channel mixer

I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.

basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.

kind of the reverse of selective colour?

so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.

this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)

(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)

4. troubleshooting

‼️curves

usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(

for example, with this base gif:

using many of the brightest points as a white point turn it wacky colours, like this:

yikes :(

some options for these cases:

try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.

try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.

skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.

‼️over/undersaturation

if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.

oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.

5. fin!

and done! I hope this was coherent helpful to somebody.

if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.

happy gifmaking 🥰

✨ some links!

photoshop basics by @selenapastel

gifmaking for beginners by @hayaosmiyazaki

gifmaking guide for beginners by @saw-x

dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)

beginner's guide to channel mixer by @aubrey-plaza

how to fix orange-washed characters by aubrey-plaza

colour correcting and fixing dark scenes by @kylos

does resampling matter? by usergif

how to put multiple gifs on one canvas by @fictionalheroine

watermarking using actions by @wonwooridul

resource directory by @usergif

[art-is-kayos]

AU where Ayin Fucking Died so Angela had to make him a mini boxbot out of scrap.

[starflungwaddledee]

i wanted to do a piece to commemorate all the amazing waddle dees who entered the @kirbyoctournament this year! as starstruck is the last dee standing in the mainline tourney, that's a big legacy to carry, but she's doing her best...!

if you want to help her keep fighting the fight for the Humble Waddle Dee against all these super cool knights, dark matters, gods, and ancients, you can vote for starstruck here!

additionally with the first round of second chance voting now open, all these dee's are back for more, and you can give them your vote in the second chance bracket!! sadly a few of them are up against each other, but from top to bottom, here are links to vote for your favourites!

galaxia // ideena // pip // fondue // starry // mimi // daisy // rainbow // wadhat // wridee // stellar // rope mf // keyper // seam // lemon // flower // and of course starstruck being squished to within an inch of her life there 😂

character credits, from top to bottom!

galaxia @centellazul // ideena @tazmilygray // pip @emmyp0ps // fondue @moonmacabre01 // starry @staring-at-a-blank-pagee // mimi @clownie-rainbow // daisy @starrygoober // rainbow @cali-kabi // wadhat @iwontusethis255 // wridee @mxmanynames // stellar @drawscutestuff // rope mf @mint-termsandconditions // keyper @bloodiegawz // seam @cloud-the-forgotten // lemon @snazzyladreal // flower @eliastheownerof0axolotls

i hope you all enjoy it!! best of luck to everyone and their wanyas in the tourney and second chance!! 💖🙏

[captainkirkk]

✩ WEEKLY FIC ROUND-UP ✩

All the fics I’ve read and really enjoyed in the past week-ish. Reminder: This list features any and all ratings and themes. Please look at tags and warnings on ao3 before reading.

Marvel

how to return home by JBS_Forever

Flash Thompson is a good person, but not a great one, so when Peter Parker accidentally gets drunk at his house party, all he can do is say, “Shit.”

Or: the one where Flash is just trying to be a decent person and get a drunk Peter home. Peter, on the other hand, has different plans.

scandal of the century by joshriku

The headline reads:

STEAMY SEX TAPE BETWEEN MAGNETO AND PROFESSOR X LEAKED!

“All right,” Charles says. “I wouldn’t call it steamy, you know, that’s an exaggeration.”

“That is seriously not the point, Professor,” Jean answers.

(A sex tape is leaked. PR crisis ensues).

DC

two vigilantes carry a cake across gotham by JBS_Forever

Jason's had a nagging suspicion that Bruce keeps stalker-esque levels of tabs on all the places he’s lived, so when Tim Drake shows up at his apartment door, it takes only a half second for Jason to level his gun directly at Tim's stupid face and to say, bored, “Give me one reason not to shoot you.”

Honestly, he knew Bruce had a problem, but sending a bat to his doorstep? This is just ridiculous.

Or: in a scheming attempt to make them bond, Bruce forces Jason and Tim on what should be a simple quest: retrieve Alfred’s birthday cake from across town and make it back before the party.

But this is Gotham. And nothing is ever simple in Gotham.

racing on the thunder by merils

Fortunately or unfortunately, Clark Kent is kind of used to getting phone calls about his too-curious-for-her-own-good wife being held hostage somewhere. Superman usually handles it.

Conner Kent gets a phone call meant for Clark Kent, who is Superman, who is currently in space. Uh.... Have no fear, Superboy is here!

What could possibly go wrong?

Original Works

Halfway Home for Wayward Mages by hoebiwan

Part 24 of mage in a wolf pack (This whole series kills me)

He wouldn’t mind it if Lada collared him, if Khalida or Dimitri collared him, because none of them have forced him to hurt anyone, whether human or wolf. They mostly just want him to—

Live, Jaime. Live.

In which the wolves rescue Jaime, but he doesn't realize he's free.

the sin eater by whitegeraniums (puertoricansuperman)

Part 25 of mage in a wolf pack

Lada, alpha of the Hearthstone wolf pack, finds herself in possession of a captured, broken werewolf hunter.

ATLA

Keeping Ones Head Down by ApoplecticAtPeace

Part 3 of May You be Noticed by The Fire Lord

Bao lost his ability to walk when he was 19. Despite the prejudice of many Fire Nation citizens, he got a job as an accountant in the Royal palace, in the Department of Education. After 11 years of working quietly, keeping his head down and allowing his work to be claimed by others, he expected nothing to change when Fire Lord Zuko took the throne. He didn't expect the entire department to be reformed under the new Minister Shu-Lin, and Bao's overlooked position with it.

Clone Wars

Something in the heart beat like a drum by CombatBootsandDreams

Most Jedi only have to take three formal sexual education classes. Obi-Wan, in all their blessed biology has to take five.

Or: Obi-Wan growing up in a galaxy where Stewjoni are Succubi. This changes very little--but it does make certain things a hell of lot more interesting.

A Stewjoni are succubus au that has way less to do with sex, & is more about logistics, medical problems, and cuddling. Featuring Qui-Gon being an excellent master, codywan, aromantic Quinlan Vos, Obi-Wan using he/they/she pronouns, and plenty of costume changes.

[artkaninchenbau]

Wanted to make an Egghead-themed sticker sheet for a looong time, and once I got to it I noticed had enough room for a few more extras after the Strawhats were done... So here's some Cross Guild chibs for you

[demigods-posts]

percabeth + grover in tartarus would actually be such an interesting dynamic for the trio for obvious reasons. but imagine the aftermath of the misery goddess scene. annabeth watching as grover calms percy down after his anger got the best of him. knowing that grover is experienced with something she has never seen from percy. and feeling inadequate as a partner and best friend for falling short on yet another relationship. imagine percy letting the guilt of scaring annabeth consume him. debilitated and vulnerable on the burning ground as he wishes for the gods to bestow upon him the same fate he gave akhlys. a cruel justice well-deserved. and imagine grover sensing both of his best friends falling apart at the seams. two kids he knows and seen bring out the best in one another struggling to see the light at the end of the tunnel. knowing there is nothing he can do about it except try and be the protector he once was five years ago.

[ardentastronomer]

strider-man... haha. im hilarious (johndave week day 5 - first kiss) alt under cut

[patrickztump]

patrick stump appreciation post: feat. pete – 13/∞

[mizgnomer]

How tall is David Tennant?

[shakingparadigm]

I'll honestly still be mourning the ROUND 6 that we could have had. The first sketches where Ivan and Till are hugging... Ivan with his arm around Till's shoulders.... The friendly teasing...

I fully understand why they had to change it, but it's still sad to think about all that we missed out on.

[hazbinshusk]

~~~ may/june fic roundup:

fluff: // smut: ** angst: ## hurt/comfort: ^^

after a few too many drinks, husk becomes fascinated with the scent of you. //

you have the idea to spend some time behind the bar with husk, and the poor bartender's never been able to say no to you. **

you wake up to husk grooming you. //

a lazy afternoon with husk. //

over-lord husk brings you along to a game. (suggestive)

sex on the lobby sofa. // **

husk gets even drunker than usual and you need to put him to bed. ^^

helping you cope with period cramps. //

fucking you against the window. **

eating you out. **

you catch husk masturbating with one of your pillows. **

after hours of rutting, husk is still needy. only now, he's asleep. so you help him out without waking him up. ** //

tying up husk. **

husk finds you wearing a pair of his boxers. **

you hit on husk while drunk. //

husk is stuck serving at the bar, so you blow him from under it. **

a happy birthday from husk. //

the walls between your rooms are incredibly thin. cue mutual masturbation. **

husk sings whenever he's alone with you. //

husk becomes jealous when he sees you with alastor. which leads him to having to show you exactly who you belong to. **

over-lord husk can't get you and the thigh-high stockings you wear out of his mind. **

vixen!reader is going through heat, and the scent of it is driving husk insane. **

husk becomes jealous of the attention you pay keekee //

husk comforts you as you deal with a particularly bad day in your depression. ^^

kiss prompts: a kiss on the cheek. //

kiss prompts: an upside down kiss. //

kiss prompts: a kiss with tongue (suggestive)

blitzø takes your virginity. **

you stick up for blitzø after what happened at ozzies. pt. 1. // ^^

you stick up for blitzø after what happened at ozzies. pt. 2. // ^^

blitzø shows you just how good stolas gets it every month. **

blitzø surprises you for your birthday //

blitzø is "the kind of guy to say 'yay' when he sees your boobs". //

locked in a jail cell together. **

blitzø distracts you from your work the best way he knows how. ** //

kiss prompts: kitchen kisses (dealer's choice) // (suggestive)

kiss prompts: a kiss out of spite ## (suggestive)

kiss prompts: a kiss in the rain //

[bandtrees]

they would get divorced in one universe just to find eachother in another one

alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way

[marley-manson]

the topic is Trapper and the army as foils, you have three hours, go

In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.

The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)

In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.

Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.

And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).

Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.

He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).

Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.

He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.

So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.

This contributes to their respective dynamics with Hawkeye.

Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.

The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).

In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.

So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.

Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.

Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.

When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.

Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.

One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.

So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.

With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.

In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.

I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram